Re: [Videolib] Documentaries on JAZZ

Bonnie Brown (
Thu, 13 Jul 2006 17:17:02 -0400

=3CBODY=3E=3CP=3EHow about=2C =22The Cry of Jazz=3F=22 =3CSPAN class=3Dc=
=3CFORM class=3Dbitmform name=3Dadditem action=3Dhttp=3A//www=2Efacets=2E=
org/asticat method=3Dpost=3E
=3CDIV class=3Dbitmdescr=3E
=3CDIV class=3Dbitmdescr=3EFilmed in Chicago=2C finished in 1959=2C the =
=3CI=3ECry of Jazz=3C/I=3E is filmmaker=2C composer and arranger Edward =
O=2E Bland=27s polemical essay on the politics of music and race=2C a fo=
recast of what he called =22the death of jazz=2E=22 A landmark moment in=
black film=2C foreseeing the civil unrest of subsequent decades=2C it a=
lso features the only known footage of visionary pianist Sun Ra from his=
beloved Chicago period=2E=3C/DIV=3E
=3CDIV class=3Dbitmdescr=3E=26nbsp=3B=3C/DIV=3E
=3CDIV class=3Dbitmdescr=3EBonnie Brown=3C/DIV=3E
=3CDIV class=3Dbitmdescr=3EBobst Library=3C/DIV=3E
=3CDIV class=3Dbitmdescr=3ENew York University=3C/DIV=3E
=3CDIV class=3Dbitmdescr=3E=26nbsp=3B=3C/DIV=3E=3C/DIV=3E
=3CP=3E=3C/SPAN=3E=3CBR=3E=3CBR=3E----- Original Message ----- =3CBR=3EF=
rom=3A Gary Handman =26lt=3Bghandman=40library=2Eberkeley=2Eedu=26gt=3B =
=3CBR=3EDate=3A Thursday=2C July 13=2C 2006 4=3A30 pm =3CBR=3ESubject=3A=
Re=3A =5BVideolib=5D Documentaries on JAZZ =3CBR=3E=3CBR=3E=26gt=3B Hi =
Adrian =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B Herre are a few of my faves=3A =
(unless otherwise noted=2C all =3CBR=3E=26gt=3B available =3CBR=3E=26gt=3B=
in home video) =3CBR=3E=26gt=3B I note=2C much to my consternation=2C t=
hat a number of my faves are no =3CBR=3E=26gt=3B longer in distribution-=
-or at least in limbo (among them=3A =22Bird =3CBR=3E=26gt=3B Now!=22 an=
d =22Celebrating Bird=22=2C =22Blue Note=3A A Story of Modern =3CBR=3E=26=
gt=3B Jazz=2C=22 =22Let=27s Get Lost=22 =5BChet Baker=5D) =3CBR=3E=26gt=3B=
=3CBR=3E=26gt=3B Jazz Innovators=3A From Bebop=2C to Hard Bop=2C to Coo=
l and More=2E =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B Charlie=
Mingus=3A Triumph of the Underdog =3CBR=3E=26gt=3B The first comprehens=
ive documentary of Afro-American jazz bassist=2C =3CBR=3E=26gt=3B bandle=
ader and composer Charles Mingus who led a tumultuous life =3CBR=3E=26gt=
=3B filled with trauma and frustration=2C joy and creativity=2E Nine yea=
rs =3CBR=3E=26gt=3B in =3CBR=3E=26gt=3B the making and exhaustively rese=
arched=2C virtually everything used =3CBR=3E=26gt=3B in =3CBR=3E=26gt=3B=
the film is extraordinarily rare=2E Abundant clips of Mingus in =3CBR=3E=
=26gt=3B performance in the 1960s and 1970s perfectly illustrate the man=
y =3CBR=3E=26gt=3B faces and tortured heart of a musical genius=2E 1997=2E=
78 min=2E =3CBR=3E=26gt=3B DVD=3A =3CBR=3E=26gt=3B http=3A//www=2Eamazo=
n=2Ecom/gp/product/B00000IBMI/qid=3D1152822059/sr=3D1- =3CBR=3E=26gt=3B =
dvd=26amp=3Bv=3Dglance=26amp=3Bn=3D130 =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B=
A Great Day in Harlem =3CBR=3E=26gt=3B Commentators=3A Art Kane=2C Robe=
rt Benton=2C Gerry Mulligan=2C Bud =3CBR=3E=26gt=3B Freeman=2C =3CBR=3E=26=
gt=3B Mike Lipskin=2C Nat Hentoff=2C Milt Hinton=2C Soville Browne=2C Ed=
die =3CBR=3E=26gt=3B Locke=2C =3CBR=3E=26gt=3B Horace Silver=2C Art Farm=
er=2C Robert Altschuler=2C Art Blakey=2C Mona =3CBR=3E=26gt=3B Hinton=2C=
Steve Frankfurt=2C Dizzy Gillespie=2C Sonny Rollins=2C Marian =3CBR=3E=26=
gt=3B McPartland=2C Horace Silver=2C Sonny Rollins=2C Hank Jones=2C Max =
=3CBR=3E=26gt=3B Kaminsky=2C =3CBR=3E=26gt=3B Buck Clayton=2E A document=
ary about a photograph taken in 1958 by =3CBR=3E=26gt=3B Art =3CBR=3E=26=
gt=3B Kane of the jazz greats of the period=2E Includes home movie foota=
ge =3CBR=3E=26gt=3B of =3CBR=3E=26gt=3B that day of the musicians arrivi=
ng and greeting each other the =3CBR=3E=26gt=3B morning of the shoot=2E =
Also includes conversations with musicians =3CBR=3E=26gt=3B and =3CBR=3E=
=26gt=3B archival performance footage=2E 60 min=2E =3CBR=3E=26gt=3B DVD=3A=
=3CBR=3E=26gt=3B http=3A//www=2Eamazon=2Ecom/gp/product/B000BVNS7U/qid=3D=
1152822138/sr=3D1- =3CBR=3E=26gt=3B 1/ref=3Dpd=5Fbbs=5F1/102-6153851- =3C=
BR=3E=26gt=3B 7580120=3F=255Fencoding=3DUTF8=26amp=3Bs=3Ddvd=26amp=3Bv=3D=
glance=26amp=3Bn=3D130 =3CBR=3E=26gt=3B Jazz On a Summer=27s Day =3CBR=3E=
=26gt=3B Performers=3A Louis Armstrong=2C Mahalia Jackson=2C Chuck Berry=
=2C Dinah =3CBR=3E=26gt=3B Washington=2C Thelonious Monk=2C Gerry Mullig=
an=2C Jimmy Giuffre=2C Anita =3CBR=3E=26gt=3B O=27Day=2C Jack Teagarden=2C=
Chico Hamilton=2C Sonny Stitt=2C George =3CBR=3E=26gt=3B Shearing=2C =3C=
BR=3E=26gt=3B Big Maybelle and other performers=2E Presents the music=2C=
musicians=2C =3CBR=3E=26gt=3B and =3CBR=3E=26gt=3B spectators at the Ne=
wport Jazz Festival of 1958=3B a dazzling =3CBR=3E=26gt=3B display =3CBR=
=3E=26gt=3B of rich human observation and some of the most remarkable sc=
enes =3CBR=3E=26gt=3B of =3CBR=3E=26gt=3B live jazz ever brought to the =
screen=2E A film by Bert Stern=2E 1959=2E =3CBR=3E=26gt=3B 84 min =3CBR=3E=
=26gt=3B DVD=3A =3CBR=3E=26gt=3B http=3A//www=2Eamazon=2Ecom/gp/product/=
B00003OSU4/qid=3D1152822174/sr=3D1- =3CBR=3E=26gt=3B 1/ref=3Dpd=5Fbbs=5F=
1/102-6153851- =3CBR=3E=26gt=3B 7580120=3F=255Fencoding=3DUTF8=26amp=3Bs=
=3Ddvd=26amp=3Bv=3Dglance=26amp=3Bn=3D130 =3CBR=3E=26gt=3B =3CBR=3E=26gt=
=3B Mingus=3A Charles Mingus=2C 1968=2E =3CBR=3E=26gt=3B A portrait of t=
his great bassist/composer and some of the hard =3CBR=3E=26gt=3B times =3C=
BR=3E=26gt=3B that came his way=2E Includes scenes of him conducting his=
big band=2C =3CBR=3E=26gt=3B composing=2C singing and reciting his own =
poetry=2E 58 min=2E =3CBR=3E=26gt=3B DVD=3A =3CBR=3E=26gt=3B http=3A//ww=
w=2Eamazon=2Ecom/gp/product/B0002SLYMI/qid=3D1152822303/sr=3D1- =3CBR=3E=
=26gt=3B 2/ref=3Dpd=5Fbbs=5F2/102-6153851- =3CBR=3E=26gt=3B 7580120=3F=25=
5Fencoding=3DUTF8=26amp=3Bs=3Ddvd=26amp=3Bv=3Dglance=26amp=3Bn=3D130 =3C=
BR=3E=26gt=3B Straight No Chaser=2E =3CBR=3E=26gt=3B Documentary about t=
he life and works of Monk=2E Includes extensive =3CBR=3E=26gt=3B archiva=
l footage by Michael and Christian Blackwell=2C made in 1968=2C =3CBR=3E=
=26gt=3B of =3CBR=3E=26gt=3B Monk performing his own compositions in stu=
dio=2C on tour=2C and =3CBR=3E=26gt=3B behind =3CBR=3E=26gt=3B the scene=
s=2E With newly added interviews=2E 90 min=2E =3CBR=3E=26gt=3B DVD=3A =3C=
BR=3E=26gt=3B http=3A//www=2Eamazon=2Ecom/gp/product/B000053VC9/qid=3D11=
52822334/sr=3D1- =3CBR=3E=26gt=3B 1/ref=3Dpd=5Fbbs=5F1/102-6153851- =3CB=
R=3E=26gt=3B 7580120=3F=255Fencoding=3DUTF8=26amp=3Bs=3Ddvd=26amp=3Bv=3D=
glance=26amp=3Bn=3D130 =3CBR=3E=26gt=3B The World According to John Colt=
rane=2E =3CBR=3E=26gt=3B The definitive and only authorized film on jazz=
saxophonist John =3CBR=3E=26gt=3B Coltrane=2E 59 min=2E =3CBR=3E=26gt=3B=
DVD=3A =3CBR=3E=26gt=3B http=3A//www=2Eamazon=2Ecom/gp/product/B0000667=
2L/qid=3D1152822334/sr=3D1- =3CBR=3E=26gt=3B 2/ref=3Dpd=5Fbbs=5F2/102-61=
53851- =3CBR=3E=26gt=3B 7580120=3F=255Fencoding=3DUTF8=26amp=3Bs=3Ddvd=26=
amp=3Bv=3Dglance=26amp=3Bn=3D130 =3CBR=3E=26gt=3B =26gt=3B1=2E New Orlea=
ns=3A The Birthplace of Jazz =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B Didn=27t =
We Ramble On=2E =3CBR=3E=26gt=3B Film examines how West African people h=
ave passed down their rites =3CBR=3E=26gt=3B and spiritual fervor=2C gen=
eration by generation=2C through the black =3CBR=3E=26gt=3B marching ban=
d=2E As long as 700 years ago=2C the Yaruba=27s had =3CBR=3E=26gt=3B mus=
icalprocessions at funerals=2E By the 17th century=2C African =3CBR=3E=26=
gt=3B musicians were seen in Turkish marching bands and admired and =3CB=
R=3E=26gt=3B copied =3CBR=3E=26gt=3B by the monarchs of Europe=2E During=
both World Wars black military =3CBR=3E=26gt=3B bands played a major ro=
le in maintaining troop morale=2E In the U=2ES=2E =3CBR=3E=26gt=3B today=
=2C the tradition of the black marching band continues on the =3CBR=3E=26=
gt=3B football fields as exemplified by the Forida A=26amp=3BM Marching =
Band=2E In =3CBR=3E=26gt=3B New Orleans today=2C a jazz procession=2C a =
direct cultural link to =3CBR=3E=26gt=3B the =3CBR=3E=26gt=3B Yoruba cer=
emony of 700 years ago=2C is an integral part of the =3CBR=3E=26gt=3B Af=
ro-American funerals=2E By the 17th century=2C African musicians =3CBR=3E=
=26gt=3B were =3CBR=3E=26gt=3B seen in Turkish marching bands and admire=
d and copied by the =3CBR=3E=26gt=3B monarchs =3CBR=3E=26gt=3B of Europe=
=2E During both World Wars black military bands played a =3CBR=3E=26gt=3B=
major =3CBR=3E=26gt=3B role in maintaining troop morale=2E In the U=2ES=
=2E today=2C the tradition =3CBR=3E=26gt=3B of =3CBR=3E=26gt=3B the blac=
k marching band continues on the football fields as =3CBR=3E=26gt=3B exe=
mplified by the Forida A=26amp=3BM Marching Band=2E In New Orleans today=
=2C =3CBR=3E=26gt=3B a =3CBR=3E=26gt=3B jazz procession=2C a direct cult=
ural link to the Yoruba ceremony of =3CBR=3E=26gt=3B 700 =3CBR=3E=26gt=3B=
years ago=2C is an integral part of the Afro-American funeral =3CBR=3E=26=
gt=3B observance=2E 1989=2E 15 min=2E =3CBR=3E=26gt=3B VHS=3A Filmakers =
Library =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B =26gt=3B3=2E The Jazz Swing Er=
a =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B The Last of the Blue Devils =3CBR=3E=
=26gt=3B A documentary recollection of music and musicians associated wi=
th =3CBR=3E=26gt=3B Kansas City=2C Mo=2E in the 1930=27s=2C featuring Co=
unt Basie and his =3CBR=3E=26gt=3B orchestra=2C Joe Turner=2C and Jay Mc=
Shann=2E =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B Songs=3A South (Bennie Moten =
Orchestra) -- Piney Brown blues (Big =3CBR=3E=26gt=3B Joe =3CBR=3E=26gt=3B=
Turner =26amp=3B Jay McShann) -- Jay=27s blues (Jay McShann) -- Jesse=27=
s =3CBR=3E=26gt=3B blues =3CBR=3E=26gt=3B (Jesse Price) -- Moten swing (=
Count Basie Orchestra) -- Jumpin=27 =3CBR=3E=26gt=3B the =3CBR=3E=26gt=3B=
blues=3B Hootie=27s blues=3B After hours (Jay McShann=27s Big Band) -- =
=3CBR=3E=26gt=3B Lester =3CBR=3E=26gt=3B leaps in (featuring Paul Quinic=
hette=2C Eddie Durham=2C Charles =3CBR=3E=26gt=3B McPherson) -- Jumpin=27=
at the woodside (Count Basie Orchestra=3B Eric =3CBR=3E=26gt=3B Dixon=2C=
Jimmy Forrest=2C saxophones) -- Until the real thing comes =3CBR=3E=26g=
t=3B along =3CBR=3E=26gt=3B -- Hot house -- Shake=2C rattle =26amp=3B ro=
ll (Big Joe Turner) -- Roll =27em =3CBR=3E=26gt=3B (Big Joe Turner and t=
he Jay McShann Big Band) -- Night train =3CBR=3E=26gt=3B (Count =3CBR=3E=
=26gt=3B Basie Orchestra=3B Jimmy Forrest=2C saxophone) -- Piney Brown B=
lues =3CBR=3E=26gt=3B (reprise) (Big Joe Turner =26amp=3B Jay McShann) -=
- One o=27clock jump (Jay =3CBR=3E=26gt=3B McShann Big Band) -- One o=27=
clock jump (Count Basie Orchestra) -- =3CBR=3E=26gt=3B Moten swing (Benn=
ie Moten Orchestra) -- Honey hush=3B Rose garden=3B =3CBR=3E=26gt=3B Cha=
ins of love=3B Shake=2C rattle =26amp=3B roll (incomplete) (Big Joe Turn=
er =3CBR=3E=26gt=3B =26amp=3B =3CBR=3E=26gt=3B Jay McShann)=2E 1979=2E 9=
0 min=2E =3CBR=3E=26gt=3B DVD=3A =3CBR=3E=26gt=3B http=3A//www=2Eamazon=2E=
com/gp/product/B00005M2CK/qid=3D1152822395/sr=3D1- =3CBR=3E=26gt=3B 1/re=
f=3Dpd=5Fbbs=5F1/102-6153851- =3CBR=3E=26gt=3B 7580120=3F=255Fencoding=3D=
UTF8=26amp=3Bs=3Ddvd=26amp=3Bv=3Dglance=26amp=3Bn=3D130 =3CBR=3E=26gt=3B=
On the Road with Duke Ellington=3A A Rare Visit Behind the Scenes =3CBR=
=3E=26gt=3B with =3CBR=3E=26gt=3B an American Jazz Legend =3CBR=3E=26gt=3B=
Filmed at the peak of his career=2C this serves as perhaps the most =3C=
BR=3E=26gt=3B revealing and intimate portrait of the artist ever recorde=
d=2E Gives =3CBR=3E=26gt=3B an =3CBR=3E=26gt=3B unobtrusive look inside =
the colorful and transient world of the =3CBR=3E=26gt=3B American Jazz l=
egend=2C exposing the key elements that characterize =3CBR=3E=26gt=3B an=
d =3CBR=3E=26gt=3B define him=2E Presents Ellington as the artist perfor=
ming=2C composing =3CBR=3E=26gt=3B and ruminating about his life and car=
eer=2E Originally produced as a =3CBR=3E=26gt=3B motion picture in 1974=2E=
Special features=3A Duke Ellington =3CBR=3E=26gt=3B biography=3B =3CBR=3E=
=26gt=3B Ellington photo gallery=3B filmmaker biography=3B catalog/trail=
ers for =3CBR=3E=26gt=3B Docurama=3B interactive menus=3B scene selectio=
n=2E 60 min=2E =3CBR=3E=26gt=3B DVD=3A =3CBR=3E=26gt=3B http=3A//www=2Ea=
mazon=2Ecom/gp/product/B0000669BP/ref=3Dsr=5F11=5F1/102- =3CBR=3E=26gt=3B=
30 =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B =26gt=3B4=2E The Women of Jazz =3CB=
R=3E=26gt=3B =3CBR=3E=26gt=3B Billie Holiday=3A The Ultimate Collection=2E=
=3CBR=3E=26gt=3B Features rare TV and film performances by Billie Holid=
ay=2C an =3CBR=3E=26gt=3B especially rare radio interview with Mike Wall=
ace=2C an audio-only =3CBR=3E=26gt=3B rehearsal session with pianist Jim=
my Rowles=2C audio interviews with =3CBR=3E=26gt=3B friends and fellow m=
usicians=2C an interactive timeline and an =3CBR=3E=26gt=3B evocative ph=
oto-document gallery featuring hundreds of images=2C =3CBR=3E=26gt=3B fr=
om =3CBR=3E=26gt=3B rare photos to personal letters=2C plus Lady Day=27s=
complete =3CBR=3E=26gt=3B recording =3CBR=3E=26gt=3B history for major =
record companies=2E Performance highlights include =3CBR=3E=26gt=3B thre=
e from 1956=27s Stars Of Jazz TV that are seen here for the =3CBR=3E=26g=
t=3B first =3CBR=3E=26gt=3B time since their original broadcast=2C Holid=
ay=27s first appearance on =3CBR=3E=26gt=3B film=2C Duke Ellington=27s =22=
Saddest Tale=2C=22 and the classic =22Fine And =3CBR=3E=26gt=3B Mellow=22=
with Lester Young=2C Coleman Hawkins=2C and other jazz greats=2E =3CBR=3E=
=26gt=3B Special features=3A Timeline=3A hundreds of images and interact=
ive =3CBR=3E=26gt=3B features=3B complete recording history for OKeh=2C =
vocalion=2C =3CBR=3E=26gt=3B Brunswick=2C =3CBR=3E=26gt=3B Aladdin=2C Co=
lumbia=2C Commodore=2C Capitol=2C Decca=2C Clef and Veve=2E Film =3CBR=3E=
=26gt=3B and =3CBR=3E=26gt=3B TV performances=2E Saddest tale=3B The blu=
es are brewin=27=3B Do you know =3CBR=3E=26gt=3B what it means to miss N=
ew Orleans=3B Please don=27t talk about me when =3CBR=3E=26gt=3B I=27m g=
one=3B Billie=27s blues=3B My man (Mon homme)=3B Fine and mellow=3B =3CB=
R=3E=26gt=3B What a =3CBR=3E=26gt=3B little moonlight can do=3B St=2E Lo=
uis blues / Bessie Smith=3B I cover =3CBR=3E=26gt=3B the =3CBR=3E=26gt=3B=
waterfront / Louis Armstrong -- Audio performances=2E Swing! =3CBR=3E=26=
gt=3B Brother=2C =3CBR=3E=26gt=3B Swing!=3B They can=27t take that away =
from me=3B Do nothing till you =3CBR=3E=26gt=3B hear =3CBR=3E=26gt=3B fr=
om me=3B I=27ll get by=3B I wonder where our love has gone -- Audio =3CB=
R=3E=26gt=3B interviews=2E John Hammond=2C Jo Jones=2C Roy Eldridge=2C B=
arney =3CBR=3E=26gt=3B Josephson=2C =3CBR=3E=26gt=3B Tiny Grimes=2C Bill=
y Eckstine=2C Jimmy Rowles=2C Sylvia Syms=2C Corky =3CBR=3E=26gt=3B Hale=
=3B =3CBR=3E=26gt=3B 1955 audio rehearsal =3A Billie Holiday and Jimmy R=
owles for =3CBR=3E=26gt=3B =22Jeepers =3CBR=3E=26gt=3B Creepers=22=3B 19=
56 audio interview =3A Billie Holiday with Mike =3CBR=3E=26gt=3B Wallace=
=2C =3CBR=3E=26gt=3B Night Beat=2E =3CBR=3E=26gt=3B DVD=3A =3CBR=3E=26gt=
=3B http=3A//www=2Eamazon=2Ecom/gp/product/B000AZ78RI/ref=3Dsr=5F11=5F1/=
102- =3CBR=3E=26gt=3B 6153851-7580120=3F=255Fencoding=3DUTF8=26amp=3Bv=3D=
glance=26amp=3Bn=3D130 =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B International S=
weethearts of Rhythm=2E =3CBR=3E=26gt=3B Focuses on the International Sw=
eethearts of Rhythm=2C an all-female =3CBR=3E=26gt=3B multi-racial jazz =
band of postdepression years with a strong brass =3CBR=3E=26gt=3B sectio=
n=2C heavy percussion and a deep rhythmic sense=2E Includes =3CBR=3E=26g=
t=3B interviews with former band members=2C other musicians=2C and fans=2E=
30 =3CBR=3E=26gt=3B min=2Evhs=3A Cinema Guild =3CBR=3E=26gt=3B =3CBR=3E=
=26gt=3B Jazz is My Native Language=3A A Portrait of Toshiko Akiyoshi=2E=
=3CBR=3E=26gt=3B A vibrant=2C fast-paced documentary which provides an =
in-depth look =3CBR=3E=26gt=3B at =3CBR=3E=26gt=3B the music and persona=
l life of jazz composer/pianist/bandleader =3CBR=3E=26gt=3B Toshiko Akiy=
oshi=2E Includes performances of her work by her band =3CBR=3E=26gt=3B a=
nd =3CBR=3E=26gt=3B commentary by jazz critic Leonard Feather=2E 58 min=2E=
=3CBR=3E=26gt=3B VHS=3A =3CBR=3E=26gt=3B =26lt=3Bhttp=3A//asianamerican=
4=2E1=2E2=2E95=26amp=3Bsection=3D1=2E4=26gt=3BCenter =3CBR=3E=26gt=3B fo=
r Asian American Media catalog description =3CBR=3E=26gt=3B http=3A//asi=
=5Fid=3D1=2E4=2E1=2E2=2E95=26amp=3Bsection=3D1=2E4 =3CBR=3E=26gt=3B =3CB=
R=3E=26gt=3B Strange Fruit =3CBR=3E=26gt=3B A documentary exploring the =
history and legacy of the anti- =3CBR=3E=26gt=3B lynching =3CBR=3E=26gt=3B=
protest song made famous by Billie Holiday=2E The film examines the =3C=
BR=3E=26gt=3B history of lynching=2C the courage of those who fought for=
racial =3CBR=3E=26gt=3B justice=2C and the interplay of race=2C labor a=
nd the left and popular =3CBR=3E=26gt=3B culture as forces that would gi=
ve rise to the Civil Rights =3CBR=3E=26gt=3B Movement=2E =3CBR=3E=26gt=3B=
It also presents the story of the composer Lewis Allan=2C a Jewish =3CB=
R=3E=26gt=3B schoolteacher and union activist from the Bronx who wrote t=
he poem =3CBR=3E=26gt=3B and later set it to music=2E c2002=2E 58 min=2E=
=3CBR=3E=26gt=3B VHS=3A California Newsreel =3CBR=3E=26gt=3B =3CBR=3E=26=
gt=3B Tiny =26amp=3B Ruby=3A Hell Divin=27 Women=2E =3CBR=3E=26gt=3B Thi=
s tribute profiles the jazz trumpeter Ernestine =22Tiny=22 Davis=2C =3CB=
R=3E=26gt=3B and =3CBR=3E=26gt=3B her lesbian partner of 40 years=2C dru=
mmer Ruby Lucas (aka Renee =3CBR=3E=26gt=3B Phelan)=2E Includes intervie=
ws with Tiny and Ruby in their Chicago =3CBR=3E=26gt=3B home=2C archival=
material=2C lively musical performances=2C and =3CBR=3E=26gt=3B narrati=
on =3CBR=3E=26gt=3B by poet Cheryl Clarke=2E 28 min=2E =3CBR=3E=26gt=3B =
VHS=3A Cinema Guild =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B =26gt=3BNational V=
ideo Resources =3CBR=3E=26gt=3B =26gt=3B73 Spring Street=2C Suite 403=3B=
NY=2C NY 10012 =3CBR=3E=26gt=3B =26gt=3B212=2E274=2E8080 =7C agarcia=40=
nvr=2Eorg =3CBR=3E=26gt=3B =26gt=3B =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B Ga=
ry Handman =3CBR=3E=26gt=3B Director =3CBR=3E=26gt=3B Media Resources Ce=
nter =3CBR=3E=26gt=3B Moffitt Library =3CBR=3E=26gt=3B UC Berkeley =3CBR=
=3E=26gt=3B ghandman=40library=2Eberkeley=2Eedu =3CBR=3E=26gt=3B http=3A=
//www=2Elib=2Eberkeley=2Eedu/MRC =3CBR=3E=26gt=3B =3CBR=3E=26gt=3B *****=
=3CBR=3E=26gt=3B =3CBR=3E=26gt=3B =22In societies where modern conditio=
ns of production prevail=2C =3CBR=3E=26gt=3B all of life presents itself=
as an immense accumulation =3CBR=3E=26gt=3B of =3CBR=3E=26gt=3B spectac=
les=2E=22 =3CBR=3E=26gt=3B --Guy Debord =3C/FORM=3E=3C/P=3E=3C/BODY=3E
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.