> I imagine there is a wide gap between educational and feature material.
> For a company like Kino this is not going to be practical for a while given
> rights and technology issues. Many of the films in our collection would never
> have included such rights and they have to negotiated one by one, even in
> where we have them we would be very ruluctant to license them to a third party
> and in many cases probably could not anyway. To give you one very odd example
> we found out that METROPOLIS will probably never be able to licensed for
> streaming by us or anyone else because of weird element of German copyright
> and the estate of the family of artist who developed the design for Maria
> the Robot ( who knew). At this point our focus would be on download technology
> for consumer use. We of course have a lot of foreign films who rights are
> complex and whose owners might well freak at the concept of licensing material
> for streaming. I am not saying it won't happen but for feature material I
> think it will happen very quickly or easily and as always there will be tens
> thousands of films that for one reason or another you can't license
How do they plan to make money on their holdings once basically *everything*
is streamed except for their holdings?
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.