Literature and Theater on Film & Video:
Books and Articles in the UC Berkeley Library












General Works

Individual Authors/Works A-D

Individual Authors/Works E-M

Individual Authors/Works N-Z

Shakespeare on Film Bibliography

General Works

Adaptations: from text to screen, screen to text
Edited by Deborah Cartmell and Imelda Whelehan. London; New York: Routledge, 1999.
UCB Main PN1997.85 .A32 1999

"All that glitters." (film adaptations of great novels)
Economist (US) v357, n8195 (Nov 4, 2000):91.

Authorship and film
Edited by David A. Gerstner and Janet Staiger. Published: New York: Routledge, 2003.
MAIN: PN1996 .A94 2003

Axelrod, Mark.
"Once upon a time in Hollywood; or, The commodification of form in the adaptation of fictional texts to the Hollywood cinema." Literature/Film Quarterly (24:2) 1996, 201-8.
UC users only
"The success of a literary work's film adaptation depends on whether the film can be adapted to fit Hollywood formula of linear narrative and rounded characters. Literary works that do not follow these strictures are more difficult to adapt, and if they are adapted, they will appear to be a greater departure from the literary source than films based on works with linear narratives. Commercial forces in the film industry ensure that its standard forms will supercede literary efforts to extend beyond those boundaries." [Expanded Academic Index]

Baines, Lawrence.
"From page to screen: when a novel is interpreted for film, what gets lost in the translation?" Journal of Adolescent and Adult Literacy (39:8) 1996, 612-22.

Baskin, Ellen.
Enser's filmed books and plays: a list of books and plays from which films have been made, 1928-2001 / Aldershot, Hant, Eng. ; Burlington, VT : Ashgate, c2003.
MAIN: PN1997.85.A12 E5 2003, 1928-2001 / <2003>

Baskin, Ellen.
Enser's filmed books and plays: a list of books and plays from which films have been made, 1928-1991 / compiled by Ellen Baskin and Mandy Hicken. Aldershot, Hants., England; Brookfield, Vt., USA: Ashgate, c1993.
DREF: PN1997.A12 E5 1993;
PFA : PN1997.85 .B385 1993; REF

Beja, Morris.
Film & literature, an introduction / Morris Beja. New York: Longman, c1979.
Moffitt PN1995.3 .B4
Main Stack PN1995.3 .B4

Bluestone, George.
Novels into film. Baltimore, Johns Hopkins Press, 1957.
UCB Main PN1997.85 .B48
UCB Moffitt PN1997.85 .B5 (another edition)

Boillat, Alain.
La fiction au cinema Paris: Harmattan, c2001.
UCB MAIN: PN1995.3 B65 2001

Books in motion: adaptation, intertextuality, authorship
Edited by Mireia Aragay. Amsterdam : Rodopi, 2005.
Main (Gardner) Stacks PN1997.85 .B66 2005
PFA : PN1995.3 .B66 2005

Boyum, Joy Gould, 1934-
Double exposure: fiction into film / Joy Gould Boyum. New York: Universe Books, 1985.
UCB Main PN1997.85 .B691 1985b
UCB Moffitt PN1997.85 .B69 1985 (another edition)

Brady, Ben.
Principles of adaptation for film and television / by Ben Brady. 1st ed. Austin: University of Texas Press, 1994.
NRLF B 3 962 105

Cardwell, Sarah.
"About Time: Theorizing, Adaptation, Temporality, and Tense." Literature Film Quarterly, 2003, Vol. 31 Issue 2, p82, 11p
UC users only
Discusses temporality and tense in literature-film adaptations. Components underlying the development of a medium-specific thesis in adaptation; Result of the marginalization of medium specific theorizing; Discussion on the tense, temporality and memory in the film 'Lolita.'

Cavalluzzi, Raffaele.
Cinema e letteratura / Raffaele Cavalluzzi. Bari : B.A. Graphis, 1997.
Main (Gardner) Stacks PN1995.3 .C39 1997

Children's novels and the movies
Edited by Douglas Street. New York: F. Ungar Pub. Co., c1983. Series title: Unger film library.
UCB Moffitt PN1997.85 .C44 1983

Christensen, Inger.
Literary women on the screen: the representation of women in films based on imaginative literature / Inger Christensen. Bern; New York: P. Lang, c1991. Series title: Europaische Hochschulschriften. Reihe XXX, Theater-, Film- und Fernsehwissenschaften; Bd. 45.
UCB Main PN1995.9.W6 C52 1991

Cinema and fiction: new modes of adapting, 1950-1990
Edited by John Orr and Colin Nicholson. Edinburgh: Edinburgh University Press, c1992.
UCB Main PN1995.3 .C56 1992

The Classic American novel and the movies
Edited by Gerald Peary and Roger Shatzkin. New York: Ungar, c1977. Series title: Ungar film library.
UCB Main PN1997.85 .C55

The classic novel: from page to screen
Edited by Robert Giddings and Erica Sheen. Manchester: Manchester University Press, c2000.
UCB Main PN1995.3 .C53 2000

Classics in film and fiction
Edited by Deborah Cartmell, [et al.]. London; Sterling, Va.: Pluto Press, 2000. Series title: Film/fiction; v. 5.
UCB Main PN1997.85 .C56 2000

A Companion to literature and film
Edited by Robert Stam, Alessandra Raengo. Malden, MA ; Oxford: Blackwell Pub., 2004.
MAIN: PN1995.3 .C65 2004;
Table of contents http://www.loc.gov/catdir/toc/ecip0421/2004017778.html

Davidson, Phebe.
American movies and their cultural antecedents in literary text / Phebe Davidson. Lewiston, N.Y.: Edwin Mellen Press, c2001. Series title: Studies in history and criticism of film; v. 4.
UCB Main PN1995.9.N4 D38 2001

Deltcheva, Roumiana (ed. and bibliography)
"Literature and Film: Models of Adaptation." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee vol. 23 no. 3. 1996 Sept.

Deveny, Thomas G.
Contemporary Spanish film from fiction / Thomas G. Deveny. Lanham, Md.: Scarecrow Press, 1999.
UCB Main PN1993.5.S7 D49 1999

Dick, Bernard F.
"Authors, Auteurs, and Adaptations: Literature as Film/Film as Literature." Yearbook of Comparative and General Literature, vol. 27. 1978. pp: 72-76.

Eighteenth-century fiction on screen
Edited by Robert Mayer. Cambridge, U.K. ; New York: Cambridge University Press, 2002.
MAIN: PN1997.85 .E39 2002;
http://www.loc.gov/catdir/toc/cam023/2002019252.html">Electronic Location(s): Table of contents

Elliott, Kamilla
Rethinking the novel/film debate Cambridge, U.K. ; New York: Cambridge University Press, 2003.
Grad Svcs PN1997.85 .E44 2003; Non-circulating; may be used only in Graduate Services.
Main Stack PN1997.85 .E44 2003;
Bancroft PN1997.85 .E44 2003; Storage Info: W 187 088 Non-circulating; may be used only in The Bancroft Library.
Electronic Location(s): Table of contents

Elliott, Kamilla
"Novels, films, and the word/image wars." In: A companion to literature and film. Malden, MA ; Oxford: Blackwell Pub., 2004.
MAIN: PN1995.3 .C65 2004; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip0421/2004017778.html

Emmens, Carol A.
Short stories on film and video / Carol A. Emmens. 2nd ed. Littleton, Colo.: Libraries Unlimited, 1985.
UCB Hum/Area PN1997.85.A12 E44 1985

The English novel and the movies
Edited by Michael Klein and Gillian Parker. New York: Ungar, [1981]. Series title: Ungar film library.
UCB Main PN1997.85 .E53
UCB Moffitt PN1997.85 .E53 *c2 copies

Enser, A. G. S.
Filmed books and plays: a list of books and plays from which films have been made, 1928-86 / by A.G.S. Enser. Rev. ed. Aldershot, Hampshire: Gower, c1987.
UCB Main PN1997.A12 E5 1987
UCB Main PN1997.85.A12 E5 1985 (another edition)

Film and literature: a comparative approach to adaptation
Edited by Wendell Aycock and Michael Schoenecke. Lubbock, Tex.: Texas Tech University Press, 1988. Series title: Studies in comparative literature (Lubbock, Tex.); no. 19.
UCB Main PN1995.3 .F5 1988

Film and literature: points of intersection
Edited by Phebe Davidson. Lewiston, N.Y.: Edwin Mellen Press, c1997.
UCB Main PN1995.3 .F52 1997

Film/literature/heritage
Edited by Ginette Vincendeau. London: British Film Institute, 2001. Series title: Sight and sound reader.
UCB Main PN1995.3 .F54 2001

Florida State University Conference on Literature and Film (4th: 1979: Tallahassee, Fla.)
Ideas of order in literature and film: selected papers from the 4th Annual Florida State University Conference on Literature and Film / editor, Peter Ruppert; associate editors, Eugene Crook, Walter Forehand. Tallahassee: University Presses of Florida, 1980, c1981.
UCB Main PN1995.3 .F55 1979

Florida State University Conference on Literature and Film (6th: 1981)
Transformations in literature and film: selected papers from the Sixth Annual Florida State University Conference on Literature and Film / edited by Leon Golden. Tallahassee: University Presses of Florida, 1982.
UCB Main PN1995.3 .F55 1981

Geraghty, Christine.
Now a major motion picture : film adaptations of literature and drama / Christine Geraghty. Lanham : Rowman & Littlefield Publishers, c2008.
Main (Gardner) Stacks PN1997.85 .G47 2008

German film & literature: adaptations and transformations
Edited by Eric Rentschler. New York: Methuen, 1986.
UCB Main PN1993.5.G3 G361 1986
UCB Moffitt PN1993.5.G3 G36 1986

Giddings, Robert.
Screening the novel: the theory and practice of literary dramatization / Robert Giddings, Keith Selby, Chris Wensley. New York: St. Martin's Press, 1990.
UCB Main PN1995.3 .G53 1990

Gifford, Denis.
Books and plays in films, 1896-1915: literary, theatrical, and artistic sources of the first twenty years of motion pictures / Denis Gifford. Jefferson, N.C.: McFarland; London; New York: Mansell, 1991.
UCB Main PN1997.85 .G54 1991

Goble, Alan.
The complete index to literary sources in film / edited by Alan Goble. London; New Providence, NJ: Bowker-Saur, c1999.
UCB Info Ctr PN1997.85 .G64 1999

Goldstein, Laurence
The American poet at the movies: a critical history / Laurence Goldstein. Ann Arbor: University of Michigan Press, c1994.
UCB Main PS310.M65 G64 1994

Greene, Ellin
A multimedia approach to children's literature: a selective list of films, filmstrips, and recordings based on children's books / compiled and edited by Ellin Greene and Madalynne Schoenfeld. 2d ed. Chicago: American Library Association, 1977.
UCB Ed/Psych Z1037 .G83 1977

Griffith, James John
Adaptations as imitations: films from novels / James Griffith. Newark: University of Delaware Press; London; Cranbury, NJ: Associated University Presses, c1997.
UCB Main PN1997.85 .G66 1997

Grixti, Joe
" Pop goes the canon: Consumer culture and artistic value in screen adaptations of literary classics." European Journal of Cultural Studies; Nov2009, Vol. 12 Issue 4, p447-467, 21p
UC users only

Hakak, Lev.
Modern Hebrew literature made into films / Lev Hakak. Lanham, Md.: University Press of America, c2001.
UCB Main PN1995.3 .H26 2001

Helman, Alicja.
"Film and Literature: Historical Models of Film Adaptation and a Proposal for a (Poly)System Approach." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee vol. 23 no. 3. 1996 Sept. pp: 645-58.

Hendler, Jane
Best-sellers and their film adaptations in postwar America: From here to eternity, Sayonara, Giant, Auntie Mame, Peyton Place / Jane Hendler. New York: Peter Lang, c2001. Series title: Modern American literature (New York, N.Y.) ; v. 28.
UCB Main PN1997.85 .H46 2001

Hischak, Thomas S.
American plays and musicals on screen : 650 stage productions and their film and television adaptations Jefferson, N.C. : McFarland & Co., c2005.
MAIN: PS338.M67 H57 2005
PFA : PS338.M67 H57 2005

Hitt, Jim
Words and shadows: literature on the screen / by Jim Hitt. Secaucus, N.J.: Carol Pub. Group, 1992.
UCB Main PN1997.85 .H5 1992

Hollywood on stage: playwrights evaluate the culture industry
Edited by Kimball King. New York: Garland Pub., 1997. Series title: Garland reference library of the humanities; vol. 2057. Series title: Garland reference library of the humanities; Studies in modern drama; v. 9.
UCB Main PS338.M67 H65 1997

Holt, Patricia
"The big compromise: adapting a novel for screen involves hard knocks for the literary sensibility, but many authors are quite willing to accommodate. (Part 2)"Publishers Weekly June 5, 1981 v219 p34(4)
"Authors discuss their feelings about turning a book into a moving-picture script. Emphasis turns toward action as the book is pared down to basics of story, plot and characterization. Authors, movie directors and publishers all view adaptation differently; each must compromise feelings about book or movie." [Expanded Academic Index]

Hopkins, Lisa
Screening the gothic. Austin, TX : University of Texas Press, c2005.
MAIN: PR408.G68 H67 2005
Contents: Gothic revenants : a tale of three Hamlets -- Putting the gothic in : Clarissa, Sense and sensibility, Mansfield Park, and The time machine -- Taking the gothic out : 'tis pity she's a whore, Mary Shelley's Frankenstein, The woman in white, and Lady Audley's secret -- Fragmenting the gothic: Jane Eyre and Dracula -- Gothic and the family : The mummy returns, Harry Potter and the philosopher's stone, and The lord of the rings : The fellowship of the ring.

Hutchings, Stephen C.
Russian and Soviet film adaptations of literature, 1900-2001 : screening the word / edited by Stephe London ; New York : RoutledgeCurzon, 2005.
Main (Gardner) Stacks PN1997.85 .F437 2005

Hutchings, Stephen C.
Russian literary culture in the camera age : the word as image London ; New York : RoutledgeCurzon, 2004.
MAIN: PG2987.E56 H88 2004

Imboden, Roberta.
The dark creative passage : a Derridean journey from the literary text to film Trier : WVT, Wissenschaftlicher Verlag Trier, c2005.
PFA : PN1995.3 .I52 2005 os

International guide to literature on film
Edited by Tom Costello. London: Bowker-Saur, c1994.
UCB Hum/Area PN1997.85 .I67 1994 Reference Stack
UCB Media Ctr PN1997.85 .I67 1994

It's a print!: detective fiction from page to screen
Edited by William Reynolds, Elizabeth A. Trembley. Bowling Green, OH: Bowling Green State University Popular Press, c1994.
UCB Main PN1995.3 .R4 1994

Jeffers, Jennifer M.
Britain colonized : Hollywood's appropriation of British literature New York : Palgrave Macmillan, 2006.
MAIN: PN1997.85 .J45 2006; View current status of this item
Table of contents http://www.loc.gov/catdir/enhancements/fy0642/2006042963-t.html

Kenevan, Phyllis B.
Paths of individuation in literature and film: a Jungian approach / Phyllis Berdt Kenevan. Lanham, Md.: Lexington Books, c1999.
UCB Main PN1995 .K43 1999

Kim, Kang.
"Cinematic Adaptation of Stage Plays: Media Differences." Journal of Modern British & American Drama. 15(2):57-76. 2002 Aug

Kovacs, Lee.
The haunted screen: ghosts in literature and film / by Lee Kovacs. Jefferson, N.C.: McFarland, c1999.
UCB Main PN1995.9.S8 K68 1999

Kroeber, Karl
Make believe in film and fiction : visual vs. verbal storytelling New York : Palgrave Macmillan, 2006.
MAIN: PN1995.3 .K76 2006
Table of contents http://www.loc.gov/catdir/enhancements/fy0626/2005056648-t.html

Kuoshu, Harry H.
Lightness of being in China: adaptation and discursive figuration in cinema and theater / Harry H. Kuoshu. New York: P. Lang, c1999. Series title: Asian thought and culture vol. 37.
UCB Main PN1995.9.C36 K86 1999

Langman, Larry.
Writers on the American screen: a guide to film adaptations of American and foreign literary works / Larry Langman. New York: Garland Pub., 1986. Series title: Garland reference library of the humanities; vol. 658.
UCB Hum/Area PN1997.85.A12 L361 1986
UCB Main PN1997.85.A12 L36 1986

Leitch, Thomas
"Adaptations without Sources: The Adventures of Robin Hood." Literature Film Quarterly, 2008, Vol. 36 Issue 1, p21-30, 10p
UC users only

Leitch, Thomas
"Everything You Always Wanted to Know about Adaptation * Especially if you're looking forwards rather than back." Literature/Film Quarterly. 2005. Vol. 33, Iss. 3; p. 233 (13 pages)
UC users only

Leitch, Thomas
Film adaptation and its discontents : from Gone with the Wind to The Passion of the Christ / Leitch, Thomas M. Baltimore, Md. : Johns Hopkins University Press, 2007.
Main (Gardner) Stacks PN1997.85 .L35 2007

Leonard, William T.
Theatre: stage to screen to television / by William Torbert Leonard. Metuchen, N.J.: Scarecrow Press, 1981.
UCB Main PN2189 .L44 v.1-2 (1981)
UCB Moffitt PN2189 .L44 v.1-2

Leddy, Chuck.
"Lost in translation: The challenge of adapting books to film." Writer, Oct2008, Vol. 121 Issue 10, p8-9, 2p
UC users only

Limbacher, James L.
Haven't I seen you somewhere before?: Remakes, sequels, and series in motion pictures and television, 1896-1978 / script & editing by James L. Limbacher. Ann Arbor, MI: Pierian Press, 1979.
UCB Main PN1995.9.R45 L51 1979
UCB Moffitt PN1995.9.R45 .L5

Limbacher, James L.
Haven't I seen you somewhere before?: remakes, sequels, and series in motion pictures, videos, and television, 1896-1990 / by James L. Limbacher. Ann Arbor, MI: Pierian Press, c1991.
Media Center PN1995.9.R45.L5 1991
Main Stack PN1995.9.R45.L51 1979 [earlier edition]

Literature and film : a guide to the theory and practice of film adaptation
/ Edited by Robert Stam, Alessandra Raengo. Malden, MA : Blackwell, 2005.
MAIN: PN1997.85 .L515 2005
Contents: he theory and practice of adaptation / Robert Stam -- Improvements and reparations at Mansfield Park / Tim Watson -- Keeping the carcass in motion : adaptation and transmutations of the national in The last of the Mohicans / Jacquelyn Kilpatrick -- The discreet charm of the leisure class : Terence Davies's The house of mirth / Richard Porton -- In search of adaptation : Proust and film / Melissa Anderson -- The grapes of wrath : thematic emphasis through visual style / Vivian C. Sobchack -- Cape Fear and trembling : familial dread / Kirsten Thompson -- The carnival of repression : German left-wing politics and The lost honor of Katharina Blum / Alexandra Seibel -- Serial time : Bluebeard in Stepford / Bliss Cua Lim -- Boyz 'n the hood chronotope : Spike Lee, Richard Price, and the changing authorship of Clockers / Paula J. Massood -- Defusing The English patient / Patrick Deer -- Carnivals and goldfish : history and crisis in The butcher boy / Jessica Scarlata -- Passion or heartburn? The uses of humor in Like water for chocolate / Dianna C. Niebylski -- Beloved : the adaptation of an American slave narrative / Mia Mask -- Oral traditions, literature, and cinema in Africa / Mbye Cham -- Memory and history in the politics of adaptation : revisiting the partition of India in tamas / Ranjani Mazumdar -- The written scene : writers as figures of cinematic redemption / Paul Arthur.

Literature and visual technologies: writing after cinema
Edited by Julian Murphet and Lydia Rainford. Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2003.
Main Stack PN1995.3.L565 2003

Literature and the visual media
Edited by David Seed for the English Association. Woodbridge, Suffolk ; Rochester, NY : D.S. Brewer, 2005.
MAIN: PN1995.3 .L58 2005

Lupack, Barbara Tepa
Literary adaptations in Black American cinema: from Micheaux to Toni Morrison / Barbara Tepa Lupack. Rochester, N.Y.: University of Rochester Press, 2002.
Main Stack PN1995.9.N4.L87 2002

MacKinnon, Kenneth
Greek tragedy into film / Kenneth MacKinnon. Rutherford: Fairleigh Dickinson University Press, c1986.
UCB Main PN1997.85 .M231 1986
UCB Moffitt PN1997.85 .M23 1986

Maltby, Richard.
""To Prevent the Prevalent Type of Book": Censorship and Adaptation in Hollywood, 1924-1934." In: Film adaptation / edited and with an introduction by James Naremore. pp: 79-105. New Brunswick, N.J.: Rutgers University Press, c2000. Series title: Rutgers depth of field series.
UCB Main PN1997.85 .F55 2000

Manvell, Roger
Theater and film: a comparative study of the two forms of dramatic art, and of the problems of adaptation of stage plays into films / Roger Manvell. Rutherford [N.J.]: Fairleigh Dickinson University Press, c1979.
UCB Main PN1997.85 .M25

Marcus, Fred Harold, 1921- comp.
Film and literature: contrasts in media [compiled by] Fred H. Marcus. Scranton, Chandler Pub. Co. [1971].
UCB Main PN1994 .M32941 1971

Marcus, Millicent Joy.
Filmmaking by the book: Italian cinema and literary adaptation / Millicent Marcus. Baltimore: Johns Hopkins University Press, c1993.
UCB Main PN1993.5.I88 M278 1993

Marill, Alvin H.
More theatre: stage to screen to television / by Alvin H. Marill. Metuchen, N.J.: Scarecrow Press, 1993.
UCB Hum/Area PN2189 .M32 1993 Reference Stack v.1-2 (1993)

McCaffrey, Donald W.
Assault on society: satirical literature to film / by Donald W. McCaffrey. Metuchen, N.J.: Scarecrow Press, 1992.
UCB Main PN1995.9.C55 M39 1992
UCB Moffitt PN1995.9.C55 M39 1992

McDonald, Keiko I.
From book to screen: modern Japanese literature in films / Keiko I. McDonald. Armonk, N.Y.: M.E. Sharpe, c2000.
Main Stack PL747.55.M36 2000

McFarlane, Brian.
"'It Wasn't Like That in the Book'." Literature-Film Quarterly. 28(3):163-69. 2000

McFarlane, Brian
"The Novel and the Rise of Film and Video: Adaptation and British Cinema." In: A companion to the British and Irish novel 1945-2000 / edited by Brian W. Shaffer. Malden, MA : Blackwell, 2005
Main Stack PR881.C655 2005

McFarlane, Brian
Novel to film: an introduction to the theory of adaptation / Brian McFarlane. Oxford: Clarendon Press; New York: Oxford University Press, 1996.
UCB Main PN1997.85 .M338 1996

McFarlane, Brian, 1934-
Words and images: Australian novels into film / Brian McFarlane. Richmond, Vic., Australia: Heinemann Publishers Australia in association with Cinema Papers, 1983.
UCB Main PN1997.85 .M34 1983

McFarlane, Brian
"A literary cinema? British films and British novels." In: All our yesterdays: 90 years of British cinema / edited by Charles Barr. p. 120-42. London: British Film Institute, 1986.
Main Stack PN1993.5.G7.A431 1986

Met, Philippe
"The Filmic Ghost in the Literary Machine." Contemporary French and Francophone Studies, vol. 9, no. 3, pp. 245-55, September 2005.

Michalczyk, John J.
The French literary filmmakers / John J. Michalczyk. Philadelphia: Art Alliance Press; London: Associated University Presses, c1980.
UCB Main PN1993.5.F7 .M48

Miller, Gabriel
Screening the novel: rediscovered American fiction in film / Gabriel Miller. New York: F. Ungar Pub. Co., c1980.
UCB Main PN1997.85 .M5
UCB Moffitt PN1997.85 .M5

The Modern American novel and the movies
Edited by Gerald Peary and Roger Shatzkin. New York: Ungar, c1978. Series title: Ungar film library.
UCB Main PN1997.85 .M64

Modern European filmmakers and the art of adaptation
Edited by Andrew Horton and Joan Magretta. New York: F. Ungar Pub. Co., 1981. Series title: Ungar film library.
UCB Main PN1997.85 .M66
UCB Moffitt PN1997.85 .M66

Morris, Timothy
You're only young twice: children's literature and film / Tim Morris. Urbana: University of Illinois Press, c2000.
Main Stack PR990.M67 2000

Moss, Joyce
From page to screen: children's and young adult books on film and video / Joyce Moss and George Wilson, editors. Detroit: Gale Research, c1992.
UCB Main PN1009.A1 A12 M936, 1992
UCB Media Ctr PN1009.A1 A12 M936, 1992

Murray, Simone.
"Materializing Adaptation Theory: The Adaptation Industry." Literature/Film Quarterly. 2008. Vol. 36, Iss. 1; p. 4 (17 pages)
UC users only

Naremore, James.
Film adaptation / edited and with an introduction by James Naremore. New Brunswick, N.J.: Rutgers University Press, c2000. Series title: Rutgers depth of field series.
UCB Main PN1997.85 .F55 2000

Narrative Strategies: Original Essays in Film and Prose Fiction
Edited by Syndy M. Conger and Janice R. Welsch; with an introductory essay by Dudley Andrew. [Macomb]: Western Illinois University, c1980. Series title: An Essays in literature book.
UCB Main PN1997.85 .N3

Nicoll, Allardyce
"Literature and the Film." English Journal, vol. 26, pp. 1-9, 1937.

Nineteenth-century women at the movies: adapting classic women's fiction to film
Edited by Barbara Tepa Lupack. Bowling Green, Oh.: Bowling Green State University, 1999.
UCB Main PN1997.85 .N56 1999

No, but I saw the movie: the best short stories ever made into film
Edited by David Wheeler; with a foreword by Bruce Jay Friedman. New York: Penguin Books, 1989.
UCB Main PN1997.85 .N6 1989

Novel images: literature in performance
Edited by Peter Reynolds. London; New York: Routledge, 1993.
UCB Main PN1995.3 .N68 1993

Pauly, Rebecca M.
The transparent illusion: image and ideology in French text and film / Rebecca M. Pauly. New York: P. Lang, c1993. Series title: Ars interpretandi (New York, N.Y.); v. 3.
UCB Main PN1993.5.F7 P35 1993

Pellow, C. Kenneth.
Films as critiques of novels: transformational criticism / C. Kenneth Pellow. Lewiston: E. Mellen Press, c1994.
UCB Moffitt PS374.M55 P45 1994

Raitt, George.
"Still Lusting After Fidelity?" Literature Film Quarterly, 2010, Vol. 38 Issue 1, p47-58, 12p
UC users only

Roberts, Jerry
The great American playwrights on the screen : a critical guide to film, video, and DVD. New York : Applause Theatre & Cinema Books ; Milwaukee, WI : Sales and distribution USA, Hal Leonard Corp., c2003.
MAIN: PS338.M67 R63 2003

Russian and Soviet film adaptations of literature, 1900-2001 : screening the word / edited by Stephen Hutchings and Anat Vernitski. London ; New York : RoutledgeCurzon, 2005.
MAIN: PN1997.85 .F437 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0418/2004013383.html

Seger, Linda.
The art of adaptation: turning fact and fiction into film / Linda Seger. 1st ed. New York: H. Holt and Co., 1992.
UCB Moffitt PN1997.85 .S44 1992

Serceau, Michel.
L'adaptation cinématographique des textes littéraires : théories et lectures / Michel Serceau. Liège : Editions du CÉFAL, 1999.
Main (Gardner) Stacks PN1997.85 .S47 1999

Shinn, Thelma J.
"Gender images and patterns from novel to film." In: Gender, I-deology: Essays on Theory, Fiction and Film / edited by Chantal Cornut-Gentille D'Arcy and Jose Angel Garcia Landa. pp. 451-9 Amsterdam; Atlanta: Rodopi, 1996. Postmodern Studies; 16
Main Stack PN56.F46.G46 1996

Sinyard, Neil.
Filming literature: the art of screen adaptation / Neil Sinyard. London: Croom Helm, c1986.
Main Stack PN1997.85.S521 1986
Moffitt PN1997.85.S5 1986 (another edition)

Springer, John Parris
Hollywood fictions: the dream factory in American popular literature. John Parris Springer. Norman: University of Oklahoma Press, c2000. Series title: Oklahoma project for discourse and theory; v. 19.
UCB Main PS374.M55 S67 2000

Stam, Robert
Literature through film : realism, magic, and the art of adaptation Malden, MA, USA : Blackwell Pub., 2005.
MAIN: PN1997.85 .S76 2005

Stories into film
Edited by William Kittredge & Steven M. Krauzer. 1st ed. New York: Harper and Row, c1979. Series title: Harper colophon books;
UCB Main PN6014 .S8

Take two: adapting the contemporary American novel to film
Edited by Barbara Tepa Lupack. Bowling Green, OH: Bowling Green State University Popular Press, c1994.
UCB Main PS374.M55 T3 1994

Testa, Carlo.
Italian cinema and modern European literatures, 1945-2000 / Carlo Testa. Westport, Conn.: Praeger, 2002.
UCB Main PN1993.5.I88 T44 2002

Tibbetts, John C.
The encyclopedia of novels into film / John C. Tibbetts, James M. Welsh; additional research by Rodney Hill ... [et al.]; foreword by Robert Wise. 2nd ed. New York : Facts on File, c2005.
Media Center PN1997.85.T54 2005

Tibbetts, John C.
The encyclopedia of novels into film / John C. Tibbetts, James M. Welsh; additional research by Heather Addison ... [et al.]. New York: Facts on File, c1998.
UCB Main PN1997.85 .T54 1998
UCB Media Ctr PN1997.85 .T54 1999

Tibbetts, John C.
The encyclopedia of stage plays into film / John C. Tibbetts and James M. Welsh; associate editor, John Staniunas; contributing editors, Gene Philips ... [et al.]; foreword by Steve Allen. New York: Facts on File, c2001.
UCB Media Ctr PN1997.85 .T544 2001

Trotter, D.
"T. S. Eliot and Cinema." Modernism - Modernity v. 13 no. 2 (April 2006) p. 237-65
"T. S. Eliot's understanding of the automatisms in literature evolved alongside his understanding of cinema as a thoroughly automatic medium. Eliot's understanding of film technique was entirely up to date, and a good deal more sophisticated than that evinced by a cinephile such as Franz Kafka. It would appear that he was interested in, above all, the construction of a "new earthly terrain that did not exist anywhere," a narrative space created in and by a machine. He felt a fascination for cinema's automatism. He viewed that automatism as disabling, in so far as the machine came between the performer and audience, denying the copresence, and as enabling, inasmuch as the machine made it possible to perceive what the human eye alone could not have seen: the pattern projected on a screen, a "new earthly terrain," a rhythm in excess of mimicry. While his own art was not a mechanical art, it is possible that he continued to have an interest in the automatism one machine in particular had so profoundly clarified." [Art Index]

Victorian afterlife: postmodern culture rewrites the nineteenth century /
John Kucich and Dianne F. Sadoff, editors. Minneapolis: University of Minnesota Press, c2000.
UCB Main PR461 .V5 2000

Victorian literature and film adaptation
Edited by Abigail Burnham Bloom and Mary Sanders Pollock. Amherst, N.Y. : Cambria Press, c2011.
Main (Gardner) Stacks PN1997.85 .V45 2011
Contents: Introduction: reframing the Victorians / by Thomas Leitch -- Reinterpreting the Victorians: adaptation and the techne of revision. Jekyll, Hyde, Jekyll, Hyde, Jekyll, Hyde, Jekyll, Hyde: four models of intertextuality / by Thomas Leitch -- The poetics of silent film in Lubitsch's Lady Windermere's fan / by Jean-Marie Lecomte -- Adapting Dickens's A Christmas carol in prose / by Natalie Neill -- Modifying the Victorians: adaptation and shifts in cultural values. The power of money: Browning's "The pied piper" and Egoyan's The sweet hereafter / by Mary Sanders Pollock -- Making private scenes public: Conrad's "The return" and Chéreau's Gabrielle / by Gene M. Moore -- Totally clueless: Heckerling and queer sexuality in Austen's Emma / by Michael Eberle-Sinatra -- From Victorian to postmodern negation: enlightenment culture in Thackeray's and Kubrick's Barry Lyndon / by Louise McDonald -- Intertextuality in Simon Raven's The Pallisers and other Trollope films / by Ellen Moody -- Translating the Victorians: teaching books by reading movies. Teaching Stoker's Dracula with multiple film versions: Nosferatu, Dracula, and pages from a Virgin's Diary / by Sarah J. Heidt -- Transposing Sherlock Holmes across time, space and genre / by Tamara S. Wagner -- Austen's and Michell's persuasion in the university classroom: pedagogical strategies / by Laura Carroll...[et al.] -- A bibliography of adaptation and film study / by Abigail Burnham Bloom, Thomas Leitch, and Mary Sanders Pollock.

Video versions: film adaptations of plays on video
Edited by Thomas L. Erskine and James M. Welsh; with John C. Tibbetts and Tony Williams. Westport, Conn.: Greenwood Press, 2000.
UCB Media Ctr PN1997.85 .V53 2000

Vision/re-vision: adapting contemporary American fiction by women to film
Edited by Barbara Tepa Lupack. Bowling Green, OH: Bowling Green State University Popular Press, c1996.
UCB Main PN1997.85 .V57 1996

Wagner, Geoffrey Atheling.
The novel and the cinema / Geoffrey Wagner. Rutherford, N.J.: Fairleigh Dickinson University Press, [1975].
UCB Main PN1997.85 .W331
UCB Moffitt PN1997.85 .W33

Weinberg, Herman G.
"Novel into Film." Literature/Film Quarterly. Spring 1973. Vol. 1, Iss. 2; p. 98 (5 pages)
UC users only

Welch, Jeffrey Egan
Literature and film: an annotated bibliography, 1900-1977 / Jeffrey Egan Welch. New York: Garland, 1981. Series title: Garland reference library of the humanities; vol. 241.
UCB Hum/Area PN1995.3A12 .W4 Reference Stack

Wolf, Sergio.
Cine/literatura : ritos de pasaje / Sergio Wolf. Buenos Aires : Paidós, 2001.
Main (Gardner) Stacks PN1997.85 .W57 2001

Women writers, from page to screen
Jill Rubinson Fenton ... [et al.]. New York: Garland Pub., 1990. Series title: Garland reference library of the humanities; vol. 687.
UCB Main PN1997.85 .W58 1990

Writing and cinema
Edited by Jonathan Bignell. [London?]: Longman; Harlow, U.K.; New York: Pearson Education, 1999. Series title: Crosscurrents (London, England)
UCB Main PN1995.3 .W72 1999

Young, Vernon.
"The Fine Art of Film Adaptation." Hudson Review, Winter1986, Vol. 38 Issue 4, p643-647, 5p;
UC users only

Zagarella, Lisa M.
"Film Adaptation." Literature and Psychology: a journal of psychoanalytic and cultural criticism (47:3) 2001:3 , 60-61 .
UC users only

Adaptations: Individual Authors/Works

Edward Albee

Who's Afraid of Virginia Woolf

Bordewijk, C.
"Simultaneity or Separation: Edward Albee's Who's Afraid of Virginia Woolf? on Stage and Screen." In: New Essays on American Drama / edited by Gilbert Debusscher and Henry I. Schvey, with the editorial assistance of Marc Maufort. pp: 111-126. Amsterdam; Atlanta: Rodopi, 1989. Costerus; new ser., v. 76
Main Stack PS351.N49 1989

Bottoms, Stephen J.
Albee: Who's afraid of Virginia Woolf? / Stephen J. Bottoms. Cambridge, U.K.; New York: Cambridge University Press, 2000. Series title: Plays in production.
UCB Main PS3551.L25 W434 2000

Campo, Carlos.
"The Role of Beyond the Forest in Albee's Who's Afraid of Virgina Woolf?" Literature/ Film Quarterly vol. 22 no. 3. 1994. pp: 170-73.

Cornut-Gentille, Chantal.
"Who's Afraid of the Femme Fatale in Breakfast at Tiffany's? Exposure and Implications of a Myth." In: Gender, I-Deology: Essays on Theory, Fiction and Film / edited by Chantal Cornut-Gentille D'Arcy and Jose Angel Garcia Landa. pp: 371-85 Amsterdam; Atlanta: Rodopi, 1996. Postmodern Studies; 16
Main Stack PN56.F46.G46 1996 .

Diamond, Suzanne.
"Who's Afraid of George and Martha's Parlour? Domestic F(r)ictions and the Stir-Crazy Gaze of Hollywood." Literature/ Film Quarterly vol. 24 no. 4. 1996. pp: 407-13.
"Changes made to the text of "Who's Afraid of Virginia Woolf?" in the work's transition from stage to screen resulted in the character Martha becoming less knowledgeable and less sympathetic. The film version deals with her past less directly providing less background for the source of her discontent in her marriage to George. The studio, Metro Goldwyn Mayer, may have been relying on Elizabeth Taylor's past to suggest the past of the character she plays. Without a proper understanding of the domestic role she is forced into, Martha's sexual interests are harder to accept." [Expanded Academic Index]

Jones, Edward T.
"Revisiting and Re-Visioning: A Delicate Balance(1973) and The Hotel New Hampshire (1984)." In: The cinema of Tony Richardson : essays and interviews Edited by James M. Welsh and John C. Tibbetts ; foreword by Jocelyn Herbert. Albany, N.Y. : State University of New York Press, c1999. The SUNY series, cultural studies in cinema/video
Main Stack PN1998.3.R53.C56 1999
PFA PN1998.3.R5.C56 1999

Leff, Leonard J.
"A Test of American Film Censorship: Who's Afraid of Virginia Woolf? (1966)." In: Hollywood as Historian: American Film in a Cultural Context / edited by Peter C. Rollins. pp: 211-229. Lexington, Ky.: University Press of Kentucky, c1983.
Main Stack PN1995.9.H5.H64 1983
Moffitt PN1995.9.H5.H64 1983

Leff, Leonard J.
"A test of American film censorship: 'Who's Afraid of Virginia Woolf'." Cinema Journal XIX/2, Spring 80; p.41-55. Historical background to bringing this controversial film to the screen and its relation to censorship standards of the time.

Leff, Leonard J.
"Play into Film: Warner Brothers' Who's Afraid of Virginia Woolf?" Theatre Journal vol. 33 no. 4. 1981 Dec. pp: 453-466.
UC users only

White, Robert J.
"Albee's Who's Afraid of Virginia Woolf?" Explicator vol. 43 no. 2. 1985 Winter. pp: 52-53.

Louisa May Alcott

Little Women (Louisa May Alcott)

Blackford, Holly
"Little Women on the Big Screen: Heterosexual Womanhood as Social Performance." In: Sisterhoods : across the literature/media divide / edited by Deborah Cartmell ... [et al.]. London ; Sterling, Va. : Pluto Press, 1998.
Main (Gardner) Stacks PN56.5.W64 S57 1998

Cartmell, Deborah and Simons, Judy
""Screening authorship: Little Women on screen 1933-1994." In: Nineteenth-century American fiction on screen / edited by R. Barton Palmer. Cambridge ; New York : Cambridge University Press, 2007.
Main Stack PN1997.85.N54 2007

Gay, Carol.
"Little Women at the Movies." In: Children's Novels and the Movies / edited by Douglas Street. pp: 28-38. New York: F. Ungar Pub. Co., c1983.
Moffitt PN1997.85.C44 1983

Hollinger, Karen. Winterhalter, Teresa.
"A Feminist Romance: Adapting Little Women to the Screen." Tulsa Studies in Womens Literature. 18(2):173-92. 1999
UC users only

Kirkham, Pat. Warren, Sarah.
"Four Little Women: Three Films and a Novel." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. pp: 81-97. London ; New York: Routledge, 1999.
Main Stack PN1997.85.A32 1999

Mackey, Margaret.
"Little Women Go to Market: Shifting Texts and Changing Readers." Children's Literature in Education. 29(3):153-73. 1998 Sept

Marchalonis, Shirley.
"Filming the Nineteenth Century: Little Women." Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 257-74. Bowling Green, OH: Bowling Green State University Popular Press, c1999.
Main Stack PN1997.85.N56 1999

Marchalonis, Shirley.
"Filming the Nineteenth Century: The Secret Garden and Little Women." American Transcendental Quarterly. 10(4):273-92. 1996 Dec

McCallum, Robyn.
"The Present Reshaping the Past Reshaping the Present: Film Versions of Little Women." Lion and the Unicorn: A Critical Journal of Children's Literature. 24 (1): 81-96. 2000 Jan.,
UC users only

Director Gillian Armstrong, 1994

Alleva, Richard.
"Little Women." (movie reviews) Commonweal v122, n3 (Feb 10, 1995):12 (2 pages).

Ansen, David.
"Little Women." (movie reviews) Newsweek v125, n2 (Jan 9, 1995):57.

Denby, David.
"Little Women." (movie reviews) New York v28, n2 (Jan 9, 1995):49.

Francis, Elizabeth.
"Little Women." (movie reviews) Journal of American History v82, n3 (Dec, 1995):1312 (2 pages).

Francke, Lizzie.
"What Are You Girls Going to Do?: Lizzie Francke Talks with Gillian Armstrong." Sight and Sound vol. 5 no. 4. 1995 Apr. pp: 28-29.

Francke, Lizzie.
"What Are You Girls Going To Do?: Lizzie Francke Talks with Gillian Armstrong." In: Film/literature/heritage / edited by Ginette Vincendeau. pp: 72-76. London: British Film Institute, 2001. Sight and sound reader.
Main Stack PN1995.3.F54 2001

Grasso, Linda.
"Louisa May Alcott's 'Magic Inkstand': Little Women, Feminism, and the Myth of Regeneration." Frontiers: A Journal of Women Studies vol. 19 no. 1. 1998. pp: 177-92.

Kissin, Eva H.
"Little Women." (movie reviews) Films in Review v46, n3-4 (March-April, 1995):59.

Klawans, Stuart.
"Little Women." (movie reviews) Nation v260, n3 (Jan 23, 1995):107.

Lurie, Alison.
"Little Women." (movie reviews) New York Review of Books v42, n4 (March 2, 1995):3 (3 pages).

Mabry, Rochelle.
"Fighting Fire with Fire: Reclaiming Phallocentric Conventions in Feminine Costume Dramas." West Virginia University Philological Papers. 48:107-14. 2001-2002

Marchalonis, Shirley.
"Filming the Nineteenth Century: The Secret Garden and Little Women." American Transcendental Quarterly vol. 10 no. 4. 1996 Dec. pp: 273-92.

McCarthy, Todd.
"Little Women." (movie reviews) Variety v357, n8 (Dec 19, 1994):71 (2 pages).

Rafferty, Terrence.
"Little Women." (movie reviews) New Yorker v70, n43 (Jan 9, 1995):83 (2 pages).

Schickel, Richard.
"Little Women." (movie reviews) Time v144, n25 (Dec 19, 1994):74.

Simon, John.
"Little Women." (movie reviews) National Review v47, n3 (Feb 20, 1995):72.

Travers, Peter.
"Little Women." (movie reviews) Rolling Stone, n700 (Jan 26, 1995):66.

Warrick, Steve
"Little Women." (movie reviews)Modern Review I/19, Feb-Mar 95; p.18-19.

Gabriela (Jorge Amado)

Martin, John.
"Mythical Patterns in Jorge Amado's Novel Gabriela - Clove and Cinnamon and Bruno Barreto's Film Gabriela." In: Film and Literature: A Comparative Approach to Adaptation / edited by Wendell Aycock and Michael Schoenecke. pp: 179-188. Lubbock, Tex.: Texas Tech University Press, 1988. Studies in comparative literature (Lubbock, Tex.); no. 19.
Main Stack PN1995.3.F5 1988

Williams, Bruce E.
"A Captive of the Screen: Archetype and Gaze in Barreto's Gabriela." Film Criticism. 14(2):24-32. 1989-1990 Winter

Isaac Asimov

I, Robot

See Science Fiction bibliography

Robert Anderson

Tea and Sympathy

Jane Austen

Arriola, Joyce L.
"Introducing the 'Women's Film' in Teaching the Works of 18th and 19th Century Women Novelists in English: The Case of Jane Austen and Her Predecessors." Unitas: A Quarterly for the Arts and Sciences, vol. 77, no. 4, pp. 455-75, December 2004

Cohen, Paula Marantz.
"Trends in Adaptation: Will and Jane Go Celluloid." Michigan Quarterly Review. Summer 2005. Vol. 44, Iss. 3; p. 533 (9 pages)
UC users only

Despotopoulou, Anna
"Girls on Film: Postmodern Renderings of Jane Austen and Henry James." Yearbook of English Studies, vol. 36, no. 1, pp. 115-30, 2006

Flavin, Louise
Jane Austen in the classroom : viewing the novel/reading the film New York : Peter Lang, c2004.
MAIN: PR4038.F55 F58 2004
Table of contents http://www.loc.gov/catdir/toc/ecip041/2003006832.html

Hudelet, Ariane
"Incarnating Jane Austen: The Role of Sound in the Recent Film Adaptations." Persuasions: The Jane Austen Journal, vol. 27, pp. 175-84, 2005

Jane Austen and co. : remaking the past in contemporary culture
Suzanne R. Pucci and James Thompson, editors. Albany : State University of New York Press,c2003.
Main Stack PR4038.F55.J33 2003

Jane Austen in Hollywood
Linda Troost and Sayre Greenfield, editors. Lexington: University Press of Kentucky, c1998.
Main Stack PR4038.F55.J36 1998
Moffitt PR4038.F55.J36 1998

Parrill, Sue
Jane Austen on film and television: a critical study of the adaptations / by Sue Parrill. Jefferson, N.C.: McFarland & Co., c2002.
UCB Main PR4038.F55 P37 2002

Werker, Anke
By a lady: Jane Austen's female archetypes in fiction and film / Anke Werker. Tilburg, The Netherlands: Tilburg University Press, 1998.
UCB Main PR4038.W6 W47 1998

Wooden, Shannon R.
""You even forget yourself”: The Cinematic Construction of Anorexic Women in the 1990s Austen Films." Journal of Popular Culture, Fall2002, Vol. 36 Issue 2, p221-235, 15p
UC users only

Emma

Hoberg, Tom.
"The Multiplex Heroine: Screen Adaptations of Emma." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 106-28. Bowling Green, OH: Bowling Green State University Popular Press, c1999.
Main Stack PN1997.85.N56 1999

Lauritzen, Monica.
Jane Austen's Emma on television: a study of a BBC classic serial / by Monica Lauritzen. Goteborg, Sweden: Acta Universitatis Gothoburgensis, [1981]. Series title: Gothenburg studies in English 48.
UCB Main PE25 .G65 v.48

Director Douglas McGrath, featuring Gwyneth Paltrow, 1996.

Alleva, Richard.
"Emma." (movie reviews) Commonweal v123, n16 (Sept 27, 1996):19 (2 pages).

Ansen, David.
"Emma." (movie reviews) Newsweek v128, n5 (July 29, 1996):67.

Duckworth, Alistair M.
"Emma." (movie reviews) Eighteenth-Century Fiction v10, n1 (Oct, 1997):110 (8 pages).

Duguid, Lindsay.
"Emma." (movie reviews) TLS. Times Literary Supplement, n4878 (Sept 27, 1996):19.

Kaplan, Deborah.
"Mass Marketing Jane Austen: Men, Women, and Courtship in Two Film Adaptations." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 177-87. Lexington: University Press of Kentucky, c1998.
Main Stack PR4038.F55.J36 1998
Moffitt PR4038.F55.J36 1998

Kaplan, Deborah.
"Mass Marketing Jane Austen: Men, Women, and Courtship in Two of the Recent Films." Persuasions: Journal of the Jane Austen Society of North America. 18:171-81. 1996 Dec

Kauffmann, Stanley.
"Emma." (movie reviews) New Republic v215, n8-9 (August 19, 1996):38 (2 pages).

Lane, Anthony.
"Emma." (movie reviews) New Yorker v72, n22 (August 5, 1996):76 (2 pages).

Maslin, Janet.
"Emma." (movie reviews New York Times v145 (Fri, August 2, 1996):B1(N), C1(L), col 5, 20 col in.

Matthews, Peter.
"Emma." (movie reviews)Sight and Sound v6, n9 (Sept, 1996):40.

Morgenstern, Joe.
"Emma." (movie reviews) Wall Street Journal (Fri, August 2, 1996):A12(W), A12(E), col 1, 14 col

Nichols, Peter M.
"Emma." (movie reviews) New York Times v146 (Fri, March 7, 1997):B33(N), B15(L), col 1, 14 col in.

Simon, John.
"Emma." (movie reviews) National Review v48, n19 (Oct 14, 1996):86 (2 pages).

Tonkin, Boyd.
"Emma." (movie reviews) New Statesman (1996) v125, n4300 (Sept 13, 1996):39.

Travers, Peter.
"Emma." (movie reviews) Rolling Stone, n741 (August 22, 1996):103 (2 pages).

Werker, Anke
By a lady: Jane Austen's female archetypes in fiction and film / Anke Werker. Tilburg, The Netherlands: Tilburg University Press, 1998.
UCB Main PR4038.W6 W47 1998

Clueless; Director Amy Heckerling, 1995.

Caroll, Laura.
"A consideration of times and seasons: Two Jane Austen adaptations." Literature/Film Quarterly. 2003. Vol. 31, Iss. 3; p. 169
UC users only

Cohen, Rich.
"High school confidential." (motion-picture director Amy Heckerling)(Interview) Rolling Stone Sep 7, 1995 n716 p53(1)
"Heckerling, the writer and director of the motion picture 'Clueless,' based the film on the 1816 novel 'Emma,' by Jane Austen. 'Clueless,' a movie about teenagers, was originally turned down as a pilot for a television show by the Fox network." " [Expanded Academic Index]

Corliss, Richard.
"Clueless." (movie reviews) Time v146, n5 (July 31, 1995):65.

Davis, Hugh H.
"I Was a Teenage Classic: Literary Adaptation in Turn-of-the-Millennium Teen Films" Journal of American Culture, Mar2006, Vol. 29 Issue 1, p52-60, 9p
UC users only

Denby, David.
"Clueless." (movie reviews) New York v28, n31 (August 7, 1995):71.

Dole, Carol M.
"Classless, Clueless: Emma Onscreen." In: Approaches to teaching Austen's Emma / edited by Marcia McClintock Folsom. New York : Modern Language Association of America, 2004.
Main Stack PR4034.E53.A67 2004

Eberle-Sinatra, Michael
"Totally clueless: Heckerling and queer sexuality in Austen's Emma." In: Victorian literature and film adaptation / edited by Abigail Burnham Bloom and Mary Sanders Pollock. Amherst, N.Y. : Cambria Press, c2011.
Main (Gardner) Stacks PN1997.85 .V45 2011

Ferriss, Suzanne.
"Emma Becomes Clueless." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 122-29. Lexington: University Press of Kentucky, c1998.
Main Stack PR4038.F55.J36 1998
Moffitt PR4038.F55.J36 1998

Greenfield, John R.
"Is Emma Clueless? Fantasies of Class and Gender from England to California." Topic: a Journal of the Liberal Arts. 48:31-38. 1997 Fall

Harris, Jocelyn.
"Clueless." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Leland, John.
"Clueless." (movie reviews) Newsweek v126, n4 (July 24, 1995):52 (2 pages).

Lipman, Amanda.
"Clueless." (movie reviews) Sight and Sound v5, n10 (Oct, 1995):46.

Lowry, Brian.
"Clueless." (movie reviews) Variety v359, n11 (July 17, 1995):50 (2 pages).

Romney, Jonathan.
"Clueless." (movie reviews) New Statesman & Society v8, n375 (Oct 20, 1995):35.

Schwartz, Amy E.
"'Clued in' to Jane Austen." (movie, 'Clueless,' is basically an adaptation of 'Emma,' the 1815 novel by Jane Austen)(Column) Washington Post v118 (Fri, August 11, 1995):A23, col 4, 19 col in.

Sonnet, Esther.
"From Emma to Clueless: Taste, Pleasure and the Scene of History." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. pp: 51-62. London ; New York: Routledge, 1999.
Main Stack PN1997.85.A32 1999

Stern, Lesley.
"Emma in Los Angeles: Remaking the Book and the City." In: Film adaptation / edited and with an introduction by James Naremore. pp: 221-238. New Brunswick, N.J.: Rutgers University Press, c2000. Rutgers depth of field series.
Main Stack PN1997.85.F55 2000

Travers, Peter.
"Clueless." (movie reviews) Rolling Stone, n714 (August 10, 1995):61 (3 pages).

Wald, Gayle.
"Clueless in the Neo-Colonial World Order." In: The postcolonial Jane Austen / edited by You-me Park and Rajeswari Sunder Rajan. pp: 218-33. London ; New York: Routledge, 2000. Routledge research in postcolonial literatures.
Main Stack PR4037.A87 2000

Wald, Gayle.
"Clueless in the Neocolonial World Order." Camera Obscura. 42:51-69. 1999 Sept
UC users only
" Issues discussed concern the portrayal of class, race, and gender in Amy Heckering's film 'Clueless,' focusing on how films addressed to US teenage girls represent American culture and nationalism. The heroine of the film is analyzed in relation to narratives of gender, ideologies of consumption, and neocolonial relations of oppression." [Expanded Academic Index]

Mansfield Park (Jane Austen)

Aragay, Mireia
"Possessing Jane Austen: Fidelity, Authorship, and Patricia Rozema's Mansfield Park (1999)." Literature/Film Quarterly, vol. 31, no. 3, pp. 177-85, 2003
UC users only

Carroll, Laura
"A Consideration of Times and Seasons: Two Jane Austen Adaptations." Literature/Film Quarterly, vol. 31, no. 3, pp. 169-76, 2003Carroll, Laura
UC users only

Deleyto, Celestino
"Return to Austen: Film Heroines of the Nineties." In: Refracting the canon in contemporary British literature and film / edited by Susana Onega and Christian Gutleben. Amsterdam ; New York : Rodopi, 2004.
Main Stack PR101.R44 2004

Fergus, Jan
"Two Mansfield Parks: Purist and Postmodern." In: Jane Austen on screen / edited by Gina Macdonald and Andrew Macdonald. Cambridge ; New York : Cambridge University Press, 2003.
Main Stack PR4037.J337 2003
PFA PR4037.J337 2003

Graham, Peter W.
"From Mansfield Park to Gosford Park: The English Country House from Austen to Altman." Persuasions: Journal of the Jane Austen Society of North America, vol. 24, pp. 211-25, 2002

Groenendyk, Kathi
"Modernizing Mansfield Park: Patricia Rozema's Spin on Jane Austen." Persuasions: The Jane Austen Journal On-Line, vol. 25, no. 1, pp. [no pagination], Winter 200

Harris, Jocelyn
"'Such a Transformation!': Translation, Imitation, and Intertextuality in Jane Austen on Screen." In: Jane Austen on screen / edited by Gina Macdonald and Andrew Macdonald. Cambridge ; New York : Cambridge University Press, 2003.
Main Stack PR4037.J337 2003
PFA PR4037.J337 2003

Monaghan, David.
"Reinventing Fanny Price: Patricia Rozema's Thoroughly Modern Mansfield Park." Mosaic : a Journal for the Interdisciplinary Study of Literature. Sep 2007. Vol. 40, Iss. 3; p. 85 (17 pages)
UC users only

Moussa, Hiba
"Mansfield Park and Film: An Interview with Patricia Rozema." Literature/Film Quarterly, vol. 32, no. 4, pp. 255-60, 2004
UC users only

Parrill, Sue
"Not the Bluebird of Happiness: Bird Imagery in the Film Mansfield Park." Literature/Film Quarterly, vol. 31, no. 3, pp. 186-92, 2003
UC users only

Troost, Linda; Greenfield, Sayre
"The Mouse That Roared: Patricia Rozema's Mansfield Park." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 177-87. Lexington: University Press of Kentucky, c1998.
Main Stack PR4038.F55.J36 1998
Moffitt PR4038.F55.J36 1998

Walsh, Germaine Paulo.
"Is Jane Austen politically correct? Interpreting Mansfield Park." Perspectives on Political Science. Winter 2002. Vol. 31, Iss. 1; p. 15 (12 pages)
UC users only

Watson, Tim
"Improvements and Reparations at Mansfield Park." In: Literature and film : a guide to the theory and practice of film adaptation / edited by Robert Stam, Alessandra Raengo. Malden, MA : Blackwell, 2005.
Main Stack PN1997.85.L515 2005

Persuasion (Jane Austen)

Anderson, Pat.
"Persuasion." (movie reviews) Films in Review v46, n7-8 (Sept-Oct, 1995):59.

Ansen, David.
"Persuasion." (movie reviews) Newsweek v126, n15 (Oct 9, 1995):78.

Denby, David.
"Persuasion." (movie reviews) New York v28, n42 (Oct 23, 1995):57.

Favret, Mary A.
"Being True to Jane Austen." In: Victorian afterlife: postmodern culture rewrites the nineteenth century / John Kucich and Dianne F. Sadoff, editors. pp: 64-82. Minneapolis: University of Minnesota Press, c2000.
Main Stack PR461.V5 2000

Gottlieb, Sidney.
"Persuasion and cinematic approaches to Jane Austen." Literature/Film Quarterly (30:2) 2002, 104-10 (2002)
UC users only

Groenendyk, Kathi L.
"The Importance of Vision: Persuasion and the Picturesque." Rhetoric Society Quarterly. 30(1):9-28. 2000 Winter

Hannon, Patrice.
"Austen Novels and Austen Films: Incompatible Worlds?" Persuasions: Journal of the Jane Austen Society of North America. 18:24-32. 1996 Dec

Harris, Jocelyn.
"Persuasion." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Hoberg, Tom.
"Her First and Last: Austen's Sense and Sensibility, Persuasion, and Their Screen Adaptations." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 140-66. Bowling Green, OH: Bowling Green State University Popular Press, c1999.
Main Stack PN1997.85.N56 1999

James, Caryn.
"Persuasion." (movie reviews) New York Times v145 (Wed, Sept 27, 1995):B3(N), C18(L), col 1, 21 col in

Lane, Anthony.
"Persuasion." (movie reviews) New Yorker v71, n29 (Sept 25, 1995):107 (2 pages).

Kauffmann, Stanley.
"Persuasion." (movie reviews) New Republic v213, n15 (Oct 9, 1995):26 (2 pages).

Simon, John.
"Persuasion." (movie reviews) National Review v47, n20 (Oct 23, 1995):58 (2 pages).

Pride & Prejudice (Jane Austen)

Ellington, H. Elisabeth.
'A Correct Taste in Landscape': Pemberley as Fetish and Commodity." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 90-110. Lexington: University Press of Kentucky, c1998.
Main Stack PR4038.F55.J36 1998
Moffitt PR4038.F55.J36 1998

Grandi, Roberta.
"The Passion Translated: Literary and Cinematic Rhetoric in Pride and Prejudice (2005)." Literature/Film Quarterly. 2008. Vol. 36, Iss. 1; p. 45 (7 pages)
UC users only

Hopkins, Lisa.
"Mr. Darcy's Body: Privileging the Female Gaze." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 111-21. Lexington: University Press of Kentucky, c1998.
Main Stack PR4038.F55.J36 1998
Moffitt PR4038.F55.J36 1998

Lawson-Peebles, Robert.
"European Conflict and Hollywood's Reconstruction of English Fiction." Yearbook of English Studies vol. 26. 1996. pp: 1-13.

Lellis, George.
"Pride but No Prejudice." In: The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 44-51. New York: Ungar, [1981]. Series title: Ungar film library.
UCB Main PN1997.85 .E53
UCB Moffitt PN1997.85 .E53

Loyd, Kristen R.
"An England Worth Saving: The Domestication of World War II Propaganda in Pride and Prejudice." War, Literature & the Arts: An International Journal of the Humanities; 2009, Vol. 21 Issue 1/2, p352-359, 8p
UC users only

Directed by Joe Wright, 2005 (cast: Keira Knightley, Matthew Macfadyen, et al.)

Duguid, Lindsay.
"Pig and pillow.(Pride and Prejudice)(Movie Review)." TLS. Times Literary Supplement 5347 (Sept 23, 2005): 20(1).

Grandi, Roberta
"The Passion Translated: Literary and Cinematic Rhetoric in Pride and Prejudice (2005)" Literature/Film Quarterly. 2008. Vol. 36, Iss. 1; p. 45 (7 pages)
UC users only

Lette, Kathy.
"Engage the enemy: women fight an unequal battle in a sparkling new adaptation.(film)(Movie Review)." New Statesman 134.4759 (Sept 26, 2005): 70(1).

Roberts, Rex.
"Pride & Prejudice.(Movie Review)." Film Journal International 108.11 (Nov 2005): 99(2).
UC users only

Sokol, Ronnie Jo
"The Importance of Being Married: Adapting Pride and Prejudice." In: Nineteenth-century women at the movies: adapting classic women's fiction to film
Edited by Barbara Tepa Lupack. Bowling Green, Oh.: Bowling Green State University, 1999.
UCB Main PN1997.85 .N56 1999

Winter, Jessica.
"Pride & Prejudice.(Movie Review)." Sight and Sound 15.10 (Oct 2005): 83(1).

Screenplay by Andrew Davies; featuring Collin Firth, 1995.

Bellafante, Ginia.
"Pride and Prejudice." (television program reviews). Time v147, n3 (Jan 15, 1996):66.

Davies, Andrew.
"Picture the scene." (television adaptation of 'Pride and Prejudice'). Times Educational Supplement, n4133 (Sept 15, 1995):S10.

Harris, Jocelyn.
"Pride and Prejudice." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Leonard, John.
"Pride and Prejudice." (television program reviews). New York v29, n2 (Jan 15, 1996):54 (2 pages).

Macinnes, Carolyn.
"Pride and Prejudice." (television program reviews). Times Educational Supplement, n4134 (Sept 22, 1995):S18.

McGuigan, Cathleen.
"Lights, Camera, Austen." Newsweek, 1/21/2008, Vol. 151 Issue 3, p78-78, 1p, 7c;
UC users only

O'Connor, John J.
"Pride and Prejudice." (television program reviews) New York Times v145 (Sat, Jan 13, 1996):13(N), 13(L), col 1, 14 col in.

"Pride and priapism." (Andrew Davies adapting Pride and Prejudice for television). New Statesman & Society v3, n124 (Oct 26, 1990):5.

Scott, Tony.
"Jane Austen's Pride and Prejudice." (television program reviews). Variety v361, n9 (Jan 8, 1996):66 (2 pages).

Bride and Prejudice

Directed by Gurinder Chadha. 2004.

Ramachandran, Naman.
"Bride & Prejudice." Sight & Sound v. ns14 no. 10 (October 2004) p. 43-4
UC users only

Samant, Sapna.
"Appropriating Bombay cinema: why the Western world gets Bollywood so wrong.(FOCUS ON Asia)." Metro Magazine 145 (Summer 2005): 82(5).

Sutherland, Kathryn.
Jane Austen's textual lives : from Aeschylus to Bollywood / Kathryn Sutherland. Oxford ; New York : Oxford University Press, 2005.
Main Stack PR4037.S884 2005

Tandon, Bharat.
"Life and wife.(Twelfth Night)(Bride and Prejudice)(Movie Review)." TLS. Times Literary Supplement 5297 (Oct 8, 2004): 19(1).

Wilson, Cheryl A.
"Bride and Prejudice: a Bollywood comedy of manners." Literature-Film Quarterly 34.4 (Oct 2006): 323(9). UC users only

Sense & Sensibility (Jane Austen)

Directed by Ang Lee, 1995. Featuring Emma Thompson, Hugh Grant, Kate Winslet, Alan Rickman, Harriet Walker

Alleva, Richard.
"Sense and Sensibility." (movie reviews) Commonweal v123, n5 (March 8, 1996):15 (3 pages).

Alster, Laurence.
"Sense and Sensibility." (movie reviews) Times Educational Supplement, n4156 (Feb 23, 1996):S21.

Blake, Richard A,.
"Sense and Sensibility." (movie reviews)America v174, n8 (March 9, 1996):20 (2 pages).

Cramer, Barbara.
"Sense and Sensibility." (movie reviews) Films in Review v47, n3-4 (March-April, 1996):65 (2 pages).

Denby, David.
"Sense and Sensibility." (movie reviews) New York v28, n50 (Dec 18, 1995):51.

Diana, M. Casey.
"Emma Thompson's Sense and Sensibility as Gateway to Austen's Novel: A Pedagogical Experiment." Topic: a Journal of the Liberal Arts. 48:49-55. 1997 Fall

Duguid, Lindsay.
"Sense and Sensibility." (movie reviews) TLS. Times Literary Supplement, n4848 (March 1, 1996):21.

Duncan, Rebecca Stephens.
"Sense and Sensibility: A Convergence of Readers/Viewers/Browsers." In: A companion to Jane Austen studies / edited by Laura Cooner Lambdin and Robert Thomas Lambdin. pp: 1-16. Westport, Conn.: Greenwood Press, 2000.
Main Stack PR4037.C66 2000
Moffitt PR4037.C66 2000

"Enough Jane Austen! Let's go for gore." (filmmaker Ang Lee, who was lauded for his adaptation of Austen's 'Sense and Sensibility,' is making a violent movie about the American Civil War)(Brief Article)(Interview) U.S. News & World Report v123, n12 (Sept 29, 1997):77.

Favret, Mary A.
"Being True to Jane Austen." In: Victorian afterlife: postmodern culture rewrites the nineteenth century / John Kucich and Dianne F. Sadoff, editors. pp: 64-82. Minneapolis: University of Minnesota Press, c2000.
Main Stack PR461.V5 2000

Francke, Lizzie.
"Sense and Sensibility." (movie reviews) New Statesman & Society v9, n391 (Feb 23, 1996):43.

Fuller, Graham.
"Cautionary Tale." In: Film/literature/heritage / edited by Ginette Vincendeau. pp: 77-81. London: British Film Institute, 2001. Sight and sound reader.
Main Stack PN1995.3.F54 2001

Fuller, Graham.
"Shtick and Seduction." Sight and Sound vol. 6 no. 3. 1996 Mar. pp: 24.

Hannon, Patrice.
"Austen Novels and Austen Films: Incompatible Worlds?" Persuasions: Journal of the Jane Austen Society of North America. 18:24-32. 1996 Dec

Harris, Jocelyn.
"Sense and Sensibility." (movie reviews) Eighteenth-Century Fiction v8, n3 (April, 1996):427 (4 pages).

Hoberg, Tom.
"Her First and Last: Austen's Sense and Sensibility, Persuasion, and Their Screen Adaptations." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 140-66. Bowling Green, OH: Bowling Green State University Popular Press, c1999.
Main Stack PN1997.85.N56 1999

Jeffrey, David K.
"Sense and Sensibility." (movie reviews) National Forum v76, n2 (Spring, 1996):43 (3 pages).

Johnson, Brian D.
"Sense and Sensibility." (movie reviews) Maclean's v108, n52 (Dec 25, 1995):86 (2 pages).

Kaplan, Deborah.
"Mass Marketing Jane Austen: Men, Women, and Courtship in Two Film Adaptations." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. pp: 177-87. Lexington: University Press of Kentucky, c1998.
Main Stack PR4038.F55.J36 1998
Moffitt PR4038.F55.J36 1998

Kaplan, Deborah.
"Mass Marketing Jane Austen: Men, Women, and Courtship in Two of the Recent Films." Persuasions: Journal of the Jane Austen Society of North America. 18:171-81. 1996 Dec

Kroll, Jack.
"Sense and Sensibility." (movie reviews) Newsweek v126, n25 (Dec 18, 1995):66 (3 pages).

Lyons, Donald.
"Sense and Sensibility." (movie reviews) Film Comment v32, n1 (Jan-Feb, 1996):36 (6 pages).

McCarthy, Todd.
"Sense and Sensibility." (movie reviews) Variety v361, n5 (Dec 4, 1995):51 (2 pages).

Medhurst, Andy.
"Dressing the Part." Sight and Sound vol. 6 no. 6. 1996 June. pp: 28-30.

Monk, Claire.
"Sense and Sensibility." (movie reviews) Sight and Sound v6, n3 (March, 1996):50 (2 pages).

Maryles, Daisy.
"Dead author's society." (packages by publishers to market Jane Austen's book 'Sense and Sensibility' are tied in to the movie of the same name)(Brief Article) Publishers Weekly v243, n3 (Jan 15, 1996):322.

Maslin, Janet.
"Sense and Sensibility." (movie reviews) New York Times v145 (Wed, Dec 13, 1995):B1(N), C15(L), col 3, 21 col in.

Norman, Liane Ellison.
"Sense and Sensibility." (movie reviews) Sojourners v25, n3 (May-June, 1996):55 (3 pages).

Matthews, Peter.
"The Big Freeze." Sight & Sound. 8(2):12-14. 1998 Feb

North, Julian.
"Conservative Austen, Radical Austen: Sense and Sensibility from Text to Screen." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. pp: 38-50. London ; New York: Routledge, 1999.
Main Stack PN1997.85.A32 1999

Parrill, Sue.
"What Meets the Eye: Landscape in the Films Pride and Prejudice and Sense and Sensibility." Persuasions: Journal of the Jane Austen Society of North America. 21:32-43. 1999

Rafferty, Terrence.
"Sense and Sensibility." (movie reviews) New Yorker v71, n41 (Dec 18, 1995):124 (3 pages).

Samuelian, Kristin Flieger.
"'Piracy Is Our Only Option': Postfeminist Intervention in Sense and Sensibility." Topic: a Journal of the Liberal Arts. 48:39-48. 1997 Fall

Schickel, Richard.
"Sense and Sensibility." (movie reviews) Time v146, n25 (Dec 18, 1995):72 (2 pages).

Shi, Shu-mei.
"Globalisation and Minoritisation: Ang Lee and the Politics of Flexibility." New Formations: a Journal of Culture/Theory/Politics. 40:87-101. 2000 Spring

Simon, John.
"Sense and Sensibility." (movie reviews) National Review v48, n1 (Jan 29, 1996):67.

Stilwell, Robynn J.
"Sense & sensibility: Form, genre, and function in the film score." Acta musicologica, 72(2) p219. 2000.
UC users only

Wizard of Oz (L. Frank Baum)

Billman, Carol.
"'I've seen the movie': Oz Revisited." In: Children's Novels and the Movies / edited by Douglas Street. pp: 92-100. New York: F. Ungar Pub. Co., c1983. Series title: Unger film library.
UCB Moffitt PN1997.85 .C44 1983

Billman, Carol.
"'I've seen the movie'; Oz revisited." Literature/Film Quarterly IX/4, 81; p.241-250. illus.
A comparative analysis of Baum's 1900 prose fantasy and the 1939 film adaptation.

Bronfen, Elisabeth.
"Home : there's no place like it : The wizard of Oz." In: Home in Hollywood : the imaginary geography of cinema / Elizabeth Bronfen. New York : Columbia University Press, c2004.
Main Stack PN1994.B71913 2004

Carpenter, L.
"There's no place like home: The wizard of Oz and American isolationism." Film & History XV/2, May 85; p.37-45.
Compares the book and film of "The wizard of Oz" in the light of their attitude towards US isolationism.

Chaston, Joel D.
"The 'Ozification' of American Children's Fantasy Films: The Blue Bird, Alice in Wonderland, and Jumanji." Children's Literature Association Quarterly vol. 22 no. 1. 1997 Spring. pp: 13-20.

Davis, Reid
"What WOZ: Lost Objects, Repeat Viewings, and the Sissy Warrior." Film Quarterly, vol. 55, no. 2, pp. 2-13, Winter 2001
UC users only
"The writer discusses the portrayal of "sissiness" in the movie The Wizard of Oz. In his 1998 documentary film The Silver Screen: Color Me Lavender, Mark Rappaport shows that although Hollywood in the 1930s and 1940s had many uses for the sissy as a stereotypical character, it could not cope with linking the portrayal of a homosexual to the narrative center of a movie. Set outside a direct association with adult homosexuality, Bert Lahr's performance as the Cowardly Lion in The Wizard of Oz may disclose more about the construction of gay subjectivity than a realistic representation of a homosexual itself. The film's stereotype of sissiness, the Cowardly Lion, operates both as an esthetic and a social construct, but Lahr's performance works within and beyond the text and between the text and spectator, so "sissy" and "effeminate" negotiate with the main modes of both the film and society." [Art Index]

Doty, Alexander
"'My Beautiful Wickedness': The Wizard of Oz as Lesbian Fantasy." In: Flaming classics : queering the film canon / Alexander Doty. New York : Routledge, 2000.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1995.9.H55 D68 2000

Doty, Alexander
"'My Beautiful Wickedness': The Wizard of Oz as Lesbian Fantasy." In: Hop on pop : the politics and pleasures of popular culture / edited by Henry Jenkins, Tara McPherson & Jane Shattuc. Durham, N.C. : Duke University Press, 2002.
Main Stack E169.1.H77 2002
Moffitt E169.1.H77 2002

Downing, David C.
"Waiting for Godoz: A Post-Nasal Deconstruction of The Wizard of Oz." Christianity and Literature vol. 33 no. 2. 1984 Winter. pp: 28-30.

"Following the yellow brick road from 'The Wonderful Wizard of Oz' to 'The Wiz'." American Cinematographer LIX/11, Nov 78; p.1090-1091. \ \
A discussion of the original 'The Wonderful Wizard of Oz' and its numerous stage and screen versions.

Fricke, John.
The Wizard of Oz: the official 50th anniversary pictorial history / by John Fricke, Jay Scarfone, William Stillman; introduction by Jack Haley, Jr. New York, NY: Warner Books, c1989.
UCB Moffitt PN1997.W593 F75 1989

Friedman, Bonnie.
"Relinquishing Oz: Every Girl's Anti-Adventure Story." In: The Movies: Texts, Receptions, Exposures / edited by Laurence Goldstein and Ira Konigsberg. pp: 41-59. Ann Arbor: University of Michigan Press, c1996.
UCB Main PN1994 .M78 1996
UCB Moffitt PN1994 .M78 1996

Friedman, Bonnie.
"Relinquishing Oz: every girl's anti-adventure story." ('Wizard of Oz')(The Movies: A Centennial Issue, part 2) Michigan Quarterly Review v35, n1 (Wntr, 1996):9 (20 pages).
'The Wizard of OZ' is a traditional girl's coming-of-age story in that it emphasizes the home over the outside world and independence as evil. The death of the Wicked Witch is an ambivalent event because Dorothy's actions sacrifice her curiosity about the outside world, destroying a strong woman to return to the security of home. The men in Oz lack some essential characteristic while any woman showing behavior outside of what is expected is condemned or killed both in Oz and Dorothy's home.

Gilman, Todd S.
"'Aunt Em: Hate You! Hate Kansas! Taking the Dog. Dorothy': Conscious and Unconscious Desire in The Wizard of Oz."Children's Literature Association Quarterly vol. 20 no. 4. 1995-1996 Winter. pp: 161-67.

Also in:
L. Frank Baum's world of Oz : a classic series at 100 / edited by Suzanne Rahn. Lanham, Md. : Children's Literature Association and Scarecrow Press, 2003.
Main Stack PS3503.A923.Z73 2003

Gordon, A.
"You'll never get out of Bedford Falls! The inescapable family in American science fiction and fantasy films." Journal of Popular Film and Television XX/2, Summer 92; p.2-8.
Discusses the identical pro-family message in US science-fiction/fantasy films "The Wizard of Oz", "It's a Wonderful Life", and the "Star Wars" and "Back to the Future" trilogies.

Griswold, Jerry.
"There's No Place but Home: The Wizard of Oz." The Antioch Review vol. 45 no. 4. 1987 Fall. pp: 462-475.

Hamelman, Steven
"The Deconstructive Search for Oz." Literature/Film Quarterly, vol. 28, no. 4, pp. 312-19, 2000
UC users only

Harmetz, Aljean.
The making of The Wizard of Oz / Aljean Harmetz; with an introd. by Margaret Hamilton (The Wicked Witch of the West). New York: Knopf, 1977.
UCB Moffitt PN1997 .W593 .H3 1990

Harmetz, Aljean.
The making of The Wizard of Oz: movie magic and studio power in the prime of MGM - and the miracle of production #1060 / Aljean HArmetz. New York, N.Y.: Delta, 1989, 1977.
UCB Moffitt PN1997 .W593 .H3 1990

Kim, Helen M.
"Strategic Credulity: Oz as Mass Cultural Parable." Cultural Critique vol. 33. 1996 Spring. pp: 213-33.
UC users only

Langley, Noel
The Wizard of Oz: the screenplay / by Noel Langley, Florence Ryerson, & Edgar Allan Woolf; from the book by Frank Baum; edited with an introduction by Michael Patrick Hearn. New York, N.Y.: Delta, c1989.
UCB Moffitt PN1997 .W59 1989

Latham, Rob.
"There's No Place Like Home: Simulating Postmodern America in The Wizard of Oz and Blue Velvet." Journal of the Fantastic in the Arts vol. 1 no. 4. 1988. pp: 49-58.

Lindroth, James.
"Down the Yellow Brick Road: Two Dorothys and the Journey of Initiation in Dream and Nightmare." Literature/ Film Quarterly vol. 18 no. 3. 1990. pp: 160-166.
Draws parallels between the imagery of "Blue Velvet" and "The Wizard of Oz", esp. regarding the depiction of dream states.

MacDonnell, Francis.
"'The Emerald City Was the New Deal': E. Y. Harburg and The Wonderful Wizard of Oz." Journal of American Culture vol. 13 no. 4. 1990 Winter. pp: 71-75.

Maland, Charles.
"Movies and American Culture in the Annus Mirabilis: Confessions of a Nazi Spy, The Wizard of Oz, and Mr. Smith Goes to Washington." In: American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. New Brunswick, N.J. : Rutgers University Press, c2007.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1993.5.U6 A85735 2007

McReynolds, Douglas J. and Lips, Barbara J.
"A Girl in the Game: The Wizard of Oz as Analogy for the Female Experience in America." North Dakota Quarterly 54:1 (1986:Winter) 87

Morey, Anne.
"'A Whole Book for a Nickel'? L. Frank Baum as Filmmaker." Children's Literature Association Quarterly vol. 20 no. 4. 1995-1996 Winter. pp: 155-60.

Nallon, Steve.
"Home on the screen." (influence of the film 'The Wizard of Oz') New Statesman & Society v6, n283 (Dec 17, 1993):62 (2 pages).

Walters, James (James R.)
"Making it Home: The Wizard of Oz (Victor Fleming, 1939) The Woman in the Window (Fritz Lang, 1944)" In: Alternative worlds in Hollywood cinema : resonance between realms / James Walters. Bristol, UK ; Chicago : Intellect, 2008.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1993.5.U6 W35 2008
'The Wizard of Oz' has inspired parodies and homages by other films, including 'Gremlins 2' and 'Who Framed Roger Rabbit.' Its message of home and the need to return is a common theme in US films.

Nathanson, Paul
Over the rainbow: the Wizard of Oz as a secular myth of America / Paul Nathanson; [foreword by Katherine K. Young]. Albany, N.Y.: State University of New York Press, c1991. Series title: McGill studies in the history of religions.
UCB Main PN1997.W593 N38 1991
UCB Moffitt PN1997.W593 N38 1991

Paige, Linda Rohrer.
"Wearing the Red Shoes: Dorothy and the Power of the Female Imagination in The Wizard of Oz." Journal of Popular Film and Television vol. 23 no. 4. 1996 Winter. pp: 146-53.
UC users only
The red shoes and their symbolic meaning in Hans Christian Andersen's 'The Red Shoes' were adapted in the film version of Frank Baum's 'Wizard of Oz.' The red shoes signify female creative powers and the necessary rebellion the power entails. They also connect Dorothy with the witches, the women who rejected the image patriarchy imposes on woman. They reiterate what the shoes symbolize. However, the color red also spells the high price such powers extract. In all accounts the price is the woman's life.

Payne, David.
"The Wizard of Oz: Therapeutic Rhetoric in a Contemporary Media Ritual." The Quarterly Journal of Speech vol. 75 no. 1. 1989 Feb. pp: 25-39.
UC users only
"The Wizard of Oz "is a yearly media ritual for American television viewers. The film performs the psychological and socializing functions of traditional fairy tales, yet also contains contemporary political orientations and social values. The rhetoric of this text and related artifacts can be understood as therapeutic insofar as the rationale of the story describes psychological problems and offers prescriptive remedies that viewers may adopt". The Wizard of Oz "is a story of adolescent development wherein a female child performs a heroic quest. This narrative theme conveys prescriptive rhetoric about female roles and twentieth-century situations, and reflects a cultural preoccupation with individual identity and its formation" [from Chadwyk-Healey Periodicals Content Index]

Pharr, Mary.
"Different Shops of Horrors: From Roger Corman's Cult Classic to Frank Oz's Mainstream Musical." In: Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts / edited by Robert A. Latham and Robert A. Collins. pp: 212-29. Westport, Conn.: Greenwood Press, 1995. Series title: Contributions to the study of science fiction and fantasy no. 66.
UCB Main PN56.F34 I58 1991

Rahn, Suzanne.
The Wizard of Oz: shaping an imaginary world / Suzanne Rahn. New York: Twayne Publishers; London: Prentice Hall International, 1998. Series title: Twayne's masterwork studies; no. 167.
UCB Main PS3503.A923 W637 1998

Recchia, Edward.
"There's no place like home: the Midwest in American film musicals." Midwest Quarterly v39, n2 (Wntr, 1998):202 (13 pages).

Rushdie, Salman
The Wizard of Oz / Salman Rushdie. London: BFI Pub., 1992. Series title: BFI film classics.
UCB Main PN1997.W593 R87 1992
UCB Moffitt PN1997.W593 R87 1992

Rzepka, Charles.
"'If I Can Make It There': Oz's Emerald City and the New Woman." Studies in Popular Culture. vol. 10 no. 2. 1987. pp: 54-66.

Schuman, Samuel
"Out of the Fryeing Pan and into the Pyre: Comedy, Myth and "The Wizard of Oz"." Journal of Popular Culture 7:2 (1973:Fall) 302

Sherman, Fraser A.
The Wizard of Oz catalog : L. Frank Baum's novel, its sequels and their adaptations for stage, television, movies, radio, music videos, comic books, commercials and more / Fraser A. Sherman. Jefferson, N.C. : McFarland & Co., c2005.
Main Stack PS3503.A923.W6383 2005

Swartz, Mark Evan.
Oz before the rainbow: L. Frank Baum's The wonderful Wizard of Oz on stage and screen to 1939 / Mark Evan Swartz. Baltimore: Johns Hopkins University Press, 2000.
UCB Main PS3503.A923 W6385 2000
UCB Morrison PS3503.A923 W6385 2000

Selcer, R.F.
"Home sweet movies. From Tara to Oz and home again."Journal of Popular Film and Television XVIII/2, Summer 90; p.52-63.
Following their 50th anniversary, a reassessment of "Gone with the wind" and "The Wizard of Oz", showing how each endorsed the MGM values of the 1930's, and the message 'there is no place like home'.

Street, Douglas.
"The Wonderful Wiz That Was: The Curious Transformation of The Wizard of Oz." Kansas Quarterly vol. 16 no. 3. 1984 Summer. pp: 91-98.

Zornado, Joseph.
"Swaddling the Child in Children's Literature." Children's Literature Association Quarterly (CLAQ), San Marcos, TX. ISSUE: vol. 22 no. 3. 1997 Fall. PAGES: 105-12.

Samuel Beckett

Film

Bouchard, Norma.
"Film in Context(s)." Samuel Beckett Today/Aujourd'hui: An Annual Bilingual Review/Revue Annuelle Bilingue. 7: 121-33. 1998.

Brater, Enoch.
"The Thinking Eye in Beckett's Film." Modern Language Quarterly. 36: 166-76. 1975.

Brederoo, Nico J.; Kosters, Onno (translator).
"Beckett's Film: An Essay." Samuel Beckett Today/Aujourd'hui: An Annual Bilingual Review/Revue Annuelle Bilingue. 1: 158-70. 1992.

Dodsworth, Martin.
"Film and the Religion of Art." In: Beckett the shape changer: a symposium / edited by Katharine Worth. pp: 161-82 London; Boston: Routledge & K. Paul, 1975.
Main Stack PR6003.Be282.Z572 1975

Federman, Raymond.
"Samuel Beckett's Film on the Agony of Perceivedness." James Joyce Quarterly. 8: 363-71.

Fehsenfeld, Martha.
"Beckett's Late Works: An Appraisal." Modern Drama. 25 (3): 355-362. 1982 Sept.

Feshbach, Sidney.
"Unswamping a Backwater: On Samuel Beckett's Film." In: Samuel Beckett and the arts: music, visual arts, and non-print media / edited by Lois Oppenheim. pp: 333-63 New York: Garland, 1999. Garland reference library of the humanities ; vol. 2036. Garland reference library of the humanities. Border crossings ; v. 2.
Main Stack PR6003.E282.Z79995 1999

Fischer, Ernst. Bostock, Anna, tr..
"Samuel Beckett: Play and Film." Mosaic: A Journal for the Interdisciplinary Study of Literature. 2 (2): 96-116. 1969.

Hampton, Charles C.,Jr.
"Samuel Beckett's Film." Modern Drama. 11: 299-305. 1968.

Henning, Sylvie Debevec.
"Samuel Beckett's Film and La Derniere Bande: Intratextual and Intertextual Doubles." Symposium: A Quarterly Journal in Modern Literatures. 35 (2): 131-135. 1981 Summer 1981.

Henning, Sylvie Debevec.
"Film: A Dialogue between Beckett and Berkeley." Journal of Beckett Studies. 7: 89-99. 1982 Spring.

Henning, Sylvie Debevec.
"Narrative and Textual Doubles in the Works of Samuel Beckett." Sub-stance. 29: 97-104. 1980

Kalb, Jonathan.
"The Mediated Quixote: The Radio and Television Plays, and Film." In: The Cambridge companion to Beckett / edited by John Pilling. pp: 124-44 Cambridge [England] ; New York, NY, USA: Cambridge University Press, 1994. Cambridge companions to literature.
Main Stack PR6003.E282.Z585 1994
Moffitt PR6003.E282.Z585 1994

Kundert-Gibbs, John L.
"Continued Perception: Chaos Theory, the Camera, and Samuel Beckett's Film and Television Work." In: Samuel Beckett and the arts: music, visual arts, and non-print media / edited by Lois Oppenheim. pp: 365-84 New York: Garland, 1999. Garland reference library of the humanities ; vol. 2036. Garland reference library of the humanities. Border crossings ; v. 2.
Main Stack PR6003.E282.Z79995 1999

Murphy, Vincent J.
"Being and Perception: Beckett's Film." Modern Drama. 18: 43-48. 1975

Perlmutter, Ruth.
"Beckett's Film and Beckett and Film." Journal of Modern Literature. 6: 83-94. 1977.

Reid, Alec.
"Beckett, the Camera, and Jack MacGowran." In: Myth and reality in Irish literature / edited by Joseph Ronsley. pp: 219-25 Waterloo, Ont.: Wilfrid Laurier University Press, c1977.
Main Stack PR8714.M95

Ross, Ciaran.
"The Face in the Mirror: A Comparison Between Waiting for Godot and Film." In: The savage eye = l'oeil fauve: new essays on Samuel Beckett's television plays / edited by Catharina Wulf. pp: 123-37 Amsterdam ; Atlanta, GA: Rodopi, 1995. Samuel Beckett today/aujourd'hui ; 4
Main Stack PR6003.E282.Z824 1995

Schneider, Alan.
"On Directing Film." Samuel Beckett Today/Aujourd'hui: An Annual Bilingual Review/Revue Annuelle Bilingue. 4: 29-40. 1995.

Schneider, Alan.
"On Directing Film." In: The savage eye = l'oeil fauve: new essays on Samuel Beckett's television plays / edited by Catharina Wulf. pp: 29-40 Amsterdam ; Atlanta, GA: Rodopi, 1995. Samuel Beckett today/aujourd'hui ; 4
Main Stack PR6003.E282.Z824 1995

Trezise, Thomas.
"On Samuel Beckett's Film." In: Literary generations: a Festschrift in honor of Edward D. Sullivan / by his friends, colleagues and former students pp: 236-42, Lexington, Ky.: French Forum, c1992. French Forum monographs ; 78
Main Stack PQ36.S9.T6 1992

Van Wert, William F.
"'To Be Is to Be Perceived': Time and Point of View in Samuel Beckett's Film." Literature/Film Quarterly. 8: 133-40. 1980.

Walton, Jean.
"Seeking Out the Absent One of Samuel Beckett's Film." New Orleans Review. 19 (3-4): 126-35. 1992 Fall-Winter.

Ambrose Bierce

Barrett, Gerald R.
From fiction to film: Ambrose Bierce's "An occurrence at Owl Creek Bridge" [compiled by] Gerald R. Barrett [and] Thomas L. Erskine. Encino, Calif., Dickenson Pub. Co. [1973]. Series title: The Dickenson literature and film series.
UCB Bancroft PS1097.O3 B37

Jorge Luis Borges

Acosta, Marta.
"Borges and Bertolucci: Two Conceptions of the Traitor and the Hero." Lucero: a Journal of Iberian & Latin American Studies. 4:65-69. 1993 Spring

Arrington, Melvin S., Jr.
"Narrative Authority in Fiction and Film: The Case of Borges's 'El muerto'." Romance Notes. 31(2):133-39. 1990 Winter

Cozarinsky, Edgardo.
Borges in/and/on film / Edgardo Cozarinsky; translated by Gloria Waldman and Ronald Christ. New York, NY: Lumen Books, c1988.
UCB Main PQ7797.B635 Z66383 1988
UCB Moffitt PQ7797.B635 Z66383 1988

Incledon, John.
"From Short Story to Feature Film: Three from Latin America." Anuario de Cine y Literatura en Espanol: an International Journal on Film & Literature. 1:47-53. 1995

Pena, Richard.
"Borges and the New Latin American Cinema." In: Borges and his successors: the Borgesian impact on literature and the arts / edited by Edna Aizenberg. pp: 229-243. Columbia: University of Missouri Press, c1990.
Main Stack PQ7797.B635.Z63464 1990
Moffitt PQ7797.B635.Z63464 1990

Silverman, Kaja.
"Splits: Changing the Fantasmatic Scene." Revista de Estudios Hispanicos. 22(3):65-86. 1988

Charlotte Bronte

Jane Eyre

Alleva, Richard.
"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996)Commonweal v123, n11 (June 1, 1996):18 (2 pages).

Atkins, Elizabeth.
"Jane Eyre Transformed." Literature/ Film Quarterly vol. 21 no. 1. 1993. pp: 54-60.
The 1943 movie version of Charlotte Bronte's 'Jane Eyre' does not adequately represent the novel's major themes. Aldous Huxley, Robert Stevenson and John Houseman's adaptation does not include any of the novel's female role-models or reflect the independence of Jane. Instead of achieving economic self-sufficiency and emotional independence as she does in the novel, Jane ends up being a charity case in a man's world. The reasons for such drastic thematic changes include 1930 Production Code and the time limits that accompany film-making. Regardless, the adaptation fails because it deliberately moves away from Bronte's Victorian feminism.

Bibliography of Film, Television and Stage Adaptations of "Jane Eyre"
Bronte Society, Transactions 20:3 (1991) 169

Bowman, James.
"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) American Spectator v29, n6 (June, 1996):58 (2 pages).

Campbell, Gardner.
"The presence of Orson Welles in Robert Stevenson's Jane Eyre (1944)." Literature/Film Quarterly (31:1) 2003, 2-9. (2003)
UC users only

Cheshire, Godfrey.
"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Variety v362, n10 (April 8, 1996):58 (2 pages).

Chow, Rey.
"When Whiteness Feminizes ...: Some Consequences of a Supplementary Logic." Differences: a Journal of Feminist Cultural Studies. 11(3):137-68. 1999-2000

Ellis, Kate.
"Feminism in Bronte's Novel and Its Film Versions." In: The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 83-94. New York: Ungar, [1981]. Series title: Ungar film library.
UCB Main PN1997.85 .E53
UCB Moffitt PN1997.85 .E53
Also in: Nineteenth-century women at the movies : adapting classic women's fiction to film / edited by Barbara Tepa Lupack. Bowling Green, OH : Bowling Green State University Popular Press, c1999.
Main Stack PN1997.85.N56 1999

Felperin, Leslie.
"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Sight and Sound v6, n10 (Oct, 1996):43 (2 pages).

Fuller, Graham.
"That unhappy governess, again." (production of Franco Zefferelli's 'Jane Eyre' motion picture) New York Times v145, sec2 (Sun, April 7, 1996):H13(N), H13(L), col 1, 33 col in.

Harrington, John.
"Wyler as Auteur." In: The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 67-82. New York: Ungar, [1981]. Series title: Ungar film library.
UCB Main PN1997.85 .E53
UCB Moffitt PN1997.85 .E53

Higashi, Sumiko
""Jane Eyre": Charlotte Bronte Vs. The Hollywood Myth Of Romance." Journal of Popular Film 6:1 (1977) 13

Holden, Stephen.
"Jane Eyre." (movie reviews) New York Times v145 (Fri, April 12, 1996):B9(N), C5(L), col 1, 18 col in.

Hopkins, Lisa
"Jane Eyre and Dracula." In: Screening the gothic. Austin, TX : University of Texas Press, c2005.
MAIN: PR408.G68 H67 2005

Hopkins, Lisa.
"The Red and the Blue: Jane Eyre in the 1990s." In: Classics in film and fiction / edited by Deborah Cartmell ... [et al.]. pp: 54-69. London ; Sterling, Va.: Pluto Press, 2000. Film/fiction ; v. 5
Main Stack PN1997.85.C56 2000

"Is this Film the Real "Jane Eyre"?" Bronte Society, Transactions and Other Publications 10:54 (1944) 225

Johnson, Brian D.
"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Maclean's v109, n19 (May 6, 1996):60.

Kissin, Eva H.
"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) Films in Review v47, n9-10 (Sept-Oct, 1996):62.

Lee, Soyoung.
"Jane's Progress in Three Film Adaptations of Jane Eyre." Feminist Studies in English Literature. 10(2):277-307. 2002 Winter

Nudd, Donna Marie.
"Rediscovering Jane Eyre through Its Adaptations." In: Approaches to Teaching Bronte's Jane Eyre / edited by Diane Long Hoeveler and Beth Lau. pp: 139-47. New York: Modern Language Association of America, 1993. Approaches to teaching world literature; 42
Main Stack PR4167.J5.A66 1993
Moffitt PR4167.J5.A66 1993

Palmer, James W.
"Fiction into Film: Delbert Mann's Jane Eyre." (an Edited Interview) Studies in the Humanities, vol. 5, no. 2, pp. 3-8, 1976.

Riley, Michael (Claremont Men's College)
"Gothic Melodrama and Spiritual Romance: Vision and Fidelity in Two Versions of "Jane Eyre"." Literature/Film Quarterly 3:2 (1975:Spring) 145

Sconce, Jeffrey.
"Narrative Authority and Social Narrativity: The Cinematic Reconstitution of Bronte's Jane Eyre." Wide Angle Baltimore, MD. ISSUE: vol. 10 no. 1. 1988. pp: 46-61.

Sconce, Jeffrey.
"Narrative authority and social narrativity: the cinematic reconstitution of Bronte's Jane Eyre." In: The Studio System / edited, and with an introduction by Janet Staiger. pp: 140-62. New Brunswick, N.J.: Rutgers University Press, c1995. Rutgers depth of field series
Main Stack PN1993.5.U65.S77 1995
Bancroft PN1993.5.U65.S77 1995

Simon, John.
"Jane Eyre." (movie reviews)(Franco Zeffirelli, 1996) National Review v48, n11 (June 17, 1996):57.

Wuthering Heights (Luis Bunuel)

Wuthering Heights (William Wyler)

Atkinson, Michael
"Film enchant?: out of the nursery, into the night." Film Comment Vol XXXIV nr 6 (Nov-Dec 1998); p 34-38
Defines a genre called 'film enchant?' which combines fantasy, romance and escapism and is visually often expressionistic and theatrical, including films such as Max Reinhardt's "Midsummer night's dream", "The wizard of Oz" and "Wuthering Heights".

Collick, John.
"Dismembering Devils: The Demonology of Arashi ga oka (1988) and Wuthering Heights (1939)." In: Novel Images: Literature in Performance/ edited by Peter Reynolds. pp: 37-47. London; New York: Routledge, 1993.
Main Stack PN1995.3.N68 1993

Goddard, Kevin.
"'Looks Maketh the Man': The Female Gaze and the Construction of Masculinity." Journal ofMen's Studies: a Scholarly Journal About Men & Masculinities. 9(1):23-39. 2000 Fall

Haire-Sargeant, Lin.
"Sympathy for the Devil: The Problem of Heathcliff in Film Versions of Wuthering Heights." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. pp: 167-91. Bowling Green, OH: Bowling Green State University Popular Press, c1999.
Main Stack PN1997.85.N56 1999

Harrington, John.
"Wyler as Auteur." The English Novel and the Movies / edited by Michael Klein and Gillian Parker. pp: 67-82. New York: Ungar, c1981
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Hinton, Laura.
"Sentimental nature in Wuthering Heights: or William Wyler meets Emily Bront? on the Yorkshire Moors." In: The perverse gaze of sympathy: sadomasochistic sentiments from Clarissa to Rescue 911 / Laura Hinton. Albany: State University of New York Press, c1999. SUNY series in feminist criticism and theory.
Main Stack PR830.S45.H56 1999

Lawson-Peebles, Robert.
"European Conflict and Hollywood's Reconstruction of English Fiction." Yearbook of English Studies vol. 26. 1996. pp: 1-13.

Lee, Soyoung.
"Against the Male Gaze: Wuthering Heights and Its Three Film Adaptations." British & American Fiction to 1900. 8(2):201-28. 2001 Winter

Mills, Pamela.
"Wyler's Version of Bronte's Storms in Wuthering Heights." Literature/ Film Quarterly vol. 24 no. 4. 1996. pp: 414-22.
" Emily Bronte's "Wuthering Heights" and William Wyler's film version of the novel are both successful works of art, in part because Wyler and the screenwriters recognized the need to pare down the story for the motion picture audience. The first person narration was retained but it was used to telescope from scene to scene. Storm imagery was used to represent the troubled emotional states of the main characters. Unfortunately, Heathcliff's character was made less complex and more favorable, and Catherine does not reveal her devotion to him as consistently." [Expanded Academic Index]

Stoneman, Patsy.
"The Bronte Legacy: Jane Eyre and Wuthering Heights as Romance Archetypes." Rivista di Studi Vittoriani vol. 3 no. 5. 1998 Jan. pp: 5-24.

"Wuthering Heights, film." Theatre Arts 23 (1939) 426-427

"Wuthering Heights in 1939: Novel, Film and Propaganda."
Bront? Society, Transactions 20:5 (1992) 283

Pearl S. Buck

Hoban, James L., Jr.
"Scripting The Good Earth: Versions of the Novel for the Screen." In: The Several worlds of Pearl S. Buck : essays presented at a centennial symposium, Randolph-Macon Woman's College, March 26-28, 1982. pp: 127-44. Westport, Conn.: Greenwood Press, 1994. Contributions in women's studies ; no. 144 (Main Stack PS3503.U198.Z815 1994)

Leong, Karen J.
The China mystique : Pearl S. Buck, Anna May Wong, Mayling Soong, and the transformation of American Orientalism. Berkeley: University of California Press, c2005.
MOFF: E183.8.C5 L386 2005

Spencer, Stephen.
"Popular Culture and Rural Dream: Cultural Contexts and the Literary History of The Good Earth." Atenea. 20(2 (3a)):125-37. 2000 July

Xiao, Zhiwei.
"Nationalism, Orientalism, and an Unequal Treatise of Ethnography: The Making of The Good Earth." In: The Chinese in America: a history from Gold Mountain to the new millennium / edited by Susie Lan Cassel. pp: 274-90. Walnut Creek, CA: AltaMira Press, c2002. Critical perspectives on Asian Pacific Americans series.
Main Stack E184.C5.C4928 2002
Asian Amer E184.C5.C4928 2002

Lewis Carroll

Higdon, David Leon; Lehrman, Phill.
"Huxley's 'Deep Jam' and the Adaptation of Alice in Wonderland." Review of English Studies 1992 Feb, 43:169, 57-74.

Long, Carol Y.
"Alice's Adventures in Wonderland: From Book to Big Screen." In: Rollin-Lucy (ed. and introd.); May-Jill-P. (foreword). The Antic Art: Enhancing Children's Literary Experiences through Film and Video. pp: 131-40 Fort Atkinson, WI: Highsmith, 1993. xvi, 244 pp.
No UCB Holdings

McGillis, Roderick.
"Novelty and Roman Clement: Two Versions of Alice." In: Children's novels and the movies / edited by Douglas Street. pp: 15-27 New York: F. Ungar Pub. Co., c1983.
Moffitt PN1997.85.C44 1983

Schaefer, David; Schaefer, Maxine.
"The First Alice Motion Picture." Jabberwocky: The Journal of the Lewis Carroll Society, 1976, 5, 50-51.

Schaefer, David
"The Film Collector's Alice: An Essay and Checklist." In: Lewis Carroll observed: a collection of unpublished photographs, drawings, poetry, and new essays / edited by Edward Guiliano. pp: 196-207 New York: C. N. Potter: distributed by Crown Publishers, c1976.
Main Stack PR4612.L4541 1976

Sibley, Brian.
"Alice on the Mountain of Dreams: An Appreciation of the 1933 Paramount Film of Alice in Wonderland." Jabberwocky: The Journal of the Lewis Carroll Society, 1979 Summer, 8:3, 56-65.

William Burroughs

Naked Lunch

Jane Campion

The Piano

Anton Chekhov

Deltcheva, Roumiana. Vlasov, Eduard.
"Back to the House: On the Transformation of Spatial Forms in Screening Cechov." Russian Literature. 42(1):1-16. 1997 July 1

French, Philip.
"Chekhov on Screen." In: The Cambridge companion to Chekhov / edited by Vera Gottlieb and Paul Allain. pp: 149-61. Cambridge; New York: Cambridge University Press, 2000. Cambridge companions to literature.
Main Stack PG3458.Z8.C36 2000

Hollosi, Clara.
"Chekhov's 'Three Sisters' on Screen: A Literary View." Studia Slavica Academiae Scientiarum Hungaricae. 35(3-4):349-54. 1989

Olshanskaya, Natalia L.
"Opposition or Identification: Chekhov's Plays on Screen." West Virginia University Philological Papers. 47:69-73. 2001

Palmer, James
"Mastering Chekhov: Heifitz's 'The Lady with the Dog.'" Literature-Film Quarterly Oct 1991 v19 n4 p252(6)
"Josef Heifitz's careful adaptation of Anton Chekhov's 'The Lady with the Dog' (1960) succeeds in the difficult task of maintaining the story's slow pace and complexity. Heifitz does not emphasize action, mirroring Chekhov's literary style by allowing gestures or phrases to convey meaning. While Heifitz does alter the characters in small ways, the film is true to Chekhov's vision." [Expanded Academic Index]

Stenberg, Douglas G.
"Who Shot the Seagull? Anton Chekhov's Influence on Woody Allen's Bullets over Broadway." Literature-Film Quarterly. 26(3):204-13. 1998

Vanya on 42nd Street (Uncle Vanya)

Stenberg, Douglas.
"Checkov's Uncle Vanya Translated on 42nd Street." Literature-Film Quarterly. 30(1):24-28. 2002

Raymond Chandler

Separate bibliography of books/articles about The Big Sleep
Separate bibliography of books/articles about Murder My Sweet

Clark, Al.
Raymond Chandler in Hollywood / Al Clark. London; New York: Proteus, 1983, c1982.
UCB Main PS3505.H3224 Z55 1983

Luhr, William.
Raymond Chandler and film / William Luhr. 2nd ed. Tallahassee: Florida State University Press; Gainesville, FL: University Presses of Florida [distributor], c1991.
UCB Main PS3505.H3224 Z69 1991

Pendo, Stephen
Raymond Chandler on screen: his novels into film / by Stephen Pendo. Metuchen, N.J.: Scarecrow Press, 1976.
NRLF B 3 160 145

Phillips, Gene D.
Creatures of darkness: Raymond Chandler, detective fiction, and film noir / Gene D. Phillips. Lexington: University Press of Kentucky, c2000.
UCB Main PS3505.H3224 Z836 2000

Syamala, T.
"Film Noir: Contribution of Raymond Chandler to American Cinema." Indian Journal of American Studies. 25(2):77-81. 1995 Summer

Chaucer

See United Kingdom cinema bibliography

Jean Cocteau

Bibliographies of books/articles about:
Beauty and the Beast
Blood of a Poet
Orpheus

Greene, Naomi.
"Jean Cocteau: A Cinema of Baroque Unease." Bucknell Review: a Scholarly Journal of Letters, Arts & Sciences. 41(1):130-47. 1997

MacLeay, Daniel A.
"Vision and Re-Vision: The Restoration of Films by Jean Cocteau and Alain Resnais." Publications of the Missouri Philological Association. 25:107-12. 2000

Turk, Edward Baron
"The Film Adaptation of Cocteau's "Les Enfants terribles"." Cinema Journal 19:2 (1980:Spring) 25

Willem, Linda M.
"Almodovar on the Verge of Cocteau's La Voix humaine." Literature-Film Quarterly. 26(2):142-47. 1998

Noel Coward

Day, Barry.
Coward on film : the cinema of Noel Coward Lanham, Md. : Scarecrow Press, c2005.
MAIN: PR6005.O85 Z6235 2005

Richard Condon

Manchurian Candidate

Prizzi's Honor

Joseph Conrad

separate bibliography of books/articles on Apocalypse Now! (Heart of Darkness) and Sabotage (based on Secret Agent)

Conrad on film
Edited by Gene M. Moore. Cambridge, U.K.; New York, NY: Cambridge University Press, 1997.
UCB Main PR6005.O4 Z581165 1997

Curreli, Mario
"Conrad and Scola: Transposing the Heart of Darkness into Film." In: The poetics of transubstantiation : from theology to metaphor / edited by Douglas Burnham, Enrico Giaccherini. Aldershot, Hampshire, England ; Burlington, Vt. : Ashgate, c2005. Series Studies in European cultural transition ; v. 27
Main Stack PR408.C47.P64 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0418/2004012172.html Burnham, Douglas (ed. and foreword); Giaccherini, Enrico (ed. and foreword). 2005. The Poetics of Transubstantiation: From Theology to Metaphor. (pp. 126-36). Aldershot, England: Ashgate, xiv, 181 pp.

DeBona, G.
"Into Africa: Orson Welles and Heart of darkness." Cinema Journal v. 33 (Spring 1994) p. 16-34

Dryden, Linda J.
"'To Boldly Go': Conrad's Heart of Darkness and Popular Culture." Conradiana: A Journal of Joseph Conrad Studies, vol. 34, no. 3, pp. 149-70, Fall 2002

Hand, Richard J.
"Christopher Hampton's Adaptation of Joseph Conrad's The Secret Agent." Conradiana. 32(3):195-202. 2000

Phillips, Gene D.
Conrad and cinema: the art of adaptation / Gene D. Phillips. New York: P. Lang, c1995. Series title: Ars interpretandi (New York, N.Y.); v. 4.
UCB Moffitt PR6005.O4 Z78496 1995

Phillips, Gene D.
"To Sup on Horrors: Christopher Hampton's Film Version of Joseph Conrad's Secret Agent." Literature/Film Quarterly, vol. 27, no. 3, pp. 173-77, 1999
UC users only

Phillips, Gene D.
"Exiled in Eden: Screen Versions of Conrad's Nostromo." Literature-Film Quarterly. 26(4):288-95. 1998

Phillips, Gene D.
"To sup on horrors: Christopher Hampton's film version of Joseph Conrad's Secret Agent." Literature/Film Quarterly (27:3) 1999:3, 173-7.
UC users only

Wollaeger, Mark A.
"Killing Stevie: Modernity, Modernism, and Mastery in Conrad and Hitchcock." (novelist Joseph Conrad and filmmaker Alfred Hitchcock) Modern Language Quarterly v58, n3 (Sept, 1997):323 (28 pages).
UC users only

James F. Cooper

See separate bibliograpy of books/articles about Last of the Mohicans

Charles Dickens

Afnan, Elham.
"Imaginative Transformations' Great Expectations and Sunset Boulevard." Dickensian. 94(1 (444)):5-12. 1998 Spring
UC users only

Alber, Jan
Narrating the prison : role and representation in Charles Dickens' novels, twentieth-century fiction, and film Youngstown, N.Y. : Cambria Press, c2007.
MAIN: PR4575 .A43 2007
Table of contents http://www.loc.gov/catdir/toc/ecip0710/2007006227.html

Altman, Rick.
"Dickens, Griffith, and Film: Theory Today." In: Classical Hollywood narrative: the paradigm wars / edited by Jane Gaines. pp: 9-47. Durham: Duke University Press, 1992.
Main Stack PN1995.C537 1992

Altman, Rick.
"Dickens, Griffith, and Film: Theory Today." South Atlantic Quarterly. 88(2):321-359. 1989 Spring.

Balcerzak, Scot
"Dickensian Orphan as Child Star: Freddie Bartholomew and the Commodity of Cute in MGM's David Copperfield (1935)" Literature/Film Quarterly, vol. 33, no. 1, pp. 51-61, 2005.
UC users only

Baston, Jane.
"Word and Image: The Articulation and Visualization of Power in Great Expectations." Literature-Film Quarterly. 24(3):322-31. 1996
UC users only

Bialkowski, Brian
"Facing up to the question of fidelity: The example of A Tale of Two Cities" Literature/Film Quarterly (29:3) 2001:3 , 203-209 (2001)
UC users only

Caramagno, Thomas Carmelo.
"The Dickens Revival at the Bijou: Critical Reassessment, Film Theory, and Popular Culture." New Orleans Review. 15(3):88-96. 1988 Fall.

Connelly, Mark
"God Bless Us, Every One: Movie Adaptations of A Christmas Carol." In: Christmas at the Movies : Images of Christmas in American, British and European Cinema London ; New York : I.B. Tauris Publishers ; New York, NY : Distributed in the United States and Canada by St. Martin's Press, 2000.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1995.9.C5113 C66 2000

Crabbe, Katharyn.
"Lean's "Oliver Twist": Novel to Film." Film Criticism, Fall77, Vol. 2 Issue 1, p46-51, 6p
UC users only

Davis, Hugh H..
"A Weirdo, a Rat, and a Humbug: The Literary Qualities of The Muppet Christmas Carol." Studies in Popular Culture. 21(3):95-105. 1999 Apr

Davis, Paul B.
The lives and times of Ebenezer Scrooge / Paul Davis. New Haven: Yale University Press, 1990.
Main Stack PR4572.C7.D38 1990

DeBona, Guerric.
"Dickens, the Depression, and MGM's David Copperfield." In:
Film adaptation / edited and with an introduction by James Naremore. pp: 106-128. New Brunswick, N.J.: Rutgers University Press, c2000. Series title: Rutgers depth of field series.
UCB Main PN1997.85 .F55 2000

DeBona, Guerric.
"Doing Time, Undoing Time: Plot Mutation in David Lean's Great Expectations." Literature-Film Quarterly. 20(1):77-100, 54. 1992.
UC users only

Eaton, Michael.
"Great Expectations: Michael Eaton on Adapting Dickens." In: Film/literature/heritage
Edited by Ginette Vincendeau. pp: 286-87. London: British Film Institute, 2001. Series title: Sight and sound reader.
UCB Main PN1995.3 .F54 2001

Giddings, Robert.
"Great Misrepresentations: Dickens and Film." Critical Survey. 3(3):305-12. 1991.

Giddings, Robert.
Screening the novel: the theory and practice of literary dramatization / Robert Giddings, Keith Selby, Chris Wensley. New York: St. Martin's Press, 1990.
UCB Main PN1995.3 .G53 1990

Guida, Fred.
A Christmas carol and its adaptations: a critical examination of Dickens's story and its productions on screen and television / by Fred Guida; with a foreword by Edward Wagenknecht. Jefferson, N.C.: McFarland & Co., c2000.
UCB Main PR4572.C7 G85 2000

Innes, Christopher.
"Adapting Dickens to the Modern Eye: Nicholas Nickleby and Little Dorrit." In: Novel images: literature in performance / edited by Peter Reynolds. pp: 64-79. London ; New York: Routledge, 1993.
Main Stack PN1995.3.N68 1993

John, Juliet.
"Fagin, the Holocaust and mass culture; or, Oliver Twist on screen." Dickens Quarterly (22:4) 2005, 204-23. (2005)

Johnson, Michael K.
"Not Telling the Story the Way It Happened: Alfonso Cuarón's Great Expectations." Literature/Film Quarterly. 2005. Vol. 33, Iss. 1; p. 62 (17 pages)
UC users only

Keyser, Lester J.
"A Scrooge for All Seasons." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 121-131. New York: Ungar, c1981
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Luhr, William.
" Dickens's Narrative, Hollywood's Vignettes." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 132-142. New York: Ungar, c1981
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Manning, Sylvia.
"Murder in Three Media: Adaptations of Oliver Twist." Dickens Quarterly. 4(2):99-108. 1987 June.

MacKay, Carol Hanbery.
"A Novel's Journey into Film: The Case of Great Expectations." Literature-Film Quarterly. 13(2):127-134. 1985.

McKee, Al
"Art or Outrage?: "Oliver Twist" and the Flap over Fagin." Film Comment 36:1 [January-February 2000] p.40-41, 43-45

Marsh, Joss.
"Dickens and Film." In: The Cambridge companion to Charles Dickens / edited by John O. Jordan. pp: 204-23. Cambridge ; New York: Cambridge University Press, 2001. Cambridge companions to literature.
Main Stack PR4588.C26 2001

McFarlane, Brian.
"David Lean's Great Expectations-Meeting Two Challenges." Literature-Film Quarterly. 20(1):68-76. 1992.
UC users only

McKee, Alan.
"Art or outrage? Oliver Twist and the flap over Fagin." Film Comment; Vol.XXXVI nr.1 (Jan-Feb 2000); p.40-41.
On the controversy surrounding the portrayel of Fagin in David Lean's film "Oliver Twist".

Moynahan, Julian.
"Seeing the Book, Reading the Movie." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 143-154. New York: Ungar, c1981
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Paganoni, Maria Cristina
"From Book to Film: The Semiotics of Jewishness in Oliver Twist." Dickens Quarterly, Dec2010, Vol. 27 Issue 4, p307-320, 14p
UC users only

Petrie, Graha.
"Dickens, Godard, and the Film Today." Yale Review. 64:185-201. 1974.

Pointer, Michael.
Charles Dickens on the screen: the film, television, and video adaptations / Michael Pointer; consulting editor, Anthony Slide. Lanham, Md.: Scarecrow Press, c1996.
UCB Main PR4575 .P65 1996

Poole, Mike.
"Dickens and Film: 101 Uses of a Dead Author Vision." In: The Changing world of Charles Dickens / edited by Robert Giddings. PP: 148-162. London: Vision ; Totowa, NJ: Barnes & Noble, 1983. Critical studies series.
Main Stack PR4588.C35 1983
Moffitt PR4588.C35 1983

Powell, Dily.
"Postscript: Dickens on Film." Dickensian. 66:183-85. 1970.

Riley, Michael M.
"Dickens and Film: Notes on Adaptation." Dickens Studies Newsletter. 5:110-12. 1974.

Schappes, Morris. U.
"Oliver Twist and Anti-Semitism" In: Celluloid Power: Social film Criticism from 'The Birth of a Nation' to 'Judgment at Nuremberg'. Edited by David Platt, pp. 453-456. Metuchen, NJ: Scarecrow Press, 1992.
Main Stack PN1995.9.P6.C44 1992

Silver, Alain.
"The Untranquil Light: David Lean's Great Expectations." Literature Film Quarterly, Spring74, Vol. 2 Issue 2, p140, 14p
UC users only

Sinyard, Neil.
"Dickensian Visions in Modern British Film." Dickensian. 85(2 (418)):108-117. 1989 Summer.

Smith, Grahame.
"Dickens and Adaptation: Imagery in Words and Pictures" In: Novel images: literature in performance / edited by Peter Reynolds. pp: 49-63. London ; New York: Routledge, 1993.
Main Stack PN1995.3.N68 1993

Smith, Grahame.
Dickens and the dream of cinema / Grahame Smith. Manchester ; New York: Manchester University Press ; New York: Distributed exclusively in the U.S.A. by Palgrave, 2003.
Main Stack PR4588.S58 2003

Stewart, Garrett.
"Leaving History: Dickens, Gance, Blanchot." Yale Journal of Criticism. 2(2):145-190. 1989 Spring.

Tharaud, Barry.
"Great Expectations as Literature and Film." Dickensian. 87(2 (424)):102-10. 1991 Summer.

Tharaud, Barry.
"Two Film Versions of Oliver Twist: Moral Vision in Film and Literature." Dickens Studies Newsletter. 11:41-46. 1980.

Wees, William C.
"Dickens, Griffith and Eisenstein: Form and Image in Literature and Film." The Humanities Association Review/La Revue de L'Association des Humanites. 24:266-76. 1973.

Zambrano, Ana Laur.
"David Copperfield: Novel and Films." University of Hartford Studies in Literature: a Journal of Interdisciplinary Criticism. 9:1-16. 1977.

Zambrano, Ana Laur.
"Great Expectations: Dickens and David Lean." Literature/Film Quarterly. Spring 1974. Vol. 2, Iss. 2; p. 154 (8 pages)
UC users only

Zambrano, Ana Laur.
"Feature Motion Pictures Adapted from Dickens: A Checklist - Part II." Dickens Studies Newsletter. 6:9-13. 1975. B

Arthur Conan Doyle

Haydock, Ron.
Deerstalker!: Holmes and Watson on screen by by Ron Haydock. Metuchen, N.J.: Scarecrow Press, 1978.
NRLF B 3 567 964

Steinbrunner, Chris.
The films of Sherlock Holmes / by Chris Steinbrunner and Norman Michaels. 1st ed. Secaucus, N.J.: Citadel Press, 1978.
UCB Main PN1995.9.S5 S7 1978

William Faulkner

Arnold, Edwin T. (ed.).
"Faulkner and Film." The Faulkner Journal. 16(1-2). 2000 Fall-2001 Spring.

Arnold, Edwin T.
"Faulkner Writ Large/Faulkner Ritt Small." The Faulkner Journal. 16(1-2):3-6. 2000 Fall-2001 Spring

Baldwin, Doug.
"Putting Images into Words: Elements of the 'Cinematic' in William Faulkner's Prose." The Faulkner Journal. 16(1-2):35-64. 2000 Fall-2001 Spring

Dardis, Tom.
"The Myth That Won't Go Away: Selling Out in Hollywood." Journal of Popular Film & Television. 11(4):167-171. 1984

Degenfelder, E. Pauline.
"The Four Faces of Temple Drake: Faulkner's Sanctuary, Requiem for a Nun, and the Two Film Adaptations." American Quarterly. 28:544-60. 1976.

Fadiman, Regina.
"Hollywood's Use/Abuse of Faulkner." Mississippi Quarterly. 42(3):333-337. 1989 Summer

Faulkner and Yoknapatawpha Conference (5th: 1978: University of Mississippi)
Faulkner, modernism, and film / Faulkner and Yoknapatawpha, 1978; edited by Evans Harrington and Ann J. Abadie. Jackson: University Press of Mississippi, 1979.
UCB Main PS3511 Fa86 .Z489 1978
UCB Moffitt PS3511.A86 .Z489.1978

Folks, Jeffrey J.
"William Faulkner and the Silent Film." The Southern Quarterly. 19(3-4):171-182. 1981 Spring-Summer.

Hannon, Charles.
"Race Fantasies: The Filming of Intruder in the Dust." In: Faulkner in cultural context: Faulkner and Yoknapatawpha, 1995 / edited by Donald M. Kartiganer and Ann J. Abadie. pp: 263-83. Jackson: University Press of Mississippi, c1997. Faulkner and Yoknapatawpha.
Main Stack PS3511.A86.Z78321185 1997

Hayhoe, George F.
"Faulkner in Hollywood: A Checklist of His Film Scripts at the University of Virginia." Mississippi Quarterly: The Journal of Southern Culture. 31:407-19. 1978

Heller, Terry L.
"Intruders in the Dust: The Representation of Racial Problems in Faulkner's Novel and in theMGM Film Adaptation." Coe Review 8:79-90. 1977

Hulsey, Dallas.
"'I Don't Seem to Remember a Girl in the Story': Hollywood's Disruption of Faulkner's All-Male Narrative in Today We Live." The Faulkner Journal. 16(1-2):65-77. 2000 Fall-2001 Spring

Kawin, Bruce F.
Faulkner and film / Bruce F. Kawin. New York: F. Ungar, c1977. Series title: Ungar film library.
UCB Main PS3511 .Fa86Z859
UCB Moffitt PS3511.A86 .Z859

Kenner, Hugh.
"Faulkner and Joyce." In: Faulkner and Yoknapatawpha Conference (5th: 1978: University of Mississippi) Faulkner, modernism, and film: Faulkner and Yoknapatawpha, 1978 / edited by Evans Harrington and Ann J. Abadie. pp: 20-33. Jackson: University Press of Mississippi, 1979
Main Stack PS3511 Fa86.Z489 1978
Moffitt PS3511.A86.Z489.1978

Kodat, Catherine Gunther.
"Pulp Fictions: Reading Faulkner for the 21st Century." The Faulkner Journal. 12(2):69-86. 1997

Li, Stephanie.
"Intruder in the Dust from Novel to Movie: The Development of Chick Mallison." The Faulkner Journal. 16(1-2):105-18. 2000 Fall-2001 Spring

Lurie, Peter
Faulkner, film, and the popular imagination Baltimore : Johns Hopkins University Press, 2004.
MAIN: PS3511.A86 Z884 2004; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip0410/2003023209.html

Lurie, Peter
"Some trashy myth of reality's escape": romance, history, and film viewing in 'Absalom, Absalom!" (Critical Essay) American Literature Sept 2001 v73 i3 p563(35)
William Faulkner's 'Absalom, Absalom!' may be seen as a critique of how motion pictures tended to portray the South. This novel demonstrates a concurrent means to engage literary practice and cultural criticism.

Lurie, Peter
Vision's immanence : Faulkner, film, and the popular imagination. Baltimore : Johns Hopkins University Press, 2004.
MAIN: PS3511.A86 Z884 2004

Metz, Walter.
"Signifying nothing?: Martin Ritt's 'The Sound and the Fury (1959), a deconstructive adaptation." (film adaptation) Literature-Film Quarterly v27, n1 (Jan, 1999):21 (11 pages).
"Adaptation critics focus attention on film's potential for literary criticism. Film adaptations, like critical essays, stress the main theme of the work, selecting episodes from the book, excluding others, and offering alternatives. Scholars of novelist William Faulkner have criticized the 1959 film version of his novel 'The Sound and the Fury,' adapted by Martin Ritt." [Magazine Index]

Moore, Gene M.
"A Film for Emily." The Faulkner Journal. 16(1-2):87-94. 2000 Fall-2001 Spring

Murray, Donald M.
"Faulkner, the Silent Comedies, and the Animated Cartoon." Southern Humanities Review. 9:241-57. 1975.

Phillips, Gene D.
Fiction, film, and Faulkner: the art of adaptation / Gene D. Phillips. 1st ed. Knoxville: University of Tennessee Press, c1988.
UCB Main PS3511.A86 Z946181 1988
UCB Moffitt PS3511.A86 Z94618 1988

Phillips, Gene.
"Faulkner and the Film: Two Versions of Sanctuary." Literature-Film Quarterly. 1:263-73. 1973.
UC users only

Phillips, Gene D.
"Novelist versus Filmmaker: Richardson's Adaptations of Faulkner's Sanctuary (1961) and Waugh's Loved One (1965)." In: The cinema of Tony Richardson: essays and interviews / edited by James M. Welsh and John C. Tibbetts. pp: 127-40. Albany, N.Y.: State University of New York Press, c1999. SUNY series, cultural studies in cinema/video.
UCB Main PN1998.3.R53.C56 1999 1999

Rollyson, Carl E., Jr.
"Faulkner into Film: 'Tomorrow' and 'Tomorrow'." Mississippi Quarterly: The Journal of Southern Culture. 32:437-52. 1979

Skaggs, Merrill Maguire.
"Story and Film in 'Barn Burning': The Difference a Camera Makes." The Southern Quarterly. 21(2):5-15. 1983 Winter

Urgo, Joseph.
"Absalom, Absalom!: The Movie." In: William Faulkner: six decades of criticism / edited by Linda Wagner-Martin. pp: 293-310. East Lansing: Michigan State University Press, c2002.
Main Stack PS3511.A86.Z9856955 2002

Intruder in the Dust

Atkinson, Rob
"Liberating Lawyers: Divergent Parallels in Intruder in the Dust and to Kill a Mockingbird." 49 Duke Law Journal 601 (1999-2000)
UC users only

Degenfelder, E. Pauline.
"The Film Adaptation of Faulkner's Intruder in the Dust." Literature-Film Quarterly. 1:138-48. 1973.
UC users only

Fadiman, Regina K.
Faulkner's Intruder in the dust : novel into film : the screenplay by Ben Maddow as adapted for film by Clarence Brown Knoxville : University of Tennessee Press, c1977
(Main Stack PN1997.I518)

Hannon, Charles.
"Race Fantasies: The Filming of Intruder in the Dust." In: Faulkner and the discourses of culture / Charles Hannon. Baton Rouge : Louisiana State University Press, c2005.
Main (Gardner) Stacks PS3511.A86 Z78453 2005

Hannon, Charles.
"Race Fantasies: The Filming of Intruder in the Dust." In: Faulkner in cultural context : Faulkner and Yoknapatawpha, 1995 / edited by Donald M. Kartiganer and Ann J. Abadie. pp: 263-83. Jackson : University Press of Mississippi, c1997.
Main Stack PS3511.A86.Z78321185 1997

Heller, Terry L.
"Intruders in the Dust: The Representation of Racial Problems in Faulkner's Novel and in the MGM Film Adaptation." Coe Review 8:79-90. 1977

Li, Stephanie.
"Intruder in the Dust from Novel to Movie: The Development of Chick Mallison." The Faulkner Journal. 16(1-2):105-18. 2000 Fall-2001 Spring

Popísil, Tomás.
"The Liberal Message Films of the Late 1940s and the Position of African-Americans." Brno Studies in English: Sborník Prací Filozofické Fakulty Brnenské Univerzity, S: Rada Anglisticá/Series Anglica, vol. 30, no. 10, pp. 179-87, 2004

Winchell, Mark Royden.
"The keeper of our conscience : Clarence Brown's Intruder in the dust (1949)." In: God, man, and Hollywood : politically incorrect cinema from "The birth of a nation" to "The Passion of the Christ" / Mark Royden Winchell. Wilmington, Del. : ISI Books, c2008.
Main Stack PN1995.9.S6.W53 2008; PFA PN1995.9.S6.W53 2008

Winchell, Mark Royden.
"Intruder in the Dust and the southern community." In: Twentieth-century American fiction on screen / edited by R. Barton Palmer. Cambridge, UK ; New York : Cambridge University Press, 2007.
Main (Gardner) Stacks PN1997.85 .T547 2007

F. Scott Fitzgerald

Cunningham, Frank R.
"F. Scott Fitzgerald and the problem of film adaptation." (Critical Essay) Literature-Film Quarterly v28, n3 (July, 2000):187 (10 pages).
UC users only
"Issues concerning the manner in which novels can be successfully adapted to the screen are examined, focusing on director Jack Clayton's adaptation of F. Scott Fitzgerald's novel "The Great Gatsby." Topics include performances in the film by Mia Farrow and Robert Redford, the film's construction of Gatsby's illusory world, and film director Elia Kazan's adaptation of Fitzgerald's novel "The Last Tycoon.". [Magazine Index]

Lowry, Malcolm, 1909-1957.
Notes on a screenplay for F. Scott Fitzgerald's Tender is the night / Malcolm Lowry, Margerie Bonner Lowry; introd. by Paul Tiessen. Bloomfield Hills, Mich.: B. Clark, 1976.
UCB Main PN1997.T393 .L6 1976

Margolies, Alan.
"'Kissing, Shooting, and Sacrificing': F. Scott Fitzgerald and the Hollywood." In: The Short stories of F. Scott Fitzgerald: new approaches in criticism / edited by Jackson R. Bryer. pp: 65-73. Madison, Wis.: University of Wisconsin Press, 1982
UCB Main PS3511.Fi9.Z853.1982
Moffitt PS3511.I9.Z853 1982

Phillips, Gene D.
Fiction, film, and F. Scott Fitzgerald / Gene D. Phillips. Chicago: Loyola University Press, c1986. Series title: A Campion book.
GTU Library PS3511.I9 Z815 1986
UCB Main PS3511.I9 Z8151 1986
UCB Moffitt PS3511.I9 Z815 1986

Schultz, Paul D.
"Scripts Based on Fitzgerald's Works." In: F. Scott Fitzgerald: centenary exhibition, September 24, 1896-September 24, 1996: the Matthew J. and Arlyn Bruccoli Collection, the Thomas Cooper Library. Columbia: University of South Carolina Press for the Thomas Cooper Library, c1996. Columbia: University of South Carolina Press for the Thomas Cooper Library, c1996.
Main Stack PS3511.I9.Z874 1996
Bancroft pfZ5883.E9 1997 no.3 Non-circulating; may be used only in The Bancroft Library. Note: Specification sheet inserted

The Great Gatsby

Cunningham, Frank R.
"F. Scott Fitzgerald and the problem of film adaptation." (Critical Essay) Literature-Film Quarterly v28, n3 (July, 2000):187 (10 pages).
UC users only
"Issues concerning the manner in which novels can be successfully adapted to the screen are examined, focusing on director Jack Clayton's adaptation of F. Scott Fitzgerald's novel "The Great Gatsby." Topics include performances in the film by Mia Farrow and Robert Redford, the film's construction of Gatsby's illusory world, and film director Elia Kazan's adaptation of Fitzgerald's novel "The Last Tycoon.". [Magazine Index]

Cutchins, Dennis.
"Adaptations in the Classroom: Using Film to "Read" The Great Gatsby." Literature Film Quarterly, 2003, Vol. 31 Issue 4, p295-303, 9p
UC users only

Jackson, Bruce.
"Nick's 'I'/Nick's Eye: Why they couldn't film Gatsby." Senses of Cinema," Issue 52 2009
UC users only

Mass, Roslyn.
"A Linking of Legends: The Great Gatsby and Citizen Kane." Literature Film Quarterly, Summer74, Vol. 2 Issue 3, p207, 9p
UC users only

Mass, Roslyn.
"A Linking of Legends: The Great Gatsby and Citizen Kane." Literature Film Quarterly, Summer74, Vol. 2 Issue 3, p207, 9p
UC users only

Ian Fleming (James Bond films)

Anez, Nicholas.
"James Bond. (part 1)(most successful series character in film history)." Films in Review 43.n9-10 (Sept-Oct 1992): 310(10).
"James Bond, the British Secret Service agent also known as 007, was created by Ian Fleming from real events and imagined situations. When first filmed, there was no indication that Bond would become one of the most popular characters to ever appear in a motion picture. Thirty years after the first Bond film 'Dr. No' premiered in England, the series has already grossed $700 million in the US and $1.5 billion worldwide. Eighteen Bond films have already been produced since 1962." [Expanded Academic Index]

Banner, Deborah.
"Why Don't They Just Shoot Him? The Bond Villains and Cold War Heroism." In: The Devil himself : villainy in detective fiction and film / edited by Stacy Gillis and Philippa Gates. Westport, Conn. : Greenwood Press, 2002.
Main Stack PR830.D4.D45 2002

Brabazon, Tara.
"Britain's last line of defence: Miss Moneypenny and the desperations of filmic feminism." Hecate 24.n1 (May 1998): 93(12).
UC users only

Bennett, Tony.
Bond and beyond : the political career of a popular hero. London : Macmillan, 1987.
MAIN: PR6056.L4 Z571 1987

Black, Jeremy.
The politics of James Bond : from Fleming's novels to the big screen. Westport, Conn.: Praeger, 2001.
Main Stack PR6056.L4.Z585 2001

Black, Jeremy.
"The Geopolitics of James Bond." Intelligence & National Security Volume 19, Number 2 / June 2004 Pages: 290 - 303
UC users only
"This article considers the politics of James Bond in order to throw light on the interaction of 'real' geopolitics and literary and cinematic representations. The Bond literature provides many opportunities for considering aspects of the popular perception of the worlds of intelligence, including, for example, the stress on covert operations and on human intelligence rather than on signals operations. The stories can also be used to consider changing images of Britain, the United States and the world, and can at times be seen as efforts to create an impression of the normality of British imperial rule and Empire. Echoes of Anglo-American competition and tension are also to be found in the Bond literature. An important, albeit concealed, theme is Britain's diminished political and military presence in Cold War confrontations and a corresponding need to adapt to the United States. Cinematic representations of Bond have presented the world with an image of global struggle through Western eyes, having depicted shifts in the Cold War and addressing themes such as the space race, nuclear confrontation and drugs." [Taylor & Francis]

Black, Jeremy.
The politics of James Bond: from Fleming's novels to the big screen / Jeremy Black. Westport, Conn.: Praeger, 2001.
UCB Main PR6056.L4 Z585 2001

Booth, D. L.
"Leni's Body Beautiful: Forty Years of Riefenstahl's Olympic Gaze in the James Bond Title Credits." Bright Lights Film Journal, vol. 41, pp. (no pagination), August 2003.

Brosnan, John.
James Bond in the cinema San Diego, CA : A.S. Barnes ; London: Tantivy Press, c1981
MAIN: PN1995.9.J3 .B7 1981

Britton, Wesley A.
Beyond Bond : spies in fiction and film. Westport, Conn. : Praeger, c2005.
Main Stack PN1995.9.S68.B75 2005
Table of contents: http://www.loc.gov/catdir/toc/ecip059/2005006042.html

Chapman, James.
Licence to thrill : a cultural history of the James Bond films New York : Columbia University Press, 2000.
MAIN: PN1995.9.J3 C49 2000
Table of contents via Google books

Cook, Pam; Hines, Claire
"'Sean Connery Is James Bond' : re-fashioning British masculinity in the 1960s." In: Fashioning film stars : dress, culture, identity / edited by Rachel Moseley. London : BFI Pub., 2005.
Main (Gardner) Stacks PN1995.9.C56 F553 2005

Dodds, Klaus
"Licensed to Stereotype: Geopolitics, James Bond and the Spectre of Balkanism." Geopolitics Volume 8, Number 2 / Summer 2003 Pages: 125 - 156
UC users only
"This article explores the geopolitical and post-imperial significance of Ian Fleming's famous spy, Commander James Bond RN/007. By drawing on two films, From Russia with Love (1963) and The World is Not Enough (1999), it is argued that these productions not only contest Britain's post-1945 decline in international influence but also actively subvert the binary politics of the Cold War and its aftermath. The actual location of the filming (in Turkey and Central Asia) is also significant in this representational process, however. Turkey was a vital element in NATO's containment of the Soviet Union and the unexploited oil fields of Central Asia have become a major geo-strategic concern in the post-Cold-War era. Arguably, the films (and Fleming's novel From Russia with Love 1957) also draw, in order to be politically effective, upon long-standing colonial and European stereotypes regarding the reputation of the Balkans for violence, instability and claustrophobia. In so doing, countries such as Turkey and Azerbaijan are on the one hand simply represented as security- and or resource-based commodities which the West (in the form of the UK in the main rather than the USA) have to contain or selectively exploit but also as places that have witnessed prior infiltration and intrigue. These characterisations of place deserve serious attention because as recent research in film studies and popular geopolitics has demonstrated, fictional referents such as James Bond and Rambo play their part in the cultural re-production of world politics." [Taylor & Francis]

Dodds, Klaus
"Screening Geopolitics: James Bond and the Early Cold War films (1962?1967)" Geopolitics Volume 10, Number 2 / Summer 2005 Pages: 266 - 289
UC users only
"This paper seeks to extend the remit of popular geopolitics by considering the role and significance of places and their inhabitants in shaping the narrative structures of films. By using the example of the James Bond series from the 1960s, it is suggested that there is more complex series of geographies to be acknowledged. Arguably most of the trade press reviewers were largely content to argue that places were simply ?exotic locations?. With a detailed examination of screenplays from five Bond films, it is shown that United Artists and Eon Productions played an important and creative role in shaping the geographies of dangers and threats confronted by James Bond. Moreover, austere and or remote locations also played important roles in generating a sense of climax between the British secret agent and his enemies regardless of whether they were part of a criminal network or an evil genius. Finally, the paper concludes with an assessment of some of the outstanding challenges facing a popular geopolitics." [Taylor & Francis]

Earnest, David C.; Rosenau, James N.
"The Spy Who Loved Globalization." Foreign Policy, No. 120. (Sep. - Oct., 2000), pp. 88-90.
UC users only

Garland, Tony W.
"'The Coldest Weapon of All': The Bond Girl Villain in James Bond Films." Journal of Popular Film and Television Volume 37, Number 4 / Winter 2009
UC users only

Greene, Bob.
"So ... we meet at last, Mr. Bond; an encounter with Sean Connery, whose 007 set the standard for cool." Esquire 107 (April 1987): 45(2).

Harris, H. R.
"New Light on James Bond." Contemporary Review Issue: 256:1488 (1990:Jan.) p.30
UC users only

Hitchens, Christopher.
"Bottoms up: Ian Fleming, the man behind James Bond, was a sadist, a narcissist, and an all-around repressed pervert. But he also saw past the confines of the Cold War." The Atlantic Monthly 297.3 (April 2006): 100(4).
UC users only

Hughes, Howard.
"'We have all the time in the world' - On Her Majesty's Secret Service (1969)." In: Crime wave: the filmgoers' guide to the great crime movies / Howard Hughes. London ; New York : I.B. Tauris ; New York : Distributed by Palgrave Macmillan, 2006.
Full text available online (UCB users only)

Ian Fleming & James Bond : the cultural politics of 007
Edited by Edward P. Comentale, Stephen Watt, and Skip Willman.Bloomington : Indiana University Press, c2005.
MAIN: PR6056.L4 Z68 2005

James Bond and philosophy : questions are forever
Edited by Jacob M. Held and James B. South. Chicago, Ill. : Open Court, c2006.
Main (Gardner) Stacks PR6056.L4 Z73 2006
Table of Contents

James Bond in the 21st century: why we still need 007
Edited by Glenn Yeffeth, with Leah Wilson. Dallas, Tex. : BenBella Books, c2006.
Full text available online (UCB users only)

The James Bond phenomenon : a critical reader
Edited by Christoph Lindner. Manchester; New York: Manchester University Press; New York: Distributed exclusively in the USA by Palgrave, 2003.
Main Stack PR6056.L4.Z844 2003
Table of contents via Google books

Jenkins, Tricia.
"James Bond's 'Pussy' and Anglo-American Cold War Sexuality." Journal of American Culture, vol. 28, no. 3, pp. 309-17, September 2005.
UC users only

Ladenson, Leslie
"Lovely Lesbians; Or, Pussy Galore." GLQ: A Journal of Lesbian and Gay Studies - Volume 7, Number 3, 2001, pp. 417-423
UC users only

Lane, Anthony
"Mondo Bond: Forty Years of 007." New Yorker, vol. 78, no. 33, pp. 78-82, November 2002.

Lindner, Christoph.
"A Bond Affair: the Cultural Politics of Ian Fleming and 007." Journal of British Cinema & Television, 2004, Vol. 1 Issue 1, p96-99, 4p
UC users only

Lipton, Michael A.
"The golden girls: crucial to the Bond macho mystique, the object of 007's fleeting affection found their roles were an end, not a means.(James Bond motion pictures)(Interview)." People Weekly 44.n23 (Dec 4, 1995): 40(8).

Lycett, Andrew.
Ian Fleming : the man behind James Bond Atlanta : Turner Pub. ; Kansas City, Mo. : Distributed by Andrews and McMeel, c1995.
MAIN: PR6056.L4 Z76 1995

Metz, Walter
"Breaking the cycle: die another day, post-colonialism, and the James Bond film series." In: Engaging film criticism : film history and contemporary American cinema New York : P. Lang, c2004
Main Stack PN1993.5.U6.M47 2004

Miller, Toby.
Spyscreen : espionage on film and TV from the 1930s to the 1960s Oxford ; New York : Oxford University Press, 2003.
Main Stack PN1995.9.S68.M55 2003

Mulvihill, Jason.
"James Bond's Cold War Part I.(the Cold War era as portrayed in James Bond films)(Critical Essay)." International Journal of Instructional Media 28.3 (Summer 2001): 225.

Murray, Scott
"In Bed With Bond: Redux." Senses of Cinema, Issue 54, 2008
Senses Co-editor and James Bond aficionado Scott Murray puts the many claims made about the sexual politics of the Bond films (and books) under the microscope.
UC users only

Price, Thomas J.
"The Changing Image of the Soviets in the Bond Saga: From Bond-Villains to "Acceptable Role Partners"." Journal of Popular Culture Volume 26 Page 17 - Summer 1992

Price, Thomas J.
"Spy Stories, Espionage and the Public in the Twentieth Century." Journal of Popular Culture Volume 30 Page 81 - Winter 1996
UC users only

Rayner, Richard.
"Of human Bondage.(James Bond films; includes related article on women in film, 'Golden Eye')(Cover Story)." Esquire 124.n5 (Nov 1995): 72(8).

Richler, Mordecai
"James Bond Unmasked." Commentary 46:1 (1968:July) p.74
UC users only

Streitmatter, Rodger.
"James Bond." In: Sex sells! : the media's journey from repression to obsession / Rodger Streitmatter. Cambridge, MA : Westview Press, 2004.
Moffitt P96.S45.S77 2004

Trahair, Richard
A contribution to the psychoanalytic study of the modern hero : the case of James Bond Victoria : La Trobe University, 1974
MAIN: XB7.7184; Storage Info: $C 196 612

Tudor, Antony.
"James Bond: novel man; William Cook on how Ian Fleming's 007 books are finally catching up with the films.(The Back Half)(Biography)." New Statesman (1996) 133.4694 (June 28, 2004): 40(3).

Webb, B.L.
"James Bond as literary descendant of Beowulf." The South Atlantic Quarterly v. 67 (Winter 1968) p. 1-12

E.M. Forster

Chesney, Thom D.
"Forster on Film: What He Believed." Links & Letters. 6:35-41. 1999

Forster, E. M. (Edward Morgan), 1879-1970.
The E.M. Forster film omnibus. London: Hutchinson, 1987.
Grad Svcs XMAC.F733.E44 Modern Authors Collection

Hutchings, Peter J.
"A Disconnected View: Forster, Modernity and Film." In: E.M. Forster / edited by Jeremy Tambling. pp: 213-28. New York: St. Martin's Press, 1995. Series title: New casebooks.
UCB Main PR6011.O58 Z6524 199UCB Main PR6011.O58 Z6524 1995

Howard's End

Maurice

Passage to India

Room with a View

John Fowles

The Third Man

Garard, Charles
Point of view in fiction and film: focus on John Fowles / Charles Garard. New York: P. Lang, c1991. Series title: American university studies. Series IV, English language and literature; vol. 133.
UCB Main PR6056.O85 Z68 1991
UCB Moffitt PR6056.O85 Z68 1991

Graham Greene

The Third Man

Falk, Quentin.
Travels in Greeneland: the cinema of Graham Greene / Quentin Falk. London; New York: Quartet Books, c1984.
UCB Main PR6013.R44 Z63331 1984

Nolan, Jack Edmund.
"Graham Greene's Films." Literature/Film Quarterly. Fall 1974. Vol. 2, Iss. 4; p. 302 (8 pages)
UC users only

Peat, Hal W.
"Beyond the Limit: Familiar Shadows from the World of Graham Greene." Literature-Film Quarterly.14(2):133-136. 1986
UC users only

Phillips, Gene D.
Graham Greene: the films of his fiction [by] Gene D. Phillips. New York, Teachers College Press [1974]. Series title: Studies in culture & communication.
UCB Main PR6013.Gr44 Z66

Purcell, James M.
"Graham Greene and Others: The British Depression Film as an Art Form." Antigonish Review. 15:75-82. 1973.

Skerrett, Joseph T. Jr.
"Graham Greene at the Movies: A Novelist's Experience with the Film." Literature/Film Quarterly. Fall 1974. Vol. 2, Iss. 4; p. 293 (9 pages)
UC users only

Van Wert, William F.
"Narrative Structure In The Third Man." Literature/Film Quarterly. Fall 1974. Vol. 2, Iss. 4; p. 341 (6 pages)
UC users only

Film Criticism by Graham Greene

Greene, Graham
The Graham Greene film reader : reviews, essays, interviews & film stories New York : Applause Theatre Book Publishers, 1995, c1994.
GRDS: PN1994 .G76 1995; Non-circulating; may be used only in Graduate Services.
MAIN: PN1994 .G76 1995

Greene, Graham
Graham Greene on film New York, Simon and Schuster [1972]
MAIN: PN1995 .G68 1972
MOFF: PN1995 .G68 1972
PFA : PN1995 .G68 1972

Greene, Graham
The pleasure-dome : Graham Greene, the collected film criticism, 1935-40 Oxford [Oxfordshire] ; New York : Oxford University Press, 1980.
MAIN: PN1995 .G6 1972b; Storage Info: B 3 178 715
GRDS: XMAC.G799.P44 Modern Authors Collection; Non-circulating; may be used only in Graduate Services. MAIN: PN1995 .G681 1972b;
PFA : PN1995 .G68 1980

The Quiet American

Bushnell, William S.
"Paying for the Damage: The Quiet American Revisited." Film & History ), Sep2006, Vol. 36 Issue 2, p38-44, 7p
UC users only

Bushnell, William S.
"The quiet American: Graham Greene's Vietnam novel through the lenses of two eras." In: Why we fought : America's wars in film and history
Edited by Peter C. Rollins and John E. O'Connor. Lexington, Ky. : University Press of Kentucky, c2008.
Main Stack PN1995.9.W3.W53 2008

Cull, Nicholas J.
"The Quiet American." American Historical Review, Jun2003, Vol. 108 Issue 3, p959-960, 2p
UC users only

Frenier, Mariam Darce.
"Two 'Quiet Americans:' British Literature Into American Propaganda." Viet Nam Generation; 1989 1(1): 81-93, 13p
UC users only

Jaafar, Ali.
"Don't mention the war." Sight & Sound; Apr2007, Vol. 17 Issue 4, p8-8
UC users only

Jacques, Geoffrey.
"The Quiet American." Cineaste, Summer2003, Vol. 28 Issue 3, p45, 3p,
UC users only

Laderman, Scott.
"Hollywood's Vietnam, 1929-1964: Scripting Intervention, Spotlighting Injustice." Pacific Historical Review; Nov2009, Vol. 78 Issue 4, p578-607, 30p
UC users only

Lane, Anthony
"The Current Cinema: Love and War: "The Quiet American"." The New Yorker 78:37 (2 December 2002)

Lewis, Kevin.
"The Third Force: Graham Greene and Joseph L. Mankiewicz's 'The Quiet American'." Film History; 1998 10(4): 477-491, 15p
UC users only

McDonald, Neil.
"Vietnamese Shadows, American Reflections." Quadrant Magazine; Mar2003, Vol. 47 Issue 3, p66, 4p
UC users only

Melling, Phil.
"Old History, New History, No History at All? The Vietnam War as Affirmation of American Values." American Studies International 1990 28(2): 93-105 13p.
UC users only

Neve, Brian
"Adaptation and the Cold War : Mankiewicz's The quiet American." In: The literature/film reader : issues of adaptation / edited by James M. Welsh, Peter Lev. Lanham, Md. : Scarecrow Press, 2007.
Main (Gardner) Stacks PN1997.85 .L516 2007

Whitfield, Stephen J.
"Limited Engagement: The Quiet American as History." Journal of American Studies, vol. 30 no. 1. 1996 Apr. pp: 65086.
UC users only

The Third Man
See Carol Reed bibliography

Dashiell Hammett

Studlar, Gaylyn, Grieveson
"A Gunsel Is Being Beaten: Gangster Masculinity and the Homoerotics of the Crime Film, 1941-1942." In: Mob culture : hidden histories of the American gangster film / edited by Lee Grieveson, Esther Sonnet, and Peter Stanfield. New Brunswick, N.J. : Rutgers University Press, c2005.
Main Stack PN1995.9.G3.M63 2005
Contents: Gangsters and governance in the silent era / Lee Grieveson -- Why boys go wrong : gangsters, hoodlums, and the natural history of delinquent careers / Richard Maltby -- Gang busters : the Kefauver Crime Committee and the syndicate films of the 1950s / Ronald W. Wilson -- Ladies love brutes : reclaiming female pleasures in the lost history of Hollywood gangster cycles, 1929-1931 / Esther Sonnet -- A gunsel is being beaten : gangster masculinity and the homoerotics of the crime film, 1941-1942 / Gaylyn Studlar -- Mother Barker : film star and Public Enemy No. 1 / Mary Elizabeth Strunk -- "Good evening gentlemen; can I check your hats please?" : masculinity, dress, and the retro gangster cycles of the 1990s / Esther Sonnet and Peter Stanfield -- Waddaya lookin' at? : rereading the gangster film through The Sopranos / Martha P. Nochimson -- Black hands and white hearts : Southern Italian immigrants, crime, and race in early American cinema / Giorgio Bertellini -- "American as chop suey" : invocations of gangsters in Chinatown, 1920-1936 / Peter Stanfield -- The underworld films of Oscar Micheaux and Ralph Cooper : toward a genealogy of the Black screen gangster / Jonathan Munby -- Walking the streets : Black gangsters and the "abandoned city" in the 1970s blaxploitation cycle / Peter Stanfield.

Scher, Saul N.
"The Glass Key: The Original and Two Copies." Literature/Film Quarterly, vol. 12, no. 3, pp. 147-159, 1984.
Both versions of "The glass key" are honest attempts to convey something of Dashiell Hammett's dark vision of human relationships in convincing cinematic terms.

Maltese Falcon

See Film Noir Bibliography

The Thin Man

Drees, Rich
"The thin man: Dashiell Hammett & Hollywood." Films in Review Vol XLVI nr 7-8 (Sept-Oct 1995); p 46-53
Account of D.H.'s work in Hollywood focuses on "The thin man" series.

Glitre, Kathrina.
"Making marriage fun : Myrna Loy and William Powell." In: Hollywood romantic comedy : states of the union, 1934-65 / Kathrina Glitre. Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2006. Main (Gardner) Stacks PN1995.9.C55 G55 2006

Goodrich, David L.
The real Nick and Nora : Frances Goodrich and Albert Hackett, writers of stage and screen classics / David L. Goodrich. Carbondale : Southern Illinois University Press, c2001.
Main (Gardner) Stacks PS3513.O53515 Z68 2001

Isaac, Frederick
"Hard-Boiled or Ham-It-Up? The Thin Man Movies." In: It's a print! : detective fiction from page to screen / Reynolds, William. Bowling Green, OH : Bowling Green State University Popular Press, c1994.
MAIN: PN1995.3 .R4 1994

Quirk, Lawrence J.
The films of Myrna Loy / Lawrence J. Quirk Secaucus, N.J. : Citadel Press, c1980
Main (Gardner) Stacks PN2287.L67 .Q57 1980)

Soter, Tom.
Investigating couples: a critical analysis of The Thin Man, The Avengers, and The X-Files. Jefferson, N.C. : McFarland, c2002.
MAIN: PN1992.8.D48 S65 2002

Szebin, Frederick C.
Hammett rewritten. Films in Review Vol XLV nr 7-8 (July-Aug 1994); p 2-9
Discusses the adaptation of Dashiell Hammett's 'The thin man' for the screen and its transformation into light comedy

Young, Kay.
"What it Means to be Nick and Nora." In: Ordinary pleasures : couples, conversation, and comedy / Kay Young. Columbus : Ohio State University Press, c2001.
Main (Gardner) Stacks PN56.M255 Y68 2001

"After the thin man." Canadian Magazine v. 87 (March 1937) p. 23

"After the thin man." The Nation v. 144 (January 16 1937) p. 81

"After the thin man." Time v. 29 (January 4 1937) p. 21-2

"After the thin man." Newsweek v. 9 (January 2 1937) p. 24

"Shadow of the thin man." Commonweal v. 35 (November 28 1941) p. 144

"Song of the thin man." Newsweek v. 30 (September 8 1947) p. 78

"Song of the thin man." The New Yorker v. 23 (September 6 1947) p. 68

"Thin man." Literary Digest v. 118 (July 14 1934) p. 29

"Thin man goes home." Time v. 45 (February 26 1945) p. 92

"Thin man goes home." Newsweek v. 25 (February 5 1945) p. 95

Thomas Hardy

Thomas Hardy on screen
Edited by T.R. Wright. Cambridge, UK ; New York : Cambridge University Press, 2005.
Main (Gardner) Stacks PR4757.F55 T48 2005

Jude (Jude the Obscure)

SEE Michael Winterbottom bibliography

Tess (Tess of the d'Urbervilles)

SEE Roman Polanski bibliography

Far From the Madding Crowd

See John Schlesinger bibliography

Nathaniel Hawthorn

Allyn, John.
"Hawthorne on Film - Almost." Literature-Film Quarterly. 2:124-28. 1974

UC users only
Boudreau, Kristin.
"Is the World Then So Narrow? Feminist Cinematic Adaptations of Hawthorne and James." The Henry James Review. 21(1):43-53. 2000

Goebel, Robert O.
"Film Versions of Hawthorne's 'Rappaccini's Daughter'." West Virginia University Philological Papers. 47:63-68. 2001

Scarlet Letter

Bercovitch, Sacvan.
"The Scarlet Letter: A Twice-Told Tale." Nathaniel Hawthorne Review vol. 22 no. 2. 1996 Fall. pp: 1-20.

Dunne, Michael.
"The Scarlet Letter on film: ninety years of revisioning." Literature/Film Quarterly (25:1) 1997, 30-9.
UC users only
The many film versions of Nathaniel Hawthorne's "Scarlet Letter," including the 1995 version by Demi Moore and Roland Joffe, suffer in comparison to the novel, in part because they interpret the work in light of contemporary social conditions. There are several silent film versions including a 1926 version by Victor Seastrom. Wim Wenders directed a German version in 1972, and PBS produced a four-hour version for TV in 1979. Contemporary influences are particularly evident in the 1995 version, with sexual politics and multiculturalism appearing to be the focal point of the work.

Estrin, Mark W.
"'Triumphant Ignominy' on the Screen." In: The Classic American novel and the movies. Edited by Gerald Peary and Roger Shatzkin. pp: 20-29. New York: Ungar, c1977. Series title: Ungar film library.
UCB Main PN1997.85 .C55

Estrin, Mark W.
"'Triumphant Ignominy' on the Screen." Literature/Film Quarterly. Spring 1974. Vol. 2, Iss. 2; p. 110 (13 pages)
UC users only

Gollin, Rita.
"Hawthorne on Film." The Hawthorne Society Newsletter. 5(2):6-7. 1979.

Kaplan, E. Ann.
"Hawthorne's 'Fancy Pictures'." In: The Classic American novel and the movies. Edited by Gerald Peary and Roger Shatzkin. pp: 30-41. New York: Ungar, c1977. Series title: Ungar film library.
UCB Main PN1997.85 .C55

Smith, Julian.
"Hester, Sweet Hester Prynne - The Scarlet Letter in the Movie Market Place." Literature/Film Quarterly. Spring 1974. Vol. 2, Iss. 2; p. 100 (10 pages) Julian Smith. Literature/Film Quarterly. Salisbury: Spring 1974. Vol. 2, Iss. 2; p. 100 (10 pages)
UC users only

Scarlet Letter: Demi Moore (1995)

Alleva, Richard.
"The Scarlet Letter." (movie reviews) Commonweal v122, n20 (Nov 17, 1995):20 (2 pages).

Ansen, David.
"The Scarlet Letter." (movie reviews). Newsweek v126, n16 (Oct 16, 1995):87 (1 page).

Bercovitch, Sacvan.
"The Scarlet Letter: A Twice-Told Tale." Nathaniel Hawthorne Review. 22(2):1-20. 1996 Fall

Bromley, Roger.
"Imagining the Puritan Body: The 1995 Cinematic Version of Nathaniel Hawthorne's The Scarlet Letter." In: Adaptations: From Text to Screen, Screen to Text / edited by Deborah Cartmell and Imelda Whelehan. pp: 63-80. London; New York: Routledge, 1999.
UCB Main PN1997.85 .A32 1999

Corliss, Richard.
"The Scarlet Letter." (movie reviews) Time v146, n17 (Oct 23, 1995):94 (1 page).

Daniels, Bruce.
"Bad movie/worse history: the 1995 unmaking of 'The Scarlet Letter.'" Journal of Popular Culture v32, n4 (Spring, 1999):1 (1 page).
UC users only
Nathaniel Hawthorne's 'The Scarlet Letter' is widely acclaimed as the classic American novel but the 1995 motion picture loose adaptation of the novel lost almost $50 million at the box office despite starring top actors Robert Duvall, Gary Oldman and Demi Moore. The novel is a psychological drama incorporating dramatic themes such as cowardice, heroism and adultery, but numerous film critics despised the adaptation which bears little similarity to Hawthorne's text. The motion picture was reviled for being cliche-ridden and overtly politically correct, with Moore's portrayal of Hester particularly despised.

Denby, David.
"The Scarlet Letter." (movie reviews) New York v28, n42 (Oct 23, 1995):57 (1 page).

Dunne, Michael.
"The Scarlet Letter on Film: Ninety Years of Revisioning." Literature-Film Quarterly. 25(1):30-39. 1997.

Harkness, John.
"The Scarlet Letter." (movie reviews) Sight and Sound v6, n1 (Jan, 1996):48 (2 pages).

James, Caryn.
"Camping up the classics." (movie version of 'The Scarlet Letter' dumbed down, punched up for 1990's audiences) New York Times v145, sec4 (Sun, Oct 15, 1995):E3(N), E3(L), col 5, 18 col in.

James, Caryn.
"The Scarlet Letter." (movie reviews) New York Times v145 (Fri, Oct 13, 1995):B3(N), C16(L), col 1, 16 col in.

Johnson, Brian D.
"The Scarlet Letter." (movie reviews) Maclean's v108, n43 (Oct 23, 1995):68 (1 page).

Kauffmann, Stanley.
"The Scarlet Letter." (movie reviews) New Republic v213, n19 (Nov 6, 1995):28 (1 page).

Lane, Anthony.
"The Scarlet Letter." (movie reviews) New Yorker v71, n34 (Oct 30, 1995):114 (1 page).

Lepore, Jill.
"The Scarlet Letter." (movie reviews) American Historical Review v101, n4 (Oct, 1996):1166 (3 pages).

McCarthy, Todd.
"The Scarlet Letter." (movie reviews) Variety v360, n11 (Oct 16, 1995):94 (1 page).

Miller, Mark; Springen, Karen.
"Hester Prynncesse: a new 'Scarlet Letter' will show the Puritan side of Demi Moore." Newsweek v123, n14 (April 4, 1994):58 (1 page).
Actress Demi Moore will play the part of Hester Prynne in a film version of Nathaniel Hawthorne's book 'The Scarlet Letter.' The $40 million movie will be directed by Roland Jaffe, and the screenplay, written by Douglas Day

Poindexter, Mark.
"Fatal Attraction and the Grammar of Kinship." Journal of Evolutionary Psychology. 9(1-2):65-72. 1989

Solmes, Jennifer.
"The Reverse Cavalry: The Indian Subplot of Roland Joffe's The Scarlet Letter (1995)." West Virginia University Philological Papers. 45:116-22. 1999.

Travers, Peter.
"The Scarlet Letter." (movie reviews) Rolling Stone, n721 (Nov 16, 1995):117 (1 page).

Welsh, Jim.
"Classic folly: 'The Scarlet Letter.'" Literature-Film Quarterly v23, n4 (Oct, 1995):299 (2 pages).
UC users only
Hollywood has once again trivialized and corrupted a literary classic to the point of insulting not only the work and its author but also its viewers. 'The Scarlet Letter' is at best a vulgarized version of Nathaniel Hawthorne's study of human character and the evil to which it can succumb. Screenwriter Douglas Day Stewart does not only demean Roger Chillingworth's character by changing his name to Roger Prynne; he also reduces his impact by making him more of a madman than an embodiment of evil. Hester becomes more or less a bimbo and Dimmesdale a hunk.

Lillian Hellman

Dick, Bernard F.
Hellman in Hollywood / Bernard F. Dick. Rutherford [N.J.]: Fairleigh Dickinson University Press; London: Associated University Presses, c1982.
UCB Main PS3515.He52 Z62 1982
UCB Moffitt PS3515.E343 Z63 1982

Ernest Hemingway

Laurence, Frank M.
Hemingway and the movies / Frank M. Laurence. Jackson: University Press of Mississippi, c1981.
UCB Main PS3515.He55 .Z7426 1981
UCB Moffitt PS3515.E37 .Z689 1981

Leff, Leonard J.
Hemingway and his conspirators: Hollywood, Scribners, and the making of American celebrity culture / Leonard J. Leff. Lanham, Md.: Rowman & Littlefield, c1997.
UCB Main PS3515.E37 Z68935 1997
UCB Moffitt PS3515.E37 Z68935 1997

A Moving picture feast: a filmgoer's Hemingway
Edited by Charles M. Oliver. New York: Praeger, 1989.
UCB Main PS3515.E37 Z74321 198

Phillips, Gene D.
Hemingway and film / Gene D. Phillips. New York: F. Ungar Pub. Co., c1980. Series title: Ungar film library.
UCB Main PS3515.He55 .Z754
UCB Moffitt PS3515.E37 Z754

Fannie Hurst

See separate bibliography of articles/books about Imitation of Life

Henrik Ibsen

Ibsen on screen
Edited by Jan Erik Holst and Astrid Sather; contributors, Asbjorn Aarseth ... [et al.]. Oslo: Centre for Ibsen Studies, University of Oslo: Norwegian Film Institute, [2000].
UCB Main PT8895 .I247 2000

Tornqvist, Egil
Ibsen, Strindberg, and the intimate theatre: studies in TV presentation / by Egil Tornqvist. Amsterdam: Amsterdam University Press, c1999. Series title: Film culture in transition. Series title: Film culture in transition.
UCB Main PT8899 .T67 1999

Henry James

Ashton, Jean.
"Reflecting Consciousness: Three Approaches to Henry James." Literature/Film Quarterly, vol. 4. 1976. pp: 230-39.

Bradbury, Nicola.
"Filming James." Essays in Criticism: A Quarterly Journal of Literary Criticism vol. 29. 1979. pp: 293-301.

Despotopoulou, Anna
"Girls on Film: Postmodern Renderings of Jane Austen and Henry James." Yearbook of English Studies, vol. 36, no. 1, pp. 115-30, 2006

Gordon, Rebecca M.
"Portraits Perversely Framed: Jane Campion and Henry James." Film Quarterly.56(2):14-24. 2002-2003

Henry James goes to the movies
Edited by Susan M. Griffin. Lexington: University Press of Kentucky, c2002.
Main Stack PS2127.F55 H45 2002
"The story-- held us": The turn of the screw from Henry James to Jack Clayton / Anthony J. Mazzella -- Reexamining Bogdonavich's Daisy Miller / Peggy McCormack -- "The tie of a common aversion": sexual tensions in Henry James's The other house / Priscilla L. Walton -- Mourning, nostalgia, and melacholia: unlocking the secrets of Truffaut's The green room / Matthew F. Jordan -- Still me(n): Superman meets the Bostonians / Leland S. Person -- Conscious observation: Jane Campion's Portrait of a lady / Nancy Bentley -- "Prospects of entertainment": film adaptations of Washington Square / Julie H. Rivkin -- "Her ancient faculty of silence": Catherine Sloper's ways of being in James's Washington Square and two film adaptations / Karen Michele Chandler -- Ambassadors from an imaginary "Elsewhere": cinematic convention and the Jamesian sensibility / Alan Nadel -- Cultural capitalism and the "James formation" / Marc Bousquet -- Content or costume?: James as cultural capital / Dale M. Bauer -- "Hallucinations of intimacy": the Henry James films / Dianne F. Sadoff -- "Based on the novel by Henry James": The golden bowl 2000 / Lee Clark Mitchell -- The rift in the Loot: cognitive dissonance for the reader of Merchant Ivory's The golden bowl / Wendy Graham -- A Henry James filmography / J. Sarah Koch -- Bibliography of critical work on James and film / Sarah Edgington and Steven Wexler.

Henry James on stage and screen
Edited by John R. Bradley. New York, N.Y.: Palgrave, 2000.
UCB Main PS2127.F55 H46 2000

Horne, Philip.
"The James Gang." Sight and Sound vol. 8 no. 1. 1998 Jan. pp: 16-19.

Koch, J. Sarah
"A Henry James Filmography." The Henry James Review - Volume 19, Number 3, Fall 1998, pp. 296-306 -
UC users only

Sadoff, Dianne F.
"'Intimate Disarray': The Henry James Movies." Henry James Review vol. 19 no. 3. 1998 Fall. pp: 286-95.

Walton, Priscilla L..
"The Janus Faces of James: Genre, Transnationality, and James's Cinematic." In: Questioning the master: gender and sexuality in Henry James's writings / edited by Peggy McCormack. Newark: University of Delaware Press; London ; Cranbury, N.J.: Associated University Presses, c2000.
Main Stack PS2127.S48.Q47 2000

The Bostonians

Daisy Miller

Birdsall, Eric.
"Interpreting Henry James: Bogdanovich's Daisy Miller." Literature/ Film Quarterly vol. 22 no. 4. 1994. pp: 272-77.

Liggera, J. J.
"'She Would Have Appreciated One's Esteem': Peter Bogdanovich's Daisy Miller." Literature/ Film Quarterly vol. 9 no. 1. 1981. pp: 15-21.
UC users only

Shields, John C.
"Daisy Miller: Bogdanovich's Film and James's Nouvelle." Literature/ Film Quarterly vol. 11 no. 2. 1983. pp: 105-111.

The Europeans

The Heiress

See William Wyler bibliography

The Portrait of a Lady

Turn of the Screw / The Innocents

Allen, Jeanne Thomas.
"Turn of the Screw and The Innocents: Two Types of Ambiguity." In: The Classic American Novel and the Movies. / edited by Gerald Peary and Robert Shatzkin. pp: 132-42. New York: F. Ungar Pub. Co., c1977. (Series: Ungar film library)
Main Stack PN1997.85.C55

Brown, Monika.
"Film Music as Sister Art: Adaptations of The Turn of the Screw." Mosaic: A Journal for the Interdisciplinary Study of Literature vol. 31 no. 1. 1998 Mar. pp: 61-81.
UC users only

Brown, Monika.
"'A Matter of Appreciation, Speculation, Imagination': Interpreting The Turn of the Screw and Film Adaptations." In: Approaches to teaching Henry James's Daisy Miller and The turn of the screw / edited by Kimberly C. Reed and Peter G. Beidler. New York : Modern Language Association of America, 2005.
Main (Gardner) Stacks PS2116.D33 A85 2005

Burkholder-Mosco, Nicole; Carse, Wendy
"Wondrous Material to Play On': Children as Sites of Gothic Liminality in The Turn of the Screw, The Innocents, and The Others." Studies in the Humanities, vol. 32, no. 2, pp. 201-20, Dec 2005
UC users only

Hanson, Ellis.
"Screwing with Children in Henry James." GLQ: A Journal of Lesbian and Gay Studies, vol. 9, no. 3, pp. 367-91, 2003
UC users only

Lai, Amy.
"Spiralling into Interiority: Ben Bolt's Adaptation of Henry James's The Turn of the Screw." Film International, 2008, Vol. 6 Issue 1, p45-55, 11p
UC users only

Palmer, James W.
"Cinematic Ambiguity: James's The Turn of the Screw and Clayton's The Innocents." Literature/Film Quarterly, vol. 5. 1977. pp: 198-215.
UC users only

Raw, Laurence.
"Hollywoodizing Henry James: Jack Clayton's The Innocents (1961)." Henry James Review, vol. 25, no. 1, pp. 97-109, Winter 2004
UC users only

Recchia, Edward.
"An Eye for an I: Adapting Henry James's The Turn of the Screw to the Screen." Literature/ Film Quarterly vol. 15 no. 1. 1987. pp: 28-35.
UC users only

Sutpen, Tom.
"Far from the Madding Multiplex: The Subtle Horror of The Innocents." Bright Lights Film Journal, vol. 50, pp. (no pagination), Nov 2005

Tibbetts, John C.
"The old dark house: the architecture of ambiguity in Turn of the Screw and The Innocents." In: British horror cinema
Edited by Steve Chibnall and Julian Petley. London; New York: Routledge, 2002.
Main Stack PN1995.9.H6 B65 2002

Tóibín, Colm.
"Pure Evil: "The Turn of the Screw". Henry James Review, Fall2009, Vol. 30 Issue 3, p237-240, 4p
UC users only

Tredy, Dennis
"Shadows of Shadows: Techniques of Ambiguity in Three Film Adaptations of The Turn of the Screw: J. Clayton's The Innocents (1961), D. Curtis's The Turn of the Screw (1974), and A. Aloy's Presence of Mind (1999)." EREA: Revue Electronique d'Etudes sur le Monde Anglophone, vol. 3, no. 2, pp. 67-86, Fall 2005
UC users only

Wilson, Val
"Black and White and Shades of Grey: Ambiguity in The Innocents." In: Henry James on stage and screen
Edited by John R. Bradley. New York, N.Y.: Palgrave, 2000.
UCB Main PS2127.F55 H46 2000

Yoon, Joewon
"Ghostly Imagination, History, and Femininity at Centuries' Ends: The Turn of the Screw and The Blair Witch Project." In: Nothing that is : millennial cinema and the Blair witch controversies / edited by Sarah L. Higley and Jeffrey Andrew Weinstock. Detroit : Wayne State University Press, c2004.
Main (Gardner) Stacks PN1997.B597 N68 2004

Washington Square

Ansen, David
"Washington Square." (movie reviews) Newsweek Oct 13, 1997 v130 n15 p75(1)

Bobowski, Slawomir
"Agnieszka Holland vs William Wyler: on two adaptations of Henry James's Washington Square." Post Script Vol XXIII nr 3 (Summer 2004); p.50-63
UC users only

Bowman, James
"Washington Square." (movie reviews) The American Spectator Nov 1997 v30 n11 p67(1)

Carlson, Jerry W.
"Washington Square and The Heiress: Comparing Artistic Forms." In: The Classic American Novel and the Movies. / edited by Gerald Peary and Robert Shatzkin. pp: 95-104. New York: F. Ungar Pub. Co., c1977. (Series: Ungar film library)
Main Stack PN1997.85.C55

Crnkovic, Gordana P.
"Interview with Agnieszka Holland." (cover story) Film Quarterly, Winter98/99, Vol. 52 Issue 2, p2, 8p
UC users only

Garbowski, Christopher.
"The Modernity of Henry James and Agnieszka Holland's Washington Square." American Studies 2005 22: 123-130 8p.
UC users only

Kauffmann, Stanley
"Washington Square." (movie reviews) The New Republic Oct 20, 1997 v217 n16 p26(1)

Maslin, Janet
"Washington Square." (movie reviews) The New York Times May 8, 1998 v147 pB23(N) pE25(L) col 1 (3 col in); Oct 3, 1997 v147 pB13(N) pE13(L) col 5 (14 col in)

Matthews, Peter
"Washington Square." (movie reviews) Sight and Sound June 1998 v8 n6 p59(2)

Menand, Louis
"Washington Square." (movie reviews) The New York Review of Books Dec 4, 1997 v44 n19 p19(1)

Milne, Kirsty
" A turn around Washington Square." New Statesman; 05/29/98, Vol. 127 Issue 4387, p48, 5/6p
UC users only

Newell, Kate
"Washington Square's "virus of suggestion": Source Texts, Intertexts, and Adaptations." Literature Film Quarterly; 2006, Vol. 34 Issue 3, p204-211, 8p
UC users only

Raw, Lawrence
"Rethinking the Costume Drama: Agnieszka Holland's Washington Square (1997)." The Henry James Review - Volume 24, Number 1, Winter 2003, pp. 69-81
UC users only
"This article looks at Agnieszka Holland's film of "Washington Square" (1997) as an example of a costume drama, focusing especially on the ways in which it tries to attract attention though the use of historically accurate locations, sets and costumes. However, it will also suggest that Holland uses "movement images" (e.g. the woman at the window) to reinvent many of the conventions of the genre and thereby demonstrate how Catherine Sloper transcends the patriarchal conventions of her society in her search for an independent existence." [Project Muse]

Rivkin, Julie H.
"Prospects of entertainment": film adaptations of Washington Square. In: Henry James goes to the movies
Edited by Susan M. Griffin. Lexington: University Press of Kentucky, c2002.
Main Stack PS2127.F55 H45 2002

Schickel, Richard
"Washington Square." (movie reviews) Time Oct 20, 1997 v150 n16 p103(1)

Shargel, Raphael
"Washington Square." (movie reviews) The New Leader Dec 29, 1997 v80 n19 p32(2)

Simon, John
"Washington Square." (movie reviews) National Review Nov 10, 1997 v49 n21 p61(2)

Travers, Peter
"Washington Square." (movie reviews) Rolling Stone Oct 30, 1997 n772 p72(1)

Wings of the Dove

Austin-Smith, Brenda.
"Sex and the Maiden: Authenticity and the Erotic Adaptation of "The Wings of the Dove." Canadian Review of American Studies, 2006, Vol. 36 Issue 3, p331-344, 14p
UC users only

Blake, Richard A.
"The Wings of the Dove." (movie reviews) America v178, n2 (Jan 17, 1998):20 (2 pages).

Bowman, James.
"The Wings of the Dove." (movie reviews) American Spectator v31, n1 (Jan, 1998):58 (2 pages).

Denby, David.
"The Wings of the Dove." (movie reviews) New York v30, n43 (Nov 10, 1997):60 (2 pages).

Gott, Richard.
"We must stay true to the real Henry James." (criticism on film adaptation of novels) New Statesman (1996) v127, n4370 (Jan 30, 1998):46 (1 page).
The works of Henry James is ill-suited for translation into films, since it losses much of brilliance of James' writing, which lies in the 'silences' of his prose. Cultural vanguards should have raised concerns over the film version of 'The Wings of the Dove'.

Holden, Stephen.
"The Wings of the Dove." (movie reviews) New York Times v147 (Fri, Nov 7, 1997):B16(N), E16(L), col 1, 26 col in.

Johnson, Brian D.
"The Wings of the Dove." (movie reviews) Maclean's (Nov 10, 1997):78 (1 page).

Kauffmann, Stanley.
"The Wings of the Dove." (movie reviews) New Republic v217, n22 (Dec 1, 1997):32 (1 page)

Matthews, Peter.
"The Wings of the Dove." (movie reviews) Sight and Sound v8, n1 (Jan, 1998):55 (2 pages).

Menand, Louis.
"The Wings of the Dove." (movie reviews) New York Review of Books v44, n19 (Dec 4, 1997):19 (2 pages).

Merkin, Daphne.
"The Wings of the Dove." (movie reviews) New Yorker v73, n34 (Nov 10, 1997):121 (2 pages).

Shargel, Raphael.
"The Wings of the Dove." (movie reviews) New Leader v80, n19 (Dec 29, 1997):32 (2 pages)

Simon, John.
"The Wings of the Dove." (movie reviews) National Review v49, n23 (Dec 8, 1997):54 (2 pages).

Tibbetts, John C.
"A Masterpiece Takes Flight: The Wings of the Dove." Literature/ Film Quarterly vol. 26 no. 4. 1998. pp: 313-15.

James Joyce

Armour, Robert A.
"The 'Whatness' of Joseph Strick's Portrait." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 279-290. New York: Ungar, c1981
UCB Main PN1997.85.E53
Moffitt PN1997.85.E53

Barsam, Richard.
"When in Doubt Persecute Bloom." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 291-300. New York: Ungar, c1981
UCB Main PN1997.85.E53
Moffitt PN1997.85.E53

Basquin, Kit.
"Mary Ellen Bute's Film Adaptation of Finnegans Wake." In: James Joyce's Finnegans wake: a casebook / edited by John Harty III. pp: 177-88. New York: Garland Pub., 1991. Garland reference library of the humanities ; vol. 1003
Main Stack PR6019.O9.F59354 1991
Moffitt PR6019.O9.F59354 1991

Burkdall, Thomas.
Joycean frames: film and the fiction of James Joyce / Thomas L. Burkdall. New York: Routledge, 2001. Series title: Studies in major literary authors.
UCB Main PR6019.O9 Z5263645 2001

Burkdall, Thomas L.
"Cinema Fakes: Film and Joycean Fantasy." In: Joyce in the Hibernian metropolis: essays / edited by Morris Beja and David Norris. Columbus, Ohio: Ohio State University Press, c1996
UCB Main PR6019.O9 Z6343 1996

Costanzo, William V.
"Joyce and Eisenstein: Literary Reflections of the Reel World." Journal of Modern Literature 1984 Mar.; 11(1): 175-180.

DiBattista, M.
"This Is Not a Movie: "Ulysses" and Cinema." Modernism - Modernity v. 13 no. 2 (April 2006) p. 219-35
UC users only
"Ulysses, a novel by James Joyce, might indeed offer parallels with, and anticipations of, modern technologies of vision, but it also provides evidence of the limitations of the relationship between film and novel as companionable arts. There are many incidents recounted in Ulysses in which the character of Leopold Bloom is saved from errancy, from losing himself in fantasy projections that are so identified with cinema. Joyce demonstrates the intrinsic discipline of his classicism by approaching as closely as he can the limit at which the novel encroaches upon cinema's spectacle of attractions, without overstepping the proper limits of his own literary domain. His honoring of the terms by which literature might approach, but never overstep the border separating it from the visual paradise of cinema, might explain what Alan Spiegel memorably referred to as the "ocular loneliness" of Ulysses's primary seers, Bloom and Stephen Dedalus. Such loneliness, however, is not the result of Joyce's aesthetic detachment, but rather an inevitable consequence of his writing about the world of his (imaginary) sights." [Art Index]

Luke Gibbons
"Visualizing the voice : Joyce, cinema, and the politics of vision." In: A companion to literature and film / edited by Robert Stam, Alessandra Raengo. Malden, MA ; Oxford : Blackwell Pub., 2004.
Table of contents http://www.loc.gov/catdir/toc/ecip0421/2004017778.html
Main Stack PN1995.3.C65 2004

Herr, Cheryl.
"Blue Notes: From Joyce to Jarman." In: Re: Joyce: text, culture, politics / edited by John Brannigan, Geoff Ward, and Julian Wolfreys. pp: 211-23. Basingstoke, Hampshire: Macmillan ; New York: St. Martin's Press, 1998.
Main Stack PR6019.O9.Z7476 1998

Kenner, Hugh.
"Faulkner and Joyce." In: Faulkner and Yoknapatawpha Conference (5th: 1978: University of Mississippi) Faulkner, modernism, and film: Faulkner and Yoknapatawpha, 1978 / edited by Evans Harrington and Ann J. Abadie. pp: 20-33. Jackson: University Press of Mississippi, 1979
Main Stack PS3511 Fa86.Z489 1978
Moffitt PS3511.A86.Z489.1978

Klein, Michael.
"Strick's Adaptation of Joyce's Portrait of the Artist: Discourse and Containing Discourse." In: Narrative strategies: original essays in film and prose fiction / edited by Syndy M. Conger and Janice R. Welsch. pp: 37-46. [Macomb]: Western Illinois University, c1980. Essays in literature book.
Main Stack PN1997.85.N3

Olsen, Vickie.
"On the Page/On the Screen: Two Ways of Reading Joyce." Bells: Barcelona English Language & Literature Studies. 9:99-108. 1998

Palmer, R. Barton
"Eisensteinian Montage and Joyce's Ulysses: The Analogy Reconsidered." Mosaic 1985 Summer; 18(3): 73-85.

Peever, Adrian
"James Joyce's Woman? An Interview with Fionnula Flanagan." James Joyce Quarterly 1996 Fall-1997 Winter; 34(1-2): 13-19.

Peever, Adrian
"James Joyce as Woman: Fionnula Flanagan, Joyce, and Filmoyce and popular culture." In: Joyce and popular culture / edited by R.B. Kershner. Gainesville: University Press of Florida, c1996. Series title: Florida James Joyce series.
UCB Main PR6019.O9 Z63388 1996

Perlmutter, Ruth.
"Joyce, and Cinema." Boundary 2. 6:481-502. 1978. Binghamton, NY

Smith, Sarah W. R.
"The Word Made Celluloid: On Adapting Joyce's Wake." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 301-312. New York: Ungar, c1981
UCB Main PN1997.85.E53
Moffitt PN1997.85.E53

Thompson, Lynne M.
"Giving Birth to the Artist Within: Barton Fink's Nod to Stephen Dedalus." Spectator. 12(2):52-57. 1992 Spring

Tiessen, Paul
"Literary Modernism and Cinema: Two Approaches." In: Joyce/Lowry: critical perspectives / Patrick A. McCarthy and Paul Tiessen, editors. Lexington, Ky.: University Press of Kentucky, c1997.
UCB Main PR6019.O9 Z667 1997

Vogler, Thomas.
"Tank Girl, (An)Odder Odyssey: Joyce Lives (and Dies) in Popular Culture." Other Voices 1998 Sept; 1(2): (no pagination) Online: http://dept.english.upenn.edu/~ov/

Werner, Gosta; Gunnemark, Erik (tr.)
"James Joyce and Sergej Eisenstein." James Joyce Quarterly 1990 Spring; 27(3): 491-507.

Williams, Keith
"Cinematic Joyce." James Joyce Broadsheet. 2000 Oct; 57: 3.

Young, Kay.
"Leopold Bloom Walks and Jimmy Stewart Stares: On Motion, Genre and the Classic." In: Classics in film and fiction / edited by Deborah Cartmell ... [et al.]. pp: 157-75. London ; Sterling, Va.: Pluto Press, 2000. Film/fiction ; v. 5
Main Stack PN1997.85.C56 2000

The Dead

Franz Kafka

Bruce, Iris
"Kafka and Popular Culture." In: The Cambridge companion to Kafka / edited by Julian Preece. Cambridge, U.K. ; New York : Cambridge University Press, 2002.
Main Stack PT2621.A26.Z488 2002

Dellolio, Peter J.
"Hitchcock and Kafka: Expressionist Themes in Strangers on a Train." Midwest Quarterly: A Journal of Contemporary Thought, vol. 45, no. 3, pp. 240-55, Spring 2004

Foell, Kristie A.
"The Lyrical as Opposition in Straub/Huillet's Film Version of Kafka's Amerika." Journal of the Kafka Society of America, vol. 17, no. 2, pp. 4-12, December 1993

Hoffmeister, Donna L.
"Kafka Lite: Woody Allen and Steven Soderbergh on Kafka's Play-ground." Journal of the Kafka Society of America, vol. 17, no. 2, pp. 13-21, December 1993

Malone, Paul M.
"Trial and Error: Combinatory Fidelity in Two Versions of Franz Kafka's The Trial." In: Classics in film and fiction / edited by Deborah Cartmell ... [et al.]. London ; Sterling, Va. : Pluto Press, 2000.
Main Stack PN1997.85.C56 2000

Peucker, Brigitte
"Kubrick and Kafka: The Corporeal Uncanny." Modernism/Modernity, vol. 8, no. 4, pp. 663-74, November 2001

Pohland, Vera
"Trains of Traffic: Kafka's Novels into Film." Journal of the Kafka Society of America, vol. 24, no. 1-2, pp. 54-68, June 2000

Werckmeister, O. K.
"Kafka 007." Critical Inquiry, vol. 21, no. 2, pp. 468-95, Winter 1995
On Steven Soderbergh's Kafka

Zischler, Hanns
Kafka goes to the movies / Hanns Zischler ; translated by Susan H. Gillespie. Chicago : University of Chicago Press, 2003.
Main Stack PT2621.A26.Z37 2003

The Trial (Orson Welles)

The Trial (Harold Pinter screenplay)

Armstrong, Raymond.
Kafka and Pinter : shadow-boxing : the struggle between father and son / Raymond Armstrong. New York : St. Martin's Press, 1999
Main Stack PR6066.I53.Z594 1999

Connolly, Jeanne
"The Trial." Pinter Review: Annual Essays, pp. 84-88, 1994

Gillen, Francis
"Harold Pinter on The Trial." The Pinter Review: Annual Essays, pp. 61-62, 1992

Gillen, Francis
"From Novel to Film: Harold Pinter's Adaptation of The Trial." In: Pinter at Sixty / edited by Katherine H. Burkman and John L. Kundert-Gibbs. Bloomington : Indiana University Press, c1993.
Main Stack PR6066.I53.Z737 1993

Hall, Ann C.
"Harold Pinter's Prison House: The Screenplay of Kafka's The Trial." In: Captive audience : prison and captivity in contemporary theater / edited by Thomas Fahy and Kimball King. New York : Routledge, 2003.
Main Stack PN1650.P74.C37 2003

Karl, Frederick R.
"Comments on Harold Pinter's Adaptation of Franz Kafka's The Trial." Pinter Review: Annual Essays, pp. 76-83, 1994

Kundert-Gibbs, John L.
"'I Am Powerful ... And I Am Only the Lowest Doorkeeper': Power Play in Kafka's The Trial and Pinter's Victoria Station." In: Pinter at Sixty / edited by Katherine H. Burkman and John L. Kundert-Gibbs. Bloomington : Indiana University Press, c1993.
Main Stack PR6066.I53.Z737 1993

Lev, Peter
"Three Adaptations of The Trial." Literature/Film Quarterly, vol. 12, no. 3, pp. 180-185, 1984

Malone, Paul M.
"Trial and Error: Combinatory Fidelity in Two Versions of Franz Kafka's The Trial." In: Classics in film and fiction / edited by Deborah Cartmell ... [et al.]. London ; Sterling, Va. : Pluto Press, 2000.
Main Stack PN1997.85.C56 2000

Marks, Louis
"Producing The Trial: A Personal Memoir." In: The films of Harold Pinter / edited by Steven H. Gale. Albany : State University of New York Press, c2001.
Main Stack PR6066.I53.Z6454 2001
PFA PR6066.I53.Z6454 2001

Stephen King

Browning, Mark.
Stephen King on the big screen / Mark Browning. Bristol, UK ; Chicago, USA : Intellect, 2009.
Main (Gardner) Stacks PS3561.I483 Z56 2009

Collings, Michael R.
The films of Stephen King / Michael R. Collings. Mercer Island, Wash.: Starmont House, 1986. Series title: Starmont studies in literary criticism; no. 12.
UCB Moffitt PS3561.I483 Z623 1986

Conner, Jeff.
Stephen King goes to Hollywood: a lavishly illustrated guide to all the films based on Stephen King's fiction / written by Jeff Conner. New York: New American Library, c1987.
UCB Main PS3561.I483 Z62871 1987

The films of Stephen King : from Carrie to Secret window
Edited by Tony Magistrale. New York ; Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, c2008.
MAIN PS3561.I483 Z6555 2008
PFA: PS3561.I483 Z6555 2008

Magistrale, Tony.
Hollywood's Stephen King New York : Palgrave Macmillan, 2003.
Full-text available online [UCB users only]
Main (Gardner) Stacks PS3561.I483 Z758 2003)

Williams, Tony.
"The King Adaptations." In: Hearths of darkness: the family in the American horror film / Tony Williams. Madison [New Jersey]: Fairleigh Dickinson University Press, c1996.
UCB Main and Moffitt PN1995.9.H6 W46 1996

Carrie
See Brian DePalma bibliography

The Dead Zone
See David Cronenberg bibliography

The Green Mile
See Prison Film bibliography

Misery

Dolan, John.
"This misery of ours: on celebrity, guilt, and vampirism." Threepenny Review; 1992, Vol. 12 Issue 4, p28-31, 4p

Dowell, Pat.
"Misery." Cineaste, 1991, Vol. 18 Issue 2, p36, 2p
UC users only

Keesey, Douglas.
"'Your Legs Must Be Singing Grand Opera': Masculinity, Masochism, and Stephen King's Misery." American Imago: Studies in Psychoanalysis and Culture, vol. 59, no. 1, pp. 53-71, Spring 2002
UC users only

The Shawshank Redemption
See Prison Film bibliography

The Shining
See Stanley Kubrick bibliography

Rudyard Kipling

Leibfried, Philip
Rudyard Kipling and Sir Henry Rider Haggard on screen, stage, radio, and television / by Philip Leibfried. Jefferson, N.C.: McFarland, c2000.
UCB Main PR4858.F55 L45 2000

D.H. Lawrence

Greiff, Louis K.
D.H. Lawrence: fifty years on film / Louis K. Greiff. Carbondale: Southern Illinois University Press, c2001.
UCB Main PR6023.A93 Z63113 2001

Moore, Harry T.
"D. H. Lawrence and the Flicks." Literature/Film Quarterly 1:1 [Jan. 1973] p. 3
UC users only

Phillips, Gene.
"Ken Russell's two Lawrence films: The Rainbow and Women in Love." Literature/Film Quarterly (25:1) 1997, 68-73.
UC users only

Solecki, Sam
"D. H. Lawrence's View of Film." Literature/Film Quarterly 1:1 [Jan. 1973] p. 12
UC users only

Young, Jane Jaffe
D.H. Lawrence on screen: re-visioning prose style in the films of The rocking-horse winner, Sons and lovers, and Women in love / Jane Jaffe Young. New York: Peter Lang, c1999. Series title: Literature and the visual arts; vol. 12.
UCB Main PR6023.A93 Z967 1999

The Fox

Mellen, Joan
"Outfoxing Lawrence: Novella Into Film." Literature/Film Quarterly 1:1 [Jan. 1973] p. 17
UC users only

Lady Chatterley's Lover

Scott, James F. (
"The Emasculation of "Lady Chatterley's Lover"." Literature/Film Quarterly 1:1 [Jan. 1973] p. 37

The Rocking Horse Winner

Becker, Henry, III
"The Rocking Horse Winner": Film as Parable."Literature/Film Quarterly 1:1 [Jan. 1973] p. 55

Sons and Lovers

Baldanza, Frank "Sons and Lovers": Novel to Film as a Record of Cultural Growth." Literature/Film Quarterly 1:1 [Jan. 1973] p. 64
UC users only

Women in Love

Crump, G.B.
"Women in Love: Novel and Film." D H Lawrence Review. 4:28-41. 1971. Fayetteville, AK

Gomez, Joseph A.
"Russell's Images of Lawrence's Vision." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 248-256. New York: Ungar, c1981
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Phillips, Gene D.
"Ken Russell's Two Lawrence Films: The Rainbow and Women in Love." Literature-Film Quarterly. 25(1):68-73. 1997

Young, Jane Jaffe
D.H. Lawrence on screen: re-visioning prose style in the films of The rocking-horse winner, Sons and lovers, and Women in Love New York: Peter Lang, c1999.
Main Stack PR6023.A93.Z967 1999

Zambrano, Ana Laura.
"Women in Love: Counterpoint on Film." Literature-Film Quarterly. 1:46-54. 1973.
UC users only

Malcolm Lowry

See John Huston Bibliography (Under the Volcano)

Christopher Marlowe

Edward II
See Derek Jarman bibliography

Arthur Miller

The Crucible

Alexander, Victoria.
"The Crucible." (movie reviews) Films in Review v48, n1-2 (Jan-Feb, 1997):71.

Ansen, David.
"The Crucible." (movie reviews) Newsweek v128, n23 (Dec 2, 1996):80.

Blake, Richard A.
"The Crucible." (movie reviews) America v176, n5 (Feb 15, 1997):24 (3 pages).

Coe, Jonathan.
"The Crucible." (movie reviews) New Statesman (1996) v126, n4323 (Feb 28, 1997):43.

Corliss, Richard.
"The Crucible." (movie reviews) Time v148, n25 (Dec 2, 1996):81.

Decter, Midge.
"The Crucible." (movie reviews) Commentary v103, n3 (March, 1997):54 (3 pages).

Denby, David.
"The Crucible." (movie reviews) New York v29, n47 (Dec 2, 1996):114 (2 pages).

Holt, Linda.
"The Crucible." (movie reviews) TLS. Times Literary Supplement, n4903 (March 21, 1997):20.

Johnson, Brian D.
"The Crucible." (movie reviews) Maclean's v109, n53 (Dec 30, 1996):100.

Kauffmann, Stanley.
"The Crucible." (movie reviews) New Republic v215, n25 (Dec 16, 1996):30 (3 pages).

Maslin, Janet.
"The Crucible." (movie reviews) New York Times v146 (Wed, Nov 27, 1996):B1(N), C9(L), col 1, 20 col in.

McCarthy, Todd.
"The Crucible." (movie reviews) Variety v365, n1 (Nov 4, 1996):81 (2 pages).

Morgan, Edmund S.
"The Crucible." (movie reviews) New York Review of Books v44, n1 (Jan 9, 1997):4 (2 pages).

Morgan, Marie.
"The Crucible." (movie reviews) New England Quarterly v70, n1 (March, 1997):125 (5 pages).

Nelson, Randy.
"The Crucible." (movie reviews) Sojourners v26, n4 (July-August, 1997):57 (3 pages).

Rafferty, Terrence.
"The Crucible." (movie reviews) New Yorker v72, n37 (Dec 2, 1996):119 (2 pages).

Simmons, Jerold.
"Arthur Miller and "The Crucible"." (Review) (movie reviews) Journal of American History v85, n3 (Dec, 1998):1193.

Simon, John.
"The Crucible." (movie reviews) National Review v49, n1 (Jan 27, 1997):56 (2 pages).

Strick, Philip.
"The Crucible." (movie reviews) Sight and Sound v7, n3 (March, 1997):44 (2 pages).

Travers, Peter.
"The Crucible." (movie reviews) Rolling Stone, n749 (Dec 12, 1996):89 (2 pages).

Weales, Gerald.
"The Crucible." (movie reviews) American Theatre v14, n4 (April, 1997):51.

Toni Morrison

Beloved

(Jonathan Demme, 1998)

See African American/Movies Bibliography

Vladimir Nabokov

Appel, Alfred.
Nabokov's dark cinema / Alfred Appel, Jr. New York: Oxford University Press, 1974.
UCB Main PG3476.N3 Z571
UCB Moffitt PG3476.N3 Z57

Mazierska, Ewa.
Nabokov's cinematic afterlife / Ewa Mazierska. Jefferson, N.C. : McFarland, c2011.
Main (Gardner) Stacks PG3476.N3 Z7375 2011
Contents: Introduction : Nabokov's afterlife in cinema -- Humbert between dignity and romanticism : Lolita by Stanley Kubrick (1962) and Adrian Lyne (1997) -- Going blind in swinging London : Laughter in the dark (1969) by Tony Richardson -- Nabokov, or the logic of late capitalism : King, queen, knave (1972) by Jerzy Skolimowski -- Escape into a different person, escape into a different reality : Despair (1978) by Rainer Werner Fassbinder -- Rememberance of things unspoken : Mademoiselle O by Jérôme Foulon -- Duel in contemporary Estonia : An affair of honor (1999) by Valentin Kuik -- Nabokov as a gentle feminist : The Luzhin defence (2000) by Marleen Gorris -- From b-movie script to Greek tragedy : "The assistant producer" by Vladimir Nabokov, and Triple agent (2004) by Eric Rohmer -- Vladimir Nabokov and Jean-Luc Godard.

Wyllie, Barbara.
Nabokov at the movies: film perspectives in fiction / Barbara Wyllie. Jefferson, N.C.: McFarland & Company, c2003.
Main Stack PG3476.N3.Z95 2003
PFA PN1995.3.W94 2003 Pacific Film Archive collection; non-circulating

Lolita

Amper, Susan.
"Lolita and Her Movies: the Unmaking of Humbert Humbert." West Virginia University Philological Papers vol. 41. 1995. pp: 82-88.

Burns, Dan E.
"Pistols and Cherry Pies: Lolita from Page to Screen." Literature/ Film Quarterly vol. 12 no. 4. 1984. pp: 245-250.

Cardwell, Sarah.
"About Time: Theorizing, Adaptation, Temporality, and Tense." Literature Film Quarterly, 2003, Vol. 31 Issue 2, p82, 11p
UC users only
Discusses temporality and tense in literature-film adaptations. Components underlying the development of a medium-specific thesis in adaptation; Result of the marginalization of medium specific theorizing; Discussion on the tense, temporality and memory in the film 'Lolita.'

Elizabeth Kaye.
"Lolita comes again: the book was banned, its author reviled, the first film version censored. Is there anything more about a lustful twelve-year-old nymphet that can shock American sensibilities? Yes." (new film version of Vladimir Nabokov's 1953 literary classic)(Cover Story) Esquire Feb 1997 v127 n2 p50(9)
UC users only

Mazierska, Ewa.
"Humbert between dignity and romanticism : Lolita by Stanley Kubrick (1962) and Adrian Lyne (1997)." In: Nabokov's cinematic afterlife / Ewa Mazierska. Jefferson, N.C. : McFarland, c2011.
Main (Gardner) Stacks PG3476.N3 Z7375 2011

Power, Elizabeth
"The Cinematic Art of Nympholepsy: Movie Star Culture as Loser Culture in Nabokov's Lolita." Criticism v41, n1 (Wntr, 1999):101.
UC users only
A critique is presented on the failure to successfully represent Vladimir Nabokov's novel 'Lolita' in the cinematic medium. Topics include the novel's detailing of the uncomfortable link between predatory sex and the motion picture industry, and the subversion of familial relationships to obtain materialistic goals.

Simonetti, Paolo.
"The Maniac in the Garden: Lolita and the Process of American Civilization." Critique, 2012, Vol. 53 Issue 2, p149-163, 15p
UC users only
In Lolita, Nabokov provided America with a new literary childhood, challenging both the Romantic myth of adolescence and the pastoral myth conveyed by travel narratives to the New World. From a comparative analysis of the novel and its two cinematic adaptations, Lolita stands out as an embodiment of the 'garden' described by Leo Marx, soon to be invaded by Humbert's 'machine.' The result is a powerful and disturbing representation of America as youth, uncovering the violence and coercion of any act of civilization. [ABSTRACT FROM PUBLISHER]

Lolita

(Stanley Kubrick, 1962)

Lolita

(Adrian Lyne, 1997)

Applebome, Peter.
"'Lolita' retelling is cleared for U.S." (copyright lawsuit settled)(Living Arts Pages) New York Times (Thu, June 17, 1999):B1(N), E1(L), col 1, 35 col in.

Bowman, James.
"Lolita." (movie reviews) National Review v50, n15 (August 17, 1998):50 (2 pages).

Denby, David.
"Lolita." (movie reviews) New York v31, n39 (Oct 12, 1998):82 (2 pages).

Garbus, Martin.
"Lolita and the lawyers." (Column) New York Times Book Review (Sun, Sept 26, 1999):35, col 1, 35 col in.
The book 'Lo's Diary' is based loosely on the classic Vladimir Nabokov novel, 'Lolita.' 'Lo's Diary,' written by Pia Pera was first published in 1995 in Italy, and US publication of the book was postponed when Nabokov's son claimed that the book infringed on the copyright for 'Lolita.' The case was settled out of court, but raised questions about copyright law for borrowed literature that remain unresolved.

Gates, David; Brown, Corie.
"Waiting for Humbert." (production of the movie 'Lolita') Newsweek v128, n25 (Dec 16, 1996):70 (1 page).
Filmmaker Adrian Lyne has delayed production of his movie because of its controversial story of pedophilia. Based on the 1995 novel by Vladimir Nabokov, the film has undergone editing to remove content feared to be too controversial in an era more sensitive to child abuse.

Holt, Linda.
"Lolita." (movie reviews) TLS. Times Literary Supplement, n4965 (May 29, 1998):23 (1 page).

Hudgins, Christopher C.
"Lolita 1995: the four filmscripts. Publication Details: Literature/Film Quarterly (25:1) 1997, 23-9.

James, Nick.
"Humbert's Humbert." Sight and Sound vol. 8 no. 5. 1998 May. pp: 20-23.

Kauffmann, Stanley.
"Lolita." (movie reviews) New Republic v219, n14 (Oct 5, 1998):26 (2 pages).

Kaye, Elizabeth.
"Lolita Comes Again." Esquire, vol. 127 no. 2. 1997 Feb. pp: 50-55, 104-06.

Kroll, Jack.
"Lolita." (movie reviews) Newsweek v130, n14 (Oct 6, 1997):72 (1 page).

Kakutani, Michiko.
"Humbert would swear this isn't the same Lolita." (Review) (book reviews) New York Times (Fri, Oct 29, 1999):B45(N), E47(L), col 3, 20 col in.

Lane, Anthony.
"Lolita." (movie reviews) New Yorker v74, n2 (Feb 23, 1998):182 (3 pages).

Maddox, Brenda.
"Lolita." (movie reviews) New Statesman (1996) v127, n4382 (April 24, 1998):40 (2 pages).

Rooney, David.
"Lolita." (movie reviews) Variety v368, n8 (Sept 29, 1997):61 (2 pages).

Schickel, Richard.
"Lolita." (movie reviews) Time v151, n11 (March 23, 1998):91 (1 page).

Simon, John.
"Lolita." (movie reviews) National Review v50, n16 (Sept 1, 1998):50 (1 page).

Travers, Peter.
"Lolita." (movie reviews) Rolling Stone, n794 (Sept 3, 1998):108 (1 page).

Wood, Michael.
"Revisiting Lolita." New York Review of Books vol. 45 no. 5. 1998 Mar 26. pp: 9-10, 12-13.

Eugene O'Neill

Ben-Zvi, Linda
"Eugene O'Neill and Film." Eugene O'Neill Newsletter, vol. 7, no. 1, pp. 3-10, Spring 1983.

Cooper, Burton L.
"Some Problems in Adapting O'Neill for Film." In: Eugene O'Neill's century : centennial views on America's foremost tragic dramatist / edited by Richard F. Moorton, Jr. New York : Greenwood Press, 1991.
Main Stack PS3529.N5.Z6377 1991
Moffitt PS3529.N5.Z6377 1991

Hayes, Richard
"'The Scope of the Movies': Three Films and Their Influence on Eugene O'Neill." Eugene O'Neill Review, vol. 25, no. 1-2, pp. 37-53, Spring 2001.

Mandal, Somdatta
"Eugene O'Neill and Film." Indian Journal of American Studies, vol. 25, no. 2, pp. 135-41, Summer 1995.

Orlandello, John
O'Neill on film / John Orlandello. Rutherford [N.J.]: Fairleigh Dickinson University Press; London: Associated University Presses, c1982.
UCB Main PS3529 .Ow5Z775.1982

Desire Under the Elms

Blesch, Edwin J., Jr.
"Lots of Desire, No Elms: A Consideration of Eugene O'Neill's Desire under the Elms on Film." The Nassau Review: The Journal of Nassau Community College Devoted to Arts, Letters, and Sciences, vol. 4, no. 2, pp. 14-22, 1981.

Emperor Jones

Krimsky, John
"The Emperor Jones: Robeson and O'Neill on Film." Connecticut Review, vol. 7, no. 2, pp. 94-99, 1974.

Saxena, Jennie.
"Preserving African-American Cinema: The Case of The Emperor Jones." The Moving Image - Volume 3, Number 1, Spring 2003, pp. 42-58
UC users only

Siomopoulos, Anna
"'The 'Eighth o' Style': Black Nationalism, the New Deal, and The Emperor Jones." Arizona Quarterly: A Journal of American Literature, Culture, and Theory, vol. 58, no. 3, pp. 57-81, Fall 2002.

Sohn, Dong-ho
"The Emperor Jones: Cinematic Imagination and Modern Spatiality." The Journal of English Language and Literature, vol. 41, no. 4, pp. 1083-98, Winter 1995.

Hughie

Krafchick, Marcelline
"Film and Fiction in O'Neill's Hughie." Arizona Quarterly: A Journal of American Literature, Culture, and Theory, vol. 39, no. 1, pp. 47-61, Spring 1983.

Long Day's Journey Into Night

Costello, Donald P.
"Sidney Lumet's A Long Day's Journey into Night." Literature/Film Quarterly, vol. 22, no. 2, pp. 78-92, 1994.

Sipple, William L.
"From Stage to Screen: The Long Voyage Home and Long Day's Journey into Night." Eugene O'Neill Newsletter, vol. 7, no. 1, pp. 10-14, Spring 1983.

Harold Pinter

The films of Harold Pinter
Edited by Steven H. Gale. Albany: State University of New York Press, c2001. Series title: The SUNY series, cultural studies in cinema/video.
UCB Main PR6066.I53 Z6454 200

Homan, Sidney
Pinter's odd man out: staging and filming Old Times / Sidney Homan with Stephanie Dugan, Sandra Langsner, and Thomas Pender. Lewisburg, Pa.: Bucknell University Press; London; Cranbury, NJ: Associated University Presses, c1993.
UCB Main PR6066.I53 O434 1993
UCB Moffitt PR6066.I53 O434 1993

Edgar Allan Poe

Dixon, Wheeler Winston
"The Site of the Body in Torture/The Sight of the Tortured Body: Contemporary Incarnations of Graphic Violence in the Cinema and the Vision of Edgar Allan Poe." Film and Philosophy, vol. 1, pp. 62-70, 1994

Heffernan, Kevin.
""A sissified Bela Lugosi": Vincent Price, William Castle, and AIP's Poe adaptations." In: Ghouls, gimmicks, and gold : horror films and the American movie business, 1953-1968 Durham : Duke University Press, 2004.
Main Stack PN1995.9.H6.H45 2004

Carlson, Thomas C.
"Biographical Warfare: Silent Film and the Public Image of Poe." Mississippi Quarterly: The Journal of Southern Cultures, vol. 52, no. 1, pp. 5-16, January 1998

Hendershot, Cyndy.
"Domesticity and Horror in House of Usher and Village of the Damned." Quarterly Review of Film and Video, vol. 17, no. 3, pp. 221-27, Fall 2000

Niemeyer, Mark.
"Poe and Popular Culture." In: The Cambridge companion to Edgar Allan Poe / edited by Kevin J. Hayes. Cambridge, U.K. ; New York : Cambridge University Press, 2002.
MAIN: PS2638 .C33 2002; MOFF: PS2638 .C33 2002

Perry, Dennis R.
"Imps of the Perverse: Discovering the Poe/Hitchcock Connection." Literature/Film Quarterly, vol. 24, no. 4, pp. 393-99, 1996
UC users only
Explores the influence of writer Edgar Allan Poe on the works of author and director Alfred Hitchcock. Implications of the connections; Creating and sustaining a narrative experience; Mutual obsession with the irrational; Comparison of their works.

Marcel Proust

Anderson, Melissa
"In search of adaptation : Proust and film." In: Literature and film : a guide to the theory and practice of film adaptation
/ Edited by Robert Stam, Alessandra Raengo. Malden, MA : Blackwell, 2005.
MAIN: PN1997.85 .L515 2005

Costanzo, William V.
"The Persistence of Proust, the Resistance of Film." Literature/Film Quarterly, vol. 15, no. 3, pp. 169-174, 1987
UC users only

Guss, Nathan
"Outing Proust." In: Queer sexualities in French and Francophone literature and film / edited by James Day. Amsterdam ; New York : Rodopi, 2007.
Main (Gardner) Stacks PQ145.1.H66 Q88 2007

Ifri, Pascal A.
"One novel, five adaptations: proust on film." Contemporary French & Francophone Studies, Jan2005, Vol. 9 Issue 1, p15-29, 15p
UC users only

Powrie, Phil.
"Marketing History: Swann in Love." Film Criticism, vol. 12, no. 3, pp. 33-45, Spring 1988
UC users only

Proust et les images : peinture, photographie, cinéma, vidéo
Sous la direction de Jean Cléder et Jean-Pierre Montier ; [auteurs, Pierre Campion ... et al.]. Rennes : Presses universitaires de Rennes, 2003.
Main (Gardner) Stacks PQ2631.R63 Z852 2003

"Proust, the movie." In: Cinema and fiction : new modes of adapting, 1950-1990 / edited by John Orr and Colin Nicholson. Edinburgh : Edinburgh University Press, c1992.
Main (Gardner) Stacks PN1995.3 .C56 1992

Manuel Puig

Buehrer, David.
"Real Men, Unreal Women: Fictional Text, Cinematic Counter-Text, and the Politics of Gender in The Kiss of the Spider Woman." Journal of Evolutionary Psychology. 21(3-4):159-65. 2000

Dittmar, Linda.
"Beyond Gender and within It: The Social Construction of Female Desire." Wide Angle 1986, 8:3-4, 79-88.

Santoro, Patricia.
"Kiss of the Spider Woman, Novel, Play, and Film: Homosexuality and the Discourse of the Maternal in a Third World Prison." In: Framing Latin American cinema: contemporary critical perspectives / Ann Marie Stock, editor. pp: 120-40 Minneapolis: University of Minnesota Press, c1997.
Main Stack PN1993.5.L3.F73 1997

Erich Maria Remarque

Taylor, Harley U.
Erich Maria Remarque: a literary and film biography / Harley U. Taylor, Jr. New York: P. Lang, c1989. Series title: American university studies. Series I, Germanic languages and literatures; vol. 65.
NRLF B 3 707 512

J.K. Rowling

Baehr, Theodore.
Frodo & Harry : understanding visual media and its impact on our lives Published: Wheaton, Ill. : Crossway Books, 2003.
MAIN: PR6039.O32 L6324 2003; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip046/2003014668.html

Burn, Andrew.
"Potterliteracy: cross-media narratives, cultures and grammars.(Critical Essay)." Papers: Explorations into Children's Literature 14.2 (Nov 2004): 5(13).
UC users only

Galligan, Anne
"Truth is stranger than magic: the marketing of Harry Potter." Australian Screen Education 35 (Summer 2004): p36(6).
UC users only

Gupta, Suman
Re-reading Harry Potter New York : Palgrave Macmillan, 2003.
MAIN: PR6068.O93 Z68 2003

Kapur, Jyotsna.
"Free market, branded imagination - Harry Potter and commercialization of children's culture." Jump Cut (46) 2003. (2003)

Lancto, Craig.
"Fact, Film, and Fantasy : Harry Potter and the Magically Transmuted Country." World and I 18.12 (Dec 2003): 164.
UC users only

Nel, Philip
"Bewitched, Bothered, and Bored: Harry Potter, the Movie." Journal of Adolescent and Adult Literacy, vol. 46, no. 2, pp. 172-75, Fall 2002.
UC users only

Orens, Geoff.
"Columbus, Chris.(film director, screenwriter)." Current Biography 62.11 (Nov 2001): 19(5).

Thompson, Kristin
"Fantasy, franchises, and Frodo Baggins: The Lord of the Rings and modern Hollywood." (Critical Essay). Velvet Light Trap 52 (Fall 2003)
UC users only

Wagner, Rachel
"Bewitching the Box Office: Harry Potter and Religious Controversy." Journal of Religion and Film, vol. 7, no. 2, pp. 24 paragraphs, Fall 2003.

Weaver, John A.
"Digital aesthetics." Journal of Curriculum Theorizing 21.1 (Spring 2005): 77.
UC users only

Wang, Alexander R.
"Authenticity in Harry Potter: The Movie and the Books." In: Harry Potter's world : multidisciplinary critical perspectives / edited by Elizabeth E. Heilman. New York : RoutledgeFalmer, 2003. Pedagogy and popular culture
Main Stack PR6068.O93.Z73 2003

Harry Potter and the Chamber of Secrets

Bethune, Brian
"Chamber of Marvels: Harry Potter, take two, is as stylish as the original.(Harry Potter and the Chamber of Secrets)(Movie Review)." Maclean's (Nov 25, 2002): 73.

Felperin, Leslie.
"Harry Potter and the Chamber of Secrets.(Reviews)(Movie Review)." Sight and Sound 13.1 (Jan 2003): 47(2).

Lally, Kevin.
"Harry Potter and The Chamber of Secrets. (Movie Review)." Film Journal International 105.12 (Dec 2002): 54(2).
UC users only

Morone, James A.
"Dumbledore's message. (The Critics Cultural Phenomena)." The American Prospect 12.22 (Dec 17, 2001): 40(2).
UC users only

Oxoby, Marc
"Harry Potter and the chamber of secrets (2002) & The Lord of the rings: the two towers (2002)." Film & History Vol XXXIII nr 1 (2003); p 67-69

Simmons, Garry, and Christine Evely.
"Harry Potter and the Chamber of Secrets.(movie production)." Australian Screen Education 38 (Spring 2005): 76(8).
UC users only

Harry Potter and the Goblet of Fire

McCarthy, Todd
"Harry's' darker magic."(Harry Potter and the Goblet of Fire)(Movie Review). Variety 400.13 (Nov 14, 2005): p40(2). (1574 words)
UC users only

Weadick, Tina.
"The wizard of HAZ: Tina Weadick gets a Muggle's day pass to the set of the latest Harry Potter film to find out where health and safety fits in to the magical mayhem of disgruntled dragons, triple-decker buses, and malevolent mer-people." (FILM-SET SAFETY)." The Safety & Health Practitioner 22.11 (Nov 2004): 41(4). Expanded Academic ASAP. Thomson Gale. UC Berkeley (CDL). 09 December 2005
UC users only

Harry Potter and the Prisoner of Azkaban

Corliss, Richard.
"When Harry Met Sirius: The Potter franchise has a new director, a zestier spirit--and a bunch of kids entering puberty.(Arts/Movies)(Review)(Harry Potter and the Prisoner of Azkaban)(Movie Review)." Time 163.23 (June 7, 2004): 117.
UC users only

Haun, Harry.
"Passing the wand: Y Tu Mama's Alfonso Cuaron conjures a darker Potter.(Brief Article)(Critical Essay)." Film Journal International 107.7 (July 2004): 16(3). Expanded Academic ASAP. Thomson Gale. UC Berkeley (CDL). 09 December 2005
UC users only

Lane, Cara Ann
"The prisoner of Azkaban: a new direction for Harry Potter." Film & History Vol XXXV nr 1 (2005); p 65-67

Lowry, Brian.
"Harry's growing pains.(Harry Potter and the Prisoner of Azkaban)(Movie Review)." Variety 395.3 (May 31, 2004): 21(2).
UC users only

Power, Carla, and Devin Gordon.
"Caution: Wizard at Work: Behind the Magic: The Harry Potter movie franchise has a new director and a new Dumbledore. Things are getting Sirius. An exclusive visit to 2004's 'Prisoner of Azkaban.'." Newsweek (August 4, 2003): 54.
UC users only

Roberts, Rex.
"Harry Potter & the Prisoner of Azkaban. (Movie Review)." Film Journal International 107.7 (July 2004): 72(2). Expanded Academic ASAP. Thomson Gale. UC Berkeley (CDL). 09 December 2005
UC users only

Smith, Sean.
"Lightning Strikes; The 'Harry Potter' books have finally gotten the wondrous movie they deserve. 'The Prisoner of Azkaban' boasts a brand-new director and a bold new vision.(Movie Review)." Newsweek (May 31, 2004): 64.
UC users only

Travers, Peter.
"Harry Potter and the Prisoner of Azkaban.(Movie Review)." Rolling Stone 951 (June 24, 2004): 186(1).

Harry Potter and the Sorcerer's Stone [aka Harry Potter and the Philosopher's Stone]

Ansen, David.
"The Trouble With Harry: The ingredients are right--but where's the alchemy?('Harry Potter and the Sorcerer's Stone')(Review)." Newsweek (Nov 19, 2001): 70.
UC users only

Bethune, Brian
"Harry Goes Hollywood: The film version of Harry Potter and the Philosopher's Stone arrives in style.(Review)." Maclean's (Nov 26, 2001): 44.
UC users only

Blake, Richard.
"Wild About Harry." America 185.21 (Dec 24, 2001): 20.
UC users only

Corliss, Richard.
"Wizardry Without Magic: The Harry Potter film has loads of technical expertise but lacks the enthralling life of Rowling's original.(The Arts/Cinema)(Harry Potter and the Sorcerer's Stone )(Review)." Time 158.22 (Nov 19, 2001): 136.
UC users only

Kauffmann, Stanley.
"On Films - Wizards of Two Kinds.(Harry Potter and the Sorcerer's Stone)(Review)." The New Republic (Dec 10, 2001): 24.
UC users only

Lane, Anthony.
"Nobody beats the wizard.('Harry Potter and the Socerer's Stone')." The New Yorker 77.36 (Nov 19, 2001): 78(3).

Shumyatskaya, Olga.
"Potter's portrait.(Culture)(Harry Potter and the Sorcerer's Stone)(Movie Review)." Moscow News 4017.12 (March 27, 2002): 11(1).

Simmons, Gary, and Christine Evely.
"'Harry Potter and the Philosopher's Stone'.(Middle Years)." Australian Screen Education 37 (Winter 2004): 130(8).
UC users only

Steyn, Mark.
"Harry Potter and the Philosopher's Stone" ( (Cinema: fantastically english)." Spectator 287.9042 (Nov 24, 2001): 64(1).

White, Rob.
"Harry Potter and the Philosopher's Stone." (motion picture). Sight and Sound 12.1 (Jan 2002): 43(2).

Alain Robbe-Grillet

Hellerstein, Marjorie H.
Inventing the real world: the art of Alain Robbe-Grillet / Marjorie H. Hellerstein. Selinsgrove, PA: Susquehanna University Press, c1998.
UCB Main PQ2635.O117 Z65 1998

J.D. Salinger

Walker, Joseph S.
"The Catcher Takes the Field: Holden, Hollywood, and the Making of a Mann." In: The catcher in the Rye: new essays / edited by J.P. Steed. pp: 79-99. New York: Peter Lang, c2002.
Main Stack PS3537.A426.C3226 2002 2002

Mary Shelley

Separate bibliography of books and articles about Frankenstein

John Steinbeck

John Ford bibliography (for articles and books about Grapes of Wrath)

Burrows, Michael.
John Steinbeck and his films. St. Austell (Cornwall), Primestyle Ltd., [1971]. Series title: Formative film series.
UCB Main PS3537.St3234 Z62

Millichap, Joseph R.
Steinbeck and film / Joseph R. Millichap. New York: Ungar, c1983. Series title: Ungar film library.
UCB Main PS3537 St3234, Z745, 1983
NRLF W 39 134

Robert Lewis Stevenson

Nollen, Scott Allen.
Robert Louis Stevenson: life, literature, and the silver screen / by Scott Allen Nollen. Jefferson, N.C.: McFarland & Co., c1994.
UCB Main PR5497 .N65 1994

Dr. Jekyll and Mr. Hyde

Briefel, Aviva.
"Monster Pains: Masochism, Menstruation, and Identification in the Horror Film." Film Quarterly; Spring2005, Vol. 58 Issue 3, p16-27, 12p
UC users only

Danks, Adrian
"Dr. Jekyll and Mr. Hyde." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 20, pp. (no pagination), May 2002

Fuller, Graham; Kemp, Philip.
"The dualist." Sight & Sound, Jan2009, Vol. 19 Issue 1, p40-44, 5p
UC users only

Kerr, Darren
"To Release Himself at the Last Moment: Constructing the Sexual Deviant in Hyde on Screen." In: Screen methods : comparative readings in film studies / edited by Jacqueline Furby & Karen Randell. London ; New York : Wallflower, 2005.
Main Stack PN1995.S4187 2005

King, Charles.
"Dr. Jekyll and Mr. Hyde: A Filmography." Journal of Popular Film and Television 1997 Spring; 25(1): 9-20.
UC users only
"The writer discusses the broader subgenre of Dr. Jekyll and Mr. Hyde films. He identifies themes that appear in a number of versions. He points out that while some Jekyll and Hyde films retain a large part of Robert Louis Stevenson's story, others retain only the main premise of a transformation that separates someone's personality into independent components. One theme that is found in many of the films, he notes, is the fear of the "beast within," the idea that a segment of the personality that is evil or devoted to amoral self-gratification could be segregated or selectively unleashed. He includes the most comprehensive and accurate filmography on the subject, which, he concludes, should serve as a solid foundation for future research into the Jekyll and Hyde film subgenre." [Art Index]

Lehman, Peter
"Looking at Ivy Looking at Us Looking at Her: The Camera and the Garter." Wide Angle: A Film Quarterly of Theory, Criticism, and Practice, vol. 5, no. 3, pp. 59-63, 1983

Lerner, Neil
"The Strange Case of Rouben Mamoulian's Sound Stew: The Uncanny Soundtrack in Dr. Jekyll and Mr. Hyde (1931)." In: Music in the horror film : listening to fear / edited by Neil Lerner. New York : Routledge, 2010.
Music ML2075 .M879 2010

McCarty, John
Movie psychos and madmen: film psychopaths from Jekyll and Hyde to Hannibal Lecter / by John McCarty. Secaucus, N.J.: Carol Pub. Group, c1993.
UCB Main PN1995.9.H6 M328 1993
UCB Moffitt PN1995.9.H6 M328 1993

McCracken-Flesher, Caroline
"Cultural projections: the "strange case" of Dr. Jekyll, Mr. Hyde, and cinematic response." In: Narrative and culture / edited by Janice Carlisle and Daniel R. Schwarz. p. 179-99. Athens: University of Georgia Press, c1994.
UCB Main PN212 .N373 1994

Prawer, S.S.
"Book Into Film I: Mamoulian's Dr. Jekyll and Mr. Hyde." In: Caligari's children : the film as tale of terror Oxford ; New York : Oxford University Press, 1980
Main Stack PN1995.9.H6.P68

Rose, Brian.
Jekyll and Hyde adapted : dramatizations of cultural anxiety Westport, Conn. : Greenwood Press, 1996.
Main Stack PR5485.R67 1996
Contents via Google Books

Rose, Brian.
"Transformations of Terror: Reading Changes in Social Attitudes through Film and Television Adaptations of Stevenson's Dr. Jekyll and Mr. Hyde." In: Social and political change in literature and film: selected papers from the Sixteenth Annual Florida State University Conference on Literature and Film / edited by Richard Chapple. pp: 37-52. Gainesville: University Press of Florida, c1994.
UCB Main PN51 .F54 1991

Rouben Mamoulian's Dr. Jekyll & Mr. Hyde, starring Fredric March
Edited by Richard J. Anobile. New York : Universe Books, 1975.
Pacific Film Archive PN1997 .D635 R68 1975 os

Senn, Bryan
"Dr. Jekyll and Mr. Hyde (1931): Science, Society, and Sexuality." In: Science fiction America : essays on SF cinema / edited by David J. Hogan. Jefferson, N.C. : McFarland, c2006.
Main Stack PN1995.9.S26.S275 2006
Moffitt PN1995.9.S26.S275 2006

Sevastakis, Michael.
"The Stylistic Coding Of Characters In Mamoulian's Dr. Jekyll and Mr. Hyde." Journal of Film & Video, Fall85, Vol. 37 Issue 4, p15-26, 12p;

Thanouli, Eleftheria.
"Orson Welles and Rouben Mamoulian: Dr. Jekyll and Mr. Hyde?" Kinema, Fall2008 Issue 30, p79-92, 14p

Welsch, Janice R.
"The Horrific and the Tragic." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. New York : Ungar, c1981
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Wexman, Virginia Wright
"Horrors of the body: Hollywood's discourse on beauty and Rouben Mamoulian's Dr. Jekyll and Mr. Hyde." In: Dr. Jekyll and Mr. Hyde: after one hundred years / edited by William Veeder and Gordon Hirsch. pp: 283-307. Chicago: University of Chicago Press, 1988.
UCB Main PR5485 .D71 1988
UCB Moffitt PR5485 .D7 1988

Winokur, Mark
"Technologies of Race Special Effects, Fetish, Film, and the Fifteenth Century." Genders, Issue 40 2004
UC users only

Bram Stoker

Dracula

William Makepeace Thackeray

Barry Lyndon

B. Traven

The Treasure of the Sierra Madre

J.R.R. Tolkien

Barker, Martin J.
"The Lord of the Rings and 'Identification'." European Journal of Communication, Vol. 20, No. 3, 353-378 (2005)
UC users only
The concept of 'identification' remains a commonly called-upon resource for considering how media audiences might be influenced into taking up moral and cultural positions. Yet very little empirical evidence exists to support its claims; and recent critical conceptual work has significantly undermined many constituent parts of it. This article draws upon the very large data set gathered in the course of the Lord of the Rings international audience research project, to mount critical tests of the concept's claims. The article then uses a combination of quantitative and qualitative evidence to explore the different bases on which audiences chose nine of the films' characters as their favourites. An alternative approach to theorizing audience relations to characters is briefly outlined.

Barker, Martin J.
"Envisaging 'Visualisation': Some challenges from the international Lord of the Rings audience project." Film-Philosophy, 2006, Vol. 10 Issue 3, p1-25, 25p
UC users only
The article explores issues related to the term "visualization" as a result of materials generated out of the International "Lord of the Rings" audience project. A new approach to thinking about visualization is also developed which would reach a long way and have wide implications for perceptions of research film audiences.

Chance, Jane.
"Is There a Text in This Hobbit? Peter Jackson's Fellowship of the Ring." Literature Film Quarterly, 2002, Vol. 30 Issue 2, p79, 7p
UC users only

Chin, Bertha and Gray, Jonathan
"'One Ring to Rule Them All': Pre-viewers and Pre-Texts of the Lord of the Rings films." Intensities: The Journal of Cult Media, 2 (2005)

Colebatch, Hal
Return of the heroes The Lord of the rings, Star wars and contemporary culture Published: Christchurch, N.Z. : Cybereditions, 2003.
Full text of this book (UCB users only)

Croft, Janet Brennan.
"Three rings for Hollywood: scripts for The Lord of the Rings by Zimmerman, Boorman, and Beagle." In: Fantasy fiction into film: essays. Jefferson, NC; London: McFarland, 2007.
Main Library On Order

Davis, James G.
"Showing Saruman as Faber: Tolkien and Peter Jackson." Tolkien Studies: An Annual Scholarly Review, vol. 5, pp. 55-71, 2008
UC users only

Hall, R. D.
"Through a Dark Lens: Jackson's Lord of the Rings as Abject Horror." Mythlore: A Journal of J. R. R. Tolkien, C. S. Lewis, Charles Williams, and Mythopoeic Literature, vol. 25, no. 3-4, pp. 55-69, Spring 2007

Jones, Deborah; Smith, Karen.
"Middle-earth Meets New Zealand: Authenticity and Location in the Making of The Lord of the Rings." Journal of Management Studies, Jul2005, Vol. 42 Issue 5, p923-945, 23p
UC users only

Kelso, Sylvia.
"Evolutions of the Fantasy Hero in Peter Jackson's The Lord of the Rings and Lois McMaster Bujold's The Curse of Chalion." Paradoxa, 2006 Issue 20, p247-262, 16p

Kim, Sue.
"Beyond Black and White: Race and Postmodernism in "The Lord of the Rings"." Modern Fiction Studies, Winter2004, Vol. 50 Issue 4, p875-907, 33p
UC users only

Knaus, Christopher.
"More White Supremacy? The Lord of the Rings as Pro-American Imperialism." Multicultural Perspectives, 2005, Vol. 7 Issue 4, p54-58, 5p
UC users only

Kuipers, Giselinde; de Kloet, Jeroen.
"Banal cosmopolitanism and The Lord of the Rings: The limited role of national differences in global media consumption." Poetics, Apr2009, Vol. 37 Issue 2, p99-118, 20p
UC users only

Landa, Ishay
"Slaves of the Ring: Tolkien's Political Unconscious." Historical Materialism; 2002, Vol. 10 Issue 4, p113, 21p
UC users only

Lane, Anthony
"The Lord of the Rings: The Return of the King" The New Yorker 79:41 (5 January 2004) p. 89-91
UC users only

Lane, Cara.
"The Ring Returns: Adaptation and the Trilogy." Film & History , May2005, Vol. 35 Issue 1, p67-69, 3p
UC users only

The Lord of the Rings : popular culture in global context
Edited by Ernest Mathijs.London ; New York : Wallflower, 2006.
MAIN: PN1995.9.L58 L67 2006

McCoy, Sharon D.
"'My brothers, I see in your eyes the same fear': the transformation of class relations in Peter Jackson's The Lord of the Rings." In: Fantasy fiction into film: essays. Jefferson, NC; London: McFarland, 2007.
Main Library On Order

Miller, Ryder W.
"The Missing Historical Environmental Context of Peter Jackson's The Lord of the Rings." Electronic Green Journal, Apr2004 Issue 20
UC users only

Morgan, Gwendolyn A.
"I don't think we're in Kansas anymore: Peter Jackson's film interpretations of Tolkien's Lord of the Rings." In: Fantasy fiction into film: essays. Jefferson, NC; London: McFarland, 2007.
Main Library On Order

Murray, Simone
"'Celebrating the Story the Way It Is': Cultural Studies, Corporate Media and the Contested Utility of Fandom." Continuum: Journal of Media & Cultural Studies; Mar2004, Vol. 18 Issue 1, p7-25, 19p
UC users only

Newman, Kim
"The Lord of the Rings: The Return of the King" Sight and Sound 14:2 (February 2004) p. 52-54
UC users only

Oxoby, Marc.
"Harry Potter and the Chamber of Secrets (2002) & The Lord of the Rings: The Two Towers (2002)." Film & History, May2003, Vol. 33 Issue 1, p67-69, 3p
UC users only

Picturing Tolkien : essays on Peter Jackson's The lord of the rings film trilogy
Edited by Janice Jefferson, N.C. : McFarland & Co., c2011.
Main (Gardner) Stacks PN1995.9.L58 P53 2011 DD>Contents: Techniques of story and structure. Gollum talks to himself: problems and solutions in Peter Jackson's film adaptation of the Lord of the rings / Kristin Thompson -- Sometimes one word is worth a thousand pictures / Verlyn Flieger -- Kinds of absence: elision and exclusion in Peter Jackson's The lord of the rings / John D. Rateliff -- Tolkien's resistance to linearity: narrating The lord of the rings in fiction and film / E.L. Risden -- Filming folklore: adapting fantasy for the big screen through Peter Jackson's The lord of the rings / Dimitra Fimi -- Making the connection on page and screen in Tolkien's and Jackson's The lord of the rings / Yvette Kisor -- "It's alive!": Tolkien's monster on the screen / Sharin Schroeder -- The materiel of "Middle-Earth": arms and armor in Peter Jackson's The lord of the rings motion picture trilogy / Robert C. Woosnam-Savage -- Techniques of character and culture. Into the west: far green country or shadow on the waters? / Judy Ann Ford and Robin Anne Reid -- Frodo lives but gollum redeems the blood of kings / Philip E. Kaveny -- The grey pilgrim: Gandalf and the challenges of characterization in "Middle-earth" / Brian D. Walter -- Jackson's Aragorn and the American superhero monomyth / Janet Brennan Croft -- Neither the shadow nor the twilight: the love story of Aragorn and Arwen in literature and film / Richard C. West -- Concerning horses: establishing cultural settings from Tolkien to Jackson / Janice M. Bogstad -- The rohirrim, the Anglo-Saxons, and the problem of ambiguity and reference in Tolkien's books and Jackson's films / Michael D.C. Drout -- Filming the numinous: the fate of Lothlorien in Peter Jackson's The lord of the rings / Joseph Ricke and Catherine Barnett.

Porter, Lynnette R.
Unsung heroes of the Lord of the rings : from the page to the screen Westport, Conn : Praeger Publishers, 2005.
MAIN: PR6039.O32 L6313 2005
Table of contents http://www.loc.gov/catdir/toc/ecip054/2004028035.html

Rafidi, Mark
"The Places and Races of Middle-Earth: The Lord of the Rings Trilogy." Screen Education; Autumn2009 Issue 53, p106-111, 6p
UC users only

Reid, Robin Anne
"'Tree and flower, leaf and grass': the grammar of Middle-earth in The Lord of the Rings." In: Fantasy fiction into film: essays. Jefferson, NC; London: McFarland, 2007.
Main Library On Order

Robertson, Robin.
"Seven Paths of the Hero in Lord of the Rings: The Path of Opposites." Psychological Perspectives, Dec2007, Vol. 50 Issue 2, p276-290, 15p
UC users only

Rozema, David.
"The Lord of the Rings: Tolkien, Jackson, and "The Core of the Original."" Christian Scholar's Review, Summer2008, Vol. 37 Issue 4, p427-445, 19p
UC users only

Salo, David
Heroism and alienation through language in The lord of the rings In: The medieval hero on screen : representations from Beowulf to Buffy / edited by Martha W. Driver and Sid Ray ; with a foreword by Jonathan Rosenbaum. Jefferson, N.C. : McFarland, c2004.
MAIN: PN1995.9.H44.M44 2004
PFA PN1995.9.H44.M44 2004

Selling, Kim.
"J. R. R. Tolkien's The Lord of the Rings: the book, the film, and genre criticism." Sydney Studies in English (29) 2003, 39-56. (2003)

Shefrin, Elana.
"Lord of the Rings , Star Wars , and participatory fandom: mapping new congruencies between the internet and media entertainment culture." Critical Studies in Media Communication, Sep2004, Vol. 21 Issue 3, p261-281, 21p
UC users only
Also in:
Transnational cinema : the film reader / edited by Elizabeth Ezra and Terry Rowden. London ; New York : Routledge, 2006 (Main Stack PN1994.T685 2006; PFA PN1994.T685 2006)

Shippey, Tom
"From Page to Screen." World Literature Today; Jul-Sep2003, Vol. 77 Issue 2, p69-72, 4p
UC users only
Discusses the trilogy books of "The Fellowship of the Ring," by J. R. R. Tolkien and the motion picture adaptation directed by Peter Jackson. Background on the creation of the books; Comparison between the books and the motion picture adaptations; Overview of the motion pictures.

Singh, Kamal and Best, Gary
"Film-Induced Tourism: Motivations of Visitors to the Hobbiton Movie Set as Featured in The Lord Of The Rings." In: International Tourism and Media Conference Proceedings. 24th-26th November 2004. Melbourne: Tourism Research Unit, Monash University. 98-111. Frost, Warwick, Croy, Glen and Beeton, Sue (editors).
UC users only

Stucky, Mark D.
"Middle Earth's Messianic Mythology Remixed: Gandalf's Death and Resurrection in Novel and Film." Journal of Religion & Popular Culture; Summer2006, Vol. 13, p3-3, 1p
UC users only

Thompson, Kristin.
"Fantasy, Franchises, and Frodo Baggins: The Lord of the Rings and Modern Hollywood." Velvet Light Trap: A Critical Journal of Film & Television, Fall2003 Issue 52, p45-63, 15p
UC users only

Thompson, Kristin.
The Frodo franchise : the Lord of the rings and modern Hollywood Berkeley : University of California Press, c2007.
MAIN: PN1995.9.L58 T46 2007
Table of contents http://www.loc.gov/catdir/toc/ecip077/2007000109.html

Valente, Claire.
"Translating Tolkien's Epic: Peter Jackson's Lord of the Rings." Intercollegiate Review, Fall/Winter2004, Vol. 40 Issue 1, p35-43, 9p
UC users only

Werber, Niels
"Geo- and Biopolitics of Middle-earth: A German Reading of Tolkien's The Lord of the Rings." New Literary History; Spring2005, Vol. 36 Issue 2, p227-246, 20p
UC users only

Wright, Andrea.
"The Lord of the Rings: The Return of the King." British Review of New Zealand Studies, 2003/2004, Vol. 14, p141-144, 4p
UC users only

Wright, Andrea.
"The Lord of the Rings: The Two Towers." British Review of New Zealand Studies, 2003/2004, Vol. 14, p218-220, 3p
UC users only

Mark Twain

Haupt, Clyde V.
Huckleberry Finn on film: film and television adaptations of Mark Twain's novel, 1920-1993 / by Clyde V. Haupt. Jefferson, N.C.: McFarland, 1994.
UCB Bancroft PS1305 .H35 1994 Mark Twain Papers
UCB Bancroft Ordered for Mark Twain Mark Twain Papers
UCB Main PS1305 .H35 1994

Jules Verne

Renzi, Thomas C.
Jules Verne on film: a filmography of the cinematic adaptations of his works, 1902 through 1997 / Thomas C. Renzi. Jefferson, N.C.: McFarland, c1998.
UCB Main PQ2469.Z5 R37 1998

Kessler, Frank.
"On Fairies and Technologies." In: Moving images: from Edison to the webcam / edited by John Fullerton and Astrid Soderbergh Widding Sydney, Australia: John Libbey & Co., c2000 Stockholm studies in cinema.
Table of contents http://www.loc.gov/catdir/toc/fy031/00456005.html
Main Stack On order

Maertens, James W..
"Between Jules Verne and Walt Disney: Brains, Brawn, and Masculine Desire in 20,000 Leagues under the Sea." Science-Fiction Studies. 22(2):209-25. 1995

Kurt Vonnegut

Boon, Kevin Alexander and David Pringle.
"Vonnegut films." In: At millennium's end: new essays on the work of Kurt Vonnegut / edited by Kevin Alexander Boon ; with a foreword by Ku... Albany: State University of New York Press, c2001.
Main Stack PS3572.O5.Z535 2001

Dimeo, Stephen.
"Novel into Film: So It Goes." In: The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin. pp: 282-92. New York: Ungar, c1979 (Series: Ungar film library) Main Stack PN1997.85.M64

Isaacs, Neil D.
"Unstuck in Time: Clockwork Orange and Slaughterhouse-Five." Literature/Film Quarterly. Spring 1973. Vol. 1, Iss. 2; p. 122 (10 pages)
UC users only

Klinkowitz, Jerome.
"Slaughterhouse-Five: Fiction into Film." In: Take two: adapting the contemporary American novel to film. Edited by Barbara Tepa Lupack. pp: 51-59. Bowling Green, OH: Bowling Green State University Popular Press, c1994.
UCB Main PS374.M55 T3 1994

Kurt Vonnegut: images and representations
Edited by Marc Leeds and Peter J. Reed ; foreword by Kurt Vonnegut. Westport, Conn.: Greenwood Press, 2000. Contributions to the study of science fiction and fantasy ; no. 83
Main Stack PS3572.O5.Z754 2000
Moffitt PS3572.O5.Z754 2000

Lazar, Mary
"Kurt Vonnegut: Images and Representations" Extrapolation ( (42:2) Summer 2001 , 199-200
UC users only

Mayer, Peter C.
"Film, Ontology and the Structure of a Novel." Literature-Film Quarterly. 8:204-08. 1980.
UC users only

Nelson, Joyce.
"Slaughterhouse-Five: Novel and Film."Literature-Film Quarterly.1:149-53. 1973.
UC users only

Alice Walker

The Color Purple

H. G. Wells

Berger, Roger A.
"'Ask What You Can Do for Your Country': The Film Version of H. G. Wells's The Time Machine and the Cold War." Literature-Film Quarterly, 1989, 17:3, 177-187.

Bignell, Jonathan.
"Another Time, Another Space: Modernity, Subjectivity, and The Time Machine." Wellsian: The Journal of the H. G Wells Society, 1999, 22, 34-47.

Davis, Ken.
"The Shape of Things to Come: H. G. Wells and the Rhetoric of Proteus." In: No place else: explorations in utopian and dystopian fiction / edited by Eric S. Rabkin, Martin H. Greenberg, Joseph D. Olander. pp: 110-124 Carbondale: Southern Illinois University Press, c1983. Alternatives
Main Stack PR830.U7.N6 1983
Moffitt PR830.U7.N6 1983

Downing, Crystal.
"Deconstructing Herbert: The War of the Worlds on Film." Literature/Film Quarterly. Salisbury: 2007. Vol. 35, Iss. 4; p. 274 (8 pages)
UC users only

Gilbert, James B.
"Wars of the Worlds." Journal of Popular Culture 1976 10(2): 326-336.

Grant, Barry K.
"Looking Upward: H. G. Wells, Science Fiction and the Cinema." Literature-Film Quarterly, 1986, 14:3, 154-163.
UC users only

Hardy, Sylvia.
"H. G. Wells and British Cinema: The War of the Worlds." Foundation: The International Review of Science Fiction, 1999 Autumn, 28:77, 46-58.

Hardy, Sylvia
"H. G. Wells: the man who knew too much." Sight & Sound v. ns15 no. 6 part [i.e.7] (July 2005) p. 26-9
UC users only
"Author H. G. Wells had a forward-looking relationship with film and considered the potential of the medium to be boundless. The first direct adaptation of his work was Le Voleur Invisible, a single reel version of The Invisible Man that was produced by the Pathe Freres studios at Vincennes, France, in 1909. Following this, he signed his first contract with the Gaumont Company in 1913 for The First Men in the Moon, and took up an opportunity to become a screen author in 1928. By the 1930s, Hollywood began to show an interest in Wells's work. However, The Time Machine and The War of the Worlds, his two most popular scientific romances were never filmed during his lifetime." [Art Index]

Hughes, David Y.
"A Queer Notion of Grant Allen's." [Time Machine] Science Fiction Studies, 1998 July, 25:2 (75), 271-84.
UC users only

Jolly, John.
"Scientist as Social Climber: James Whale's The Invisible Man." Cinefocus, 1990 Jan, 1:1, 25-32.

McConnell, Frank.
"Realist of the Fantastic: H. G. Wells about/in/on the Movies." In: H.G. Wells, reality and beyond: a collection of critical essays prepared in conjunction with the exhibition and symposium ... pp: 23-32 Champaign, Ill.: Champaign Public Library and Information Center, 1986.
Main Stack PR5776.H41 1986

Michel, Andreas
"Technology and Dystopia: H. G. Wells, Metropolis, and the Science Fiction City." In: The image of the city in literature, media, and society : selected papers / edited by Will Wright an Society for the Interdisciplinary Study of Social Imagery. Conference (13th : 2003 : Colorado Springs, Colo.) Pueblo, Colo. : Society for the Interdisciplinary Study of Social Imagery, [2003]
Main (Gardner) Stacks

Smith, Don G.
H.G. Wells on film: the utopian nightmare / by Don G. Smith. Jefferson, N.C.: McFarland & Co., c2002.
UCB Main PR5778.F55 S64 2002
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Wells, H. G. (Herbert George), 1866-1946.
Two film stories: Things to come: [and] Man who could work miracles / by H. G. Wells. London: Cresset Press, 1940.
Main Stack PR5774.T451 1940

Wykes, Alan.
H. G. Wells in the cinema / [compiled by] Alan Wykes. London: Jupiter Books, 1977.
UCB Main PR5778 .F55W95

Island of Lost Souls

Bloom, Abigail Burnham.
"Island of lost souls, dir. Erle C. Kenton (1933)." In: The literary monster on film : five nineteenth century British novels and their cinematic adaptations / Abigail Burnham Bloom. Jefferson, N.C. : McFarland & Co., c2010.
Main (Gardner) Stacks PN1995.9.M6 B56 2010

Brem, Sarah K.; Anijar, Karen Z.
"The Bioethics of Fiction: The Chimera in Film and Print." The American Journal of Bioethics Volume 3, Issue 3, 2003
UC users only

Dinello, Dan.
"Island of Lost Souls" Quarterly Review of Film and Video Volume 27, Issue 5, 2010
UC users only

Jörg, Daniele
"The Good, the Bad and the Ugly—Dr. Moreau Goes to Hollywood." Public Understanding of Science July 2003 vol. 12 no. 3 297-305
UC users only

Kirby, David A.
"Are We Not Men? The Horror of Eugenics in The Island of Dr. Moreau." Paradoxa: Studies in World Literary Genres, vol. 17, pp. 93-108, 2002.

Lammes, Sybille.
"So Far, So Close: Island of Lost Souls as a Laboratory of Life" In: Screen consciousness: cinema, mind and world / edited by Robert Pepperell and Michael Punt. Amsterdam ; New York : Rodopi, 2006.
Full-text available online [UC Berkeley users only]
Main (Gardner) Stacks PN1995.9.P42 S37 2006)

Voeltz, Richard A.
"The Cinematic Islands of Dr. Moreau Beasts, Monsters, and Mad Scientists Why the doctor endures." Bright Lights Film Journal

Things to Come

Caldwell, Larry W.
"Wells, Orwell, and Atwood: (EPI)Logic and Eu/Utopia." Extrapolation 33:4 (1992 Winter), 333-45.

Davis, Ken.
"The Shape of Things to Come: H. G. Wells and the Rhetoric of Proteus." In: No place else: explorations in utopian and dystopian fiction / edited by Eric S. Rabkin, Martin H. Greenberg, Joseph D. Olander. pp: 110-124 Carbondale: Southern Illinois University Press, c1983. Alternatives
Main Stack PR830.U7.N6 1983
Moffitt PR830.U7.N6 1983

Draper, Michael.
"Which Shall It Be?" [Things to Come] Wellsian: The Journal of the H. G Wells Society, 1988 Summer, 11, 54-57.

Grant, Barry K.
"Looking Upward: H. G. Wells, Science Fiction and the Cinema." Literature-Film Quarterly, 1986, 14:3, 154-163.

Hoppenstand, Gary.
"Editorial: Visiting the Past's Future." Journal of Popular Culture, Feb2005, Vol. 38 Issue 3, p453-455, 3p
UC users only

McConnell, Frank.
"Realist of the Fantastic: H. G. Wells about/in/on the Movies." In: H.G. Wells, reality and beyond: a collection of critical essays prepared in conjunction with the exhibition and symposium ... pp: 23-32 Champaign, Ill.: Champaign Public Library and Information Center, 1986.
Main Stack PR5776.H41 1986

Parrinder, Patrick
"H. G. Wells and the Fiction of Catastrophe." Renaissance and Modern Studies, 28 ( 1984), 40-58

Pohl, Frederick.
"The Demi-Docs: Just Imagine and The Shape of Things to Come." In: Omni's Screen Flights/ Screen Fantasies: The Future According to Science Fiction Cinema / edited by Danny Peary; introduction by Harlan Ellison. 1st ed. Garden City, N.Y. : Doubleday, 1984. 90-96.
MAIN: PN1995.9.S26 O461 1984

Richards, Jeffrey.
"Things to Come and Science Fiction in the 1930s." In: British science fiction cinema / edited by I.Q. Hunter. pp: 16-32 London ; New York: Routledge, 1999. British popular cinema.
Full-text available online [UC Berkeley users only]
Main (Gardner) Stacks PN1995.9.S26 B65 1999
Main Stack PN1995.9.S26.B65 1999

Staiger, Janet.
"Future Noir: Contemporary Representations of Visionary Cities." [Things to Come] East-West Film Journal, 1988 Dec., 3:1, 20-44.

Telotte, J.P.
""So big": the monumental technology of 'Things to Come.'" Science-Fiction Studies v25, n1 (March, 1998):77 (10 pages).
UC users only

Travers, J.P.
"The Shape of Things to Come: H.G. Wells and Radical Culture in the 1930s." Film and History, 6:2 (1976:May) p.31
UC users only

Wasson, Richard.
"Myths of the Future." In: The English novel and the movies / edited by Michael Klein and Gillian Parker. pp: 187-196 New York: Ungar, c1981
Main Stack PN1997.85.E53
Moffitt PN1997.85.E53

Wells, H. G. (Herbert George), 1866-1946.
Two film stories: Things to come: [and] Man who could work miracles / by H. G. Wells. London: Cresset Press, 1940.
Main Stack PR5774.T451 1940

Wells, H. G. (Herbert George), 1866-1946.
Things to come: a film story based on the material contained in his history of the future "The shape of things to come" / H. G. Wells. London: Cresset Press, 1935.
UCB Grad Svcs XMAC.W454.T49 Modern Authors Collection
NRLF B 4 099 810

Wykes, Alan.
H. G. Wells in the cinema / [compiled by] Alan Wykes. London: Jupiter Books, 1977.
UCB Main PR5778 .F55W95

Nathaniel West

Day of the Locust

See John Schlesinger bibliography

Edith Wharton

Fitzpatrick, Kathleen.
"From The Children to The Marriage Playground and back again: filmic readings of Edith Wharton." Literature/Film Quarterly (27:1) 1999:1, 45-9.
UC users only

House of Mirth

See Terence Davies bibliography

The Age of Innocence

See Martin Scorsese bibliography

Oscar Wilde

Davidson, David.
"The Importance of Being Ernst: Lubitsch and Lady Windermere's Fan." Literature-Film Quarterly. 11(2):120-131. 1983

Houswitschka, Christoph
"Games Wilde Plays: A Wilde Movie for the 1990s." In: The importance of reinventing Oscar : versions of Wilde during the last 100 years / edited by Uwe Boker, Richard Corballis, Julie Hibbard. Amsterdam ; New York : Rodopi, 2002.
Main Stack PR5824.I466 2002

Sammells, Neil.
"Pulp Fictions: Oscar Wilde and Quentin Tarantino." Irish Studies Review. 11:39-46. 1995

Stetz, Margaret D.
"Oscar Wilde at the Movies: British Sexual Politics and The Green Carnation." Biography: An Interdisciplinary Quarterly, vol. 23, no. 1, pp. 90-107, Winter 2000.

Tanitch, Robert.
Oscar Wilde on stage and screen / Robert Tanitch. London: Methuen, 1999.
UCB Main PR5827.S75 T36 1999

Waldrep, Shelton.
"The Uses and Misuses of Oscar Wilde." In: Victorian afterlife: postmodern culture rewrites the nineteenth century / John Kucich and Dianne F. Sadoff, editors. pp: 49-63. Minneapolis: University of Minnesota Press, c2000.
Main Stack PR461.V5 2000

Importance of Being Ernest

Blake, Richard A.
"Clash Conscious." (The Importance of Being Earnest)_(movie review) America July 15, 2002 v187 i2 p19
UC users only

Escoffier, Jeffrey.
"The Wilde Thing: The Importance of Being Honest." Lambda Book Report: a Review of Contemporary Gay & Lesbian Literature. 7(1):8-9. 1998 Aug

Lyall, Sarah
"The importance of being Wildean but also cinematic; turning a theatrical concoction into a respectful film meant taking (a few) liberties." The New York Times May 12, 2002 s0 pMT31(N) pMT31(L) col 1 (35 col in)

Mendelsohn, Daniel.
"The Two Oscar Wildes." New York Review of Books. 49(15):18, 20-22. 2002 Oct 10

Lady Windermere's Fan (Ernst Lubitsch)

Portrait of Dorian Gray

Kafalenos, Emma
"The Power of Double Coding to Represent New Forms of Representation: The Truman Show, Dorian Gray, 'Blow-Up,' and Whistler's Caprice in Purple and Gold." Poetics Today, vol. 24, no. 1, pp. 1-33, Spring 2003.

Salomé

Dierkes-Thrun, Petra
"Salomé, C'est Moi? Salomé and Wilde as Icons of Sexual Transgression." In: Approaches to teaching the works of Oscar Wilde / edited by Philip E. Smith II. New York : Modern Language Association of America, 2008.
Main (Gardner) Stacks PR5824 .A58 2008

Dierkes-Thrun, Petra
Salomé's Modernity: Oscar Wilde and the Aesthetics Of Transgression. Durham : Duke University Press, 2002.
Main (Gardner) Stacks; PN1995.9.W6 F467 2002
PFA PN1995.9.W6 F467 2002

Navarre, Joan.
"Reconsidering Alla Nazimova's Film Adaptation of Oscar Wilde's Salome." In: Oscar Wilde : the man, his writings, and his world / edited by Robert N. Keane. New York : AMS Press, c2003.
Main (Gardner) Stacks PR5823 O68 2003

Simonson, Mary.
"'The Call of Salome': American Adaptations and Re-Creations of the Female Body in the Early Twentieth Century." Women & Music: A Journal of Gender and Culture, vol. 11, pp. 1-16, 2007
UC users only

White, Patricia
"Nazimova's Veils." In: A feminist reader in early cinema / edited by Jennifer M. Bean and Diane Negra. Durham : Duke University Press, 2002.
Main (Gardner) Stacks; PFA PN1995.9.W6 F467 2002

Wilde

Fry, Stephen
"Playing Oscar: Oscar Wilde had always been a strange presence in the author's life, but never more so than when he played him in a new movie." The New Yorker June 16, 1997 v73 n16 p82(7)
UC users only
"Fry, who has been aware of Wilde during most of his life, describes how disoriented he felt while portraying him in the motion picture 'Wilde.' He is not sure if the movie will be successful, but he hopes that it will motivate at least one person to become interested in Wilde's writings." [Expanded Academic Index]

Hennegan, Alison
"Hea[r]th and Home: Wilde Domestic Space." Signs, vol. 27, no. 3, pp. 881-91, Spring 2002.
UC users only

Holland, Merlin.
"The Film Wilde: A Wasted Opportunity?" Wildean. 12:30-33. 1998 Jan

Houswitschka, Christoph.
"Games Wilde Plays: A Wilde Movie for the 1990s." In: The importance of reinventing Oscar: versions of Wilde during the last 100 years / edited by Uwe Boker, Richard Corballis, Julie Hibbard. pp: 285-94. Amsterdam ; New York: Rodopi, 2002. Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 61
Main Stack PR5824.I466 2002

Mead, Donald.
"The Film Wilde: An Interview with Julian Mitchell." Wildean. 10:8-21. 1997 Jan

Medhurst, Andy.
"Licensed to Cheek." Sight & Sound. 7(10):32-35. 1997 Oct

Parker, Ian
"Born to be Wilde." (British actor Stephen Fry) The New York Times Magazine, May 3, 1998 p38 col 1 (61 col in)
"Fry is accomplished both as an actor and a novelist. He is most recognizable to American audiences as the butler Jeeves on 'Jeeves and Wooster.' He is comfortable both in New York and London. His latest role is as Oscar Wilde in the motion picture 'Wilde' by Brian Gilbert." [Expanded Academic Index]

Porton, Richard.
"The Actor as Critic: An Interview with Stephen Fry." Cineaste. 23(4):8-12. 1998

Stockwell, Anne
"The role of a lifetime - Stephen Fry: the man behind Oscar Wilde." The Advocate (The national gay & lesbian newsmagazine) April 28, 1998 n758 p58(2)
UC users only

Tennessee Williams

Dowling, Ellen.
"The Derailment of A Streetcar Named Desire." Literature/Film Quarterly. 1981. Vol. 9, Iss. 4; p. 233 (8 pages)
UC users only

Metz, Walter.
"Signifying nothing? Martin Ritt's The Sound and the Fury (1959) as deconstructive adaptation."Literature/Film Quarterly (27:1) 1999:1, 21-31. (1999
UC users only

Palmer, R. Barton.
"Hollywood in Crisis: Tennessee Williams and the Evolution of the Adult Film." In: The Cambridge companion to Tennessee Williams / edited by Matthew C. Roudane. pp: 204-31 Cambridge; New York: Cambridge University Press, 1997. Cambridge companions to literature.
Main Stack PS3545.I5365.Z614 1997

Phillips, Gene D.
The films of Tennessee Williams / Gene D. Phillips. Philadelphia: Art Alliance Press; London: Associated University Presses, c1980.
UCB Moffitt PS3545.I5365 .Z823

Schnathmeier, Susanne.
"The Unity of Place in Elia Kazan's Film Version of 'A Streetcar Named Desire' by Tennessee Williams: A Traditional Dramatic Category Seen from a Semiotic Point of View." Kodikas: Code Ars semeiotica, 1987 Jan.-July, 10:1-2, 83-93.

Staggs, Sam.
When Blanche met Brando : the scandalous story of "A streetcar named Desire" New York : St. Martin's Press, 2005.
MAIN: PS3545.I5365 S83 2005

Yacowar, Maurice.
Tennessee Williams and film / Maurice Yacowar. New York: F. Ungar Pub. Co., c1977. Series title: Ungar film library.
UCB Main PS3545.Wi536 Z98
UCB Moffitt PS3545.I5365 Z95

Virginia Woolf

Hankins, Leslie Kathleen.
"'To Kindle and Illuminate': Woolf's Hot Flashes against Ageism-Challenges for Cinema." In: Conference on Virginia Woolf (7th: 1997: Plymouth State College) Virginia Woolf and her influences: selected papers from the Seventh Annual Conference on Virginia Woolf, Plymouth State pp: 26-35. New York: Pace University Press, 1998.
Main Stack PR6045.O72.Z5787 1997

Mrs. Dalloway

Carr, Jamie.
"Novel Possibilities: Re-Reading Sexuality and 'Madness' in Mrs. Dalloway, beyond the Film." In: Conference on Virginia Woolf (10th: 2000: University of Maryland, Baltimore County) Virginia Woolf out of bounds: selected papers from the Tenth Annual Conference on Virginia Woolf, University of Marylandpp: 19-25. New York: Pace University Press, 2001.
Main Stack PR6045.O72.Z5787 2000

Cuddy-Keane, Melba.
"Mrs. Dalloway: Film, Time, and Trauma." In: Conference on Virginia Woolf (7th: 1997: Plymouth State College) Virginia Woolf and her influences: selected papers from the Seventh Annual Conference on Virginia Woolf, Plymouth State pp: 171-75. New York: Pace University Press, 1998.
Main Stack PR6045.O72.Z5787 1997

Frome, Susan.
"Vanessa Redgrave's Mrs. Dalloway: revolutionary or recluse?" (actress)(Critical Essay)
Literature-Film Quarterly v28, n3 (July, 2000):227 (3 pages).
"Issues concerning actress Vanessa Redgrave's portrayal of Mrs. Dalloway in the film "Mrs. Dalloway" are examined, focusing on the fact that the apparently weak character in this film is different from the spirited and independent characters Redgrave usually portrays. Topics include the heroic aspects of the character Mrs. Dallowy and the artistic logic in Redgrave's choosing to portray her." [Magazine Index]

Hankins, Leslie Kathleen.
"Colour burning on a framework of steel": Virginia Woolf, Marleen Gorris, Eileen Atkins, and "Mrs. Dalloway"." (film adaptation of Virginia Woolf's novel)(Special Issue: Virginia Woolf in Performance)(Critical Essay) Women's Studies v28, n4 (July, 1999):367 (11 pages).
UC users only
"Marleen Gorris's film adaptation of Virginia Woolf's novel, "Mrs. Dalloway," does not convey the complexity of the book. Woolf's complicated portrayal of a woman in her fifties, the visionary characterization of her inner life, and the social manners critiqued in the book are depicted too simplistically on film. Avant-garde techniques could have been used to portray the novel's complicated structure." [Expanded Index]

Hankins, Leslie Kathleen.
"The Doctor and the Woolf: Reel Challenges-The Cabinet of Dr. Caligari and Mrs. Dalloway." In: Virginia Woolf: themes and variations : selected papers from the Second Annual Conference on Virginia Woolf, Southern Connecticut State University, New Haven, June 11-14, 1992 / edited by Vara Neverow-Turk and Mark Hussey. pp: 40-51 New York, NY: Pace University Press, 1993.
Main Stack PR6045.O72.Z5788 1992

Harper, Howard.
"Mrs. Dalloway, the Film." In: Conference on Virginia Woolf (7th: 1997: Plymouth State College) Virginia Woolf and her influences: selected papers from the Seventh Annual Conference on Virginia Woolf, Plymouth State pp: 167-71. New York: Pace University Press, 1998.
Main Stack PR6045.O72.Z5787 1997

Higgins, Lesley. Leps, Marie-Christine.
"Mrs Dalloway and Orlando: The Subject of Time and Generic Transactions." In: Classics in film and fiction / edited by Deborah Cartmell ... [et al.]. 116-36. London ; Sterling, Va.: Pluto Press, 2000. Film/fiction ; v. 5
Main Stack PN1997.85.C56 2000

Hotchkiss, Lia M.
"Writing the Jump Cut: Mrs. Dalloway in the Context of Cinema." In: Virginia Woolf: texts and contexts : selected papers from the Fifth Annual Conference on Virginia Woolf, Otterbein College, Westerville, Ohio, June 15-18, 1995 / edited by Beth Rigel Daugherty and Eileen Barrett ; with an introduction by Beth Rigel Daugherty. pp: 134-39. New York: Pace University Press, 1996.
Main Stack PR6045.O72.Z5787 1995

Lambert, Elizabeth.
"Mrs. Dalloway Meets the Robot Maria." In: Virginia Woolf and the arts: selected papers from the Sixth Annual Conference on Virginia Woolf, Clemson University, Clemson, SC, June 13-16, 1996 / edited by Diane F. Gillespie and Leslie K. Hankins. pp: 277-82. New York: Pace University Press ; Lanham, Md.: Distributed by arrangement with University Pub. Associates, 1997.
LI>Main Stack PR6045.O72.Z5787 1996

Maslin, Janet .
"Virginia Woolf's Mrs. Dalloway." (movie review) The New York Times Feb 20, 1998 v147 pB12(N) pE12(L) col 1

Rothstein, Edward
"A cozy familiarity dissolves into an unsettling future." ('Mrs. Dalloway' and other melancholy genre epics) (Living Arts Pages) . The New York Times March 11, 1998 v147 pB2(N) pE2(L) col 3 (27 col in)

Wilson, Travis D.
"The Ghosts of War: Modernism, Conflict, and Memory in the Twentieth Century." [Mrs. Dalloway] In: The image of the twentieth century in literature, media, and society ; selected papers [from the] 2000 conference [of the] Society for the Interdisciplinary Study of Social Imagery / edited by Will Wright and Steven Kaplan. pp: 434-38. New York, NY: Pace University Press, 2000.
Main Stack CB425.S63 2000

Stuart, Jan
"Mrs. Dalloway." (movie reviews) The Advocate (The national gay & lesbian newsmagazine) March 3, 1998 n754 p55(2)
UC users only

Young, John.
"Woolf's Mrs Dalloway."Explicator (58:2) 2000, 99-101.

The Hours (Mrs. Dalloway)

Bradshaw, David
"Virginia Woolf in Vimy Ridge: An Interesting Cancellation in 'The Hours'." Notes and Queries, vol. 49, no. 4, pp. 496-98, December 2002.

Byrd, Carolyn
"An Examination of Two Wives and Mothers in The Hours." Virginia Woolf Miscellany, vol. 64, pp. 5-8, Fall 2003.

Charles, Marilyn,
"The Hours: Between Safety and Servitude." American Journal of Psychoanalysis, vol. 64, no. 3, pp. 305-19, September 2004.
UC users only
"This paper explores the issue of how character is created and re-created in the context of relationships. This theme, salient in the recent film The Hours, has been particularly problematic for creative women, who are often caught in tensions between self-development and relationship. Two case examples are given, in counterpoint to the film and to illustrations from Woolf's life and work. Through these various lenses, we can consider the complex interplays between our conjectures as to the expected price of relationship, and the actual price exacted as our various dramas unfold." [Expanded Academic Index]

Curtis, Vanessa
"'The Hours': Overture to the Hours." Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain, vol. 13, pp. 38-40, May 2003.

Goldblatt, Patricia
"Creating Credible Female Characters across Time and Cultures." MultiCultural Review, vol. 11, no. 1, pp. 30-32, 52-53, March 2002.

Hughes, Mary Joe
"Michael Cunningham's The Hours and Postmodern Artistic Re-Presentation." Critique: Studies in Contemporary Fiction, vol. 45, no. 4, pp. 349-61, Summer 2004.
UC users only

Iannone, Carol,
"Woolf, Women, and 'The Hours'." Commentary, vol. 115, no. 4, pp. 50-53, Spring 2003.
UC users only

Johnston, Sheila
Sight and Sound, vol. 13, no. 2, pp. 24-27, February 2003.
A film adaptation of the novel 'The Hours' is analysed, tracing its history, themes, and the background of the production's staff and stars.

Jerome V. Kramer.
" The Woolf pack: Michael Cunningham's The Hours put the spotlight on one Virginia Woolf novel, but don't overlook the others." Book (May-June 2003): p26(2). (1546 words)

Levy, Heather
"Apothecary and Wild Child: What Lies between the Acts of 'The Hours' and Mrs. Dalloway." Virginia Woolf Bulletin of the Virginia Woolf Society of Great Britain, vol. 13, pp. 40-49, May 2003.

Mendelsohn Daniel
"Not afraid of Virginia Woolf." ("The Hours" motion picture)(Movie Review). The New York Review of Books 50.4 (March 13, 2003): p17(4)

"Michael Cunningham after Hours." (Artist's Profile). (interview about 'The Hours')(Interview). The Gay & Lesbian Review Worldwide 10.2 (March-April 2003): p30(2). (1564 words)
UC users only

Newman, Herta
"Regarding The Hours: A Transposition in Fiction and Film." Virginia Woolf Miscellany, vol. 64, pp. 8-9, Fall 2003.

Olk, Claudia
"Vision, Intermediality, and Spectatorship in Mrs. Dalloway and The Hours." Amerikastudien/American Studies, vol. 49, no. 2, pp. 191-217, 2004

Peregrin, Tony
"Michael Cunningham after Hours." Gay & Lesbian Review Worldwide, vol. 10, no. 2, pp. 30-31, March 2003.

Povalyaeva, Natalia
"The Issue of Self-Identification in Woolf's Mrs. Dalloway and Cunningham's The Hours." In: Woolf across cultures / edited by Natalya Reinhold. New York : Pace University Press, 2004.
Main Stack PR6045.O72.W339155 2004

Schiff, James
"Rewriting Woolf's Mrs. Dalloway: Homage, Sexual Identity, and the Single-Day Novel by Cunningham, Lippincott, and Lanchester." Critique: Studies in Contemporary Fiction, vol. 45, no. 4, pp. 363-82, Summer 2004.
UC users only

Schickel, Richard
"The Hours." (Movie Review). Time 160.26 (Dec 23, 2002): p72. (316 words)
UC users only

Spengler, Birgit
"Michael Cunningham Rewriting Virginia Woolf: Pragmatist vs. Modernist Aesthetics." Woolf Studies Annual, vol. 10, pp. 51-79, 2004

Spring, Justin
"Michael Cunningham." BOMB, vol. 66, pp. 76-80, Winter 1999.

Wild, Andrea
"The Suicide of the Author and his Reincarnation in the Reader: Intertextuality in The Hours by Michael Cunningham." Xchanges, vol. 1, no. 2, pp. [no pagination], March 2002.

Young, Tory.
Michael Cunningham's The hours : a reader's guide New York : Continuum, 2003.
MAIN: PS3553.U484 H689 2003

Orlando

SEE Sally Potter bibliography

Emile Zola

Braudy, Leo
"Zola on Film: The Ambiguities of Naturalism Zola on Film: The Ambiguities of Naturalism." Yale French Studies, No. 42, Zola (1969), pp. 68-88
UC users only

Zola and film : essays in the art of adaptation
Edited by Anna Gural-Migdal and Robert Singer ; with a foreword by Brigitte Emile-Zola. Jefferson, N.C. : McFarland & Co., c2005.
MAIN: PQ2538 .Z64 2005
Table of contents http://www.loc.gov/catdir/toc/ecip055/2005000094.html

Au bonheur des dames

Walter, Klaus Peter.
"La Rançon du progrès: Naturalistic discourse and two adaptation of Zola's Au bonheur des dames." In: Zola and film : essays in the art of adaptation / edited by Anna Gural-Migdal and Robert Singer ; with a foreword by Brigitte Emile-Zola. Jefferson, N.C. : McFarland & Co., c2005.
Main (Gardner) Stacks PQ2538 .Z64 2005

Wolter, Jennifer.
"Viewing Au boneur des dames in the context of occupied France." In: Zola and film : essays in the art of adaptation / edited by Anna Gural-Migdal and Robert Singer ; with a foreword by Brigitte Emile-Zola. Jefferson, N.C. : McFarland & Co., c2005.
Main (Gardner) Stacks PQ2538 .Z64 2005

La Bête humaine (The Human Animal)

Germinal

Nana

Thérèse Raquin

Griffiths, Kate.
"Memories in/of Thérèse Raquin: Émile Zola and Marcel Carné." French Studies; Apr2011, Vol. 65 Issue 2, p188-199, 12p
UC users only

Hayward, Susan.
"Literary adaptations of the 1950s Thérèse Raquin (1953) and Les Diaboliques (1955)." Studies in French Cinema; 2003, Vol. 3 Issue 1, p5-14, 10p
UC users only

Helman, Alicja.
"Thérèse Raquin in a fog covered corner." In: Zola and film : essays in the art of adaptation / edited by Anna Gural-Migdal and Robert Singer ; with a foreword by Brigitte Emile-Zola. Jefferson, N.C. : McFarland & Co., c2005.
Main (Gardner) Stacks PQ2538 .Z64 2005

Mayer-Robin, Carmen
"Framed! Fact, Fiction, and Frame Tale in Adaptations of Zola's Thérèse Raquin" Romance Studies, vol. 28, no. 3, pp. 158-168, 2010 July
UC users only





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