For those with materials in open stacks--
What do you use for a security system? And, does it work?
Do you do anything different with rare/out of print/expensive materials?
How do you "reserve" materials for classroom screenings?
For materials which come with public performance rights automatically (or
that you specifically purchased)--do you note this anywhere in your system
or on the physical piece?
Thanks,
Sarah Andrews
University of Iowa Libraries
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