Robert Siodmak:
A Bibliography of Materials in the UC Berkeley Library
- Alpi, Deborah Lazaroff.
- Robert Siodmak : a biography, with critical analyses of his films noirs and a filmography of all his works Jefferson, N.C. : McFarland, c1998.
(MAIN: PN1998.3.S54 A46 1998)
- Bogdanovich, Peter.
- "Robert Siodmak." In: Who the devil made it New York : Alfred A. Knopf : Distributed by Random House, 1997
Main Stack PN1995.9.P7.B58 1997;
Moffitt PN1995.9.P7.B58 1997
- Brook, Vincent.
- "The French Connection: Robert Siodmak." In: Driven to darkness : Jewish émigré directors and the rise of film noir / Vincent Brook.
New Brunswick, N.J. : Rutgers University Press, c2009.
Main (Gardner) Stacks PN1995.9.F54 B76 2009
- Dagrada, Elena.
- Robert Siodmak / di Elena Dagrada.
Firenze : Nuova Italia, [1987]
Pacific Film Archive
- Dumont, Hervé
- Robert Siodmak: el maestro del cine negro.
Madrid, San Sebastian, Filmoteca Espanola/Festival Internacional de Cine de San Sebastian, 1987.
Pacific Film Archive PN1998.3.S56 D
- Dumont, Hervé
- Robert Siodmak : le maître du film noir / Hervé Dumont.
Lausanne : Editions l'Age d'homme, 1981.
NRLF (UCB) PN1998.A3 S54322 1981
- Koepnick, Lutz.
- "Doubling the Double: Robert Siodmak in Hollywood." New German Critique: An Interdisciplinary Journal of German Studies, vol. 89, pp. 81-104, Spring 2003
UC users only
- Koepnick, Lutz.
- "Berlin Noir: Robert Siodmak's Hollywood." In: The dark mirror: German cinema between Hitler and Hollywood / Berkeley: University of California Press, c2002.
Full text available online [UCB users only]
MAIN: PN1993.5.G3 K645 2002; Moffitt PN1993.5.G3 K645 2002)
- Siodmak Bros. : Berlin-Paris-London-Hollywood
- Herausgegeben von Wolfgang Jacobsen und Hans Helmut
Berlin : Argon, 1998.
Main (Gardner) Stacks PN1998.3.S54
- Walker, Michael.
- "Robert Siodmak." In: The Book of film noir / edited by Ian Cameron.
Place/Publisher New York : Continuum, c1993.
Moffitt PN1995.9.F54.B66 1993
PFA : PN1995.9.F54 M68 1992
-
Criss Cross
- Alpi, Deborah Lazaroff.
- Robert Siodmak : a biography, with critical analyses of his films noirs and a filmography of all his works Jefferson, N.C. : McFarland, c1998.
MAIN: PN1998.3.S54 A46 1998
- Heins, Laura.
- "Criss-Crossings of Robert Siodmak: The Time and Space of Cinematic Exile." Amsterdamer Beiträge zur Neueren Germanistik, 2009, Vol. 68 Issue 1, p201-222, 22p
UC users only
- Mills, Michael.
- "Two From Siodmak: The Killers and Criss Cross." (from: Modern Times web site)
- Thomson, D.
- "A Cottage at Palos Verdes"(analysis of the 1949 film "Criss Cross") Film Comment," 1990 May-June, V26 N3:16+
- Telotte, J.P.
- "Fatal Capers: Strategy and Enigma in Film Noir" Journal of Popular Film and Television, 1996 Winter V23 N4:163-170.
UC users only
- The concept that the film noir genre is an effort at catharsis following the trauma that was World War II is disproved by its continuing proliferation. One change that has occurred is the 'caper film' category. This category portrays criminal activities involving an elaborate strategy that through an absurd cosmic twist turns it fatal. At the core is a concerted effort at an anti-social response to social institutions that dehumanize individuals, especially those at the periphery. Classic examples include 'The Asphalt Jungle,' 'The Killers,' 'Criss Cross,' 'Reservoir Dogs' and 'Pulp Fiction.'.
-
The Killers
- Booth, Philip.
- "Hemingway's "The Killers" and Heroic Fatalism: From Page to Screen (Thrice)."
Literature/Film Quarterly. 2007. Vol. 35, Iss. 1; p. 404 (8 pages)
UC users only
- Conley, Tom
- "Decoding film noir: The killers, High sierra, and White heat." In: Film hieroglyphs: ruptures in classical cinema / Tom Conley. Minneapolis: University of Minnesota Press, c1991.
Full-text available online (UC Berkeley users only)
Main Stack PN1995.C63 1991)
- Harris, Oliver
- "Killing 'The Killers': Hemingway, Hollywood, and Death." In: Visual media and the humanities : a pedagogy of representation / edited by Kecia Driver McBride.
Edition 1st ed. Knoxville : University of Tennessee Press, c2004.
Main Stack AZ183.U5.V57 2004
- Harris, Oliver. "Killing
- "The Killers": Hemingway, Hollywood, and death.(Ernest Hemingway)(Critical Essay)." Essays and Studies 2005 (Annual 2005): 74(22).
- Jarvie, Ian A.
- "Knowledge, Morality, and Tragedy in The Killers and Out of the Past ."
In: The philosophy of film noir Edited by Mark T. Conard ; foreword by Robert Porfirio. Lexington : University Press of Kentucky, c2006.
Full-text available online (UC Berkeley users only)
Main Stack PN1995.9.F54.P55 2006
- Laurence, Frank M.
- Hemingway and the movies / Frank M. Laurence. Jackson: University Press of Mississippi, c1981.
UCB Main PS3515.He55 .Z7426 1981
UCB Moffitt PS3515.E37 .Z689 1981
- Leff, Leonard J.
- Hemingway and his conspirators: Hollywood, Scribners, and the making of American celebrity culture / Leonard J. Leff. Lanham, Md.: Rowman & Littlefield, c1997.
UCB Main PS3515.E37 Z68935 1997
UCB Moffitt PS3515.E37 Z68935 1997
- Lovell, Alan.
- Don Siegel : American cinema
London : British Film Institute, 1975.
MAIN: PN1998.A3 S542 1975
PFA : PN1998.3.S54 L69 1975
- Mills, Michael.
- "Two From Siodmak: The Killers and Criss Cross." (from: Modern Times web site)
- A Moving picture feast: a filmgoer's Hemingway
- Edited by Charles M. Oliver. New York: Praeger, 1989.
UCB Main PS3515.E37 Z74321 198
- Phillips, Gene D.
- Hemingway and film / Gene D. Phillips. New York: F. Ungar Pub. Co., c1980. Series title: Ungar film library.
UCB Main PS3515.He55 .Z754
UCB Moffitt PS3515.E37 Z754
- Phillips, Gene D.
- "Robert Siodmak: The killers (1946)." In: Out of the shadows : expanding the canon of classic film noir / Gene D. Phillips.
Lanham : Scarecrow Press, Inc., 2012.
Main (Gardner) Stacks PN1995.9.F54 P475 2012
- Schlotterbeck, Jesse.
- "Killing noir?: The adaptation of Robert Siodmak's The Killers to radio." Journal of Adaptation in Film & Performance, Mar2010, Vol. 3 Issue 1, p59-70, 12p
UC users only
- Telotte, J.P.
- "Fatal Capers: Strategy and Enigma in Film Noir" Journal of Popular Film and Television, 1996 Winter V23 N4:163-170.
UC users only
- The concept that the film noir genre is an effort at catharsis following the trauma that was World War II is disproved by its continuing proliferation. One change that has occurred is the 'caper film' category. This category portrays criminal activities involving an elaborate strategy that through an absurd cosmic twist turns it fatal. At the core is a concerted effort at an anti-social response to social institutions that dehumanize individuals, especially those at the periphery. Classic examples include 'The Asphalt Jungle,' 'The Killers,' 'Criss Cross,' 'Reservoir Dogs' and 'Pulp Fiction.'.
-
Phantom Lady
- Gates, Philippa.
- "The Maritorious Melodrama: Film Noir with a Female Detective." Journal of Film & Video, Fall2009, Vol. 61 Issue 3, p24-39, 16p
UC users only
- Jancovich, Mark.
- "Phantom ladies: the war worker, the slacker and the 'femme fatale'." New Review of Film & Television Studies, Jun2010, Vol. 8 Issue 2, p164-178, 15p
UC users only
- Renzi, Thomas C.
- "Phantom Lady." In:
Cornell Woolrich : from pulp noir to film noir / Thomas C. Renzi.
Jefferson, N.C. : McFarland & Co., c2006.
Main (Gardner) Stacks PS3515.O6455 Z85 2006
- Telotte, J. P.
- "Siodmak's Phantom Women and Noir Narrative." Film Criticism, Spring87, Vol. 11 Issue 3, p1-10, 10p
UC users only
- Williams, Tony.
- "Phantom lady, Cornell Woolrich, and the masochistic aesthetic." In: Film noir reader / edited by Alain Silver and James Ursini. 1st Limelight ed. New York : Limelight Editions,
1996.
MAIN: PN1995.9.F54 F57 1996
PFA : PN1995.9.F54 F57 1996
-
The Spiral Staircase
- Jancovich, Mark.
- "'Thrills and chills': horror, the woman's film, and the origins of film noir." New Review of Film & Television Studies, Jun2009, Vol. 7 Issue 2, p157-171, 15p
UC users only
- Snelson, Tim.
- "'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946)." New Review of Film & Television Studies; Jun2009, Vol. 7 Issue 2, p173-188, 16p UC users only
