Shoah:
A Bibliography of Materials in the UC Berkeley Library












Books

Alterman, Aline
Visages de Shoah : le film de Claude Lanzmann / Aline Alterman. Paris : Cerf, 2006.
Main (Gardner) Stacks D804.3 .A455 2006

Boswell, Matthew
"Shoah (Claude Lanzmann, 1985)." In: Holocaust impiety in literature, popular music and film / Matthew Boswell. Basingstoke ; New York : Palgrave Macmillan, 2012.
Main (Gardner) Stacks PN56.H55 B67 2012

Bruzzi, Stella
"Documentary Journeys: Shoah, London." In: New documentary / Stella Bruzzi. London ; New York : Routledge, 2006.
Full-text available online (UC Berkeley users only)
Main (Gardner) Stacks PN1995.9.D6 B78 2006
Moffitt PN1995.9.D6 B78 2006

Cantor, Jay.
"Death and the Image." In: Beyond Document: Essays on Nonfiction Film / edited by Charles Warren. pp: 23-49. Hanover, NH: University Press of New England, c1996.
Main Stack PN1995.9.D6.B48 1996
Moffitt PN1995.9.D6.B48 1996

Claude Lanzmann's Shoah : key essays
Edited by Stuart Liebman. Oxford ; New York : Oxford University Press, 2007.
Main (Gardner) Stacks D804.3 .C55 2007

D'Arcy, Michael
"Claude Lanzmann's Shoah and the intentionality of the image." In: Visualizing the Holocaust : documents, aesthetics, memory / edited by David Bathrick, Brad Prager, and Michael D. Richardson. Rochester N.Y. : Camden House, 2008.
Main Stack D804.3.V57 2008

Delacampagne, Christian
"Claude Lanzmann (1925-)" In: The Columbia history of twentieth-century French thought / edited by Lawrence D. Kritzman ; with the assistance of Brian J. Reilly and French articles translated by M.B. DeBevoise. New York : Columbia University Press, c2006.
Doe Reference DC33.7 .C575 2006

Elsaesser, Thomas.
"Subject Positions, Speaking Positions; From Holocaust, Our Hitler, and Heimat to Shoah and Schindler's List." In: The Persistence of History: Cinema, Television, and the Modern Event / edited by Vivian Sobchack. pp: 145-83. New York: Routledge, 1996. AFI film readers.
Main Stack PN1995.2.P47 1996

Elsner, Anna Magdalena
"L'Obscénité absolue du projet de comprendre': The Communicability of Traumatic Knowledge in Claude Lanzmann's Shoah." In: Anamnesia : private and public memory in modern French culture / [edited by] Peter Collier, Anna Mag Oxford ; New York : Peter Lang, 2009.
Main (Gardner) Stacks PQ307.I54 A63 2009

Farr, Raye
"Some Reflections on Claude Lanzmann's Approach to the Examination of the Holocaust." In: Holocaust and the moving image : representations in film and television since 1933 / edited by Toby London ; New York : Wallflower, 2005.
Main (Gardner) Stacks PN1995.9.H53 H65 2005

Felman, Shoshana.
"Film as witness; Claude Lanzmann's "Shoah"." In: Holocaust remembrance : the shapes of memory / edited by Geoffrey Hartman. pp: 90-103. Cambridge, Mass. : Blackwell, 1994.
Main (Gardner) Stacks D804.3 .H6494 1994

Felman, Shoshana.
"The Return of the Voice: Claude Lanzmann's Shoah." In: Testimony: crises of witnessing in literature, psychoanalysis, and history / Shoshana Felman and Dori Laub. pp: 204-83 New York: Routledge, 1992.
Main Stack PN56.P92.F45 1992
Moffitt PN56.P92.F45 1992

Furman, Nelly.
"The Languages of Pain in Shoah." In: Auschwitz and After: Race, Culture, and 'the Jewish Question' in France. / edited by Lawrence D. Kritzman. New York: Routledge, 1995.
Moffitt DS135.F83.A87 1995299-312.

Furman, Nelly.
"Called to Witness: Viewing Lanzmann's Shoah." In: Shaping losses : cultural memory and the Holocaust / edited by Julia Epstein and Lori Hope Lefkovitz Urbana : University of Illinois Press, c2001.
Main (Gardner) Stacks D804.195 .S47 2001

Hellig, Jocelyn Louise
"Recalling the Holocaust; Lanzmann's "Shoah" and Spielberg's "Schindler's List"." In: Literary responses to the Holocaust, 1945-1995 / Yehoshua Gitay, editor. pp: 55-68 San Francisco : International Scholars, 1998.
Main Stack PN56.H55.L56 1998

Hirsch, Marianne.
"Gendered Translations: Claude Lanzmann's 'Shoah'." In Gendering War Talk. Edited by Miriam Cooke and Angela Woollacott. pp. 3-19. Princeton, N.J.: Princeton University Press, c1993.
Main Stack U21.2.G45 1993
Moffitt U21.2.G45 1993

Hirsch, Joshua Francis
"Shoah and the Posttraumatic Documentary after Cinema Verite." In: Afterimage : film, trauma, and the Holocaust / Joshua Hirsch. Philadelphia : Temple University Press, c2004.
Full-text available online (UC Berkeley users only)
Main (Gardner) Stacks PN1995.9.H53 H57 2004

Hofmann, Gert
"Claude Lanzmann's Shoah and the Aesthetics of Ohnmacht." In: German and European poetics after the Holocaust : crisis and creativity / edited by Gert Hofmann ... Rochester, NY : Camden House, 2011.
Main (Gardner) Stacks PT553 .G48 2011

Holocaust and the moving image : representations in film and television since 1933
Edited by Toby Haggith & Joanna Newman. London ; New York : Wallflower, 2005.
Main Stack PN1995.9.H53.H65 2005
Section 1. Film as witness -- Film and the making of the Imperial War Museum's Holocaust exhibition / Suzanne Bardgett -- Preparing the video displays for the Imperial War Museum's Holocaust exhibition / Annie Dodds -- Filming the liberation of Bergen-Belsen / Toby Haggith -- Separate intentions : the Allied screening of concentration camp documentaries in defeated Germany in 1945-46 : Death mills and Memory of the camps / Kay Gladstone -- A witness to atrocity : film as evidence in international war crimes tribunals / Helen Lennon -- Section 2. Film as propaganda -- Veit Harlan's Jud Suss / Susan Tegel -- Fritz Hippler's The eternal Jew / Terry Charman -- Film documents of Theresienstadt / Lutz Becker -- Terezin : the town Hitler gave to the Jews / Zdenka Fantlova-Ehrlich -- The Ministry of Information and anti-Fascist short films of the Second World War / Matthew Lee -- Fighting the government with its own propaganda : the struggle for racial equality in the USA during the Second World War / Stephen Tuck -- Section 3. The Holocaust documentary in film and television -- Nuit et Brouillard : a turning point in the history and memory of the Holocaust / Christian Delage -- Baggage and responsibility - The world at war and the Holocaust / Michael Darlow -- The Nazis : a warning from history / Laurence Rees -- Kitty - Return to Auschwitz / Peter Morley -- Some reflections on Claude Lanzmann's approach to the examination of the Holocaust / Raye Farr -- But is it documentary? / Orly Yadin -- Silence : the role of the animators / Ruth Lingford & Tim Webb -- Oswiecim/Auschwitz : the shooting goes on... / Mira Hamermesh -- Seeing and hearing for ourselves : the spectacle of reality in the Holocaust documentary / Elizabeth Cowie -- Section 4. The Holocaust in feature films -- An overview of Hollywood cinema's treatment of the Holocaust / Trudy Gold -- Escape from Sobibor : a film made for television depicting the mass escape from Sobibor Extermination Camp / Jack Gold -- The Holocaust, film and education / Ian Wall -- Young people's viewing of Holocaust films in different cultural contexts / Anna Reading -- Living with the long journey : Alfred Radok's Daleka Cesta / Jiri Cieslar -- Double memory : the Holocaust in Polish film / Ewa Mazierska -- For the few, not the many : delusion and denial in Italian Holocaust films / Giacomo Lichtner -- The survivors' right to reply / Trudy Gold ... [et al.] -- Section 5. Legacy and other genocides -- Human Holocaust / Michael Darlow -- The Nazis : a warning from history / Laurence Rees -- Kitty - Return to Auschwitz / Peter Morley -- Some reflections on Claude Lanzmann's approach to the examination of the Holocaust / Raye Farr -- But is it documentary? / Orly Yadin -- Silence : the role of the animators

Houdebine, Anne-Marie.
L'écriture de Shoah : une lecture analytique du film et du livre de Claude Lanzmann / Anne-Marie Houdebine Limoges : Lambert-Lucas, c2008.
Main (Gardner) Stacks D810.J4 L275535 2008

Jacobowitz, Florence
"Shoah" as cinema In: Image and remembrance : representation and the Holocaust / edited by Shelley Hornstein and Florence Jacobowitz. pp: 7-21. Bloomington : Indiana University Press, c2003.
Main Stack NX650.H57.I46 2003

Kramer, Naomi
"The transformation of the Shoah in film." In: Building history : the Shoah in art, memory, and myth / edited by Peter M. Daley ... [et al.]. pp: 143-148. New York : P. Lang, c2001. Series McGill European studies ; vol. 4 McGill European studies ; vol. 4
Main Stack D804.18.B85 2001

LaCapra, Dominick
History and memory after Auschwitz / Dominick LaCapra. Ithaca, N.Y.: Cornell University Press, 1998.
Grad Svcs D804.348.L33 1998 Non-circulating; may be used only in Graduate Services.
Main Stack D804.348.L33 1998
Moffitt D804.348.L33 1998

Lanzmann, Claude.
"The Obscenity of Understanding: An Evening with Claude Lanzmann." In: Trauma: Explorations in Memory/ edited with introductions by Cathy Caruth. pp: 200-20. Baltimore: Johns Hopkins University Press, 1995.
Main Stack BF175.5.P75.T73 1995.
Moffitt BF175.5.P75.T73 1995.
Educ/Psych BF175.5.P75.T73 1995.

Lanzmann, Claude.
Shoah: An Oral History of the Holocaust: The Complete Text of the Film/ Claude Lanzmann; preface by Simone de Beauvoir; [English subtitles of the film by A. Whitelaw and W. Byron]. 1st American ed. New York: Pantheon Books, c1985.
GTU SFTS DS135.P6 L284 1985
UCB Main DS135.P6 L2841 1985
UCB Moffitt DS135.P6 L2841 1985

Loshitzky, Yosefa.
"Holocaust Others: Spielberg's Schindler's List Versus Lanzmann's Shoah." In: Spielberg's Holocaust: Critical Perspectives on Schindler's List.edited by Yosefa Loshitzky. pp: 104-18. Bloomington: Indiana University Press, c1997.
Main Stack PN1997.S3133.S65 1997
Moffitt PN1997.S3133.S65 1997

Naveh, Gila Safran
"A speck of dust blown by the wind across land and desert; images of the Holocaust in Lanzmann, Singer, and Appelfeld." In: Jewish American and Holocaust literature : representation in the postmodern world / edited by Alan L. Berger and Gloria L. Cronin. pp: 103-114 Albany : State University of New York Press, c2004.
Main Stack PS153.J4.J47 2004

Neufeld, Amos.
"Claude Lanzmann's Shoah: Annihilation." In Celluloid Power: Social Film Criticism From 'The Birth of a Nation' to 'Judgment at Nuremberg." Edited by David Platt, pp. 457-466. Metuchen, NJ: Scarecrow Press, 1992.
Main Stack PN1995.9.P6.C44 1992

Robson, Kathryn
"Shoah." In: The cinema of France / edited by Phil Powrie. London ; New York : Wallflower, 2006.
Main (Gardner) Stacks PN1993.5.F7 C56 2006

Roth, Michael S.
"Shoah as Shivah." In: People of the Book: Thirty Scholars Reflect on Their Jewish Identity. Madison. / edited by Jeffrey Rubin-Dorsky and Shelley Fish... Madison: University of Wisconsin Press, c1996. Wisconsin studies in American autobiography.
Main Stack E184.J5.P335 1996 403-14.

Saxton, Libby
Haunted images : film, ethics, testimony and the Holocaust / Libby Saxton. London ; New York : Wallflower Press, 2008.
Main (Gardner) Stacks PN1995.9.H53 S39 2008
Contents: (In)visible evidence: Shoah -- The missing reel and the unimaged real: Godard/Lanzmann -- Through the spyhole: death, ethics and spectatorship -- Blindness and the difficulty of facing: the Gorgon, the Muselmann and the fragile face.

Vidal-Naquet, Pierre.
"The Holocaust's Challenge to History." In: Auschwitz and After: Race, Culture, and 'the Jewish Question' in France. / edited by Lawrence D. Kritzman. pp: 25-34. New York: Routledge, 1995.
Moffitt DS135.F83.A87 1995299-312.

Weissman, Gary.
"Claude Lanzmann and the Ring of Fire." In: Fantasies of witnessing : postwar efforts to experience the Holocaust / Gary Weissman. Ithaca, N.Y. : Cornell University Press, c2004.
Main (Gardner) Stacks D804.348 .W45 2004

Articles

Alleva, Richard.
"Shoah." (movie reviews) Commonweal v117, n5 (March 9, 1990):160.

Ascherson, Neal.
"The Shoah Controversy." Soviet Jewish Affairs [Great Britain] 1986 16(1): 53-61.
The movie Shoah has been a catalyst for reexamining the Polish attitude toward the Jewish population during the Nazi occupation.

Asseo, H.
"On The Extermination Of The Jews In World War II and The Film 'Shoah' by Claude Lanzmann." Temps Modernes 41(471): 530-538 1985

Avni, Ora.
"Narrative Subject, Historic Subject: Shoah and La Place de l'Etoile." Poetics Today. 12(3):495-516. 1991 Fall.

Banaji, Ferzina.
"The Shoah after Shoah: Memory, the Body, and the Future of the Holocaust in French Cinema." Esprit Createur, Winter2010, Vol. 50 Issue 4, p122-136, 15p
UC users only
The article presents an analysis on the representation of the Holocaust in the documentary film "Shoah," by Claude Lanzmann. It offers information on the annihilation of European Jewry by the Nazis between 1933 and 1945 which lead to the murder of 6 million Jews. It states that to understand the climatic influence of the film one has to analyze the elements of Lanzmann's epic film.

Bernstein, Richard
"An Epic Film About The Greatest Evil Of Modern Times; An Epic Film About the Holocaust." New York Times Oct 20, 1985; pg. H1, 2 pgs
UC users only

Brinkley, Robert; Youra, Steven.
" Tracing 'Shoah.'" PMLA v111, n1 (Jan, 1996):108 (20 pages).
" 'Shoah' is a documentary film on the survivors of the 'Sonderkommando' death camp at Auschwitz-Birkenau. The words used by the survivors compel viewers to believe that all the unimaginable atrocities mentioned indeed occurred. 'Shoah' presents signs and traces as historical evidence and it indicates rather than represents history. Survivors felt responsible for interpreting history." [Expanded Academic Index]

Brumberg, Abraham
"What Poland forgot: 'Shoah' at the scene of the crime." The New Republic Dec 16, 1985 v193 p46(3)

Burns, Bryan.
"Fiction of the Real: 'Shoah and Documentary." Immigrants & Minorities, Mar2002, Vol. 21 Issue 1/2, p81-88, 8p
UC users only

Canby, Vincent.
"Shoah." (movie reviews)Time Nov 4, 1985 v120 p96(1)

Cantor, Jay.
"Death and the Image." Triquarterly. 79:173-98. 1990 Fall. Evanston, IL

Cesarani, David.
"Memory and forgetting." New Statesman, 11/29/2010, Vol. 139 Issue 5029, p42-43, 2p
UC users only

Charny, Israel W.
"A study of attitudes of viewers of the film "Shoah" towards an incident of mass murder by Israeli soldiers." Journal of Traumatic Stress 5,2 (1992) 303-318

Corliss, Richard.
"Shoah." (movie reviews)New York Times v135 (Wed, Oct 23, 1985):24(N), C15(L), col 1, 26 col in.

Dickstein, Morris.
"Shoah and the Machinery of Death." Partisan Review, vol. 53 no. 1. 1986. PAGES: 36-42.
"Claude Lanzmann's Shoah is a nine and one-half-hour film documentary constructed on the testimony of living witnesses. Without a grand theory of metaphysical anguish or ethical interpretation, the film's focus is on the interviews of Jews, Poles and Germans speaking for themselves. The result is a moving experience as they relive their experiences in the most momentous deed of the 20th century. Lanzmann's method of presentation, bits of evidence and interview, reveals the man-made hell built by architects of elimination dealing with certain logistical problems in creating a new order of the Third Reich." [Historical Abstracts]

Doherty, Thomas.
"Representing The Holocaust: Claude Lanzmann's Shoah." Film & History 1987 17(1): 2-8.
UC users only
Claude Lanzmann's Shoah is an epic, artful documentary that relies heavily on interviews to describe the Nazi genocide of the Jews.

Ebert, Roger.
"Shoah" (movie reviews) Chicago Sun-Times [4/4]

Erlewine, Robert A.
"When the Blind Speak of Colour: narrative,ethics and stories of the Shoah." Journal of Visual Art Practice, 2001, Vol. 1 Issue 1, p25, 12p
UC users only

Erens, Patricia.
"Shoah." (movie reviews)Film Quarterly Summer 1986 v39 p28(4)

Felman, Shoshana.
"In an Era of Testimony: Claude Lanzmann's 'Shoah.'"(motion picture) Yale French Studies, n79 (Jan, 1991):39 (43 pages).
UC users only
" The film 'Shoah' by Claude Lanzmann is discussed, with a focus on the theme of witnessing and testimony. Topics include the relation between history and witnessing; art and witnessing; the Western law of evidence; perspectives of victims, perpetrators and bystanders; 'Figuren'; the Holocaust as unwitnessed; the multiplicity of languages; the historian as a witness; and the filmmaker as a witness."

Friedman, Elisabeth R.
"The Anti-Archive? Claude Lanzmann's "Shoah" and the Dilemmas of Holocaust Representation." English Language Notes, Spring/Summer2007, Vol. 45 Issue 1, p111-121, 11p
UC users only

Fuller, Graham
"Searching for the Stamp of Truth: Claude Lanzmann Reflects on the Making of Shoah." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 36, no. 2, pp. 16-19, 2011 Spring
UC users only

Furman, Nelly
"Viewing memory through "Night and Fog", "The Sorrow and the Pity" and "Shoah"." Journal of European Studies 35,2 (2005) 169-185
UC users only

Garbus, Lisa
"The unspeakable stories of Shoah and Beloved." (Cultural Violence)(motion pictures) College Literature Wntr 1999 v26 i1 p52(1)
UC users only
"The films 'Beloved' by Toni Morrison 'Shoah' by Claude Lanzmann are both ideal venues for exploring the value of literature. 'Beloved' is about slavery while 'Shoah' is about the Holocaust. The importance of literature lies in the meaning of living in a world of language. The films explained this importance by tampering with the relation between language and the real. Both films brought to life the impossible and unspeakable and repeated past stories whose truths were significantly and intentionally altered to connect the past and the present to the discovery of personal identities." [Expanded Academic Index]

Geller, Jay
"The Rites of Responsibility: The Cinematic Rhetoric of Claude Lanzmann's Shoah (1985)." Film & History; May2002, Vol. 32 Issue 1, p30-37, 8p
UC users only

Gussow, Mel.
"A Film Maker's Interviews Focus on History." (Claude Lanzmann, director of 'Shoah' and new film 'Tsahal' about the Israeli army) (Living Arts Pages)New York Times v144 (Wed, Jan 25, 1995):B4(N), C13(L), col 3, 23 col in.

Halkin, Hillel.
"Claude Lanzmann and the IDF." Commentary. 99(6):49-51. 1995 June

Hansen, Miriam Bratu.
"Schindler's List" is not "Shoah": the second commandment, popular modernism, and public memory." Critical Inquiry, 1996, Vol. 22 Issue 2, p292-312, 21p
UC users only

Howland, Jacob.
"Reflections on Claude Lanzmann's Shoah." Proteus. 12(2):42-46. 1995 Fall
"An analysis of Claude Lanzmann's film Shoah, which chronicles the suffering and catastrophic experiences of the Jewish victims of the Nazi Holocaust. Themes of silence, emptiness, negation, denial, and the apparent lack of soul or moral responsibility resonate throughout the film. Lanzmann interviews Jewish survivors, Nazis, and non-Jewish peasants, all of whom exhibit an externality that reflects the viewpoint of outsiders. The story of Shoah has no beginning or end; it is a boundless tale that searches for the human spirit by actively challenging human detachment from memory." [Historical Abstracts]

Jones, Kent.
"Present Tense." Film Comment. January - February 2011, Vol. 47 Issue 1, p62 Journal article
UC users only
Jones analyzes the aesthetics of Claude Lanzmann's documentary film "Shoah" (1985).

Kauffmann, Stanley
"Shoah." (movie reviews) The New Republic Oct 28, 1985 v193 p39(2) (2046 words)

Kellman, Steven G.
"Cinema of/as Atrocity: Shoah's Guilty Conscience." The Gettysburg Review, vol. 1 no. 1. 1988 Winter. pp: 22-30.

Kermode, Mark; Dean, Peter.
"Shoah." (movie reviews) Sight and Sound v4, n12 (Dec, 1994):59.

Kippen, Lorelee
"Performing the Gendered Holocaust Body: Traumatic Style, Memory, and the Search for Proper Identities." South Atlantic Review; Winter2003, Vol. 68 Issue 1, p34-63, 30p
This essay takes a look at late twentieth-century holocaust films and how they incorporate, rework, and problematize many of the scientific assumptions guiding the recovery of the traumatic memories into a framework of cultural intelligibility. Importance of Claude Lanzmann's film "Shoah"; Gender biases of memory; How the film spectator is called upon to bear witness to mass death and death camps; Depiction of haircutting that occurred in Treblinka.

Koch, Gertrud
"The aesthetic transformation of the image of the unimaginable: notes on Claude Lanzmann's "Shoah."" October, Spring 1989, Issue 48, p15-24, 10p
UC users only

Koch, Gertrud
"The angel of forgetfulness and the black box of facticity; trauma and memory in Claude Lanzmann's film "Shoah"." History & Memory 3,1 (1991) 119-134

Kuryluk, Ewa.
"Memory and Responsibility: Claude Lanzmann's Shoah." The New Criterion, vol. 4 no. 3. (Nov. 1985) pp: 14-20.

LaCapra, Dominick.
"Lanzmann's 'Shoah': "Here There is No Why.""(film, title of manifesto by Lanzmann)Critical Inquiry v23, n2 (Wntr, 1997):231 (39 pages).
UC users only
Gelley, Ora
"A response to Dominick LaCapra's "Lanzmann's 'Shoah.'"" (Critical Inquiry, vol. 23, p. 231, Winter 1997) Critical Inquiry Spring 1998 v24 n3 p830(3)
UC users only

Lanzmann, Claude.
"Seminar with Claude Lanzmann: 11 April 1990." (French film maker)Yale French Studies, n79 (Jan, 1991):82 (18 pages).

Lanzmann, Claude.
"Shoah." Jewish Quarterly, Summer 2005(198):43-48.

Leone, Massimo
"Shoah and humour; a semiotic approach." Jewish Studies Quarterly 9,2 (2002) 173-192

Lewis, Anthony.
"'Remember, Remember;' Shoah Means Annihilation." (Shoah, a film about the Holocaust) (column) New York Times v135 (Mon, Dec 2, 1985):23(N), A15(L), col 5, 16 col in.

Liebman, Stuart.
"Shoah." Cineaste, Winter2004, Vol. 30 Issue 1, p52-54, 3p
UC users only

Listoe, Daniel.
"Seeing Nothing: Allegory and the Holocaust's Absent Dead." Substance: A Review of Theory & Literary Criticism, 2006, Vol. 35 Issue 2, p51-70, 20p
UC users only

Moser, Keith
"The Poignant Combination of Beauty and Horror in the Aesthetic Representations of the Holocaust in Lanzmann's Shoah and Le Clézio's Etoile Errante." Dalhousie French Studies, vol. 92, pp. 75-83, 2010 Fall

Nichols, Peter M.
"Spoken memories of the unspeakable." (Review) The New York Times Dec 19, 1999 pAR26(N) pAR26(L) col 5

Ochman, Ewa.
"The Search for Legitimacy in Post-Martial Law Poland: The Case of Claude Lanzmann's Shoah." Cold War History, Nov2006, Vol. 6 Issue 4, p501-526, 26p
UC users only

Olin, Margaret.
"Lanzmann's Shoah and the Topography of the Holocaust Film."Representations 57 (Winter 1997), pp: 1-23.
UC users only

Ophuls, Marcel.
"Closely watched trains; in the tranquil Polish countryside, Claude Lanzmann mines memories of genocide in his nime-and-a-half-hour epic, Shoah." American Film Nov 1985 v11 p16(7)

Plank, Karl A.
"The Survivor's Return: Reflections on Memory and Place." Judaism: A Quarterly Journal of Jewish Life and Thought, vol. 38 no. 3 (151). 1989 Summer. pp: 263-277.

Rabinach, Anson
"Shoah." (movie reviews) The Nation March 15, 1986 v242 p313(5)

Rabinowitz, Paula.
"Wreckage Upon Wreckage: History, Documentary And The Ruins Of Memory." History and Theory 1993 32(2): 119-137.
UC users only

Renga, Dana.
"Staging Memory and Trauma in French and Italian Holocaust Film." Romanic Review, May-Nov2006, Vol. 97 Issue 3/4, p461-482, 22p
UC users only

Richmond, Thomas.
"The Perpetrators' Testimonies In Shoah." Journal of Holocaust Education 1996 5(1): 61-83.
Discusses the personal testimonies of participants in the Nazi extermination of the Jews in Claude Lanzmann's film Shoah (1985), their cinematic presentation, and what they demonstrate about the way the Holocaust was carried out.

Robbins, Jill.
"The Writing of the Holocaust: Claude Lanzmann's Shoah." Prooftexts: A Journal of Jewish Literary History, vol. 7 no. 3. (Sept. 1987) pp: 249-258.
UC users only

Rogerson, Edward.
"Shoah." (movie reviews) Encounter v80 v70, n4 (April, 1988):63 (3 pages).

Seitz, Michael H.
"Shoah." (movie reviews)The Progressive Nov 1985 v49 p40(1)

Rubenstein, Lenny.
"Shoah." (movie reviews) Cineaste, 1986, Vol. 14 Issue 3, p39-41, 3p,

Stoekl, Allan.
"Lanzmann and Deleuze: On the Question of Memory." Symploke: a Journal for the Intermingling of Literary, Cultural & Theoretical Scholarship. 6(1-2):72-82. 1998
UC users only

Stoicea, Gabriela.
"The Difficulties of Verbalizing Trauma: Translation and the Economy of Loss in Claude Lanzmann's Shoah." Journal of the Midwest Modern Language Association, Fall2006, Vol. 39 Issue 2, p43-53, 11p
UC users only

Vulliet, Armand. Dobie, Madeleine (translator).
"Letters to Claude Lanzmann and to the Grand Larousse." Yale French Studies. 85:152-59. 1994

Ward, Geoffrey C.
"Shoah." (movie reviews) American Heritage April-May 1986 v37 p15(1)

Webster, Robert M.
"Shoah." The French Review Vol. 61, No. 6 (May, 1988), pp. 976-977
UC users only

Wiesel, Elie.
"Shoah." (moving-picture reviews) New York Times v134, sec2 (Sun, Nov 3, 1985):H1(N), H1(L), col 1, 45 col in.

Wieseltier, Leon
"Shoah" Dissent 33,1 (1986) 27-32

Williams, Linda.
"Mirrors without Memories: Truth, History, and the New Documentary." Film Quarterly, vol. 46 no. 3. 1993 Spring. pp: 9-21.

Zeitlin, Froma I.
"The Vicarious Witness: Belated Memory And Authorial Presence In Recent Holocaust Literature." History & Memory 1998 10(2): 5-42.
"An analysis of significant second-generation trends in Holocaust literature that developed in the 1980's and 1990's, and of art formats that reconstruct the past through filtered experiences and derived information. The two most recent outstanding works in popular media, Claude Lanzmann's documentary film Shoah (1985) and Art Spiegelman's comic book monographs Maus I & II (1986, 1991) portrayed Holocaust victims' memories through the edited eye of the producers, who extended Holocaust facts and visual images in order to create highly emotive histories. Lesser known works, particularly Henri Raczymow's Un Cri sans Voix (1985), translated into English as Writing the Book of Esther (1995), and Jaroslaw Marek Rymkiewicz's The Final Station: Umschlagplatz (Poland 1992, United States, 1994) take the concept of myth, legacy, and mediated memories to the more creative level of fictional biographies. In the 21st century, authors and artists may continue to pursue their fascination with the Holocaust via new genres that succinctly portray Nazi horrors no longer identifiable by eyewitness testimony." [Historical Abstracts]





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