Re: [Videolib] Copyright, Fair Use,

Stanton, Kim (Kim.Stanton@unt.edu)
Thu, 26 Mar 2009 10:08:40 -0500

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This was a really fun doc. Most of the conversations we have about Fair Us=
e on this listserv are pretty specific to how it should apply in a "legitim=
ate" teaching context, but this film was much more about transformative use=
and the creation of new creative works by taking from existing works - mos=
tly amateur, not for profit works (i.e. remixed YouTube content). The high=
er profile legal cases here seem much more likely to shape law and preceden=
t than University X putting a 20 minute clip in Blackboard, so it's worth t=
aking note.

I think the biggest issue that could be taken with the film is how rights h=
olders were portrayed - you are all big and bad. And there was an interview=
scene with a woman at the US Copyright office that kind of made my heart h=
urt. But at the same time, it gave a really good overview of how copyright =
law has changed over time to favor the rights holder (especially with the S=
onny Bono Act and the DMCA) and how this conflicts with the way a lot of =
people are making creative works (quoting audio and visual works, instead o=
f print).

Really interesting film, definitely worth watching. Would create a whole ne=
w fisticuffs inducing listserv thread!

Kim Stanton

Digital Media Librarian

Media Library

University of North Texas

Kim.stanton@unt.edu

(940) 565-4832

From: videolib-bounces@lists.berkeley.edu [mailto:videolib-bounces@lists.be=
rkeley.edu] On Behalf Of McGinty Dylan
Sent: Wednesday, March 25, 2009 4:28 PM
To: videolib@lists.berkeley.edu
Subject: [Videolib] Copyright, Fair Use, a flurry of emails: RIP: A REMIX M=
ANIFESTO

As usual, the ongoing videolib discussion, argument, and analysis of copyri=
ght issues has been great. And I think new ground has been covered (not al=
ways the case).

RIP: A REMIX MANIFESTO, which premiered at SXSW a few days ago, covers some=
of these issues in an incredibly unique way. Check it out:
http://www3.nfb.ca/webextension/rip-a-remix-manifesto/

(I think Kim Stanton of University of North Texas saw it at SXSW... Care to=
give us your impression Kim?)

This film is available now for public screenings! Contact bside to book it=
now. http://www.bside.com/

RIP: A REMIX MANIFESTO is truly a great introduction to the issues, and a f=
un film. But don't take my word. Check out the website, this film will bl=
ow you away.

Dylan Maddox McGinty
Agent, ventes institutionnelles - =C9tats-Unis | Officer, Institutional Sal=
es - United States
Direction de la Distribution | Distribution Branch
Office national du film du Canada | National Film Board of Canada
1123 Broadway, Suite 307
New York, NY 10010
T 212 629 8890
F 212 629 8502
M 347 873 5160
Gouvernement du Canada | Government of Canada
www.onf.ca<http://www.onf.ca> | www.nfb.ca<http://www.nfb.ca>
[cid:image001.jpg@01C9ADF0.00D69930] [cid:image002.jpg@01C9ADF0.00D69930]
PENSEZ =E0 l'environnement avant d'imprimer ce courriel | PLEASE consider t=
he environment before printing this email

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This was a really fun doc. =A0Most of the conversations we h=
ave about
Fair Use on this listserv are pretty specific to how it should apply in a &=
#8220;legitimate”
teaching context, but this film was much more about transformative use and =
the
creation of new creative works by taking from existing works - mostly amate=
ur,
not for profit works (i.e. remixed YouTube content). =A0The higher profile =
legal
cases here seem much more likely to shape law and precedent than University=
X
putting a 20 minute clip in Blackboard, so it’s worth taking note. =
=A0<o:p></o:p>

<o:p> </o:p>

I think the biggest issue that could be taken with the film =
is how
rights holders were portrayed – you are all big and bad. And there wa=
s an
interview scene with a woman at the US Copyright office that kind of made m=
y
heart hurt. But at the same time, it gave a really good overview of how
copyright law has changed over time to favor the rights holder (especially =
with
the Sonny Bono Act =A0and the DMCA) and how this conflicts with the way =A0=
a lot of
people are making creative works (quoting audio and visual works, instead o=
f
print). <o:p></o:p>

<o:p> </o:p>

Really interesting film, definitely worth watching. Would cr=
eate
a whole new fisticuffs inducing listserv thread! =A0=A0=A0=A0=A0<o:p></o:p>=

<o:p> </o:p>

Kim Stanton<o:p></o:p>

Digital Media Librarian<o:p></o:p>

Media Library<o:p></o:p>

University of North Texas<o:p></o:p>

Kim.stanton@unt.edu<o:p></o:p>

(940) 565-4832<o:p></o:p>

<o:p> </o:p>

<div>

From:
videolib-bounces@lists.berkeley.edu
[mailto:videolib-bounces@lists.berkeley.edu] On Behalf Of McGinty Dy=
lan 
Sent: Wednesday, March 25, 2009 4:28 PM 
To: videolib@lists.berkeley.edu 
Subject: [Videolib] Copyright, Fair Use, a flurry of emails: RIP: A
REMIX MANIFESTO<o:p></o:p>

</div>

<o:p> </o:p>

As usual, the ongoing videolib discussion, argument, and
analysis of copyright issues has been great.  And I think new ground h=
as
been covered (not always the case).  <o:p></o:p>

<o:p> </o:p>

RIP: A REMIX MANIFESTO, which premiered at SXSW a few days a=
go, covers
some of these issues in an incredibly unique way.  Check it out:<o:p><=
/o:p>

<a href=3D"http://www3.nfb.ca/webextension/rip-a-remix-manif=
esto/">http://www3.nfb.ca/webextension/rip-a-remix-manifesto/</a><o:p></o:p=
>

<o:p> </o:p>

(I think Kim Stanton of University of=
North
Texas saw it at SXSW… Care to give us your impression Kim?)<o:p></o:p=
>

<o:p> </o:p>

This film is available now for public screenings!  Cont=
act
bside to book it now. <a href=3D"http://www.bside.com/">http://www.bside.co=
m/</a><o:p></o:p>

<o:p> </o:p>

RIP: A REMIX MANIFESTO is truly a great introduction to the
issues, and a fun film.  But don’t take my word.  Check out=
the
website, this film will blow you away. <o:p></o:p>

<o:p> </o:p>

Dylan Maddox McGinty<o:p></o:p>

Agent, ventes institutionnelles - =C9tats-Unis | Office=
r,
Institutional Sales - United States <o:p></o:p>

D=
irection
de la Distribution | Distribution Branch<o:p></o:p>

O=
ffice
national du film du Canada | National Film Board of Canada<o:p></o:p=
>

1123 Broadway, Suite 307 
New York, NY 10010 
T 212 629 8890 
F 212 629 8502 
M 347 873 5160<o:p></o:p>

Gouvernement du Canada | Government of Canada<o:p></o:p=
>

PENSEZ =E0 l'environnement avant d'imprimer ce courriel | PLEA=
SE
consider the environment before printing this email<o:p></o:p>

<o:p> </o:p>

</div>

</body>

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