[Videonews] *New Release* PHOTO SOUVENIR

Leila McCullough (leila@frif.com)
Tue, 4 Dec 2007 11:32:57 -0500

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Dear Videonews Subscribers,

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First Run / Icarus Films is proud to announce the release of the 2006 =
winner of the Golden Calf for Best Documentary at the Netherlands Film =
Festival. It is a film which explores what happens to a person who once =
had a national reputation in Niger as a photographer, much along the =
lines of Malik Sidibe and Seydou Keita, but is no longer able to work.

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"A beautiful documentary about an African photographer who made =
beautiful pictures."

=E2=80=94NRC Handelsblad =20

=
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PHOTO SOUVENIR

A Film by Paul Cohen & Martijn van Haalen

During the social and cultural euphoria of a newly independent Niger in =
the 1960s, Philippe Koudjina worked as a photojournalist and later =
opened his own photo studio. For many years his snapshots of the youth =
scene in Niamey and his individual and family portraits provided =
Koudjina, known as "The Cheese" because of the verbal instruction he =
would give to his subjects, with a national reputation and a good =
living.

Today Koudjina has fallen on hard times. He is no longer able to take =
photos because he is slowly losing his sight to glaucoma. After being =
hit by a car, he must use crutches to get around, and he can't afford =
the medical care he requires. His cameras, photographic equipment and a =
disorganized collection of negatives gather dust in a decaying cupboard, =
while he begs on the street in order to survive.

PHOTO SOUVENIR features interviews with Koudjina, who recounts his =
photographic heyday, including the many celebrities he photographed, and =
explains his photographic techniques, while reminiscences by friends and =
acquaintances are complemented by samples of many of Koudjina's =
distinctive black-and-white photos.

Koudjina's desperate situation is contrasted with the fortunes of other =
African photographers such as Malick Sidibe and Seydou Keita, whose work =
from the same period, today celebrated in coffee-table books and =
European exhibitions, has brought them renewed attention and financial =
rewards.

While the film documents the effort by two French photo connoisseurs to =
organize an exhibition of Koudjina's work in Paris, PHOTO SOUVENIR =
reveals the fickle cultural process by which one-time "photo souvenirs" =
become "photographic art," and whether or not an artistic reputation is =
made in the Western world.

<http://frif.com/new2007/ps.html> Read more here!

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54 minutes / color / 2006=20
Sale/DVD: $390
Rental/DVD: $100

- Free preview for purchase consideration is available.

- Purchase price includes Public Performance Rights.
- This film is available to our Canadian customers.

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Sign up for the new geography RSS feed for <http://frif.com/rss.html> =
Geography updates from FRIF!=20

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First Run/Icarus Films

32 Court Street, 21st Floor

Brooklyn, NY 11201

Email: mailroom@frif.com
Phone: (718) 488-8900

Fax: (718) 488-8642

<http://www.frif.com/> http://www.frif.com

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<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>Dear Videonews =
Subscribers,<o:p></o:p></span></font></p>

<p class=3DMsoNormal><font size=3D1 face=3DArial><span =
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style=3D'font-size:6.0pt;
font-family:Arial'><o:p>&nbsp;</o:p></span></font></p>

<p class=3DMsoNormal><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial'>First Run / Icarus Films is proud to announce the =
release of
the 2006 winner of the Golden Calf for Best Documentary at the =
Netherlands Film
Festival.=C2=A0 It is a film which explores what happens to a person who =
once had a
national reputation in <st1:country-region w:st=3D"on"><st1:place =
w:st=3D"on">Niger</st1:place></st1:country-region>
as a photographer, much along the lines of Malik Sidibe and Seydou =
Keita, but
is no longer able to work.<o:p></o:p></span></font></p>

<p class=3DMsoNormal><i><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;
font-family:Arial;font-style:italic'><o:p>&nbsp;</o:p></span></font></i><=
/p>

<p class=3DMsoNormal style=3D'margin-bottom:12.0pt'><i><font size=3D3 =
face=3DArial><span
style=3D'font-size:12.0pt;font-family:Arial;font-style:italic'>&quot;A =
beautiful
documentary about an African photographer who made beautiful =
pictures.&quot;<o:p></o:p></span></font></i></p>

<p class=3DMsoNormal align=3Dright =
style=3D'margin-bottom:12.0pt;text-align:right'><b><font
size=3D3 face=3DArial><span =
style=3D'font-size:12.0pt;font-family:Arial;font-weight:
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</span></font></b><font size=3D2><span =
style=3D'font-size:10.0pt'><o:p></o:p></span></font></p>

<p class=3DMsoNormal><b><font size=3D6 color=3D"#33cccc" =
face=3DArial><span
style=3D'font-size:24.0pt;font-family:Arial;color:#33CCCC;font-weight:bol=
d'>PHOTO
SOUVENIR<o:p></o:p></span></font></b></p>

<p class=3DMsoNormal><b><font size=3D3 color=3D"#ff9900" =
face=3DArial><span
style=3D'font-size:12.0pt;font-family:Arial;color:#FF9900;font-weight:bol=
d'>A
Film by Paul Cohen &amp; Martijn van Haalen<span =
class=3Dcredit1><b><font
face=3DArial><o:p></o:p></font></b></span></span></font></b></p>

<p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>During
the social and cultural euphoria of a newly independent =
<st1:country-region
w:st=3D"on"><st1:place =
w:st=3D"on">Niger</st1:place></st1:country-region> in the
1960s, Philippe Koudjina worked as a photojournalist and later opened =
his own
photo studio. For many years his snapshots of the youth scene in =
<st1:City
w:st=3D"on"><st1:place w:st=3D"on">Niamey</st1:place></st1:City> and his =
individual
and family portraits provided Koudjina, known as &quot;The Cheese&quot; =
because
of the verbal instruction he would give to his subjects, with a national
reputation and a good living.<o:p></o:p></span></font></p>

<p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>Today
Koudjina has fallen on hard times. He is no longer able to take photos =
because
he is slowly losing his sight to glaucoma. After being hit by a car, he =
must
use crutches to get around, and he can't afford the medical care he =
requires.
His cameras, photographic equipment and a disorganized collection of =
negatives
gather dust in a decaying cupboard, while he begs on the street in order =
to
survive.<o:p></o:p></span></font></p>

<p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>PHOTO
SOUVENIR features interviews with Koudjina, who recounts his =
photographic
heyday, including the many celebrities he photographed, and explains his
photographic techniques, while reminiscences by friends and =
acquaintances are
complemented by samples of many of Koudjina's distinctive =
black-and-white
photos.<o:p></o:p></span></font></p>

<p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>Koudjina's
desperate situation is contrasted with the fortunes of other African
photographers such as Malick Sidibe and Seydou Keita, whose work from =
the same
period, today celebrated in coffee-table books and European exhibitions, =
has
brought them renewed attention and financial =
rewards.<o:p></o:p></span></font></p>

<p><font size=3D2 face=3DArial><span =
style=3D'font-size:10.0pt;font-family:Arial'>While
the film documents the effort by two French photo connoisseurs to =
organize an
exhibition of Koudjina's work in Paris, PHOTO SOUVENIR reveals the =
fickle
cultural process by which one-time &quot;photo souvenirs&quot; become
&quot;photographic art,&quot; and whether or not an artistic reputation =
is made
in the Western world.</span></font><b><font size=3D1 color=3Dred =
face=3DArial><span
style=3D'font-size:3.0pt;font-family:Arial;color:red;font-weight:bold'><o=
:p></o:p></span></font></b></p>

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<p><b><font size=3D5 color=3D"#ff6600" face=3DArial><span =
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here!</span></font></a><o:p></o:p></span></font></b></p>

<p><b><font size=3D1 color=3D"#ff6600" face=3DArial><span =
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style=3D'font-size:10.0pt;font-family:"Trebuchet =
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/ color / 2006 <br>
Sale/DVD: $390<br>
Rental/DVD: $100</span></font></b><b><font size=3D4 color=3D"#00ccff" =
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