Books

Alien zone: cultural theory and contemporary science fiction cinema /

Edited by Annette Kuhn. London; New York: Verso, 1990.

UCB Main PN1995.9.S26 A818 1990

UCB Moffitt PN1995.9.S26 A818 1990

Contents via Google Books

Alien zone II: the spaces of science-fiction cinema

Edited by Kuhn. London; New York: Verso, 1999.

UCB Main PN1995.9.S26 A8184 1999

Aliens R us: the other in science fiction cinema

Edited by Ziauddin Sardar and Sean Cubitt. London; Sterling, Va.: Pluto Press,

UCB Main PN1995.9.S26 A45 2002

Anderson, Craig W.

Science fiction films of the seventies / by Craig W. Anderson. Jefferson, N.C.: McFarland, c1985.

UCB Main PN1995.9.S26 A82 1985

Andrevon, Jean Pierre.

Cent monstres du cinema fantastique / par Jean-Pierre Andrevon, Alain Schlockoff; preface de Henri Gougaud. Grenoble, France: Editions Jacques Glenat, 1978. Series title: Vivre le cinema; 2.

UCB Main P96.M6 A56

Attack of the monster movie makers: interviews with 20 genre giants

By Tom Weaver; research associates, Michael and John Brunas. Jefferson, N.C. : McFarland, c1994.

UCB Main PN1995.9.S26 A94 1994

Attebery, Brian,

"Beyond Captain Nemo: Disney's science fiction." In: From mouse to mermaid: the politics of film, gender, and culture / Elizabeth Bell, Lynda Haas, Laura Sells, editors. Bloomington: Indiana University Press, c1995.

Electronic location: http://www.netlibrary.com/summary.asp?id=614 (UCB users only)

Anthropology PN1999.W27.F76 1995

Main Stack PN1999.W27.F76 1995

Avila, Eric

"Dark city: white flight and the urban science fiction film in postwar America." In: Classic Hollywood, classic whiteness / Daniel Bernardi, editor. Minneapolis: University of Minnesota Press, c2001.

Main Stack PN1995.9.M56.C59 2001

Badmington, Neil

Alien chic: posthumanism and the other within / Neil Badmington. London ; New York : Routledge, 2004.

Table of contents http://www.loc.gov/catdir/toc/ecip0414/2004002290.html

Main Stack BF2050.B33 2004

Balsamo, Anne Marie

Technologies of the gendered body: reading cyborg women / Anne Balsamo. Durham: Duke University Press, c1996.

Anthropology HQ1190.B35 1996

Main Stack HQ1190.B35 1996

Barron, Neil

"Science fiction on film and television." In: Anatomy of wonder: a critical guide to science fiction / edited by Neil Barron. 3rd ed. New York: Bowker, 1987.

Main Stack PN3448.S4.A12 A5, 1987

Baxter, John.

Science fiction in the cinema. New York, A. S. Barnes [1970]. Series title: The International film guide series.

UCB Main PN1995.9.S26 B3

UCB Moffitt PN1995.9.S26 B3

Benson, Michael.

Vintage science fiction films, 1896-1949 Jefferson, N.C.; London: McFarland, 2000.

UCB Main PN1995.9.S26 B4 2000

UCB Moffitt PN1995.9.S26 B4 2000

Biskind, Peter

"Pods, blobs, and ideology in American films of the fifties." In: Shadows of the magic lamp: fantasy and science fiction in film / Edited by George Slusser and Eric S. Rabkin. pp: 58-72. Carbondale: Southern Illinois University Press, c1985. Series title: Alternatives.

UCB Main PN1995.9.F36 S5 1985

UCB Moffitt PN1995.9.F36 S5 1985

Bonner, Frances. 1992.

"Separate Development: Cyberpunk in Film and TV." In: Fiction 2000: Cyberpunk and the Future of Narrative. Edited by Tom Shippey. Athens: U of Georgia Press. pp, 191-207

Main Stack PN3433.6.F53 1992

Booker, M. Keith.

Alternate Americas : science fiction film and American culture Westport, Conn. : Praeger, 2006.

MAIN: PN1995.9.S26 B56 2006; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip063/2005032303.html

Booker, M. Keith.

Alternate Americas : science fiction film and American culture Westport, Conn. : Praeger, 2006.

MAIN: PN1995.9.S26 B56 2006

Table of contents http://www.loc.gov/catdir/toc/ecip063/2005032303.html

Booker, M. Keith.

Dystopian literature: a theory and research guide / M. Keith Booker. Westport, Conn.: Greenwood Press, 1994.

UCB Main PN56.D94 B66 1994

Booker, M. Keith.

"The creature from the Cold War: science fiction monster movies of the long 1950s." In: Monsters, mushroom clouds, and the Cold War: American science fiction and the roots of postmodernism, 1946-1964 Westport, Conn.: Greenwood Press, 2001. Contributions to the study of science fiction and fantasy; no. 95

Main Stack PS374.S35.B66 2001

Booker, M. Keith.

"The beginning or the end?: post-holocaust novels and films, 1946-1964. In: Monsters, mushroom clouds, and the Cold War: American science fiction and the roots of postmodernism, 1946-1964 Westport, Conn.: Greenwood Press, 2001. Contributions to the study of science fiction and fantasy; no. 95

Main Stack PS374.S35.B66 2001

Brave New Worlds: The Science Fiction Phenomenon [VIDEO]

Commentary: Robert Silverberg, Paul Verhoeven, Arthur Clarke, Mark Kermode, Geoff Ryman, John Clute, Brisn Aldiss, Dick Jude, J. G. Ballard, Kim Stanley Robinson, Karen Joy Fowler, Octavia Butler, Dan O'Bannon, Bob Burns, John Brosnan, Robert Wise, William Gibson, Neal Stephenson. This documentary looks at science fiction classic films and novels, pulp fiction, B movies, and the special-effects wizardry of science fiction adventure epics. Interviews with key writers and filmmakers of the genre map out the history of science fiction while clips from a selection of popular films visually demonstrate an "image of the future." 1992. 51 min.

Media Center Video/C 7391

Brereton, Pat.

"Conspiracy thrillers and science fiction: 1950s to 1990s." In: Hollywood utopia : ecology in contemporary American cinema Bristol, UK ; Portland, Ore. : Intellect Books, 2005.

Main Stack PN1995.9.N38.B74 2005

Brereton, Pat.

"Postmodernist science fiction films and ecology." In: Hollywood utopia : ecology in contemporary American cinema Bristol, UK ; Portland, Ore. : Intellect Books, 2005.

Main Stack PN1995.9.N38.B74 2005

British science fiction cinema

Edited by I.Q. Hunter. London; New York: Routledge, 1999. Series title: British popular cinema.

UCB Main PN1995.9.S26 B65 1999

Contents via Google Books

Broderick, Mick.

Nuclear Movies: A Critical Analysis and Filmography of International Feature Length ilms Dealing with Experimentation, Aliens, Terrorism, Holocaust, and Other Disaster Scenarios, 1914-1990 / by Mick Broderick; with a foreword by Helen Caldicott. Jefferson, N.C.

McFarland & Co., 1991, c1988.

Main Stack PN1995.9.N9.B76 1991

Moffitt PN1995.9.N9.B76 1991

Brosnan, John.

Future tense: the cinema of science fiction / John Brosnan. New York: St. Martin's Press, c1978.

UCB Moffitt PN1995.9.S26B7 1978

UCB Main PN1995.9.S62 .B7 [another edition]

Bryld, Mette.

Cosmodolphins: feminist cultural studies of technology, animals, and thesacred / Mette Marie Bryld and Nina Lykke. London; New York: Zed Books;New York: Distributed exclusively in the USA by St. Martin's Press, c2000.

UCB Main HQ1190 .B78 2000

Bukatman, Scott

Matters of gravity: special effects and supermen in the 20th century / Scott Bukatman. Durham [N.C.]: Duke University Press, 2003.

Main Stack E169.1.B933 2003

Bukatman, Scott

"Zooming out: the end of offscreen space." In: The new American cinema / edited by Jon Lewis.p. 248-72. Durham: Duke University Press, 1998.

Main Stack PN1993.5.U6.N47 1998

Chemistry and science fiction

Jack H. Stocker, editor. Washington, DC:American Chemical Society, c1998.

UCB Main PS374.S35 C48 1998

Clark, Michael

"The Future of History: Violence and the Feminine in Contemporary Science Fiction." In: Faborg Conference on American Studies in Transition (1984) American studies in transition: essays / edited by David E. Nye & Christen Kold Thomsen. pp: 235-258 [Odense]: Odense University Press, 1985. Odense University studies in English; vol. 9

Main Stack PS7.F331 1984

Close encounters: film, feminism, and science fiction

Constance Penley ... [et al.], editors. Minneapolis: University of Minnesota Press, c1991. Series title: A Camera obscura book.

UCB Main PN1995.9.S26 C57 1991

Collado Rodriguez, Francisco.

"Fear of the Flesh, Fear of the Borg: Narratives of Bodily Transgression in Contemporary U. S. Culture." In: Beyond borders: remaking cultural identities in the new East and Central Europe / edited by Laszlo Kurti and Juliet Langman. pp: 67-79 Boulder, Colo.: WestviewPress, 1997.

Main Stack DJK26.B49 1997

Creed, Barbara

"Horror and the Monstrous Feminine: An Imaginary Abjection." In: The dread of difference: gender and the horror film / edited by Barry Keith Grant. pp: 35-65. 1st ed. Austin: University of Texas Press, 1996. Texas film studies series.

Main Stack PN1995.9.H6.D74 1996

Crisis cinema : the apocalyptic idea in postmodern narrative film

Edited by Christopher Sharrett. Washington, D.C. : Maisonneuve Press, 1993. Series PostModernPositions ; vol. 6

Main Stack PN1995.9.S6.C75 1993

Contents: Introduction : crisis cinema / Christopher Sharrett -- Panic cinema : sex in the age of the hyperreal / Arthur Kroker and Michael Dorland -- Pox-eclipse now : the dystopian imagination in contemporary popular movies / James Combs -- Repoman and the punk anti-aesthetic : postmodernity as a permanent "bad area" / A. Keith Goshorn -- Cybersubjectivity and cinematic being / Scott Bukatman -- Televisual bodies : television and the impulse-image / Philip Turetzky -- The road to romance and ruin : the crisis of authority in Francis Ford Coppola's Rumble Fish / Jon Lewis -- Fellini's Casanova : male hystrionics and phallackcentrism / Frank Burke -- Decadence, violence and the decay of history : notes on the spectacular representation of death in narrative film, 1965 to 1990 / Catherine Russell -- Thatcher's Orwell : the spectacle of excess in Brazil / Tony Williams -- The American apocalypse : Scorcese's Taxi Driver / Christopher Sharrett -- Ramble city : postmodernism and Blade Runner / Giuliana Bruno -- Heroic apocalypse : Mad Max, mythology, and the millennium / Mick Broderick.

Dark horizons: science fiction and the dystopian imagination

Edited by Rafaella Baccolini and Tom Moylan. New York: Routledge, 2003.

MAIN: PS648.S3 D367 2003

Dixon, Wheeler W.

Visions of the Apocalypse : spectacles of destruction in American cinema London ; New York : Wallflower, c2003.

MAIN: PN1995.9.D55 D59 2003

Dubeck, Leroy W.

Fantastic voyages: learning science through science fiction films / Leroy W. Dubeck, Suzanne E. Moshier, Judith E. Boss. New York: AmericanInstitute of Physics, c1994.

UCB Physics QC30 .D83 1994

Edging into the future: science fiction and contemporary cultural transformation /

Edited by Veronica Hollinger and Joan Gordon. Philadelphia: University of Pennsylvania Press, c2002.

--Main Stack PS374.S35.E37 2002

Contents: Evaporating genre: strategies of dissolution in the postmodern fantastic / Gary K. Wolfe -- Omniphage: rock'n'roll and avant-pop science fiction / Lance Olsen -- Synthespians, virtual humans, and hypermedia: emerging contours of post-SF film / Brooks Landon -- Staying with the body: narratives of the posthuman in contemporary science fiction / Jenny Wolmark -- "But aren't those just ... you know, metaphors?" Postmodern figuration in the science fiction of James Morrow and Gwyneth Jones / Brian Attebery -- Sex/uality and the figure of the of the hermaphrodite in science fiction; or, the revenge of Herculine Barbin / Wendy Pearson -- Mutant youth: posthuman fantasies and high-tech consumption in 1990s science fiction / Rob Latham -- "Going postal": rage, science fiction, and the ends of the American subject / Roger Luckhurst -- Apocalypse coma / Veronica Hollinger -- Kairos: the enchanted loom / Gwyneth Jones -- Dead letters and their inheritors: ecospasmic crashes and the postmortal condition in Brian Stableford's histories of the future / Brian Stableford -- Utopia, genocide, and the other / Joan Gordon -- Dis-imagined communities: science fiction the the future of nations / Istvan Csicsery-Ronay, Jr.

Encyclopedia of science fiction

Consultant editor, Robert Holdstock; foreword by Isaac Asimov. London, England: Octopus Books, 1978.

UCB Main PN3448.S45 .E5

UCB Moffitt PN3448.S45 .E5

Eros in the mind's eye: sexuality and the fantastic in art and film

Edited by Donald Palumbo. New York: Greenwood Press, 1986. Series title: Contributions to the study of science fiction and fantasyno. 21.

UCB Main PN1995.9.S45 E681 1986

UCB Moffitt PN1995.9.S45 E68 1986

Evans, Joyce A.

Celluloid mushroom clouds: Hollywood and the atomic bomb / Joyce A. Evans. Boulder, Colo.: Westview Press, 1998. Critical studies in communication and in the cultural industries

Main Stack PN1995.9.W3.E82 1998

Everman, Welch D.

Cult science fiction films: from the amazing colossal man to Yog--themonster from space / Welch Everman. New York: Carol Pub. Group, c1995.

UCB Main PN1995.9.S26 E83 1995

Eye on science fiction: 20 interviews with classic SF and horror filmmakers

By by Tom Weaver. Jefferson, N.C.: McFarland, c2003.

MAIN: PN1995.9.S26 E9 2003

Contents: Herman Cohen on Lon Chaney, Jr. -- Mike Connors -- Susan Douglas on Five -- Arnold Drake on The flesh eaters -- Robert M. Fresco -- Alex Gordon on The atomic submarine -- Brett Halsey -- John Hart -- David Hedison on Voyage to the bottom of the sea -- Russ Jones on Dr. Terror's gallery of horrors -- Richard Kiel on Eegah -- Kay Linaker on Tod Browning and James Whale -- Teala Loring -- Robert Nichols -- Ted Post on Bela Lugosi -- William Self -- Natalie Trundy -- Martin Varno on Night of the blood beast -- Beverly Washburn -- William Wellman, Jr.

Fantasy and the cinema

Edited by James Donald. London: BFI Pub., 1989.

UCB Main PN1995.9.F36 F361 1989

UCB Moffitt PN1995.9 F36

Fantasy girls: gender in the new universe of science fiction and fantasy television

Edited by Elyce Rae Helford. Lanham, MD: Rowman & Littlefield, c2000.

Main Stack PN1992.8.W6.F36 2000

Frank, Alan G.

The science fiction and fantasy film handbook / Alan Frank. Totowa, N.J.: Barnes & Noble Books, 1982.

UCB Main PN1995.9.S26 .F73 1982

Foster, Laurel

"Futuristic Foodways: The Metaphorical Meaning of Food in Science Fiction Film." In: Reel food : essays on food and film / edited by Anne L. Bower. New York : Routledge, 2004.

Table of contents http://www.loc.gov/catdir/toc/ecip0413/2004001358.html

Main Stack PN1995.9.F65.R44 2004

Franklin, H. Bruce

"Don't look where we're going: visions of the future in science fiction films, 1970-1982." In: Shadows of the magic lamp: fantasy and science fiction in film / Edited by George Slusser and Eric S. Rabkin. pp: 73-85. Carbondale: Southern Illinois University Press, c1985. Series title: Alternatives.

UCB Main PN1995.9.F36 S5 1985

UCB Moffitt PN1995.9.F36 S5 1985

Galbraith, Stuart

Japanese science fiction, fantasy, and horror films: a critical analysisof 103 features released in the United States, 1950-1992 / Stuart GalbraithIV; research associate, R.M. Hayes, with a foreword by Bill Warren. Jefferson, N.C.: McFarland, c1994.

UCB Main PN1995.9.S26 G26 1994

Galbraith, Stuart

Monsters are attacking Tokyo!: the incredible world of Japanese fantasyfilms / by Stuart Galbraith IV; research associates, Yukari Fujii andAtsushi Sakahara. 1st ed. Venice, CA: Feral House, 1998.

UCB Main PN1995.9.M6 G36 1998

The gendered cyborg : a reader

Edited by Gill Kirkup ... [et al.]. London ; New York : Routledge, in association with the Open University, 2000.

See in particular Part 2: Alien m/others: representing the feminine in science fiction film.

Gifford, Denis.

Science fiction film. [London] Studio Vista [New York] Dutton Pictureback [1971]. Series title: Studio Vista/Dutton pictureback.

UCB Main PN1995.9.S26 G5

Gifford, Denis.

Science fiction film. [London] Studio Vista [New York] Dutton Pictureback [1971]. Series title: Studio Vista/Dutton pictureback.

UCB Main PN1995.9.S26 G5

Glassy, Mark C.

The biology of science fiction cinema / Mark C. Glassy. Jefferson, N.C. : McFarland, c2001.

UCB Main PN1995.9.S26 G56 2001

Gold, John Robert

"From Metropolis to The city: film visions of the future city, 1919-1939." In Geography, the media & popular culture / edited by Jacquelin Burgess and John R. Gold.p. 123-43 London: Croom Helm, c1985.

UCB Main Stack GF41.G41 1985

The Gospel according to Philip K. Dick [VIDEO]

[presented by] Mark Steensland andAndy Massagli. New York: First Run/Icarus Films, 2000. 1 videocassette (80 min.): sd., col.; 1/2 in. VHS.

UCB Media Ctr VIDEO/C 7650

Gough, Noel.

"Playing with Wor(l)ds: Science Fiction as Environmental Literature." In: Literature of nature: an international sourcebook / edited by Patrick D. Murphy; contributing editors, Terry Gifford et al. pp: 409 14 Chicago, Ill.: Fitzroy Dearborn, 1998.

Main Stack PN48.L58 1998

Hardy, Phil.

Science fiction / Phil Hardy; with contributions by Denis Gifford ...[et al.]; illustrations by the Kobal Collection. 1st ed. New York:Morrow, 1984. Series title: The Film encyclopedia; v. 2.

UCB Main PN1995.9.S62 S34 1984

Heilbronn, Lisa M.

"Natural Man, Unnatural Science: Rejection of Science in Recent Science Fiction and Fantasy Film." In: International Conference on the Fantastic in the Arts (8th: 1987: Houston, Tex.) Contours of the fantastic: selected essays from the Eighth International Conference on the Fantastic in the Arts. pp: 113-19 New York: Greenwood Press, 1990. Contributions to the study of science fiction and fantasy; no. 41

Main Stack PN56.F34.I58 1987

Hendershot, Cynthia.

Paranoia, the bomb, and 1950s science fiction films / Cyndy Hendershot. Bowling Green, OH: Bowling Green State University Popular Press, c1999.

UCB Main PN1995.9.S26 H37 1999

Henderson, C. J.

The encyclopedia of science fiction movies New York: Facts on File, c2001.

Main Stack PN1995.9.S26 H38 2001

Hodgens, Richard

"A short tragical history of the science fiction film." In: SF: the other side of realism; essays on modern fantasy and science fiction. Edited by Thomas D. Clareson Bowling Green, Ohio, Bowling Green University Popular Press [1971]

Moffitt PN3448.S45.C5

Main Stack PN3448.S4.C5

Hornig, Susanna.

"Digital Delusions: Intelligent Computers in Science Fiction Film." In: Beyond the stars III / edited by Paul Loukides and Linda K. Fuller. pp: 207-15 Bowling Green, Ohio: Bowling Green University Popular Press, c1990

Main Stack PN1995.9.C36.B49 1990

Moffitt PN1995.9.C36.B49 1990

Holston, Kim R.

Science fiction, fantasy, and horror film sequels, series, and remakes: an illustrated filmography, with plot synopses and critical commentary / by Kim R. Holston and Tom Winchester; with a foreword by Ingrid Pitt. Jefferson, N.C.: McFarland, c1997.

Main PN1995.9.S26 H59 1997

Iaccino, James F.

Jungian reflections within the cinema: a psychological analysis ofsci-fi and fantasy archetypes / James F. Iaccino. Westport, Conn.:Praeger, 1998.

UCB Main PN1995.9.S26 I23 1998

UCB Main Ordered for Main Stack

Imagining apocalypse: studies in cultural crisis

Edited by David Seed. New York: St. Martin's Press, 2000.

Main Stack PR830.S35.I43 2000

Johnson, William

Focus on the science fiction film. Englewood Cliffs, N.J., Prentice-Hall [1972]. Series title: Film focus. Series title: A Spectrum book.

UCB Main PN1995.9.S26 J6

UCB Moffitt PN1995.9.S26 J6

Kaveney, Roz.

From Alien to The matrix : reading science fiction film London ; New York : I.B. Tauris ; New York : Distributed in the U.S. by Palgrave Macmillan, 2005.

MAIN: PN1995.9.S26 K38 2005

MOFF: PN1995.9.S26 K38 2005

King, Geoff.

Science fiction cinema: from outerspace to cyberspace / Geoff King &Tanya Krzywinska. London: Wallflower, 2000. Series title: Short cuts (London, England) 03.

UCB Main PN1995.9.S26 K55 2000

Kinnard, Roy

Science fiction serials: a critical filmography of the 31 hard SFcliffhangers: with an appendix of the 37 serials with slight SF content /by Roy Kinnard. Jefferson, N.C.: McFarland, c1998.

UCB Main PN1995.9.S26 K56 1998

Klossner, Michael

"Science fiction in film, television and radio." In: Anatomy of wonder 4: a critical guide to science fiction / edited by Neil Barron. New Providence, N.J.: R.R. Bowker, c1995.

Doe Refe PN3433.8.A12.A52 1995

La Valley, Albert J

"Traditions of trickery: the role of special effects in the science fiction film." In: Shadows of the magic lamp: fantasy and science fiction in film / Edited byGeorge Slusser and Eric S. Rabkin. pp: 141-58. Carbondale: Southern IllinoisUniversity Press, c1985. Series title: Alternatives.

UCB Main PN1995.9.F36 S5 1985

UCB Moffitt PN1995.9.F36 S5 1985

Landon, Brooks.

The aesthetics of ambivalence: rethinking science fiction film in the age of electronic (re)production / Brooks Landon. Westport, Conn.: Greenwood Press, 1992. Series title: Contributions to the study of science fiction and fantasy no. 52.

UCB Main PN1995.9.S26 L36 1992

UCB Moffitt PN1995.9.S26 L36 1992

Landon, Brooks.

"Synthespians, virtual humans, and hypermedia: emerging contours of post-SF film." In: Edging into the future: science fiction and contemporary cultural transformation / edited by Veronica Hollinger and Joan Gordon. Philadelphia: University of Pennsylvania Press, c2002.

Main Stack PS374.S35.E37 2002

Lee, Gregory B.; Lam, Sunny S. K.

"Wicked Cities: The Other in Hong Kong Science Fiction." In: Aliens R us: the other in science fiction cinema / edited by Ziauddin Sardar and Sean Cubitt. London; Sterling, Va.: Pluto Press, 2002.

Main Stack PN1995.9.S26.A45 2002

Lentz, Harris M.

Science fiction, horror and fantasy film and television credits / by Harris M. Lentz, III. Jefferson, N.C.: McFarland, 1983.

UCB Main PN1995.9.S26 L46 1983 v.1-2 (1983)

Lentz, Harris M.

Science fiction, horror & fantasy film and television credits. Supplement 2, through 1993 / compiled by Harris M. Lentz III. Jefferson, N.C.: McFarland, c1994.

UCB Main PN1995.9.S26 L46 1994 Suppl.

UCB Media Ctr PN1995.9.S26 L46 1994 Suppl.

Lentz, Harris M.

Science fiction, horror & fantasy film and television credits / by HarrisM. Lentz III. 2nd ed. Jefferson, N.C.: McFarland, 2001.

UCB Info Ctr PN1995.9.S26 L46 2001 v.1-3 (2001)

UCB Main PN1995.9.S26 L46 2001 v.1-3 (2001)

Liquid Metal: The Ccience Fiction Film Reader

Edited by Sean Redmond. London ; New York : Wallflower, 2004.

Main Stack PN1995.9.S26.L57 2004

Lloyd, Donald G. 1990.

"Renegade Robots and Hard-Wired Heroes: Technology and Morality in Contemporary Science Fiction Films." In: Beyond the stars III / edited by Paul Loukides and Linda K. Fuller. pp: pp. 216-227 Bowling Green, Ohio: Bowling Green University Popular Press, c1990-

Main Stack PN1995.9.C36.B49 1990

Moffitt PN1995.9.C36.B49 1990

Lucanio, Patrick.

American science fiction television series of the 1950s: episode guides and casts and credits for twenty shows / by Patrick Lucanio. Jefferson, N.C.: McFarland, c1998.

Main Stack PN1992.8.S35.L83 1998

Lucanio, Patrick.

Smokin' rockets: the romance of technology in American film, radio and television, 1945-1962 / Jefferson, N.C.: McFarland & Co., c2002.

UCB MAIN: PN1995.9.S26 L79 2002

UCB Moffitt: PN1995.9.S26 L79 2002

Lucanio, Patrick.

Them or us: archetypal interpretations of fifties alien invasion films /Patrick Lucanio. Bloomington: Indiana University Press, c1987.

UCB Main PN1995.9.S26 L8 1987

UCB Moffitt PN1995.9.S26 L8 1987

Lundwall, Sam J.

Science fiction, an illustrated history / Sam J. Lundwall. 1st Americaned. New York: Grosset & Dunlap, 1978, c1977.

UCB Main X-8 Collection

UCB Main Ordered for Main Stack

UCB Moffitt PN3448.S45 .L79 1978

Mallin, Eric S.

"Jewish Invader and the Soul of State: The Merchant of Venice and ScienceFiction Movies." In: Shakespeare and modernity: early modern to millennium / edited by Hugh Grady. pp: 142-67 London; New York: Routledge, 2000. Accents on Shakespeare.

Main Stack PR2965.S53 2000

Mann, George.

The mammoth encyclopedia of science fiction New York, NY: Carroll & Graf, 2001.

Main Stack: PN3433.4 .M36 2001

Matthews, Melvin E.

Hostile aliens, Hollywood and today's news : 1950s science fiction films and 9/11 New York : Algora Pub., c2007.

Location(s): MAIN: PN1995.9.S26 M356 2007; View current status of this item

Table of contents only http://www.loc.gov/catdir/toc/ecip077/2006102140.html

McCrillis, Neal R.

"Atomic anxiety in Cold War Britain: science, sin and uncertainity in nuclear monster films." In: Screening scripture : intertextual connections between scripture and film / edited by George Aichele and Richard Walsh. Harrisburg, Pa. : Trinity Press International, c2002.

Main Stack PN1995.5.S35 2002

Mckee, Gabriel.

The Gospel according to science fiction : from The twilight zone to the final frontier Louisville : Westminster John Knox Press, c2007.

MAIN: PS374.S35 M4 2007;

The Mechanical God, machines in science fiction

Edited by Thomas P. Dunn and Richard D. Erlich. Westport, Conn.: Greenwood Press, 1982. Contributions to the study of science fiction and fantasy; no. 1

Main Stack PN3433.6.M4 1982

Moffitt PN3433.6.M4 1982

Menarini

Il cinema degli alieni / Roy Menarini. 1. ed. Alessandria: Falsopiano,1999. Series title: Falsopiano cinema; 17.

UCB Main PN1995.9.U62 M46 1999

Menville, Douglas Alver.

Futurevisions: the new golden age of the science fiction film / DouglasMenville and R. Reginald with Mary A. Burgess; introduction by William F.Nolan. 1st ed. San Bernardino, Calif.: Borgo Press, 1985.

UCB Main PN1995.9.S26 M3881 1985

Menville, Douglas Alver.

Things to come: an illustrated history of the science fiction film / byDouglas Menville and R. Reginald; introd. by Ray Bradbury. 1st ed. NewYork: Times Books, 1977.

UCB Main PN1995.9 .S26M43

Mitchell, Charles P.

A guide to apocalyptic cinema / Charles P. Mitchell. Westport, Conn.:Greenwood Press, c2001.

UCB Main PN1995.9.S26 M575 2001

Mogen, David

Wilderness visions: the western theme in science fiction literature / byDavid Mogen; edited by Daryl F. Mallett. 2nd ed., rev. and expanded. SanBernardino, Calif.: Borgo Press, 1993. Series title: I.O. Evans studies in the philosophy & criticism ofliterature no. 1.

UCB Main PS374.S35 M64 1993

Newman, Kim.

Apocalypse movies: end of the world cinema New York : St. Martin's Griffin, 2000.

MAIN: PN1995.9.S26 N49 2000

MOFF: PN1995.9.S26 N49 2000

O'Donnell, Victoria

"Science fiction films and Cold War anxiety." In: Transforming the screen, 1950-1959 / Peter Lev. New York : Charles Scribner's Sons, 2003.

Main Stack PN1993.5.U6.H55 1990 v.7

Off the planet: music, sound and science fiction cinema

Edited by Philip Hayward. London: John Libbey; Bloomington, IN: Distributed in North America by Indiana University Press, c2004.

MAIN: PN1995.9.S26 O34 2004

Mulhall, Stephen

On film London; New York: Routledge, 2002.

UCB MAIN: PN1997.A32253 M85 2002

Kane's son, Cain's daughter: Ridley Scott's Alien -- Making babies: James Cameron's Aliens -- Mourning sickness: David Fincher's Aliens 3 -- The monster's mother: Jean-Pierre Jeunet's Alien resurrection.

Negri, Gianluigi.

Cyber movies : cyborg, hackers, mondi virtuali : guida al cinema del terzo millennio Bologna : Tunnel Edizioni, 1997.

MAIN: PN1995.9.C9 N447 1997;

Newman, Kim.

Apocalypse movies: end of the world cinema / Kim Newman. 1st St.Martin's Griffin ed. New York: St. Martin's Griffin, 2000.

UCB Main PN1995.9.S26 N49 2000

UCB Moffitt PN1995.9.S26 N49 2000

No cure for the future : disease and medicine in science fiction and fantasy

Edited by Gary Westfahl and George Slusser. Westport, Conn. : Greenwood Press, 2002. Contributions to the study of science fiction and fantasy ; no. 102

Main Stack PR830.S35.N6 2002

Table of contents http://www.loc.gov/catdir/toc/fy035/2002067917.html

Noonan, Bonnie

Women scientists in fifties science fiction films Published: Jefferson, N.C. : McFarland & Co., c2005.

MAIN: PN1995.9.S26 N66 2005; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip0511/2005011461.html

O'Donnell, Victoria

"Science fiction films and Cold War anxiety." In: Transforming the screen, 1950-1959 / Peter Lev. New York: Charles Scribner's Sons, 2003. History of the American cinema; v. 7

Main Stack PN1993.5.U6.H55 1990 v.7

Omni's screen flights/screen fantasies: the future according to science fiction cinema

Edited by Danny Peary; introduction by Harlan Ellison. 1st ed. Garden City, N.Y.: Doubleday, 1984.

UCB Main PN1995.9.S26 O461 1984

Ostherr, Kirsten

"From Inner to Outer Space: World Health and the Postwar Alien Invasion Film." In: Cinematic prophylaxis : globalization and contagion in the discourse of world health Durham : Duke University Press, 2005.

MAIN: PN1995.9.D56 O88 2005; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip0512/2005011686.html

Palumbo, Donald

"The underground journey and the death and resurrection theme in recent science fiction and fantasy films." In: International Conference on the Fantastic in the Arts (5th: 1984: Boca Raton, Fla.) The fantastic in world literature and the arts. p. 211-27. New York: Greenwood Press, 1987. Contributions to the study of science fiction and fantasy; no. 28

Main Stack PN56.F34.I581 1984 NRLF #: B 3 558 817

Parish, James Robert.

The great science fiction pictures / by James Robert Parish and MichaelR. Pitts; research associates, Stephen Calvert ... [et al.]. Metuchen,N.J.: Scarecrow Press, 1977.

UCB Moffitt PN1995.9.S26P37

Parish, James Robert.

The great science fiction pictures II / by James Robert Parish andMichael R. Pitts. Metuchen, N.J.: Scarecrow Press, 1990.

UCB Moffitt PN1995.9.S26 P38 1989

Perrine, Tony A.

Film and the Nuclear Age: Representing Cultural Anxiety / Toni A. Perrine. New York: Garland, 1998. Garland studies in American popular history and culture

UCB Main PN1995.9.W3.P49 1998

Phillips, Mark Science fiction television series: episode guides, histories, and casts and credits for 62 prime time shows, 1959 through 1989 Jefferson, N.C.: McFarland, c1996.

Main Stack PN1992.8.S35.P48 1996

Pierson, Michele.

Special effects: still in search of wonder New York: Columbia University Press, c2002.

UCB MAIN: PN1995.9.S26 P54 2002

Pohl, Frederik.

Science fiction, studies in film / Frederik Pohl & Frederik Pohl, IV. New York, N.Y.: Ace Books, c1981.

UCB Moffitt PN1995.9.S26 .P6

Renzi, Thomas C.

Jules Verne on film: a filmography of the cinematic adaptations of his works, 1902 through 1997 / Thomas C. Renzi. Jefferson, N.C.: McFarland, c1998.

Main Stack PQ2469.Z5.R37 1998

Roberts, Garyn G.

"Revelation, Humanity, and a Warning: Four Motifs of 1950s Science Fiction Invasion Films." In: Beyond the stars II (Plot Conventions in American Popular Film) / edited by Paul Loukides and Linda K. Fuller. pp: 130 42 Bowling Green, Ohio: Bowling Green University Popular Press, c1990-

Main Stack PN1995.9.C36.B49 1990

Moffitt PN1995.9.C36.B49 1990

Roberts, Robin

A new species: gender and science in science fiction / Robin Roberts. Urbana; Chicago: University of Illinois Press, c1993.

Main Stack PS374.S35.R6 1993

Rowlands, Mark

The philosopher at the end of the universe London: Ebury, 2003.

MAIN: PN1995.9.S26 R69 2003

Rushing, Janice Hocker.

Projecting the shadow: the cyborg hero in American film / Janice Hocker Rushing, Thomas S. Frentz. Chicago: University of Chicago Press, 1995. New practices of inquiry.

Main Stack PN1995.9.C9.R57 1995

Sanders, Scott.

"Woman as Nature in Science Fiction." In: Future females: a critical anthology / [edited by] Marleen S. Barr. pp: 42-59. Bowling Green, Ohio: Bowling Green State University Popular Press, 1981

Main Stack PN3401.F8 NRLF

Moffitt PN3401.F8

Main Stack PN3401.F87 1981

Sanjek, David

"Same as it ever was: innovation and exhaustion in the horror and science fiction films of the1990s." In: Film genre 2000: new critical essays / edited by Wheeler Winston Dixon. p. 111-23. Albany: State University of New York Press, c2000. SUNY series, cultural studies in cinema/video.

Main Stack PN1995.F45787 2000

Schelde, Per.

Androids, humanoids, and other science fiction monsters: science andsoul in science fiction films / Per Schelde. New York: New YorkUniversity Press, c1993.

UCB Main PN1995.9.S26 S26 1993

UCB Moffitt PN1995.9.S26 S26 1993

The Sci-Fi Files[VIDEO]

For centuries, science fiction has predicted the future. This film series explores the history of this art form using clips from films and expert commentary. Parts 1-4, each preceded by 7 minutes of theatrical advertisements. 50 min. each.

Part 1. Children of Frankenstein. Part 1 traces one of the prevalent themes of science fiction, biological experimentation and its potentially dangerous repercussions. From Frankenstein to 2001, from The Outer Limits to The Fly, this segment highlights some of the dangers of society's relationship with science. Films reviewed: Frankenstein -- Outer limits -- Sleeper -- The Fly --Metropolis -- The Humanoids -- The Time Machine -- Futureworld -- Robocop -- Brazil -- Terminator 2 -- Blade runner -- Barbarella -- Dr. Who -- Time bandits -- Planet of the apes -- 2001: a space odyssey. Video/C 5987

Part 2. Spaceships and Aliens. Part 2 examines spaceships and aliens, some of the most enduring icons of science fiction. This episode describes space as the playground for both mystery and adventure. Clips from films such as Men in Black and Close Encounters of the Third Kind and the quintessential space program, Star Trek are presented to illustrate the role science fiction has played in our quest for and conquest of the universe. Films reviewed: Alien, Trip to the moon, Star Trek, Destination moon, Flash Gordon, 2001: a space odyssey, Forbidden planet, War of the worlds, Men in black, Village of the damned, Day the earth stood still, Invasion of the body snatchers, Woman in the moon, First men in the moon, Dark star, Close encounters of the third kind, It: the monster from outer space. Video/C 5988

Part 3. March of the Machines Part 3 looks at robots, one of the great figures in science fiction. Using clips from classic films and comic strips this episode examines science fiction's obsession with technology, from robotics to computers, from cyberspace to the technological development of weapons. Films reviewed: Robocop, Metropolis, Dr. Who, Johnny Mnemonic, Sleeper, 2001: a space odyssey, Godzilla, Them, War game, Terminator 2, Dr. Strangelove, War games, Mad Max 2, Destination moon, Moonraker, Forbidden planet. Video/C 5989

Part 4. Living in the Future Part 4 examines science fiction movies that project into the future of mankind. By tracing the evolution of the city, attitudes towards women, sex and relationships and the continuing fascination with building ourselves a Utopia--perhaps on Mars, the film examines the dream of what the future may bring. Films reviewed: 1984, Forbidden planet, Rocketship X-M, Stepford wives, Barbarella, Robot monster, Flash Gordon, Devil girl from Mars, Queen of outer space, Metropolis, Woman in the moon, Terminator 2, Blade runner, Soylent green, Johnny Mnemonic, Total recall. Video/C 5990

Science fiction America : essays on SF cinema

Edited by David J. Hogan. Jefferson, N.C. : McFarland, 2006.

Main Stack PN1995.9.S26.S275 2006

Moffitt PN1995.9.S26.S275 2006

Table of contents http://www.loc.gov/catdir/toc/ecip058/2005004743.html

Science fiction filmmaking in the 1980s: interviews with actors,directors, producers, and writers

By Lee Goldberg ... [et al.]; with aforeword by David McDonnell. Jefferson, N.C.: McFarland & Co., c1995.

UCB Moffitt PN1995.9.S26 S295 1995

Science fiction/horror

Edited by Kim Newman. London: BFI Publishing,

UCB Main Stack PN1995.9.S26 S33 2002

The science fiction film reader

Edited by Gregg Rickman. New York: Limelight Editions, 2004.

MAIN: PN1995.9.S26 S344 2004

PFA: PN1995.9.S26 S344 2004

Electronic Location(s): Table of contents http://www.loc.gov/catdir/toc/ecip049/2003020928.html

Seed, David.

American science fiction and the Cold War: literature and film Chicago: Fitzroy Dearborn, c1999.

UCB Main Stack MAIN: PS374.S35 S44 1999

Sheen, Erica

"'I'm not in the business; I am the business': women at work in Hollywood science fiction." In: Where no man has gone before: women and science fiction / edited by Lucie Armitt. p. 139-61. London; New York: Routledge, 1991.

Main Stack PR830.S35.W48 1991

Sherman, Fraser A.

Cyborgs, Santa Claus, and Satan: science fiction, fantasy, and horror films made for television Jefferson, N.C.: McFarland, c2000.

Main Stack PN1995.9.S26 S46 2000

Seed, David.

American science fiction and the Cold War: literature and film / DavidSeed. Edinburgh: Edinburgh University Press, c1999.

UCB Main PS374.S35 S44 1999

Seed, David

"Alien Invasion by Body Snatchers and Related Creatures." In: Modern gothic: a reader / edited by Victor Sage & Allan Lloyd Smith. pp: 152-70. Manchester; New York: Manchester University Press: Distributed in the USA by St. Martin's Press, 1996.

Main Stack PR888.T3.M63 1996

Senn, Bryan

Fantastic cinema subject guide: a topical index to 2500 horror, sciencefiction, and fantasy films / by Bryan Senn and John Johnson. Jefferson,N.C.: McFarland & Co., c1992.

UCB Hum/Area PN1995.9.F36 S46 1992

UCB Info Ctr PN1995.9.F36 S46 1992

Shadows of the magic lamp: fantasy and science fiction in film /

Edited byGeorge Slusser and Eric S. Rabkin. Carbondale: Southern IllinoisUniversity Press, c1985. Series title: Alternatives.

UCB Main PN1995.9.F36 S5 1985

UCB Moffitt PN1995.9.F36 S5 1985

Sherman, Fraser A.

Cyborgs, Santa Claus, and Satan: science fiction, fantasy, and horrorfilms made for television / by Fraser A. Sherman. Jefferson, N.C.:McFarland, c2000.

UCB Main PN1995.9.S26 S46 2000

Shippey, Tom.

"Starship Troopers, Galactic Heroes, Mercenary Princes: The Military and Its Discontents in Science Fiction." In: Histories of the future: studies in fact, fantasy and science fiction / edited by Alan Sandison and Robert Dingley. pp: 168-83 New York: Palgrave, 2000.

Main Stack PS374.F73.H57 2000

Short, Robert L.

The gospel from outer space / Robert Short. 1st ed. San Francisco:Harper & Row, c1983.

GTU Library PN1995.9.S26 S48 1983

UCB Main PN1995.9.S26 S48 1983

Short, Sue

Cyborg cinema and contemporary subjectivity New York : Palgrave Macmillan, 2005.

MAIN: PN1995.9.C9 S48 2005

Siegel, Allan.

"After the Sixties: Changing Paradigms in the Representation of Urban Space." In: Screening the city pp: 137-59.Edited by Mark Shiel and Tony Fitzmaurice. London; New York: Verso, 2003.

Environ Dsgn PN1995.9.C513.S37 2003

Main Stack PN1995.9.C513.S37 2003 >

Smith, Don G.

H.G. Wells on film: the utopian nightmare Published: Jefferson, N.C.: McFarland & Co., c2002

MAIN: PR5778.F55 S64 2002

Sobchack, Vivian Carol.

"Bringing it all back home: family economy and generic exchange." In: American horrors: essays on the modern American horror film / edited by Gregory A. Waller. p. 175-94. Urbana: University of Illinois Press, c1987.

Main Stack PN1995.9.H6.A391 1987

Moffitt PN1995.9.H6.A39 1987

Sobchack, Vivian Carol.

The limits of infinity: the American science fiction film, 1950-75 /Vivian Carol Sobchack. South Brunswicks, N.J.: A. S. Barnes, c1980.

UCB Main PN1995.9.S26 .S57 1980

Sobchack, Vivian Carol.

Screening space: the American science fiction film / Vivian Sobchack. 2nd, enl. ed. New York: Ungar, 1987.

UCB Moffitt PN1995.9.S26 S57 1987

Sobchack, Vivian Carol.

The Limits of Infinity: The American Science Fiction Film, 1950-75 / Vivian Carol Sobchack. South Brunswicks, N.J.: A. S. Barnes, c1980.

UCB Main PN1995.9.S26 .S57 1980

Sobchack, Vivian Carol.

"The virginity of astronauts: sex and the science fiction film." In: Shadows of the magic lamp: fantasy and science fiction in film / Edited byGeorge Slusser and Eric S. Rabkin. pp: 41-57. Carbondale: Southern IllinoisUniversity Press, c1985. Series title: Alternatives.

UCB Main PN1995.9.F36 S5 1985

UCB Moffitt PN1995.9.F36 S5 1985

Soister, John T.

Of Gods and monsters: a critical guide to Universal Studios' sciencefiction, horror, and mystery films, 1929-1939 / by John T. Soister. Jefferson, N.C.: McFarland, c1999.

UCB Main PN1999.U57 S65 1999

Space and beyond: the frontier theme in science fiction

Edited by GaryWestfahl. Westport, Conn.: Greenwood Press, 2000. Series title: Contributions to the study of science fiction and fantasyno. 87.

UCB Main PS374.S35 S63 2000

Spinrad, Norman

"Books into movies." In: Science fiction in the real world / Norman Spinrad. p. 77-89 Carbondale: Southern Illinois University Press, c1990. Alternatives

Main Stack PN3433.5.S65 1990

Springer, Claudia

Electronic eros: bodies and desire in the postindustrial age / by Claudia Springer. 1st ed. Austin: University of Texas Press, 1996.

Main Stack P96.T42.S67 1996

Moffitt P96.T42.S67 1996

Staskowski, Andrea.

Science fiction movies / by Andrea Staskowski. Minneapolis: LernerPublications Co., c1992.

UCB Moffitt PN1995.9.S26 S73 1992

Stewart, Garrett

"The "videology" of science fiction." In: Shadows of the magic lamp: fantasy and science fiction in film / edited by George Slusser and Eric S. Rabkin. p. 159-207. Carbondale, Ill.: Southern Illinois University Press, c1985. Alternatives

Main Stack PN1995.9.F36.S5 1985

Moffitt PN1995.9.F36.S5 1985

Strickland, A. W.

A reference guide to American science fiction films / A.W. Strickland,Forrest J. Ackerman. Bloomington, Ind.: T.I.S. Publications Division,c1981-

UCB Main PN1995.9.S26 .S82 V.1 (C1981)

Telotte, J. P.

A distant technology: science fiction film and the machine age / J.P.Telotte. Hanover: University Press of New England, c1999.

UCB Main PN1995.9.S26 T45 1999

Telotte, J. P.

Replications: a robotic history of the science fiction film / J.P. Telotte. Urbana: University of Illinois Press, c1995.

UCB Main PN1995.9.S26 T46 1995

UCB Moffitt PN1995.9.S26 T46 1995

Telotte, J. P.

Science fiction film Cambridge; New York: Cambridge University Press, 2001.

UCB Main PN1995.9.S26 T45 2001

Contents via Google Books

Thomas, Susan.

"Between the Boys and Their Toys: The Science Fiction Film." In: Where no man has gone before: women and science fiction / edited by Lucie Armitt. pp: 109 22 London; New York: Routledge, 1991.

Main Stack PR830.S35.W48 1991

Thompson, Kirsten Moana.

Apocalyptic dread : American film at the turn of the millennium Albany : State University of New York Press, c2007.

MAIN: PN1995.9.H6 T47 2007

Table of contents only http://www.loc.gov/catdir/toc/ecip0612/2006013425.html

To seek out new worlds: science fiction and world politics

Edited by Jutta Weldes. 1st Palgrave Macmillan ed. New York: Palgrave Macmillan, 2003.

Main Stack PN3433.6.S44 2003

Underhill, Michael.

Vintage science fiction films, 1896-1949 / Michael Benson. Jefferson, N.C.: McFarland, c1985.

UCB Main PN1995.9.S26 B41 1985

Variety's Complete science fiction reviews

Edited by Donald Willis. NewYork: Garland, 1985.

UCB Hum/Area PN1995.9.S26 V371 1985

Vian, Boris

Cinema science-fiction / Boris Vian; choix, pref. et notes par NoelArnaud. Paris: C. Bourgois, c1978.

NRLF

Vieth, Errol

Screening science: contexts, texts, and science in fifties science fiction film Lanham, Md.: Scarecrow Press, 2001.

UCB Main PN1995.9 .V54 2001

DISSERTATION

Walrad, Jennifer Jill.

Visions of masculinity in 1950s science fiction film: how I learned to stop worrying (about Mom) and love the bomb / by Jennifer Jill Walrad. 1991.

UCB Main 308t 1991 62

NRLF AS36.C3 A135 1991 62

Warren, Bill

Keep Watching the Skies!: American Science Fiction Movies of the Fifties / by Bill Warren; research associate, Bill Thomas. Jefferson, N.C.: McFarland, 1982-1986.

UCB Main PN1995.9.S26 .W37 1982 V.1 (1982)

Warren, Bill

Keep Watching the Skies!: American Science Fiction Movies of the Fifties / by Bill Warren; research associate, Bill Thomas. Jefferson, N.C.:McFarland Classics, 1997.

UCB Main PN1995.9.S26 W37 1997

Contents: Herman Cohen on Lon Chaney, Jr. -- Mike Connors -- Susan Douglas on Five -- Arnold Drake on The flesh eaters -- Robert M. Fresco -- Alex Gordon on The atomic submarine -- Brett Halsey -- John Hart -- David Hedison on Voyage to the bottom of the sea -- Russ Jones on Dr. Terror's gallery of horrors -- Richard Kiel on Eegah -- Kay Linaker on Tod Browning and James Whale -- Teala Loring -- Robert Nichols -- Ted Post on Bela Lugosi -- William Self -- Natalie Trundy -- Martin Varno on Night of the blood beast -- Beverly Washburn -- William Wellman, Jr.

Weaver, Tom

Eye on science fiction : 20 interviews with classic SF and horror filmmakers / by Tom Weaver. Jefferson, N.C. : McFarland, c2003.

Main Stack PN1995.9.S26.E9 2003

Weaver, Tom

Science fiction and fantasy film flashbacks: conversations with 24 actors, writers, producers, and directors from the golden age / by TomWeaver. Jefferson, N.C.: McFarland, c1998.

UCB Main PN1995.9.S26 W458 1998

Weaver, Tom

It came from Weaver five: interviews with 20 zany, glib, and earnest moviemakers in the SF and horror traditions of the thirties, forties,fifties, and sixties / by Tom Weaver. Jefferson, N.C.: McFarland & Co.,c1996.

UCB Moffitt PN1995.9.S26 W45 1996

Weaver, Tom

Science fiction and fantasy film flashbacks: conversations with 24 actors, writers, producers, and directors from the golden age / by Tom Weaver. Jefferson, N.C.: McFarland, c1998.

UCB Main PN1995.9.S26 W458 1998

Weaver, Tom

Science fiction stars and horror heroes: interviews with actors,directors, producers, and writers of the 1940s through 1960s / by TomWeaver; research associates, Michael and John Brunas. Jefferson, N.C.:McFarland, c1991.

UCB Main PN1995.9.S26 W46 1991

Weinstock, Jeffrey A.

"Freaks in Space: 'Extraterrestrialism' and 'Deep-Space Multiculturalism'." In: Freakery: cultural spectacles of the extraordinary body / edited by Rosemarie Garland Thomson. pp: 327-37 New York: New York University Press, c1996.

Anthropology GT6730.F74 1996

Moffitt GT6730.F74 1996

Weisser, Thomas

Japanese cinema encyclopedia. The horror, fantasy, and scifi films / byThomas Weisser and Yuko Mihara Weisser; with an introduction by OliverStone. 1st ed. Miami, Fla.: Vital Books; Asian Cult CinemaPublications, 1997.

UCB Main PN1995.9.H6 W42 1997

Wells, Paul.

"The Invisible Man: Shrinking Masculinity in the 1950s Science Fiction B-Movie." In: You Tarzan: Masculinity, Movies and Men. New York / edited by Pat Kirkham and Janet Thumim. pp: 181-99. New York: St. Martin's Press, 1993.

Main Stack PN1995.9.M46.Y68 1993

Moffitt PN1995.9.M46.Y68 1993

Willis, Donald C.

Horror and science fiction films: a checklist

By Donald C. Willis. Metuchen, N.J., Scarecrow Press, 1972.

UCB Main PN1995.9.H6 W51

Willis, Donald C.

Horror and science fiction films III / by Donald C. Willis. Metuchen,N.J.: Scarecrow Press, 1984.

UCB Main PN1995.9.H6 W54 1984

Willis, Donald C.

Horror and science fiction films IV / Donald C. Willis. Lanham, Md.: Scarecrow Press, 1997.

UCB Main PN1995.9.H6 W543 1997

Wood, Aylish.

Technospace in contemporary film: beyond science fiction Manchester; New York: Manchester University Press; New York: Distributed exclusively in the U.S.A. by Palgrave, 2002.

Electronic Location(s): Publisher description http://www.loc.gov/catdir/description/hol021/2002072474.html

UCB MAIN: PN1995.9.F36 W66 2002

Electronic Location(s): Publisher description

Wright, Gene

The science fiction image: the illustrated encyclopedia of sciencefiction in film, television, radio and the theater / Gene Wright. New York: Facts on File, c1983.

UCB Main P96.S34 W7 1983

UCB Moffitt PN3448.S45 .W7

Yaszek, Lisa

"Of fossils and androids: (re)producing sexuality in recent film" In: The self wired: technology and subjectivity in contemporary narrative New York: Routledge, 2002.

Main Stack PS374.S35 Y37 2002

Young adult science fiction

Edited by C.W. Sullivan, III. Westport, Conn.: Greenwood Press, 1999. Contributions to the study of science fiction and fantasy; no. 79

Main Stack PS374.S35.Y63 1999

Journals

Banks, Miranda J.

"Monumental Fictions: National Monument as a Science Fiction Space."Journal of Popular Film and Television. 30 (3): 136-45. 2002 Fall.

"From The Day the Earth Stood Still (1951) to Independence Day (1996), science fiction filmmakers have used national monuments as iconic metonyms for American national identity, history, and ideals. As scenes of action, destruction, or ruin, such sites as the Washington Monument or the Statue of Liberty play a key role in conflicts between humans and the alien Other." [America: History and Life]

Battaglia, Debbora

"Multiplicities: An Anthropologist's Thoughts on Replicants and Clones in Popular Film." Critical Inquiry Vol. 27, No. 3 (Spring, 2001), pp. 493-514

UC users only

Beard, John.

"Science fiction films of the eighties: fin de siecle before itstime." (depiction of the future in motion pictures) Journal of Popular Culture v32, n1 (Summer, 1998):1 (1 page).

"Visions of the future are depicted in the science fiction films of the1980s. The film 'Escape from New York' shows a city that has turned into awasteland while the movie 'Blade Runner' portrays the city of Los Angeles,CA, to be a dying and diseased city. Both ways, the future is depicted asdark and decaying. Other films have followed which do not match the qualityof the two movies but the trend is expected to continue toward a similarfuture." [Magazine Index]

Berger, Roger A.

"'Ask What You Can Do for Your Country': The Film Version of H. G. Wells's The Time Machine and the Cold War."Literature/ Film Quarterly, vol. 17 no. 3. 1989. pp: 177-187.

Bergstrom, Janet.

"Androids and Androgyny." Camera Obscura: A Journal of Feminism, Culture, and Media Studies, 1986 Fall, 15, 36 65.

Bierman, James.

"Automated Theatre: Theatrical Futures From The Recent Past."Journal of Popular Culture 1984 18(2): 171-183.

"Science fiction projects future changes in science and technology to create tomorrow's "realities." The use of automata in films and theme parks similarly projects fantasy worlds in which audiences may at times participate as part of the creations." [America History and Life]

Biro, Matthew. 1994.

"The New Man as Cyborg: Figures of Technology in Weimar Visual Culture."New German Critique (Spring-Summer), 79-110.

Brain, Bonnie

"Saviors and Scientists: Extraterrestrials in Recent Science Fiction Films." Et cetera 40 (1983) 218

Broderick,-Mick.

"Nuclear Frisson: Cold War Cinema and Human Radiation Experiments." Literature-Film Quarterly, 1999, 27:3, 196-201.

Byers, Thomas B.

"Kissing Becky: Masculine Fears and Misogynist Moments in Science Fiction Films."Arizona Quarterly: A Journal of American Literature, Culture, and Theory, 1989 Autumn, 45:3, 77 95.

Carroll, N.

"Nightmare and the horror film: the symbolic biology of fantastic beings." Film Quarterly v. 34 no. 3 (Spring 1981) p. 16-25

Carter, Steven.

"Avatars Of The Turtles." Journal of Popular Film and Television 1990 18(3): 94-102.

In the 1980's, technology played a benign and even heroicrole in science fiction films, contrary to its threatening andevil reputation in earlier movies.

Clark, John R.

"The Machine Prevails: A Modern TechnologyTheme." Journal of Popular Culture 1978 12(1): 118-126.

"Although technology and its products were thoroughlyaccepted by 1900, they have ever since been viewed withambiguity and fear. This ambiguity and fear may be bestseen in popular art forms: in anti-utopian and sciencefiction novels, in comic strip characters, and in films. Thefear is, though, perhaps more the product of naggingdoubts concerning man and his capacities, rather than oftechnology itself." [America History and Life]

Clough, Patricia Ticineto.

"'The Final Girl' in the Fictions of Science and Culture." Stanford Humanities Review, 1992 Spring, 2:2-3,57-69.

Conway, Ronald

"The Gurus of Sound and Light: Science Fiction Films." Quadrant 30:4=221 (1986:Apr.) 38

Cox, Carole

"Popular Culture: The Fifties, Hollywood and Horror Films, Art and the Old West." English Journal 76:1 (1987:Jan.) 87

Dean, Joan F.

"Between 2001 And Star Wars."Journal of Popular Film and Television 1978 7(1): 32-41.

Despite expectations of good box office, science fictionfilms produced 1968-77 were monetary disasters; theydealt with totalitarian government, man's control over hiscreations, population, and violence in sports.

de Lauretis, Teresa.

"Becoming Inorganic."Critical Inquiry. 29(4):547-70. 2003 Summer

Desmazieres, Catherine.

"New York Dans Le Cinema De Science-Fiction: Le Personnage De L'alien Dans Sa Relation A La Ville." Transl/Info: [New York in the cinema of science fiction: the personage of the alien in relation to the city]. Revue Fran?aise d'Etudes Am?ricaines [France] 1993 (56): 163-174.

"Science fiction films show New York City through the eyes of a foreigner, an "alien," be it an extraterrestrial, an earthly monster, or a super-hero. The alien's presence in the city underscores the shortcomings of civilization - New York is ridden by violence, crime, and corruption - while reinforcing the mythical appeal of the world's most recognizable city. The various images of New York on the screen actually give us a glimpse of the "real" city, as the cinema blends all visions into a unique, multisided, mythical entity, a city that draws its reality from the fiction that invents it." [America: History and Life]

Dubeck, Leroy W.; Mosheir, Suzanne E.; Boss, Judith E.

"Using science fiction films to teach science at the college level:improving students' attitudes toward science through the magic of themovies." Journal of College Science Teaching v25, n1 (Sept-Oct, 1995):46 (5pages).

"The popularity of films such as 'Star Wars', 'The Terminator' and 'JurassicPark' has led to the belief that the use of films would be an excellentmethod of teaching science at college levels. The method, tried out on anexperimental basis, reveals that 75 percent of the students' attitudetowards science has changed and around 50 percent showed an improvement inthe knowledge of science. Adult learners also grasped scientific principlesat a faster rate." [Magazine Index]

Dubeck, Leroy W.; Moshier, Suzanne E.; Bruce, Matthew H.; Boss, Judith E.

"Finding facts in science fiction films." Science Teacher v60, n4 (April, 1993):46 (3 pages).

"Science fiction films can be a useful tool for teaching science in theclassroom. Aside from showing its relevance to everyday issues, visualdisplay of scientific principles make them easier to comprehend. Studentscan learn about the diverse topics portrayed in films by trying to pointout flaws in the movie scenes. This technique not only catches children'sattention, it also encourages them to be more anaytical of the things theysee." [Magazine Index]

Dyens, Ollivier.

"Cyberpunk, Technoculture, and the Post-Biological Self." CLCWeb: Comparative Literature and Culture: A WWWeb Journal 2000 Mar, 2:1, (no pagination)

Fernbach, Amanda.

"The Fetishization of Masculinity in Science Fiction: The Cyborg and the Console Cowboy." Science Fiction Studies, 2000 July, 27:2 (81), 234-55.

Franklin, H. Bruce

"Don't Look Where We're Going: The Vision of the Future in Science-Fiction Films, 1970-82." Science-Fiction Studies 10:1=29 (1983:Mar.) 70

Franklin, Sarah.

"Postmodern mutant cyborg cinema." (science fiction films based on humans in modern science and technology) New Scientist v128, n1748 (Dec 22, 1990):70 (2 pages).

Fulton, Elizabeth.

"On the Eve of Destruction: Technology, Nostalgia, and the Fetishized Maternal Body." Critical Matrix: The Princeton Journal of Women, Gender, and Culture, 1996 Fall, 10:1-2, 90-105.

Gates, David.

"Rockets, Robots & Aliens." (a discussion of science fiction films) Newsweek v131, n25A (Summer, 1998):87 (1 page).

An analysis of the history and popular appeal of the science fiction films is provided. Science fiction stories are the romance stories of the contemporary age. They are replete with anxiety about numerous modern day realities. Detailed discussions of various films are included.

Gee, Henry; Allan, Vicky; Bachley, Ben; Felperin, Leslie; and others.

"Cloning the Future: Science Fiction Film 1895-1996." Sight and Sound, 1996 Nov, supplement.

George, Susan A.

"Not Exactly 'of Woman Born': Procreation and Creation in Recent Science Fiction Films."Journal of Popular Film and Television, 2001 Winter, 28:4, 176-83.

UC users only

"Part of a special issue on film and technology. The writer discusses the representation of procreation and creation in three science-fiction films from the 1990s: Gattaca, Species, and Mimic. She suggests that these films are cautionary tales about science and raise issues of scientific ethics, discrimination, and the representation of the Other. She argues that they comment on our culture's anxieties about genetic engineering and reproductive technology in much the same way as films of the 1950s gave expression to anxieties about the atomic bomb and nuclear technology. She also points out, however, that cinematic treatment of technology underwent a significant shift between these two eras. She contends that whereas many science-fiction films of the 1950s present technology as a means of protecting and defending human beings, later films envisage technology as the cause, not the cure, of the hero's situation." [Art Index]

Gilbert, James B.

"Wars of the Worlds." Journal of Popular Culture 1976 10(2): 326-336.

"Science fiction movies of the 1950's, as close examination of the cinema adaptation of H. G. Wells' War of the Worlds illustrates, were metaphoric vehicles for social commentary. They reflected the social values believed to be in hazard during the Cold War and underscore the role popular culture plays in the assimilation of values and change." [America History and Life]

Gill, Pat

"Technostalgia: Making the Future Past Perfect Camera."Obscura: A Journal of Feminism, Culture, and Media Studies, 1997 May, 40 41, 163 80.

Goldman, Steven L.

"Images of Technology in Popular Films: Discussion and Filmography." Science, Technology, & Human Values, Vol. 14, No. 3. (Summer, 1989), pp. 275-301.

UC users only

"From at least 1925 to the present, science and technology have been depicted largely negatively in popular films of all genres. The images of science and technology in films reflect consistent public anxiety over the linkage between science, technology, and corporate power; the complacency of government agencies and scientists toward new knowledge and artifacts; the insensitivity of scientists toward the moral implications of their research and its applications; and the co-option of technical knowledge by vested corporate and government interests. Public conservatism is reflected in the suspicion toward new knowledge and new artifacts and in questioning whether science and technology truly improve the human condition." [JSTOR]

Gonder, Patrick.

"Like a Monstrous Jigsaw Puzzle: Genetics and Race in Horror Films of the 1950s."Velvet Light Trap. 52:33-44. 2003 Fall

"The conception of the body as a collection of rebellious parts is a popular one in a certain set of horror films of the 1950s [H]and early 1960s. These films reflect the popular understanding of genetics, DNA, [H]and heredity, a discourse that greatly influenced the conception of the body. Changes in genetic science, fostered by the political [H]and social climate of the 1950s, enact a shift in the discourse of embodiment [H]and imbue the body with a somatic unconscious. Repressed within this unconscious is everything that is deemed "unhealthy" [H]and "abnormal," categories that are linked to race [H]and racial differnce due to the interplay between genetic science [H]and eugenic philosophy. These films then enact a nightmare of eugenic fears, fears that demand extensive measures of control, although these measures ultimately prove futile. These body-rebellion films return the body to a "purified" state through the xenophobic excision of the offensive, dangerous element thorugh a kind of violent therapy." [International Index to the Performing Arts]

Gordon, Andrew.

"Science Fiction Film Criticism." Science Fiction Studies, 1982 Mar., 9:1 (26), 93 95.

Gordon, Andrew.

"You'll Never Get Out of Bedford Falls: The Inescapable Family in American Science Fiction and Fantasy Films." Journal of Popular Film and Television, 1992 Summer, 20:2 (7 pages).

"Most American science fiction and fantasy films focus on the significance of old-time family values and attachment to one's home. In movies such as 'The Wizard of Oz,' 'It's a Wonderful Life,' the 'Star Wars' trilogy and the 'Back to the Future' trilogy, the protagonists are depicted as individuals desiring to run away from home, only to realize in the end that doing so is an impossible feat. The films also present youthful compulsions, family cohesiveness and moral debasement. However, the essence of home and family remains to be the central idea of the films." [Magazine Index]

Greenberg, Harvey Roy (ed. and introd.).

"Fantastic Voyages."Journal of Popular Film and Television. 30 (3): 122-76. 2002 Fall.,

Geraghty, Lincoln

"Creating and Comparing Myth in Twentieth-Century Science Fiction." Literature/Film Quarterly, vol. 33, no. 3, pp. 191-200, 2005.

Full-text available via LION (UCB users only)

Guerrero, Edward.

"AIDS as monster in science fiction and horror cinema." Journal of Popular Film and Television v18, n3 (Fall, 1990):87 (8 pages).

In the last decade, films such as The Thing (1982), Life Force (1985), and The Fly (1986) have used metaphors for acquired immune deficiency syndrome (AIDS) as their agents of terror.

Harris, Jerry

"The future we love to hate: technology in sci-fi--a review article." Race and Class April-June 2003 v44 i4 p77(7)

UC users only

Hendershot, Cyndy.

"The Atomic Scientist, Science Fiction Films, and Paranoia: The Day the Earth Stood Still, This Island Earth, and Killers from Space."Journal of American Culture, vol. 20 no. 1. 1997 Spring. pp: 31-41.

UC users only

Examines the prevalent post-World War II view of American atomic scientists as either saviors of the world or its destroyers, then comments on the increasingly paranoid atmosphere that was depicted in three contemporary science fiction movies: Robert Wise's The Day the Earth Stood Still (1951), Joseph Newman's This Island Earth, and W. Lee Wilder's Killers from Space (both 1954).

Hendershot, Cyndy.

"The Bomb and Sexuality: Creature from the Black Lagoon and Revenge of the Creature." Literature and Psychology 45, no. 4 (1999): p. 74-89

Hendershot, Cyndy.

"The atomic scientist, science fiction films, and paranoia: 'The Day the Earth Stood Still,' 'This Island Earth,' and 'Killers from Space.'" Journal of American Culture v20, n1 (Spring, 1997):31 (11 pages).

"Science fiction films, such as 'The Day the Earth Stood Still,' 'This Island Earth,' and 'Killers from Space,' are able to provide visual and auditory experiences of paranoia about atomic bombs while also giving solutions in the form of a savior scientists. Scientists are given an ambigious role as either the savior of everyone or the mad person who caused it all. These films offer an outlet for social fears about atomic bombs by reconceptualizing the problem as a concrete issue that a super scientist can solve rather than an ethical dilemma facing society as a whole." [Magazine Index]

Hendershot, Cyndy.

"The Bomb and Sexuality: Creature from the Black Lagoon and Revenge of the Creature."Literature and Psychology, 1999, 45:4, 74 89.

Hendershot, Cyndy.

"Darwin and the Atom: Evolution/Devolution Fantasies in The Beast from 20,000 Fathoms, Them! and The Incredible Shrinking Man."Science Fiction Studies 25, no. 2 (75) (1998 July): p. 319-35

Hendershot, Cyndy.

"Feminine Paranoia and Secrecy: I Married a Monster from Outer Space and Attack of the 50 Ft. Woman."Readerly Writerly Texts: Essays on Literature, Literary Textual Criticism, and Pedagogy, 1997 Spring Summer, 4:2, 71 86.

Hendershot, Cyndy.

"From Trauma to Paranoia: Nuclear Weapons, Science Fiction, and History." Mosaic: A Journal for the Interdisciplinary Study of Literature, 1999 Dec, 32:4, 73-90.

Hendershot, Cyndy.

"The Invaded Body: Paranoia and Radiation Anxiety in Invaders from Mars, It Came from outer Space, and Invasion of the Body Snatchers." Extrapolation: A Journal of Science Fiction and Fantasy, 1998 Spring, 39:1, 26 39.

Hendershot, Cyndy.

"Vampire and Replicant: The One Sex Body in a Two Sex World." Science Fiction Studies, 1995 Nov, 22:3, 373 98.

"This article explores Dracula, Siegel's Invasion of the Body Snatchers, and Kaufman's Invasion of the Body Snatchers as texts which complicate stable masculinity by introducing a body in flux. The vampiric body and the replicant body are read as instances of a one-sex body, following Thomas Laqueur's study of pre-18th-century Western anatomical models. The article argues that the metaphor of the one-sex body resurfaces in these three works, all of which attempt to ground their treatments of sex/gender in the two-sex model, due to their cultural production at historical moments in which traditional gender alignments were in flux." [Expanded Academic Index]

Hicks, Heather J.

"Limning Science Fiction's Edges."Contemporary Literature. 45 (1): 165-69. 2004 Spring.

Higley, Sarah L.

"Alien Intellect and the Roboticization of the Scientist." Camera Obscura (May, 1997):131.

The author argues that scientists have increasingly been portrayed in literature and motion pictures as robots. The traditional portrayal of scientists as the builder of androids, and androids as transgressors of traditional boundaries between mind and body, are discussed.

Hodgens, Richard

"A short tragical history of the science fiction film." Film Quarterly, Vol. 13, No. 2. (Winter, 1959), pp. 30-39.

UC users only

Hougron, Alexandre.

"La Ville Americaine Dans Le Cinema De Science-Fiction Americain." Transl/Info: [The American city in the cinema of American science fiction]. Revue Fran?aise d'Etudes Am?ricaines 1993 (56): 153-162.

"American science fiction movies in the talkie era generally contain the most achieved and suggestive urban fantasies. All representations of the American city in such movies mostly depend on two components: myth and history. Symbolized as the achievement of a noble humanity, the city is often presented as suffering from the harsh assaults of a hostile and alien identity: monsters or extraterrestrial beings. A second representation, depicting the cities under nightmarish features, came later and is related to the recent evolution of American cities. In such movies as Blade Runner, Invasion Los Angeles, Terminator, and Robocop, the enemy is no more an extraneous entity, but spreads out from the corrupted heart of the decaying city. One can see in this interiorization of the evil forces threatening the city dwellers the long way covered since the confident days of the consumer society to the present-day fears of American life." [America History and Life]

Kakoudaki, Despina

"Spectacles of History: Race Relations, Melodrama, and the Science Fiction/Disaster Film." Camera Obscura no. 50 (2002) p. 108-53

"The writer explores the melodramatic encounters staged in the disaster/apocalyptic films of the 1990s, in order to complicate how race and gender differences are negotiated in these crises. She states that thinking about the disaster genre in terms of melodrama permits us to resolve the critical dilemma of how to read spectacular genres politically. She proposes that, despite the apparent racial/gender integration of the hero team in these films, they are nowhere near a post-Rodney King landscape, but instead try to resignify the "American" landscape and "American" values from within an intense awareness of the literal and metaphorical "disaster" of racial and gender misunderstanding. She asserts that, by staging an insistent replay of exactly the events of the Rodney King landscape, these films mark the rupture of meaning and national understanding, use the disaster as an organizational force, and propose a fantasy/utopian alternative to complex political conditions." [Art Index]

Katovich, Michael A; Kinkade, Patrick T.

"The Stories Told in Science Fiction and Social Science: Reading The Thing and Other Remakes From Two Eras."Sociological Quarterly, 34:4 Nov 1993, pp: 619+

"Examines science fiction films of the 1950's (made during the Cold War) and their remakes in the 1970's and 1980's (made in the post-1960's, after Vietnam and Watergate) in conjunction with stories told by social scientists during the same eras. The authors provide a subversive reading of social scientific datasets and science fiction films and pay special attention to both versions of The Thing (1951, 1982) as relevant examples of Cold War and post-1960's statements. Social scientific and film productions of the 1950's correlate with optimistic public sentiments of the Cold War era in regard to the abilities of the military, government, and medicine to solve social problems. The more recent reproductions conjure images of a much more pessimistic view of institutions. Readings of social scientific products, science fiction films, and their remakes can inform social theories in general and postmodern social theories in particular." [America: History and Life]

Kneeshaw, Stephen.

"Hollywood And 'The Bomb'". OAH Newsletter 1986 14(2): 9-11.

"The treatment of the atomic bomb in major Hollywood movies shifted from "bombs-create-monsters" science fiction in the 1950's to thoughtful examinations of the impact of the general nuclear energy threat in the 1960's and 1980's, while only a few second-quality movies and Planet of the Apes-style postholocaust films dealt with the bomb after the mid 1960's." [America: History and Life]

Kozak, Warren

"Killer Monster Bugs from Hell! How Americans Forgot About the War and Learned to LoatheNature. (1950s and 1960s horror science fiction films on insects)I.D. Sept-Oct, 1997 Vol/Num: v. 44, n. 5, p. 76 (4 pages)

" Hollywood was to successfully release a series of horror science fiction films depicting mutant insects in the 1950s. The postwar genre of horror films might be called 'Insect Noir' or 'Cinema Arthropoda' because bugs were to enjoy a golden age in cinema helped along by special effects considered sophisticated during that time. Such films were produced as a result of the prevailing paranoia in the US society during that period. The Japanese were to produce their own insect films in the 1960s." [Magazine Index]

Landrum, Larry N.

"A Checklist of Materials About Science Fiction Films of the 1950's." Journal of Popular Film 1:1 (1972:Winter) 61

Larson, Doran

"Machine as Messiah: Cyborgs, Morphs, and the American Body Politic."Cinema Journal, 1997 Summer, 36:4, 57 75.

Latham, Rob

"Phallic Mothers and Monster Queers." Science Fiction Studies, 1998 Mar, 25:1 (74), 87 101.

Lavoie, Derrick R.

"Science in Cinema: Teaching Science Fact Through Science Fiction Films." (book reviews) Science Teacher v59, n2 (Feb, 1992):78 (3 pages).

Matheson, T.J.

"Marcuse, Ellul, and the science-fiction film: negative responses to technology." (film analysts Herbert Marcuse and Jacques Ellul) Science-Fiction Studies v19, n58 (Nov, 1992):326 (14 pages).

Author Abstract: In contrast to SF literature, most SF films have responded negatively to technology, seeing it as a force in contemporary society that has had a deleterious effect on the quality of human life. Herbert Marcuse and Jacques Ellul two of the most pessimistic analysts, have expressed their criticisms of technology in ways that also find expression in some of these films, which are preoccupied with many of the same issues. Three in particular--Forbidden Planet (1956), Colossus: The Forbin Project (1969), and Alien (1979)-can be seen as responses to the theorists in question. In each case the films adopt positions that, while sympathetic with many aspects of Marcuse's indictment of technology, challenge his belief that this technology could ever be a vehicle for human liberation. In contrast, they assume positions closer to that of Ellul, who sees technology's effect on the quality of human life as thoroughly debilitating. COPYRIGHT SF-TH Inc. 1992.

Mitchell, James B.

"Cul-de-Sac Nightmares: Representations of Californian Suburbia in Science Fiction During the 1950s and '60s." Iowa Journal of Cultural Studies. 3: 115-27. 2003 Fall.

Mitchell, W. J. T.

"The Work of Art in the Age of Biocybernetic Reproduction."Modernism/Modernity. 10(3):481-500. 2003 Sept

Napier, Susan J.

"Panic sites: the Japanese imagination of disaster from 'Godzilla' to 'Akira.'" (science fiction films) (Symposium on Contemporary Japanese Popular Culture) Journal of Japanese Studies v19, n2 (Summer, 1993):327 (25 pages).

"Changes in Japanese science fiction films and comics (manga) reflect Japan's changing post-war image of itself. Although scientific and technological progress have been key to Japan's economic success, most Japanese science fiction suggests ambivalence and fear of disaster. These films have progressed from 'secure' disaster scenarios of the 'Godzilla' series to nostalgic views of unavoidable disaster, as in the film 'Nippon chinbotsu,' and finally to nihilistic visions of a grim future in the 1989 film 'Akira.'" [Magazine Index]

Neustadter, Roger

"Phone Home: "From Childhood Amnesia to the Catcher in Sci-Fi - The Transformation of Childhood in Contemporary Science Fiction Films." Youth and Society 20:3 (1989:Mar.) 227

Noland, Richard W.

"Liminality and Individuation In Cocoon." Journal of Evolutionary Psychology, 1995 Aug, 16:3-4, 236-41.

Landon, Brooks.

"Rethinking Science Fiction Film in the Age of Electronic (Re)production: On a Clear Day You Can See the Horizon of Invisibility." Post Script: Essays in Film and the Humanities, 1990 Fall, 10:1, 60 71.

Leab, Daniel J.

"The Hollywood Feature Film As Cold Warrior." OAH Newsletter 1985 13(2): 13-15.

"While relatively few Hollywood feature films from the late 1940's to the early 1960's dealt with communism, those that did fell into simplistic and formulaic genres (western, science fiction, and spy melodrama) that reflected the Cold War mentality of some moviemakers, though they were not successful at the box office." [America History and Life]

Nishime, LeiLani

"The Mulatto Cyborg: Imagining a Multiracial Future." Cinema Journal, vol. 44, no. 2, pp. 34-49, Winter 2005.

Norden, Martin F.

"America And Its Fantasy Films: 1945-1951." Citation: Film & History 1982 12(1): 1-11.

Considers the fantasy films produced during 1945-51 symtomatic of US social conditions; focuses on the types and roles of characters in these films, discusses the social issues raised, and briefly compares these fantasy films with the science-fiction films of the 1950's.

Ohlin, Peter.

"Science-fiction film criticism and the debris of postmodernism." Science-Fiction Studies v18, n3 (Nov, 1991):411 (9 pages).

Pfitzer, Gregory M.

"The Only Good Alien Is a Dead Alien: Science Fiction and the Metaphysics of Indian Hating on the High Frontier." Journal of American Culture, . 1995 Spring, 18:1, 51 67.

Rieder, John.

"Embracing the Alien: Science Fiction in Mass Culture." Science Fiction Studies, Greencastle, IN (SFS). 1982 Mar., 9:1 (26), 26 37.

Roberts, Robin

"The Female Alien: Pulp Science Fiction's Legacy to Feminists." The Journal of Popular Culture, 21 (1987) pp: 33-52.

UC users only

Rogers, Adam; Stone, Brad.

"The shape of things that didn't come." (humor - predictions of Earth's demise in popular science fiction and films since 1949)(2000 - The Millennium Notebook)(Column)(Brief Article) Newsweek v130, n22 (Dec 1, 1997):15 (1 page).

Romney, Jonathan.

"Cause and effects." (science fiction films with computer generated imagery)New Statesman (1996) v128, n4444 (July 12, 1999):38 (2 pages).

The more immediate issue about digital effects in motion pictures pertains to the aesthetic. Any imaginable image can be created digitally and appear more or less real, but looking effective or possessing a real imaginative tangibility is another story. 'Star Wars' and The Matrix' reflect this idea.

Ruppersburg, Hugh

"The Alien Messiah in Recent Science Fiction Films." Journal of Popular Film and Television 14:4 (1987:Winter) 158

Salvestroni, Simonetta

"The Science-Fiction Films of Andrei Tarkovsky." Science-Fiction Studies 14:3=43 (1987:Nov.) 294

Sandars, Diana .

"Astonish me: science fiction (sci-fi) as a film genre has undergone a radical metamorphosis from a much-maligned 'B Grade' genre of the classical Hollywood period (roughly 1920-1960) to the highly desirable multi-million dollar box office blockbuster genre of contemporary Hollywood cinema."(Science Fiction At The Movies)Australian Screen Education Winter 2003 i33 p50(6) (3616 words)

"Science Fiction and the Fantastic."Velvet Light Trap. 52:1-73. 2003 Fall

Sayre, Nora.

"Watch the Skies."Grand Street, vol. 1 no. 2. 1982 Winter. pp: 51-58.

Shapiro, Benjamin.

"Universal truths: cultural myths and generic adaptation in 1950s science fiction films." Journal of Popular Film and Television v18, n3 (Fall, 1990):103 (9 pages).

During the 1950's, the Hollywood science fiction film helped resolve the contradiction in American society between the desirability of change and the retention of existing values and beliefs.

Sharrett, Christopher.

"The cinema of human obsolescence." (science fiction films and society) (Column) USA Today (Magazine) v121, n2572 (Jan, 1993):67 (1 page).

Sobchack, Vivian.

"Child/Alien/Father: Patriarchal Crisis and Generic Exchange." Camera Obscura: A Journal of Feminism, Culture, and Media Studies, 1986 Fall, 15, 7 34.

Sorkin, Michael.

"Remembering the future." (visions of architecture in science fiction films)Architectural Record v187, n6 (June, 1999):96 (6 pages).

A look into the futuristic images shown in old and new science fiction films demonstrate the architectural visions of various architects and science fiction writers. Some of the films include 'Things to Come,' 'Blade Runner,' 'Close Encounters of the Third Kind,' and '20,000 Leagues Under the Sea.'.

Strada, Michael J.

"The Cinematic Bogy Man Comes Home: American Popular Perceptions of External Threat."Midwest Quarterly, vol. 28 no. 2. 1987 Winter. pp: 248-270.

Telotte, J. P.

"The Ghost in the Machine: Consciousness and the Science Fiction Film." Western Humanities Review, 1988 Autumn, 42:3, 249 258.

Telotte, J.P.

"Enframing the self: the hardware and software of 'Hardware.'" (science fiction film) Science-Fiction Studies v22, n67 (Nov, 1995):323 (10 pages).

Telotte, J.P. 1990.

"Film And/As Technology: An Introduction." Post Script10 (Fall), 4-8

Telotte, J. P.

"Human artifice and the science fiction film." Film Quarterly v. 36 no. 3 (Spring 1983) p. 44-51

Telotte, J.P.

"Introduction: Film and/as Technology: Assessing a Bargain." (Critical Essay)Journal of Popular Film and Television v28, n4 (Wntr, 2000):146.

Telotte, J. P.

"The Tremulous Public Body: Robots, Change, and the Science Fiction Film." Journal of Popular Film and Television, 1991 Spring, 19:1, 14 23.

In such recent science fiction films as Blade Runner (1982), Robocop (1987), Cherry 2000 (1988), and Total Recall (1990), robots symbolize contemporary man's struggle to reclaim his humanity in the face of repressive forces.

Telotte, J.P.

"'The World of Tomorrow' and the 'secret goal' of science fiction." Journal of Film and Video v45, n1 (Spring, 1993):27 (13 pages).

The 1984 documentary The World of Tomorrow's portrayal of the New York World's Fair of 1939 reveals the tendency of science fiction films to indulge in technological fantasy while probing the impact of technology on mankind. It reflects the preference for illusion rather than reality, and for the future rather than the present. It also exposes the human tendency to dwell more on future prospect than on their duties pertaining to the present.

Torry, Robert.

"Apocalypse Then: Benefits of the Bomb in Fifties Science Fiction Films. Cinema Journal v. 31 (Fall '91) p. 7-21.

Tremonte, Colleen.

"Recasting The Western Hero: Ethos In High-Tech Science Fiction." Journal of the American Studies Association of Texas 1989 20: 94-100.

"The traditional hero of the Western movie has been recast by "high-tech" science fiction movies, such as Outland (1981), Alien (1980), and Aliens (1986). The heroic ethos remains unchanged, although these new sci-fi heroes and heroines triumph through their adaptation to place by using the resources of their apparently barren and forbidding space worlds as forms of protection." [America History and Life]

Valenzuela, Eduardo A.

"No se habla Espanol in outer space?" (lack of Hispanic American characters in science-fiction films or television shows)(Column) Hispanic v10, n4 (April, 1997):40 (1 page).

"There are few Hispanic American characters in science-fiction movies or television shows. The small number of characters who are Hispanic American are either killed or are of mixed race. Hispanic Americans should demand more representation from major executives such as George Lucas." [Magazine Index]

Vilanch, Bruce.

"Alien invasion." (humor about science fiction films) Advocate (The national gay & lesbian newsmagazine), n728 (March 4, 1997):45 (1 page). One of the most common motifs in alien abduction stories is the use of the rectal probe on unsuspecting humans. Many science fiction films and TV shows also seem to frequently use anal penetration symbolism. 'Independence Day' is an example. These are examples of subtle anti-gay bias.

Vlasopolos, Anca

"Technology as Eros's Dart: Cyborgs as Perfect (Male?) Lovers."Foundation: The International Review of Science Fiction, 1998 Summer, 73, 59 66.

White, Eric.

"The Erotics of Becoming: Xenogenesis and The Thing." Science Fiction Studies, Greencastle, IN (SFS). 1993 Nov, 20:3 (61), 394 408.

Wierzbicki, James.

"Weird Vibrations: How the Theremin Gave Musical Voice to Hollywood's Extraterrestrial 'Others'."Journal of Popular Film and Television. 30 (3): 125-35. 2002 Fall.

UC users only

"Part of a special issue on fantastic films. The writer discusses Hollywood's use of standard orchestral instruments to signify immigrant, or Native American, Others in the silent and sound periods. He explains how the theremin, an electronic instrument originally intended by its Russian inventor for the classical concert stage, became the sonic signature sine qua non of alien Others during the postatomic Golden Age of science fiction movies. He maintains that the theremin's power resided in its sheer novelty at the time, in its compelling musical expressiveness, and in its unique ability to imply that its "unearthly" sound was somehow emanating from whatever alien was at hand." [Art Index]

Williams, Ruth.

"A Virus is Only Doing Its Job: From Aliens Outside to Rebellion in the Flesh." Sight and Sound 3 (May)1993, 31-34

Articles and Books About Individual Films

Alien Quadrilogy

Ambrogio, Anthony.

"Alien: In Space, No One Can Hear Your Primal Scream." In: Eros in the Mind's Eye/ edited by Donald Palumbo. pp: 169-179. Westport, Conn.: Greenwood Press, c1986. Contributions to the study of science fiction and fantasy; no. 21

Main Stack PN1995.9.S45.E681 1986

Moffitt PN1995.9.S45.E68 1986

Barale, Michele Aina.

"When Lambs and Aliens Meet: Girl-Faggots and Boy-Dykes Go to the Movies." In: Cross-purposes: lesbians, feminists, and the limits of alliance / edited by Dana Heller. pp: 95-106 Bloomington: Indiana University Press, c1997.

Main Stack HQ75.5.C76 1997

Bell-Metereau, Rebecca.

"Woman: The Other Alien in Alien." In: Women Worldwalkers: New Dimensions of Science Fiction and Fantasy. / edited by Jane B. Weedman. pp: 9-24. Lubbock, Tex.: Texas Tech Press, 1985. Comparative Literature Symposium. Proceedings of the Comparative Literature Symposium; v. 16.

Main Stack PN31.C6.P7 v.16

Bergeron, Danielle.

"Aliens and the Psychotic Experience." In: Lacan, politics, aesthetics / Willy Apollon and Richard Feldstein, editors. pp: 305-14 Albany: State University of New York Press, c1996. SUNY series in psychoanalysis and culture.

Educ/Psych BF175.4.C84.L33 1996

Bick, Ilsa J.

"'Well, I Guess I Must Make You Nervous': Woman and the Space of Alien3." Post Script, vol. 14 no. 1-2. 1994-1995 Fall-Winter-Spring. pp: 45-58.

Billy, Ted.

"A Curious Case of Influence: Nostromo and Alien(s)" Conradiana: A Journal of Joseph Conrad Studies, vol. 21 no. 2. 1989 Summer. pp: 147-157.

Billy, Ted.

'This Whole Place Is a Basement': The Gnostic/Existentialist Vision of Alien 3.Journal of Evolutionary Psychology, 1995 Aug, 16:3-4, 229-35.

Boyle, Brenda M.

"Monstrous Bodies, Monstrous Sex: Queering Alien Resurrection." Journal: Gothic Studies Volume 7 Issue 2, November 2005, pp 158-171

"The critical response to Alien Resurrection marked a departure from negative responses to Alien3. Oblivious to the film's parting from the trilogy's characterization as `simultaneously feminist and gynophobic', some critics remained steadfast to that trope, insisting `Ripley is still the same person.' Critics of the trilogy determined its sub-text to be concerned with gender and reproduction and went on to assert the same of Alien Resurrection. Where the trilogy offered a vision of Ripley through a heterocentric lens, with blurred but visible divisions between monstrous and human, (and what distinguished them had to do with means of reproduction), Alien Resurrection eradicates boundaries so it becomes impossible to determine whether `normal', human or monster, can even exist in this world. The issue of sexuality becomes paramount to the issue of reproduction and gender. In the course of the trilogy, gender is made obsolete; Alien Resurrection finishes the job in rendering terms of sexual normalcy immaterial. The alien queen who has mutated into a parthenogenetically reproducing creature is described as `perfect'; what kind of meaning can that sort of reproduction or creature have in a heterocentric world? This world and its inhabitants are beyond heterosexuality, and perhaps beyond sexuality as we know it. Consequently, reconsidering Alien Resurrection through a queer lens which inquires into sexuality offers a fuller and more fruitful reading than does one through gender or the biological labyrinth of reproduction."

Briggs, Scott D.

"Alien: Trilogy of Terror." Other Dimensions, 1996 Winter, 3, 12-24.

Blackmore, Tim.

"'Is This Going to Be Another Bug-Hunt?': S-F Tradition versus Biology-as-Destiny in James Cameron's Aliens." Journal of Popular Culture, 1996 Spring, 29:4, 211-26.

Byers, Thomas B.

"Kissing Becky: Masculine Fears and Misogynist Moments in Science Fiction Films." Arizona Quarterly, vol. 45 no. 3. 1989 Autumn. pp: 77-95.

Cantin, Lucie.

"Aliens or Staging the Trauma." In: Lacan, politics, aesthetics / Willy Apollon and Richard Feldstein, editors. pp: 315-23 Albany: State University of New York Press, c1996. SUNY series in psychoanalysis and culture.

Educ/Psych BF175.4.C84.L33 1996

Carveth, Donald; Gold, Naomi.

"The Pre-Oedipalizing of Klein in (North) America: Ridley Scott's Alien Re-Analyzed." PSYART: A Hyperlink Journal for the Psychological Study of the Arts,

Clough, Patricia Ticineto.

"'The Final Girl' in the Fictions of Science and Culture." Stanford Humanities Review, 1992 Spring, 2:2-3, 57-69.

Cobbs, John L.

"Alien as an Abortion Parable." Literature/ Film Quarterly, vol. 18 no. 3. 1990. pp: 198-201.

Colwell, C. Carter.

"Primitivism in the Movies of Ridley Scott: Alien and Blade Runner." In: Retrofitting Blade Runner: Issues in Ridley Scott's Blade Runner and Philip K. Dick's Do Androids Dream of Electric Sheep? pp: 124-31. Bowling Green, Ohio: Bowling Green State University Popular Press, c1991.

Main Stack PN1997.B283.R4 1991

Creed, Barbara.

"Horror and the Archaic Mother: Alien." In: The monstrous-feminine : film, feminism, psychoanalysis / Barbara Creed. London ; New York : Routledge, 1993.

Main Stack PN1995.9.H6.C74 1993

Doherty, Thomas

"Gender, and the Aliens Trilogy." In: The Dread of Difference: Gender and the Horror Film / edited by Barry Keith Grant. pp: 181-99 1st ed. Austin: University of Texas Press, 1996. Series title: Texas film studies series.

UCB Main PN1995.9.H6 D74 1996

Eaton, Michael

"Born again: Alien resurrection." Sight & Sound v. ns7 (December 1997) p. 6-9

"Each of the Alien films has begun with an image of rebirth, and in Jean-Pierre Jeunet's Alien Resurrection, the fourth film in the series, the renaissance is literal. The character of Ripley, who died in the third film, has been cloned in the future from a portion of her DNA so that the alien queen can be extracted from her body. In Ripley's reawakening, we not only see a transformation of the Christian resurrection but also a structural transposition of elements from contemporary narratives of alien abduction." [Art Index]

Gabbard, Krin

"Aliens and the new family romance." Post Script; Vol.VIII nr.1 (Fall 1988); p.29-42

Following the writings of film critic Robin Wood, an analysis of how the contemporary US horror film upholds Reaganite values, focusing on the difference between "Aliens" and its forerunner "Alien".

Gallardo C., Ximena.

Alien woman : the making of Lt. Ellen Ripley / Ximena Gallardo C. and C. Jason Smith