Max Ophüls: A Bibliography of Materials in the UC Berkeley Libraries

Max Ophüls:
A Bibliography of Materials in the UC Berkeley Library

Overviews and general books and articles

Journal Articles

Articles and Books on Individual films

Overviews and General Books and Articles
Books
Bacher, Lutz: Max Ophüls in the Hollywood studios New Brunswick, N.J. : Rutgers University Press, c1996.; MAIN: PN1998.3.O64 B3 1996
Beylie, Claude.: Max Ophüls Paris : Lherminier, c1984.; MAIN: PN1998.A3 O61 1984
Brook, Vincent.: "Woman's Directors: Curtis Bernhardt and Max Ophuls." In: Driven to darkness : Jewish émigré directors and the rise of film noir / Vincent Brook. New Brunswick, N.J. : Rutgers University Press, c2009.; Main (Gardner) Stacks PN1995.9.F54 B76 2009
Guerin, William Karl.: Max Ophüls Paris : Cahiers du cinéma : Diffusion Seuil, c1988.; MAIN: PN1998.3.O64 G841 1988;
Max Ophüls Munchen : Hanser, c1989.: MAIN: PN1998.3.O64 M393 1989
Ophüls, Max: Souvenirs Paris : Cahiers du cinema : Cinemathèque Francaise, c2002.; PFA PN1998.3.O63.A3 2002
Max Ophüls: Gastherausgegeber: Ronny Loewy. München : edition text + kritik, 2011.; Main (Gardner) Stacks PN1998.3.O64 M39 2011 Max Ophüls / Gastherausgegeber: Ronny Loewy.
Max Ophüls: mit Beiträgen von Helmut G. Asper ... [et al.]. München : Hanser, c1989.; NRLF (UCB) PN1998.3.O64 M393 1989
White, Susan M.: The cinema of Max Ophüls : magisterial vision and the figure of woman New York : Columbia University Press, c1995.; MAIN: PN1998.3.O64 W5 1995
Williams, Alan Larson.: Max Ophüls and the cinema of desire : style and spectacle in four films, 1948-1955 Salem, NH : Ayer, c1980.; MAIN: PN1998.3.O64 W55 1980a
Zants, Emily.: "Max Ophuls, 1902-1957." In: Creative encounters with French films Lewiston, N.Y. : The Edwin Mellen Press, 2000.; MAIN: PN1993.5.F7 Z36 2000
Journal Articles
Amiel, Vincent.: "Nature and Artifice in Max Ophüls' Cinema." The Arizona Quarterly. Issue2004, Vol. 60 Issue 5, p149-158, 10p,; UC users only
Archer, Eugene: "Ophüls and the Romantic Tradition." Yale French Studies, No. 17, Art of the Cinema (1956), pp. 3-5; UC users only
Asper, Helmut G.: "From Stage to Screen: The Impact of the German Theater on Max Ophüls." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 183 (14 pages); UC users only
Bacher, Lutz.: "The Lost Ballad: Max Ophüls' Last Hollywood Project." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 97 (30 pages); UC users only
Bacher, Lutz.: "Captivated by Garbo: Max Ophuls' Roman interlude with the 'Duchess of Langeais'." Bacher, Lutz. CineAction - Spring 2002 p45(9); UC users only
Bourget, Jean-Loup.: "Ophüls and Renoir." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 127 (22 pages); UC users only
"A Dark and Laughing Ringmaster." Economist; 5/18/2002, Vol. 363 Issue 8273, p82-82,: UC users only
Gallagher, Tag: "Max Ophüls: A New Art-But Who Notices?" Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 22, pp. (no pagination), September 2002
Harcourt, Peter.: "Circles of delight and despair: the cinema of Max Ophuls." CineAction - Spring 2002 p4(10); UC users only
Jacobowitz, Florence (ed. and introd.); Lippe, Richard (ed. and introd.): "Max Ophüls Centenary." CineAction, vol. 59, pp. 4-53, 2002; UC users only
Kuhn, Anna K.: "The Romantization of Arthur Schnitzler: Max Ophuls' Adaptations of Liebelei and Reigen." In: Probleme der Moderne : Studien zur deutschen Literatur von Nietzsche bis Brecht : Festschrift fur Walter Sokel / <1983> Tubingen : M. Niemeyer, c1983.; MAIN: PT403 .P76 1983
Lugowski, David M.: "Woman/Road/America/Cinema." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 159 (24 pages); UC users only
Macksey, Richard.: "Four Emigré Directors: Shadows of Careers." MLN, Dec1983, Vol. 98 Issue 5, p1187-1196, 10p; Provides information on the careers of several immigrant directors in the United States. Ernst Lubitsch; Fritz Lang; Max Ophuls; Alfred Hitchcock.
Metz, Walter C.: ""Who am I in this story?': On the Film Adaptations of Max Ophüls." Literature Film Quarterly, 2006, Vol. 34 Issue 4, p285-293, 9p; UC users only; "The article discusses the film adaptations of director Max Ophüls. A look at Ophüls filmography, particularly the films "La Ronde," "Caught," and "The Reckless Moment," can allow insight into popular American literature of the mid-twentieth century and its effects on other film adaptations of the period. Furthermore, the author discusses the effects of this thesis on auteur theory, which is often ignored when discussing literary adaptations. The necessity of learning how and why filmmakers adapt literary material is emphasized." [Ebsco]
Morgan, Daniel.: "Max Ophuls and the Limits of Virtuosity: On the Aesthetics and Ethics of Camera Movement." Critical Inquiry, Autumn2011, Vol. 38 Issue 1, p127-163, 37p; UC users only
Porton, Richard. "More Than 'Visual Froufrou': The Politics of Passion in the Films of Max Ophuls." Cineaste, Fall 2010, Vol. 35 Issue 4, p8-13, 6p: UC users only
Rafferty, Terrence: "Master of Doomed Love and Dark Surprises." New York Times; 11/25/2007, p17, 0p
Sierek, Karl.: "Emblems of Modernism in the Early Films of Max Ophüls." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 211 (12 pages); UC users only
Studlar, Gaylyn: "Max Op(h)uls fashions femininity." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; pg. 65, 22 pgs; UC users only
White, Susan.: "Max Ophuls." Arizona Quarterly, Special Issue2004, Vol. 60 Issue 5, p1-14, 14p; UC users only
Articles/Books on Individual Films
Caught
Bacher, Lutz.: Max Ophüls in the Hollywood studios Published: New Brunswick, N.J. : Rutgers University Press, c1996.; MAIN: PN1998.3.O64 B3 1996
Deutelbaum, Marshall.: "Leonora's Place: The Spatial Logic of Caught." Arizona Quarterly, vol. 60, no. 5, pp. 87-95, 2004; UC users only; Deutelbaum focuses on the spatial logic of Ophuls' film Caught. The film retains little more than character names from its source novel, Libbie Block's Wild Calendar. It programmatically employs its mise-en-scene to visualize Leonora's predicaments in spatial terms, at key dramatic moments coding the left side of the frame as the position of power.
Doane, Mary Ann: "Caught and Rebecca: The Inscription of Femininity as Absence." In: Feminist film theory : a reader / edited by Sue Thornham. New York : New York University Press, 1999.; Grad Svcs PN1995.9.W6.F465 1999; Main Stack PN1995.9.W6.F465 1999; PFA PN1995.9.W6.F465 1999
Harcourt, Peter.: "Circles of Delight and Despair: The Cinema of Max Ophüls." CineAction, vol. 59, pp. 4-13, 2002
Lane, Anthony.: "Master of Ceremonies: The Films of Max Ophüls" New Yorker, vol. 78, no. 18, pp. 78-82, Summer 2002
Metz, Walter C.: ""Who am I in this story?': On the Film Adaptations of Max Ophüls." Literature Film Quarterly, 2006, Vol. 34 Issue 4, p285-293, 9p; UC users only; "The article discusses the film adaptations of director Max Ophüls. A look at Ophüls filmography, particularly the films "La Ronde," "Caught," and "The Reckless Moment," can allow insight into popular American literature of the mid-twentieth century and its effects on other film adaptations of the period. Furthermore, the author discusses the effects of this thesis on auteur theory, which is often ignored when discussing literary adaptations. The necessity of learning how and why filmmakers adapt literary material is emphasized." [Ebsco]
Studlar, Gaylyn: "Max Op(h)uls Fashions Femininity." Arizona Quarterly, vol. 60, no. 5, pp. 65-86, 2004; UC users only
The Earrings of Madame de...
Mulvey, Laura: "The Earrings of Madame de..." Film Quarterly, Summer2009, Vol. 62 Issue 4, p16-19, 4p; UC users only
Letter From an Unknown Woman
Cavell, Stanley: Contesting tears: the Hollywood melodrama of the unknown woman / Stanley Cavell. Chicago: University of Chicago Press, 1996.; UCB Main PN1995.9.W6 C38 1996
Cavell, Stanley.: "Postscript (1989): To Whom It May Concern." Critical Inquiry. 16(2):248-289. 1990 Winter
Duncan, Pans: "Tears, Melodrama and 'Heterosensibility' in Letter from an Unknown Woman" Screen, (52:2), 2011 Summer, 173-192. (2011); UC users only
Hunt, Lester H.: "The Paradox of the Unknown Lover: A Reading of Letter from an Unknown Woman." The Journal of Aesthetics and Art Criticism. Winter 2006. Vol. 64, Iss. 1; p. 55
Jellerson, Donald: "Hysteria and the Camera in Letter from an Unknown Woman" Quarterly Review of Film and Video, (28:1), 2011 Dec, 13-27. (2011); UC users only
Kinnan, Glynis.: "His story next to hers: Masochism and (inter)subjectivity in Letter from an Unknown Woman." Style. Summer 2001. Vol. 35, Iss. 2; p. 258 (13 pages); UC users only
Letter from an unknown woman / Max Ophüls, director: Virginia Wright Wexman, editor, with Karen Hollinger. New Brunswick, N.J. : Rutgers University Press, c1986. Rutgers films in print ; v. 5; Main Stack PN1997.L4563.L49 1986
Modleski, Tania.: "Time and desire in the woman's film." Cinema Journal Vol XXIII nr 3 (Spring 1984); p 19-30.; UC users only; Using "Letter from an unknown woman" as its chief example, reviews the scholarship on melodrama and speculates on the reasons for the appeal of this genre to women.
Neale, Steve: "Narration, Point of View, and Patterns in the Soundtrack of 'Letter From an Unknown Woman'." In: Style and meaning : studies in the detailed analysis of film / edited by John Gibbs and Douglas Pye. Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2005.; Main Stack PN1995.S778 2005
Salerno, Henry F.; Brownson, Carol; Deming, Robert H.; Meerse, David E.; Shokoff, James.: "Comments on Letter from an Unknown Woman." In: Stefan Zweig: the world of yesterday's humanist today: proceedings of the Stefan Zweig Symposium / edited by Marion Sonnenfeld. Albany: State University of New York Press, c1983. pp: 320-323.; Main Stack PT2653 Zw42Z92, 1981
Studlar, Gaylyn.: "Masochistic Performance and Female Subjectivity in Letter from an Unknown Woman." Cinema Journal. 33(3):35-57. 1994 Spring; UC users only
Studlar, Gaylyn.: "Max Op(h)uls Fashions Femininity." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; pg. 65, 22 pgs; UC users only
Wilson, George.: "Letter from an Unknown Woman." In: Narration in light : studies in cinematic point of view / George M. Wilson. Baltimore : Johns Hopkins University Press, c1986.; Main Stack PN1995.W5841 1986; Moffitt PN1995.W5841 1986
Wilson, George.: "Max Ophüls' Letter from an Unknown Woman MLN. 98(5):1121-1142. 1983 Dec.; UC users only
Lola Montès
Burdick, Dolores M.: "Lisa, Lola, and I: The Woman Unknown as the Woman Immortal in Ophuls and Robbe-Grillet." Michigan Academician. 12(3):251-259. 1980 Winter
Burdick, Dolores M.: "Lola Montès by Max Ophuls." The French Review, Vol. 53, No. 5 (Apr., 1980), pp. 762-763; UC users only
Burns, Mickey.: "Lola Montes." Cineaction, 1996, Issue 40, p38-43, 6p; UC users only
Kauffmann, Stanley.: "Lola Montès." New Republic, 5/3/69, Vol. 160 Issue 18, p22-32, 2p
Lola Montez: eine Filmgeschichte: Martina Müller, Werner Dutsch; Cinematheque Municipale de Luxembourg. Koln: Konig, c2002.; UCB Main PN1997.L656 L65 2002
Lugowski, David M.: "Woman/Road/America/Cinema." Arizona Quarterly, Special Issue2004, Vol. 60 Issue 5, p159-182, 24p; UC users only
Müller, Martina.: "The Making of Max Ophuls' "Lola Montès/Lola Montez."" Arizona Quarterly, Special Issue2004, Vol. 60 Issue 5, p25-42, 18p; UC users only
Mulvey, Laura: "Phantom of the Circus" Film Quarterly , Vol. 65, No. 2 (Winter 2011), pp. 25-27; UC users only
Nowell-Smith, Geoffrey: "Lola Montès: A Film Maudit'?" Film Quarterly , Vol. 65, No. 2 (Winter 2011), pp. 21-24; UC users only
Perkins, V. F.: "Scarlet, No Empress" Film Quarterly , Vol. 65, No. 2 (Winter 2011), pp. 28-31; UC users only
Pye, Douglas.: "Falling Women and Fallible Narrators." Cineaction, 2002 Issue 59, p20-29, 10p; UC users only; The article reviews several films by Max Ophüls including "La Ronde," starring Anton Walbrook, "Le Plaisir," starring Jean Servais, and "Lola Montès," starring Peter Ustinov.
Müller, Martina.: "The Making of Max Ophüls' "Lola Montès/Lola Montez." Arizona Quarterly, Special Issue2004, Vol. 60 Issue 5, p25-42, 18p; UC users only
Le Plaisir
Berthomé, Jean-Pierre.: Le plaisir, Max Ophuls / étude critique de Jean-Pierre Berthomé. Paris : Nathan, c1997.; Main (Gardner) Stacks PN1997.P52 B47 1997
Insdorf, Annette: "Le Plaisir by Max Ophuls." The French Review, Vol. 52, No. 5 (Apr., 1979), pp. 803-803; UC users only
Johnson, Catherine.: "Narrative, Spectacle, and the Sexes in Ophuls' "Le Plaisir"." Film Criticism, Spring80, Vol. 4 Issue 3, p17-24, 8p; UC users only
Johnson, Clarisse.: "Le plaisir de Max Ophuls: trois contes de Maupassant en triptyque." CinemAction, 2005, Issue 116, p186-195, 10p
Perkins, V.F.: "Le Plaisir: The 'Mask' and 'The Model." Film Quarterly, Fall2009, Vol. 63 Issue 1, p15-22, 8p; UC users only
Perkins, V.F.: "Le Plaisir: 'La Maison Tellier." Film Quarterly, Winter2009/2010, Vol. 63 Issue 2, p66-71, 6p; UC users only
Pye, Douglas.: "Falling women and fallible narrators." Cineaction, 2002, Issue 59, p20-29, 10p; UC users only; The article reviews several films by Max Ophüls including "La Ronde," starring Anton Walbrook, "Le Plaisir," starring Jean Servais, and "Lola Montès," starring Peter Ustinov.
The Reckless Moment
Jacobowitz, Florence: "Joan Bennett: Images of Femininity in Conflict." Cineaction, Winter86/87 Issue 7, p23-34, 11p
Lang, Robert: "Lucia Harper's Crime: Family Melodrama and Film Noir in The Reckless Moment." Literature/Film Quarterly. 1989. Vol. 17, Iss. 4; p. 261 (7 pages); UC users only
Lawrence, Amy.: "Trapped in a Tomb of Their Own Making: Max Ophuls's The Reckless Moment and Douglas Sirk's There's Always Tomorrow." Film Criticism. Winter 1999. Vol. 23, Iss. 2/3; p. 150 (18 pages); UC users only
Morrison, James.: "Ophuls and Authorship: A Reading of The Reckless Moment." Film Criticism, Spring87, Vol. 11 Issue 3, p21-28, 8p; UC users only
Paul, William.: "Off the Deep End Far from Heaven: Social Topography in The Reckless Moment." The Arizona Quarterly. 2005. Vol. 60, Iss. 5; p. 43 (21 pages); UC users only
""The Reckless Moment." Framework: The Journal of Cinema & Media, Autumn76 Issue 4, p17-20, 4p
Sragow, Michael: "The Reckless Moment." New Yorker; 12/17/2007, Vol. 83 Issue 40, p29-29, 1/9p; UC users only
Scruggs, Charles.: "The Depth of the Deep End: The Noir Motif in The Reckless Moment and The Deep End." Mosaic : a Journal for the Interdisciplinary Study of Literature. Winnipeg: Mar 2004. Vol. 37, Iss. 1; p. 17 (16 pages); UC users only
Wood, Robin.: "Plunging off The Deep End into The Reckless Moment." Cineaction, 2002 Issue 59, p14-19, 6p,; UC users only
La Ronde
Alter, Maria P.: "From Der Reigen to La Ronde: Transposition of a Stageplay to the Cinema." Literature/ Film Quarterly, vol. 24 no. 1. 1996. pp: 52-56.
Cousins, Jennie.: "Mechanised corsetry: Annenkov, Ophüls and La Ronde (1950)." Studies in French Cinema, 2009, Vol. 9 Issue 2, p127-146, 20p; UC users only
Metz, Walter C.: ""Who am I in this story?': On the Film Adaptations of Max Ophüls." Literature Film Quarterly, 2006, Vol. 34 Issue 4, p285-293, 9p; UC users only; "The article discusses the film adaptations of director Max Ophüls. A look at Ophüls filmography, particularly the films "La Ronde," "Caught," and "The Reckless Moment," can allow insight into popular American literature of the mid-twentieth century and its effects on other film adaptations of the period. Furthermore, the author discusses the effects of this thesis on auteur theory, which is often ignored when discussing literary adaptations. The necessity of learning how and why filmmakers adapt literary material is emphasized." [Ebsco]
Miller, D. A.: "La Ronde." Film Quarterly Mar 2009, Vol. 62, No. 3: 23–27.; UC users only
Nowell-Smith, Geoffrey: "La Ronde." Film Quarterly Mar 2009, Vol. 62, No. 3: 19–22.; UC users only
Pye, Douglas.: "Falling women and fallible narrators." Cineaction, 2002, Issue 59, p20-29, 10p; UC users only; The article reviews several films by Max Ophüls including "La Ronde," starring Anton Walbrook, "Le Plaisir," starring Jean Servais, and "Lola Montès," starring Peter Ustinov.
Williams, Alan: "The Circles of Desire: Narration and Representation in "La Ronde" Film Quarterly, Vol. 27, No. 1 (Autumn, 1973), pp. 35-4; UC users only
Williams, Alan.: "Keep the Circle Turning: Ophuls's La Ronde." In Modern European Filmmakers and the Art of Adaptation / edited by Andrew Horton and Joan Magretta. pp: 38-50. New York: F. Ungar Pub. Co., 1981. Series title: Ungar film library.; UCB Main PN1997.85 .M66; UCB Moffitt PN1997.85 .M66

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Overviews and General Books and Articles

Books

Journal Articles