Spanish Cinema:
A Bibliography of Materials in the UC Berkeley Library

General Works

Articles and Books on Individual Filmmakers

Pedro Almodovar Bibliography
Luis Buñuel Bibliography


General Works and Overviews

Ades, Dawn.
"Internationalism and Eclecticism: Surrealism and the Avant-Garde in Painting and Film 1920-1930." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp: 71-79. Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Aldgate, Anthony.
Cinema and History: British Newsreels and the Spanish Civil War / Anthony Aldgate. London: Scolar Press, 1979.
UCB Main DP269.8.M6 .A42
UCB Moffitt DP269.8.M6 .A42

Amar Rodriguez, Victor Manuel
El cine en Cadiz durante la Guerra Civil Espanñola Cadiz: Quorum Libros: Universidad de Cadiz, Servicio de Publicaciones, 1999.
UCB Main PN1993.5.S7 A782 1999

Ballo, Jordi.
Cinema Catala, 1975[-]1986 / Jordi Ballo, Ramon Espelt, Joan Lorente. 1. ed. Barcelona: Columna, 1990.
UCB Main PN1993.5.S72 C32 1990

Besas, Peter.
Behind the Spanish Lens: Spanish cinema Under Fascism and Democracy/ by Peter Besas. Denver, Colo.: Arden Press, 1985.
UCB Main PN1993.5.S7 B471 1985

Besas, Peter.
"The financial structure of Spanish cinema." In: The European cinema reader / edited by Catherine Fowler. London ; New York : Routledge, 2002.
Main Stack PN1993.5.E8.E97 2002
PFA PN1993.5.E8.E97 2002

Camino Gutierrez Lanza
"Spanish Film Translation: Ideology, Censorship and the Supremacy of the National Language." In: The Changing Scene in World Languages: issues and challenges / edited by Marian B. Labrum. pp: 35-45 Amsterdam; Philadelphia: John Benjamins Publishing Co., c1997. American Translators Association scholarly monograph series; vol. IX 1997
Main Stack P120.V37.C4 1997

Caparrós Lera, Jose Maria
Arte y Politica en el Cine de la Republica (1931-1939) / Jose Maria Caparros Lera; prologo de Miguel Porter-Moix. 1a ed. Barcelona: Edit. 7 1/2: Edic. Universidad, 1981.
UCB Main PN1993.5.S7 .C31 1981

Caparrós Lera, José María.
"The Cinema Industry In The Spanish Civil War, 1936-1939." Film & History 1986 16(2): 35-46.
"Though the Spanish Civil War caused a decline in Spanish film production, a number of movies were made by the political factions involved in the conflict and the autonomous Catalan government, not to mention the foreign films based on the subject." [Historical Abstracts]

Caparros Lera, Jose Maria
El Cine Cspanol Bajo el Regimen de Franco, 1936-1975 / Jose Maria Caparros Lera. [Barcelona]: Publicacions i Edicions de la Universitat de Barcelona, 1983.
UCB Main PN1993.5.S7 C29 1983

Caparros Lera, Jose Maria
El Cine Español de la Democracia: de la Muerte de Franco al "Cambio" Socialista (1975-1989) / J.M. Caparros Lera. 1. ed. Barcelona: Anthropos, 1992. Series title: Palabra plastica; 16.
UCB Main PN1993.5.S7 C293 1992

Caparros Lera, Jose Maria
El cine Politico Visto Despues del Franquismo / Jose M.a Caparros Lera. 1. ed. Barcelona: DOPESA, 1978. Series title: Coleccion Imagenes historicas de hoy; 10.
UCB Main PN1995.9.P6 C3 *c2 copies
NRLF $B 184 606 Type EXP NRLF for loan details.

Caparros Lera, Jose Maria
El Cine Republicano Español, (1931-1939) / Jose M.a Caparros Lera; prologo de Jaume Miravitlles. 1. ed. Barcelona: DOPESA, 1977. Series title: Coleccion Imagenes historicas de hoy; 9.
UCB Main PN1993.5 .S7C3

Caparros Lera, Jose Maria
Las grandes peliculas del cine español [Madrid] : Ediciones JC, 2007.
0MAIN: PN1993.5.S7 L37 2007

Caparros Lera, J. M.
"Spanish Cinema in the 1930s." New Orleans Review, vol. 14 no. 1. 1987 Spring. pp: 21-24.

La Censura de Cine en España.
Madrid [Centro Español de Estudios Cinematograficos] 1963. Series title: ABC del cine 10.
NRLF $D 63 164

Centre d'Estudis de les Arts de l'Espectacle. Equip Fructuos Gelabert.
Breu historia del Cinema Primitiu a Catalunya / Equip Fructuos Gelabert del CEDAEC. [1. ed.]. [Mataro]: Edicions Robrenyo, [1977]. Series title: Serie Fructuos Gelabert; 1.
NRLF B 3 567 565

El Cine en Cataluna: Una Aproximacion Historica
Sergi Alegre ... [et al.]; prologo de Alex Gorina. 1. ed. Barcelona: PPU: Distribucion exclusiva, Distribuciones de Enlace, 1993. Series title: Libros "film-historia"; no. 1.
NRLF B 3 981 773

Cine Español: Una Historia por Autonomias
Fernando Gonzalez ... [et al.]; prologo y coordinacion, J.M. Caparros Lera. 1. ed. Barcelona: PPU, 1996- Series title: Libros "film-historia"; no. 3.
UCB Main PN1993.5.S7 C512 1996 v.1 (1996)

Cine-Lit: Essays on Peninsular Film and Fiction
Edited by George Cabello Castellet, Jaume Marti-Olivella, and Guy H. Wood. Corvallis, Or.: Portland State University: Oregon State University: Reed College, c1992.
UCB Main PN1993.5.S7 C561 1991
"Cine-Lit 2000, an international conference on Hispanic literatures and cinematographies, took place in Portland, Oregon, from February 18 to February 21, 2000"--Introduction. Includes bibliographical references. Del exilio as retorno : el largo viaje de un cineasta chileno / Veronica Cortinez -- La Cenicienta posmoderna : la reescritura de los cuentos de hadas en Pequenos milagros (1997), de Eliseo Subiela / Nancy Membrez -- Carmen Miranda's cultural memory / Catherine Wood Lange -- Gritemos a plenos pulmones y contemoselo a todos : revelando secretos en No se lo digas a nadie de Jayme Bayle y Francisco Lombardi / Percio B. de Castro -- The feminine as visible difference in Fresa y chocolate, or Casting El hombre nuevo in a less queer light / Cynthia Duncan -- La vida segun Muriel and the marking of feminine space / Lori Hopkins -- Maria Luisa Bemberg vs. Julio Llinas : La adaptacion filmica de De eso no se habla / Elena Olazagasti-Segovia -- La tigra de 1930 a 1990 : Los cambios del proyecto nacional ecuatoriano / Enrique Yepes -- Juventudes problematicas en el cine de los 90 : Salto al vacio (1995) de Daniel Calparsoro / Isolina Balesteros -- Life is virtual dream : Amenabar reading Calderon / Sandra Robertson -- Los montajes de la memoria : aparato cimematografico, identidad cultural y resistencia en Madrid de Basilio Martin Patino / Jose F. Colmeiro -- La flor de mi secreto, de Pedro Almodovar : entre casticismo y regeneracion / Javier Escudero -- Child's play : juvenile meta-acting in Spanish cinema / Thomas Deveny -- Stasis y peste en La caza de Carlos Saura / Guy H. Wood -- The verge of Almodovar's Spain : a space in subverisve humor / Elizabeth Gunn -- Flores de otro mundo : una mirada negociadora / Maria Cami-Vela -- Genero chico, variedades y publico en el marco cinematografico de La corte del faraon / Elena Cueto-Asin -- Commercial is no longer a dirty word for Spanish cinema / Christina Buckley -- Una entrevista con Eliseo Subiela / Nancy Membrez -- Yerma : una conversacion con la realizadora Pilar Tavora sobre su adaptacion cinematografica de la pieza de Federico Garcia Lorca / Joan and Dennis West -- Una entrevista con Iciar Bollain / Maria Cami-Vela.

Cine, nacion y nacionalidades en España
Estudios reunidos por Nancy Berthier, Jean-Claude Seguin. Madrid : Casa de Velazquez, 2007.
MAIN: PN1993.5.S7 C565 2007

Cinema et Espagne Franquiste: En Hommage a Marcel Oms
[Institut international de sociocritique]. Montpellier: Centre d'etudes et de recherches sociocritiques, [1994]. Series title: Co-textes no 27-28. Series title: Etudes sociocritiques.
UCB Main PN1993.5.S7 C523 1994

The cinema of Spain and Portugal
Edited by Alberto Mira. London ; New York : Wallflower, 2005.
Main PN1993.5.S7 C566 2005
Preface /Introduction /Roman Gubern --Alberto Mira --Agustin Sanchez Vidal --Lisa Shaw --Alberto Mira --Randal Johnson --Isabel Santaolalla --Alberto Mira --Ryan Prout --Mark Allinson --Chris Perriam --Peter Evans --Alberto Mira --Antonio Lazaro-Reboll --Xon de Ros --Ryan Prout --Ryan Prout --Vicente Sanchez Biosca --Elena Carrera --Lucia Nagib --Alberto Mira --La aldea maldita =The cursed village /A canc~ao de Lisboa =Song of Lisbon /La verbena de la paloma =Fair of the dove /Aniki-Bobo /Los ultimos de Filipinas =Last stand in the Philippines /Lola la piconera =Lola the coalgirl /Marcelino pan y vino =The miracle of Marcelino /Calle Mayor =Main street /El ultimo cuple =The last torch song /Viridiana /El verdugo =The executioner ;El extra~no viaje =Strange journey /La noche de walpurgis =Shadow of the werewolf /El espiritu de la colmena =Spirit of the beehive /Cria cuervos =Raise ravens /El diputado =Confessions of a congressman /Arrebato =Rapture /Los santos inocentes =The holy innocents /Jo~ao de deus trilogy =Trilogy of John of God /Belle epoque /Viagem ao principio do mundo =Journey to the beginning of the world /Randal Johnson --Antonio Lazaro-Reboll --Mark Allinson --Paul Julian Smith.Torrente: el brazo tonto de la ley =Torrente: the dumb arm of the law ;Torrente 2: mision en Marbella =Torrente 2: mission in Marbella /Todo sobre mi madre =All about my mother /Lucia y el sexo =Sex and Lucia /

Collins, Jacky.
"Representation of Alternative Sexualities in Contemporary Spanish Writing and Film." In: Contemporary Spanish cultural studies / edited by Barry Jordan and Rikki Morgan-Tamosunas. pp: 214-22. London: Arnold; New York: Co-published in the United States of America by Oxford University Press, 2000.
Grad Svcs DP48.C66 2000 Non-circulating; may be used only in Graduate Services.
Main Stack DP48.C66 2000

Colmiero, Jose F.
"Stars and Masculinities in Spanish Cinema. From Banderas to Bardem." The Journal of Popular Culture Volume 39 Page 319 April 2006
UC users only

Contracampo : ensayos sobre teoria e historia del cine
Jenaro Talens y Santos Zunzunegui (eds.). Madrid : Catedra, 2007.
MAIN: PN1993.5.S7 C65 2007

Crusells, Magi.
Cine y guerra civil española : imagenes para la memoria Madrid : Ediciones JC, 2006.
MAIN: DP269.8.M6 C775 2006

La Cultura Española en el Posfranquismo: Diez Anos de Cine, Cultura y Literatura en España (1975-1985)
Edicion des Samuel Amell y Salvador Garcia Castaneda. Madrid: Playor, [1988?].
UCB Main PQ6002 .C81 1988

Cusachs i Corredor, Manuel
El Cinema a Mataro, 1897-1939: de la llanterna Magica al Cinema Sonor / Manuel Cusachs i Corredor, Josep Sivilla i Bosch. 1a ed. Barcelona: Caixa Laietana, 1994.
UCB Main PN1993.5.S7 C87 1994

De la letra a la imagen : narrativas posfranquistas en sus versiones filmicas
Marta B. Ferrari (ed.); Laura Scarano, Gabriela Genovese, Diego Rubiolo. Mar del Plata : Universidad Nacional de Mar del Plata, 2007.
MAIN: PQ6072 .D453 2007

Delgado Casado, Juan.
La Bibliografia Cinematografica Española: Aproximacion Historica / Juan Delgado Casado. Madrid: Arco/Libros, c1993. Series title: Instrumenta bibliologica.
NRLF B 4 003 900

Deveny, Thomas G.
Cain on Screen: Contemporary Spanish Cinema / by Thomas G. Deveny. Metuchen, N.J.: Scarecrow Press, 1993.
UCB Main PN1993.5.S7 D48 1993

Deveny, Thomas G.
Cain on screen: contemporary Spanish cinema / Thomas G. Deveny. Lanham, Md.: Scarecrow Press, 1999.
MAIN: PN1993.5.S7 D48 1993

Deveny, Thomas G.
Contemporary Spanish Film from Fiction / Thomas G. Deveny. Lanham, Md.: Scarecrow Press, 1999.
Main Stack PN1993.5.S7.D49 1999

Deveny, Thomas G.
"Living Underground: The Mole in Contemporary Spanish Cinema." RLA: Romance Languages Annual, vol. 2. 1990. pp: 391-94.

D'Lugo, Marvin.
"Film and Censorship under Franco, 1937-1975." In: The Cambridge history of Spanish literature / edited by David T. Gies. Cambridge, UK ; New York : Cambridge University Press, 2004.
MAIN: PQ6033 .C36 2004; DREF: PQ6033 .C36 2004
Table of contents http://www.loc.gov/catdir/toc/cam041/2004045601.html

D'Lugo, Marvin.
Guide to the cinema of Spain / Marvin D'Lugo. Westport, Conn.: Greenwood Press, 1997. Series title: Reference guides to the world's cinema.
UCB Main PN1993.5.S7 D68 1997

D'Lugo, Marvin.
"The Geopolitical Aesthetic in Recent Spanish Films." Post Script: Essays in Film & the Humanities. 21(2):78-89. 2002 Winter-Spring
UC users only
Considers some of the tensions between the local and the global in Spanish cinema, with focus on "Todo sobre mi madre" and "Amantes del círculo polar".

D'Lugo, Marvin
"Recent Spanish cinema in national and global contexts." Post Script Wntr-Spring 2002 v21 i2 p3(10)
UC users only
" hitSpanish hitcinema has developed and has become more world renowned since the mid-1980s. hitSpanish films have won several Academy Awards. Two such examples, which are studied, are Fernando Trueba's comedy "Belle Epoque" (1992) and Pedro Almodóvar's "Todo sobre mi madre" ("All About My Mother" (1999). These films have influenced the hitSpanish television and hitcinema industries, which now are portraying more of hitSpanish lifestyles than the typical clichés they'd shown before." [IIPA]

Donapetry, Maria.
Imagi/nacion : la feminizacion de la nacion en el cine español y latinoamericano Madrid : Editorial Fundamentos, 2006.
MAIN: PN1995.9.W6 D638 2006

Edwards, Gwynne.
Indecent Exposures: Bunuel, Saura, Erice & Almodovar / Gwynne Edwards. London; New York: M. Boyars, 1995.
UCB Main PN1993.5.S7 E39 1995

Escritos Sobre el Cine Español, 1973-1987
Vicente J. Benet ... [et al.]; presentacion, Jose A. Hurtado, Francisco M. Pico. [Valencia]: Filmoteca, Generalitat Valenciana, [1989]. Series title: Textos; 5.
UCB Main F392.M33 H36 1989

España, Rafael de.
"Images Of The Spanish Civil War In Spanish Feature Films, 1939-1985." Historical Journal of Film, Radio and Television 1986 6(2): 223-236.
" General Francisco Franco was able to encourage native film makers to propagate the official ideology of the Movimiento Nacional. The films depict the Civil War as a struggle between good and evil and illustrate aspects of the development of Francoism during this period." [Historical Abstracts]

España, Rafael de.
Directory of Spanish and Portuguese film-makers and films / compiled and edited by Rafael de Espana. Westport, Conn. : Greenwood Press, 1994.
Doe Refe PN1993.5.S7.E83 1994 Biographies

Evans, Peter.
"Back to the Future: Cinema and Democracy." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp. 326-31 Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Evans, Peter.
"Cinema, Memory, and the Unconscious." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp. 304-10. Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Evans, Peter.
"Cifesa: Cinema and Authoritarian Aesthetics." In: Spanish Cultural Studies: An Introduction: The Struggle for Modernity, pp. 215-22. Edited by Helen Graham and Jo Labanyi. Oxford; New York: Oxford University Press, 1995.
UCB Main DP233.5.S7 1995

Fanes, Felix.
El Cas Cifesa, Vint Anys de Cine Espanyol (1932-1951) / Felix Fanes. [Valencia]: Ediciones Filmoteca, [1989?]. Series title: Textos; 3.
UCB Main PN1999.C49 F36 1989

Faulkner, Sally
A cinema of contradiction : Spanish film in the 1960s Edinburgh : Edinburgh University, 2006.
MAIN: PN1993.5.S7 F335 2006

Faulkner, Sally
Literary adaptations in Spanish cinema London ; Rochester, NY : Tamesis, 2004.
MAIN: PN1993.5.S7 F34 2004
PFA : PN1993.5.S7 F34 2004;

Fernandez Blanco, Victor; and Jose F. Banos Pino
"Cinema Demand in Spain: A Cointegration Analysis." Journal of Cultural Economics Volume 21, Number 1 / March, 1997
UC users only
In this paper we explain the decline in cinema attendance in Spain since 1968. We use a cointegration analysis to estimate an individual demand function for cinema, with annual data and in terms of average attendance per inhabitant. We find that cinema is a luxury good and that its demand is elastic with respect to its price. We also show that television acts as a deterrent with regard to cinema attendance.

Fiddian, Robin W.
Challenges to Authority: Fiction and Film in Contemporary Spain / Robin W. Fiddian and Peter W. Evans. London: Tamesis Books; Wolfeboro, N.H., U.S.A.: Longwood Pub. Group [distributor], c1988. Series title: Coleccion Tamesis. Series A, Monografias; 129.
UCB Main PQ6144 .F531 1988

Folgar de la Calle, Jose Ma. (Jose Maria)
Aproximacion a la Historia del Espectaculo Cinematografico en Galicia (1896-1920) / Jose Ma. Folgar de la Calle. Santiago de Compostela: Universidad de Santiago de Compostela, 1987. Series title: Monografias de la Universidad de Santiago de Compostela; 128.
UCB Main PN1993.5.S7 F65 1987

Fouz-Hernandez, Santiago.
Live flesh : the male body in contemporary Spanish cinema London; New York : I. B. Tauris, 2007.
MAIN: PN1995.9.M46 F68 2007

Gamez Fuentes, Maria Jose .
"Women in Spanish Cinema: 'Raiders of the Missing Mother'?" Cineaste. 29(1):38-43. 2003 Winter
UC users only
"A multilayered reading of the different representations of the mother hitin hitSpanish hitcinema is offered. During Spain's transition to democracy, the maternal figure served as a fictional space that articulated historical-political conflicts. Films discussed include José Luis Borau's "Furtivos" ("Poachers," 1975), Carlos Saura's "Cria cuervos" ("Raise Ravens," 1975), Pilar Miró's "Gary Cooper que estas en los cielos" ("Gary Cooper Who Art hitin Heaven," 1980) and "El pájaro de la felicidad" ("The Bird of Happiness," 1993), Agustin Diaz Yanes' "Nadie hablará de nosotras cuando hayamos muerto" ("Nobody Will Talk About Us When We Are Dead," 1995), Benito Zambrano's "Solas" ("hitWomen Alone," 1999), and Pedro Almodóvar's "Todo sobre mi madre" ("All About My Mother," 1999)." [IIPA]

Garcia Escudero, Jose Maria
Cine Español. Madrid, Ediciones Rialp, 1962. Series title: Libros de cine. Serie B; 30.
UCB Main PN1993.5.S7 G29

Garcia Fernandez, Emilio C. (Emilio Carlos)
Historia Ilustrada del Cine Español / Emilio C. Garcia Fernandez. 1a ed. Barcelona, España: Planeta, 1985.
UCB Main PN1993.5.S7 G341 1985

Garland, David.
"A Ms-Take in the Making? Transsexualism Post-Franco, Post-Modern, Post-Haste." Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 95-102.

Gender and Spanish cinema
Edited by Steven Marsh and Parvati Nair. Oxford : Berg, 2004.
MAIN: PN1995.9.S47 G455 2004
Contents: Between the phobic object and the dissident subject: abjection and vampirism in Luis Bu~nuel's Viridiana / Julian Daniel Gutierrez-Albilla -- Costume, identity and spectator pleasure in historical films of the early Franco period / Jo Labanyi -- Masculinity, monuments and movement: gender and the city of Madrid in Pedro Almodovar's Carne tremula (1997) / Steven Marsh -- Madness, queenship and womanhood in Ordu~na's Locura de amor (1948) and Aranda's Juana la loca (2001) / Celia Martin Perez -- New sexual politics in the cinema of the transition to democracy: de la Iglesia's El diputado (1978) / Alejandro Melero Salvador -- Borderline men: gender, place and power in representations of Moroccans in recent Spanish cinema / Parvati Nair -- A psychoanalysis of La mujer mas fea del mundo (1999) / Eva Parrondo Coppel -- Gender and Spanish horror film / Tatjana Pavlovic -- Heterosexuality in Segunda piel (Gerardo Vera, 2000) and Sobrevivire (Alfonso Albacete and David Menkes, 1999): strong women, or the same old story? / Chris Perriam -- !Victoria? a modern Magdalene / Rob Stone -- Theatricality, melodrama and stardom in El ultimo cuple / Kathleen M. Vernon -- Radio Free Folkloricas: cultural, gender and spatial hierarchies in Torbellino (1941) / Eva Woods

Getino, Octavio
Cine iberoamericano : los desafios del nuevo siglo [Buenos Aires] : Ediciones CICCUS, c2007.
MAIN: PN1993.5.L3 G458 2007

Gomez B. de Castro, Ramiro (Gomez Bermudez de Castro)
La Produccion Cinematografica Española: de la Transicion a la Democracia (1976-1986)/ Ramiro Gomez B. de Castro. Bilbao: Mensajero, [1989?]. Series title: Coleccion Cineresena.
UCB Grad Svcs PN1993.5.S7 G65 1989

Gomez, Maria Asuncion.
Del esenario a la pantalla: la adaptacion cinematografica del teatro espanñol Chapel Hill: University of North Carolina At Chapel Hill, Dept. of Romance Languages, 2000.
Main Stack PN1997.85 .G645 2000

Gomez Lopez-Qui?nñones, Antonio
La guerra persistente : memoria, violencia y utopia : representaciones contemporaneas de la Guerra Civil Española Published: Madrid : Iberoamericana ; Frankfurt am Main : Vervuert, 2006. Location(s): MAIN: DP269.8.L5 G66 2006

Gonzalez Ballesteros, Teodoro.
Aspectos Juridicos de la Censura Cinematografica en España: Con Especial Referencia al Periodo 1936-1977 / por Teodoro Gonzalez Ballesteros. Madrid: Editorial de la Universidad Complutense, 1981.
NRLF B 3 567 018

Gonzalez Lopez, Palmira.
Catalogo del Cine Español. Peliculas de Ficcion / Palmira Gonzalez Lopez, Joaquin T. Canovas Belchi. Madrid: Filmoteca Española, 1993-
UCB Main PN1993.5.S7 G63 1993 v.F2 (1993)

Guarner, Jose Luis.
30 Anos de Cine. [1. ed.]. Barcelona, Editorial Kairos, [1971].
UCB Main PN1993.5.S7 G8

Gubern, Roman.
1936-1939: La Guerra de España en la Pantalla: de la Propaganda a la Historia/ Roman Gubern. Madrid: Filmoteca Española, 1986.
UCB Main DP269.8.M6 G825 1986

Gubern, Roman.
La Censura: Funcion Politica y Ordenamiento Juridico Bajo el Franquismo (1936-1975) / Roman Gubern. 1a ed. Barcelona: Peninsula, 1981, c1980. Series title: Historia, ciencia y sociedad; 166.
NRLF B 3 567 017

Gubern, Roman.
El Cine Sonoro en la II Republica (1929-1936) / Roman Gubern. 1. ed. Barcelona: Editorial Lumen, 1977. Series title: Historia del cine español; 2. Series title: Palabra en el tiempo; 125: Serie de cine.
UCB Main PN1993.5.S7 G83

Gubern, Roman.
"The Civil War: Inquest or Exorcism?" Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 103-12.

Gubern, Roman.
Proyector de luna: la generacion del 27 y el cine Barcelona: Editorial Anagrama, c1999.
UCB Main PN1993.5.S7 G84 1999;

Gubern, Roman.
"Survey of Spanish Film: Trends, Problems, and Genres in the Post-Franco Cinema, 1975-1981." Quarterly Review of Film Studies, vol. 8 no. 2. 1983 Spring. PAGES: 15-23.

Guerra Civil y Cine.
Valencia: Fernando Torres, 1985. Series title: Els quaderns de la mostra; 4.
UCB Main DP269.8.M6 G81 1985

Gutierrez Espada, Luis.
Introduccion al Derecho Cinematografico / compuesto por Luis Gutierrez Espada. Madrid: Tecnos, c1976. Series title: Manuales universitarios españoles; 7.
NRLF B 3 567 329

Heredero, Carlos.
"New Creators for the New Millennium: Transforming the Directing Scene in Spain." Cineaste. 29(1):32-37. 2003 Winter
UC users only
"Part of a special section on contemporary Spanish cinema. The last decade of the 20th century witnessed a marked rejuvenation of Spanish cinema, especially among directors. In the dozen years from 1990 through 2001, 251 first-time directors made their first feature film. Moreover, since 1998, films directed by new filmmakers have been among the most commercially successful movies in Spain each year. It seems clear that at the start of the 21st century, movies directed by filmmakers who emerged during the previous decade have become the backbone of the Spanish industry in terms of box-office receipts. The writer goes on to discuss two characteristics of the work being produced by these filmmakers: their inclination to deal with issues relating to the present rather than the past, and the way they mix different genres." [Art Index]

Hernandez, Santiago Fouz. Perriam, Chris.
"Beyond Almodovar: 'Homosexuality' in Spanish Cinema of the 1990s." In: Territories of desire in queer culture: refiguring contemporary boundaries / edited by David Alderson and Linda Anderson. pp: 96-111. Manchester, U.K.; New York: Manchester University Press: Distributed exclusively in the USA by St. Martin's Press, 2000.
Main Stack HQ76.25.T477 2000

Higginbotham, Virginia
Spanish Film under Franco / Virginia Higginbotham. 1st ed. Austin: University of Texas Press, 1988.
UCB Main PN1993.5.S7 H54 1988

Hoefert de Turégano, Teresa
"The International Politics of Cinematic Coproduction." Film and History, vol. 34, no. 2, pp. 15-24, 2004.
"Part of a special section on Latin American film and history. The writer discusses the international politics at work in cinematic coproductions between Spain and Latin America. In Latin American countries, film production and consumption have from the start been characterized by their transnationality. In the prevailing context of growing globalization and transnationalism, there has been a concurrent amount of cinematic coproduction between European and developing nations, which deserves attention for political, cultural, and aesthetic reasons. The writer examines Spanish activity in Latin American film production during the 1990s in order to reveal some of the structuring patterns of a transnational context of independent coproduction. Connecting policy analysis and aesthetics, she argues that Spanish coproduction policy regarding Latin America has in some cases been conducive to a certain type of cinema. She contends that many of these films simultaneously emphasize national and local identities along with a determinate universalizing appeal, apparently aware of the international market and its hegemonic trends." [Art Index]

Holguín, Sandie.
"Taming The Seventh Art: The Battle For Cultural Unity On The Cinematographic Front During Spain's Second Republic, 1931-1936."Journal of Modern History 1999 71(4): 852-881.
UC users only
"During the second republic in Spain, officials and others supported educational films as a vehicle for transforming society. Film, they believed, would help prepare Spanish citizens for better education and hence, technological development. They saw it as a panacea for educational reform. However, moderates rejected the propagandistic films proposed by those on the political extremes until 1936, when the republic was threatened by the armies of Francisco Franco." [Historical Abstracts]

Hopewell, John.
Out of the Past: Spanish Cinema After Franco / John Hopewell. London: BFI Books, 1986.
UCB Grad Svcs PN1993.5.S7 H661 1986

Jones, Banjamin.
"The new Almodovars." (director Pedro Almodovar; Spain's film industry)(Capitals: Cinema) Europe, n379 (Sept, 1998):36 (2 pages).
Spain is witnessing an evident increase in the number of aspiring film directors who wish to follow in the footsteps of Pedro Almodovar, Julio Medem, Alex de la Iglesia, Juanma Bajo Ullua and Alejandro Amenabar. Film schools led by the Escuela de Cinematografia y del Audiovisual de Madrid are recording increased enrollment. The rising number of aspirants comes as movie attendance is surging, especially for locally made films. Spanish films accounted for 13% of total ticket sales in 1997, with Spanish top-grossers earning more than the previous year's blockbusters.

Jordan, Barry.
Contemporary Spanish Cinema / Barry Jordanand Rikki Morgan-Tamosunas. Manchester; New York: Manchester University Press, 1998.
UCB Main PN1993.5.S7 J6 1998
Contents via Google Books

Jordan, Barry.
"Genre Cinema in Spain in the 1970's: The Case of Comedy." Revista Canadiense de Estudios Hispanicos, vol. 20 no. 1. 1995 Fall. pp: 127-41.

Jordan, Barry.
How Spanish Is It? Spanish Cinema and National Identity." In: Contemporary Spanish cultural studies / edited by Barry Jordan and Rikki Morgan-Tamosunas. pp: 68-78. London: Arnold; New York: Co-published in the United States of America by Oxford University Press, 2000.
Grad Svcs DP48.C66 2000 Non-circulating; may be used only in Graduate Services.
Main Stack DP48.C66 2000

Kinder, Marsha.
Blood Cinema: The Reconstruction of National Identity in Spain / by Marsha Kinder. Berkeley: University of California Press, c1993.
UCB Main PN1993.5.S7 K5 1993

Kinder, Marsha.
"The Children of Franco in the New Spanish Cinema." Quarterly Review of Film and Video, vol. 8 no. 2. 1983 Spring. pp: 57-76.

Kinder, Marsha (ed. & introd.)
"Remapping the PostFranco Cinema." Quarterly Review of Film and Video, vol. 13 no. 4. 1991.

Kinder, Marsha.
"The Spanish Oedipal Narrative from Raza to Bilbao." Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 67-94.

Kovacs, Katherine S.
"The Plain in Spain: Geography and National Identity in Spanish Cinema." Quarterly Review of Film and Video, vol. 13 no. 4. 1991. pp: 17-46.
"Geography is an important metaphor in Spanish cinema, reflecting Spain's political and social isolation from the rest of Europe, and its inner struggles. The Castilian plains have been a staple of Spanish films since the silent era and are featured in the work of directors such as Luis Bunuel and Carlos Saura. More recently, Spanish films have used the forests of Northern Spain as a setting, mirroring the ascendancy of non-Castilian concerns in Spain." [Expanded Academic Index]

Kovacs, Katherine S. (ed.)
"The New Spanish Cinema." Quarterly Review of Film Studies, vol. 8 no. 2. 1983 Spring.

Labanyi, Jo
"Race, Gender and Disavowal in Spanish Cinema of the Early Franco Period: The Missionary Film and the Folkloric Musical." Screen, 1997 Autumn, 38:3, 215-31.
"The writer discusses Spanish cinema of the early Franco period, examining two genres: the missionary film and the folkloric musical. It is usually assumed that the cinema of this period acted as the mouthpiece for the Franco regime. However, although both the missionary film and the folkloric musical certainly served the regime's interests, they also permit resistant readings in their treatment of racial, class, and gender issues. The treatment of race is inextricably linked to that of gender in both the missionary film and the folkloric musical, where the racial other is presented as a female or as a feminized male. This leads to the fetishization of the other whose purpose is the repudiation of difference, a process which attempts to handle the threat of racial and sexual otherness by fostering a high level of identification with it among spectators. In encouraging identification with a feminine other, these films undermined the patriarchal emphasis of prevailing Francoist discourse." [Art Index]

Larraz, Emmanuel.
El Cine Español [textos escogidos y presentados por] Emmanuel Larraz. Paris, Masson, 1973. Series title: Regards sur le monde hispanique, 11.
UCB Main PN1993.5.S7 L3 1973

Larraz, Emmanuel.
Le Cinema Espagñol des Origines a Nos Jours / Emmanuel Larraz; preface de Luis Garcia Berlanga. Paris: Cerf, 1986. Series title: Collection "Septieme art"; 77.
UCB Main PN1993.5.S7 L33 1986

Letamendi Garate, Jon.
Los origenes del cine en Cataluña Barcelona : Generalitat de Catalunya, Institut Catal`a de les Industries Culturals ; [San Sebastian] : Euskandiko Filmategia = Filmoteca Vasca, 2004.
PFA : PN1993.5.S7 L47 2004

Lopez Clemente, Jose.
Cine Documental Español / Jose Lopez Clemente. Madrid: Ediciones Rialp, 1960. Series title: Libros de cine: Serie B; 23.
UCB Main PN1995.9.D6 L6

Marsh, Steven
Popular Spanish film under Franco : comedy and the weakening of the state Basingstoke [England] ; New York : Palgrave Macmillan, 2006.
MAIN: PN1993.5.S7 M2939 2006
PFA : PN1993.5.S7 M2939 2006

Martin-Marquez, Susan.
Feminist discourse and Spanish cinema: sight unseen Oxford; New York: Oxford University Press, 1999.
UCB Main PN1995.9.W6 M358 1999;

Martinez, Josefina.
Los Primeros Veinticinco Anos de Cine en Madrid: 1896-1920 / Josefina Martinez. Madrid: Filmoteca Española, Instituto de la Cinematografia y de las Artes Audiovisuales, Ministerio de Cultura: Consorcio Madrid 92, 1992.
NRLF C 2 968 662

Mendez-Leite, Fernando.
Historia del Cine Español / Fernando Mendez-Leite. Madrid: Ediciones Rialp, 1965. Series title: Libros de cine, ser. A, no. 4.
UCB Main PN1993.5.S7 M4 1965 1-2 (1965) AT NRLF: Some volumes in NRLF
NRLF PN1993.5.S7 M4 1965 Some volumes in NRLF Type EXP NRLF for loan details.

Michalczyk, John J.
Andre Malraux's Espoir: The Propaganda/Art Film and the Spanish Civil War / by John J. Michalczyk. University, Miss.: Romance Monographs, inc., 1977. Series title: Romance monographs; no. 27.
UCB Main PQ2625.Ma716 .E786

Millan, Juan Antonio Perez.
"Women Are Also the Future: Women Directors in Recent Spanish Cinema." Cineaste. 29(1):50-55. 2003 Winter

Minguet Batllori, Joan M.
"Early Spanish Cinema and the Problem of Modernity." Film History: An International Journal, vol. 16, no. 1, pp. 92-107, 2004
UC users only
"There are unmistakable signs that throughout the 1910s, the presence of cinema was becoming inescapable in the dominant cultural systems in Spain. The increasing popularity of moving pictures was a factor in preventing their popularity within dominant classes. However, the presence of cinema in establishment circles and timid demand for recognition was to be transformed into dominance. This slow introduction of cinema into "high culture" during the 1910s can be briefly explained by three factors: educational cinema as a possibility for salvation, the monopolization of film reviewing by Madrid-based intellectuals, and cinema's gradual acceptance within modernist circles. Though truly modern cinema would not occur in Spain until well into the 1920s, even during the 1910s there were Spanish filmmakers who tried to fight against the prevailing opposition to cinema, and who created films that merit the attention of today's film scholars and historians. The work of Segundo de Chomon, Albert Marro, Joan Maria Codina, Adria Gual and Magi Muria, and Jose de Togores is discussed." [Art Index]

Minguez, Norberto.
Spanish film and the postwar novel: reading and watching narrative texts Westport, Conn.: Praeger, 2002.
UCB MAIN: PN1993.5.S7 M55 2002

Mira, Alberto
"Transformations of the urban landscape in Spanish Film Noir." In: Spaces in European cinema / edited by Myrto Konstantarakos. Exeter, England ; Portland, OR : Intellect, 2000.
Main Stack PN1993.5.E8.S69 2000

Miradas glocales : cine espa?nol en el cambio de milenio
Burkhard Pohl, Jorg Turschmann (eds.). Madrid : Iberoamericana ; Frankfurt am Main : Vervuert, 2007.
MAIN: PN1993.5.S7 M57 2007

Modes of Representation in Spanish Cinema
Jenaro Talens and Santos Zunzunegui, editors; foreword by Tom Conley. Minneapolis: University of Minnesota Press, c1998. Series title: Hispanic issues 16.
UCB Main PN1993.5.S7 M58 1998

Molina Gavilan, Yolanda. Di Salvo, Thomas.
"Policing Spanish/European Borders: Xenophobia and Racism in Contemporary Spanish Cinema." Ciberletras. 5:(no pagination). 2001 Aug

Molina-Foix, Vicente
New Cinema in Spain / Vicente Molina-Foix. London: British Film Institute, 1977.
UCB Main PN1993.5 .S7M6

Monteath, Peter
The Spanish Civil War in Literature, Film, and Art: An International Bibliography of Secondary Literature / compiled by Peter Monteath. Westport, Conn.: Greenwood Press, 1994. Series title: Bibliographies and indexes in world literature no. 43
UCB Main DP269.8.L5 A12 M66, 1994

Mora, Carl J.
"The Odyssey of Spanish Cinema." New Orleans Review, vol. 14 no. 1. 1987 Spring. pp: 7-20.

Morgan, Rikki.
"Nostalgia and the Contemporary Spanish Musical Film." Revista Canadiense de Estudios Hispanicos, vol. 20 no. 1. 1995 Fall. pp: 151-66.

Mortimore, Roger
"Spain: out of the past." Sight & Sound; Vol.XLIII nr.4 (Autumn 1974); p.199-202
Discusses the emergence of a new Spanish cinema following the success of "El espíritu de la colmena" and "La prima Angélica", and a reduction in censorship.

Mosier, John (ed.)
"The Spanish Cinema: Introduction." New Orleans Review, vol. 14 no. 1. 1987 Spring. pp: 5-30.

Oms, Marcel
La Guerre d'Espagne au Cinema / Marcel Oms; preface de Pierre Broue. Paris: Editions du Cerf, 1986. Series title: Collection "Septieme art"; 78.
UCB Main DP269.8.M6 O4721 1986

Pavlovic, Tatjana.
Despotic bodies and transgressive bodies : Spanish culture from Francisco Franco to Jesus Franco Albany, N.Y. : State University of New York Press, c2003.
MAIN: NX562.A1 P39 2003
Contents via Google Books

Perez Merinero, Carlos
Cine Español: Algunos Materiales por Derribo [por] Carlos y David Perez Merinero. Madrid, EDICUSA, 1973. Series title: Coleccion Los Suplementos, 41.
NRLF $C 215 841

Perez Merinero, Carlos
Cine Español, una Reinterpretacion / Carlos y David Perez Merinero. Barcelona: Editorial Anagrama, c1976. Series title: Cuadernos Anagrama; 122: Serie Cine.
UCB Main PN1993.5 .S7P381

Perez Millan, Juan Antonio.
"Women are also the future: women directors in recent Spanish cinema." Cineaste Winter 2003 v29 i1 p50(6) (4515 words)
UC users only
" The 1980s saw the rise of female film directors in Spanish cinema, led by Pilar Miró and Josefina Molina. Spanish women directors who have made a difference since the 1980s are profiled: Miró, Molina, Icíar Bollain, Josefina Molina, Chus Guitiérrez, Cecilia Bartolomé, Patricia Ferreira, and Isabel Coixet."

Perriam, Christopher.
Stars and masculinities in Spanish cinema : from Banderas to Bardem Oxford ; New York : Oxford University Press, 2003.
UCB MAIN: PN1993.5.S7 P43 2003

Pingree, Geoffrey B.
"Franco And The Filmmakers: Critical Myths, Transparent Realities." Film-Historia [Spain] 1995 5(2-3): 183-200.
"Considers how actual images of Francisco Franco have been used in films of varying views to construct, destroy, and/or reconstruct some version of a Franco myth. Although the author devotes his analysis primarily to two pairs of films - José Luis Sáenz de Heredia's Raza (Espíritu de una Raza) (1941) and Gonzalo Herralde's Raza, el Espíritu de Franco (1977) and Sáenz de Heredia's Franco, Ese Hombre (1964) and Basilio Martín Patino's Caudillo (1974-77) - he supplements the discussion with examples from propaganda films made during the Spanish Civil War and noticiarios documentales made later. At an obvious level, the films mentioned form natural antitheatrical pairs because of their starkly conflicting conceptions of Franco (as a divinely chosen, heroic leader or a deceptive, calculating tyrant); the latter film in each respective pair was made, in some degree, as a political response to the former. Yet these simple surface oppositions actually obscure many shared strategies of representation. For instance, the propagandistic use of both documentary as well as "fictional" images in these films raises important questions about how images can be used as evidence to construct accounts of past realities. The use of a certain kind of subversive myths to critique or dismantle other more traditional or naive myths (Patino's attempt in Caudillo, for example, to critique Sáenz de Heredia's earlier servile account of Franco's life by using similar documentary footage, re-edited, and with an ironic tone) encourages a reconsideration of some of the apparent distinctions by which "realistic" modes of representation (like documentary and history) overwhelm "imaginary" ones (like fiction and myth). Indeed, on the whole these films employ modes of representation in ways that challenge any simple distinctions we might make between "myth" and other more "credible" forms of representation. In examining these films, the author not only discusses the general mythology of Franco, but raises questions surrounding the use (often facile) of visual images as evidence in building, tearing down, and rebuilding the narratives through which historical figures and events are interpreted and understood. Raising such questions not only complicates some myths about Franco, but challenges some myths about mythmaking itself." [Historical Abstracts]

Pitt, David E.
"Films reflect a brash new Spain." (Spanish movie makers and their films) . The New York Times Sept 18, 1988 v138 s2 pH1(N) pH1(L) col 2 (50 col in)

Porter i Moix, Miquel.
Adria Gual i el Cinema Primitiu de Catalunya, 1897-1916 / Miquel Porter i Moix. Barcelona: Publicacions i Edicions de la Universitat de Barcelona, 1985.
UCB Main PN1993.5.S7 P55 1985

Porter i Moix, Miquel.
Cine en España: una Guia Informativa / Miquel Porter-Moix, Jose E. Monterde, Esteve Riambau. Barcelona: Ediciones Don Bosco, c1976. Series title: Coleccion Libros audiovisuales Edebe; 2: Serie negra.
NRLF B 3 567 550

Porter i Moix, Miquel.
Historia del Cinema a Catalunya (1895-1990) / Miquel Porter i Moix. 1. ed. Barcelona: Generalitat de Catalunya, Departament de Cultura, 1992.
UCB Main PN1993.5.S7 P67 1992

Porter i Moix, Miquel.
Historia del Cinema Catala (1895-1968) [por] Miquel Porter-Moix [i] M.a Teresa Ros Vilella. [Barcelona] Editorial Taber [1969]. Series title: Biblioteca de la cultura catalana.
NRLF $C 67 532

Pozo Arenas, Santiago
La Industria del Cine en España: Legislacion y Aspectos Economicos, 1896-1970 / Santiago Pozo Arenas; prologo de J.M. Caparros Lera. [Barcelona] Publicacions i Edicions de la Universitat de Barcelona, 1984.
UCB Main PN1993.5.S7 P6 1984

Refiguring Spain: Cinema, Media, Representation
Marsha Kinder, editor. Durham: Duke University Press, 1997.
UCB Main PN1993.5.S7 R35 1997

Resina, Joan Ramon
"Historical Discourse and the Propaganda Film: Reporting the Revolution in Barcelona." New Literary History: A Journal of Theory and Interpretation 1998 Winter, 29:1, 67-84.

Restivo, Angelo
"The economic miracle and its discontents. Bandit films in Spain and Italy." Film Quarterly; Vol.XLIX nr.2 (Winter 1995-96); p.30-40
UC users only
Considers reasons for the trend of bandit films in Spain and Italy during the early 1960's, paying special attention to "Llanto por un bandido", "Banditi a Orgosolo", Salvatore Giuliano", as well as Sam Peckinpah's 'ultimate bandit film', "Pat Garrett & Billy the Kid".

Riambau, Esteve
"Public Money and Private Business or How to Survive Hollywood's Imperialism: Film Production in Spain (1984-2002)." Cineaste. 29(1):56-61. 2003 Winter
UC users only

Riambau, Esteve
Temps Era Temps: El Cinema de l'Escola de Barcelona i el Seu Entorn / Esteve Riambau, Casimiro Torreiro. 1. ed. Barcelona: Generalitat de Catalunya, Departament de Cultura, 1993. Series title: Cultura cinematografia.
NRLF B 4 000 082

Riambau, Esteve
La Escuela de Barcelona: el cine de la gauche divine Barcelona: Anagrama, 1999.
UCB Main PN1993.5.S7 R536 1999;

Richardson, Nathan E.
Postmodern paletos: immigration, democracy, and globalization in Spanish narrative and film, 1950-2000 Lewisburg [Pa.]: Bucknell University Press; London; Cranbury, NJ: Associated University Presses, c2002.
UCB Main PQ6140.R87 R53 2002

Rix, Rob
"Spanish and Latin American cinema." In: The companion to Hispanic studies / edited by Catherine Davies. London : Arnold ; New York : Oxford University Press, c2002.
Main Stack CB226.C66 2002b

Rodrigo, Pedro
Enciclopedia del Cine. [1. ed.]. Barcelona, De Gasso Hnos. [1967]. Series title: Enciclopedias De Gasso.
UCB Main PN1993.45 .R6 ( NRLF $B 185 362)

Romaguera i Ramio, Joaquim.
Quan el Cinema Comenca a Parlar en Catala: 1927-1934 / Joaquim Romaguera i Ramio. Barcelona: Fundacio Institut del Cinema Catala, c1992. Series title: Col leccio Orphea; 3.
UCB Main PN1993.5.S7 R65 1992

Sanchez Barba, Francesc
Brumas del franquismo : el auge del cine negro español (1950-1965) Barcelona : Universitat de Barcelona, [2007].
MAIN: PN1995.9.F54 S28 2007

Santaolalla, Isabel.
"The Representation of Ethnicity and 'Race' in Contemporary Spanish Cinema." Cineaste. 29(1):44-49. 2003 Winter

Saz, Sara M.
"Society and Film in Post-Franco Spain: Confessions of a Congressman as a Quirk of Tradition." Cinefocus, 1996, 4, 64-71.

Schaefer, Claudia
Bored to distraction : cinema of excess in end-of-the-century Mexico and Spain / Claudia Schaefer. Albany : State University of New York Press, c2003. SUNY series in Latin American and Iberian thought and culture.
Main Stack PN1993.5.M4.S32 2003

Schwartz, Ronald
The Great Spanish Films, 1950-1990 / by Ronald Schwartz. Metuchen, N.J.: Scarecrow Press, 1991.
UCB Main PN1993.5.S7 S29 1991

Schwartz, Ronald
Spanish Film Directors (1950-1985): 21 Profiles / by Ronald Schwartz. Metuchen, N.J.: Scarecrow Press, 1986.
UCB Main PN1993.5.S7 S31 1986

Sinclair, Alison
"Interior and Internal Spain: Visions of the Primitive at the Cultural Interface." Romance Studies, vol. 22, no. 3, pp. 209-21, November 2004.

Smith, Paul Julian.
Laws of Desire: Questions of Homosexuality in Spanish Writing and Film, 1960-1990 / Paul Julian Smith. Oxford: Clarendon Press; New York: Oxford University Press, 1992.
UCB Main PQ6073.H65 S45 1992
UCB Moffitt PQ6073.H65 S45 1992

Smith, Paul Julian.
Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983-93 / Paul Julian Smith. London; New York: Verso, 1996. Series title: Critical studies in Latin American and Iberian cultures.
UCB Main PN1993.5.S7 S53 1996
Contents via Google Books

Spanish cinema: the auteurist tradition
Edited by Peter William Evans. Oxford: Oxford University Press, 1999.
UCB Main PN1993.5.S7 S635 1999

Spanish cultural studies : an introduction : the struggle for modernity
Edited by Helen Graham and Jo Labanyi. Oxford ; New York : Oxford University Press, 1995.
Main Stack DP233.5.S7 1995

"Spanish filmakers forum." (Interview) Cineaste Winter 2003 v29 i1 p62(3) (3074 words)
UC users only

Spanish popular cinema
Edited by Antonio Lazaro-Reboll and Andrew Willis. Manchester ; New York : Manchester University Press ; New York, NY : Distributed exclusively in the USA by Palgrave, 2004.
GRDS: PN1993.5.S7 S74 2004; Non-circulating; may be used only in Graduate Services.
MAIN: PN1993.5.S7 S74 2004

Stone, Rob.
Spanish cinema Harlow, England; New York: Longman, 2002.
UCB Main PN1993.5.S7 S76 2002

The Surrealist Adventure in Spain
edited by C. Brian Morris. Ottawa, Canada: Dovehouse Editions, 1991. Series title: Ottawa Hispanic studies; 6.
UCB Main NX562.A1 S87 1991

Torres, Augusto M.
Diccionario del Cine Español / Augusto M. Torres. Madrid: Espasa, c1999.
UCB Main PN1993.5.S7 T69 1999
UCB Main PN1993.5.S7 T67 1994 (earlier edition)

Trece Años de Cine Español: Fichas de Todas las Peliculas Españolas del Periodo 1983-1995 y una "Relacion-Guia" de 3,500 Titulos del Cine Español Desde los Años Rreinta, Hasta 1995. Madrid: Editorial Edice, [1995]. Series title: Pantalla 90.
UCB Main PN1993.5.S7 T74 1995

Triana-Toribio, Nuria.
Spanish national cinema London : Routledge, 2003.
UCB MAIN: PN1993.5.S7 T76 2003
Contents via Google Books

Utrera, Rafael.
Escritores y Cinema en España: un Acercamiento Historico / Rafael Utrera. Madrid: Ediciones JC, [1985?]. Series title: Coleccion Imagenes; no. 6.
UCB Main PN1995.3 .U871 1985

Urioste-Azcorra, Carmen de.
"Fifteen Years of Spanish Cinematography: Films in Context." RLA: Romance Languages Annual, vol. 3. 1991. pp: 607-09.

Valleau, Marjorie A.
The Spanish Civil War in American and European Films / by Marjorie A. Valleau. Ann Arbor, Mich.: UMI Research Press, c1982. Series title: Studies in cinema; no. 18.
UCB Main DP269.8.M6 .V34 1982

Villegas Lopez, Manuel.
Nuevo Cine Español. San Sebastian, Spain, XV Festival Internacional del Cine, 1967.
UCB Main PN1993.5.S7 V5

Viota, Paulino.
El Cine Militante en España Durante el Franquismo / Paulino Viota. la ed. Mexico, D.F.: Filmoteca de la UNAM, 1982. Series title: Textos breves (Mexico City, Mexico); 3.
UCB Main PN1993.5.S7 V56 1982

Visualizing Spanish modernity
Edited by Susan Larson and Eva Woods. Oxford ; New York : Berg, 2005.
Main Stack DP203.5.V58 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0515/2005017026.html

Vizcaino Casas, Fernando
Diccionario del Cine Español, 1896-1966. 2. ed. Madrid, Editora Nacional, 1968. Series title: Mundo cientifica. Serie cinematografia.
NRLF C 2 530 015

West, Dennis.
"Contemporary Spanish Cinema: A Guide to Resources." Cineaste. 29(1):65-66. 2003 Winter
UC Berkeley users only

Willis, Andrew
"The Spanish horror film as subversive text: Eloy de la Iglesia's La semana del asesino." In: Horror international / edited by Steven Jay Schneider and Tony Williams. Detroit : Wayne State University Press, c2005.
Main Stack PN1995.9.H6.H73 2005

Women's narrative and film in twentieth-century Spain: a world of difference(s)
Ofelia Ferran and Kathleen M. Glenn, editors. New York: Routledge, 2002.
MAIN: NX562.A1 W66 2002

Zecchi, Barbara
"All about Mothers: Pronatalist Discourses in Contemporary Spanish Cinema." College Literature, vol. 32, no. 1, pp. 146-64, Winter 2005.
UC users only

Works on Individual Directors

Pedro Almodovar

SEE separate Almodovar bibliography

Luis Bunuel

SEE separate Bunuel bibliography

UCB Student Essays on Bunuel (Film 51)

Carlos Saura

Alameda, Sol
"The personal vs. the political." (Spain's filmmaker Carlos Saura: reprinted form El Pais, Sept 7, 1997)(Brief Article)(Interview) . World Press Review Dec 1997 v44 n12 p43(2)

Arata, Luis O.
"'I Am Ana': The Play of the Imagination in The Spirit of the Beehive." Quarterly Review of Film Studies, vol. 8 no. 2. 1983 Spring. pp: 27-32.

Cardullo, Bert.
"Grotesqueries." Hudson Review v45, n1 (Spring, 1992):101 (8 pages)

Carlos Saura: Relations and Portraits[Videorecording]
Una produccion de Inedito Producciones S.A. de C.V., para Canal 22, Television Metropolitana S.A. de C.V. Princeton, N.J.: Films for the Humanities & Sciences, c1998.
UCB Media Ctr VIDEO/C 5825

Cipolloni, Marco.
Ritratto dell'artista come gringo viejo : Goya, Borges e l'America Latina nel cinema di Carlos Saura Salerno : Edizioni del Paguro, c2000.
MAIN: PN1998.3.S28 C57 2000

Colloque sur le Cinema de Carlos Saura (1983: Universite de Bordeaux III) Le Cinema de Carlos Saura: Actes du Colloque sur le Cinema de Carlos Saura, des 1 et 2 fevrier 1983, Universite de Bordeaux III. [Bordeaux]: Presses universitaires de Bordeaux, [1983?]. Series title: Publications de l'Institut d'etudes iberiques; vol. 2.
NRLF B 3 569 733

Darnton, Nina .
"The new vision of Carlos Saura." (Spanish director still produces politically influenced movies) (At the Movies ) The New York Times Jan 2, 1987 v136 p14(N) pC6(L) col 1 (9 col in)

D'Lugo, Marvin.
"Carlos Saura: Constructive Imagination in Post-Franco Cinema." Quarterly Review of Film Studies, vol. 8 no. 2. 1983 Spring. pp: 35-47.
On the ideas behind the films of C.S., esp. "Cria Cuervos", "Elisa, Vida Mia", "Los Ojos Vendados" and "Mama Cumple 100 a¤ños".

D'Lugo, Marvin
The Films of Carlos Saura: The Practice of Seeing / Marvin D'Lugo. Princeton, N.J.: Princeton University Press, c1991.
UCB Main PN1998.3.S28 D57 1991

D'Lugo, Marvin.
"The Politics of Memory: Saura and the Civil War on Screen." In: The Spanish Civil War and the Visual Arts, pp 46-61. Ithaca, N.Y: Center for International Studies, Cornell University, [1990] Western Societies Program occasional paper; no. 24 Cornell studies in international affairs PAGES: 46-61. Series title: Western Societies Program: Occasional Paper 24.
UCB Main DP269.8.A7.S63 1990

D'Lugo, Marvin.
"Historical Reflexivity: Saura's Anti-Carmen." Wide Angle, vol. 9 no. 3. 1987. pp: 52-61.

Edwards, Gwynne.
Indecent Exposures: Bunuel, Saura, Erice & Almodovar / Gwynne Edwards. London; New York: M. Boyars, 1995.
UCB Main PN1993.5.S7 E39 1995

Forbes, Jill
"El Amor Brujo (A love bewitched." (Review).Monthly Film Bulletin LIV/636, Jan 87; p.15.

Garcia, Carlos Javier.
"Duplicacion interior en La ley del deseo y Carmen." In: Cine-Lit: essays on peninsular film and fiction / edited by George Cabello Castellet, Jaume Marti-Olivella, and Guy H. Wood. pp: 219-26 Corvallis, Or.: Portland State University: Oregon State University: Reed College, c1992. Cabello Castellet, George.
Main Stack PN1993.5.S7.C561 1991

Hidalgo, Manuel.
Carlos Saura / Manuel Hidalgo. Madrid, [Spain]: Ediciones JC, 1981. Series title: Coleccion Directores de cine; no. 7.
UCB Main PN1998.A3 S3235 1981

Insdorf, Annette
"Sonar Con Tus Ojos: Carlos Sauras Melodic Cinema." Quarterly Review of Film Studies VIII/2, Spring 83; p.49-55.
On the later films of C.S., esp. "Cria Cuervos", "Deprisa, Deprisa" and "Bodas de Sangre".

Insdorf, Annette
"Spain also rises." Film Comment v 16 July/Aug 1980. p. 13-17

Jones, E.
"Locating Truth in Film, 1940-1980." (Article).Post Script VI/1, Fall 86; p.53-65.
On the search for truth in "Citizen Kane", "Rashomon", "L'ann‚e Derniere … Marienbad", "The Act of Seeing with One's Own Eyes" and "Carmen".

Kinder, Marsha.
"Uncanny Visions of History: Two Experimental Documentaries from Transnational Spain-Asaltar los cielos and Tren de sombras."Film Quarterly. 56(3):12-24. 2003 Spring

Kovacs, Katherine S.
"Parody as "Countersong" in Saura and Godard." (Carlos Saura, Jean-Luc Godard, film versions of 'Carmen') (Film Parody) Quarterly Review of Film and Video v12, n1-2 (May, 1990):105 (20 pages).
"Two movie versions of the opera 'Carmen' by Carlos Saura and Jean-Luc Godard constitute parodies. Both movies focus on modern rehearsals for 'Carmen' rather than actual performances, and both have performers critiquing themselves. Godard's 'Prenom Carmen' is a detective film-noir presentation, while Saura's 'Carmen' uses flamenco dancing. These movies fit the parodic properties of self-critical dialogue and repetition." [Expanded Academic Index]

Monegal, Antonio.
"Images of War: Hunting the Metaphor." In: Modes of Representation in Spanish Cinema / Jenaro Talens and Santos Zunzunegui, editors; foreword by Tom Conley. pp: 203-15. Minneapolis: University of Minnesota Press, c1998. Hispanic issues; 16.
Main Stack PN1993.5.S7.M58 1998

Mortimore, Roger
"Saura's La prima Angelica." Sight & Sound; Vol.XLIII nr.2 (Spring 1974); p.90

Oms, Marcel.
Carlos Saura / Marcel Oms. Paris: Edilig, [1981]. Series title: Cinegraphiques.
NRLF C 2 842 993

Paskin, Sylvia
"El Dorado." (Review). Monthly Film Bulletin LVI/669, Oct 89; p.298-299.

Peleato, Floreal
"Le cinéma Espagñol." Positif nr 506 (Apr 2003); p 80-95
Examines the cultural, aesthetic, ideological and economic trends that affect Spanish cinema

Pillado-Miller, Margarita.
"'La Republica va al doctor': Sintomas de la Guerra Civil en tres peliculas de Carlos Saura." Arizona Journal of Hispanic Cultural Studies. 1:129-140. 1997.

Relations and Portraits [Videorecording]
In this television interview on his filmmaking career which began under the repressive Franco regime, Saura discusses his filmmaking techniques and how, by incorporating a mixture of incisiveness, humor, action, and romance, he conveys the gist of Spanish and Latin culture to world audiences. UCB Media Ctr VIDEO/C 5825

Restivo, Angelo.
"The Economic Miracle and Its Discontents: Bandit Films in Spain and Italy." Film Quarterly, vol. 49 no. 2. 1995-1996 Winter. pp: 30-40.
Considers reasons for the trend of bandit films in Spain and Italy during the early 1960's, paying special attention to "Llanto por un Bandido", "Banditi a Orgosolo", Salvatore Giuliano", as well as Sam Peckinpah's 'ultimate bandit film', "Pat Garrett & Billy the Kid".

Saura, Carlos Carlos Saura : interviews
Jackson : University Press of Mississippi, c2003.
MAIN: PN1998.3.S28 A5 2003

Schettini, Adriana.
"Making Order From Chaos." (interview with Carlos Saura) (interview) World Press Review v37, n12 (Dec, 1990):68.

Stone, Rob
The flamenco tradition in the works of Federico Garcia Lorca and Carlos Saura : the wounded throat Lewiston, N.Y. : E. Mellen Press, c2004.
Main: PQ6613.A763 Z88575 2004

Urrero Pena, Guzman.
"Entrevista con Francisco Rabal y Carlos Saura." Cuadernos Hispanoamericanos. 603:33-35. 2000 Sept.

Van Liew, Maria.
"Defying the Past in Post-Franco Spain: The Interrogation of Aurora Rodriguez." Mosaic-A Journal for the Interdisciplinary Study of Literature. 36(3):113-27. 2003 Sept

Vernon, Kathleen M.
"The Language of Memory: The Spanish Civil War in the Films of Carlos Saura." In: Rewriting the Good Fight: Critical Essays on the Literature of the Spanish Civil War, pp: 125-142. Edited by Frieda S. Brown ... [et al.]. East Lansing, Mich.: Michigan State University Press, 1989.
UCB Main PN56.S67.R481 1989

Willem, Linda M.
"Encircling Linearity in Carlos Saura's Peppermint frappe." RLA: Romance Languages Annual, . 1998, 10:2, 859-61.

Carlos Saura: Ay, Carmela!

Ay, Carmela! de Carlos Saura : mediations textuelles et representation de l'histoire
Textes reunis et presentes par Catherine Berthet-Cahuzac. Montpellier : Centre d'etudes et de recherches sociocritiques, Universite Paul Valery, c2001.
MAIN: PN1998.3.S28 A9 2001

Berthier, Nancy.
De la guerre a l'ecran : Ay Carmela! de Carlos Saura Toulouse : Presses universitaires du Mirail; Toulouse : Cinespa~na, c1999.
MAIN: PN1997.A933 B47 1999

Butt, John.
"Ay, Carmela!" (movie reviews) TLS. Times Literary Supplement, n4599 (May 24, 1991):19 (1 page).

Glaessner, Verina.
"Ay, Carmela!" (movie reviews) Sight and Sound v1, n1 (May, 1991):40 (2 pages).

Johnson, Brian D.
"Ay, Carmela!" (movie reviews) Maclean's v104, n14 (April 8, 1991):47 (1 page).

Kauffmann, Stanley.
"Ay, Carmela!" (movie reviews) New Republic v204, n9 (March 4, 1991):28 (2 pages).
UC users only

Kovacs, Katherine S.
"Parody as "countersong" in Saura and Godard." (Carlos Saura, Jean-Luc Godard, film versions of 'Carmen') (Film Parody) Quarterly Review of Film and Video v12, n1-2 (May, 1990):105 (20 pages).
"Two movie versions of the opera 'Carmen' by Carlos Saura and Jean-Luc Godard constitute parodies. Both movies focus on modern rehearsals for 'Carmen' rather than actual performances, and both have performers critiquing themselves. Godard's 'Prenom Carmen' is a detective film-noir presentation, while Saura's 'Carmen' uses flamenco dancing. These movies fit the parodic properties of self-critical dialogue and repetition." [Expanded Academic Index]

Maslin, Janet
"Ay, Carmela!" (movie reviews) (Living Arts Pages)_(movie review)(movie (movie reviews) The New York Times Feb 8, 1991 v140 pB6(N) col 4 (14 col in); Feb 8, 1991 v140 pB6(N) col 4 (14 col in)

Travers, Peter.
"Ay, Carmela!" (movie reviews)Rolling Stone, n598 (Feb 21, 1991):49 (1 page).

Voir et lire Carlos Saura (II) : Ay, Carmela!
Textes reunis par Emmanuel Larraz. Colloque international Carlos Saura 2000 : Dijon, France) [Dijon] : Centre d'etudes et de recherches hispaniques du XX`eme si`ecle de l'Universite de Dijon, 2000.
MAIN: PN1998.3.S28 C655 2000

Carlos Saura: Blood Wedding

Edwards, Gwynne.
"Saura's Bodas de Sangre: Play into Film." In: Hispanic Studies in Honour of Geoffrey Ribbans / edited, with an introduction, by Ann L. Mackenzie and Dorothy S. Severin. pp: 275-82. Liverpool: Liverpool University Press, c1992.

Gillett, John
"Bodas de Sangre (Blood Wedding)" (Review).Monthly Film Bulletin XLIX/578, Mar 82;

Hartnoll, Gillian
"Blood Wedding." (Review).Films & Filming /330, Mar 82; p.25.

Ralph, Wendy L.
Lorca/Gades/Saura: Modes of Adaptation in Bodas de Sangre." Anales de la Literatura Espanola Contemporanea vol. 11 no. 1-2. 1986. pp: 193-204.

Smith-Kleiner, Felicia.
"The Cultural Process of Adaptation: Bodas de Sangre." Hispanic-Journal, 1996 Fall, 17:2, 285-307. Language: Spanish.

Soufas, C. Christopher.
"Interpretation in/of Bodas de Sangre." Garcia Lorca Review, vol. 11 no. 1. 1983. pp: 53-74.

Taffel, A.
"Blood Wedding." (Review).Films in Review (USA) XXXII/9, Nov 81; p.556.

Tobias, Tobi.
"Blood Wedding." (movie reviews) New York v28, n1 (Jan 2, 1995):73 (1 page).

Carlos Saura: Carmen

D'Lugo, Marvin
"Historical reflexivity: Saura's anti-Carmen." Wide Angle; Vol.IX nr.3 (1987); p.52-61
At the centre of "Carmen" Carlos Saura posits the scenario of the subject bound by the conventions of art and the accidents of history to a fraudulent sense of personal and national cultural identity.

Forbes, Jill
"Carmen." (Review).Monthly Film Bulletin LI/601, Feb 84; p.43-44.

Garcia, Carlos Javier.
"Carmen: Documentalismo y lectura alegorica." Letras Peninsulares, 1995-1996 Winter, 8:3, 439-51. Language: Spanish.

Hill, Deborah J.
"From Dictatorship to Democracy: Carlos Saura's Carmen." In: The Kingdom of Dreams in Literature and Film: selected papers from the Tenth Annual Florida State University Conference on Literature and Film / edited by Douglas Fowler. pp: 92-103. Tallahassee: University Presses of Florida, c1986.
Main Stack PN1993.4.F641 1985 NRLF #: B 3 567 225

Jones, E.
"Locating truth in film, 1940-1980." Post Script; Vol.VI nr.1 (Fall 1986); p.53-65
On the search for truth in "Citizen Kane", "Rashomon", "L'année dernière à Marienbad", "The act of seeing with one's own eyes" and "Carmen".

Kovacs, Katherine-Singer,
"Parody as countersong in Saura and Godard." Quarterly Review of Film and Video v 12 May 1990. p. 105-24
" Two movie versions of the opera 'Carmen' by Carlos Saura and Jean-Luc Godard constitute parodies. Both movies focus on modern rehearsals for 'Carmen' rather than actual performances, and both have performers critiquing themselves. Godard's 'Prenom Carmen' is a detective film-noir presentation, while Saura's 'Carmen' uses flamenco dancing. These movies fit the parodic properties of self-critical dialogue and repetition." [Expanded Academic Index]

Le Fanu, Mark
"Carmen." (Review). Films and Filming no352 Jan 1984. p. 33-4
Stein, E.
"Carmen." (Review).Films in Review XXXV/2, Feb 84; p.111.

Willem, Linda M.
"Metafictional Mise en Abyme in Saura's "Carmen." Literature-Film Quarterly v24, n3 (July, 1996):267 (7 pages).
"Carlos Saura's 1983 film "Carmen" employs a framing device to explore the interplay of a fictional work and the creation of that fictional work. The film depicts the rehearsals of a flamenco dance company preparing to perform "Carmen." Saura establishes separation between the rehearsal process and the dance at the outset. As the film progresses, parallels develop between the dancers and the characters they are to portray, and the dividing line between "reality" and fiction is blurred." [Expanded Academic Index]

Wills, D.
"Carmen: Sound/effect." Cinema Journal, XXV/4, Summer 86; p.33-43.
Studies the representation of Carmen in four recent films.

Carlos Saura: Cria Cuervosa

Bodeen, DeWitt
"Cria!" Films in Review; Vol.XXVIII nr.8 (Oct 1977); p.502

D'Lugo, Marvin.
"Carlos Saura: Constructive Imagination in Post-Franco Cinema."Quarterly Review of Film Studies, vol. 8 no. 2. 1983 Spring. pp: 35-47.
On the ideas behind the films of C.S., esp. "Cria Cuervos", "Elisa, Vida Mia", "Los Ojos Vendados" and "Mama Cumple 100 a¤ños".

Insdorf, Annette
"Sonar Con Tus Ojos: Carlos Sauras Melodic Cinema." Quarterly Review of Film Studies VIII/2, Spring 83; p.49-55.
On the later films of C.S., esp. "Cria Cuervos", "Deprisa, Deprisa" and "Bodas de Sangre".

Kinder, Marsha
"Carlos Saura: The Political Development of Individual Consciousness." Film Quarterly XXXII/3, Spring 79; p.14-25. illus., filmogr.
A look at Spanish director C.S. with emphasis on three of his films: "El Jarin de los Delicias", "La Prima Angelica" and "Cria Cuervos".

Pulleine, Tim
"Cria cuervos." Sight & Sound; Vol.XLVII nr.4 (Autumn 1978); p.260

Carlos Saura: Flamenco

Arroyo, Jose.
"Flamenco." (movie review) Sight and Sound v10, n8 (August, 2000):44 (2 pages).
"Saura's film about flamenco is simple in a way only a great film can be. Through its theatrical presentation, striking cinematography, and minimal but vivid set-design, his mise en scene gives visual expression to flamenco's vibrancy. The pain that leads to and finds expression in so much flamenco is not ignored, but the director, working with a troupe of some of flamenco's best practitioners, transforms it into a kind of joy." [Art Abstracts]

Holden, Stephen.
"Flamenco." (movie reviews) New York Times v146 (Fri, April 25, 1997):B4(N), C4(L), col 5, 10 col in.; v145 (Sat, Sept 30, 1995):15(N), 17(L), col 2, 11 col in.

Stone, Rob
The flamenco tradition in the works of Federico Garcia Lorca and Carlos Saura : the wounded throat Lewiston, N.Y. : E. Mellen Press, c2004.
MAIN: PQ6613.A763 Z88575 2004

Thom, Rose Anne.
"Flamenco." (movie review) Dance Magazine v71, n9 (Sept, 1997):94 (1 page).

Carlos Saura: Goya in Bordeaux

Atkinson, Michael
"House of paint." The Village Voice, Sep 19, 2000; Vol. 45, Iss. 37;
UC users only

Holden, Stephen
"Goya's dark genius, conjured up in spirit and in fiery canvases." (movie review) . The New York Times Sept 15, 2000 pB10(N) pE10(L) col 1 (15 col in)

Joyner, Will.
"A depictor of dance reaches beyond it; Carlos Saura weaves a political tale in 'Tango,' and Oscar takes notice." The New York Times Feb 21, 1999 s2 pAR21(L) col 1 (24 col in)

Kauffmann, Stanley
"Goya in Bordeaux." (Review) The New Republic, Oct 2, 2000 p30
UC users only

Smith, Paul Julian
"Goya in Bordeaux." (Review) Sight and Sound Nov 2000 v10 i11 p52(2)
UC users only
"In this film, Saura stresses the liberal credentials of his Enlightenment hero, the painter Goya, and accompanies this political commentary with an abstract and theatrical mise-en-scene. However, the problem with the film is that the visual dimension is more eloquent than the verbal element. The images are sumptuous and often ravishing, but they fail to connect with each other or the spectator." [Art Index]

Carlos Saura: Tango

Joyner, Will
"A depictor of dance reaches beyond it; Carlos Saura weaves a political tale in 'Tango,' and Oscar takes notice."The New York Times Feb 21, 1999 s2 pAR21(L) col 1 (24 col in)

Macnab, Geoffrey,
"Tango." (motion picture review) Sight and Sound ns9 no8 Aug 1999. p. 52-3
"Saura's Tango depends far more heavily on color, movement, and music than on dialogue or characterization, smudging the lines between rehearsal, real life, and performance. Spellbinding but perplexing, the film has all the roughness and spontaneity of a work-in-progress, making it exhilarating to watch. Its story line, however, is minimal." [Art Index]

Maslin, Janet.
"With sizzling tangos, who needs a plot?" (movie review) The New York Times Feb 12, 1999 pE29(L) col 1 (10 col in)
"It's no slight to the lovers seen in Carlos Saura's thrilling ''Tango'' to say that the kissing seen here is less torrid than the dancing. As in "Flamenco," Mr. Saura means to capture the essence of a dazzling dance tradition, and he does so in a film that wafts dreamily through countless forms of tango magic. As shot by Vittorio Storaro with all the nuance and fluidity such an undertaking demands, ''Tango'' offers transfixingly beautiful glimpses of the dance and all the wide range of emotions it can conjure. This Argentinian-Spanish co-production is a very deserving recipient of a best foreign film Oscar nomination his year." [ProQuest Direct]

Winter, Jessica
"Tango." (motion picture review) The Village Voice, Feb 16, 1999; Vol. 44, Iss. 6; pg. 148,
UC users only





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