Italian Cinema: A Bibliography of Books and Articles in the UC Berkeley Libraries

General Works (Books, articles, videos)

English Language
Italian (and other languages)

Works on individual film makers (includes reviews and articles on individual films)

Listing of Italian cinema titles held by MRC

Books, Articles & Videos

English Language

Armes, Roy.
Patterns of realism. South Brunswick, A. S. Barnes [1971]
Main Stack PN1993.5.I88.A8

Ben-Ghiat, Ruth.
The formation of a Fascist culture: the Realist movement in Italy, 1930-43Thesis (Ph. D.)--Brandeis University, 1991. / by Ruth Ben-Ghiat.
NX180.F3 B46 1990a

Bondanella, Peter E.
Italian cinema: from neorealism to the present / Peter Bondanella New York: F. Ungar Pub. Co., c1983 Ungar Film Library
Main Stack PN1993.5.I88.B58 1983
Moffitt PN1993.5.I88.B58 1983

Bondanella, Peter E.
Italian cinema: from neorealism to the present / Peter Bondanella. 3rd ed. New York: Continuum, 2001.
Main Stack PN1993.5.I88.B58 2001

Bono, Francesco .
"Cinecitta." (Italian motion picture studios) UNESCO Courier July-August 1995 p68(2) (905 words)
"Some of the most memorable films of the 1950s and 1960s were made at the Cinecitta film studio in Rome, Italy. The studio, which had been the center of Italian cinema since its inauguration in 1937, is again becoming popular among filmmakers such as Sergio Leone and Bernardo Bertolucci." [Expanded Academic Index]

Bruno, Giuliana.
Streetwalking on a ruined map: cultural theory and the city films of Elvira Notari / Giuliana Bruno. Princeton, N.J.: Princeton University Press, c1993.
Main Stack PN1998.3.N68.B7 1993

Buss, Robin.
Italian films / Robin Buss. New York: Holmes & Meier, 1989.
Moffitt PN1993.5.I88.B87 1989

Cahiers du cinema, the 1950s: neo-realism, Hollywood, new wave /
Edited by Jim Hillier. Cambridge, Mass.: Harvard University Press, 1985.
Main Stack PN1995.C29 1985
Moffitt PN1995.C29 1985

Cardullo, Bert.
What is neorealism?: a critical English-language bibliography of Italian neorealism. Lanham: University Press of America, c1991.
Moffitt PN1993.5.I88 C35 1991

Celli, Carlo
A new guide to Italian cinema New York : Palgrave Macmillan, 2007.
Main: PN1993.5.I88 C45 2007
Table of contents http://www.loc.gov/catdir/enhancements/fy0659/2006044820-t.html

The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004
Preface /Introduction /Gian Piero Brunetta --Giorgio Bertellini --Marcia Landy --Ruth Ben-Ghiat --Giuliana Muscio --Carlo Celli --Antonio C. Vitti --C. Paul Sellors --Peter Bondanella --Ellen Nerenberg --Anne Hudson --Patrick Rumble --John David Rhodes --Vito Zagarrio --Geoffrey Nowell-Smith --Jacqueline Reich --Peter Brunette --Christopher Frayling --T. Jefferson Kline --Millicent Marcus --Maurizio Viano --Gaetana Marrone --Giorgio Bertellini --NoaGli uomini che mascalzoni =Men, what rascals! /1860: I mille di Garibaldi =1860: the thousand of Garibaldi /Pais`a = Paisan /Ladri di Biciclette =The bicycle thieves /Riso amaro =Bitter rice /Senso /La strada /La ciociara =Two women /Rocco E I suoi fratelli =Rocco and his brothers /Accattone /Divorzio all'Italiana =Divorce Italian style /Il posto =The job /Salvatore Giuliano /Otto E mezzo =8 1/2 /Deserto rosso =Red desert /Per un pugno di dollari =A fistful of dollars /Il conformista =The conformist /Film d'amore e d'anarchia =Love and anarchy /La grande abbuffata =La grande bouffe /Il portiere di notte =The night porter /Profondo rosso =Deep red /Padre padrone =Father and master / Steimatsky --Laura Rascaroli --Aine O'Healy.Caro diaro =Dear diary /Lamerica /

Dalle Vacche, Angela,
The body in the mirror: shapes of history in Italian cinema / Angela Dalle Vacche. Princeton, N.J.: Princeton University Press, c1992.
Main Stack PN1993.5.I88.D35 1992
Moffitt PN1993.5.I88.D35 1992

Fifty years of Italian cinema
Edited by Luigi Malerba and Carmine Siniscalco. American ed. / Herman G. Weinberg ; forward by Richard Griffith. Rome: C. Bestetti, 1954.
Main Stack TR848 .C52

Gieri, Manuela.
Contemporary Italian filmmaking: strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation. Toronto: University of Toronto Press, c1995.
Main Stack PN1993.5.I88.G437 1995

Gundle, Stephen
"From neorealism to Luci Rosse: cinema, politics, society, 1945-85." In: Culture and conflict in postwar Italy: essays on mass and popular culture / edited by Zygmunt G. Baranski and Robert Lumley. New York: St. Martin Press, 1990.
Main Stack DG451.C86 1990

Gunsberg, Maggie.
Italian cinema: gender and genre Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2005.
Main: PN1995.9.S47 G86 2005; View current status of this item Electronic Location(s):
Contributor biographical information http://www.loc.gov/catdir/bios/hol051/2004050020.html
Publisher description http://www.loc.gov/catdir/description/hol053/2004050020.html
Table of contents http://www.loc.gov/catdir/toc/hol052/2004050020.html

Hay, James
Popular film culture in fascist Italy: the passing of the Rex / James Hay. Bloomington, IN: Indiana University Press, c1987.
Main Stack PN1993.5.I88.H391 1987

Italian neorealism and global cinema
Edited by Laura E. Ruberto & Kristi M. Wilson.Detroit : Wayne State University Press, c2007.
MAIN: PN1993.5.I88 I76 2007
Table of contents only http://www.loc.gov/catdir/toc/ecip072/2006033483.html

Italiana : il cinema attraversa l'Italia = the cinema explores Italy
A cura di Stefano Della Casa. Milano : Electa ; [Rome] : Cinecitt`a Holding, c2005.
MAIN: PN1993.5.I88 I82 2005

Italy and America, 1943-1944: Italian, American and Italian American experiences of the Liberation of the Italian Mezzogiorno.
Napoli: La citt?a del sole, 1997
Main Stack D763.I82 S685 1997

Italy: fiction, theater, poetry, film since 1950
Special editor, Robert S. Dombroski. Middle Village, NY: Council on National Literatures ; [Smyrna, DE]: distributed by Griffon House Publications, 2000
Main Stack PQ4087 .I82 2000

Kuhn, Bernhard
Die Oper im italienischen Film Essen : Verlag Die Blaue Eule, c2005.
MUSIC: PN1995.9.O64 K85 2005

Landy, Marcia
Fascism in film: the Italian commercial cinema, 1931-1943 / Marcia Landy. Princeton, N.J.: Princeton University Press, c1986.
Main Stack PN1993.5.I88.L361 1986

Landy, Marcia
The folklore of consensus: theatricality in the Italian cinema, 1930-1943 / Marcia Landy. Albany: State University of New York Press, c1998. SUNY series, cultural studies in cinema/video.
Main Stack PN1993.5.I88.L37 1998

Landy, Marcia
Italian film / Marcia Landy. Cambridge ; New York: Cambridge University Press, 2000. National film traditions.
Main Stack PN1993.5.I88.L38 2000

Leprohon, Pierre.
The Italian cinema. Translated from the French by Roger Greaves and Oliver Stallybrass. New York, Praeger [1972]
Main Stack PN1993.5.I88 L4131 1972b
Moffitt PN1993.5.I88.L413 [another edition]

Liehm, Mira.
Passion and defiance: film in Italy from 1942 to the present / Mira Liehm. Berkeley: University of California Press, c1984.
Main Stack PN1993.5.I88.L44 1984
Moffitt PN1993.5.I88.L44 1984

Marcus, Millicent Joy.
After Fellini: national cinema in the postmodern age / Millicent Marcus. Baltimore: Johns Hopkins University Press, 2002.
Main Stack PN1993.5.I88.M283 2002

Marcus, Millicent Joy.
Filmmaking by the book: Italian cinema and literary adaptation / Millicent Marcus. Baltimore: Johns Hopkins University Press, c1993.
Main Stack PN1993.5.I88.M278 1993

Marcus, Millicent Joy.
Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

Mazierska, Ewa.
The cinema of Nanni Moretti: dreams and diaries London ; New York: Wallflower, 2004.
Main: PN1998.3.M67 M39 2004;

McCallum, Lawrence.
Italian horror films of the 1960s: a critical catalog of 62 chillers / by Lawrence McCallum. Jefferson, NC: McFarland & Co., 1998.
Main Stack PN1995.9.H6.M3249 1998

Michalczyk, John J.
The Italian political filmmakers / John J. Michalczyk. Rutherford: Fairleigh Dickinson University Press, c1986.
Main Stack PN1993.I88.M481 1986
Moffitt PN1993.I88.M48 1986

Neorealismo [Video]
Director Carlo Lizzani discusses the origin and development of the Neorealism movement in Italian cinema between 1943 and 1945, with particular reference to the films Ossessione, Roma Citta Aperta, Paisa, and Sciuscia. 1989. 60 min. Video/C 5880

Neorealismo fino al 1950 = Neorealism until 1950 [Video]
Carlo Lizzani explores the development of Italian Neorealism in post-World War II cinema, when films such as La Terra Trema and Ladri di Biciclette brought prestige to the industry even as it struggled with financial problems. 1990. 60 min. Video/C 5879

Neorealismo fino al 1954 = Neorealism until 1954[Video]
Carlo Lizzani discusses the crisis and decadence of Neorealism in Italian cinema. In the fifties Rossellini seeks new ways to depict social change taking place in Italy, while upcoming talents such as Fellini, Antonioni and Lizzani use neorealism as a starting point for their personal probings. Meanwhile Neorealism spreads, giving rise to new schools of filmmaking in England, South America and France. 1989. 6 60 min. Video/C 5878

Nowell-Smith, Geoffrey.
The companion to Italian cinema / Geoffrey Nowell-Smith with James Hay and Gianni Volpi. London: Cassell: British Film Institute, c1996.
Main Stack PN1993.5.I88.N685 1996

Pacifici, Sergio J.
"Notes toward a Definition of Neorealism." Yale French Studies, No. 17, Art of the Cinema. (1956), pp. 44-53.
UC users only

Restivo, Angelo
The cinema of economic miracles: visuality and modernization in the Italian art film / Angelo Restivo. Durham, NC: Duke University Press, 2002. Post-contemporary interventions.
Main Stack PN1998.3.P367.R47 2002

Queer Italia: same-sex desire in Italian literature and film
[edited by] Gary P. Cestaro. New York: Palgrave Macmillan, 2004.
Main: PQ4028 .Q44 2004
Table of contents http://www.loc.gov/catdir/toc/hol041/2003066427.html

Re-viewing fascism: Italian cinema, 1922-1943
Edited by Jacqueline Reich and Piero Garofalo. Bloomington: Indiana University Press, c2002.
Main: PN1993.5.I88 R45 2002
Contents: Mussolini at the movies: fascism, film, and culture / Jacqueline Reich -- Dubbing l'arte muta: poetic layerings around Italian cinema's transition to sound / Giorgio Bertellini -- Intimations of neo-realism in the fascist Ventennio / ennio di Nolfo -- Placing cinema, fascism, and the nation in a diagram of Italian modernity / James Hay -- Sex in the cinema: regulation and transgression in Italian films, 1930-1943 / David Forgacs -- Luchino Visconti's (homosexual) Ossessione / William Van Watson -- Ways of looking in black and white: female spectatorship and the miscege-national body in Sotto la croce del sud / Robin Pickering-Iazzi -- Seeing red: the Soviet influence on Italian cinema in the thirties / Piero Garofalo -- Theatricality and impersonation: the politics of style in the cinema of the Italian fascist era / Marcia Landy -- Shopping for autarchy: fascism and reproductive fantasy in Mario Camerini's Grandi magazzini / Barbara Spackman -- The last film festival: the Venice Biennale goes to war / Marla Stone -- Film stars and society in fascist Italy / Stephen Gundle.

Risorgimento in modern Italian culture: revisiting the nineteenth-century past in history, narrative, and cinema
Edited by Norma Bouchard. Madison: Fairleigh Dickinson University Press, c2005.
Main: PQ4086 .R54 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0422/2004019810.html

Rocchio, Vincent F. (Vincent Floyd), 1960-
Cinema of anxiety: a psychoanalysis of Italian neorealism / Vincent F. Rocchio. 1st ed. Austin: University of Texas Press, 1999.
Main Stack PN1993.5.I88.R59 1999

Rondi, Gian Luigi
Italian cinema today, 1952-1965. Foreword by Bosley Crowther. [1st ed.] New York, Hill and Wang [1966]
Main Stack PN1993.5.I88.R65

Shiel, Mark.
Italian neorealism : rebuilding the cinematic city London ; New York : Wallflower Press, 2006.
Main: PN1993.5.I88 S55 2006
MOFF: PN1993.5.I88 S55 2006

Sitney, P. Adams.
Vital crises in Italian cinema: iconography, stylistics, politics / P. Adams Sitney. 1st ed. Austin: University of Texas Press, c1995.
Main Stack PN1993.5.I88.S57 1995

Sklar, Robert.
"Italian Neorealism." In: Film: an international history of the medium / Robert Sklar. 2nd ed. Upper Saddle River, N.J.: Prentice Hall ; New York: H.N. Abrams, 2002.
Sorlin, Pierre.
Italian national cinema, 1896-1996 / Pierre Sorlin. London ; New York: Routledge, 1996. National cinemas series
Main Stack PN1993.5.I88.S66 1996

Springtime in Italy: a reader on neo-realism
Edited and translated by David Overbey Hamden, Conn.: Archon Books, 1979, c1978
Moffitt PN1995.9.R3.S6 1978

Testa, Carlo.
Italian cinema and modern European literatures, 1945-2000 / Carlo Testa. Westport, Conn.: Praeger, 2002.
Main Stack PN1993.5.I88.T44 2002

Testa, Carlo.
Masters of two arts: re-creation of European literatures in Italian cinema / Carlo Testa. Toronto ; Buffalo: University of Toronto Press, c2002. Toronto Italian studies.
Main Stack PN1993.5.I88.T45 2002

Unitalia Film.
Italian directors. [Roma, 1958]
Main Stack PN1998.A2.U55 NRLF #: $B 184 913

Unitalia Film.
Unitalia Film presents the Italian production 1958. [Rome, 1959] The Italian production 1958.
Main Stack PN1997.8.U65 NRLF #: B 3 569 753

Verdone, Mario
"The Italian Cinema from Its Beginnings to Today." Hollywood Quarterly, Vol. 5, No. 3. (Spring, 1951), pp. 270-281.
UC users only

Vighi, Fabio
Traumatic encounters in Italian film : locating the cinematic unconscious Bristol, U.K. ; Portland, Or. : Intellect, c2006.
Main: PN1995.9.P783 V54 2006

Vitti, Antonio.
Giuseppe De Santis and postwar Italian cinema / Antonio Vitti. Toronto: University of Toronto Press,c1996.
Main Stack PN1998.3.D46 V5 1996

Wagstaff, Christopher
"The place of Neorealism in Italian cinema from 1945 to 1954." / In: The Culture of reconstruction: European literature, thought and film, 1945-50
Edited by Nicholas Hewitt. Basingstoke: Macmillan, 1989. Warwick studies in the European humanities.
Main Stack PN771.C85 1989b

Witcombe, R. T. (Rick Trader)
The new Italian cinema: studies in dance and despair / R.T. Witcombe. New York: Oxford University Press, 1982.
Main Stack PN1993.5 I88 W57

Women in Italian cinema = La donna nel cinema italiano
Edited by/a cura di Tonia Caterina Riviello. Roma: Libreria Croce, 2001. Universitas (Rome, Italy)
Main Stack PN1995.9.W6.W65 2001

Wood, Mary P.
Italian cinema Oxford ; New York: Berg, 2005.
Main: PN1993.5.I88 W66 2005; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip059/2005007952.html

Italian and Other Languages

Aiello, Gianni.
Il cinema italiano negli ultimi vent'anni. Cremona, G. Mangiarotti; distribuzione editrice "Padus" [1964 or 5] Collana "Lineamenti culturali," 7
Main Stack PN1993.5.I88.A5 NRLF #: B 3 567 585

Antologia di Bianco e nero, 1937-1943. Roma: Edizioni di Bianco e nero, 1964.
Main Stack PN1994.B5 Library has: v.1-5 ([1964]) Shelved at NRLF: v.1-2, v.3:1-3:2, v.4-5

Appassionatamente: il melo nel cinema italiano
A cura di Orio Caldiron e Stefano Della Casa. 1. ed. Torino: Lindau, c1999. Universale (Lindau (Firm)) ; 4.
Main Stack PN1993.5.I88.A742 1999

Argentieri, Mino.
Il cinema in guerra: arte, comunicazione e propaganda in Italia, 1940-1944 / Mino Argentieri. 1. ed. Roma: Editori riuniti, 1998. (Series: Nuova biblioteca di cultura)
Main Stack PN1993.5.I88.A745 1998

Argentieri, Mino.
Il cinema italiano dal dopoguerra a oggi / Mino Argentieri. Roma: Editori Riuniti, 1998. Libri di base + ; 11 Collane raccolte
Main Stack PN1993.5.I88.A74 1998 Shelved: Main Desk Collection

Aristarco, Guido.
Il cinema fascista: il prima e il dopo / Guido Aristarco. Bari: Dedalo, c1996. (Series: Ombra sonora ; 32)
Main Stack PN1993.5.I88.A75 1996

Aristarco, Guido.
Miti e realta nel cinema italiano [microform]. [1. ed.]. [Milano] Il Saggiatore [1961] Specchio del mondo ; 13. Specchio del mondo. Sezione arte ; n. 3.
News/Micro MICROFILM.16742.PN

Aristarco, Guido.
Miti e realta nel cinema italiano [1. ed. Milano] Il Saggiatore [1961] (Series: Specchio del mondo ; 13. Sezione arte ; n. 3)
Main Stack PN1993.5.I88.A78

Attraverso lo schermo : cinema e cultura cattolica in Italia
A cura di Ruggero Eugeni e Dario E. Vigan`o. Roma : EDS, c2006.
MAIN: PN1995.5 .A85 2006
Table of contents http://www.loc.gov/catdir/toc/casalini05/07050070.pdf

Attolini, Giovanni
Il cinema italiano degli anni sessanta: tra commedia e impegno / Giovanni Attolini. 1. ed. Bari: Edizioni B.A. Graphis, 1998. Strumenti. Serie verde ; 10.
Main Stack PN1993.5.I88.A88 1998

Attolini, Giovanni
Sotto il segno del film: (cinema italiano 1968/76) / Vito Attolini. Bari: M. Adda, [1983]
Main Stack PN1993.5.I88.A84 1983 NRLF #: B 3 567 586

L'Avventurosa storia del cinema italiano raccontata dai suoi protagonisti, 1935-1959
A cura di Franca Faldini e... 1. ed. Milano: Feltrinelli, 1979.
Main Stack PN1993.5.I88.A9

Baroni, Maurizio
Platea in piedi: manifesti e dati statistici del cinema italiano = Platea in piedi: the Italian cinema-- posters and statistical data / Maurizio Baroni ; testi a cura di/texts by Valerio M. Manfredi. [Bologna]: Bolelli Editore, c1995-c1999.
Main Stack PN1995.9.P5.B36 1995 Library has: 0-2 (c1995-c1999)

Bellezza, Dario.
Morte di Pasolini Milano: A. Mondadori, 1981.
Main: PQ4835.A48 Z62 1981

Bernardini, Aldo
Cinema muto italiano / Aldo Bernardini Roma ; Bari: Laterza, 1980 Grandi opere.
Main Stack PN1993.5.I88.B35 Library has: 1-3 (1980-1982)

Bianconero rosso e verde: immagini del cinema italiano, 1910-1980
A cura di Davide Turconi e Antonio Sacchi ; introduzione di Renzo Renzi ; saggi di Aldo Bernardini ... [et al.] ; bibliografia a cura di Giuliana Callegari e Nuccio Lodato. Firenze: La Casa Usher, c1983. (Series: I "Quadri" Usher)
Main Stack PN1993.5.I88.B395 1983

Blasetti, Alessandro
Cinema italiano oggi. Pref. di Cesare Zavattini; testi a cura di Alessandro Blasetti e Gian Luigi Rondi. Roma, C. Bestetti [1950]
Main Stack PN1993.5.I88.B5

Blasetti, Alessandro
Scritti sul cinema / Alessandro Blasetti ; a cura di Adriano Apra. 1a ed. Venezia: Marsilio, 1982. (Series: Saggi ; n. 99) Saggi cinema ; 13
Main Stack PN1993.5.I88.B492 1982 NRLF #: B 3 567 587

Bolzoni, Francesco.
Le stagioni del cinema: trenta registi si raccontano / Francesco Bolzoni, Mario Foglietti. Soveria Mannelli, Catanzaro: Rubbettino, c2000.
Main Stack PN1993.5.I88.B565 2000

Borde, Raymond.
Le nouveau cinema italien [par] Raymond Borde et Andre Bouissy, avec la collaboration de Mario Borillo. [Lyon, SERDOC, 1963]. Premier plan, no. 30
Main Stack PN1993.P7 no.30 NRLF #: B 3 567 938

Bragaglia, Cristina.
Il piacere del racconto: narrativa italiana e cinema, 1895-1990 / Cristina Bragaglia. 1. ed. Firenze [Italy]: Nuova Italia, 1993. Biblioteca di cultura (Nuova Italia editrice) ; 186
Main Stack PN1993.5.I88.B73 1993

Brunetta, Gian Piero.
Cent'anni di cinema italiano / Gian Piero Brunetta. 2. ed. Roma: Laterza, c1991. Storia e memoria (Rome, Italy)
Main Stack PN1993.5.I88.B68 1991b

Brunetta, Gian Piero.
Cinema italiano tra le due guerre: fascismo e politica cinematografica / Gian Piero Brunetta Milano: Mursia, [1975] Problemi di storia dello spettacolo ; 1
Main Stack PN1993.5.I88.B69

Brunetta, Gian Piero.
Identikit del cinema italiano oggi: 453 storie / Gian Piero Brunetta. 1. ed. Venezia: Marsilio, 2000. Grilli Marsilio ; n. 70.
Main Stack PN1993.5.I88.B695 2000

Brunetta, Gian Piero.
Gli intellettuali italiani e il cinema Milano : B. Mondadori, c2004.
MAIN: PN1993.5.I88 B72 2004

Brunetta, Gian Piero.
Intellettuali, cinema e propaganda tra le due guerre Bologna, R. Patron, 1972. Aspetti dello spettacolo nel '900, 1
Main Stack PN1993.5.I88.B71

Brunetta, Gian Piero.
Spari nel buio: la letteratura contro il cinema italiano: settant'anni di stroncature memorabili / Gian Piero Brunett... Venezia: Marsilio, c1994. Specchi.
Main Stack PN1993.5.I88.B778 1994

Brunetta, Gian Piero.
Storia del cinema italiano / Gian Piero Brunetta. Ed. rivista e accresciuta. Roma: Editori riuniti, 1993, c1979-1982. Testi (Editori riuniti) ; 54-57.
Main Stack PN1993.5.I88.B75 1993 Library has: v.1-4 (1993, c1979-1982)

Brunetta, Gian Piero.
Storia del cinema italiano,1895-1945 / Gian Piero Brunetta. 1. ed. Roma: Editori riuniti, 1979.
Main Stack PN1993.5.I88.B75

Buache, Freddy.
Le cinema italien, 1945-1990 / Freddy Buache. Lausanne, Suisse: Editions L'Age d'homme, c1992. Histoire et theorie du cinema.
Main Stack PN1993.5.I88.B798 1992

Buss, Robin.
Italian films / Robin Buss. New York: Holmes & Meier, 1989.
Moffitt PN1993.5.I88.B87 1989

Cacucci, Francesco
Il prete nel cinema italiano dal 1945 a oggi / Francesco Cacucci. Bari: Ecumenica editrice, c1980.
Main Stack PN1995.9.C52.C3 1980 NRLF #: B 3 567 655

Caldiron, Orio.
Il paradosso dell'autore / Orio Caldiron. Roma: Bulzoni, 1999. Cinema/studio ; 26
Main Stack PN1993.5.I88.C23 1999

Calendoli, Giovanni.
Materiali per una storia del cinema italiano. Parma, Maccari, 1967. Collana di studi teatrali, cinematografici e televisivi
Main Stack PN1993.5.I88.C24 NRLF #: B 3 567 588

Cammarota, M. D. (M. Domenico)
Il cinema di Toto: la prima guida critica a tutti i film del principe della risata / Domenico Cammarota. Roma: Fanucci, [1986], c1985. (Series: Futuro saggi ; 11)
Main Stack PN2688.D4.C361 1986

Campari, Roberto.
Il fantasma del bello: iconologia del cinema italiano / Roberto Campari. 1. ed. Venezia: Marsilio, 1994. (Series: Saggi Marsilio) Cinema (Venice, Italy)
Main Stack PN1993.5.I88.C246 1994

Campari, Roberto.
Il racconto del film: generi personaggi immagini / Roberto Campari. 1. ed. Rome: Laterza, 1983. Biblioteca di cultura moderna (Editori Laterza) ; 876.
Main Stack PN1993.5.A1.C271 1983 NRLF #: B 3 567 955

Canziani, Alfonso.
Gli anni del neorealismo / Alfonso Canziani 1. ed Firenze: La nuova Italia, 1977 Biblioteca di cultura (Nuova Italia editrice) ; 142.
Main Stack PN1993.5.I88.C25

Canziani, Alfonso.
La stagione neorealista / [di] Alfonso Canziani, Cristina Bragaglia. Bologna: Cooperativa libraria universitaria editrice, 1976.
Main Stack PN1993.5.I88C26

Capitani coraggiosi: produttori italiani 1945-1975 = Captains courageous: Italian producers 1945-1975
Un'idea di Moritz de Hadeln ; a cura di Stefano Della Casa ; con la collaborazione di Luca Pallanch, Lorenzo Ventavoli. Milano: Electa, 2003.
Main: PN1993.5.I88 C26 2003

Capussotti, Enrica.
Giovent`u perduta: gli anni cinquanta dei giovani e del cinema in Italia Firenze: Giunti, c2004.
Main: PN1995.9.Y6 C36 2004

Il cinema del riflusso: film e cineasti italiani degli anni '70
A cura di Lino Micciche. 1. ed. Venezia: Marsilio, 1997. (Series: Saggi Marsilio) Nuovocinema/Pesaro ; n. 50
Main Stack PN1993.5.I88.C5617 1997

Il cinema della transizione: scenari italiani degli anni Novanta
A cura di Vito Zagarrio. Venezia: Marsilio, 2000. (Series: Saggi Marsilio) Nuovocinema/Pesaro ; n. 53
Main Stack PN1993.5.I8.C55 2000

Cinema italiano e Resistenza. Zurigo (CH): Federazione colonie libere italiane in Svizzera, [1995] Quaderni di agora ; 7 (aprile 1995)
Main Stack PN1993.5.I88.C5674 1995

Cinema italiano sotto il fascismo / a cura di Riccardo Redi. 1. ed. Venezia: Marsilio, 1979. (Series: Ricerche ; 38) Nuovocinema/Pesaro ; 1
Main Stack PN1993.5.I88.C5675

Le Cinema italien: de la Prise de Rome (1905) a Rome ville ouverte (1945)
sous la direction d'Aldo Bernardini et Jean ... Paris: Centre Georges Pompidou, 1986. Cinema/pluriel.
Main Stack PN1993.5.I88.C5691 1986

Il cinema muto italiano: i film degli anni venti
[a cura di] Vittorio Martinelli ; [direttore responsabile, Vittor... Torino: Nuova ERI, Centro Sperimentale di Cinematografia, c1996.
Main Stack PN1993.5.I88.C57 1996 Library has: [1-3] (c1996)

Il cinema secondo Sonego
a cura di Tatti Sanguineti. [Ancona]: Transeuropa ; [Bologna]: Cineteca, c2000.
Main Stack PQ4879.O439.Z624 2000

Cinquanta anni di cinema italiano.
[Cura redazionale di Luigi Malerba e Carmine Siniscalco. 2. ed. Roma, C. Bestetti, 1954]
Main Stack TR848.C5 1954 NRLF #: $C 23 342

Coleccion "Cinema"
Il lungo viaggio del cinema italiano; antologia di Cinema, 1936-1943, a cura di Orio Caldiron. Padova, Marsilio [c1965] Biblioteca di cultura cinematografica, 5
Main Stack PN1993.5.I88.C5 NRLF #: B 3 567 623

Dal fascismo alla Resistenza: un percorso dialettico attraverso il cinema
[autori: Pier Paolo Brescacin, Alvaro Carmine ... Vittorio Veneto (Treviso): H. Kellerman, 1996. Anni per la liberta ; 1 Quaderni vittoriesi ; 1
Main Stack D743.23.D35 1996

De Gaetano, Roberto.
Il corpo e la maschera: il grottesco nel cinema italiano / Roberto De Gaetano. Roma: Bulzoni, c1999. Cinema/studio ; 29
Main Stack PN1993.5.I88.D38 1999

Della Casa, Stefano.
Storia e storie del cinema popolare italiano / Stefano Della Casa. Torino: La stampa, c2001.
Main Stack PN1993.5.I88.D396 2001

Della Fornace, Luciana.
Il labirinto cinematografico: esame del rapporto tra cinema e pubblico attraverso lo studio comparato dei generi e dei generi e dei filoni cinematografici con particolare rigardo alla cinematografia italiana dal 1965 al 1982 / Luciana Della Fornace. Roma: Bulzoni, c1983. Biblioteca cinematografica ; 12.
Main Stack PN1993.5.I88.D431 1983

Di Giammatteo, Fernaldo
Lo sguardo inquieto: storia del cinema italiano: 1940-1990 / Fernaldo Di Giammatteo. Scandicci (Firenze): La nuova Italia, c1994.
Main Stack PN1993.5.I88.D45 1994

Di Marino, Bruno.
Sguardo inconscio azione: cinema sperimentale e underground a Roma: 1965-1975 / Bruno Di Marino. Roma: Lithos, 1999. Saggi (Lithos editrice) ; 17.
Main Stack PN1993.5.I82.R654 1999

Dizionario del cinema italiano.
Edizione a cura di Enrico Lancia, Roberto Poppi. Roma: Gremese, c2003-
Main: PN1993.5.I88 D58 2003

Faldini, Franca.
Il cinema italiano d'oggi, 1970-1984: raccontato dai suoi protagonisti / Franca Faldini e Goffredo Fofi. 1a ed. Milano: A. Mondadori, 1984. (Series: Ingrandimenti)
Main Stack PN1993.5.I88.F33 1984

Faldini, Franca.
Sguardo inconscio azione: cinema sperimentale e underground a Il cinema italiano d'oggi, 1970-1984: raccontato dai suoi protagonisti / Franca Faldini e Goffredo Fofi. 1a ed. Milano: A. Mondadori, 1984. (Series: Ingrandimenti)
Main Stack PN1993.5.I88.F33 1984

Fanara, Giulia.
Pensare il neorealismo: percorsi attraverso il neorealismo cinematografico italiano / Giulia Fanara. Roma: Lithos, c2000. Panfocus (Lithos editrice) ; 2.
Main Stack PN1995.9.R3.F36 2000

I Favolosi anni Trenta: cinema italiano, 1929-1944
A cura degli Incontri internazionali d'arte, Roma ; coordinamento di ... Milano: Electa, [1979] (Series: Saggi)
Main Stack PN1993.5.I88.F37

Ferrara, Giuseppe
Il nuovo cinema italiano, con pref. di Carlo Battisti. Firenze, F. Le Monnier, 1957.
Main Stack PN1993.5.I88.F44 NRLF #: B 3 567 591

Ferrero, Adelio
Da Roma, citta aperta, alla Ragazza di Bube; il cinema italiano dal '45 a oggi [di] Adelio Ferrero [e] Guido Oldrini. Milano, Edizioni di Cinema nuovo, [1965] Cinema (Edizioni di Cinema nuovo) ; 4
Main Stack PN1993.C37 v.5

Fifty years of Italian cinema
Edited by Luigi Malerba and Carmine Siniscalco. American ed. / Herman G. Weinberg ; forwa... Rome: C. Bestetti, 1954.
Main Stack TR848.C52

Fofi, Goffredo.
Il cinema italiano: servi e padroni. Milano, Feltrinelli, 1971. Nuovi testi, 29
Main Stack PN1993.5.I88.F61 NRLF #: $D 62 821

Frank, Nino.
Cinema dell'arte. Paris, A. Bonne [1951] (Series: Collection Encyclopedie du cinema)
Main Stack PN1993.5.I88.F7 NRLF #: $D 62 822

Gili, Jean A.
L'Italie de Mussolini et son cinema / Jean A. Gili. Paris: H. Veyrier, c1985.
Main Stack PN1993.5.I88.G551 1985

Guidorizzi, Ernesto.
La narrativa italiana e il cinema. Firenze, Sansoni, 1973. Scuola aperta. Lettere italiane
Main Stack PN1995.3.G81 NRLF #: $B 184 599

Hjort, Oystein.
Neorealismen i Italien. Kobenhavn, Det danske filmmuseum, 1968.
Main Stack PN1993.5.I88.H5 1968 NRLF #: B 2 842 453

Italiana : il cinema attraversa l'Italia = the cinema explores Italy
A cura di Stefano Della Casa. Milano : Electa ; [Rome] : Cinecitt`a Holding, c2005.
MAIN: PN1993.5.I88 I82 2005

Kezich, Tullio.
Il dolce cinema / Tullio Kezich. Milano: V. Bompiani, 1978. (Series: Tascabili Bompiani ; 133)
Main Stack PN1997.D563.K49 1978 NRLF #: $D 16 756

Kezich, Tullio.
Primavera a Cinecitta: il cinema italiano alla svolta della "Dolce vita" / Tullio Kezich ; con interventi di Michelangelo Antonioni ... [et al.]. Roma: Bulzoni, 1999. Cinema/studio ; 30
Main Stack PN1993.5.I88.K49 1999

Liguori, Guido.
Ciak, si gioca!: calcio e tifo nel cinema italiano / Guido Liguori, Antonio Smargiasse. Milano: Baldini & Castoldi, 2000. Saggi/cinema (Baldini & Castoldi) ; 13.
Main Stack PN1995.9.S59.L549 2000

Lizzani, Carlo.
Il cinema italiano dalle origini agli anni ottanta / Carlo Lizzani. 3. ed. Roma: Editori riuniti, [1992] (Series: Testi ; 38)
Main Stack PN1993.5.I88.L52 1992

Lizzani, Carlo.
Storia del cinema italiano, 1895-1961. Firenze, Parenti [1961] Saggi di cultura moderna (Parenti (Firm)) ; v. 38
Main Stack PN1993.5.I88.L53 NRLF #: B 3 567 619

Luginbuhl, Sirio.
Lo schermo negato: cronache del cinema italiano non ufficiale / Sirio Luginbhl, Raffaele Perrotta. Milano: Shakespeare and company, c1976.
Main Stack PN1995.9.E96.L84 1976 NRLF #: B 3 165 927

La morte della bellezza: letteratura e teatro nel cinema di Giuseppe Patroni Griffi
E cura di Fabio Francione. Alessandria: Falsopiano, 2001. Falsopiano iniziative.
Main Stack PQ4876.A9.Z77 2001

Mariotti, Franco
Il mito di Cinecitta / Mariotti & Siniscalchi ; introduzione di Giovanni Grazzini. 1. ed. Milano: Arnoldo Mondadori, 1995.
Main Stack PN1999.C5.M37 1995

Martinelli, Vittorio.
Il cinema muto italiano: i film del dopoguerra / Vittorio Martinelli. Torino: Nuova ERA-Edizioni RAI, c1995.
Main Stack PN1993.5.I88.C571 1995 Library has: [1-2] (c1995)

Masi, Stefano.
Stelle d'Italia: piccole e grandi dive del cinema italiano dal 1930 al 1945 / Stefano Masi, Enrico Lancia. Roma: Gremese, c1994.
Main Stack PN1993.5.I88.M29 1994

La meglio giovent`u : nuovo cinema italiano 2000-2006
a cura di Vito Zagarrio. Edition 1. ed. Venezia : Marsilio, 2006.
Main Stack PN1993.5.I88.M33 2006
Table of contents http://www.loc.gov/catdir/toc/casalini04/06271510.pdf

Micciche, Lino.
Il Neorealismo cinematografico italiano Venezia: Marsilio, 1975 (Series: Saggi ; 41)
Main Stack XB7.8056 NRLF #: B 3 162 329

Moscati, Massimo.
Western all'italiana / Massimo Moscati. Milano: Pan, 1978. (Series: Il Timone ; 81-82)
Main Stack PN1995.9.W4.M6 1978 NRLF #: $D 15 590

Natalini, Fabrizio.
Ennio Flaiano : una vita nel cinema Roma : Artemide, c2005.
MAIN: PQ4815.L23 Z76 2005
Table of contents http://www.loc.gov/catdir/toc/casalini02/05642604.pdf

Pagina pellicola pratica: studi sul cinema italiano
a cura di Rebecca West. Ravenna: Longo, 2000. (Series: Il portico ; 120)
Main Stack PN1993.5.I8.P335 2000

Pavesi, Maria.
La traduzione filmica : aspetti del parlato doppiato dall'inglese all'italiano Roma : Carocci, 2005.
Main: PE1498.2.I73 T73 2005; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/casalini03/06060595.pdf

Perrella, G. (Giuseppe)
L'economico e il semiotico del cinema italiano / Giuseppe Perrella con la collaborazione di G. Alagia ... [et al.]. Roma: Theorema, c1981.
Main Stack PN1993.5.I88.P47 1981

Piazza, Roberta
"The Representation of Conflict in the Discourse of Italian Melodrama." Journal of Pragmatics: An Interdisciplinary Journal of Language Studies, vol. 38, no. 12, pp. 2087-2104, December 2006

Pillitteri, Paolo.
Il cinema tra fiction e falsita: simili, facsimili, quasi falsi, falsi storici: quando il cinema all'italiana... 1. ed. Milano: Spirali, 2000. (Series: L'alingua ; 157)
Main Stack PN1993.5.I88.P495 2000

Piredda, Maria Francesca.
Film & mission : per una storia del cinema missionario Roma : Ente dello spettacolo, [2005]
MAIN: PN1993.5.I88 P52 2005

Pirro, Ugo.
Celluloide / Ugo Pirro. 1a ed. Milano: Rizzoli, 1983. Miti d'oggi.
Main Stack PN1993.5.I88.P531 1983 NRLF #: B 3 567 592 d.

Pirro, Ugo.
Il cinema della nostra vita / Ugo Pirro. Torino: Lindau, 2001. Comete (Turin, Italy)
Main Stack PQ4876.I7.Z463 2001

Pirro, Ugo.
Soltanto un nome nei titoli di testa: i felici anni Sessanta del cinema italiano / Ugo Pirro. Torino: Einaudi, c1998. Einaudi tascabili ; 582. Einaudi tascabili. Letteratura.
Main Stack PN1993.5.I88.P57 1998

Postler, Vicky.
De Gaumont Italia `a arte : la politique culturelle francaise en Europe Paris : Connaissances et savoirs, c2005.
Main: PN1993.5.I88 P65 2005

Raffaelli, Sergio.
L'italiano nel cinema muto Firenze: F. Cesati, c2003.
Main: PN1993.5.I88 R33 2003

Redi, Riccardo.
Cinema muto italiano: 1896-1930 / Riccardo Redi. Torino: Fondazione scuola nazionale di cinema, 1999. Biblioteca di Bianco & nero. Saggistica ; n. 2
Main Stack PN1995.75.R435 1999

Redi, Riccardo.
Ti parlero -- d'amor: cinema italiano fra muto e sonoro / Riccardo Redi. Torino: Edizioni Rai Radiotelevisione italiana, c1986. TV cinema.
Main Stack PN1993.5.I88.R43 1986

Renzi, Renzo.
La bella stagione: scontri e incontri negli anni d'oro del cinema italiano / Renzo Renzi. Roma: Bulzoni, 2001. Cinema/studio ; 36
Main Stack PN1993.5.I8.R459 2001

Reteuna, Dario
Cinema di carta: storia fotografica del cinema italiano / Dario Reteuna ; introduzione di Dario Argento. 1a ed. Alessandria: Falsopiano, 2000. Falsopiano life size ; 3
Main Stack PN1993.5.I88.R484 2000

Rondolino, Gianni.
Dizionario del cinema italiano 1945-1969. Torino, G. Einaudi, 1969. Piccola biblioteca Einaudi, 128
Main Stack PN1998.A2.R64 1969 NRLF #: B 2 852 958

Rossitti, Marco
Il film a episodi in Italia tra gli anni Cinquanta e Settanta Bologna : Hybris, c2005.
MAIN: PN1993.5.I88 R68 2005
Table of contents http://www.loc.gov/catdir/toc/casalini02/05648386.pdf

Savio, Francesco.
Cinecitta anni Trenta: parlano 116 protagonisti dell secondo cinema italiano (1930-1943) / Francesco Savio ; a cura di Tullio Kezich. Roma: Bulzoni, 1979. Studi cinematografici ; 6-8
Main Stack PN1993.5.I88.S26 Library has: v. 1-3 (1979) Shelved at NRLF: v. 1-3

Schermi di guerra: cinema italiano 1939-1945
A cura di Mino Argentieri. Roma: Bulzoni Editore, c1995. Cinema/studio ; 7
Main Stack PN1993.5.I88.S34 1995

Schermi opachi: il cinema italiano degli anni '80
a cura di Lino Micciche. Venezia: Marsilio, 1998. (Series: Saggi Marsilio) Nuovocinema/Pesaro ; n. 51
Main Stack PN1993.5.I88.S29 1998

Scotto d'Ardino, Laurent.
La revue Cinema et le neo-realisme italien: autonomisation d'un champ esthetique / Laurent Scotto d'Ardino. Saint-Denis: Presses universitaires de Vincennes, 1999. Culture et societe (Saint-Denis, France)
Main Stack PN1993.5.I88.S35 1999

Sesti, Mario.
Nuovo cinema Italiano: gli autori, i film, le idee / Mario Sesti. 2. ed. Roma-Napoli: Theoria, c1994. Geografie (Rome, Italy) ; 24
Main Stack PN1993.5.I88.S48 1994

Shiel, Mark.
Italian neorealism : rebuilding the cinematic city London ; New York : Wallflower Press, 2006.
MAIN: PN1993.5.I88 S55 2006
MOFF: PN1993.5.I88 S55 2006

Lo Spettacolo.
Busto Arsizio: Bramante, 1987. Storia sociale e culturale d'Italia ; v. 3
Main Stack DG441.S775 1987 v.3

Spinazzola, Vittorio.
Cinema e pubblico: lo spettacolo filmico in Italia 1945-1965 / Vittorio Spinazzola. Roma: Bulzoni, c1985. Biblioteca cinematografica ; 20.
Main Stack PN1993.5.I88.S681 1985

Strauven, Wanda.
Marinetti e il cinema : tra attrazione e sperimentazione Pasian di Prato (UD) Italia [i.e. Udine, Italy] : Campanotto, c2006.
MAIN: PN1998.3 .M33885 2006
Table of contents http://www.loc.gov/catdir/toc/casalini05/06544533.pdf

Teorie e prassi del cinema in Italia. 1950-1970
[Milano] G. Mazzotta [1972] Cinema e informazione visiva, 2
Main Stack PN1993.5.I88.T41

Torri, Bruno.
Cinema italiano: dalla realta alle metafore. Palermo, Palumbo, 1973. Problemi-libri, 9
Main Stack PN1993.5.I88.T581

Uva, Christian.
Schermi di piombo : il terrorismo nel cinema italiano Soveria Mannelli : Rubbettino, c2007.
MAIN: PN1995.9.T46 U93 2007
Table of contents http://www.loc.gov/catdir/toc/casalini06/06543510.pdf

Vighi, Fabio
Traumatic encounters in Italian film : locating the cinematic unconscious Bristol, U.K. ; Portland, Or. : Intellect, c2006.
MAIN: PN1995.9.P783 V54 2006

La vita e bella?: il cinema italiano alla fine degli anni Novanta e il suo pubblico
A cura di Monica Repetto, Carlo Tagliabue. Milano: Il castoro, 2000.
Main Stack PN1993.5.I88.V58 2000

Western all'italiana. Firenze: Glittering images, 1998-.
Main Stack PN1995.9.W4.W477 1998 Library has: v.1 (1998)

Articles and Books on Individual Directors

Michelangelo Antonioni

See separate Antonioni bibliography

Bernardo Bertolucci

Bertolucci, Bernardo.
Bernardo Bertolucci: interviews / edited by Fabien S. Gerard, T. Jefferson Kline, and Bruce Sklarew. Jackson: University Press of Mississippi, c2000. Conversations with filmmakers series.
Main Stack PN1998.3.B48.A5 2000

Bertolucci, Bernardo.
Bertolucci by Bertolucci / Enzo Ungari with Donald Ranvaud ; translated from the Italian by Donald Ranvaud. London: Plexus, 1987.
Main Stack PN1998.A3.B4891 1987

Bondanella, Peter E.
"Myth and Marx: Pier Paolo Pasolini and Bernardo Bertolucci." In: Italian cinema: from neorealism to the present In: / Peter Bondanella. 3rd ed. New York: Continuum, 2001.
Main Stack PN1993.5.I88.B58 2001

Chow, Lesley
"What the Sound Is Saying: How Music Moves in Bertolucci." Bright Lights, February 2006 | Issue 51

Forgacs, David
"Antonioni: space, place, sexuality." In: Spaces in European cinema
Edited by Myrto Konstantarakos. Exeter, England ; Portland, OR: Intellect, 2000.
Main Stack PN1993.5.E8.S69 2000

In viaggio con Bernardo: il cinema di Bernardo Bertolucci
a cura di Roberto Campari, Maurizio Schiaretti. 1. ed. Venezia: Marsilio, c1994. (Series: Ricerche)
Main Stack PN1998.3.B48.I5 1994

Kline, T. Jefferson (Thomas Jefferson), 1942-
Bertolucci's dream loom: a psychoanalytic study of cinema / T. Jefferson Kline. Amherst, MA: University of Massachusetts Press, 1987.
Main Stack PN1998.A3.B4663571 1987

Kolker, Robert Phillip.
Bernardo Bertolucci / Robert Phillip Kolker. London: BFI Publishing, 1985.
Main Stack PN1998.A3.B48944 1985

Kolker, Robert Phillip.
Bernardo Bertolucci / Robert PHillip Kolker. New York: Oxford University Press, 1985.
Main Stack PN1998.A3.B489441 1985

Kuhlbrodt, Dietrich
Bernardo Bertolucci / mit Beitragen von Dietrich Kuhlbrodt, Hans Helmut Prinzler, Karsten Witte. Munchen: C. Hanser Verlag, c1982. Reihe Film ; 24
Main Stack PN1998.A3.B48945 1982

Lapin, David.
"After the Revolution? A Conversation with Bernardo Bertolucci." Literature/Film Quarterly. 12 (1): 22-25. 1984.

Loshitzky, Yosefa.
The radical faces of Godard and Bertolucci / Yosefa Loshitzky. Detroit: Wayne State University Press, c1995. Contemporary film and television series.
Main Stack PN1998.3.G63.L67 1995

Matteo, Sante.
"History as a Web of Fictions: Plato, Borges, and Bertolucci." Weber Studies: An Interdisciplinary Humanities Journal. 6 (1): 12-29. 1989 Spring.

La regola delle illusioni: il cinema di Bernardo Bertolucci a cura di Claudio Carabba, Gabriele Rizza, Giovanni Maria Rossi. Firenze: Aida, 2003.
Main: PN1998.3.B48 R44 2003;

Overbey, David
"The Other Bertolucci." Sight and Sound, 48:4 (1979:Autumn) p.239
UC users only

Sklarew, Bruce.
"Returning to My Low-Budget Roots: An Interview with Bernardo Bertolucci." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema. 24 (4): 16-19. 1999.
"Filmmaker Bernardo Bertolucci describes his work on the film "Beseiged," which concerns an African expatriate woman in Rome, whose husband is jailed in Africa for rebellion, and the British pianist with whom she falls in love. Topics include Bertulicci's thoughts on love, his artistic approach to the film, and the freedom of a low film budget." [Expanded Academic Index]

Sklarew, Bruce.
"Bertolucci's Dream Loom. A Psychoanalytic Study of Cinema." (1991). Psychoanalytic Quarterly, 60:691-694

Socci, Stefano.
Bernardo Bertolucci / Stefano Socci. Milano: Il castoro, c1996. Castoro cinema ; 174
Main Stack PN1998.3.B48.S6 1996 NRLF #: B 4 167 805

Tirard, Laurent
"Revisionists. Woody Allen. Bernardo Bertolucci. Martin Scorsese. Wim Wenders." In: Moviemakers' master class : private lessons from the world's foremost directors / Laurent Tirard. 1st ed. New York : Faber and Faber, 2002.
Main Stack PN1995.9.P7.T495 2002
Moffitt PN1995.9.P7.T495 2002

Tonetti, Claretta.
Bernardo Bertolucci: the cinema of ambiguity / Claretta Micheletti Tonetti. New York: Twayne Publishers ; London: Prentice Hall International, c1995. Twayne's filmmakers series.
Main Stack PN1998.3.B48.T66 1995

Wagstaff, Chris.
"Bernardo Bertolucci: Intravenous Cinema." Sight and Sound. 4 (4): 18-21. 1994 Apr.

Wagstaff, Chris.
"Bertolucci : an Italian intellectual of the 1970s looks at Italy's Fascist past." In: Reconstructing the past : representations of the Fascist era in post-war European culture / edited by Graham Bartram, Maurice Slawinski and David Steel. Keele : Keele University Press, 1996.
Main Stack D1055.R425 1996

1900

Bachmann, Gideon
"Films Are Animal Events: Bernardo Bertolucci Talks about His New Film, "1900"." Film Quarterly, Vol. 29, No. 1. (Autumn, 1975), pp. 11-19.
UC users only

Burgoyne, Robert
Bertolucci's 1900: a narrative and historical analysis / Robert Burgoyne. Detroit: Wayne State University Press, c1991. Contemporary film and television studies and readers.
Main Stack PN1997.A2133.B87 1991

Burgoyne, Robert
"The Somatization of History in Bertolucci's "1900"." Film Quarterly, Vol. 40, No. 1. (Autumn, 1986), pp. 7-14.
UC users only

Burgoyne, Robert
"Temporality as Historical Argument in Bertolucci's "1900"." Cinema Journal, Vol. 28, No. 3. (Spring, 1989), pp. 57-68.
UC users only

Dalle-Vacche, Angela
"Angela Dalle-Vacche on Robert Burgoyne's Interpretation of Bertolucci's "1900"." ("Cinema Journal," Spring 1989)Cinema Journal, Vol. 29, No. 3. (Spring, 1990), pp. 69-72.
UC users only

The Conformist (Il conformista)

Kidney, P. M.
"Bertolucci's The Conformist: A Study of the Flashbacks in the Narrative Strategy of the Film." Carte Italiane: A Journal of Italian Studies. 7: 47-56. 1985-1986.

Kline, T. Jefferson.
"The Unconformist: Bertolucci's The Conformist (1971)." In: Modern European filmmakers and the art of adaptation / edited by Andrew Horton and Joan Magretta. pp: 222-237 New York: F. Unger Pub. Co., 1981 (Series: Ungar film library)
Main Stack PN1997.85.M66
Moffitt PN1997.85.M66

O'Healy, Aine.
"Re-Envisioning Moravia: Godard's Le Mepris and Bertolucci's Il conformista." Annali d'Italianistica. 6: 148-161. 1988

Wagstaff, Christopher.
"The Construction of Point of View of Bertolucci's Il conformista." Italianist: Journal of the Department of Italian Studies, University of Reading. 3: 64-71. 1983.

Wagstaff, Christopher.
"Forty-Seven Shots of Bertolucci's Il Conformista." Italianist: Journal of the Department of Italian Studies, University of Reading. 2: 76-101. 1982.

The Dreamers

Adair, Gilbert.
"Actors with bottle." Sight and Sound 14.1 (Jan 2004): 24(2).
Gilbert Adair wrote the adapted screenplay of the film 'The Dreamers'. His idea of adapting the idea of collaboration with the film's director Bernando Bertolucci is discussed.

Izod, John
"Bernardo Bertolucci's The Dreamers: the Politics of Youth Remembered." Kinema, Fall 2004

Reynolds, Oliver.
"Beautiful Dreamers." Times Literary Supplement n4582 (Jan 25, 1991 n4582): 17(1).

Thompson, David.
"Undress rehearsal." Sight and Sound 14.1 (Jan 2004): 22(4).
The filming of 'The Dreamers' directed by Bernando Bertolucci is discussed. The Paris protest of May 1968 form that is explored is the main backdrop of the film.

Vincendeau, Ginette.
"The Dreamers.(Movie Review)." Sight and Sound 14.2 (Feb 2004): 41(2).

The Last Emperor

Bertolucci's The last emperor : multiple takes
Edited by Bruce H. Sklarew ... [et al.]. Detroit : Wayne State University Press, c1998.
Main Stack PN1997.L3353.B47 1998

Bodard, Lucien.
"The survivor of the Forbidden City; Pu Yi, in fact & film. (former emperor of China)." Encounter 80.n3 (March 1988): 42(2).

Born, Georgina
"Bertolucci's "The Last Emperor" New Statesman n.s.:115:2971 (1988:Mar. 4) p.30

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the "Auteur" Theory: From "Last Tango in Paris" to "The Last Emperor" Western Humanities Review 44:2 (1990:Summer) p.198

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the Auteur Theory: From Last Tango in Paris to The Last Emperor." In: Bertolucci's The last emperor : multiple takes / edited by Bruce H. Sklarew ... [et al.]. Detroit : Wayne State University Press, c1998. Contemporary film and television series
Main Stack PN1997.L3353.B47 1998

Burgoyne, Robert
"The Last Emperor: The Stages of History." SubStance: A Review of Theory and Literary Criticism, vol. 18, no. 2 [59], pp. 93-101, 1989.

Loshitzky, Yosefa ; Raya Meyuhas; Bertolucci
"Ecstasy of Difference": Bertolucci's "The Last Emperor" Cinema Journal, Vol. 31, No. 2. (Winter, 1992), pp. 26-44.
UC users only

Lu, James J.
"The Last Emperor: A 'History Lesson' and a Lesson in History." Biography: An Interdisciplinary Quarterly, vol. 17, no. 1, pp. 56-62, Winter 1994.
"Analyzes the historical accuracy of Bernardo Bertolucci's film The Last Emperor (1987) by examining the role played by his "secondary consort," Wenxiu, on screen and in real life based on the known facts of Emperor Puyi's conjugal life. Using Puyi's autobiography, The Last Manchu (1967), a biography entitled The Last Empress and the Last Secondary Consort (1984), and the consort's personal diaries, Wenxiu's unhappy nine-year concubinage from the age of 13 is investigated to its conclusion with her unprecedented and successful suit for divorce against the last emperor of the Qing dynasty. Bertolucci's film is lauded for its romanticized loyalty to the emperor's narrative tale even as its narrative license is questioned for fictionalizing Wenxiu's story, raising the issue of the filmmaker's obligation to historical truth." [Historical Abstracts]

Marcus, Millicent
"Bertolucci's Last Emperor and the Case for National Cinema." RLA: Romance Languages Annual, vol. 1, pp. 45-51, 1989.

O'Healy, Áine
"Politics and Sociosexual (In)Difference from Roma città aperta to The Last Emperor." RLA: Romance Languages Annual, vol. 6, pp. 321-27, 1994.

Pickowicz, Paul G.
"The Last Emperor."
The American Historical Review, Vol. 94, No. 4. (Oct., 1989), pp. 1035-1036.
UC users only

Powers, John.
"Last tango in Beijing. (filming of Bernardo Bertolucci's "The Last Emperor")." American Film 23.n2 (Nov 1987): 34(7).

Tobing Rony, Fatimah
"The Last Emperor." Film Quarterly, Vol. 42, No. 2. (Winter, 1988-1989), pp. 47-52.
UC users only

Wilson, David
"Peter Pan in the Forbidden City." Sight & Sound Vol LVII nr 2 (Spring 1988); p 134-135
UC users only

Zaller, Robert.
"After the revolution: Bertolucci's 'The Last Emperor.'." Michigan Quarterly Review 28.n1 (Wntr 1989): 79(15).

Zaller, Robert
"After the Revolution: Bertolucci's The Last Emperor." In: The movies : texts, receptions, exposures / edited by Laurence Goldstein and Ira Konigsberg. Ann Arbor : University of Michigan Press, c1996.
Main Stack PN1994.M78 1996
Moffitt PN1994.M78 1996

Last Tango in Paris

Bachmann, Gideon; Bernardo Bertolucci
""Every Sexual Relationship Is Condemned": An Interview with Bernardo Bertolucci Apropos "Last Tango in Paris"." Film Quarterly, Vol. 26, No. 3. (Spring, 1973), pp. 2-9.
UC users only

Bertolucci, Bernardo.
Bernardo Bertolucci's Last tango in Paris; the screenplay, by Bernardo Bertolucci and Franco Arcalli. With critical essays by Pauline Kael and Norman Mailer. New York, Delacorte Press, [1973, c1972]
Main Stack PN1997.L34.B41 1973
PFA PN1997.L3772.B41 1973

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the "Auteur" Theory: From "Last Tango in Paris" to "The Last Emperor" Western Humanities Review 44:2 (1990:Summer) p.198

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the Auteur Theory: From Last Tango in Paris to The Last Emperor." In: Bertolucci's The last emperor : multiple takes / edited by Bruce H. Sklarew ... [et al.]. Detroit : Wayne State University Press, c1998. Contemporary film and television series
Main Stack PN1997.L3353.B47 1998

Farber, Stephen
"Last Tango", Hudson Review, 26:3 (1973:Autumn) p.539
UC users only

Hedges, Inez
Breaking the frame : film language and the experience of limits / Inez Hedges. Bloomington : Indiana University Press, c1991.
Main Stack PN1995.H398 1991
Moffitt PN1995.H398 1991

Kael, Pauline.
"Last Tango in Paris." The New Yorker v. 48 (October 28 1972) p. 130+

Kaplan, E. Ann
"Importance and ultimate failure of Last Tango in Paris." Jump Cut, no. 4, 1974, pp. 1, 9-10

Kinder, Marsha; Houston, Beverle
"Bertolucci and the Dance of Danger." Sight and Sound 42:4 (1973:Autumn) p.186 Go to Journal Issue
UC users only

Kline, T. Jefferson
"Orpheus Transcending: Bertolucci's Last Tango in Paris." International Review of Psycho-Analysis, 3:85-95, 1976

"Last Tango in Paris." The Atlantic Monthly (1971) v. 231 (April 1973) p. 120-3

"Last Tango in Paris." Film Quarterly v. 26 (Spring 1973) p. 2-9

Mellen, Joan
"Sexual Politics and "Last Tango in Paris". Film Quarterly, Vol. 26, No. 3. (Spring, 1973), pp. 9-19.
UC users only

Miceli, Aldo
"Last Tango in Paris: Death, Eroticism, and the Female Oedipus." Italianist: Journal of the Department of Italian Studies, University of Reading, vol. 21-22, pp. 124-57, 2001.

Roud, Richard
"Last Tango in Paris." Sight and Sound 41:3 (1972:Summer) p.146
UC users only

Thompson, David.
Last tango in Paris London : BFI, 1998.
Main: PN1997.U4445 T56 1998

Vittorio de Sica

Alonge, Andrea Giaime
Vittorio De Sica: Ladri di biciclette / Giaime Alonge. Torino: Lindau, 1997. Universale/film ; 8
Main Stack PN1997.L1383.A46 1997 NRLF #: B 4 317 198

Agel, Henri.
Vittorio de Sica. Paris, Editions universitaires [1955] Classiques du cinema, 3
Main Stack PN1993.C5 v.3

Agel, Henri.
"Présence de Vittorio de Sica." CinémAction nr 70 (Jan 1994); p 138-146
Analysis of the work of de Sica, esp. in his period of neorealism.

Bachmann, Gideon
"Vittorio De Sica: always a true window."Sight & Sound Vol XLIV nr 2 (Spring 1975); p 76-77
An appreciation, including an account of De Sica working on his last film 'Il viaggio'

Bailey, Paul
"Looking up for rain." Sight & Sound Vol III nr 12 (Dec 1993); p 30
"The film, 'Umerto D,' is about a lonely, old man's relation with his dog, and his endurance of the humiliations inflicted by the society. The film's director has an excellent understanding of the theme and treats the subject with sympathy, without allowing for sentimentality. The film has some flaws, one of which is the director's treatment of the landlady's character." [Expanded Academic Index]

Bazin, Andre and Cardullo, Bert.
"Bazin on post-neorealistic Rossellini, De Sica, and Visconti: three original reviews." (English translation of essay on film criticism, originally written in 1953)(Roberto Rossellini, Vittorio De Sica, Luchino Visconti)(Critical Essay)(Reprint) The Massachusetts Review Spring 2002 v43 i1 p89(15)
"The article presents a contemporary introduction and a reprint of an essay on film criticism by the French New Wave art intellect Andre Bazin, who died of leukemia in 1958. The essay, originally written in 1953 and published posthumously, examines the works of directors Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, along with topics such as decor, spectacle, representation and reality." [Expanded Academic Index]

Bonadella, Peter
"Three neorealist classics by Vittorio De Sica."Cineaste Vol XXIII nr 1 (1997); p 52-53
Discusses the history of Italian neorealism and the work of De Sica on the occasion of a video release for "I bambini ci guardano", "Miracolo a Milano" and "Umberto D."

Braudy, Leo
"The sacraments of genre: Coppola, De Palma, Scorsese.." Film Quarterly Vol XXXIX nr 3 (Spring 1986); p 17-28
Contrasts Italian-American filmmakers F.C., M.S. and B.De P. to the neorealists Rossellini, De Sica, Antonioni and Fellini.

Cardullo, Bert.
"The Auteur as Actor: The Performance Career of Vittorio De Sica." Lamar Journal of the Humanities. 26 (2): 5-20. 2001 Fall.

Cardullo, Bert.
"Actor-Become-Auteur: The Neorealist Films of Vittorio De Sica." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs. 41 (2): 173-92. 2000 Summer.

Cardullo, Bert.
Vittorio De Sica: director, actor, screenwriter / Bert Cardullo. Jefferson, N.C.: McFarland, c2002.
Main Stack PN1998.3.D42.C37 2002

Darretta, John.
Vittorio De Sica: a guide to references and resources / John Darretta. Boston, Mass.: G.K. Hall, c1983. Reference publication in film.
Moffitt PN1998.A3.D463 1983

De Sica, Vittorio
Lettere dal set / Vittorio De Sica ; a cura di Emi De Sica e Giancarlo Governi. Milano, Italia: SugarCo, 1987.
Main Stack PN1998.A3.D3391 1987

Governi, Giancarlo.
Vittorio de Sica: Parlami d'amore Mariu / Giancarlo Governi ; con la collaborazione di Anna Maria Bianchi. Roma: Gremese, c1993. Cinema & miti.
Main Stack PN1998.3.D42.G68 1993

James, Caryn
"De Sica's reputation gets a shine." (actor and director Vittorio De Sica) (Living Arts Pages) The New York Times Oct 4, 1991 v141 pB10(N) pC1(L) col 1 (32 col in)

Kinder, M.
"The Subversive potential of the pseudo-iterative." Film Quarterly v. 43 (Winter 1989/1990) p. 2-16

Lauder, R.E.
"Vittorio DeSica: genius of neorealism." America v. 132 (March 8 1975) p. 172-3

Leprohon, Pierre.
Vittorio De Sica ... Choix de textes [de Vittorio De Sica] ... / Filmographie, bibliographie ... Paris, Seghers, 1966. Cinema d'aujourd'hui, 39
Main Stack PN1993.C4 v.39 NRLF #: $D 60 053

Mercader, Maria.
La mia vita con Vittorio De Sica / Maria Mercader. 1. ed. Milano: A. Mondadori, 1978. (Series: Le Scie)
Main Stack PN1998.A3.S54113 1978 NRLF #: B 3 168 912

Passalacqua, J.
"Vittorio De Sica." Films in Review Vol XXIX nr 4 (Apr 1978); p 24-48
Bio-filmographic information on actor-director De Sica.

Samuels, Charles Thomas
Vittorio De Sica." In: Encountering directors New York, Putnam [1972]
Main Stack PN1998.A2.S16
Moffitt PN1998.A2.S16

Shipman, David
"Directors of the decade: forties." Films & Filming nr 345 (June 1983); p 10-12
Consideration De Sica's career as a director.

Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Bicycle Thief (Ladri di biciclette)

Alonge, Andrea Giaime
Vittorio De Sica: Ladri di biciclette / Giaime Alonge. Torino: Lindau, 1997. Universale/film ; 8
Main Stack PN1997.L1383.A46 1997 NRLF #: B 4 317 198

"The Bicycle Thief." (Review) Films in Review, v1, Feb. 1950, pp: 31-2

"The Bicycle Thief." (Review) Journal of Aesthetic Education, v9, April 1975, pp: 50-61

"The Bicycle Thief." (Review) New York Times, Dec. 13, 1949, p. 49.

"The Bicycle Thief." (Review) Sight and Sound, v19, Mar. 1950, pp:26-8

"The Bicycle Thief." (Review) Theatre Arts, "The Bicycle Thief" (review) 34:2 (1950:Feb) 38

Bondanella, Peter E.
"Bicycle Thief." In: Italian Cinema: From Neorealism to the Present / Peter Bondanella. pp: 56-62. New York: F. Ungar Pub. Co., c1983. Series title: Ungar film library.
Main PN1993.5.I88 .B58 1983
Moffitt PN1993.5.I88 .B58 1983

Cartier, Clarice
"Zavattini, 'Le voleur de bicyclette' et les problèmes d'écriture: entretien avec Suso Cecchi d'Amico." CinémAction nr 70 (Jan 1994); p 169-172
Scriptwriter S.C.d'A. talks about his work for the neorealists, esp. with Cesare Zavattini, and describes his contribution to "Ladri di bicyclette".

De Sica, Vittorio
Bicycle Thieves: A Film [directed] by Vittorio De Sica; [script by Oreste Biancoli, Vittorio De Sica and others] translated [from the French] by Simon Hartog. London, Lorrimer Publishing Ltd., 1968. Series title: Modern film scripts, 14.
UCB Moffitt PN1997 .S493

Fabe, Marilyn
"Italian neorealism: Vittorio de Sica's Bicycle thief." In: Closely watched films : an introduction to the art of narrative film technique / Marilyn Fabe. Berkeley : University of California Press, c2004.
Main Stack PN1995.9.E9.F17 2004
Moffitt PN1995.9.E9.F17 2004
PFA PN1995.9.E9.F17 2004
Table of contents http://www.loc.gov/catdir/toc/ecip0413/2004000202.html

Leff, Leonard J.
"No Trollops, No Tomcats." American Film XV/3, Dec 89; p.40-43,52-54.
Discusses the power of the US Production Code Administration under its director Joseph Breen, and describes the effort to censor "Ladri di biciclette".

Marcus, Millicent Joy.
"De Sica's Bicycle thief: casting shadows on the visionary city." In: Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

Mastri, Augustus
"Critical Restatement on De Sica's "Bicycle Thief": Background and Literary Debt." Italian Quarterly 24:91 (1983:Winter) 45

Serceau, Michel
"La ville dans le néoréalisme." CinémAction nr 75 (Apr 1995); p 44-56
On the important role given to the city in neorealist films by directors such as Fellini, Antonioni, Rossellini and esp. in "Ladri di biciclette".

Thompson, Kristin
"Realism in the cinema: Bicycle thieves." In: Breaking the glass armor: neoformalist film analysis / Kristin Thompson.p. 197-217 Princeton, N.J.: Princeton University Press, c1988.
Main Stack PN1995.T46 1988
Moffitt PN1995.T46 1988

Tomasulo, Frank P.
"Bicycle Thieves: A Re-Reading." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 160-71 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Tomasulo, Frank P.
"Bicycle Thieves: A Re-Reading." Cinema Journal Vol XXI nr 2 (Spring 1982); p 2-13
An in-depth analysis of the film, with emphasis on its historical, political, ideological, textural and aesthetic aspects
UC users only

Wagstaff, Chris
"Comic positions." Sight & Sound Vol II nr 7 (Nov 1992); p 25-27
"Vittorio De Sica's 'Bicycle Thieves' has traditionally been read as a film that accurately represents reality, but such a reading overlooks the film's high degree of artistry. By combining particular genre choices with carefully chosen camera angles De Sica encourages the reader to interpret and respond to images, instead of passively observing them. When considering 'Bicycle Thieves' it is also necessary to find a way to reconcile De Sica's interest in comedy and neo-realism." [Expanded Academic Index]

Waller, Marguerite R.
"Decolonizing the Screen: From Ladri di biciclette to Ladri di saponette." In: Revisioning Italy: National Identity and Global Culture / Beverly Allen and Mary Russo, editors. pp: 253-74. Minneapolis: University of Minnesota Press, c1997.
Main Stack DG455.R48 1997

West, Mark.
"Holding Hands with a Bicycle Thief." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 137-59. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Garden of the Finzi-Continis

Corbin, L.
"Garden of the Finzi-Contini." Films in Review; Vol.XXIII nr.2 (Feb 1972); p.114

Davis, Harry.
"Narrated and Narrating I in 'Il giardino dei Finzi-Contini'." Italian Studies vol. 43. 1988. pp: 117-129.

Denby, David
"Garden of the Finzi-Continis." (movie reviews) New York Nov 18, 1996 v29 n45 p106(2)

Eskin, S.G.
"'The garden of the Finzi-Continis'." Literature/Film Quarterly Vol I nr 2 (Spring 1973); p 170-175
Compares the film and the novel.

Kael, P.
"Garden of the Finzi-Continis." The New Yorker v. 47 (December 18 1971) p. 48+

"Garden of the Finzi-Continis." (review) America v. 126 (February 26 1972) p. 216

"Garden of the Finzi-Continis." (review) Commonweal v. 95 (March 3 1972) p. 525-6

"Garden of the Finzi-Continis." (review) The New Republic v. 166 (February 19 1972) p. 32-3

"Garden of the Finzi-Continis." Newsweek v. 79 (January 10 1972) p. 58

"Garden of the Finzi-Continis." (review) National Review v. 24 (April 28 1972) p. 476

"Garden of the Finzi-Contini" (review), New York Times, Dec. 17, 1971, p. 32

"Garden of the Finzi-Contini" (review), New York Times, Jan. 2, 1972, Sect. II, p. 9

"Garden of the Finzi-Contini" (review), New York Times, Aug. 22, 1971, p. 20

"Garden of the Finzi-Contini" (review), New Yorker, v47, Dec. 18, 1971, p. 47

"Garden of the Finzi-Continis." (review) Saturday Review v. 55 (January 8 1972) p. 19

"Garden of the Finzi-Continis." (review) Time v. 99 (January 17 1972) p. 54

"Garden of the Finzi-Contini" (review), Village Voice, Dec. 23, 1971, p. 71

Holden, Stephen.
"Garden of the Finzi-Continis." (review) The New York Times Nov 8, 1996 v145 pC18(L) col 6 (6 col in)

Marcus, Millicent.
"De Sica's Garden of the Finzi-Continis: An Escapist Paradise." In: Vittorio De Sica: contemporary perspectives / edited by Howard Curle and Stephen Snyder. pp: 258-79. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Stuart, Andrea
"Garden of the Finzi-Contini" (review) Films & Filming; Vol.XVIII nr.11 (Aug 1972); p.47-48

Miracle in Milan

Bondanella, Peter.
"Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 172-80 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Bonadella, Peter
"Three neorealist classics by Vittorio De Sica."Cineaste Vol XXIII nr 1 (1997); p 52-53
Discusses the history of Italian neorealism and the work of De Sica on the occasion of a video release for "I bambini ci guardano", "Miracolo a Milano" and "Umberto D."

De Sica, Vittorio
Miracle in Milan. [Screenplay by Cesare Zavattini and Vittorio de Sica, with others] New York, Orion Press [1969, c1968]
Main Stack PN1997.S491 1969

Grinstein, Alexander.
"Miracle in Milan: Some Psychoanalytic Notes on a Movie." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 181-88 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Roy, Claude. Allard, Jean-Pierre.
"MReflections on Miracle in Milan." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 179-80 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Shoeshine

Cardullo, Bert.
"The Art of Shoeshine." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 129-36. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Kael, Pauline.
"Shoeshine." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 126-28. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Umberto D

Bonadella, Peter
"Three neorealist classics by Vittorio De Sica."Cineaste Vol XXIII nr 1 (1997); p 52-53
Discusses the history of Italian neorealism and the work of De Sica on the occasion of a video release for "I bambini ci guardano", "Miracolo a Milano" and "Umberto D."

Brunette, Peter
"When neo-realism collided with reality; De Sica's 'Umberto D.' is the finale of a warts-and-all movement silenced by Italy's fear for its image." The New York Times Feb 17, 2002 pAR33(N) pAR33(L) col 1 (35 col in)

Kinder, Marsha
"The subversive potential of the pseudo-iterative."Film Quarterly Vol XLIII nr 2 (Winter 1989-90); p 2-16
Discovers examples of the iterative tense, used frequently in literature, in the narratives of "Umberto D.", "Il posto" and "Toute une nuit".

Marcus, Millicent Joy.
"De Sica's Umberto D: dark victory for neorealism." In: Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

See separate Fellini bibliography

Sergio Leone

English Language

Bertolucci, Bernardo.
"Once upon a time in Italy." (tribute to Italian film director Sergio Leone) Film Comment July-August 1989 v25 n4 p77(2)

Bondanella, Peter E.
"A fistful of pasta: Sergio Leone and the spaghetti western." In" Italian cinema: from neorealism to the present / Peter Bondanella New York: F. Ungar Pub. Co., c1983 Ungar Film Library
Main Stack PN1993.5.I88.B58 1983
Moffitt PN1993.5.I88.B58 1983

Burlingame, Jon; Crowdus, Gary.
"Music at the service of the cinema: an interview with Ennio Morricone. (Italian filmmaker) (Sound and Music in the Movies) (Interview) Cineaste Wntr-Spring 1995 v21 n1-2 p76(5) (5504 words)
UC users only
"Ennio Morricone is unique as a film music composer due to the fact that he composes for concert halls as well and uses sound effects in his music not usually found in film scores. As a film composer, Morricone acknowledges the director as having the exclusive authority over the entire film. Therefore, it is important that the film composer and the director establish a working understanding of each other's roles in the production. Morricone is known for his score in Sergio Leone's Western films and Giuseppe Tornatore's 'Cinema Paradiso' (1988)." [Expanded Academic Index]

Caputo, Rolando.
"Aldrich, Leone and Vera Cruz: Style and Substance Over the Border." Screening the Past: An International, Refereed, Electronic Journal of Visual Media and History [Australia] 2000 (10)
"Compares the "baroque" style of Robert Aldrich's 1954 film Vera Cruz, starring Gary Cooper and Burt Lancaster, based on a true story about two American soldiers of fortune taking a shipment of gold through rebel territory for Emperor Maximillian, with the 1960's "spaghetti westerns" of Sergio Leone, who appropriated Aldrich's key plot elements, such as money and the double cross, as well as Aldrich's unique stylistic elements, for Leone's own films. This made Aldrich's influence more obvious in European westerns of the 1960's than their American counterparts." [America: History and Life]

Cumbow, Robert C.
Once upon a time: the films of Sergio Leone Metuchen, N.J.: Scarecrow Press, 1987.
Main: PN1998.A3 L476241 1987

De Fornari, Oreste.
Sergio Leone: the great Italian Dream of Legendary America Rome: Gremese International, c1997.
Main: PN1998.3.L463 D4413 1997

Edwards, Daniel.
"Sergio Leone." (Great Directors: A Critical Database)Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema.

Frayling, Christopher.
"The Making of Sergio Leone's A Fistful of Dollars." Cineaste, Summer 2000 v25 i3 p14
UC users only

Frayling, Christopher.
Sergio Leone: something to do with death London: Faber and Faber, 2000.
Main: PN1998.3.L455 F738 2000

Frayling, Christopher.
Spaghetti westerns: cowboys and Europeans from Karl May to Sergio Leone / Christopher Frayling London ; Boston: Routledge & Kegan Paul, 1981 Cinema and society.
Main Stack PN1995.9.W4.F64
Moffitt PN1995.9.W4F67

Godden, Richard.
"Maximizing the Noodles: Class, Memory, and Capital in Sergio Leone's Once upon a Time in America." Journal of American Studies. 31 (3): 361-84. 1997 Dec.
" Sergio Leone's 1984 motion picture 'Once Upon A Time in America' stars Robert De Niro and James Woods. The movie features 'God Bless America' at the start and finish and it is suggested that the film aims to offer a typical picture rather than the portrayal of what is essential a number of criminals. The resurrection of Max is analysed, along with the role of rape and sexual themes." [Expanded Academic Index]

Gow, Gordon
"A Fistful of Dynamite." Films & Filming Vol XIX nr 2 (Nov 1972); p 45

Hill, Sarah.
"Sergio Leone and the Myth of the American West: Once upon a Time in the West." RLA: Romance Languages Annual. 9: 202-10. 1997.

Hoberman, J
"The Revolution Will Be Westernized: Leone's Nutty, Lefty Epic" ["Giù la testa" ("Duck, You Sucker")] The Village Voice 48:47 [19 November 2003-19 November 2003] p. 64

Jameson, Richard T.
"Something to do with death. A fistful of Sergio Leone." Film Comment Vol IX nr 2 (Mar-Apr 1973); p 8-16
An analysis of the films of S.L. with emphasis on "C'era una volta il West".

Knee, Adam.
"Notions of Authorship and the Reception of Once Upon a Time in America." Film Criticism. 10 (1): 3-17. 1985 Fall.

Landy, Marcia
" "Which way is America?": Americanism and the Italian western." (films of Sergio Leone) boundary 2, Spring 1996 v23 n1 p35(25)
"The western films made by Italian directors such as Sergio Leone show how Americanism represents a philosophy of action that relates to global issues and themes, transcending the cultural and geographical boundaries of the US. The spaghetti westerns deal primarily with issues such as materialism, social conflict, identity and knowledge that reflect Italian politics of the period when they were created. Moreover, the films' use of physical action, body mechanics and typology of characters are related to traditional Italian comedy stemming from the commedia dell'arte." [Expanded Academic Index]

Leone, Sergio
Conversations avec Sergio Leone Paris: Stock, c1987.
Main: PN1998.3.L463 A5 1987

Lomenzo, Elaine
"A fable for adults: Sergio Leone interviewed by Elaine Lomenzo." Film Comment July-August 1984 v20 p21(3)

Lukas, Karli.
"A Fistful of Dynamite/Duck, You Sucker/Giu la testa." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 28: (no pagination). 2003 Sept-Oct.

Martinovic, Milica. Martinovic, Zarko.
"Eros in the Traumatophylic World of Once upon a Time in the West." Journal of Evolutionary Psychology. 17 (3-4): 247-56. 1996 Aug.

MacKenzie, Scott.
"Closing Arias: Operatic Montage in the Closing Sequences of the Trilogies of Coppola and Leone." p.o.v: A Danish Journal of Film Studies. 6: 109-24. 1998 Dec.

Nicholls, D.
"Once upon a time in Italy."Sight & Sound Vol L nr 1 (Winter 1980-81); p 46-49
On the work of Sergio Leone and his 'Italian westerns'.

Quiring, Loren
"Dead men walking: consumption and agency in the western." Film & History Vol XXXIII nr 1 (2003); p 41-46
Describes a change in western masculine figures and western myths as revealed in three films from the late 1960's and early 1970's: "Once upon a time in the West", "Little big man" and "Westworld".

Robertson, Richard.
"New Directions In Westerns Of the 1960's and 70's." Journal of the West 1983 22(4): 43-52.
"Analyzes the plots of Western movies of the 1960's-70's. Among the recurrent themes are those of race, as evidenced in Sergeant Rutledge (1960) and Cheyenne Autumn (1964), and violence, which in this era is more brutal and more graphic, as seen in such Sergio Leone films as A Fistful of Dollars, A Few Dollars More, and The Good, the Bad, and the Ugly. Explicit sex is another feature of films of this era, as in Peckinpah's The Wild Bunch (1969). The passing of the frontier and the aging of the main protagonist are companion themes seen in such films as Hud (1963), Will Penny (1968), and Butch Cassidy and the Sundance Kid (1969)." [America: History and Life]

Roth, Lane
Film semiotics, Metz, and Leone's trilogy New York: Garland Pub., 1983.
Main: PN1995 .R67 1983

Starrs, Paul F.
"The Ways of Western Death: Mor(t)ality & Landscape in Cormac McCarthy's Novels and Sergio Leone's Films." Wide Angle: A Film Quarterly of Theory, Criticism, and Practice. 15 (4): 62-74. 1993 Dec.

Thomson, David.
"Leonesque." (works of Italian film director Sergio Leone) American Film Sept 1989 v14 n10 p26(6)
Critical assessment of the director's work which considers the issues of style and substance. Leone is quoted on a number of actors and the USA.

Weisser, Thomas
Spaghetti westerns: the good, the bad, and the violent: a comprehensive, illustrated filmography of 558 Eurowesterns and their personnel, 1961-1977 / by Thomas Weisser ; foreword by Craig Ledbetter ; foreword by Tom Betts ; comments by William Connolly. Jefferson, N.C.: McFarland, c1992.
Moffitt PN1995.9.W4.W32 1992

Williams, Tony.
"A Fistful of Dollars." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 28: (no pagination). 2003 Sept-Oct.

Once Upon a Time in America

Ansen, David.
"Once upon a time in America." (movie review) Newsweek June 11, 1984 v103 p81(1)

Canby, Vincent.
"Once upon a time in America." (movie review) The New York Times June 1, 1984 v133 p20(N) pC8(L) col 5 (14 col in)

Corliss, Mary
'Once upon a time..." (Sergio Leone moving picture) Film Comment July-August 1984 v20 p18(4)
Compares the cut to the uncut version of "Once upon a time in America" and discusses the film with S.L.

Corliss, Richard
"Once upon a time in America." (movie review) Time June 18, 1984 v123 p82(1) (963 words)

Denby, David.
"Once upon a time in America." (movie review) New York June 18, 1984 v17 p88(1)

Fryxell, David A.
"Once upon a time in America." (movie review) Horizon Oct 1984 v27 p60(1)

Godden, Richard.
"Maximizing the Noodles: Class, Memory, and Capital in Sergio Leone's Once upon a Time in America." Journal of American Studies. 31 (3): 361-84. 1997 Dec.

Hamill, P.
"Once upon a time in America." American Film Vol IX nr 8 (June 1984); p 20-29,54
Report on the lengthy production history of "Once upon a time in America" incl. director S.L.'s comments on his work and his influences.

Hutchinson, Curtis
"Once upon a time in America." (movie review) Films & Filming nr 360 (Sept 1984); p 41

Kael, Pauline
"Once upon a time in America." (movie review) The New Yorker May 27, 1985 v61 p82(4)

Kauffmann, Stanley
"Once upon a time in America." (movie review) The New Republic July 2, 1984 v191 p25(1) (408 words)

Kopkind, Andrew
"Once upon a time in America." (movie review) The Nation July 21, 1984 v239 p60(1)

Kaminsky, Stuart M.
"Narrative Time in Sergio Leone's Once upon a Time in America." Studies in the Literary Imagination. 16 (1): 59-74. 1983 Spring.

Knee, Adam.
"Notions of Authorship and the Reception of Once Upon a Time in America." Film Criticism. 10 (1): 3-17. 1985 Fall.

Mitchell, Tony
"Leone's America." Sight & Sound Vol LII nr 3 (Summer 1983); p 151-152
The ten-year history of Leone's latest film.

Weinraub, Bernard.
"Once Upon A Time in America." (movie review) The New York Times Oct 22, 1992 v142 pB1(N) pC19(L) col 2 (18 col in)

Italian and other Languages

Cebe, Gilles.
Sergio Leone Paris: H. Veyrier, 1984.
Main: PN1998.A3 L4763 1984

De Fornari, Oreste.
Tutti i film di Sergio Leone Milano: Ubulibri, c1984.
Main: PN1998.A3 L476261 1984

Garofalo, Marcello.
Tutto il cinema di Sergio Leone Milano: Baldini & Castoldi, c1999.
Main: PN1998.3.L463 G37 1999

Tarzia, Fabio.
"C'era una volta il western: Leone tra i fantasmi della Monument Valley." Problemi: Periodico Quadrimestrale di Cultura. 111: 188-206. 1998 May-Aug.

Pier Paolo Pasolini

English Language

Anderson, Laurie Jane.
Challenging the norm: the dialect question in the works of Gadda and Pasolini / by Laurie Jane Anderson. Stanford honors essay in humanities ; 20 Stanford, Calif.: Humanities Honors Program, Stanford University, 1977.
Main Stack PQ4817.Ga33 .Z616; Storage Info: B 3 595 485

Baranski, Zygmunt (pref.).
" Pasolini 1922-1975." The Italianist: Journal of the Department of Italian Studies, University of Reading. 5 1985.

Bondavalli, Simona.
"Charming the cobra with a ballpoint pen: Liminality and spectacular authorship in Pier Paolo Pasolini's interviews." MLN 122.1 (Jan 2007): 24(22).
Pier Paolo Pasolini's creative and critical use of images in the form of interviews or paratextual inserts is described in this article.

Bongie, Chris
"A postscript to transgression; the exotic legacy of Pier Paolo Pasolini." In: Exotic memories: literature, colonialism, and the fin de siecle / Chris Bongie. Stanford, Calif.: Stanford Unversity Press, 1991.
Main Stack PN761.B57 1991

Bruno, Giuliana
"Heresies: The Body of Pasolini's Semiotics" Cinema Journal, Vol. 30, No. 3. (Spring, 1991), pp. 29-42.
UC users only

Chasseguet-Smirgel, Janine.
"Body and cosmos: Pasolini, Mishima, Foucault." American Imago 61.2 (Summer 2004): 201-221.
"The image of a dismembered body, in pieces, like that of damiens or a dissected cat, whose innards are likened to a world, is projected upon society or even onto the cosmos, so that the fame of the world collapses and the heavens are disemboweled. Suicide is thus the ultimate means of unit with the divine power, of becoming one with its glory, even while blowing up the universe." [Expanded Academic Index]

Cro, Stelio.
"Italian Post-Modernity: Dialect and National Literature in Pasolini's Narrative and Films." RLA: Romance Languages Annual. 10 (1): 229-34. 1998.

De Lauretis, Teresa.
"Re-Reading Pasolini's Essays on Cinema." Italian Quarterly. 21-22 (82-83): 159-166. 1980-1981 Fall-Winter.

Dillon, Jeanne Carol.
"Pasolini: Literary Works, Published Screenplays, Screenplays (Coauthored), Filmography, Interviews." Stanford Italian Review. 2 (2): 130-133. 1982 Fall.

Eloit, Audrene.
"Oedipus Rex by Pier Paolo Pasolini the palimpsest: Rewriting and the creation of Pasolini's cinematic language." Literature-Film Quarterly 32.4 (Oct 2004): 288-12.
"Efforts made to analyze how the film, 'Oedipus Rex' by Pier Paolo Pasolini becomes an example of Pasolini's cinematic theory and a general reflection on language and communication are presented. The film deals with cinematic language in particular looking into its status as a fundamental tool of human communication." [Expanded Academic Index]

Friedrich, Pia.
Pier Paolo Pasolini / by Pia Friedrich. Boston: Twayne, c1982. Series: Twayne's world authors series ; TWAS 657
Main Stack PN35 .T85 v.657; Storage Info: B 3 557 933
Main Stack PQ4835.A48 .Z686 1982

Gordon, Robert Samuel Clive
Pasolini: forms of subjectivity / Robert S. C. Gordon. Oxford: Clarendon Press ; New York: Oxford University Press, 1996.
Main Stack PQ4835.A48 Z6885 1996

Greene, Naomi
Pier Paolo Pasolini: cinema as heresy / Naomi Greene. Princeton, N.J.: Princeton University Press,Greene, Naomi, 1942-
Main Stack PN1998.3.P367 G74 1990

Greene, Naomi
"Pasolini: 'Organic Intellectual'?" Italian Quarterly. 31 (119-120): 81-100. 1990 Winter-Spring

Keating, Patrick.
"Pasolini, Croce and the Cinema of Poetry." Scope: An Online Journal of Film Studies: (no pagination). 2001 June. pgs. (no pagination).

Konstantarakos, Myrto
"Is Pasolini an urban film-maker? In: Spaces in European cinema
Edited by Myrto Konstantarakos. Exeter, England ; Portland, OR: Intellect, 2000.
Main Stack PN1993.5.E8.S69 2000

Lawton, Ben.
"The Evolving Rejection of Homosexuality, the Sub-Proletariat, and the Third World in the Films of Pier Paolo Pasolini." Italian Quarterly. 21-22 (82-83): 167-173. 1980-1981 Fall-Winter.

MacBean, James Roy.
" Between Kitsch and Fascism: Notes on Fassbinder, Pasolini, (Homo)Sexual Politics, the Exotic, the Erotic & Other Consuming Passions." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema. 13 (4): 12-19. 1984.

Michalczyk, John J.
"Pier Paolo Pasolini: the epical-religious cinema of political sexuality." In: The Italian political filmmakers / John J. Michalczyk. Rutherford: Fairleigh Dickinson University Press, c1986.
Main Stack PN1993.I88.M481 1986
Moffitt PN1993.I88.M48 1986

Pasolini old and new: surveys and studies
Edited by Zymunt G. Baranski. Dublin: Four Courts, 1999.
Main Stack PQ4835.A48 Z818 1999

Pasolini, Pier Paolo
The letters of Pier Paolo Pasolini / edited by Nico Naldini ; translated by Stuart Hood. London: Quartet Books, 1992-
Main Stack PQ4835.A48 Z4813 1992; v.1 (c1992)

Pier Paolo Pasolini: contemporary perspectives
Edited by Patrick Rumble and Bart Testa. Toronto ; Buffalo: University of Toronto Press, c1994.
Main Stack PQ4835.A48 Z8626 1994
Contents: Pier Paolo, my cousin... / N. Naldini -- Pasolini's 'Roman Novels,' the Italian Communist Party, and the events of 1956 / J. Francese -- Pasolini, Zanzotto, and the question of pedagogy / J. Stone -- Pasolini's 'Second Victory' / W. Siti -- Free/indirect/discourse / P. Fabbri -- The body of Pasolini's semiotics: a sequel twenty years later / G. Bruno -- Toward a materialist linguistics: Pasolini's theory of language / S. Mariniello -- A genial analytic mind: 'Film' and 'Cinema' in Pier Paolo Pasolini's film theory / D. Ward -- Manifesto for a new theatre / P.P. Pasolini -- Accattone and Mamma Roma / P.A. Sitney -- To film a Gospel...and Advent of the theoretical stranger / B. Testa -- Stylistic contamination in the Trilogia della vita: the case of Il fiore delle mille e una notte / P. Rumble -- Sal?o: the refusal to consume / N. Greene -- Tetis / P.P. Pasolini.

Radcliff-Umstead, Douglas.
"The Hero as Victim: Violence in Pasolini's Films." In: Film Conference of Kent State University (1st: 1983) Holding the vision: essays on film : proceedings of the First Annual Film Conference of Kent State University, April 21, 1983 / edited by Douglas Radcliff-Umstead. [Kent, Ohio]: International Film Society, Kent State University, c1983.
Main Stack PN1995.F4577 1983 NRLF #: C 2 843 031

Rappaport, Mark.
"The Autobiography of Pier Paolo Pasolini." Film Quarterly. 56 (1): 2-8. 2002 Fall.

Ricciardi, Gabriella.
Autobiographical representation in Pier Paolo Pasolini and Audre LordeTubingen: Stauffenburg, c2001.
Main Stack PQ4834 Z6424 2001

Rhodes, John David
Stupendous, miserable city : Pasolini's Rome Minneapolis : University of Minnesota Press, c2007.
MAIN: PN1998.3.P367 R54 2007
Table of contents http://www.loc.gov/catdir/toc/ecip076/2006100453.html

Rohdie, Sam
The passion of Pier Paolo Pasolini / Sam Rohdie. Bloomingt: Indiana University Press ; London: BFI Publishing, 1995.
Main Stack NX552.Z9 P3736 1995

Rumble, Patrick Allen
Allegories of contamination: Pier Paolo Pasolini's Trilogy of life / Patrick Rumble. Toronto ; Buffalo: University of Toronto Press, c1996.
Main Stack PN1998.3.P367 R85 1996

Ryan-Scheutz, Colleen.
Sex, the self, and the sacred : women in the cinema of Pier Paolo Pasolini Toronto : University of Toronto Press, c2007.
MAIN: PN1998.3.P367 R93 2007

Sangalli, Yuri M.
"Space and Time in the Cinema of Pier Paolo Pasolini's Roman Trilogy." Nemla Italian Studies. 23-24: 61-84. 1999-2000.

Schwartz, Barth David.
Pasolini requiem / Barth David Schwartz. Edition 1st ed. Place/Publisher New York: Pantheon Books,
Main Stack PN1998.3.P367.S39 1992

Siciliano, Enzo
Pasolini: a biography / by Enzo Siciliano ; translated from the Italian by John Shepley. 1st American ed. New York: Random House, c1982.
Main Stack PQ4835.A48.Z8813 1982

Snyder, Stephen.
Pier Paolo Pasolini / Stephen Snyder. Series: Twayne's theatrical arts series Boston: Twayne, 1980
Main Stack PN1998.A3 .P287
Moffitt PN1998.A3 .P287

Stack, Oswald.
Pasolini on Pasolini: interviews with Oswald Stack. Lon