Literature and Theater on Film & Video: Books in the UC Berkeley Library

Literature and Theater on Film & Video:
Books and Articles in the UC Berkeley Library

General Works

Individual Authors/Works A-D

Individual Authors/Works E-M

Individual Authors/Works N-Z

Shakespeare on Film Bibliography

General Works

Adaptations: from text to screen, screen to text

Edited by Deborah Cartmell and Imelda Whelehan. London; New York: Routledge, 1999.

UCB Main PN1997.85 .A32 1999

"All that glitters." (film adaptations of great novels)

Economist (US) v357, n8195 (Nov 4, 2000):91.

Authorship and film

Edited by David A. Gerstner and Janet Staiger. Published: New York: Routledge, 2003.

MAIN: PN1996 .A94 2003;

Axelrod, Mark.

"Once upon a time in Hollywood; or, The commodification of form in the adaptation of fictional texts to the Hollywood cinema." Literature/Film Quarterly (24:2) 1996, 201-8.

"The success of a literary work's film adaptation depends on whether the film can be adapted to fit Hollywood formula of linear narrative and rounded characters. Literary works that do not follow these strictures are more difficult to adapt, and if they are adapted, they will appear to be a greater departure from the literary source than films based on works with linear narratives. Commercial forces in the film industry ensure that its standard forms will supercede literary efforts to extend beyond those boundaries." [Expanded Academic Index]

Baines, Lawrence.

"From page to screen: when a novel is interpreted for film, what gets lost in the translation?" Journal of Adolescent and Adult Literacy (39:8) 1996, 612-22.

Baskin, Ellen.

Enser's filmed books and plays: a list of books and plays from which films have been made, 1928-2001 / Aldershot, Hant, Eng. ; Burlington, VT : Ashgate, c2003.

MAIN: PN1997.85.A12 E5 2003, 1928-2001 / <2003>

Baskin, Ellen.

Enser's filmed books and plays: a list of books and plays from which films have been made, 1928-1991 / compiled by Ellen Baskin and Mandy Hicken. Aldershot, Hants., England; Brookfield, Vt., USA: Ashgate, c1993.

DREF: PN1997.A12 E5 1993;

PFA : PN1997.85 .B385 1993; REF

Beja, Morris.

Film & literature, an introduction / Morris Beja. New York: Longman, c1979.

Moffitt PN1995.3 .B4

Main Stack PN1995.3 .B4

Bluestone, George.

Novels into film. Baltimore, Johns Hopkins Press, 1957.

UCB Main PN1997.85 .B48

UCB Moffitt PN1997.85 .B5 (another edition)

Boillat, Alain.

La fiction au cinema Paris: Harmattan, c2001.

UCB MAIN: PN1995.3 B65 2001

Books in motion : adaptation, intertextuality, authorship

Edited by Mireia Aragay. Amsterdam : Rodopi, 2005.

PFA : PN1995.3 .B66 2005

Boyum, Joy Gould, 1934-

Double exposure: fiction into film / Joy Gould Boyum. New York: Universe Books, 1985.

UCB Main PN1997.85 .B691 1985b

UCB Moffitt PN1997.85 .B69 1985 (another edition)

Brady, Ben.

Principles of adaptation for film and television / by Ben Brady. 1st ed. Austin: University of Texas Press, 1994.

NRLF B 3 962 105

Children's novels and the movies

Edited by Douglas Street. New York: F. Ungar Pub. Co., c1983. Series title: Unger film library.

UCB Moffitt PN1997.85 .C44 1983

Christensen, Inger.

Literary women on the screen: the representation of women in films based on imaginative literature / Inger Christensen. Bern; New York: P. Lang, c1991. Series title: Europaische Hochschulschriften. Reihe XXX, Theater-, Film- und Fernsehwissenschaften; Bd. 45.

UCB Main PN1995.9.W6 C52 1991

Cinema and fiction: new modes of adapting, 1950-1990

Edited by John Orr and Colin Nicholson. Edinburgh: Edinburgh University Press, c1992.

UCB Main PN1995.3 .C56 1992

The Classic American novel and the movies

Edited by Gerald Peary and Roger Shatzkin. New York: Ungar, c1977. Series title: Ungar film library.

UCB Main PN1997.85 .C55

The classic novel: from page to screen

Edited by Robert Giddings and Erica Sheen. Manchester: Manchester University Press, c2000.

UCB Main PN1995.3 .C53 2000

Classics in film and fiction

Edited by Deborah Cartmell, [et al.]. London; Sterling, Va.: Pluto Press, 2000. Series title: Film/fiction; v. 5.

UCB Main PN1997.85 .C56 2000

A Companion to literature and film

Edited by Robert Stam, Alessandra Raengo. Malden, MA ; Oxford: Blackwell Pub., 2004.

MAIN: PN1995.3 .C65 2004;

Table of contents http://www.loc.gov/catdir/toc/ecip0421/2004017778.html

Davidson, Phebe.

American movies and their cultural antecedents in literary text / Phebe Davidson. Lewiston, N.Y.: Edwin Mellen Press, c2001. Series title: Studies in history and criticism of film; v. 4.

UCB Main PN1995.9.N4 D38 2001

Deltcheva, Roumiana (ed. and bibliography)

"Literature and Film: Models of Adaptation." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee vol. 23 no. 3. 1996 Sept.

Deveny, Thomas G.

Contemporary Spanish film from fiction / Thomas G. Deveny. Lanham, Md.: Scarecrow Press, 1999.

UCB Main PN1993.5.S7 D49 1999

Dick, Bernard F.

"Authors, Auteurs, and Adaptations: Literature as Film/Film as Literature." Yearbook of Comparative and General Literature, vol. 27. 1978. pp: 72-76.

Eighteenth-century fiction on screen

Edited by Robert Mayer. Cambridge, U.K. ; New York: Cambridge University Press, 2002.

MAIN: PN1997.85 .E39 2002;

http://www.loc.gov/catdir/toc/cam023/2002019252.html">Electronic Location(s): Table of contents

Elliott, Kamilla

Rethinking the novel/film debate Cambridge, U.K. ; New York: Cambridge University Press, 2003.

Grad Svcs PN1997.85 .E44 2003; Non-circulating; may be used only in Graduate Services.

Main Stack PN1997.85 .E44 2003;

Bancroft PN1997.85 .E44 2003; Storage Info: W 187 088 Non-circulating; may be used only in The Bancroft Library.

Electronic Location(s): Table of contents

Elliott, Kamilla

"Novels, films, and the word/image wars." In: A companion to literature and film. Malden, MA ; Oxford: Blackwell Pub., 2004.

MAIN: PN1995.3 .C65 2004; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip0421/2004017778.html

Emmens, Carol A.

Short stories on film and video / Carol A. Emmens. 2nd ed. Littleton, Colo.: Libraries Unlimited, 1985.

UCB Hum/Area PN1997.85.A12 E44 1985

The English novel and the movies

Edited by Michael Klein and Gillian Parker. New York: Ungar, [1981]. Series title: Ungar film library.

UCB Main PN1997.85 .E53

UCB Moffitt PN1997.85 .E53 *c2 copies

Enser, A. G. S.

Filmed books and plays: a list of books and plays from which films have been made, 1928-86 / by A.G.S. Enser. Rev. ed. Aldershot, Hampshire: Gower, c1987.

UCB Main PN1997.A12 E5 1987

UCB Main PN1997.85.A12 E5 1985 (another edition)

Film and literature: a comparative approach to adaptation

Edited by Wendell Aycock and Michael Schoenecke. Lubbock, Tex.: Texas Tech University Press, 1988. Series title: Studies in comparative literature (Lubbock, Tex.); no. 19.

UCB Main PN1995.3 .F5 1988

Film and literature: points of intersection

Edited by Phebe Davidson. Lewiston, N.Y.: Edwin Mellen Press, c1997.

UCB Main PN1995.3 .F52 1997

Film/literature/heritage

Edited by Ginette Vincendeau. London: British Film Institute, 2001. Series title: Sight and sound reader.

UCB Main PN1995.3 .F54 2001

Florida State University Conference on Literature and Film (4th: 1979: Tallahassee, Fla.)

Ideas of order in literature and film: selected papers from the 4th Annual Florida State University Conference on Literature and Film / editor, Peter Ruppert; associate editors, Eugene Crook, Walter Forehand. Tallahassee: University Presses of Florida, 1980, c1981.

UCB Main PN1995.3 .F55 1979

Florida State University Conference on Literature and Film (6th: 1981)

Transformations in literature and film: selected papers from the Sixth Annual Florida State University Conference on Literature and Film / edited by Leon Golden. Tallahassee: University Presses of Florida, 1982.

UCB Main PN1995.3 .F55 1981

German film & literature: adaptations and transformations

Edited by Eric Rentschler. New York: Methuen, 1986.

UCB Main PN1993.5.G3 G361 1986

UCB Moffitt PN1993.5.G3 G36 1986

Giddings, Robert.

Screening the novel: the theory and practice of literary dramatization / Robert Giddings, Keith Selby, Chris Wensley. New York: St. Martin's Press, 1990.

UCB Main PN1995.3 .G53 1990

Gifford, Denis.

Books and plays in films, 1896-1915: literary, theatrical, and artistic sources of the first twenty years of motion pictures / Denis Gifford. Jefferson, N.C.: McFarland; London; New York: Mansell, 1991.

UCB Main PN1997.85 .G54 1991

Goble, Alan.

The complete index to literary sources in film / edited by Alan Goble. London; New Providence, NJ: Bowker-Saur, c1999.

UCB Info Ctr PN1997.85 .G64 1999

Goldstein, Laurence

The American poet at the movies: a critical history / Laurence Goldstein. Ann Arbor: University of Michigan Press, c1994.

UCB Main PS310.M65 G64 1994

Greene, Ellin

A multimedia approach to children's literature: a selective list of films, filmstrips, and recordings based on children's books / compiled and edited by Ellin Greene and Madalynne Schoenfeld. 2d ed. Chicago: American Library Association, 1977.

UCB Ed/Psych Z1037 .G83 1977

Griffith, James John

Adaptations as imitations: films from novels / James Griffith. Newark: University of Delaware Press; London; Cranbury, NJ: Associated University Presses, c1997.

UCB Main PN1997.85 .G66 1997

Hakak, Lev.

Modern Hebrew literature made into films / Lev Hakak. Lanham, Md.: University Press of America, c2001.

UCB Main PN1995.3 .H26 2001

Helman, Alicja.

"Film and Literature: Historical Models of Film Adaptation and a Proposal for a (Poly)System Approach." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee vol. 23 no. 3. 1996 Sept. pp: 645-58.

Hendler, Jane

Best-sellers and their film adaptations in postwar America: From here to eternity, Sayonara, Giant, Auntie Mame, Peyton Place / Jane Hendler. New York: Peter Lang, c2001. Series title: Modern American literature (New York, N.Y.) ; v. 28.

UCB Main PN1997.85 .H46 2001

Hischak, Thomas S.

American plays and musicals on screen : 650 stage productions and their film and television adaptations Jefferson, N.C. : McFarland & Co., c2005.

MAIN: PS338.M67 H57 2005

PFA : PS338.M67 H57 2005

Hitt, Jim

Words and shadows: literature on the screen / by Jim Hitt. Secaucus, N.J.: Carol Pub. Group, 1992.

UCB Main PN1997.85 .H5 1992

Hollywood on stage: playwrights evaluate the culture industry

Edited by Kimball King. New York: Garland Pub., 1997. Series title: Garland reference library of the humanities; vol. 2057. Series title: Garland reference library of the humanities; Studies in modern drama; v. 9.

UCB Main PS338.M67 H65 1997

Holt, Patricia

"The big compromise: adapting a novel for screen involves hard knocks for the literary sensibility, but many authors are quite willing to accommodate. (Part 2)"Publishers Weekly June 5, 1981 v219 p34(4)

"Authors discuss their feelings about turning a book into a moving-picture script. Emphasis turns toward action as the book is pared down to basics of story, plot and characterization. Authors, movie directors and publishers all view adaptation differently; each must compromise feelings about book or movie." [Expanded Academic Index]

Hopkins, Lisa

Screening the gothic. Austin, TX : University of Texas Press, c2005.

MAIN: PR408.G68 H67 2005

Contents: Gothic revenants : a tale of three Hamlets -- Putting the gothic in : Clarissa, Sense and sensibility, Mansfield Park, and The time machine -- Taking the gothic out : 'tis pity she's a whore, Mary Shelley's Frankenstein, The woman in white, and Lady Audley's secret -- Fragmenting the gothic: Jane Eyre and Dracula -- Gothic and the family : The mummy returns, Harry Potter and the philosopher's stone, and The lord of the rings : The fellowship of the ring.

Hutchings, Stephen C.

Russian literary culture in the camera age : the word as image London ; New York : RoutledgeCurzon, 2004.

MAIN: PG2987.E56 H88 2004

Imboden, Roberta.

The dark creative passage : a Derridean journey from the literary text to film Trier : WVT, Wissenschaftlicher Verlag Trier, c2005.

PFA : PN1995.3 .I52 2005 os

International guide to literature on film

Edited by Tom Costello. London: Bowker-Saur, c1994.

UCB Hum/Area PN1997.85 .I67 1994 Reference Stack

UCB Media Ctr PN1997.85 .I67 1994

It's a print!: detective fiction from page to screen

Edited by William Reynolds, Elizabeth A. Trembley. Bowling Green, OH: Bowling Green State University Popular Press, c1994.

UCB Main PN1995.3 .R4 1994

Jeffers, Jennifer M.

Britain colonized : Hollywood's appropriation of British literature New York : Palgrave Macmillan, 2006.

MAIN: PN1997.85 .J45 2006; View current status of this item

Table of contents http://www.loc.gov/catdir/enhancements/fy0642/2006042963-t.html

Johnson, David T.

"Rethinking a Discipline: Kamilla Elliott's Novel/Film Debate." Literature/Film Quarterly. 2004. Vol. 32, Iss. 4; p. 314 (3 pages)

UC users only

Kenevan, Phyllis B.

Paths of individuation in literature and film: a Jungian approach / Phyllis Berdt Kenevan. Lanham, Md.: Lexington Books, c1999.

UCB Main PN1995 .K43 1999

Kim, Kang.

"Cinematic Adaptation of Stage Plays: Media Differences." Journal of Modern British & American Drama. 15(2):57-76. 2002 Aug

Kovacs, Lee.

The haunted screen: ghosts in literature and film / by Lee Kovacs. Jefferson, N.C.: McFarland, c1999.

UCB Main PN1995.9.S8 K68 1999

Kroeber, Karl

Make believe in film and fiction : visual vs. verbal storytelling New York : Palgrave Macmillan, 2006.

MAIN: PN1995.3 .K76 2006

Table of contents http://www.loc.gov/catdir/enhancements/fy0626/2005056648-t.html

Kuoshu, Harry H.

Lightness of being in China: adaptation and discursive figuration in cinema and theater / Harry H. Kuoshu. New York: P. Lang, c1999. Series title: Asian thought and culture vol. 37.

UCB Main PN1995.9.C36 K86 1999

Langman, Larry.

Writers on the American screen: a guide to film adaptations of American and foreign literary works / Larry Langman. New York: Garland Pub., 1986. Series title: Garland reference library of the humanities; vol. 658.

UCB Hum/Area PN1997.85.A12 L361 1986

UCB Main PN1997.85.A12 L36 1986

Leitch, Thomas .

"Everything You Always Wanted to Know about Adaptation * Especially if you're looking forwards rather than back." Literature/Film Quarterly. 2005. Vol. 33, Iss. 3; p. 233 (13 pages)

UC users only

Leitch, Thomas .

"A Theory of Adaptation." Literature/Film Quarterly. 2007. Vol. 35, Iss. 3; p. 250 (2 pages)

UC users only

Leonard, William T.

Theatre: stage to screen to television / by William Torbert Leonard. Metuchen, N.J.: Scarecrow Press, 1981.

UCB Main PN2189 .L44 v.1-2 (1981)

UCB Moffitt PN2189 .L44 v.1-2

Limbacher, James L.

Haven't I seen you somewhere before?: Remakes, sequels, and series in motion pictures and television, 1896-1978 / script & editing by James L. Limbacher. Ann Arbor, MI: Pierian Press, 1979.

UCB Main PN1995.9.R45 L51 1979

UCB Moffitt PN1995.9.R45 .L5

Limbacher, James L.

Haven't I seen you somewhere before?: remakes, sequels, and series in motion pictures, videos, and television, 1896-1990 / by James L. Limbacher. Ann Arbor, MI: Pierian Press, c1991.

Media Center PN1995.9.R45.L5 1991

Main Stack PN1995.9.R45.L51 1979 [earlier edition]

Literature and film : a guide to the theory and practice of film adaptation

/ Edited by Robert Stam, Alessandra Raengo. Malden, MA : Blackwell, 2005.

MAIN: PN1997.85 .L515 2005

Contents: he theory and practice of adaptation / Robert Stam -- Improvements and reparations at Mansfield Park / Tim Watson -- Keeping the carcass in motion : adaptation and transmutations of the national in The last of the Mohicans / Jacquelyn Kilpatrick -- The discreet charm of the leisure class : Terence Davies's The house of mirth / Richard Porton -- In search of adaptation : Proust and film / Melissa Anderson -- The grapes of wrath : thematic emphasis through visual style / Vivian C. Sobchack -- Cape Fear and trembling : familial dread / Kirsten Thompson -- The carnival of repression : German left-wing politics and The lost honor of Katharina Blum / Alexandra Seibel -- Serial time : Bluebeard in Stepford / Bliss Cua Lim -- Boyz 'n the hood chronotope : Spike Lee, Richard Price, and the changing authorship of Clockers / Paula J. Massood -- Defusing The English patient / Patrick Deer -- Carnivals and goldfish : history and crisis in The butcher boy / Jessica Scarlata -- Passion or heartburn? The uses of humor in Like water for chocolate / Dianna C. Niebylski -- Beloved : the adaptation of an American slave narrative / Mia Mask -- Oral traditions, literature, and cinema in Africa / Mbye Cham -- Memory and history in the politics of adaptation : revisiting the partition of India in tamas / Ranjani Mazumdar -- The written scene : writers as figures of cinematic redemption / Paul Arthur.

Literature and visual technologies: writing after cinema

Edited by Julian Murphet and Lydia Rainford. Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2003.

Main Stack PN1995.3.L565 2003

Literature and the visual media

Edited by David Seed for the English Association. Woodbridge, Suffolk ; Rochester, NY : D.S. Brewer, 2005.

MAIN: PN1995.3 .L58 2005

Lupack, Barbara Tepa

Literary adaptations in Black American cinema: from Micheaux to Toni Morrison / Barbara Tepa Lupack. Rochester, N.Y.: University of Rochester Press, 2002.

Main Stack PN1995.9.N4.L87 2002

MacKinnon, Kenneth

Greek tragedy into film / Kenneth MacKinnon. Rutherford: Fairleigh Dickinson University Press, c1986.

UCB Main PN1997.85 .M231 1986

UCB Moffitt PN1997.85 .M23 1986

Maltby, Richard.

""To Prevent the Prevalent Type of Book": Censorship and Adaptation in Hollywood, 1924-1934." In: Film adaptation / edited and with an introduction by James Naremore. pp: 79-105. New Brunswick, N.J.: Rutgers University Press, c2000. Series title: Rutgers depth of field series.

UCB Main PN1997.85 .F55 2000

Manvell, Roger

Theater and film: a comparative study of the two forms of dramatic art, and of the problems of adaptation of stage plays into films / Roger Manvell. Rutherford [N.J.]: Fairleigh Dickinson University Press, c1979.

UCB Main PN1997.85 .M25

Marcus, Fred Harold, 1921- comp.

Film and literature: contrasts in media [compiled by] Fred H. Marcus. Scranton, Chandler Pub. Co. [1971].

UCB Main PN1994 .M32941 1971

Marcus, Millicent Joy.

Filmmaking by the book: Italian cinema and literary adaptation / Millicent Marcus. Baltimore: Johns Hopkins University Press, c1993.

UCB Main PN1993.5.I88 M278 1993

Marill, Alvin H.

More theatre: stage to screen to television / by Alvin H. Marill. Metuchen, N.J.: Scarecrow Press, 1993.

UCB Hum/Area PN2189 .M32 1993 Reference Stack v.1-2 (1993)

McCaffrey, Donald W.

Assault on society: satirical literature to film / by Donald W. McCaffrey. Metuchen, N.J.: Scarecrow Press, 1992.

UCB Main PN1995.9.C55 M39 1992

UCB Moffitt PN1995.9.C55 M39 1992

McDonald, Keiko I.

From book to screen: modern Japanese literature in films / Keiko I. McDonald. Armonk, N.Y.: M.E. Sharpe, c2000.

Main Stack PL747.55.M36 2000

McFarlane, Brian.

"'It Wasn't Like That in the Book'." Literature-Film Quarterly. 28(3):163-69. 2000

McFarlane, Brian

"The Novel and the Rise of Film and Video: Adaptation and British Cinema." In: A companion to the British and Irish novel 1945-2000 / edited by Brian W. Shaffer. Malden, MA : Blackwell, 2005

Main Stack PR881.C655 2005

McFarlane, Brian

Novel to film: an introduction to the theory of adaptation / Brian McFarlane. Oxford: Clarendon Press; New York: Oxford University Press, 1996.

UCB Main PN1997.85 .M338 1996

McFarlane, Brian, 1934-

Words and images: Australian novels into film / Brian McFarlane. Richmond, Vic., Australia: Heinemann Publishers Australia in association with Cinema Papers, 1983.

UCB Main PN1997.85 .M34 1983

McFarlane, Brian

"A literary cinema? British films and British novels." In: All our yesterdays: 90 years of British cinema / edited by Charles Barr. p. 120-42. London: British Film Institute, 1986.

Main Stack PN1993.5.G7.A431 1986

Met, Philippe

"The Filmic Ghost in the Literary Machine." Contemporary French and Francophone Studies, vol. 9, no. 3, pp. 245-55, September 2005.

Michalczyk, John J.

The French literary filmmakers / John J. Michalczyk. Philadelphia: Art Alliance Press; London: Associated University Presses, c1980.

UCB Main PN1993.5.F7 .M48

Miller, Gabriel

Screening the novel: rediscovered American fiction in film / Gabriel Miller. New York: F. Ungar Pub. Co., c1980.

UCB Main PN1997.85 .M5

UCB Moffitt PN1997.85 .M5

The Modern American novel and the movies

Edited by Gerald Peary and Roger Shatzkin. New York: Ungar, c1978. Series title: Ungar film library.

UCB Main PN1997.85 .M64

Modern European filmmakers and the art of adaptation

Edited by Andrew Horton and Joan Magretta. New York: F. Ungar Pub. Co., 1981. Series title: Ungar film library.

UCB Main PN1997.85 .M66

UCB Moffitt PN1997.85 .M66

Morris, Timothy

You're only young twice: children's literature and film / Tim Morris. Urbana: University of Illinois Press, c2000.

Main Stack PR990.M67 2000

Moss, Joyce

From page to screen: children's and young adult books on film and video / Joyce Moss and George Wilson, editors. Detroit: Gale Research, c1992.

UCB Main PN1009.A1 A12 M936, 1992

UCB Media Ctr PN1009.A1 A12 M936, 1992

Murray, Simone.

"Materializing Adaptation Theory: The Adaptation Industry." Literature/Film Quarterly. 2008. Vol. 36, Iss. 1; p. 4 (17 pages)

UC users only

Naremore, James.

Film adaptation / edited and with an introduction by James Naremore. New Brunswick, N.J.: Rutgers University Press, c2000. Series title: Rutgers depth of field series.

UCB Main PN1997.85 .F55 2000

Narrative Strategies: Original Essays in Film and Prose Fiction

Edited by Syndy M. Conger and Janice R. Welsch; with an introductory essay by Dudley Andrew. [Macomb]: Western Illinois University, c1980. Series title: An Essays in literature book.

UCB Main PN1997.85 .N3

Nicoll, Allardyce

"Literature and the Film." English Journal, vol. 26, pp. 1-9, 1937.

Nineteenth-century women at the movies: adapting classic women's fiction to film

Edited by Barbara Tepa Lupack. Bowling Green, Oh.: Bowling Green State University, 1999.

UCB Main PN1997.85 .N56 1999

No, but I saw the movie: the best short stories ever made into film

Edited by David Wheeler; with a foreword by Bruce Jay Friedman. New York: Penguin Books, 1989.

UCB Main PN1997.85 .N6 1989

Novel images: literature in performance

Edited by Peter Reynolds. London; New York: Routledge, 1993.

UCB Main PN1995.3 .N68 1993

Pauly, Rebecca M.

The transparent illusion: image and ideology in French text and film / Rebecca M. Pauly. New York: P. Lang, c1993. Series title: Ars interpretandi (New York, N.Y.); v. 3.

UCB Main PN1993.5.F7 P35 1993

Pellow, C. Kenneth.

Films as critiques of novels: transformational criticism / C. Kenneth Pellow. Lewiston: E. Mellen Press, c1994.

UCB Moffitt PS374.M55 P45 1994

Raw, Laurence.

"Adaptation Studies: Its Past, Present, and Future." Literature/Film Quarterly. 2008. Vol. 36, Iss. 1; p. 78 (2 pages)

UC users only

Roberts, Jerry

The great American playwrights on the screen : a critical guide to film, video, and DVD. New York : Applause Theatre & Cinema Books ; Milwaukee, WI : Sales and distribution USA, Hal Leonard Corp., c2003.

MAIN: PS338.M67 R63 2003

Russian and Soviet film adaptations of literature, 1900-2001 : screening the word / edited by Stephen Hutchings and Anat Vernitski. London ; New York : RoutledgeCurzon, 2005.

MAIN: PN1997.85 .F437 2005

Table of contents http://www.loc.gov/catdir/toc/ecip0418/2004013383.html

Seger, Linda.

The art of adaptation: turning fact and fiction into film / Linda Seger. 1st ed. New York: H. Holt and Co., 1992.

UCB Moffitt PN1997.85 .S44 1992

Shinn, Thelma J.

"Gender images and patterns from novel to film." In: Gender, I-deology: Essays on Theory, Fiction and Film / edited by Chantal Cornut-Gentille D'Arcy and Jose Angel Garcia Landa. pp. 451-9 Amsterdam; Atlanta: Rodopi, 1996. Postmodern Studies; 16

Main Stack PN56.F46.G46 1996

Sinyard, Neil.

Filming literature: the art of screen adaptation / Neil Sinyard. London: Croom Helm, c1986.

Main Stack PN1997.85.S521 1986

Moffitt PN1997.85.S5 1986 (another edition)

Springer, John Parris

Hollywood fictions: the dream factory in American popular literature. John Parris Springer. Norman: University of Oklahoma Press, c2000. Series title: Oklahoma project for discourse and theory; v. 19.

UCB Main PS374.M55 S67 2000

Stam, Robert

Literature through film : realism, magic, and the art of adaptation Malden, MA, USA : Blackwell Pub., 2005.

MAIN: PN1997.85 .S76 2005

Stories into film

Edited by William Kittredge & Steven M. Krauzer. 1st ed. New York: Harper and Row, c1979. Series title: Harper colophon books;

UCB Main PN6014 .S8

Take two: adapting the contemporary American novel to film

Edited by Barbara Tepa Lupack. Bowling Green, OH: Bowling Green State University Popular Press, c1994.

UCB Main PS374.M55 T3 1994

Testa, Carlo.

Italian cinema and modern European literatures, 1945-2000 / Carlo Testa. Westport, Conn.: Praeger, 2002.

UCB Main PN1993.5.I88 T44 2002

Tibbetts, John C.

The encyclopedia of novels into film / John C. Tibbetts, James M. Welsh; additional research by Rodney Hill ... [et al.]; foreword by Robert Wise. 2nd ed. New York : Facts on File, c2005.

Media Center PN1997.85.T54 2005

Tibbetts, John C.

The encyclopedia of novels into film / John C. Tibbetts, James M. Welsh; additional research by Heather Addison ... [et al.]. New York: Facts on File, c1998.

UCB Main PN1997.85 .T54 1998

UCB Media Ctr PN1997.85 .T54 1999

Tibbetts, John C.

The encyclopedia of stage plays into film / John C. Tibbetts and James M. Welsh; associate editor, John Staniunas; contributing editors, Gene Philips ... [et al.]; foreword by Steve Allen. New York: Facts on File, c2001.

UCB Media Ctr PN1997.85 .T544 2001

Trotter, D.

"T. S. Eliot and Cinema." Modernism - Modernity v. 13 no. 2 (April 2006) p. 237-65

"T. S. Eliot's understanding of the automatisms in literature evolved alongside his understanding of cinema as a thoroughly automatic medium. Eliot's understanding of film technique was entirely up to date, and a good deal more sophisticated than that evinced by a cinephile such as Franz Kafka. It would appear that he was interested in, above all, the construction of a "new earthly terrain that did not exist anywhere," a narrative space created in and by a machine. He felt a fascination for cinema's automatism. He viewed that automatism as disabling, in so far as the machine came between the performer and audience, denying the copresence, and as enabling, inasmuch as the machine made it possible to perceive what the human eye alone could not have seen: the pattern projected on a screen, a "new earthly terrain," a rhythm in excess of mimicry. While his own art was not a mechanical art, it is possible that he continued to have an interest in the automatism one machine in particular had so profoundly clarified." [Art Index]

Victorian afterlife: postmodern culture rewrites the nineteenth century /

John Kucich and Dianne F. Sadoff, editors. Minneapolis: University of Minnesota Press, c2000.

UCB Main PR461 .V5 2000

Video versions: film adaptations of plays on video

Edited by Thomas L. Erskine and James M. Welsh; with John C. Tibbetts and Tony Williams. Westport, Conn.: Greenwood Press, 2000.

UCB Media Ctr PN1997.85 .V53 2000

Vision/re-vision: adapting contemporary American fiction by women to film

Edited by Barbara Tepa Lupack. Bowling Green, OH: Bowling Green State University Popular Press, c1996.

UCB Main PN1997.85 .V57 1996

Wagner, Geoffrey Atheling.

The novel and the cinema / Geoffrey Wagner. Rutherford, N.J.: Fairleigh Dickinson University Press, [1975].

UCB Main PN1997.85 .W331

UCB Moffitt PN1997.85 .W33

Weinberg, Herman G.

"Novel into Film." Literature/Film Quarterly. Spring 1973. Vol. 1, Iss. 2; p. 98 (5 pages)

UC users only

Welch, Jeffrey Egan

Literature and film: an annotated bibliography, 1900-1977 / Jeffrey Egan Welch. New York: Garland, 1981. Series title: Garland reference library of the humanities; vol. 241.

UCB Hum/Area PN1995.3A12 .W4 Reference Stack

Women writers, from page to screen

Jill Rubinson Fenton ... [et al.]. New York: Garland Pub., 1990. Series title: Garland reference library of the humanities; vol. 687.

UCB Main PN1997.85 .W58 1990

Writing and cinema

Edited by Jonathan Bignell. [London?]: Longman; Harlow, U.K.; New York: Pearson Education, 1999. Series title: Crosscurrents (London, England)

UCB Main PN1995.3 .W72 1999

Zagarella, Lisa M.

"Film Adaptation." Literature and Psychology: a journal of psychoanalytic and cultural criticism (47:3) 2001:3 , 60-61 .

UC users only

Adaptations: Individual Authors/Works

Edward Albee

Who's Afraid of Virginia Woolf

Bordewijk, C.

"Simultaneity or Separation: Edward Albee's Who's Afraid of Virginia Woolf? on Stage and Screen." In: New Essays on American Drama / edited by Gilbert Debusscher and Henry I. Schvey, with the editorial assistance of Marc Maufort. pp: 111-126. Amsterdam; Atlanta: Rodopi, 1989. Costerus; new ser., v. 76

Main Stack PS351.N49 1989

Bottoms, Stephen J.

Albee: Who's afraid of Virginia Woolf? / Stephen J. Bottoms. Cambridge, U.K.; New York: Cambridge University Press, 2000. Series title: Plays in production.

UCB Main PS3551.L25 W434 2000

Campo, Carlos.

"The Role of Beyond the Forest in Albee's Who's Afraid of Virgina Woolf?" Literature/ Film Quarterly vol. 22 no. 3. 1994. pp: 170-73.

Cornut-Gentille, Chantal.

"Who's Afraid of the Femme Fatale in Breakfast at Tiffany's? Exposure and Implications of a Myth." In: Gender, I-Deology: Essays on Theory, Fiction and Film / edited by Chantal Cornut-Gentille D'Arcy and Jose Angel Garcia Landa. pp: 371-85 Amsterdam; Atlanta: Rodopi, 1996. Postmodern Studies; 16

Main Stack PN56.F46.G46 1996 .

Diamond, Suzanne.

"Who's Afraid of George and Martha's Parlour? Domestic F(r)ictions and the Stir-Crazy Gaze of Hollywood." Literature/ Film Quarterly vol. 24 no. 4. 1996. pp: 407-13.

"Changes made to the text of "Who's Afraid of Virginia Woolf?" in the work's transition from stage to screen resulted in the character Martha becoming less knowledgeable and less sympathetic. The film version deals with her past less directly providing less background for the source of her discontent in her marriage to George. The studio, Metro Goldwyn Mayer, may have been relying on Elizabeth Taylor's past to suggest the past of the character she plays. Without a proper understanding of the domestic role she is forced into, Martha's sexual interests are harder to accept." [Expanded Academic Index]

Jones, Edward T.

"Revisiting and Re-Visioning: A Delicate Balance(1973) and The Hotel New Hampshire (1984)." In: The cinema of Tony Richardson : essays and interviews Edited by James M. Welsh and John C. Tibbetts ; foreword by Jocelyn Herbert. Albany, N.Y. : State University of New York Press, c1999. The SUNY series, cultural studies in cinema/video

Main Stack PN1998.3.R53.C56 1999

PFA PN1998.3.R5.C56 1999

Leff, Leonard J.

"A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966)." In: Hollywood as Historian: American Film in a Cultural Context / edited by Peter C. Rollins. pp: 211-229. Lexington, Ky.: University Press of Kentucky, c1983.

Main Stack PN1995.9.H5.H64 1983

Moffitt PN1995.9.H5.H64 1983

Leff, Leonard J.

"A test of American film censorship: 'Who's Afraid of Virginia Woolf'." Cinema Journal XIX/2, Spring 80; p.41-55. Historical background to bringing this controversial film to the screen and its relation to censorship standards of the time.

Leff, Leonard J.

"Play into Film: Warner Brothers' Who's Afraid of Virginia Woolf?" Theatre Journal vol. 33 no. 4. 1981 Dec. pp: 453-466.

UC users only

White, Robert J.

"Albee's Who's Afraid of Virginia Woolf?" Explicator vol. 43 no. 2. 1985 Winter. pp: 52-53.

Louisa May Alcott

Little Women (Louisa May Alcott)

Gay, Carol.

"Little Women at the Movies." In: Children's Novels and the Movies / edited by Douglas Street. pp: 28-38. New York: F. Ungar Pub. Co., c1983.

Moffitt PN1997.85.C44 1983

Hollinger, Karen. Winterhalter, Teresa.

"A Feminist Romance: Adapting Little Women to the Screen." Tulsa Studies in Womens Literature. 18(2):173-92. 1999

UC users only

Kirkham, Pat. Warren, Sarah.

"Four Little Women: Three Films and a Novel." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. pp: 81-97. London ; New York: Routledge, 1999.

Main Stack PN1997.85.A32 1999

Mackey, Margaret.

"Little Women Go to Market: Shifting Texts and Changing Readers." Children's Literature in Education. 29(3):153-73. 1998 Sept

Marchalonis, Shirley.

"Filming the Nineteenth Century: Little Women." Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 257-74. Bowling Green, OH: Bowling Green State University Popular Press, c1999.

Main Stack PN1997.85.N56 1999

Marchalonis, Shirley.

"Filming the Nineteenth Century: The Secret Garden and Little Women." American Transcendental Quarterly. 10(4):273-92. 1996 Dec

McCallum, Robyn.

"The Present Reshaping the Past Reshaping the Present: Film Versions of Little Women." Lion and the Unicorn: A Critical Journal of Children's Literature. 24 (1): 81-96. 2000 Jan.,

UC users only

Director Gillian Armstrong, 1994

Movie Review Query Engine

Alleva, Richard.

"Little Women." (movie reviews) Commonweal v122, n3 (Feb 10, 1995):12 (2 pages).

Ansen, David.

"Little Women." (movie reviews) Newsweek v125, n2 (Jan 9, 1995):57.

Denby, David.

"Little Women." (movie reviews) New York v28, n2 (Jan 9, 1995):49.

Francis, Elizabeth.

"Little Women." (movie reviews) Journal of American History v82, n3 (Dec, 1995):1312 (2 pages).

Francke, Lizzie.

"What Are You Girls Going to Do?: Lizzie Francke Talks with Gillian Armstrong." Sight and Sound vol. 5 no. 4. 1995 Apr. pp: 28-29.

Francke, Lizzie.

"What Are You Girls Going To Do?: Lizzie Francke Talks with Gillian Armstrong." In: Film/literature/heritage / edited by Ginette Vincendeau. pp: 72-76. London: British Film Institute, 2001. Sight and sound reader.

Main Stack PN1995.3.F54 2001

Grasso, Linda.

"Louisa May Alcott's 'Magic Inkstand': Little Women, Feminism, and the Myth of Regeneration." Frontiers: A Journal of Women Studies vol. 19 no. 1. 1998. pp: 177-92.

Kissin, Eva H.

"Little Women." (movie reviews) Films in Review v46, n3-4 (March-April, 1995):59.

Klawans, Stuart.

"Little Women." (movie reviews) Nation v260, n3 (Jan 23, 1995):107.

Lurie, Alison.

"Little Women." (movie reviews) New York Review of Books v42, n4 (March 2, 1995):3 (3 pages).

Mabry, Rochelle.

"Fighting Fire with Fire: Reclaiming Phallocentric Conventions in Feminine Costume Dramas." West Virginia University Philological Papers. 48:107-14. 2001-2002

Marchalonis, Shirley.

"Filming the Nineteenth Century: The Secret Garden and Little Women." American Transcendental Quarterly vol. 10 no. 4. 1996 Dec. pp: 273-92.

McCarthy, Todd.

"Little Women." (movie reviews) Variety v357, n8 (Dec 19, 1994):71 (2 pages).

Rafferty, Terrence.

"Little Women." (movie reviews) New Yorker v70, n43 (Jan 9, 1995):83 (2 pages).

Schickel, Richard.

"Little Women." (movie reviews) Time v144, n25 (Dec 19, 1994):74.

Simon, John.

"Little Women." (movie reviews) National Review v47, n3 (Feb 20, 1995):72.

Travers, Peter.

"Little Women." (movie reviews) Rolling Stone, n700 (Jan 26, 1995):66.

Warrick, Steve

"Little Women." (movie reviews)Modern Review I/19, Feb-Mar 95; p.18-19.

Gabriela (Jorge Amado)

Martin, John.

"Mythical Patterns in Jorge Amado's Novel Gabriela - Clove and Cinnamon and Bruno Barreto's Film Gabriela." In: Film and Literature: A Comparative Approach to Adaptation / edited by Wendell Aycock and Michael Schoenecke. pp: 179-188. Lubbock, Tex.: Texas Tech University Press, 1988. Studies in comparative literature (Lubbock, Tex.); no. 19.

Main Stack PN1995.3.F5 1988

Williams, Bruce E.

"A Captive of the Screen: Archetype and Gaze in Barreto's Gabriela." Film Criticism. 14(2):24-32. 1989-1990 Winter

Robert Anderson

Tea and Sympathy

Jane Austen

Arriola, Joyce L.

"Introducing the 'Women's Film' in Teaching the Works of 18th and 19th Century Women Novelists in English: The Case of Jane Austen and Her Predecessors." Unitas: A Quarterly for the Arts and Sciences, vol. 77, no. 4, pp. 455-75, December 2004

Cohen, Paula Marantz.

"Trends in Adaptation: Will and Jane Go Celluloid." Michigan Quarterly Review. Summer 2005. Vol. 44, Iss. 3; p. 533 (9 pages)

UC users only

Despotopoulou, Anna

"Girls on Film: Postmodern Renderings of Jane Austen and Henry James." Yearbook of English Studies, vol. 36, no. 1, pp. 115-30, 2006

Flavin, Louise

Jane Austen in the classroom : viewing the novel/reading the film New York : Peter Lang, c2004.

MAIN: PR4038.F55 F58 2004

Table of contents http://www.loc.gov/catdir/toc/ecip041/2003006832.html

Hudelet, Ariane

"Incarnating Jane Austen: The Role of Sound in the Recent Film Adaptations." Persuasions: The Jane Austen Journal, vol. 27, pp. 175-84, 2005

Jane Austen and co. : remaking the past in contemporary culture

Suzanne R. Pucci and James Thompson, editors. Albany : State University of New York Press, c2003.

Main Stack PR4038.F55.J33 2003

Jane Austen in Hollywood

Linda Troost and Sayre Greenfield, editors. Lexington: University Press of Kentucky, c1998.

Main Stack PR4038.F55.J36 1998

Moffitt PR4038.F55.J36 1998

Lauritzen, Monica.

Jane Austen's Emma on television: a study of a BBC classic serial / by Monica Lauritzen. Goteborg, Sweden: Acta Universitatis Gothoburgensis, [1981]. Series title: Gothenburg studies in English 48.

UCB Main PE25 .G65 v.48

Parrill, Sue

Jane Austen on film and television: a critical study of the adaptations / by Sue Parrill. Jefferson, N.C.: McFarland & Co., c2002.

UCB Main PR4038.F55 P37 2002

Werker, Anke

By a lady: Jane Austen's female archetypes in fiction and film / Anke Werker. Tilburg, The Netherlands: Tilburg University Press, 1998.

UCB Main PR4038.W6 W47 1998

Emma

Hoberg, Tom.

"The Multiplex Heroine: Screen Adaptations of Emma." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 106-28. Bowling Green, OH: Bowling Green State University Popular Press, c1999.

Main Stack PN1997.85.N56 1999

Director Douglas McGrath, featuring Gwyneth Paltrow, 1996.

Movie Review Query Engine

Alleva, Richard.

"Emma." (movie reviews) Commonweal v123, n16 (Sept 27, 1996):19 (2 pages).

Ansen, David.

"Emma." (movie reviews) Newsweek v128, n5 (July 29, 1996):67.

Duckworth, Alistair M.

"Emma." (movie reviews) Eighteenth-Century Fiction v10, n1 (Oct, 1997):110 (8 pages).

Duguid, Lindsay.

"Emma." (movie reviews) TLS. Times Literary Supplement, n4878 (Sept 27, 1996):19.

Kaplan, Deborah.

"Mass Marketing Jane Austen: Men, Women, and Courtship in Two Film Adaptations." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 177-87. Lexington: University Press of Kentucky, c1998.

Main Stack PR4038.F55.J36 1998

Moffitt PR4038.F55.J36 1998

Kaplan, Deborah.

"Mass Marketing Jane Austen: Men, Women, and Courtship in Two of the Recent Films." Persuasions: Journal of the Jane Austen Society of North America. 18:171-81. 1996 Dec

Kauffmann, Stanley.

"Emma." (movie reviews) New Republic v215, n8-9 (August 19, 1996):38 (2 pages).

Lane, Anthony.

"Emma." (movie reviews) New Yorker v72, n22 (August 5, 1996):76 (2 pages).

Maslin, Janet.

"Emma." (movie reviews New York Times v145 (Fri, August 2, 1996):B1(N), C1(L), col 5, 20 col in.

Matthews, Peter.

"Emma." (movie reviews)Sight and Sound v6, n9 (Sept, 1996):40.

Morgenstern, Joe.

"Emma." (movie reviews) Wall Street Journal (Fri, August 2, 1996):A12(W), A12(E), col 1, 14 col

Nichols, Peter M.

"Emma." (movie reviews) New York Times v146 (Fri, March 7, 1997):B33(N), B15(L), col 1, 14 col in.

Simon, John.

"Emma." (movie reviews) National Review v48, n19 (Oct 14, 1996):86 (2 pages).

Tonkin, Boyd.

"Emma." (movie reviews) New Statesman (1996) v125, n4300 (Sept 13, 1996):39.

Travers, Peter.

"Emma." (movie reviews) Rolling Stone, n741 (August 22, 1996):103 (2 pages).

Werker, Anke

By a lady: Jane Austen's female archetypes in fiction and film / Anke Werker. Tilburg, The Netherlands: Tilburg University Press, 1998.

UCB Main PR4038.W6 W47 1998

Clueless; Director Amy Heckerling, 1995.

Movie Review Query Engine

Caroll, Laura.

"A consideration of times and seasons: Two Jane Austen adaptations." Literature/Film Quarterly. 2003. Vol. 31, Iss. 3; p. 169

UC users only

Cohen, Rich.

"High school confidential." (motion-picture director Amy Heckerling)(Interview) Rolling Stone Sep 7, 1995 n716 p53(1)

"Heckerling, the writer and director of the motion picture 'Clueless,' based the film on the 1816 novel 'Emma,' by Jane Austen. 'Clueless,' a movie about teenagers, was originally turned down as a pilot for a television show by the Fox network." " [Expanded Academic Index]

Corliss, Richard.

"Clueless." (movie reviews) Time v146, n5 (July 31, 1995):65.

Denby, David.

"Clueless." (movie reviews) New York v28, n31 (August 7, 1995):71.

Dole, Carol M.

"Classless, Clueless: Emma Onscreen." In: Approaches to teaching Austen's Emma / edited by Marcia McClintock Folsom. New York : Modern Language Association of America, 2004.

Main Stack PR4034.E53.A67 2004

Ferriss, Suzanne.

"Emma Becomes Clueless." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 122-29. Lexington: University Press of Kentucky, c1998.

Main Stack PR4038.F55.J36 1998

Moffitt PR4038.F55.J36 1998

Greenfield, John R.

"Is Emma Clueless? Fantasies of Class and Gender from England to California." Topic: a Journal of the Liberal Arts. 48:31-38. 1997 Fall

Harris, Jocelyn.

"Clueless." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Leland, John.

"Clueless." (movie reviews) Newsweek v126, n4 (July 24, 1995):52 (2 pages).

Lipman, Amanda.

"Clueless." (movie reviews) Sight and Sound v5, n10 (Oct, 1995):46.

Lowry, Brian.

"Clueless." (movie reviews) Variety v359, n11 (July 17, 1995):50 (2 pages).

Romney, Jonathan.

"Clueless." (movie reviews) New Statesman & Society v8, n375 (Oct 20, 1995):35.

Schwartz, Amy E.

"'Clued in' to Jane Austen." (movie, 'Clueless,' is basically an adaptation of 'Emma,' the 1815 novel by Jane Austen)(Column) Washington Post v118 (Fri, August 11, 1995):A23, col 4, 19 col in.

Sonnet, Esther.

"From Emma to Clueless: Taste, Pleasure and the Scene of History." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. pp: 51-62. London ; New York: Routledge, 1999.

Main Stack PN1997.85.A32 1999

Stern, Lesley.

"Emma in Los Angeles: Remaking the Book and the City." In: Film adaptation / edited and with an introduction by James Naremore. pp: 221-238. New Brunswick, N.J.: Rutgers University Press, c2000. Rutgers depth of field series.

Main Stack PN1997.85.F55 2000

Travers, Peter.

"Clueless." (movie reviews) Rolling Stone, n714 (August 10, 1995):61 (3 pages).

Wald, Gayle.

"Clueless in the Neo-Colonial World Order." In: The postcolonial Jane Austen / edited by You-me Park and Rajeswari Sunder Rajan. pp: 218-33. London ; New York: Routledge, 2000. Routledge research in postcolonial literatures.

Main Stack PR4037.A87 2000

Wald, Gayle.

"Clueless in the Neocolonial World Order." Camera Obscura. 42:51-69. 1999 Sept

UC users only

" Issues discussed concern the portrayal of class, race, and gender in Amy Heckering's film 'Clueless,' focusing on how films addressed to US teenage girls represent American culture and nationalism. The heroine of the film is analyzed in relation to narratives of gender, ideologies of consumption, and neocolonial relations of oppression." [Expanded Academic Index]

Mansfield Park (Jane Austen)

Aragay, Mireia

"Possessing Jane Austen: Fidelity, Authorship, and Patricia Rozema's Mansfield Park (1999)." Literature/Film Quarterly, vol. 31, no. 3, pp. 177-85, 2003

UC users only

Carroll, Laura

"A Consideration of Times and Seasons: Two Jane Austen Adaptations." Literature/Film Quarterly, vol. 31, no. 3, pp. 169-76, 2003Carroll, Laura

UC users only

Deleyto, Celestino

"Return to Austen: Film Heroines of the Nineties." In: Refracting the canon in contemporary British literature and film / edited by Susana Onega and Christian Gutleben. Amsterdam ; New York : Rodopi, 2004.

Main Stack PR101.R44 2004

Fergus, Jan

"Two Mansfield Parks: Purist and Postmodern." In: Jane Austen on screen / edited by Gina Macdonald and Andrew Macdonald. Cambridge ; New York : Cambridge University Press, 2003.

Main Stack PR4037.J337 2003

PFA PR4037.J337 2003

Graham, Peter W.

"From Mansfield Park to Gosford Park: The English Country House from Austen to Altman." Persuasions: Journal of the Jane Austen Society of North America, vol. 24, pp. 211-25, 2002

Groenendyk, Kathi

"Modernizing Mansfield Park: Patricia Rozema's Spin on Jane Austen." Persuasions: The Jane Austen Journal On-Line, vol. 25, no. 1, pp. [no pagination], Winter 200

Harris, Jocelyn

"'Such a Transformation!': Translation, Imitation, and Intertextuality in Jane Austen on Screen." In: Jane Austen on screen / edited by Gina Macdonald and Andrew Macdonald. Cambridge ; New York : Cambridge University Press, 2003.

Main Stack PR4037.J337 2003

PFA PR4037.J337 2003

Monaghan, David.

"Reinventing Fanny Price: Patricia Rozema's Thoroughly Modern Mansfield Park." Mosaic : a Journal for the Interdisciplinary Study of Literature. Sep 2007. Vol. 40, Iss. 3; p. 85 (17 pages)

UC users only

Moussa, Hiba

"Mansfield Park and Film: An Interview with Patricia Rozema." Literature/Film Quarterly, vol. 32, no. 4, pp. 255-60, 2004

UC users only

Parrill, Sue

"Not the Bluebird of Happiness: Bird Imagery in the Film Mansfield Park." Literature/Film Quarterly, vol. 31, no. 3, pp. 186-92, 2003

UC users only

Troost, Linda; Greenfield, Sayre

"The Mouse That Roared: Patricia Rozema's Mansfield Park." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 177-87. Lexington: University Press of Kentucky, c1998.

Main Stack PR4038.F55.J36 1998

Moffitt PR4038.F55.J36 1998

Walsh, Germaine Paulo.

"Is Jane Austen politically correct? Interpreting Mansfield Park." Perspectives on Political Science. Winter 2002. Vol. 31, Iss. 1; p. 15 (12 pages)

UC users only

Watson, Tim

"Improvements and Reparations at Mansfield Park." In: Literature and film : a guide to the theory and practice of film adaptation / edited by Robert Stam, Alessandra Raengo. Malden, MA : Blackwell, 2005.

Main Stack PN1997.85.L515 2005

Persuasion (Jane Austen)

Movie Review Query Engine

Anderson, Pat.

"Persuasion." (movie reviews) Films in Review v46, n7-8 (Sept-Oct, 1995):59.

Ansen, David.

"Persuasion." (movie reviews) Newsweek v126, n15 (Oct 9, 1995):78.

Denby, David.

"Persuasion." (movie reviews) New York v28, n42 (Oct 23, 1995):57.

Favret, Mary A.

"Being True to Jane Austen." In: Victorian afterlife: postmodern culture rewrites the nineteenth century / John Kucich and Dianne F. Sadoff, editors. pp: 64-82. Minneapolis: University of Minnesota Press, c2000.

Main Stack PR461.V5 2000

Gottlieb, Sidney.

"Persuasion and cinematic approaches to Jane Austen." Literature/Film Quarterly (30:2) 2002, 104-10 (2002)

UC users only

Groenendyk, Kathi L.

"The Importance of Vision: Persuasion and the Picturesque." Rhetoric Society Quarterly. 30(1):9-28. 2000 Winter

Hannon, Patrice.

"Austen Novels and Austen Films: Incompatible Worlds?" Persuasions: Journal of the Jane Austen Society of North America. 18:24-32. 1996 Dec

Harris, Jocelyn.

"Persuasion." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Hoberg, Tom.

"Her First and Last: Austen's Sense and Sensibility, Persuasion, and Their Screen Adaptations." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 140-66. Bowling Green, OH: Bowling Green State University Popular Press, c1999.

Main Stack PN1997.85.N56 1999

James, Caryn.

"Persuasion." (movie reviews) New York Times v145 (Wed, Sept 27, 1995):B3(N), C18(L), col 1, 21 col in

Lane, Anthony.

"Persuasion." (movie reviews) New Yorker v71, n29 (Sept 25, 1995):107 (2 pages).

Kauffmann, Stanley.

"Persuasion." (movie reviews) New Republic v213, n15 (Oct 9, 1995):26 (2 pages).

Simon, John.

"Persuasion." (movie reviews) National Review v47, n20 (Oct 23, 1995):58 (2 pages).

Pride & Prejudice (Jane Austen)

Ellington, H. Elisabeth.

'A Correct Taste in Landscape': Pemberley as Fetish and Commodity." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 90-110. Lexington: University Press of Kentucky, c1998.

Main Stack PR4038.F55.J36 1998

Moffitt PR4038.F55.J36 1998

Grandi, Roberta.

"The Passion Translated: Literary and Cinematic Rhetoric in Pride and Prejudice (2005)." Literature/Film Quarterly. 2008. Vol. 36, Iss. 1; p. 45 (7 pages)

UC users only

Hopkins, Lisa.

"Mr. Darcy's Body: Privileging the Female Gaze." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 111-21. Lexington: University Press of Kentucky, c1998.

Main Stack PR4038.F55.J36 1998

Moffitt PR4038.F55.J36 1998

Lawson-Peebles, Robert.

"European Conflict and Hollywood's Reconstruction of English Fiction." Yearbook of English Studies vol. 26. 1996. pp: 1-13.

Lellis, George.

"Pride but No Prejudice." In: The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 44-51. New York: Ungar, [1981]. Series title: Ungar film library.

UCB Main PN1997.85 .E53

UCB Moffitt PN1997.85 .E53

Directed by Joe Wright, 2005 (cast: Keira Knightley, Matthew Macfadyen, et al.)

Duguid, Lindsay.

"Pig and pillow.(Pride and Prejudice)(Movie Review)." TLS. Times Literary Supplement 5347 (Sept 23, 2005): 20(1).

Grandi, Roberta

"The Passion Translated: Literary and Cinematic Rhetoric in Pride and Prejudice (2005)" Literature/Film Quarterly. 2008. Vol. 36, Iss. 1; p. 45 (7 pages)

UC users only

Lette, Kathy.

"Engage the enemy: women fight an unequal battle in a sparkling new adaptation.(film)(Movie Review)." New Statesman 134.4759 (Sept 26, 2005): 70(1).

Roberts, Rex.

"Pride & Prejudice.(Movie Review)." Film Journal International 108.11 (Nov 2005): 99(2).

UC users only

Winter, Jessica.

"Pride & Prejudice.(Movie Review)." Sight and Sound 15.10 (Oct 2005): 83(1).

Screenplay by Andrew Davies; featuring Collin Firth, 1995.

Movie Review Query Engine

Bellafante, Ginia.

"Pride and Prejudice." (television program reviews). Time v147, n3 (Jan 15, 1996):66.

Davies, Andrew.

"Picture the scene." (television adaptation of 'Pride and Prejudice'). Times Educational Supplement, n4133 (Sept 15, 1995):S10.

Harris, Jocelyn.

"Pride and Prejudice." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Leonard, John.

"Pride and Prejudice." (television program reviews). New York v29, n2 (Jan 15, 1996):54 (2 pages).

Macinnes, Carolyn.

"Pride and Prejudice." (television program reviews). Times Educational Supplement, n4134 (Sept 22, 1995):S18.

McGuigan, Cathleen.

"Lights, Camera, Austen." Newsweek, 1/21/2008, Vol. 151 Issue 3, p78-78, 1p, 7c;

UC users only

O'Connor, John J.

"Pride and Prejudice." (television program reviews) New York Times v145 (Sat, Jan 13, 1996):13(N), 13(L), col 1, 14 col in.

"Pride and priapism." (Andrew Davies adapting Pride and Prejudice for television). New Statesman & Society v3, n124 (Oct 26, 1990):5.

Scott, Tony.

"Jane Austen's Pride and Prejudice." (television program reviews). Variety v361, n9 (Jan 8, 1996):66 (2 pages).

Bride and Prejudice

Directed by Gurinder Chadha. 2004.

Ramachandran, Naman.

"Bride & Prejudice." Sight & Sound v. ns14 no. 10 (October 2004) p. 43-4

UC users only

Samant, Sapna.

"Appropriating Bombay cinema: why the Western world gets Bollywood so wrong.(FOCUS ON Asia)." Metro Magazine 145 (Summer 2005): 82(5).

Tandon, Bharat.

"Life and wife.(Twelfth Night)(Bride and Prejudice)(Movie Review)." TLS. Times Literary Supplement 5297 (Oct 8, 2004): 19(1).

Wilson, Cheryl A.

"Bride and Prejudice: a Bollywood comedy of manners." Literature-Film Quarterly 34.4 (Oct 2006): 323(9).

UC users only

Sense & Sensibility (Jane Austen)

Movie Review Query Engine

Directed by Ang Lee, 1995. Featuring Emma Thompson, Hugh Grant, Kate Winslet, Alan Rickman, Harriet Walker

Alleva, Richard.

"Sense and Sensibility." (movie reviews) Commonweal v123, n5 (March 8, 1996):15 (3 pages).

Alster, Laurence.

"Sense and Sensibility." (movie reviews) Times Educational Supplement, n4156 (Feb 23, 1996):S21.

Blake, Richard A,.

"Sense and Sensibility." (movie reviews)America v174, n8 (March 9, 1996):20 (2 pages).

Cramer, Barbara.

"Sense and Sensibility." (movie reviews) Films in Review v47, n3-4 (March-April, 1996):65 (2 pages).

Denby, David.

"Sense and Sensibility." (movie reviews) New York v28, n50 (Dec 18, 1995):51.

Diana, M. Casey.

"Emma Thompson's Sense and Sensibility as Gateway to Austen's Novel: A Pedagogical Experiment." Topic: a Journal of the Liberal Arts. 48:49-55. 1997 Fall

Duguid, Lindsay.

"Sense and Sensibility." (movie reviews) TLS. Times Literary Supplement, n4848 (March 1, 1996):21.

Duncan, Rebecca Stephens.

"Sense and Sensibility: A Convergence of Readers/Viewers/Browsers." In: A companion to Jane Austen studies / edited by Laura Cooner Lambdin and Robert Thomas Lambdin. pp: 1-16. Westport, Conn.: Greenwood Press, 2000.

Main Stack PR4037.C66 2000

Moffitt PR4037.C66 2000

"Enough Jane Austen! Let's go for gore." (filmmaker Ang Lee, who was lauded for his adaptation of Austen's 'Sense and Sensibility,' is making a violent movie about the American Civil War)(Brief Article)(Interview) U.S. News & World Report v123, n12 (Sept 29, 1997):77.

Favret, Mary A.

Main Stack PR461.V5 2000

Francke, Lizzie.

"Sense and Sensibility." (movie reviews) New Statesman & Society v9, n391 (Feb 23, 1996):43.

Fuller, Graham.

"Cautionary Tale." In: Film/literature/heritage / edited by Ginette Vincendeau. pp: 77-81. London: British Film Institute, 2001. Sight and sound reader.

Main Stack PN1995.3.F54 2001

Fuller, Graham.

"Shtick and Seduction." Sight and Sound vol. 6 no. 3. 1996 Mar. pp: 24.

Hannon, Patrice.

"Austen Novels and Austen Films: Incompatible Worlds?" Persuasions: Journal of the Jane Austen Society of North America. 18:24-32. 1996 Dec

Harris, Jocelyn.

"Sense and Sensibility." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Hoberg, Tom.

Main Stack PN1997.85.N56 1999

Jeffrey, David K.

"Sense and Sensibility." (movie reviews) National Forum v76, n2 (Spring, 1996):43 (3 pages).

Johnson, Brian D.

"Sense and Sensibility." (movie reviews) Maclean's v108, n52 (Dec 25, 1995):86 (2 pages).

Kaplan, Deborah.

Main Stack PR4038.F55.J36 1998

Moffitt PR4038.F55.J36 1998

Kaplan, Deborah.

"Mass Marketing Jane Austen: Men, Women, and Courtship in Two of the Recent Films." Persuasions: Journal of the Jane Austen Society of North America. 18:171-81. 1996 Dec

Kroll, Jack.

"Sense and Sensibility." (movie reviews) Newsweek v126, n25 (Dec 18, 1995):66 (3 pages).

Lyons, Donald.

"Sense and Sensibility." (movie reviews) Film Comment v32, n1 (Jan-Feb, 1996):36 (6 pages).

McCarthy, Todd.

"Sense and Sensibility." (movie reviews) Variety v361, n5 (Dec 4, 1995):51 (2 pages).

Medhurst, Andy.

"Dressing the Part." Sight and Sound vol. 6 no. 6. 1996 June. pp: 28-30.

Monk, Claire.

"Sense and Sensibility." (movie reviews) Sight and Sound v6, n3 (March, 1996):50 (2 pages).

Maryles, Daisy.

"Dead author's society." (packages by publishers to market Jane Austen's book 'Sense and Sensibility' are tied in to the movie of the same name)(Brief Article) Publishers Weekly v243, n3 (Jan 15, 1996):322.

Maslin, Janet.

"Sense and Sensibility." (movie reviews) New York Times v145 (Wed, Dec 13, 1995):B1(N), C15(L), col 3, 21 col in.

Norman, Liane Ellison.

"Sense and Sensibility." (movie reviews) Sojourners v25, n3 (May-June, 1996):55 (3 pages).

Matthews, Peter.

"The Big Freeze." Sight & Sound. 8(2):12-14. 1998 Feb

North, Julian.

"Conservative Austen, Radical Austen: Sense and Sensibility from Text to Screen." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. pp: 38-50. London ; New York: Routledge, 1999.

Main Stack PN1997.85.A32 1999

Parrill, Sue.

"What Meets the Eye: Landscape in the Films Pride and Prejudice and Sense and Sensibility." Persuasions: Journal of the Jane Austen Society of North America. 21:32-43. 1999

Rafferty, Terrence.

"Sense and Sensibility." (movie reviews) New Yorker v71, n41 (Dec 18, 1995):124 (3 pages).

Samuelian, Kristin Flieger.

"'Piracy Is Our Only Option': Postfeminist Intervention in Sense and Sensibility." Topic: a Journal of the Liberal Arts. 48:39-48. 1997 Fall

Schickel, Richard.

"Sense and Sensibility." (movie reviews) Time v146, n25 (Dec 18, 1995):72 (2 pages).

Shi, Shu-mei.

"Globalisation and Minoritisation: Ang Lee and the Politics of Flexibility." New Formations: a Journal of Culture/Theory/Politics. 40:87-101. 2000 Spring

Simon, John.

"Sense and Sensibility." (movie reviews) National Review v48, n1 (Jan 29, 1996):67.

Wizard of Oz (L. Frank Baum)

Billman, Carol.

"'I've seen the movie': Oz Revisited." In: Children's Novels and the Movies / edited by Douglas Street. pp: 92-100. New York: F. Ungar Pub. Co., c1983. Series title: Unger film library.

UCB Moffitt PN1997.85 .C44 1983

Billman, Carol.

"'I've seen the movie'; Oz revisited." Literature/Film Quarterly IX/4, 81; p.241-250. illus.

A comparative analysis of Baum's 1900 prose fantasy and the 1939 film adaptation.

Bronfen, Elisabeth.

"Home : there's no place like it : The wizard of Oz." In: Home in Hollywood : the imaginary geography of cinema / Elizabeth Bronfen. New York : Columbia University Press, c2004.

Main Stack PN1994.B71913 2004

Carpenter, L.

"There's no place like home: The wizard of Oz and American isolationism." Film & History XV/2, May 85; p.37-45.

Compares the book and film of "The wizard of Oz" in the light of their attitude towards US isolationism.

Chaston, Joel D.

"The 'Ozification' of American Children's Fantasy Films: The Blue Bird, Alice in Wonderland, and Jumanji." Children's Literature Association Quarterly vol. 22 no. 1. 1997 Spring. pp: 13-20.

Davis, Reid

"What WOZ: Lost Objects, Repeat Viewings, and the Sissy Warrior." Film Quarterly, vol. 55, no. 2, pp. 2-13, Winter 2001

UC users only

"The writer discusses the portrayal of "sissiness" in the movie The Wizard of Oz. In his 1998 documentary film The Silver Screen: Color Me Lavender, Mark Rappaport shows that although Hollywood in the 1930s and 1940s had many uses for the sissy as a stereotypical character, it could not cope with linking the portrayal of a homosexual to the narrative center of a movie. Set outside a direct association with adult homosexuality, Bert Lahr's performance as the Cowardly Lion in The Wizard of Oz may disclose more about the construction of gay subjectivity than a realistic representation of a homosexual itself. The film's stereotype of sissiness, the Cowardly Lion, operates both as an esthetic and a social construct, but Lahr's performance works within and beyond the text and between the text and spectator, so "sissy" and "effeminate" negotiate with the main modes of both the film and society." [Art Index]

Doty, Alexander

"'My Beautiful Wickedness': The Wizard of Oz as Lesbian Fantasy." In: Hop on pop : the politics and pleasures of popular culture / edited by Henry Jenkins, Tara McPherson & Jane Shattuc. Durham, N.C. : Duke University Press, 2002.

Main Stack E169.1.H77 2002

Moffitt E169.1.H77 2002

Downing, David C.

"Waiting for Godoz: A Post-Nasal Deconstruction of The Wizard of Oz." Christianity and Literature vol. 33 no. 2. 1984 Winter. pp: 28-30.

"Following the yellow brick road from 'The Wonderful Wizard of Oz' to 'The Wiz'." American Cinematographer LIX/11, Nov 78; p.1090-1091. \ \

A discussion of the original 'The Wonderful Wizard of Oz' and its numerous stage and screen versions.

Fricke, John.

The Wizard of Oz: the official 50th anniversary pictorial history / by John Fricke, Jay Scarfone, William Stillman; introduction by Jack Haley, Jr. New York, NY: Warner Books, c1989.

UCB Moffitt PN1997.W593 F75 1989

Friedman, Bonnie.

"Relinquishing Oz: Every Girl's Anti-Adventure Story." In: The Movies: Texts, Receptions, Exposures / edited by Laurence Goldstein and Ira Konigsberg. pp: 41-59. Ann Arbor: University of Michigan Press, c1996.

UCB Main PN1994 .M78 1996

UCB Moffitt PN1994 .M78 1996

Friedman, Bonnie.

"Relinquishing Oz: every girl's anti-adventure story." ('Wizard of Oz')(The Movies: A Centennial Issue, part 2) Michigan Quarterly Review v35, n1 (Wntr, 1996):9 (20 pages).

'The Wizard of OZ' is a traditional girl's coming-of-age story in that it emphasizes the home over the outside world and independence as evil. The death of the Wicked Witch is an ambivalent event because Dorothy's actions sacrifice her curiosity about the outside world, destroying a strong woman to return to the security of home. The men in Oz lack some essential characteristic while any woman showing behavior outside of what is expected is condemned or killed both in Oz and Dorothy's home.

Gilman, Todd S.

"'Aunt Em: Hate You! Hate Kansas! Taking the Dog. Dorothy': Conscious and Unconscious Desire in The Wizard of Oz."Children's Literature Association Quarterly vol. 20 no. 4. 1995-1996 Winter. pp: 161-67.

Also in:

L. Frank Baum's world of Oz : a classic series at 100 / edited by Suzanne Rahn. Lanham, Md. : Children's Literature Association and Scarecrow Press, 2003.

Main Stack PS3503.A923.Z73 2003

Gordon, A.

"You'll never get out of Bedford Falls! The inescapable family in American science fiction and fantasy films." Journal of Popular Film and Television XX/2, Summer 92; p.2-8.

Discusses the identical pro-family message in US science-fiction/fantasy films "The Wizard of Oz", "It's a Wonderful Life", and the "Star Wars" and "Back to the Future" trilogies.

Griswold, Jerry.

"There's No Place but Home: The Wizard of Oz." The Antioch Review vol. 45 no. 4. 1987 Fall. pp: 462-475.

Hamelman, Steven

"The Deconstructive Search for Oz." Literature/Film Quarterly, vol. 28, no. 4, pp. 312-19, 2000

Harmetz, Aljean.

The making of The Wizard of Oz / Aljean Harmetz; with an introd. by Margaret Hamilton (The Wicked Witch of the West). New York: Knopf, 1977.

UCB Moffitt PN1997 .W593 .H3 1990

Harmetz, Aljean.

The making of The Wizard of Oz: movie magic and studio power in the prime of MGM - and the miracle of production #1060 / Aljean HArmetz. New York, N.Y.: Delta, 1989, 1977.

UCB Moffitt PN1997 .W593 .H3 1990

Kim, Helen M.

"Strategic Credulity: Oz as Mass Cultural Parable." Cultural Critique vol. 33. 1996 Spring. pp: 213-33.

UC users only

Langley, Noel

The Wizard of Oz: the screenplay / by Noel Langley, Florence Ryerson, & Edgar Allan Woolf; from the book by Frank Baum; edited with an introduction by Michael Patrick Hearn. New York, N.Y.: Delta, c1989.

UCB Moffitt PN1997 .W59 1989

Latham, Rob.

"There's No Place Like Home: Simulating Postmodern America in The Wizard of Oz and Blue Velvet." Journal of the Fantastic in the Arts vol. 1 no. 4. 1988. pp: 49-58.

Lindroth, James.

"Down the Yellow Brick Road: Two Dorothys and the Journey of Initiation in Dream and Nightmare." Literature/ Film Quarterly vol. 18 no. 3. 1990. pp: 160-166.

Draws parallels between the imagery of "Blue Velvet" and "The Wizard of Oz", esp. regarding the depiction of dream states.

MacDonnell, Francis.

"'The Emerald City Was the New Deal': E. Y. Harburg and The Wonderful Wizard of Oz." Journal of American Culture vol. 13 no. 4. 1990 Winter. pp: 71-75.

McReynolds, Douglas J. and Lips, Barbara J.

"A Girl in the Game: The Wizard of Oz as Analogy for the Female Experience in America." North Dakota Quarterly 54:1 (1986:Winter) 87

Morey, Anne.

"'A Whole Book for a Nickel'? L. Frank Baum as Filmmaker." Children's Literature Association Quarterly vol. 20 no. 4. 1995-1996 Winter. pp: 155-60.

Nallon, Steve.

"Home on the screen." (influence of the film 'The Wizard of Oz') New Statesman & Society v6, n283 (Dec 17, 1993):62 (2 pages).

'The Wizard of Oz' has inspired parodies and homages by other films, including 'Gremlins 2' and 'Who Framed Roger Rabbit.' Its message of home and the need to return is a common theme in US films.

Nathanson, Paul

Over the rainbow: the Wizard of Oz as a secular myth of America / Paul Nathanson; [foreword by Katherine K. Young]. Albany, N.Y.: State University of New York Press, c1991. Series title: McGill studies in the history of religions.

UCB Main PN1997.W593 N38 1991

UCB Moffitt PN1997.W593 N38 1991

Paige, Linda Rohrer.

"Wearing the Red Shoes: Dorothy and the Power of the Female Imagination in The Wizard of Oz." Journal of Popular Film and Television vol. 23 no. 4. 1996 Winter. pp: 146-53.

UC users only

The red shoes and their symbolic meaning in Hans Christian Andersen's 'The Red Shoes' were adapted in the film version of Frank Baum's 'Wizard of Oz.' The red shoes signify female creative powers and the necessary rebellion the power entails. They also connect Dorothy with the witches, the women who rejected the image patriarchy imposes on woman. They reiterate what the shoes symbolize. However, the color red also spells the high price such powers extract. In all accounts the price is the woman's life.

Payne, David.

"The Wizard of Oz: Therapeutic Rhetoric in a Contemporary Media Ritual." The Quarterly Journal of Speech vol. 75 no. 1. 1989 Feb. pp: 25-39.

UC users only

"The Wizard of Oz "is a yearly media ritual for American television viewers. The film performs the psychological and socializing functions of traditional fairy tales, yet also contains contemporary political orientations and social values. The rhetoric of this text and related artifacts can be understood as therapeutic insofar as the rationale of the story describes psychological problems and offers prescriptive remedies that viewers may adopt". The Wizard of Oz "is a story of adolescent development wherein a female child performs a heroic quest. This narrative theme conveys prescriptive rhetoric about female roles and twentieth-century situations, and reflects a cultural preoccupation with individual identity and its formation" [from Chadwyk-Healey Periodicals Content Index]

Pharr, Mary.

"Different Shops of Horrors: From Roger Corman's Cult Classic to Frank Oz's Mainstream Musical." In: Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts / edited by Robert A. Latham and Robert A. Collins. pp: 212-29. Westport, Conn.: Greenwood Press, 1995. Series title: Contributions to the study of science fiction and fantasy no. 66.

UCB Main PN56.F34 I58 1991

Rahn, Suzanne.

The Wizard of Oz: shaping an imaginary world / Suzanne Rahn. New York: Twayne Publishers; London: Prentice Hall International, 1998. Series title: Twayne's masterwork studies; no. 167.

UCB Main PS3503.A923 W637 1998

Recchia, Edward.

"There's no place like home: the Midwest in American film musicals." Midwest Quarterly v39, n2 (Wntr, 1998):202 (13 pages).

Rushdie, Salman

The Wizard of Oz / Salman Rushdie. London: BFI Pub., 1992. Series title: BFI film classics.

UCB Main PN1997.W593 R87 1992

UCB Moffitt PN1997.W593 R87 1992

Rzepka, Charles.

"'If I Can Make It There': Oz's Emerald City and the New Woman." Studies in Popular Culture. vol. 10 no. 2. 1987. pp: 54-66.

Schuman, Samuel

"Out of the Fryeing Pan and into the Pyre: Comedy, Myth and "The Wizard of Oz"." Journal of Popular Culture 7:2 (1973:Fall) 302

Sherman, Fraser A.

The Wizard of Oz catalog : L. Frank Baum's novel, its sequels and their adaptations for stage, television, movies, radio, music videos, comic books, commercials and more / Fraser A. Sherman. Jefferson, N.C. : McFarland & Co., c2005.

Main Stack PS3503.A923.W6383 2005

Swartz, Mark Evan.

Oz before the rainbow: L. Frank Baum's The wonderful Wizard of Oz on stage and screen to 1939 / Mark Evan Swartz. Baltimore: Johns Hopkins University Press, 2000.

UCB Main PS3503.A923 W6385 2000

UCB Morrison PS3503.A923 W6385 2000

Selcer, R.F.

"Home sweet movies. From Tara to Oz and home again."Journal of Popular Film and Television XVIII/2, Summer 90; p.52-63.

Following their 50th anniversary, a reassessment of "Gone with the wind" and "The Wizard of Oz", showing how each endorsed the MGM values of the 1930's, and the message 'there is no place like home'.

Street, Douglas.

"The Wonderful Wiz That Was: The Curious Transformation of The Wizard of Oz." Kansas Quarterly vol. 16 no. 3. 1984 Summer. pp: 91-98.

Zornado, Joseph.

"Swaddling the Child in Children's Literature." Children's Literature Association Quarterly (CLAQ), San Marcos, TX. ISSUE: vol. 22 no. 3. 1997 Fall. PAGES: 105-12.

Samuel Beckett

Film

Bouchard, Norma.

"Film in Context(s)." Samuel Beckett Today/Aujourd'hui: An Annual Bilingual Review/Revue Annuelle Bilingue. 7: 121-33. 1998.

Brater, Enoch.

"The Thinking Eye in Beckett's Film." Modern Language Quarterly. 36: 166-76. 1975.

Brederoo, Nico J.; Kosters, Onno (translator).

"Beckett's Film: An Essay." Samuel Beckett Today/Aujourd'hui: An Annual Bilingual Review/Revue Annuelle Bilingue. 1: 158-70. 1992.

Dodsworth, Martin.

"Film and the Religion of Art." In: Beckett the shape changer: a symposium / edited by Katharine Worth. pp: 161-82 London; Boston: Routledge & K. Paul, 1975.

Main Stack PR6003.Be282.Z572 1975

Federman, Raymond.

"Samuel Beckett's Film on the Agony of Perceivedness." James Joyce Quarterly. 8: 363-71.

Fehsenfeld, Martha.

"Beckett's Late Works: An Appraisal." Modern Drama. 25 (3): 355-362. 1982 Sept.

Feshbach, Sidney.

"Unswamping a Backwater: On Samuel Beckett's Film." In: Samuel Beckett and the arts: music, visual arts, and non-print media / edited by Lois Oppenheim. pp: 333-63 New York: Garland, 1999. Garland reference library of the humanities ; vol. 2036. Garland reference library of the humanities. Border crossings ; v. 2.

Main Stack PR6003.E282.Z79995 1999

Fischer, Ernst. Bostock, Anna, tr..

"Samuel Beckett: Play and Film." Mosaic: A Journal for the Interdisciplinary Study of Literature. 2 (2): 96-116. 1969.

Hampton, Charles C.,Jr.

"Samuel Beckett's Film." Modern Drama. 11: 299-305. 1968.

Henning, Sylvie Debevec.

"Samuel Beckett's Film and La Derniere Bande: Intratextual and Intertextual Doubles." Symposium: A Quarterly Journal in Modern Literatures. 35 (2): 131-135. 1981 Summer 1981.

Henning, Sylvie Debevec.

"Film: A Dialogue between Beckett and Berkeley." Journal of Beckett Studies. 7: 89-99. 1982 Spring.

Henning, Sylvie Debevec.

"Narrative and Textual Doubles in the Works of Samuel Beckett." Sub-stance. 29: 97-104. 1980

Kalb, Jonathan.

"The Mediated Quixote: The Radio and Television Plays, and Film." In: The Cambridge companion to Beckett / edited by John Pilling. pp: 124-44 Cambridge [England] ; New York, NY, USA: Cambridge University Press, 1994. Cambridge companions to literature.

Main Stack PR6003.E282.Z585 1994

Moffitt PR6003.E282.Z585 1994

Kundert-Gibbs, John L.

"Continued Perception: Chaos Theory, the Camera, and Samuel Beckett's Film and Television Work." In: Samuel Beckett and the arts: music, visual arts, and non-print media / edited by Lois Oppenheim. pp: 365-84 New York: Garland, 1999. Garland reference library of the humanities ; vol. 2036. Garland reference library of the humanities. Border crossings ; v. 2.

Main Stack PR6003.E282.Z79995 1999

Murphy, Vincent J.

"Being and Perception: Beckett's Film." Modern Drama. 18: 43-48. 1975

Perlmutter, Ruth.

"Beckett's Film and Beckett and Film." Journal of Modern Literature. 6: 83-94. 1977.

Reid, Alec.

"Beckett, the Camera, and Jack MacGowran." In: Myth and reality in Irish literature / edited by Joseph Ronsley. pp: 219-25 Waterloo, Ont.: Wilfrid Laurier University Press, c1977.

Main Stack PR8714.M95

Ross, Ciaran.

"The Face in the Mirror: A Comparison Between Waiting for Godot and Film." In: The savage eye = l'oeil fauve: new essays on Samuel Beckett's television plays / edited by Catharina Wulf. pp: 123-37 Amsterdam ; Atlanta, GA: Rodopi, 1995. Samuel Beckett today/aujourd'hui ; 4

Main Stack PR6003.E282.Z824 1995

Schneider, Alan.

"On Directing Film." Samuel Beckett Today/Aujourd'hui: An Annual Bilingual Review/Revue Annuelle Bilingue. 4: 29-40. 1995.

Schneider, Alan.

"On Directing Film." In: The savage eye = l'oeil fauve: new essays on Samuel Beckett's television plays / edited by Catharina Wulf. pp: 29-40 Amsterdam ; Atlanta, GA: Rodopi, 1995. Samuel Beckett today/aujourd'hui ; 4

Main Stack PR6003.E282.Z824 1995

Trezise, Thomas.

"On Samuel Beckett's Film." In: Literary generations: a Festschrift in honor of Edward D. Sullivan / by his friends, colleagues and former students pp: 236-42, Lexington, Ky.: French Forum, c1992. French Forum monographs ; 78

Main Stack PQ36.S9.T6 1992

Van Wert, William F.

"'To Be Is to Be Perceived': Time and Point of View in Samuel Beckett's Film." Literature/Film Quarterly. 8: 133-40. 1980.

Walton, Jean.

"Seeking Out the Absent One of Samuel Beckett's Film." New Orleans Review. 19 (3-4): 126-35. 1992 Fall-Winter.

Ambrose Bierce

Barrett, Gerald R.

From fiction to film: Ambrose Bierce's "An occurrence at Owl Creek Bridge" [compiled by] Gerald R. Barrett [and] Thomas L. Erskine. Encino, Calif., Dickenson Pub. Co. [1973]. Series title: The Dickenson literature and film series.

UCB Bancroft PS1097.O3 B37

Jorge Luis Borges

Acosta, Marta.

"Borges and Bertolucci: Two Conceptions of the Traitor and the Hero." Lucero: a Journal of Iberian & Latin American Studies. 4:65-69. 1993 Spring

Arrington, Melvin S., Jr.

"Narrative Authority in Fiction and Film: The Case of Borges's 'El muerto'." Romance Notes. 31(2):133-39. 1990 Winter

Cozarinsky, Edgardo.

Borges in/and/on film / Edgardo Cozarinsky; translated by Gloria Waldman and Ronald Christ. New York, NY: Lumen Books, c1988.

UCB Main PQ7797.B635 Z66383 1988

UCB Moffitt PQ7797.B635 Z66383 1988

Incledon, John.

"From Short Story to Feature Film: Three from Latin America." Anuario de Cine y Literatura en Espanol: an International Journal on Film & Literature. 1:47-53. 1995

Pena, Richard.

"Borges and the New Latin American Cinema." In: Borges and his successors: the Borgesian impact on literature and the arts / edited by Edna Aizenberg. pp: 229-243. Columbia: University of Missouri Press, c1990.

Main Stack PQ7797.B635.Z63464 1990

Moffitt PQ7797.B635.Z63464 1990

Silverman, Kaja.

"Splits: Changing the Fantasmatic Scene." Revista de Estudios Hispanicos. 22(3):65-86. 1988

Charlotte Bronte

Jane Eyre

(1996) Movie Review Query Engine

Alleva, Richard.

"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996)Commonweal v123, n11 (June 1, 1996):18 (2 pages).

Atkins, Elizabeth.

"Jane Eyre Transformed." Literature/ Film Quarterly vol. 21 no. 1. 1993. pp: 54-60.

The 1943 movie version of Charlotte Bronte's 'Jane Eyre' does not adequately represent the novel's major themes. Aldous Huxley, Robert Stevenson and John Houseman's adaptation does not include any of the novel's female role-models or reflect the independence of Jane. Instead of achieving economic self-sufficiency and emotional independence as she does in the novel, Jane ends up being a charity case in a man's world. The reasons for such drastic thematic changes include 1930 Production Code and the time limits that accompany film-making. Regardless, the adaptation fails because it deliberately moves away from Bronte's Victorian feminism.

Bibliography of Film, Television and Stage Adaptations of "Jane Eyre"

Bronte Society, Transactions 20:3 (1991) 169

Bowman, James.

"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) American Spectator v29, n6 (June, 1996):58 (2 pages).

Campbell, Gardner.

"The presence of Orson Welles in Robert Stevenson's Jane Eyre (1944)." Literature/Film Quarterly (31:1) 2003, 2-9. (2003)

UC users only

Cheshire, Godfrey.

"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Variety v362, n10 (April 8, 1996):58 (2 pages).

Chow, Rey.

"When Whiteness Feminizes ...: Some Consequences of a Supplementary Logic." Differences: a Journal of Feminist Cultural Studies. 11(3):137-68. 1999-2000

Ellis, Kate.

"Feminism in Bronte's Novel and Its Film Versions." In: The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 83-94. New York: Ungar, [1981]. Series title: Ungar film library.

UCB Main PN1997.85 .E53

UCB Moffitt PN1997.85 .E53

Felperin, Leslie.

"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Sight and Sound v6, n10 (Oct, 1996):43 (2 pages).

Fuller, Graham.

"That unhappy governess, again." (production of Franco Zefferelli's 'Jane Eyre' motion picture) New York Times v145, sec2 (Sun, April 7, 1996):H13(N), H13(L), col 1, 33 col in.

Harrington, John.

"Wyler as Auteur." In: The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 67-82. New York: Ungar, [1981]. Series title: Ungar film library.

UCB Main PN1997.85 .E53

UCB Moffitt PN1997.85 .E53

Higashi, Sumiko

""Jane Eyre": Charlotte Bronte Vs. The Hollywood Myth Of Romance." Journal of Popular Film 6:1 (1977) 13

Holden, Stephen.

"Jane Eyre." (movie reviews) New York Times v145 (Fri, April 12, 1996):B9(N), C5(L), col 1, 18 col in.

Hopkins, Lisa

"Jane Eyre and Dracula." In: Screening the gothic. Austin, TX : University of Texas Press, c2005.

MAIN: PR408.G68 H67 2005

Hopkins, Lisa.

"The Red and the Blue: Jane Eyre in the 1990s." In: Classics in film and fiction / edited by Deborah Cartmell ... [et al.]. pp: 54-69. London ; Sterling, Va.: Pluto Press, 2000. Film/fiction ; v. 5

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"Is this Film the Real "Jane Eyre"?" Bronte Society, Transactions and Other Publications 10:54 (1944) 225

Johnson, Brian D.

"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Maclean's v109, n19 (May 6, 1996):60.

Kissin, Eva H.

"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Films in Review v47, n9-10 (Sept-Oct, 1996):62.

Lee, Soyoung.

"Jane's Progress in Three Film Adaptations of Jane Eyre." Feminist Studies in English Literature. 10(2):277-307. 2002 Winter

Nudd, Donna Marie.

"Rediscovering Jane Eyre through Its Adaptations." In: Approaches to Teaching Bronte's Jane Eyre / edited by Diane Long Hoeveler and Beth Lau. pp: 139-47. New York: Modern Language Association of America, 1993. Approaches to teaching world literature; 42

Main Stack PR4167.J5.A66 1993

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Palmer, James W.

"Fiction into Film: Delbert Mann's Jane Eyre." (an Edited Interview) Studies in the Humanities, vol. 5, no. 2, pp. 3-8, 1976.

Riley, Michael (Claremont Men's College)

"Gothic Melodrama and Spiritual Romance: Vision and Fidelity in Two Versions of "Jane Eyre"." Literature/Film Quarterly 3:2 (1975:Spring) 145

Sconce, Jeffrey.

"Narrative Authority and Social Narrativity: The Cinematic Reconstitution of Bronte's Jane Eyre." Wide Angle Baltimore, MD. ISSUE: vol. 10 no. 1. 1988. pp: 46-61.

Sconce, Jeffrey.

"Narrative authority and social narrativity: the cinematic reconstitution of Bronte's Jane Eyre." In: The Studio System / edited, and with an introduction by Janet Staiger. pp: 140-62. New Brunswick, N.J.: Rutgers University Press, c1995. Rutgers depth of field series

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Simon, John.

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Wuthering Heights (Luis Bunuel)

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(Wyler) Movie Review Query Engine

Atkinson, Michael

"Film enchant?: out of the nursery, into the night." Film Comment Vol XXXIV nr 6 (Nov-Dec 1998); p 34-38

Defines a genre called 'film enchant?' which combines fantasy, romance and escapism and is visually often expressionistic and theatrical, including films such as Max Reinhardt's "Midsummer night's dream", "The wizard of Oz" and "Wuthering Heights".

Collick, John.

"Dismembering Devils: The Demonology of Arashi ga oka (1988) and Wuthering Heights (1939)." In: Novel Images: Literature in Performance/ edited by Peter Reynolds. pp: 37-47. London; New York: Routledge, 1993.

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Goddard, Kevin.

"'Looks Maketh the Man': The Female Gaze and the Construction of Masculinity." Journal ofMen's Studies: a Scholarly Journal About Men & Masculinities. 9(1):23-39. 2000 Fall

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"Sympathy for the Devil: The Problem of Heathcliff in Film Versions of Wuthering Heights." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 167-91. Bowling Green, OH: Bowling Green State University Popular Press, c1999.

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Harrington, John.

"Wyler as Auteur." The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 67-82. New York: Ungar, c1981

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Literature and Theater on Film & Video: Books and Articles in the UC Berkeley Library

General Works

Adaptations: Individual Authors/Works

Edward Albee

Who's Afraid of Virginia Woolf

Louisa May Alcott

Little Women (Louisa May Alcott)

Gabriela (Jorge Amado)

Robert Anderson

Tea and Sympathy

Jane Austen

Emma

Mansfield Park (Jane Austen)

Persuasion (Jane Austen)

Pride & Prejudice (Jane Austen)

Sense & Sensibility (Jane Austen)

Wizard of Oz (L. Frank Baum)

Literature and Theater on Film & Video:
Books and Articles in the UC Berkeley Library