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Overviews and general books and articles
Journal Articles
Articles and Books on Individual films
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Overviews and General Books and Articles
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Books
- Bacher, Lutz
- Max Ophüls in the Hollywood studios
New Brunswick, N.J. : Rutgers University Press, c1996.
MAIN: PN1998.3.O64 B3 1996
- Berthome, Jean-Pierre.
- Le plaisir, Max Ophüls
Paris : Nathan, c1997.
MAIN: PN1997.P52 B47 1997
- Beylie, Claude.
- Max Ophüls
Paris : Lherminier, c1984.
MAIN: PN1998.A3 O61 1984
- Guerin, William Karl.
- Max Ophüls
Paris : Cahiers du cinema : Diffusion Seuil, c1988.
MAIN: PN1998.3.O64 G841 1988;
- Max Ophüls Munchen : Hanser, c1989.
MAIN: PN1998.3.O64 M393 1989
- Ophüls, Max
- Souvenirs Paris : Cahiers du cinema : Cinemathèque Francaise,
c2002.
PFA PN1998.3.O63.A3 2002
- White, Susan M.
- The cinema of Max Ophüls : magisterial vision and the figure of woman
New York : Columbia University Press, c1995.
MAIN: PN1998.3.O64 W5 1995
- Williams, Alan Larson.
- Max Ophüls and the cinema of desire : style and spectacle in four films, 1948-1955
Salem, NH : Ayer, c1980.
MAIN: PN1998.3.O64 W55 1980a
- Zants, Emily.
- "Max Ophuls, 1902-1957." In: Creative encounters with French films Lewiston, N.Y. : The Edwin Mellen Press, 2000.
MAIN: PN1993.5.F7 Z36 2000
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Journal Articles
- Amiel, Vincent.
- "Nature and Artifice in Max Ophüls' Cinema." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 149 (10 pages)
UC users only
- Archer, Eugene
- "Ophüls and the Romantic Tradition."
Yale French Studies, No. 17, Art of the Cinema (1956), pp. 3-5
UC users only
- Asper, Helmut G.
- "From Stage to Screen: The Impact of the German Theater on Max Ophüls." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 183 (14 pages)
UC users only
- Bacher, Lutz.
- "The Lost Ballad: Max Ophüls' Last Hollywood Project." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 97 (30 pages)
UC users only
- Bourget, Jean-Loup.
- "Ophüls and Renoir." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 127 (22 pages)
UC users only
- "A Dark and Laughing Ringmaster." Economist; 5/18/2002, Vol. 363 Issue 8273, p82-82,
UC users only
- Gallagher, Tag
- "Max Ophüls: A New Art-But Who Notices?"
Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 22, pp. (no pagination), September 2002
- Jacobowitz, Florence (ed. and introd.); Lippe, Richard (ed. and introd.)
- "Max Ophüls Centenary."
CineAction, vol. 59, pp. 4-53, 2002
- Kuhn, Anna K.
- "The Romantization of Arthur Schnitzler: Max Ophuls' Adaptations of Liebelei and Reigen." In: Probleme der Moderne : Studien zur deutschen Literatur von Nietzsche bis Brecht : Festschrift fur Walter Sokel / <1983>
Tubingen : M. Niemeyer, c1983.
MAIN: PT403 .P76 1983
- Lugowski, David M.
- "Woman/Road/America/Cinema." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 159 (24 pages)
UC users only
- Macksey, Richard.
- "Four Emigré Directors: Shadows of Careers." MLN, Dec1983, Vol. 98 Issue 5, p1187-1196, 10p
- Provides information on the careers of several immigrant directors in the United States. Ernst Lubitsch; Fritz Lang; Max Ophuls; Alfred Hitchcock.
- Metz, Walter C.
- ""Who am I in this story?': On the Film Adaptations of Max Ophüls." Literature Film Quarterly, 2006, Vol. 34 Issue 4, p285-293, 9p
UC users only
- "The article discusses the film adaptations of director Max Ophüls. A look at Ophüls filmography, particularly the films "La Ronde," "Caught," and "The Reckless Moment," can allow insight into popular American literature of the mid-twentieth century and its effects on other film adaptations of the period. Furthermore, the author discusses the effects of this thesis on auteur theory, which is often ignored when discussing literary adaptations. The necessity of learning how and why filmmakers adapt literary material is emphasized." [Ebsco]
- Rafferty, Terrence
- "Master of Doomed Love And Dark Surprises." New York Times; 11/25/2007, p17, 0p
- Sierek, Karl.
- "Emblems of Modernism in the Early Films of Max Ophüls."
The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 211 (12 pages)
UC users only
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- Bacher, Lutz.
- Max Ophüls in the Hollywood studios
Published: New Brunswick, N.J. : Rutgers University Press, c1996.
MAIN: PN1998.3.O64 B3 1996
- Deutelbaum, Marshall.
- "Leonora's Place: The Spatial Logic of Caught."
Arizona Quarterly, vol. 60, no. 5, pp. 87-95, 2004
UC users only
- Doane, Mary Ann
- "Caught and Rebecca: The Inscription of Femininity as Absence." In: Feminist film theory : a reader / edited by Sue Thornham.
New York : New York University Press, 1999.
Grad Svcs PN1995.9.W6.F465 1999
Main Stack PN1995.9.W6.F465 1999
PFA PN1995.9.W6.F465 1999
Harcourt, Peter. - "Circles of Delight and Despair: The Cinema of Max Ophüls." CineAction, vol. 59, pp. 4-13, 2002
Lane, Anthony. - "Master of Ceremonies: The Films of Max Ophüls" New Yorker, vol. 78, no. 18, pp. 78-82, Summer 2002
- Metz, Walter C.
- "'Who Am I in This Story?' On the Film Adaptations of Max Ophüls."
Literature/Film Quarterly, vol. 34, no. 4, pp. 285-93, 2006
- Studlar, Gaylyn
- "Max Op(h)uls Fashions Femininity."
Arizona Quarterly, vol. 60, no. 5, pp. 65-86, 2004
UC users only
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- Cavell, Stanley
- Contesting tears: the Hollywood melodrama of the unknown woman / Stanley
Cavell. Chicago: University of Chicago Press, 1996.
UCB Main PN1995.9.W6 C38 1996
- Cavell, Stanley.
- "Postscript (1989): To Whom It May Concern." Critical Inquiry. 16(2):248-289. 1990 Winter
- Hunt, Lester H.
- "The Paradox of the Unknown Lover: A Reading of Letter from an Unknown Woman." The Journal of Aesthetics and Art Criticism. Winter 2006. Vol. 64, Iss. 1; p. 55
- Kinnan, Glynis.
- "His story next to hers: Masochism and (inter)subjectivity in Letter from an Unknown Woman."
Style. Summer 2001. Vol. 35, Iss. 2; p. 258 (13 pages)
UC users only
- Letter from an unknown woman / Max Ophüls, director
- Virginia Wright Wexman, editor, with Karen Hollinger. New Brunswick, N.J. : Rutgers University Press, c1986. Rutgers films in print ; v. 5
Main Stack PN1997.L4563.L49 1986
- Modleski, Tania.
- "Time and desire in the woman's film." Cinema Journal Vol XXIII nr 3 (Spring 1984); p 19-30.
UC users only
- Using "Letter from an unknown woman" as its chief example, reviews the scholarship on melodrama and speculates on the reasons for the appeal of this genre to women.
- Salerno, Henry F.; Brownson, Carol; Deming, Robert H.; Meerse, David E.; Shokoff, James.
- "Comments on Letter from an Unknown Woman." In: Stefan Zweig: the world of yesterday's humanist today: proceedings of the Stefan Zweig Symposium / edited by Marion Sonnenfeld. Albany: State University of New York Press, c1983. pp: 320-323.
Main Stack PT2653 Zw42Z92, 1981
- Studlar, Gaylyn.
- "Masochistic Performance and Female Subjectivity in Letter from an Unknown Woman." Cinema
Journal. 33(3):35-57. 1994 Spring
- Studlar, Gaylyn.
- "Max Op(h)uls Fashions Femininity." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; pg. 65, 22 pgs
UC users only
- Wilson, George.
- "Letter from an Unknown Woman." In: Narration in light : studies in cinematic point of view / George
M. Wilson.
Baltimore : Johns Hopkins University Press, c1986.
Main Stack PN1995.W5841 1986
Moffitt PN1995.W5841 1986
- Wilson, George.
- "Max Ophüls' Letter from an Unknown Woman MLN. 98(5):1121-1142. 1983 Dec.
UC users only
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- Burdick, Dolores M.
- "Lisa, Lola, and I: The Woman Unknown as the Woman Immortal in Ophuls and Robbe-Grillet."
Michigan Academician. 12(3):251-259. 1980 Winter
- Burdick, Dolores M.
- "Lola Montès by Max Ophuls."
The French Review, Vol. 53, No. 5 (Apr., 1980), pp. 762-763
UC users only
- Kauffmann, Stanley.
- "Lola Montès." New Republic, 5/3/69, Vol. 160 Issue 18, p22-32, 2p
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Lola Montez: eine Filmgeschichte
- Martina Muller, Werner Dutsch;
Cinematheque Municipale de Luxembourg. Koln: Konig, c2002.
UCB Main PN1997.L656 L65 2002
- Pye, Douglas.
- "Falling Women and Fallible Narrators." Cineaction, 2002 Issue 59, p20-29, 10p
- The article reviews several films by Max Ophüls including "La Ronde," starring Anton Walbrook, "Le Plaisir," starring Jean Servais, and "Lola Montès," starring Peter Ustinov.
- Müller, Martina.
- "The Making of Max Ophüls' "Lola Montès/Lola Montez." Arizona Quarterly, Special Issue2004, Vol. 60 Issue 5, p25-42, 18p
UC users only
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- Insdorf, Annette
- "Le Plaisir by Max Ophuls."
The French Review, Vol. 52, No. 5 (Apr., 1979), pp. 803-803
UC users only
- Johnson, Catherine.
- "Narrative, Spectacle, and the Sexes in Ophuls' "Le Plaisir"." Film Criticism, Spring80, Vol. 4 Issue 3, p17-24, 8p
UC users only
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- Jacobowitz, Florence
- "Joan Bennett: Images of Femininity in Conflict." Cineaction, Winter86/87 Issue 7, p23-34, 11p
- Lang, Robert
- "Lucia Harper's Crime: Family Melodrama and Film Noir in The Reckless Moment."
Literature/Film Quarterly. 1989. Vol. 17, Iss. 4; p. 261 (7 pages)
UC users only
- Lawrence, Amy.
- "Trapped in a Tomb of Their Own Making: Max Ophuls's The Reckless Moment and Douglas Sirk's There's Always Tomorrow."
Film Criticism. Winter 1999. Vol. 23, Iss. 2/3; p. 150 (18 pages)
UC users only
- Morrison, James.
- "Ophuls and Authorship: A Reading of The Reckless Moment." Film Criticism, Spring87, Vol. 11 Issue 3, p21-28, 8p
UC users only
- Paul, William.
- "Off the Deep End Far from Heaven: Social Topography in The Reckless Moment." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 43 (21 pages)
UC users only
- ""The Reckless Moment."
Framework: The Journal of Cinema & Media, Autumn76 Issue 4, p17-20, 4p
- Sragow, Michael
- "The Reckless Moment." New Yorker; 12/17/2007, Vol. 83 Issue 40, p29-29, 1/9p
UC users only
- Scruggs, Charles.
- "The Depth of the Deep End: The Noir Motif in The Reckless Moment and The Deep End."
Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Mar 2004. Vol. 37, Iss. 1; p. 17 (16 pages)
UC users only
- Wood, Robin.
- "Plunging off The Deep End into The Reckless Moment." Cineaction, 2002 Issue 59, p14-19, 6p,
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- Alter, Maria P.
- "From Der Reigen to La Ronde: Transposition of a Stageplay to the Cinema." Literature/ Film Quarterly, vol. 24 no. 1.
1996. pp: 52-56.
- Williams, Alan
- "The Circles of Desire: Narration and Representation in "La Ronde"
Film Quarterly, Vol. 27, No. 1 (Autumn, 1973), pp. 35-4
UC users only
- Williams, Alan.
- "Keep the Circle Turning: Ophuls's La Ronde." In Modern European Filmmakers and the Art of Adaptation / edited by Andrew
Horton and Joan Magretta. pp: 38-50. New York: F. Ungar Pub. Co., 1981. Series title: Ungar film library.
UCB Main PN1997.85 .M66 UCB Moffitt PN1997.85 .M66
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