Bergman, Barbara J wrote:
> Um, I'm going to ask the obvious here and say:
> What does he have against DVD? My film profs were perfectly happy to
> change over to DVD (which was not the case with VHS).
> Especially when I explained that I can buy a whole lotta $20 DVDs
> instead of one $300 rental...
> Barb Bergman | Media Services Librarian | Minnesota State
> University-Mankato | (507) 389-5945 | email@example.com
> -----Original Message-----
> From: firstname.lastname@example.org
> [mailto:email@example.com] On Behalf Of Karen Baxter
> Sent: Wednesday, January 10, 2007 3:26 PM
> To: firstname.lastname@example.org
> Subject: [Videolib] 35mm Rentals Question
> Hello Videolib,
> I have a question that I hope the collective wisdom and experience of
> this group can help answer. Our Film Services manager and I have been
> unable to locate the companies that have the distribution rights and can
> provide educational rentals for the following westerns. She has
> exhausted all of her regular sources. One of our Film / Video School
> faculty is teaching a History of the Western course this semester and
> wanted to rent 35mm films to show to his class. He is most interested
> in "Johnny Guitar", directed by Nicholas Ray.
> Can anyone help and point us in the direction we need to go? Or is this
> a hopeless endeavor?
> JOHNNY GUITAR - Nicholas Ray (1954) on 35mm
> THE SEARCHERS - John Ford (1956) on 35mm
> THE MAN WHO SHOT LIBERTY VALANCE- John Ford (1962) on 35mm
> SEVEN MEN FROM NOW - Budd Boetticher (1959)
> MCCABE AND MRS. MILLER - Robert Altman (1971)
> RIDE THE HIGH COUNTRY - Sam Peckinpah (1969)
> Thank you so much!
> Karen Baxter
-- Karen Baxter Visual Arts Librarian California Institute of the Arts Library and Information Resources 24700 McBean Parkway Valencia, CA 91355-2397 661 253-7880 661 254-4561 fax email@example.com
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.