Italian Cinema: A Bibliography of Books and Articles in the UC Berkeley Libraries

General Works (Books, articles, videos)

English Language
Italian (and other languages)

Works on individual film makers (includes reviews and articles on individual films)

Listing of Italian cinema titles held by MRC

Books, Articles & Videos

English Language

Armes, Roy.
Patterns of realism. South Brunswick, A. S. Barnes [1971]
Main Stack PN1993.5.I88.A8

Ben-Ghiat, Ruth.
The formation of a Fascist culture: the Realist movement in Italy, 1930-43Thesis (Ph. D.)--Brandeis University, 1991. / by Ruth Ben-Ghiat.
NX180.F3 B46 1990a

Ben-Ghiat, Ruth.
"The Italian Cinema and the Italian Working Class." International Labor and Working Class History. Apr 2001. Vol. 59; p. 36 (16 pages)
UC users only

Ben-Ghiat, Ruth.
"Unmaking the fascist man: masculinity, film and the transition from dictatorship." Journal of Modern Italian Studies, Sep2005, Vol. 10 Issue 3, p336-365, 30p
UC users only

Bertellini, Giorgio
"Introduction: Early Italian cinema." Film History. 2000. Vol. 12, Iss. 3; p. 235 (5 pages)
UC users only

Bertozzi, Marco
"Visualising the past: the Italian city in early cinema." Film History Vol XII nr 3 (2000); p 322-329
UC users only
Explores the representation of Italian cities from the Lumière's travel films to Italian actualities and fiction films.

Bondanella, Peter E.
Italian cinema: from neorealism to the present / Peter Bondanella New York: F. Ungar Pub. Co., c1983 Ungar Film Library
Main Stack PN1993.5.I88.B58 1983
Moffitt PN1993.5.I88.B58 1983

Bondanella, Peter E.
Italian cinema: from neorealism to the present / Peter Bondanella. 3rd ed. New York: Continuum, 2001.
Main Stack PN1993.5.I88.B58 2001

Bono, Francesco .
"Cinecitta." (Italian motion picture studios) UNESCO Courier July-August 1995 p68(2) (905 words)
"Some of the most memorable films of the 1950s and 1960s were made at the Cinecitta film studio in Rome, Italy. The studio, which had been the center of Italian cinema since its inauguration in 1937, is again becoming popular among filmmakers such as Sergio Leone and Bernardo Bertolucci." [Expanded Academic Index]

Brancato, Sergio.
"Italy in the digital age: Cinema as new technology." Modern Italy, Nov2001, Vol. 6 Issue 2, p215-222, 8p
UC users only

Brunetta, Gian Piero.
"Italian cinema and the hard road towards democracy, 1945." Historical Journal of Film, Radio, and Television. Aug 1995. Vol. 15, Iss. 3; p. 343

Bruno, Giuliana.
Streetwalking on a ruined map: cultural theory and the city films of Elvira Notari / Giuliana Bruno. Princeton, N.J.: Princeton University Press, c1993.
Main Stack PN1998.3.N68.B7 1993

Buss, Robin.
Italian films / Robin Buss. New York: Holmes & Meier, 1989.
Moffitt PN1993.5.I88.B87 1989

Cahiers du cinéma, the 1950s: neo-realism, Hollywood, new wave /
Edited by Jim Hillier. Cambridge, Mass.: Harvard University Press, 1985.
Main Stack PN1995.C29 1985
Moffitt PN1995.C29 1985

Cardullo, Bert.
What is neorealism?: a critical English-language bibliography of Italian neorealism. Lanham: University Press of America, c1991.
Moffitt PN1993.5.I88 C35 1991

Celli, Carlo
A new guide to Italian cinema New York : Palgrave Macmillan, 2007.
Full-text of this book available online via ebrary [UC Berkeley users only]
Main: PN1993.5.I88 C45 2007
Table of contents http://www.loc.gov/catdir/enhancements/fy0659/2006044820-t.html

The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004
Preface /Introduction /Gian Piero Brunetta --Giorgio Bertellini --Marcia Landy --Ruth Ben-Ghiat --Giuliana Muscio --Carlo Celli --Antonio C. Vitti --C. Paul Sellors --Peter Bondanella --Ellen Nerenberg --Anne Hudson --Patrick Rumble --John David Rhodes --Vito Zagarrio --Geoffrey Nowell-Smith --Jacqueline Reich --Peter Brunette --Christopher Frayling --T. Jefferson Kline --Millicent Marcus --Maurizio Viano --Gaetana Marrone --Giorgio Bertellini --NoaGli uomini che mascalzoni =Men, what rascals! /1860: I mille di Garibaldi =1860: the thousand of Garibaldi /Paisà = Paisan /Ladri di Biciclette =The bicycle thieves /Riso amaro =Bitter rice /Senso /La strada /La ciociara =Two women /Rocco E I suoi fratelli =Rocco and his brothers /Accattone /Divorzio all'Italiana =Divorce Italian style /Il posto =The job /Salvatore Giuliano /Otto E mezzo =8 1/2 /Deserto rosso =Red desert /Per un pugno di dollari =A fistful of dollars /Il conformista =The conformist /Film d'amore e d'anarchia =Love and anarchy /La grande abbuffata =La grande bouffe /Il portiere di notte =The night porter /Profondo rosso =Deep red /Padre padrone =Father and master / Steimatsky --Laura Rascaroli --Aine O'Healy.Caro diaro =Dear diary /Lamerica /

Cinematic Rome
Edited by Richard Wrigley. Leicester : Troubador, 2008.

Main (Gardner) Stacks PN1995.67.I8 C554 2008

Dall'Asta, Monica.
"Italian serial films and 'international popular culture." Film History. 2000. Vol. 12, Iss. 3; p. 300 (8 pages)
UC users only

Dalle Vacche, Angela,
The body in the mirror: shapes of history in Italian cinema / Angela Dalle Vacche. Princeton, N.J.: Princeton University Press, c1992.
Main Stack PN1993.5.I88.D35 1992
Moffitt PN1993.5.I88.D35 1992

Dalle Vacche, Angela,
Diva : defiance and passion in early Italian cinema / by Angela Dalle Vacche ; foreword by Guy Maddin Austin : University of Texas Press, 2008.
Main (Gardner) Stacks PN1995.9.W6 D35 2008
Table of contents

Duncan, Derek
" Italy's Postcolonial Cinema and its Histories of Representation." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 195-211(17)
UC users only

Ferrari, Fabio.
Myths and counter-myths of America : new world allegories in 20th century Italian literature and film / Fabio Ferrari. Ravenna : Longo, 2008.
Main (Gardner) Stacks PQ4054.A5

Fifty years of Italian cinema
Edited by Luigi Malerba and Carmine Siniscalco. American ed. / Herman G. Weinberg ; forward by Richard Griffith. Rome: C. Bestetti, 1954.
Main Stack TR848 .C52

Forgacs, David.
"Italian Film Studies: Personal Histories Doing Film History Today." Italian Studies, Oct2008, Vol. 63 Issue 2, p255-261, 7p
UC users only

Galt, Rosalind
"The Dialectic of Landscape in Italian Popular Melodrama." In: The new European cinema : redrawing the map New York : Columbia University Press, c2006.
MAIN: PN1993.5.E8 G35 2006
PFA : PN1993.5.E8 G35 2006
Table of contents http://www.loc.gov/catdir/toc/ecip063/2005033601.html

Gennari, Daniela Treveri.
"A Regional Charm: Italian Comedy versus Hollywood." October, Spring2009, Issue 128, p51-68, 18p
UC users only
In this article the author discusses several aspects of the impact of American motion pictures on the Italian film industry in the period immediately following World War Two. The author notes that the influx of American-made films on the Italian market did not depress the Italian film industry as has been thought in the past. In addition the author examines the regional comedies that were made as a response to U.S. products, concentrating on films by a number of directors including Luigi Comencini, Dino Risi and Vittorio De Sica.

Gieri, Manuela.
Contemporary Italian filmmaking: strategies of subversion ; Pirandello, Fellini, Scola, and the directors of the new generation. Toronto: University of Toronto Press, c1995.
Main Stack PN1993.5.I88.G437 1995

Gundle, Stephen
"From neorealism to Luci Rosse: cinema, politics, society, 1945-85." In: Culture and conflict in postwar Italy: essays on mass and popular culture / edited by Zygmunt G. Baranski and Robert Lumley. New York: St. Martin Press, 1990.
Main Stack DG451.C86 1990

Gundle, Stephen
" Stars and Stardom in the Study of Italian Cinema." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 261-266(6)
UC users only

Günsberg, Maggie.
Italian cinema: gender and genre Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2005.
Main: PN1995.9.S47 G86 2005; View current status of this item Electronic Location(s):
Contributor biographical information http://www.loc.gov/catdir/bios/hol051/2004050020.html
Publisher description http://www.loc.gov/catdir/description/hol053/2004050020.html
Table of contents http://www.loc.gov/catdir/toc/hol052/2004050020.html

Hay, James
Popular film culture in fascist Italy: the passing of the Rex / James Hay. Bloomington, IN: Indiana University Press, c1987.
Main Stack PN1993.5.I88.H391 1987

Hillman, Roger
"The Penumbra of Neorealism." Forum for Modern Language Studies. Apr 2002. Vol. 38, Iss. 2; p. 221
UC users only

Hipkins, Danielle
"Why Italian Film Studies Needs A Second Take on Gender." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 213-234(22)
UC users only

Humber, Reagan
"Steele Vision: The Face of Italian Cult Cinema." Bright Lights Film Journal, vol. 54, pp. (no pagination), November 2006
UC users only

Italian neorealism and global cinema
Edited by Laura E. Ruberto & Kristi M. Wilson.Detroit : Wayne State University Press, c2007.
MAIN: PN1993.5.I88 I76 2007
Table of contents only http://www.loc.gov/catdir/toc/ecip072/2006033483.html

Italy and America, 1943-1944: Italian, American and Italian American experiences of the Liberation of the Italian Mezzogiorno.
Napoli: La città del sole, 1997
Main Stack D763.I82 S685 1997

Italy: fiction, theater, poetry, film since 1950
Special editor, Robert S. Dombroski. Middle Village, NY: Council on National Literatures ; [Smyrna, DE]: distributed by Griffon House Publications, 2000
Main Stack PQ4087 .I82 2000

Kuhn, Bernhard
Die Oper im italienischen Film Essen : Verlag Die Blaue Eule, c2005.
MUSIC: PN1995.9.O64 K85 2005

Landy, Marcia
Fascism in film: the Italian commercial cinema, 1931-1943 / Marcia Landy. Princeton, N.J.: Princeton University Press, c1986.
Main Stack PN1993.5.I88.L361 1986

Landy, Marcia
The folklore of consensus: theatricality in the Italian cinema, 1930-1943 / Marcia Landy. Albany: State University of New York Press, c1998. SUNY series, cultural studies in cinema/video.
Main Stack PN1993.5.I88.L37 1998

Landy, Marcia
Italian film / Marcia Landy. Cambridge ; New York: Cambridge University Press, 2000. National film traditions.
Main Stack PN1993.5.I88.L38 2000

Landy, Marcia.
"Opera, Cinema, Melodrama, and History: The Case of Italian Cinema." European Legacy 1996 1(4): 1597-1601 5p

Landy, Marcia.
Stardom, Italian style : screen performance and personality in Italian cinema / Marcia Landy. Bloomington : Indiana University Press, c2008.
Main (Gardner) Stacks PN1993.5.I88 L39 2008

Laviosa, Flavia.
"Francesca Archibugi's cinema: Minimalism or micro-history? Italian cinema: 1980s - 2000s." Studies in European Cinema, Jul2007, Vol. 4 Issue 2, p99-110, 12p
UC users only

Lawton, Ben.
"Italian Neorealism: A Mirror Construction of Reality." Film Criticism, Winter78, Vol. 3 Issue 2, p8-23, 16p
UC users only

Leprohon, Pierre.
The Italian cinema. Translated from the French by Roger Greaves and Oliver Stallybrass. New York, Praeger [1972]
Main Stack PN1993.5.I88 L4131 1972b
Moffitt PN1993.5.I88.L413 [another edition]

Liehm, Mira.
Passion and defiance: film in Italy from 1942 to the present / Mira Liehm. Berkeley: University of California Press, c1984.
Main Stack PN1993.5.I88.L44 1984
Moffitt PN1993.5.I88.L44 1984

Marchiori, Elisabetta; Goisis, Pietro Roberto; De Mari, Massimo.
"From Father to Son: Adolescence and the Relationship Between Fathers and Sons Seen Through Two Generations of Italian Film Directors." Psychoanalytic Inquiry, Sep/Oct2007, Vol. 27 Issue 4, p487-503, 17p
UC users only

Luzzi, Joseph
"Romantic Allegory, Postwar Film, and the Question of Italy." Modern Language Quarterly: A Journal of Literary History, vol. 68, no. 1, pp. 53-85, March 2007

Marchiori, Elisabetta; Goisis, Pietro Roberto; De Mari, Massimo.
"From Father to Son: Adolescence and the Relationship Between Fathers and Sons Seen Through Two Generations of Italian Film Directors." Psychoanalytic Inquiry, Sep/Oct2007, Vol. 27 Issue 4, p487-503, 17p
UC users only

Marcus, Millicent Joy.
After Fellini: national cinema in the postmodern age / Millicent Marcus. Baltimore: Johns Hopkins University Press, 2002.
Main Stack PN1993.5.I88.M283 2002

Marcus, Millicent
"A Coming-Of-Age-Story: Some Thoughts on the Rise of Italian Film Studies in the United States." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 266-269(4)
UC users only

Marcus, Millicent Joy.
Filmmaking by the book: Italian cinema and literary adaptation / Millicent Marcus. Baltimore: Johns Hopkins University Press, c1993.
Main Stack PN1993.5.I88.M278 1993

Marcus, Millicent Joy.
Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

Marcus, Millicent Joy. Italian film in the shadow of Auschwitz / Millicent Marcus. Toronto ; Buffalo : University of Toronto Press, c2007.
Main (Gardner) Stacks PN1995.9.H53 M37 2007

McCallum, Lawrence.
Italian horror films of the 1960s: a critical catalog of 62 chillers / by Lawrence McCallum. Jefferson, NC: McFarland & Co., 1998.
Main Stack PN1995.9.H6.M3249 1998

Melanco, Mirco.
"Italian cinema, since 1945: The social costs of industrialization." Historical Journal of Film, Radio, and Television. Aug 1995. Vol. 15, Iss. 3; pg. 387
UC users only

Michalczyk, John J.
The Italian political filmmakers / John J. Michalczyk. Rutherford: Fairleigh Dickinson University Press, c1986.
Main Stack PN1993.I88.M481 1986
Moffitt PN1993.I88.M48 1986

Neorealismo [Video]
Director Carlo Lizzani discusses the origin and development of the Neorealism movement in Italian cinema between 1943 and 1945, with particular reference to the films Ossessione, Roma Citta Aperta, Paisa, and Sciuscia. 1989. 60 min. Video/C 5880

Neorealismo fino al 1950 = Neorealism until 1950 [Video]
Carlo Lizzani explores the development of Italian Neorealism in post-World War II cinema, when films such as La Terra Trema and Ladri di Biciclette brought prestige to the industry even as it struggled with financial problems. 1990. 60 min. Video/C 5879

Neorealismo fino al 1954 = Neorealism until 1954[Video]
Carlo Lizzani discusses the crisis and decadence of Neorealism in Italian cinema. In the fifties Rossellini seeks new ways to depict social change taking place in Italy, while upcoming talents such as Fellini, Antonioni and Lizzani use neorealism as a starting point for their personal probings. Meanwhile Neorealism spreads, giving rise to new schools of filmmaking in England, South America and France. 1989. 6 60 min. Video/C 5878

Nowell-Smith, Geoffrey.
The companion to Italian cinema / Geoffrey Nowell-Smith with James Hay and Gianni Volpi. London: Cassell: British Film Institute, c1996.
Main Stack PN1993.5.I88.N685 1996

O'Healy, Áine
"Difficult Discussions: Notes on Teaching Italian Cinema in North America." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 269-274(6)
UC users only

O'Leary, Alan.
"After Brunetta: Italian Cinema Studies in Italy, 2000 to 2007." Italian Studies, Oct2008, Vol. 63 Issue 2, p279-307, 29p
UC users only

O'Rawe, Catherine
"'I padri e i maestri': Genre, Auteurs, and Absences in Italian Film Studies." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 173-194(22)
UC users only

Pacifici, Sergio J.
"Notes toward a Definition of Neorealism." Yale French Studies, No. 17, Art of the Cinema. (1956), pp. 44-53.
UC users only

Perry, Ted.
"Roots of Neorealism." Film Criticism, Winter78, Vol. 3 Issue 2, p3-7, 5p
UC users only

Piazza, Roberta
"The Representation of Conflict in the Discourse of Italian Melodrama." Journal of Pragmatics: An Interdisciplinary Journal of Language Studies, vol. 38, no. 12, pp. 2087-2104, December 2006

Pilz, Kerstin.
"Dreams Of Escape: Variations Of The Italian Road Movie." Romance Studies, Jul2003, Vol. 21 Issue 2, p139-152, 14p
UC users only

Restivo, Angelo
The cinema of economic miracles: visuality and modernization in the Italian art film / Angelo Restivo. Durham, NC: Duke University Press, 2002. Post-contemporary interventions.
Main Stack PN1998.3.P367.R47 2002

Rhodes, John David.
"'Our beautiful and glorious art lives': The rhetoric of nationalism in early Italian film periodicals." Film History, 2000, Vol. 12 Issue 3, p308-321, 14p
UC users only

Queer Italia: same-sex desire in Italian literature and film
[edited by] Gary P. Cestaro. New York: Palgrave Macmillan, 2004.
Full-text of this book available online via ebrary [UC Berkeley users only]
Main: PQ4028 .Q44 2004
Table of contents http://www.loc.gov/catdir/toc/hol041/2003066427.html

Re-viewing fascism: Italian cinema, 1922-1943
Edited by Jacqueline Reich and Piero Garofalo. Bloomington: Indiana University Press, c2002.
Main: PN1993.5.I88 R45 2002
Contents: Mussolini at the movies: fascism, film, and culture / Jacqueline Reich -- Dubbing l'arte muta: poetic layerings around Italian cinema's transition to sound / Giorgio Bertellini -- Intimations of neo-realism in the fascist Ventennio / ennio di Nolfo -- Placing cinema, fascism, and the nation in a diagram of Italian modernity / James Hay -- Sex in the cinema: regulation and transgression in Italian films, 1930-1943 / David Forgacs -- Luchino Visconti's (homosexual) Ossessione / William Van Watson -- Ways of looking in black and white: female spectatorship and the miscege-national body in Sotto la croce del sud / Robin Pickering-Iazzi -- Seeing red: the Soviet influence on Italian cinema in the thirties / Piero Garofalo -- Theatricality and impersonation: the politics of style in the cinema of the Italian fascist era / Marcia Landy -- Shopping for autarchy: fascism and reproductive fantasy in Mario Camerini's Grandi magazzini / Barbara Spackman -- The last film festival: the Venice Biennale goes to war / Marla Stone -- Film stars and society in fascist Italy / Stephen Gundle.

Ricci, Steven.
Cinema and fascism : Italian film and society, 1922-1943 Berkeley : University of California Press, c2008.
MAIN: PN1993.5.I88 R48 2008
Table of contents http://www.loc.gov/catdir/toc/ecip0717/2007019336.html

Ricci, Steven.
"The Italian Redemption of Cinema: Neorealism from Bazin to Godard." Romanic Review, vol. 97, no. 3-4, pp. 483-500, May 2006
UC users only

Risorgimento in modern Italian culture: revisiting the nineteenth-century past in history, narrative, and cinema
Edited by Norma Bouchard. Madison: Fairleigh Dickinson University Press, c2005.
Main: PQ4086 .R54 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0422/2004019810.html

Rocchio, Vincent F. (Vincent Floyd), 1960-
Cinema of anxiety: a psychoanalysis of Italian neorealism / Vincent F. Rocchio. 1st ed. Austin: University of Texas Press, 1999.
Main Stack PN1993.5.I88.R59 1999

Rohdie, Sam
"A note on Italian Cinema during Fascism." Screen 1981 22: 87-90
UC users only

Rondi, Gian Luigi
Italian cinema today, 1952-1965. Foreword by Bosley Crowther. [1st ed.] New York, Hill and Wang [1966]
Main Stack PN1993.5.I88.R65

Servetti, Lorenza, Cigognetti, Luisa.
"'On her side': female images in Italian cinema and the popular press, 1945-1955." Historical Journal of Film, Radio, and Television. Oct 1996. Vol. 16, Iss. 4; p. 555 (9 pages)
UC users only

Shiel, Mark.
Italian neorealism : rebuilding the cinematic city London ; New York : Wallflower Press, 2006.
Main: PN1993.5.I88 S55 2006
MOFF: PN1993.5.I88 S55 2006

Sitney, P. Adams.
Vital crises in Italian cinema: iconography, stylistics, politics / P. Adams Sitney. 1st ed. Austin: University of Texas Press, c1995.
Main Stack PN1993.5.I88.S57 1995

Sklar, Robert.
"Italian Neorealism." In: Film: an international history of the medium / Robert Sklar. 2nd ed. Upper Saddle River, N.J.: Prentice Hall ; New York: H.N. Abrams, 2002.
Main Stack PN1993.5.A1.S55 2002

Sorlin, Pierre.
Italian national cinema, 1896-1996 / Pierre Sorlin. London ; New York: Routledge, 1996. National cinemas series
Full-text of this book available online via ebrary [UC Berkeley users only]
Main Stack PN1993.5.I88.S66 1996

Sorlin, Pierre.
"Italian cinema's rebirth, 1937-1943: A paradox of Fascism." Historical Journal of Film, Radio, and Television. 1994. Vol. 14, Iss. 1; p. 3

Springtime in Italy: a reader on neo-realism
Edited and translated by David Overbey Hamden, Conn.: Archon Books, 1979, c1978
Moffitt PN1995.9.R3.S6 1978

Steimatsky, Noa.
Italian locations : reinhabiting the past in postwar cinema / Noa Steimatsky. Minneapolis : University of Minnesota Press, c2008.
Main (Gardner) Stacks PN1993.5.I88 S687 2008

Sutton, Paul.
"The bambino negato or missing child of contemporary Italian cinema." Screen, Sep2005, Vol. 46 Issue 3, p353-359, 7p

Testa, Carlo.
Italian cinema and modern European literatures, 1945-2000 / Carlo Testa. Westport, Conn.: Praeger, 2002.
Full-text of this book available online via ebrary [UC Berkeley users only]
Main Stack PN1993.5.I88.T44 2002

Testa, Carlo.
Masters of two arts: re-creation of European literatures in Italian cinema / Carlo Testa. Toronto ; Buffalo: University of Toronto Press, c2002. Toronto Italian studies.
Main Stack PN1993.5.I88.T45 2002

Treveri Gennari, Daniela.
Post-war Italian cinema : American intervention, Vatican interests / Daniela Treveri Gennari. New York : Routledge, 2009.
Main (Gardner) Stacks PN1993.5.I88 T77 2009

Unitalia Film.
Italian directors. [Roma, 1958]
Main Stack PN1998.A2.U55 NRLF #: $B 184 913

Unitalia Film.
Unitalia Film presents the Italian production 1958. [Rome, 1959] The Italian production 1958.
Main Stack PN1997.8.U65 NRLF #: B 3 569 753

Verdone, Mario
"A Discussion of Neo-Realism." Screen 1973 14: 69-78
UC users only

Verdone, Mario
"The Italian Cinema from Its Beginnings to Today." Hollywood Quarterly, Vol. 5, No. 3. (Spring, 1951), pp. 270-281.
UC users only

Vighi, Fabio
Traumatic encounters in Italian film : locating the cinematic unconscious Bristol, U.K. ; Portland, Or. : Intellect, c2006.
Full-text of this book available online via ebrary [UC Berkeley users only]
Main: PN1995.9.P783 V54 2006

Vighi, Fabio
"Fractious Companions: Psychoanalysis, Italian Cinema, and Sexual Difference." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 235-254(20)
UC users only

Vitti, Antonio.
Giuseppe De Santis and postwar Italian cinema / Antonio Vitti. Toronto: University of Toronto Press,c1996.
Main Stack PN1998.3.D46 V5 1996

Wagstaff, Christopher
"The place of Neorealism in Italian cinema from 1945 to 1954." / In: The Culture of reconstruction: European literature, thought and film, 1945-50
Edited by Nicholas Hewitt. Basingstoke: Macmillan, 1989. Warwick studies in the European humanities.
Main Stack PN771.C85 1989b

Wagstaff, Christopher
Italian neorealist cinema : an aesthetic approach / Christopher Wagstaff. Toronto : University of Toronto Press, c2007.
Main (Gardner) Stacks PN1993.5.I88 W34 2007

Welle, John P.
"Film on paper: Early Italian cinema literature, 1907-1920." Film History. 2000. Vol. 12, Iss. 3; p. 288 (12 pages)
UC users only

Witcombe, R. T. (Rick Trader)
The new Italian cinema: studies in dance and despair / R.T. Witcombe. New York: Oxford University Press, 1982.
Main Stack PN1993.5 I88 W57

Women in Italian cinema = La donna nel cinema italiano
Edited by/a cura di Tonia Caterina Riviello. Roma: Libreria Croce, 2001. Universitas (Rome, Italy)
Main Stack PN1995.9.W6.W65 2001

Wood, Mary P.
Italian cinema Oxford ; New York: Berg, 2005.
Main: PN1993.5.I88 W66 2005; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip059/2005007952.html

Wood, Mary P.
"Italian Film Studies: A Two-Pronged Approach." Italian Studies, Volume 63, Number 2, Autumn 2008 pp. 274-277(4)
UC users only

Zambenedetti, Alberto.
"Multiculturalism in New Italian Cinema." Studies in European Cinema, 2006, Vol. 3 Issue 2, p105-116, 12p
UC users only

Zarate, Martha.
"Trends and issues of Italian cinema: A mini-history and bibliography." Collection Building. 2001. Vol. 20, Iss. 4; p. 176 (28 pages)

Italian and Other Languages

Aiello, Gianni.
Il cinema italiano negli ultimi vent'anni. Cremona, G. Mangiarotti; distribuzione editrice "Padus" [1964 or 5] Collana "Lineamenti culturali," 7
Main Stack PN1993.5.I88.A5 NRLF #: B 3 567 585

Alpini, Stefano.
Sociologia del cinema : i mutamenti della società italiana attraverso opere cinematografiche / Stefano Alpini Pisa : ETS, c2008.
Main (Gardner) Stacks PN1995.9.S6 A543 2008

Antologia di Bianco e nero, 1937-1943. Roma: Edizioni di Bianco e nero, 1964.
Main Stack PN1994.B5 Library has: v.1-5 ([1964]) Shelved at NRLF: v.1-2, v.3:1-3:2, v.4-5

Appassionatamente: il melo nel cinema italiano
A cura di Orio Caldiron e Stefano Della Casa. 1. ed. Torino: Lindau, c1999. Universale (Lindau (Firm)) ; 4.
Main Stack PN1993.5.I88.A742 1999

Argentieri, Mino.
Il cinema in guerra: arte, comunicazione e propaganda in Italia, 1940-1944 / Mino Argentieri. 1. ed. Roma: Editori riuniti, 1998. (Series: Nuova biblioteca di cultura)
Main Stack PN1993.5.I88.A745 1998

Argentieri, Mino.
Il cinema italiano dal dopoguerra a oggi / Mino Argentieri. Roma: Editori Riuniti, 1998. Libri di base + ; 11 Collane raccolte
Main Stack PN1993.5.I88.A74 1998 Shelved: Main Desk Collection

Argentieri, Mino.
Storia del cinema italiano / Mino Argentieri. Roma : Newton Compton, 2006.
Main (Gardner) Stacks PN1993.5.I88 A74 2006

Aristarco, Guido.
Il cinema fascista: il prima e il dopo / Guido Aristarco. Bari: Dedalo, c1996. (Series: Ombra sonora ; 32)
Main Stack PN1993.5.I88.A75 1996

Aristarco, Guido.
Miti e realta nel cinema italiano [microform]. [1. ed.]. [Milano] Il Saggiatore [1961] Specchio del mondo ; 13. Specchio del mondo. Sezione arte ; n. 3.
News/Micro MICROFILM.16742.PN

Aristarco, Guido.
Miti e realta nel cinema italiano [1. ed. Milano] Il Saggiatore [1961] (Series: Specchio del mondo ; 13. Sezione arte ; n. 3)
Main Stack PN1993.5.I88.A78

L'attimo neorealista : fotogrammi 1941- 1952 : mostra fotografica, Centro sperimentale di cinematografia, 22 ottobre-22 novembre. Roma : Centro sperimentale di cinematografia : Fondazione ente dello spettacolo, c2007.
Main (Gardner) Stacks PN1993.5.I88 A827 2007

Attraverso lo schermo : cinema e cultura cattolica in Italia
A cura di Ruggero Eugeni e Dario E. Vigan`o. Roma : EDS, c2006.
MAIN: PN1995.5 .A85 2006
Table of contents http://www.loc.gov/catdir/toc/casalini05/07050070.pdf

Attolini, Giovanni
Il cinema italiano degli anni sessanta: tra commedia e impegno / Giovanni Attolini. 1. ed. Bari: Edizioni B.A. Graphis, 1998. Strumenti. Serie verde ; 10.
Main Stack PN1993.5.I88.A88 1998

Attolini, Giovanni
Sotto il segno del film: (cinema italiano 1968/76) / Vito Attolini. Bari: M. Adda, [1983]
Main Stack PN1993.5.I88.A84 1983 NRLF #: B 3 567 586

L'avventurosa storia del cinema italiano
a cura di Franca Faldini, Goffredo Fofi. Bologna : Cineteca Bologna, 2009-
Main (Gardner) Stacks PN1993.5.I88 A9 2009 v.1

L'Avventurosa storia del cinema italiano raccontata dai suoi protagonisti, 1935-1959
A cura di Franca Faldini e... 1. ed. Milano: Feltrinelli, 1979.
Main Stack PN1993.5.I88.A9

Azzaro, Graziella.
Roma, città del cinema e della Festa / Graziella Azzaro. Roma : Tiellemedia, c2007.
Main (Gardner) Stacks PN1993.43.R66 A98 2007

Baroni, Maurizio
Platea in piedi: manifesti e dati statistici del cinema italiano = Platea in piedi: the Italian cinema-- posters and statistical data / Maurizio Baroni ; testi a cura di/texts by Valerio M. Manfredi. [Bologna]: Bolelli Editore, c1995-c1999.
Main Stack PN1995.9.P5.B36 1995 Library has: 0-2 (c1995-c1999)

Bartalesi-Graf, Daniela.
L'Italia dal fascismo ad oggi : percorsi paralleli nella storia, nella letteratura e nel cinema / Daniela Bartalesi-Graf. Perugia : Guerra, 2005.
Main (Gardner) Stacks DG451 .B37 2005

Bellezza, Dario.
Morte di Pasolini Milano: A. Mondadori, 1981.
Main: PQ4835.A48 Z62 1981

Bernardini, Aldo
Cinema muto italiano / Aldo Bernardini Roma ; Bari: Laterza, 1980 Grandi opere.
Main Stack PN1993.5.I88.B35 Library has: 1-3 (1980-1982)

Bianconero rosso e verde: immagini del cinema italiano, 1910-1980
A cura di Davide Turconi e Antonio Sacchi ; introduzione di Renzo Renzi ; saggi di Aldo Bernardini ... [et al.] ; bibliografia a cura di Giuliana Callegari e Nuccio Lodato. Firenze: La Casa Usher, c1983. (Series: I "Quadri" Usher)
Main Stack PN1993.5.I88.B395 1983

Bisoni, Claudio.
Gli anni affollati : la cultura cinematografica italiana (1970-79) / Claudio Bisoni. Roma : Carocci, 2009.
Main (Gardner) Stacks PN1993.5.I88 B43 2009

Blasetti, Alessandro
Cinema italiano oggi. Pref. di Cesare Zavattini; testi a cura di Alessandro Blasetti e Gian Luigi Rondi. Roma, C. Bestetti [1950]
Main Stack PN1993.5.I88.B5

Blasetti, Alessandro
Scritti sul cinema / Alessandro Blasetti ; a cura di Adriano Apra. 1a ed. Venezia: Marsilio, 1982. (Series: Saggi ; n. 99) Saggi cinema ; 13
Main Stack PN1993.5.I88.B492 1982 NRLF #: B 3 567 587

Bolzoni, Francesco.
Le stagioni del cinema: trenta registi si raccontano / Francesco Bolzoni, Mario Foglietti. Soveria Mannelli, Catanzaro: Rubbettino, c2000.
Main Stack PN1993.5.I88.B565 2000

Borde, Raymond.
Le nouveau cinema italien [par] Raymond Borde et Andre Bouissy, avec la collaboration de Mario Borillo. [Lyon, SERDOC, 1963]. Premier plan, no. 30
Main Stack PN1993.P7 no.30 NRLF #: B 3 567 938

Bovani, Renato.
Il Lumière di Pisa : cento anni di cinema a Palazzo Agostini / Renato Bovani, Rosalia Del Porro. Ospedaletto, Pisa : Felici, c2004.
Main (Gardner) Stacks

Bragaglia, Cristina.
Il piacere del racconto: narrativa italiana e cinema, 1895-1990 / Cristina Bragaglia. 1. ed. Firenze [Italy]: Nuova Italia, 1993. Biblioteca di cultura (Nuova Italia editrice) ; 186
Main Stack PN1993.5.I88.B73 1993

Brunetta, Gian Piero.
Cent'anni di cinema italiano / Gian Piero Brunetta. 2. ed. Roma: Laterza, c1991. Storia e memoria (Rome, Italy)
Main Stack PN1993.5.I88.B68 1991b

Brunetta, Gian Piero.
Il cinema italiano contemporaneo : da "La dolce vita" a "Centochiodi" / Gian Piero Brunetta. Roma : Laterza, 2007.
Main (Gardner) Stacks PN1993.5.I88 B685 2007

Brunetta, Gian Piero.
Il cinema italiano di regime : da "La canzone dell'amore" a "Ossessione," 1929-1945 / Gian Piero Bru Brunetta, Gian Piero. Roma : Laterza, 2009.
Main (Gardner) Stacks PN1993.5.I88 B6853 2009

Brunetta, Gian Piero.
Cinema italiano tra le due guerre: fascismo e politica cinematografica / Gian Piero Brunetta Milano: Mursia, [1975] Problemi di storia dello spettacolo ; 1
Main Stack PN1993.5.I88.B69

Brunetta, Gian Piero.
Il cinema muto italiano : de "La presa di Roma" a "Sole" 1905-1929 / Gian Piero Brunetta. Roma ; Bari : Laterza, 2008.
Main (Gardner) Stacks PN1993.5.I88 B6925 2008

Brunetta, Gian Piero.
Il cinema neorealista italiano : da "Roma città aperta" a "I soliti ignoti" / Gian Piero Brunetta. Roma : Laterza, 2009.
Main (Gardner) Stacks PN1993.5.I88 B692 2009

Brunetta, Gian Piero.
Identikit del cinema italiano oggi: 453 storie / Gian Piero Brunetta. 1. ed. Venezia: Marsilio, 2000. Grilli Marsilio ; n. 70.
Main Stack PN1993.5.I88.B695 2000

Brunetta, Gian Piero.
Gli intellettuali italiani e il cinema Milano : B. Mondadori, c2004.
MAIN: PN1993.5.I88 B72 2004

Brunetta, Gian Piero.
Intellettuali, cinema e propaganda tra le due guerre Bologna, R. Patron, 1972. Aspetti dello spettacolo nel '900, 1
Main Stack PN1993.5.I88.B71

Brunetta, Gian Piero.
Spari nel buio: la letteratura contro il cinema italiano: settant'anni di stroncature memorabili / Gian Piero Brunett... Venezia: Marsilio, c1994. Specchi.
Main Stack PN1993.5.I88.B778 1994

Brunetta, Gian Piero.
Storia del cinema italiano / Gian Piero Brunetta. Ed. rivista e accresciuta. Roma: Editori riuniti, 1993, c1979-1982. Testi (Editori riuniti) ; 54-57.
Main Stack PN1993.5.I88.B75 1993 Library has: v.1-4 (1993, c1979-1982)

Brunetta, Gian Piero.
Storia del cinema italiano,1895-1945 / Gian Piero Brunetta. 1. ed. Roma: Editori riuniti, 1979.
Main Stack PN1993.5.I88.B75

Bruschini, Antonio.
Guida al cinema giallo-thrilling made in Italy / Antonio Bruschini e Antonio Tentori. Roma : Profondo rosso, c2010.
Main (Gardner) Stacks PN1995.9.S87 B78 2010

Buache, Freddy.
Le cinema italien, 1945-1990 / Freddy Buache. Lausanne, Suisse: Editions L'Age d'homme, c1992. Histoire et theorie du cinema.
Main Stack PN1993.5.I88.B798 1992

Buccheri, Vincenzo
Stile cines : studi sul cinema italiano 1930-1934 / Vincenzo Buccheri. Milano : V&P strumenti, c2004.
Main (Gardner) Stacks PN1999.C558 .B83 2004

Cacucci, Francesco
Il prete nel cinema italiano dal 1945 a oggi / Francesco Cacucci. Bari: Ecumenica editrice, c1980.
Main Stack PN1995.9.C52.C3 1980 NRLF #: B 3 567 655

Caldiron, Orio.
Il paradosso dell'autore / Orio Caldiron. Roma: Bulzoni, 1999. Cinema/studio ; 26
Main Stack PN1993.5.I88.C23 1999

Calendoli, Giovanni.
Materiali per una storia del cinema italiano. Parma, Maccari, 1967. Collana di studi teatrali, cinematografici e televisivi
Main Stack PN1993.5.I88.C24 NRLF #: B 3 567 588

Cammarota, M. D. (M. Domenico)
Il cinema di Toto: la prima guida critica a tutti i film del principe della risata / Domenico Cammarota. Roma: Fanucci, [1986], c1985. (Series: Futuro saggi ; 11)
Main Stack PN2688.D4.C361 1986

Campari, Roberto.
Il fantasma del bello: iconologia del cinema italiano / Roberto Campari. 1. ed. Venezia: Marsilio, 1994. (Series: Saggi Marsilio) Cinema (Venice, Italy)
Main Stack PN1993.5.I88.C246 1994

Campari, Roberto.
Il racconto del film: generi personaggi immagini / Roberto Campari. 1. ed. Rome: Laterza, 1983. Biblioteca di cultura moderna (Editori Laterza) ; 876.
Main Stack PN1993.5.A1.C271 1983 NRLF #: B 3 567 955

Canziani, Alfonso.
Gli anni del neorealismo / Alfonso Canziani 1. ed Firenze: La nuova Italia, 1977 Biblioteca di cultura (Nuova Italia editrice) ; 142.
Main Stack PN1993.5.I88.C25

Canziani, Alfonso.
La stagione neorealista / [di] Alfonso Canziani, Cristina Bragaglia. Bologna: Cooperativa libraria universitaria editrice, 1976.
Main Stack PN1993.5.I88C26

Capitani coraggiosi: produttori italiani 1945-1975 = Captains courageous: Italian producers 1945-1975
Un'idea di Moritz de Hadeln ; a cura di Stefano Della Casa ; con la collaborazione di Luca Pallanch, Lorenzo Ventavoli. Milano: Electa, 2003.
Main: PN1993.5.I88 C26 2003

Caprara, Valerio.
Il buono, il brutto, il cattivo : storie della storia del cinema italiano / Valerio Caprara. Napoli : Guida, 2006.
Main (Gardner) Stacks PN1993.5.I88 C267 2006

Capussotti, Enrica.
Giovent`u perduta: gli anni cinquanta dei giovani e del cinema in Italia Firenze: Giunti, c2004.
Main: PN1995.9.Y6 C36 2004

Cavalcarono insieme : 50 anni di cinema e televisione in Italia
A cura di Alberto Barbera. Milano : Electa, 2004.
Main Stack PN1992.63.C38 2004
Table of Contents

Cavallo, Pietro
Viva l'Italia : storia, cinema e identità nazionale (1932-1962) / Pietro Cavallo. Napoli : Liguori, 2009.
Main (Gardner) Stacks PN1993.5.I88 C38 2009

C'era una volta il '48 : la grande stagione del cinema italiano
a cura di Orio Caldiron. Roma : Fondazione cinema per Roma : Minimum fax, 2008.
Main (Gardner) Stacks PN1993.5.I88 C473 2008

Cincinelli, Sonia
I migranti nel cinema italiano / Sonia Cincinelli. Roma (Italia) : Kappa, c2009.
Main (Gardner) Stacks PN1995.9.E44 C56 2009

Il cinema dei pittori : le arti e il cinema italiano, 1940-1980
a cura di Francesco Galluzzi. Milano : Skira, 2007.
Main (Gardner) Stacks PN1995.25 .C48 2007

Il cinema del riflusso: film e cineasti italiani degli anni '70
A cura di Lino Micciche. 1. ed. Venezia: Marsilio, 1997. (Series: Saggi Marsilio) Nuovocinema/Pesaro ; n. 50
Main Stack PN1993.5.I88.C5617 1997

Il cinema della transizione: scenari italiani degli anni Novanta
A cura di Vito Zagarrio. Venezia: Marsilio, 2000. (Series: Saggi Marsilio) Nuovocinema/Pesaro ; n. 53
Main Stack PN1993.5.I8.C55 2000

Il cinema impresa possibile : la sfida del cambiamento per il cinema italiano
a cura di Severino S Milano : Egea, c2002.
Main (Gardner) Stacks PN1993.5.I88 C5646 2002

Cinema italiano e Resistenza. Zurigo (CH): Federazione colonie libere italiane in Svizzera, [1995] Quaderni di agora ; 7 (aprile 1995)
Main Stack PN1993.5.I88.C5674 1995

Cinema italiano sotto il fascismo / a cura di Riccardo Redi. 1. ed. Venezia: Marsilio, 1979. (Series: Ricerche ; 38) Nuovocinema/Pesaro ; 1
Main Stack PN1993.5.I88.C5675

Le Cinema italien: de la Prise de Rome (1905) a Rome ville ouverte (1945)
sous la direction d'Aldo Bernardini et Jean ... Paris: Centre Georges Pompidou, 1986. Cinema/pluriel.
Main Stack PN1993.5.I88.C5691 1986

Il cinema muto italiano: i film degli anni venti
[a cura di] Vittorio Martinelli ; [direttore responsabile, Vittor... Torino: Nuova ERI, Centro Sperimentale di Cinematografia, c1996.
Main Stack PN1993.5.I88.C57 1996 Library has: [1-3] (c1996)

Il cinema secondo Sonego
a cura di Tatti Sanguineti. [Ancona]: Transeuropa ; [Bologna]: Cineteca, c2000.
Main Stack PQ4879.O439.Z624 2000

Cinema vivo : quindici registi a confronto
a cura di Emiliano Morreale, Dario Zonta ; incontri con [Roma] : Edizioni dell'Asino, c2009.
Main (Gardner) Stacks

Cinquanta anni di cinema italiano.
[Cura redazionale di Luigi Malerba e Carmine Siniscalco. 2. ed. Roma, C. Bestetti, 1954]
Main Stack TR848.C5 1954 NRLF #: $C 23 342

Coleccion "Cinema"
Il lungo viaggio del cinema italiano; antologia di Cinema, 1936-1943, a cura di Orio Caldiron. Padova, Marsilio [c1965] Biblioteca di cultura cinematografica, 5
Main Stack PN1993.5.I88.C5 NRLF #: B 3 567 623

Comencini, Luigi
Al cinema con cuore : 1938-1974 / Luigi Comencini ; a cura di Adriano Aprà. Milano : Il castoro, 2007.
Main (Gardner) Stacks PN1998.3.C669 A5 2007

Convegno di studio Per una storia del cinema e dell'immaginario cinematografico, la bottega veneziana (2005 : Venice, Italy)
a cura di Gian Piero Brunetta.
Venezia : Istituto veneto di scienze lettere ed arti, c2007.

Cori, Alessandra
Il cinema di Romolo Marcellini : tra storia e società dal colonialismo agli anni '70 / Alessandra Cori. Recco - Genova : Le mani, c2009.
Main (Gardner) Stacks PN1998.3.M33884 C67 2009

Dal fascismo alla Resistenza: un percorso dialettico attraverso il cinema
[autori: Pier Paolo Brescacin, Alvaro Carmine ... Vittorio Veneto (Treviso): H. Kellerman, 1996. Anni per la liberta ; 1 Quaderni vittoriesi ; 1
Main Stack D743.23.D35 1996

De Benedictis, Maurizio.
Da Paisà a Salò e oltre : parabole del grande cinema italiano / Maurizio De Benedictis. Roma : Avagliano, c2010.
Main (Gardner) Stacks PN1993.5.I88 D377 2010

De Gaetano, Roberto.
Il corpo e la maschera: il grottesco nel cinema italiano / Roberto De Gaetano. Roma: Bulzoni, c1999. Cinema/studio ; 29
Main Stack PN1993.5.I88.D38 1999

Della Casa, Stefano.
Storia e storie del cinema popolare italiano / Stefano Della Casa. Torino: La stampa, c2001.
Main Stack PN1993.5.I88.D396 2001

Della Fornace, Luciana.
Il labirinto cinematografico: esame del rapporto tra cinema e pubblico attraverso lo studio comparato dei generi e dei generi e dei filoni cinematografici con particolare rigardo alla cinematografia italiana dal 1965 al 1982 / Luciana Della Fornace. Roma: Bulzoni, c1983. Biblioteca cinematografica ; 12.
Main Stack PN1993.5.I88.D431 1983

Di Giammatteo, Fernaldo
Lo sguardo inquieto: storia del cinema italiano: 1940-1990 / Fernaldo Di Giammatteo. Scandicci (Firenze): La nuova Italia, c1994.
Main Stack PN1993.5.I88.D45 1994

Di Marino, Bruno.
Sguardo inconscio azione: cinema sperimentale e underground a Roma: 1965-1975 / Bruno Di Marino. Roma: Lithos, 1999. Saggi (Lithos editrice) ; 17.
Main Stack PN1993.5.I82.R654 1999

Dizionario del cinema italiano.
Edizione a cura di Enrico Lancia, Roberto Poppi. Roma: Gremese, c2003-
Main: PN1993.5.I88 D58 2003

Faldini, Franca.
Il cinema italiano d'oggi, 1970-1984: raccontato dai suoi protagonisti / Franca Faldini e Goffredo Fofi. 1a ed. Milano: A. Mondadori, 1984. (Series: Ingrandimenti)
Main Stack PN1993.5.I88.F33 1984

Faldini, Franca.
Sguardo inconscio azione: cinema sperimentale e underground a Il cinema italiano d'oggi, 1970-1984: raccontato dai suoi protagonisti / Franca Faldini e Goffredo Fofi. 1a ed. Milano: A. Mondadori, 1984. (Series: Ingrandimenti)
Main Stack PN1993.5.I88.F33 1984

Fanara, Giulia.
Pensare il neorealismo: percorsi attraverso il neorealismo cinematografico italiano / Giulia Fanara. Roma: Lithos, c2000. Panfocus (Lithos editrice) ; 2.
Main Stack PN1995.9.R3.F36 2000

Fantoni Minnella, Maurizio
Non riconciliati : politica e società nel cinema italiano dal neorealismo a oggi Torino : UTET libreria, c2004.
MAIN: PN1993.5.I88 F346 2004

I Favolosi anni Trenta: cinema italiano, 1929-1944
A cura degli Incontri internazionali d'arte, Roma ; coordinamento di ... Milano: Electa, [1979] (Series: Saggi)
Main Stack PN1993.5.I88.F37

Ferrara, Giuseppe
Il nuovo cinema italiano, con pref. di Carlo Battisti. Firenze, F. Le Monnier, 1957.
Main Stack PN1993.5.I88.F44 NRLF #: B 3 567 591

Ferrero, Adelio
Da Roma, città aperta, alla Ragazza di Bube; il cinema italiano dal '45 a oggi [di] Adelio Ferrero [e] Guido Oldrini. Milano, Edizioni di Cinema nuovo, [1965] Cinema (Edizioni di Cinema nuovo) ; 4
Main Stack PN1993.C37 v.5

Figure della modernità nel cinema italiano, 1900-1940
a cura di Raffaele De Berti, Massimo Locate Convegno sulla "Modernità controversa" del cinema italiano (2005 : Milan, Italy) Pisa : ETS, c2008.
Main (Gardner) Stacks PN1993.5.I88 C6185 2005

Fofi, Goffredo.
Il cinema italiano: servi e padroni. Milano, Feltrinelli, 1971. Nuovi testi, 29
Main Stack PN1993.5.I88.F61 NRLF #: $D 62 821

Frank, Nino.
Cinema dell'arte. Paris, A. Bonne [1951] (Series: Collection Encyclopedie du cinema)
Main Stack PN1993.5.I88.F7 NRLF #: $D 62 822

Gatta, Francesca
Il teatro al cinema : la lingua dello schermo negli anni Trenta / Francesca Gatta. Bologna : Bononia university press, 2008.
Main (Gardner) Stacks PN1995.25 .G38 2008

Giacci, Vittorio.
Ciné : neorealismo, nouvelle vague, coproduzioni : cento anni di collaborazione cinematografica italo-francese = néo-réalisme, nouvelle vague, coproductions : cent ans de collaboration cinématographique franco-italienne / Vittorio Giacci. Roma : C. Gallucci : Cinecittà Holding, 2008.
Main (Gardner) Stacks PN1993.5.I88 G523 2008

Giacovelli, Enrico
Un secolo di cinema italiano, 1900-1999 Torino : Lindau, c2002.
MAIN: PN1993.5.I88 G53 2002

Gili, Jean A.
L'Italie de Mussolini et son cinema / Jean A. Gili. Paris: H. Veyrier, c1985.
Main Stack PN1993.5.I88.G551 1985

Giordano, Federico
Giro d'orizzonte : cinema, spazi, paesaggi, da Sud e oltre / Federico Giordano. Reggio Calabria : Città del sole, 2010.
Main (Gardner) Stacks PN1993.5.I88 G56 2010

Giraldi, Massimo.
Il doppiaggio nel cinema italiano / Massimo Giraldi, Enrico Lancia, Fabio Melelli ; prefazione di Claudio G. Fava. Roma : Bulzoni, 2010.
Main (Gardner) Stacks

Gremigni, Elena.
Pubblico e popolarità : il ruolo del cinema nella società italiana, 1956-1967 / Elena Gremigni. Firenze : Le lettere, c2009.
Main (Gardner) Stacks PN1993.5.I88 G637 2009

Guerra, Michele
Gli ultimi fuochi : cinema italiano e mondo contadino dal fascismo agli anni Settanta / Michele Guer Roma : Bulzoni, c2010.
Main (Gardner) Stacks PN1995.9.C58 G84 2010

Guidorizzi, Ernesto.
La narrativa italiana e il cinema. Firenze, Sansoni, 1973. Scuola aperta. Lettere italiane
Main Stack PN1995.3.G81 NRLF #: $B 184 599

Hjort, Oystein.
Neorealismen i Italien. Kobenhavn, Det danske filmmuseum, 1968.
Main Stack PN1993.5.I88.H5 1968 NRLF #: B 2 842 453

Italiana : il cinema attraversa l'Italia = the cinema explores Italy
A cura di Stefano Della Casa. Milano : Electa ; [Rome] : Cinecitt`a Holding, c2005.
MAIN: PN1993.5.I88 I82 2005

Kezich, Tullio.
Il dolce cinema / Tullio Kezich. Milano: V. Bompiani, 1978. (Series: Tascabili Bompiani ; 133)
Main Stack PN1997.D563.K49 1978 NRLF #: $D 16 756

Kezich, Tullio.
Primavera a Cinecitta: il cinema italiano alla svolta della "Dolce vita" / Tullio Kezich ; con interventi di Michelangelo Antonioni ... [et al.]. Roma: Bulzoni, 1999. Cinema/studio ; 30
Main Stack PN1993.5.I88.K49 1999

La Magna, Franco.
Lo schermo trema : letteratura siciliana e cinema / Franco La Magna. Reggio Calabria : Città del sole, [2010]
Main (Gardner) Stacks PN1993.5.I88 L32 2010

Liguori, Guido.
Ciak, si gioca!: calcio e tifo nel cinema italiano / Guido Liguori, Antonio Smargiasse. Milano: Baldini & Castoldi, 2000. Saggi/cinema (Baldini & Castoldi) ; 13.
Main Stack PN1995.9.S59.L549 2000

Lizzani, Carlo.
Il cinema italiano dalle origini agli anni ottanta / Carlo Lizzani. 3. ed. Roma: Editori riuniti, [1992] (Series: Testi ; 38)
Main Stack PN1993.5.I88.L52 1992

Lizzani, Carlo.
Storia del cinema italiano, 1895-1961. Firenze, Parenti [1961] Saggi di cultura moderna (Parenti (Firm)) ; v. 38
Main Stack PN1993.5.I88.L53 NRLF #: B 3 567 619

Luci sulla città : Treviso e il cinema
a cura di Giancarlo Beltrame, Livio Fantina e Paolo Romano Venezia : Marsilio, 2005.
Main (Gardner) Stacks PN1993.5.I88 L828 2005

Luginbuhl, Sirio.
Lo schermo negato: cronache del cinema italiano non ufficiale / Sirio Luginbhl, Raffaele Perrotta. Milano: Shakespeare and company, c1976.
Main Stack PN1995.9.E96.L84 1976 NRLF #: B 3 165 927

Lupi, Gordiano.
Fernando Di Leo e il suo cinema nero e perverso / Gordiano Lupi. Roma : Profondo rosso, 2009.
Main (Gardner) Stacks PN1998.3.D55 L86 2009

Marino, Natalia.
L'Ovra a Cinecittà : polizia politica e spie in camicia nera / Natalia Marino e Emanuele Valerio Ma Torino : Bollati Boringhieri, 2005.
Main (Gardner) Stacks PN1993.5.I88 M284 2005

Mariotti, Franco
Il mito di Cinecitta / Mariotti & Siniscalchi ; introduzione di Giovanni Grazzini. 1. ed. Milano: Arnoldo Mondadori, 1995.
Main Stack PN1999.C5.M37 1995

Martinelli, Vittorio.
Il cinema muto italiano: i film del dopoguerra / Vittorio Martinelli. Torino: Nuova ERA-Edizioni RAI, c1995.
Main Stack PN1993.5.I88.C571 1995 Library has: [1-2] (c1995)

Masi, Stefano.
Stelle d'Italia: piccole e grandi dive del cinema italiano dal 1930 al 1945 / Stefano Masi, Enrico Lancia. Roma: Gremese, c1994.
Main Stack PN1993.5.I88.M29 1994

La meccanica dell'umano : la rappresentazione della tecnologia nel cinema italiano dagli anni Trenta
Roma : Carocci, c2005.
Main (Gardner) Stacks PN1993.5.I88 M34 2005

La meglio giovent`u : nuovo cinema italiano 2000-2006
a cura di Vito Zagarrio.
a cura di Leonardo Gandini. Edition 1. ed. Venezia : Marsilio, 2006.
Main Stack PN1993.5.I88.M33 2006
Table of contents http://www.loc.gov/catdir/toc/casalini04/06271510.pdf

Melanco, Mirco.
Paesaggi, passaggi e passioni : come il cinema italiano ha raccontato le trasformazioni del paesaggio dal sonoro ad oggi : con un saggio sul cinema napoletano sonoro / Mirco Melanco ; introduzione di Gian Piero Brunetta. Napoli : Liguori, c2005.
Main (Gardner) Stacks PN1993.5.I88 M35 2005

Micalizzi, Paolo
Là dove scende il fiume : il Po e il cinema / Paolo Micalizzi. Firenze : Aska, 2010.
Main (Gardner) Stacks PN1993.5.I88 M456 2010

Miccichè, Lino.
Il Neorealismo cinematografico italiano Venezia: Marsilio, 1975 (Series: Saggi ; 41)
Main Stack XB7.8056 NRLF #: B 3 162 329

Miccichè, Lino.
Patrie visioni : saggi sul cinema italiano 1930-1980 / Lino Miccichè; a cura di Giorgio Tinazzi e Venezia : Marsilio, 2010.
Main (Gardner) Stacks PN1993.5.I88 M475 2010

Morandini, Laura.
Il Morandini 2008 : dizionario dei film / Laura Morandini, Luisa Morandini, Morando Morandini ; con la collaborazione di Mauro Tassi. Bologna : Zanichelli, 2007.
Main (Gardner) Stacks PN1998 .M62 2007

Morreale, Emiliano
Cinema d'autore degli anni Sessanta / Emiliano Morreale. Milano : Il castoro, 2011.
Main (Gardner) Stacks PN1993.5.I88 M658 2011

Morreale, Emiliano
L'invenzione della nostalgia : il vintage nel cinema italiano e dintorni / Emiliano Morreale. Morreale, Emiliano, 1973- Roma : Donzelli, c2009.
Main (Gardner) Stacks PN1995.9.N67 M67 2009

La morte della bellezza: letteratura e teatro nel cinema di Giuseppe Patroni Griffi
E cura di Fabio Francione. Alessandria: Falsopiano, 2001. Falsopiano iniziative.
Main Stack PQ4876.A9.Z77 2001

Moscariello, Angelo.
Il mai nato : l'inesistenza storica del cinema in Italia / Angelo Moscariello. Piombino (LI) [i.e. Livorno, Italy] : Il foglio, 2011.
Main (Gardner) Stacks PN1993.5.I88 M664 2010

Moscati, Massimo.
Western all'italiana / Massimo Moscati. Milano: Pan, 1978. (Series: Il Timone ; 81-82)
Main Stack PN1995.9.W4.M6 1978 NRLF #: $D 15 590

Mosconi, Elena.
L'impressione del film : contributi per una storia culturale del cinema italiano, 1895- 1945 / Elena Mosconi. Milano : V&P, 2006.
Main (Gardner) Stacks PN1993.5.I88 M665 2006

Natalini, Fabrizio.
Ennio Flaiano : una vita nel cinema Roma : Artemide, c2005.
MAIN: PQ4815.L23 Z76 2005
Table of contents http://www.loc.gov/catdir/toc/casalini02/05642604.pdf

Noto, Paolo
Il cinema neorealista / Paolo Noto, Francesco Pitassio. Bologna : Archetipo libri, 2010.
Main (Gardner) Stacks PN1993.5.I88 N67 2010

Nuovo cinema (1965-2005) : scritti in onore di Lino Miccichè / a cura di Bruno Torri. Venezia : Marsilio, 2005.
Main (Gardner) Stacks PN1993.5.I88 N85 2005

Pagina pellicola pratica: studi sul cinema italiano
a cura di Rebecca West. Ravenna: Longo, 2000. (Series: Il portico ; 120)
Main Stack PN1993.5.I8.P335 2000

Palazzini, Marco.
Milano films, 1896-2009 : la città raccontata dal cinema / Marco Palazzini, Mauro Raimondi ; prefazione di Tonino Curagi e Anna Gorio.Genova : Fratelli Frilli, c2009.
Main (Gardner) Stacks PN1995.9.M527 P35 2009

Pavesi, Maria.
La traduzione filmica : aspetti del parlato doppiato dall'inglese all'italiano Roma : Carocci, 2005.
Main: PE1498.2.I73 T73 2005; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/casalini03/06060595.pdf

Pergolari, Andrea.
La fabbrica del riso : 32 sceneggiatori raccontano la storia del cinema italiano / Andrea Pergolari Roma : Un mondo a parte, 2004.
Main (Gardner) Stacks PN1993.5.I88 P47 2004

Perrella, G. (Giuseppe)
L'economico e il semiotico del cinema italiano / Giuseppe Perrella con la collaborazione di G. Alagia ... [et al.]. Roma: Theorema, c1981.
Main Stack PN1993.5.I88.P47 1981

Perrino, Folco.
Cinecittà : tra sogno e realtà / Folco Perrino, Ernesto Zucconi. Novara : Teatro Coccia, c2007.
Main (Gardner) Stacks PN1999.C5 P47 2007

Pesce, Alberto.
Cinema italiano Settanta : due tempi, due misure / Alberto Pesce. Brescia : Liberedizioni, 2009.
Main (Gardner) Stacks PN1993.5.I88 P3985 2009

Pesce, Sara.
Memoria e immaginario : la Seconda Guerra mondiale nel cinema italiano / Sara Pesce. Recco, Genova : Le mani, c2008. Memoria e immaginario : la Seconda Guerra mondiale nel cinema italiano / Sara Pesce.Main (Gardner) Stacks D743.23 .P47 2008

Pillitteri, Paolo.
Il cinema tra fiction e falsita: simili, facsimili, quasi falsi, falsi storici: quando il cinema all'italiana... 1. ed. Milano: Spirali, 2000. (Series: L'alingua ; 157)
Main Stack PN1993.5.I88.P495 2000

Piredda, Maria Francesca.
Film & mission : per una storia del cinema missionario Roma : Ente dello spettacolo, [2005]
MAIN: PN1993.5.I88 P52 2005

Pirro, Ugo.
Celluloide / Ugo Pirro. 1a ed. Milano: Rizzoli, 1983. Miti d'oggi.
Main Stack PN1993.5.I88.P531 1983 NRLF #: B 3 567 592 d.

Pirro, Ugo.
Il cinema della nostra vita / Ugo Pirro. Torino: Lindau, 2001. Comete (Turin, Italy)
Main Stack PQ4876.I7.Z463 2001

Pirro, Ugo.
Soltanto un nome nei titoli di testa: i felici anni Sessanta del cinema italiano / Ugo Pirro. Torino: Einaudi, c1998. Einaudi tascabili ; 582. Einaudi tascabili. Letteratura.
Main Stack PN1993.5.I88.P57 1998

Postler, Vicky.
De Gaumont Italia `a arte : la politique culturelle francaise en Europe Paris : Connaissances et savoirs, c2005.
Main: PN1993.5.I88 P65 2005

Puglia : passeggiate nei film
a cura di Angela Bianca Saponari ; introduzione di Carmela Ferrandes Bari : Progedit, 2010.
Main (Gardner) Stacks PN1993.5.I88 P84 2010

Raffaelli, Sergio.
L'italiano nel cinema muto Firenze: F. Cesati, c2003.
Main: PN1993.5.I88 R33 2003

Redi, Riccardo.
Cinema muto italiano: 1896-1930 / Riccardo Redi. Torino: Fondazione scuola nazionale di cinema, 1999. Biblioteca di Bianco & nero. Saggistica ; n. 2
Main Stack PN1995.75.R435 1999

Redi, Riccardo.
La Cines : storia di una casa di produzione italiana / Riccardo Redi ; [presentazione di Maurizio Pouchain]. Bologna : P. E. Persiani, 2009.
Main (Gardner) Stacks PN1999.C55 R43 2009

Redi, Riccardo.
Ti parlero -- d'amor: cinema italiano fra muto e sonoro / Riccardo Redi. Torino: Edizioni Rai Radiotelevisione italiana, c1986. TV cinema.
Main Stack PN1993.5.I88.R43 1986

Renzi, Renzo.
La bella stagione: scontri e incontri negli anni d'oro del cinema italiano / Renzo Renzi. Roma: Bulzoni, 2001. Cinema/studio ; 36
Main Stack PN1993.5.I8.R459 2001

Reteuna, Dario
Cinema di carta: storia fotografica del cinema italiano / Dario Reteuna ; introduzione di Dario Argento. 1a ed. Alessandria: Falsopiano, 2000. Falsopiano life size ; 3
Main Stack PN1993.5.I88.R484 2000

Ripensare il neorealismo : cinema, letteratura, mondo
A cura di Antonio Vitti. Pesaro : Metauro, c2008.
Main (Gardner) Stacks PN1995.9.R3 R57 2008

Rondolino, Gianni.
Dizionario del cinema italiano 1945-1969. Torino, G. Einaudi, 1969. Piccola biblioteca Einaudi, 128
Main Stack PN1998.A2.R64 1969 NRLF #: B 2 852 958

Rossi, Fabio.
Lingua italiana e cinema / Fabio Rossi. Roma : Carocci, 2007.
Main (Gardner) Stacks PN1993.5.I88 R675 2007

Rossitti, Marco
Il film a episodi in Italia tra gli anni Cinquanta e Settanta Bologna : Hybris, c2005.
MAIN: PN1993.5.I88 R68 2005
Table of contents http://www.loc.gov/catdir/toc/casalini02/05648386.pdf

Savio, Francesco.
Cinecitta anni Trenta: parlano 116 protagonisti dell secondo cinema italiano (1930-1943) / Francesco Savio ; a cura di Tullio Kezich. Roma: Bulzoni, 1979. Studi cinematografici ; 6-8
Main Stack PN1993.5.I88.S26 Library has: v. 1-3 (1979) Shelved at NRLF: v. 1-3

Schermi di guerra: cinema italiano 1939-1945
A cura di Mino Argentieri. Roma: Bulzoni Editore, c1995. Cinema/studio ; 7
Main Stack PN1993.5.I88.S34 1995

Schermi opachi: il cinema italiano degli anni '80
A cura di Lino Micciche. Venezia: Marsilio, 1998. (Series: Saggi Marsilio) Nuovocinema/Pesaro ; n. 51
Main Stack PN1993.5.I88.S29 1998

Scotto d'Ardino, Laurent.
La revue Cinema et le neo-realisme italien: autonomisation d'un champ esthetique / Laurent Scotto d'Ardino. Saint-Denis: Presses universitaires de Vincennes, 1999. Culture et societe (Saint-Denis, France)
Main Stack PN1993.5.I88.S35 1999

Sesti, Mario.
Nuovo cinema Italiano: gli autori, i film, le idee / Mario Sesti. 2. ed. Roma-Napoli: Theoria, c1994. Geografie (Rome, Italy) ; 24
Main Stack PN1993.5.I88.S48 1994

Shiel, Mark.
Italian neorealism : rebuilding the cinematic city London ; New York : Wallflower Press, 2006.
MAIN: PN1993.5.I88 S55 2006
MOFF: PN1993.5.I88 S55 2006

Sinergie narrative : cinema e letteratura nell'Italia contemporanea / a cura di Guido Bonsaver, Martin McLaughlin, Franca Pellegrini. Firenze : F. Cesati, [2008]
Main (Gardner) Stacks PN1993.5.I88 S56 2008

Sorlin, Pierre.
Gli italiani al cinema : immaginario e identità sociale di una nazione / Pierre Sorlin ; prefazione di Gian Piero Brunetta. [Mantua, Italy] : Tre lune, 2009.
Main (Gardner) Stacks PN1993.5.I88 S663 2009

Lo spazio del reale nel cinema italiano contemporaneo
a cura di Riccardo Guerrini, Giacomo Taglian Recco, Genova : Le mani, c2009.
Main (Gardner) Stacks PN1995.9.R3 S58 2009

Lo Spettacolo.
Busto Arsizio: Bramante, 1987. Storia sociale e culturale d'Italia ; v. 3
Main Stack DG441.S775 1987 v.3

Spinazzola, Vittorio.
Cinema e pubblico: lo spettacolo filmico in Italia 1945-1965 / Vittorio Spinazzola. Roma: Bulzoni, c1985. Biblioteca cinematografica ; 20.
Main Stack PN1993.5.I88.S681 1985

Spionaggio, avventura, eroi moderni : tutti i film italiani dal 1930 a oggi
a cura di Enrico Lanci Roma : Gremese, c2005.
Main (Gardner) Stacks PN1993.5.I88 S685 2005

Storia del cinema italiano
Scuola nazionale di cinema ; comitato scientifico dell'opera, Lino Micciche ... [et al.]. Marsilio : Edizioni di Bianco & nero, 2001.
Main Stack PN1993.5.I88.S69 2001 Library has: v. 5, 7-11, 13 (2001-2006)

Strauven, Wanda.
Marinetti e il cinema : tra attrazione e sperimentazione Pasian di Prato (UD) Italia [i.e. Udine, Italy] : Campanotto, c2006.
MAIN: PN1998.3 .M33885 2006
Table of contents http://www.loc.gov/catdir/toc/casalini05/06544533.pdf

Tagliabue, Carlo. Saranno famosi? : atto secondo : gli esordi del cinema italiano nella stagione 2004- 2005 / Carlo Tagliabue Torino : Lindau, 2005.
Main (Gardner) Stacks

Teorie e prassi del cinema in Italia. 1950-1970
[Milano] G. Mazzotta [1972] Cinema e informazione visiva, 2
Main Stack PN1993.5.I88.T41

Torri, Bruno.
Cinema italiano: dalla realta alle metafore. Palermo, Palumbo, 1973. Problemi-libri, 9
Main Stack PN1993.5.I88.T581

Tracce : documenti del cinema muto torinese nelle collezioni del Museo nazionale del cinema
a cura di Carla Ceresa, Donata Pesenti Campagnoni. [Torino] : Museo nazionale del cinema, Fondazione Maria Adriana Prolo ; Milano : Il castoro, 2007.
Main (Gardner) Stacks PN1995.75 .T73 2007

Uva, Christian.
Schermi di piombo : il terrorismo nel cinema italiano Soveria Mannelli : Rubbettino, c2007.
MAIN: PN1995.9.T46 U93 2007
Table of contents http://www.loc.gov/catdir/toc/casalini06/06543510.pdf

Ventura, Carlo
Trieste nel cinema, 1895-2006 / Carlo Ventura. Trieste : Istituto giuliano di storia cultura e documentazione, 2008.
Main (Gardner) Stacks PN1993.5.I88 V385 2008

Ventura, Francesco
Il cinema e il caso Moro / Francesco Ventura ; prefazione di Maria Fida Moro. Recco, Genova : Le mani, c2008.
Main (Gardner) Stacks PN1995.9.M625 V46 2008

Vighi, Fabio
Traumatic encounters in Italian film : locating the cinematic unconscious Bristol, U.K. ; Portland, Or. : Intellect, c2006.
MAIN: PN1995.9.P783 V54 2006

Vigni, Franco
Oltre la porta : San Gimignano e il cinema / Franco Vigni. Firenze : Aska, c2008.
Main (Gardner) Stacks PN1993.5.I88 V54 2008

La vita e bella?: il cinema italiano alla fine degli anni Novanta e il suo pubblico
A cura di Monica Repetto, Carlo Tagliabue. Milano: Il castoro, 2000.
Main Stack PN1993.5.I88.V58 2000

Western all'italiana. Firenze: Glittering images, 1998-.
Main Stack PN1995.9.W4.W477 1998 Library has: v.1 (1998)

Women in Italian cinema = La donna nel cinema italiano
Edited by/a cura di Tonia Caterina Riviello Roma : Libreria Croce, 2001.
Main (Gardner) Stacks PN1995.9.W6 W65 2001

Zagarrio, Vito
Cinema e fascismo : film, modelli, immaginari / Vito Zagarrio. Venezia : Marsilio, 2004.
Main (Gardner) Stacks PN1993.5.I88 Z343 2004

Zagarrio, Vito
L'immagine del fascismo : la re-visione del cinema e dei media nel regime / Vito Zagarrio ; prefazio Roma : Bulzoni, c2009.
Main (Gardner) Stacks PN1993.5.I88 Z24 2009

Zagarrio, Vito
Regie : la messa in scena del grande cinema italiano / Vito Zagarrio. Roma : Bulzoni, 2011.
Main (Gardner) Stacks PN1993.5.I88 Z26 2011

Zinni, Maurizio
Fascisti di celluloide : la memoria del ventennio nel cinema italiano, 1945-2000 / Maurizio Zinni. Venezia : Marsilio, 2010.
Main (Gardner) Stacks PN1995.9.F396 Z56 2010

Articles and Books on Individual Directors

Michelangelo Antonioni

See separate Antonioni bibliography

Marco Bellocchio

Bellocchio, Marco
Marco Bellocchio : quadri, il pittore, il cineasta / a cura di Tullio Masoni. Alessandria [Italy] : Falsopiano, c2003.
Main (Gardner) Stacks NC257.B34934 A4 2003

Bernardi, Sandro.
Marco Bellocchio / Sandro Bernardi. Milano : Castoro, 1998.
Main (Gardner) Stacks PN1998.3.B454 B47 1998

Bertuzzi, Laura
Il cinema di Marco Bellocchio / Laura Bertuzzi. Castelsangiovanni (Piacenza) : Pontegobbo, 1996.
Main (Gardner) Stacks PN1998.3.B454 B48 1996

Bolzoni, Francesco.
"Marco Bellocchio." In: Le stagioni del cinema : trenta registi si raccontano / Francesco Bolzoni, Mario Foglietti. Soveria Mannelli, Catanzaro : Rubbettino, c2000.
Main (Gardner) Stacks PN1993.5.I88 B565 2000

Bonsaver, Guido.
"The Great Seducer." Sight & Sound, May2010, Vol. 20 Issue 5, p32-34, 3p
UC users only
The article presents an overview of the successful and profitable film making career of Italian motion picture director Marco Bellocchio. A discussion of the storyline and prevailing themes of several of Bellocchio's films, including "Vincere," "The Religion Hour," and "Good Morning, Night," is presented.

Brook, Clodagh.
"Beyond the Controversy: Marco Bellocchio and Fagiolian Psychoanalysis." Italian Quarterly, Feb2005, Vol. 42 Issue 163/164, p55-66, 12p

Brook, Clodagh.
"The Oneiric in the Cinema of Marco Bellocchio." Italica, vol. 84, no. 2-3, pp. 479-494, 2007 Summer-Autumn
UC users only

Brunette, Peter.
"A conversation with Marco Bellocchio." Film Quarterly, 1989, Vol. 43 Issue 1, p49-56, 8p
UC users only

Castro, Antonio
"Marco Bellocchio." In: Miradas sobre el mundo : veinte conversaciones con cineastas / Antonio Castro. [Cáceres] : Asociación Cinéfila Re Bross, 1999.
Main (Gardner) Stacks PN1994 .C3427 1999

Costa, Antonio.
Marco Bellocchio : I pugni in tasca / Antonio Costa. Torino : Lindau, 2005.
Main (Gardner) Stacks PN1998.3.B454 C67 2005

Foundas, Scott.
"Marco Bellocchio." Cinema Scope, Summer2009, Issue 39, p43-45, 3p
UC users only

Marco Bellocchio
Catalogo ragionato a cura di Paola Malanga. Milano : Olivares, 1998.
Main (Gardner) Stacks PN1998.3.B42 M37 1998
Pacific Film Archive PN1998.3.B425 M37 1998

Marco Bellocchio : il cinema e i film / a cura di Adriano Aprà. Venezia : Marsilio, 2005.
Main (Gardner) Stacks PN1998.3.B454 M38 2005

Nel nome del Padre di Marco Bellocchio
A cura di Goffredo Fofi. Bologna, Cappelli, 1971.
Pacific Film Archive PN1997.I516 N4 1971

Vighi, Fabio.
"On the Real Limits of Self-consciousness: Gazing Back at the Subversive Subject with Marco Bellocchio." Culture, Theory & Critique, Oct2005, Vol. 46 Issue 2, p147-161, 15p
UC users only

Young, Deborah
"Free Radical" Film Comment, Mar/Apr2004, Vol. 40 Issue 2, p38-43, 6p
UC users only

Devil in the Flesh

Stout, Graeme.
"Castrating Antigone: The Cliché of Terror in Marco Bellocchio's Devil in the Flesh." Mosaic: A Journal for the Interdisciplinary Study of Literature, Sep2008, Vol. 41 Issue 3, p185-198, 14p

Fists in the Pocket

Koehler, Robert.
"Fists in the Pocket." Cineaste, Spring2007, Vol. 32 Issue 2, p74-75, 2p
UC users only

Good Morning, Night

Bellocchio, Marco.
"Good morning, night." New Internationalist, Dec2004, Issue 374, p30-31, 2p
UC users only

Combs, Richard.
"Good Morning, Night." Film Comment, Nov/Dec2005, Vol. 41 Issue 6, p73-74, 2p
UC users only

Hoberman, J. The Village Voice 50:45 (9 November 2005-15 November 2005) p. 61
UC users only

O'Leary, Alan
"Italian cinema and the 'anni di piombo.'" Journal of European Studies; Sep2010, Vol. 40 Issue 3, p243-257, 15p
UC users only

L'ora di religione

Maggi, Armando.
"The Monuments to Death: Contemporary Rome in Marco Bellocchio's L'ora di religione (Il sorriso di mia madre)." Annali d'Italianistica, 2010, Vol. 28, p363-374, 12p
UC users only

Vighi, Fabio
"L’ora di religione: gazing backwards with Marco Bellocchio." In: Traumatic encounters in Italian film : locating the cinematic unconscious / by Fabio Vighi. Bristol, U.K. ; Portland, Or. : Intellect, c2006. (Full text available online [UC Berkeley users only]; Print: Main (Gardner) Stacks PN1995.9.P783 V54 2006)

Vincere

Atkinson, Michael.
"Vincere." Cineaste, Spring2011, Vol. 36 Issue 2, p64-65, 2p
UC users only

Beigagha, Mohsen.
Looking for Identity." Film International, Autumn2009/Winter2010, Vol. 15 Issue 3/4, p130-133, 4p
UC users only

Corless, Kieron.
"Vincere" Sight & Sound, Jun2010, Vol. 20 Issue 6, p88-89, 2p
UC users only

Pezzella, Mario m.pezzella@sns.it
"Memories of an Erased Life." Iris: European Journal of Philosophy & Public Debate; Apr2010, Vol. 2 Issue 3, p217-222, 6p
UC users only

Salomon, Nicoletta.
"The Mirror of Power." Iris: European Journal of Philosophy & Public Debate, Apr2010, Vol. 2 Issue 3, p222-227, 6p
UC users only
The article offers information on the complexity of womanhood. It relates the film "Vincere," directed by Marco Bellocchio, wherein it discusses the characteristics of Ida Dalser, who is said to be a strong and martyr woman. It mentions that Dalser provides the identity of man and the mirror of power, which was implied by Dasler's desire to give her whole life. It adds that the film showcases emblems, devoid faces, and images of unconscious, while the background projects futurism and opera.

Sarris, Andrew.
"Heir Apparent." Film Comment; Jan/Feb2010, Vol. 46 Issue 1, p12-12, 1p
UC users only

Senjanovic, Natasha.
"Vincere." Film Journal International, Apr2010, Vol. 113 Issue 4, p130-131, 2p;
UC users only

Stone, Alan A.. Psychiatric Times, Nov2010, Vol. 27 Issue 11, p54-55, 2p

Bernardo Bertolucci

Bertolucci, Bernardo.
Bernardo Bertolucci: interviews / edited by Fabien S. Gerard, T. Jefferson Kline, and Bruce Sklarew. Jackson: University Press of Mississippi, c2000. Conversations with filmmakers series.
Main Stack PN1998.3.B48.A5 2000

Bertolucci, Bernardo.
Bertolucci by Bertolucci / Enzo Ungari with Donald Ranvaud ; translated from the Italian by Donald Ranvaud. London: Plexus, 1987.
Main Stack PN1998.A3.B4891 1987

Bondanella, Peter E.
"Myth and Marx: Pier Paolo Pasolini and Bernardo Bertolucci." In: Italian cinema: from neorealism to the present In: / Peter Bondanella. 3rd ed. New York: Continuum, 2001.
Main Stack PN1993.5.I88.B58 2001

Chow, Lesley
"What the Sound Is Saying: How Music Moves in Bertolucci." Bright Lights, February 2006 | Issue 51

Flanagan, Frances.
"Time, History, and Fascism in Bertolucci's Films." European Legacy, Feb99, Vol. 4 Issue 1, p89, 10p
UC users only

Forgacs, David
"Antonioni: space, place, sexuality." In: Spaces in European cinema
Edited by Myrto Konstantarakos. Exeter, England ; Portland, OR: Intellect, 2000.
Main Stack PN1993.5.E8.S69 2000

In viaggio con Bernardo: il cinema di Bernardo Bertolucci
a cura di Roberto Campari, Maurizio Schiaretti. 1. ed. Venezia: Marsilio, c1994. (Series: Ricerche)
Main Stack PN1998.3.B48.I5 1994

Kline, T. Jefferson (Thomas Jefferson)
Bertolucci's dream loom: a psychoanalytic study of cinema / T. Jefferson Kline. Amherst, MA: University of Massachusetts Press, 1987.
Main Stack PN1998.A3.B4663571 1987

Kolker, Robert Phillip.
Bernardo Bertolucci / Robert Phillip Kolker. London: BFI Publishing, 1985.
Main Stack PN1998.A3.B48944 1985

Kolker, Robert Phillip.
Bernardo Bertolucci / Robert Phillip Kolker. New York: Oxford University Press, 1985.
Main Stack PN1998.A3.B489441 1985

Kuhlbrodt, Dietrich
Bernardo Bertolucci / mit Beitragen von Dietrich Kuhlbrodt, Hans Helmut Prinzler, Karsten Witte. Munchen: C. Hanser Verlag, c1982. Reihe Film ; 24
Main Stack PN1998.A3.B48945 1982

Lapin, David.
"After the Revolution? A Conversation with Bernardo Bertolucci." Literature/Film Quarterly. 12 (1): 22-25. 1984.
UC users only

Loshitzky, Yosefa.
The radical faces of Godard and Bertolucci / Yosefa Loshitzky. Detroit: Wayne State University Press, c1995. Contemporary film and television series.
Main Stack PN1998.3.G63.L67 1995

Matteo, Sante.
"History as a Web of Fictions: Plato, Borges, and Bertolucci." Weber Studies: An Interdisciplinary Humanities Journal. 6 (1): 12-29. 1989 Spring.

La regola delle illusioni: il cinema di Bernardo Bertolucci a cura di Claudio Carabba, Gabriele Rizza, Giovanni Maria Rossi. Firenze: Aida, 2003.
Main: PN1998.3.B48 R44 2003;

Overbey, David
"The Other Bertolucci." Sight and Sound, 48:4 (1979:Autumn) p.239
UC users only

Sklarew, Bruce.
"Returning to My Low-Budget Roots: An Interview with Bernardo Bertolucci." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema. 24 (4): 16-19. 1999.
"Filmmaker Bernardo Bertolucci describes his work on the film "Beseiged," which concerns an African expatriate woman in Rome, whose husband is jailed in Africa for rebellion, and the British pianist with whom she falls in love. Topics include Bertulicci's thoughts on love, his artistic approach to the film, and the freedom of a low film budget." [Expanded Academic Index]

Sklarew, Bruce.
"Bertolucci's Dream Loom. A Psychoanalytic Study of Cinema." (1991). Psychoanalytic Quarterly, 60:691-694

Socci, Stefano.
Bernardo Bertolucci / Stefano Socci. Milano: Il castoro, c1996. Castoro cinema ; 174
Main Stack PN1998.3.B48.S6 1996 NRLF #: B 4 167 805

Tirard, Laurent
"Revisionists. Woody Allen. Bernardo Bertolucci. Martin Scorsese. Wim Wenders." In: Moviemakers' master class : private lessons from the world's foremost directors / Laurent Tirard. 1st ed. New York : Faber and Faber, 2002.
Main Stack PN1995.9.P7.T495 2002
Moffitt PN1995.9.P7.T495 2002

Tonetti, Claretta.
Bernardo Bertolucci: the cinema of ambiguity / Claretta Micheletti Tonetti. New York: Twayne Publishers ; London: Prentice Hall International, c1995. Twayne's filmmakers series.
Main Stack PN1998.3.B48.T66 1995

Vested voices II : creating with transvestism : from Bertolucci to Boccaccio
Edited by Federica G. Pedriali, Rossella Riccobono. Ravenna : Longo, 2007.
Main Stack PQ4087.V442 2007

Wagstaff, Chris.
"Bernardo Bertolucci: Intravenous Cinema." Sight and Sound. 4 (4): 18-21. 1994 Apr.

Wagstaff, Chris.
"Bertolucci : an Italian intellectual of the 1970s looks at Italy's Fascist past." In: Reconstructing the past : representations of the Fascist era in post-war European culture / edited by Graham Bartram, Maurice Slawinski and David Steel. Keele : Keele University Press, 1996.
Main Stack D1055.R425 1996

1900

Bachmann, Gideon
"Films Are Animal Events: Bernardo Bertolucci Talks about His New Film, "1900"." Film Quarterly, Vol. 29, No. 1. (Autumn, 1975), pp. 11-19.
UC users only

Boswell, Laird.
"Bernardo Bertolucci, '1900' and the Myth of Fascism." European History Quarterly 1989 19(1): 37-61 25p.

Boswell, Laird.
"Film Reviews: Europe--1900." The American Historical Review. Oct 1990. Vol. 95, Iss. 4; p. 1131 (3 pages) d
UC users only

Bosworth, Richard.
"Bernardo Bertolucci, '1900' and the Myth of Fascism." European History Quarterly, Jan1989, Vol. 19 Issue 1, p37-61, 25p
UC users only

Burgoyne, Robert
Bertolucci's 1900: a narrative and historical analysis / Robert Burgoyne. Detroit: Wayne State University Press, c1991. Contemporary film and television studies and readers.
Main Stack PN1997.A2133.B87 1991

Burgoyne, Robert
"The Somatization of History in Bertolucci's "1900"." Film Quarterly, Vol. 40, No. 1. (Autumn, 1986), pp. 7-14.
UC users only

Burgoyne, Robert
"Temporality as Historical Argument in Bertolucci's "1900"." Cinema Journal, Vol. 28, No. 3. (Spring, 1989), pp. 57-68.
UC users only

Dalle-Vacche, Angela
"Angela Dalle-Vacche on Robert Burgoyne's Interpretation of Bertolucci's "1900"." ("Cinema Journal," Spring 1989)Cinema Journal, Vol. 29, No. 3. (Spring, 1990), pp. 69-72.
UC users only

Horton, Andrew.
"History as Myth and Myth as History in Bertolucci's 1900." Film & History, Feb1980, Vol. 10 Issue 1, p9-15, 7p
UC users only

Before the Revolution (Prima della rivoluzion)

Casetti, Francesco.
"Before the Revolution: Immediacy and Mediation in the Narrative Structure." Framework: The Journal of Cinema & Media, Autumn75 Issue 2, p14-15, 2p

Kline, T. Jefferson.
"The Absent Presence: Stendhal in Bertolucci's "Prima della Rivoluzione"." Cinema Journal, 23:2 ([1984:Winter]) p.4
UC users only

Williams, Linda L.
"Stendhal and Bertolucci: The Sweetness of Life before the Revolution." Literature Film Quarterly, Summer76, Vol. 4 Issue 3, p215, 7p
UC users only

The Conformist (Il conformista)

Kidney, P. M.
"Bertolucci's The Conformist: A Study of the Flashbacks in the Narrative Strategy of the Film." Carte Italiane: A Journal of Italian Studies. 7: 47-56. 1985-1986.

Kline, T. Jefferson.
"The Unconformist: Bertolucci's The Conformist (1971)." In: Modern European filmmakers and the art of adaptation / edited by Andrew Horton and Joan Magretta. pp: 222-237 New York: F. Unger Pub. Co., 1981 (Series: Ungar film library)
Main Stack PN1997.85.M66
Moffitt PN1997.85.M66

Kline, T. Jefferson.
"The Conformist." In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Lopez, Daniel.
"Novel into Film: Bertolucci's The Conformist." Literature Film Quarterly, Fall76, Vol. 4 Issue 4, p303, 10p
UC users only

O'Healy, Aine.
"Re-Envisioning Moravia: Godard's Le Mepris and Bertolucci's Il conformista." Annali d'Italianistica. 6: 148-161. 1988

Orr, Christopher.
"Ideology and Narrative Strategy in Bertolucci's "The Conformist"." Film Criticism, Spring80, Vol. 4 Issue 3, p41-48, 8p;
UC users only

Wagstaff, Christopher.
"The Construction of Point of View of Bertolucci's Il conformista." Italianist: Journal of the Department of Italian Studies, University of Reading. 3: 64-71. 1983.

Wagstaff, Christopher.
"Forty-Seven Shots of Bertolucci's Il Conformista." Italianist: Journal of the Department of Italian Studies, University of Reading. 2: 76-101. 1982.

The Dreamers

Adair, Gilbert.
"Actors with bottle." Sight and Sound 14.1 (Jan 2004): 24(2).
Gilbert Adair wrote the adapted screenplay of the film 'The Dreamers'. His idea of adapting the idea of collaboration with the film's director Bernando Bertolucci is discussed.

Izod, John
"Bernardo Bertolucci's The Dreamers: the Politics of Youth Remembered." Kinema, Fall 2004

Reynolds, Oliver.
"Beautiful Dreamers." Times Literary Supplement n4582 (Jan 25, 1991 n4582): 17(1).

Singkhra, Sutanya

"Dreams of Lost Time: A Study of Cinephilia and Time Realism in Bertolucci's The Dreamers." In: Cinephilia : movies, love and memory / edited by Marijke de Valck and Malte Hagener. Amsterdam : Amsterdam University Press, c2005.
Full-text available online (UC Berkeley users only)
Main (Gardner) Stacks PN1994 .C5325 2005

Thompson, David.
"Bertolucci, back on his beloved Parisian beat, weaves a tale of sex, the '68 riots, and cinema fever." Film Comment. New York: Nov/Dec 2002. Vol. 38, Iss. 6; p. 10 (1 page)
UC users only

Thompson, David.
"Undress rehearsal." Sight and Sound 14.1 (Jan 2004): 22(4).
The filming of 'The Dreamers' directed by Bernando Bertolucci is discussed. The Paris protest of May 1968 form that is explored is the main backdrop of the film.

Vincendeau, Ginette.
"The Dreamers.(Movie Review)." Sight and Sound 14.2 (Feb 2004): 41(2).

The Last Emperor

Bertolucci's The last emperor : multiple takes
Edited by Bruce H. Sklarew ... [et al.]. Detroit : Wayne State University Press, c1998.
Main Stack PN1997.L3353.B47 1998

Bodard, Lucien.
"The survivor of the Forbidden City; Pu Yi, in fact & film. (former emperor of China)." Encounter 80.n3 (March 1988): 42(2).

Born, Georgina
"Bertolucci's "The Last Emperor" New Statesman n.s.:115:2971 (1988:Mar. 4) p.30

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the "Auteur" Theory: From "Last Tango in Paris" to "The Last Emperor" Western Humanities Review 44:2 (1990:Summer) p.198

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the Auteur Theory: From Last Tango in Paris to The Last Emperor." In: Bertolucci's The last emperor : multiple takes / edited by Bruce H. Sklarew ... [et al.]. Detroit : Wayne State University Press, c1998. Contemporary film and television series
Main Stack PN1997.L3353.B47 1998

Burgoyne, Robert
"The Last Emperor: The Stages of History." SubStance: A Review of Theory and Literary Criticism, vol. 18, no. 2 [59], pp. 93-101, 1989.

Loshitzky, Yosefa ; Raya Meyuhas; Bertolucci
"Ecstasy of Difference": Bertolucci's "The Last Emperor" Cinema Journal, Vol. 31, No. 2. (Winter, 1992), pp. 26-44.
UC users only

Lu, James J.
"The Last Emperor: A 'History Lesson' and a Lesson in History." Biography: An Interdisciplinary Quarterly, vol. 17, no. 1, pp. 56-62, Winter 1994.
"Analyzes the historical accuracy of Bernardo Bertolucci's film The Last Emperor (1987) by examining the role played by his "secondary consort," Wenxiu, on screen and in real life based on the known facts of Emperor Puyi's conjugal life. Using Puyi's autobiography, The Last Manchu (1967), a biography entitled The Last Empress and the Last Secondary Consort (1984), and the consort's personal diaries, Wenxiu's unhappy nine-year concubinage from the age of 13 is investigated to its conclusion with her unprecedented and successful suit for divorce against the last emperor of the Qing dynasty. Bertolucci's film is lauded for its romanticized loyalty to the emperor's narrative tale even as its narrative license is questioned for fictionalizing Wenxiu's story, raising the issue of the filmmaker's obligation to historical truth." [Historical Abstracts]

Marcus, Millicent
"Bertolucci's Last Emperor and the Case for National Cinema." RLA: Romance Languages Annual, vol. 1, pp. 45-51, 1989.

O'Healy, Áine
"Politics and Sociosexual (In)Difference from Roma città aperta to The Last Emperor." RLA: Romance Languages Annual, vol. 6, pp. 321-27, 1994.

Pickowicz, Paul G.
"The Last Emperor."
The American Historical Review, Vol. 94, No. 4. (Oct., 1989), pp. 1035-1036.
UC users only

Powers, John.
"Last tango in Beijing. (filming of Bernardo Bertolucci's "The Last Emperor")." American Film 23.n2 (Nov 1987): 34(7).

Tobing Rony, Fatimah
"The Last Emperor." Film Quarterly, Vol. 42, No. 2. (Winter, 1988-1989), pp. 47-52.
UC users only

Wilson, David
"Peter Pan in the Forbidden City." Sight & Sound Vol LVII nr 2 (Spring 1988); p 134-135
UC users only

Zaller, Robert.
"After the revolution: Bertolucci's 'The Last Emperor.'" Michigan Quarterly Review 28.n1 (Wntr 1989): 79(15).

Zaller, Robert
"After the Revolution: Bertolucci's The Last Emperor." In: The movies : texts, receptions, exposures / edited by Laurence Goldstein and Ira Konigsberg. Ann Arbor : University of Michigan Press, c1996.
Main Stack PN1994.M78 1996
Moffitt PN1994.M78 1996

Last Tango in Paris

Bachmann, Gideon; Bernardo Bertolucci
""Every Sexual Relationship Is Condemned": An Interview with Bernardo Bertolucci Apropos "Last Tango in Paris"." Film Quarterly, Vol. 26, No. 3. (Spring, 1973), pp. 2-9.
UC users only

Barr, Alan.
""The Better To See...": Improbable Vision In Last Tango in Paris." Film Criticism, Winter83, Vol. 7 Issue 2, p2-18, 17p
UC users only

Bertolucci, Bernardo.
Bernardo Bertolucci's Last tango in Paris; the screenplay, by Bernardo Bertolucci and Franco Arcalli. With critical essays by Pauline Kael and Norman Mailer. New York, Delacorte Press, [1973, c1972]
Main Stack PN1997.L34.B41 1973
PFA PN1997.L3772.B41 1973

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the "Auteur" Theory: From "Last Tango in Paris" to "The Last Emperor" Western Humanities Review 44:2 (1990:Summer) p.198

Bundtzen, Lynda K.
"Bertolucci's Erotic Politics and the Auteur Theory: From Last Tango in Paris to The Last Emperor." In: Bertolucci's The last emperor : multiple takes / edited by Bruce H. Sklarew ... [et al.]. Detroit : Wayne State University Press, c1998. Contemporary film and television series
Main Stack PN1997.L3353.B47 1998

Farber, Stephen
"Last Tango", Hudson Review, 26:3 (1973:Autumn) p.539
UC users only

Hedges, Inez
Breaking the frame : film language and the experience of limits / Inez Hedges. Bloomington : Indiana University Press, c1991.
Main Stack PN1995.H398 1991
Moffitt PN1995.H398 1991

Horsley, Jason
"A glass darkly : Brando and Bertolucci's Last tango." In: The secret life of movies : schizophrenic and shamanic journeys in American cinema / Jason Horsley. Jefferson, N.C. : McFarland & Co., c2009.
Main (Gardner) Stacks PN1995.9.S247 H67 2009

Kael, Pauline.
"Last Tango in Paris." The New Yorker v. 48 (October 28 1972) p. 130+

Kaplan, E. Ann
"Importance and ultimate failure of Last Tango in Paris." Jump Cut, no. 4, 1974, pp. 1, 9-10

Kinder, Marsha; Houston, Beverle
"Bertolucci and the Dance of Danger." Sight and Sound 42:4 (1973:Autumn) p.186 Go to Journal Issue
UC users only

Kline, T. Jefferson
"Orpheus Transcending: Bertolucci's Last Tango in Paris." International Review of Psycho-Analysis, 3:85-95, 1976

"Last Tango in Paris." The Atlantic Monthly (1971) v. 231 (April 1973) p. 120-3

"Last Tango in Paris." Film Quarterly v. 26 (Spring 1973) p. 2-9

Mellen, Joan
"Sexual Politics and "Last Tango in Paris". Film Quarterly, Vol. 26, No. 3. (Spring, 1973), pp. 9-19.
UC users only

Miceli, Aldo
"Last Tango in Paris: Death, Eroticism, and the Female Oedipus." Italianist: Journal of the Department of Italian Studies, University of Reading, vol. 21-22, pp. 124-57, 2001.

Roud, Richard
"Last Tango in Paris." Sight and Sound 41:3 (1972:Summer) p.146
UC users only

Thompson, David.
Last tango in Paris London : BFI, 1998.
Main: PN1997.U4445 T56 1998

Little Buddha

Bakker, Freek L.
"Little Buddha." In: The challenge of the silver screen [electronic resource] : an analysis of the cinematic portraits of Jesus, Rama, Buddha and Muhammad / by Freek L. Bakker. Leiden ; Boston : Brill, 2009.
Full text available online [UC Berkeley users only]

Bertolucci, Bernardo.
"The Earth Is My Witness: An Interview with Bernardo Bertolucci on Little Buddha." In: Bernardo Bertolucci: interviews / edited by Fabien S. Gerard, T. Jefferson Kline, and Bruce Sklarew. Jackson: University Press of Mississippi, c2000. Conversations with filmmakers series.
Main Stack PN1998.3.B48.A5 2000

Contreras, Cynthia.
"Depicting the Buddha, teaching the Dharma." Asian Cinema, 1998, Vol. 10 Issue 1, p176-192, 17p

Horton, Robert.
"Nonconformist." Film Comment, Jul/Aug94, Vol. 30 Issue 4, p26, 3p

Karnicky, Jeff
"Keanu Rhizome." Symploke-: A Journal for the Intermingling of Literary, Cultural and Theoretical Scholarship, vol. 6, no. 1-2, pp. 135-44, 1998
UC users only

Kline, T. Jefferson.
"Bernardo Bertolucci's "Little Buddha." Psychoanalytic Review, 1994, Vol. 81 Issue 4, p759-763, 5p

Lane, Anthony.
"Instant Karma." New Yorker, 5/30/94, Vol. 70 Issue 15, p97, 3p

Mullen, Eve L.
"Orientalist Commercializations: Tibetan Buddhism in American Popular Film." Journal of Religion and Film, vol. 2, no. 2, 1998 Oct
UC users only

Simon, John.
"A Dharma Bummer." National Review, 6/27/1994, Vol. 46 Issue 12, p59-61, 3p

Wagstaff, Chris.
"Bernardo Bertolucci: Intravenous cinema." Sight & Sound, Apr94, Vol. 4 Issue 4, p18-21, 4p

The Sheltering Sky

Benton, Robert J.
"Gender/identity fluidity and narrative structure: Bernardo Bertolucci's "The Sheltering Sky." Persistence of Vision, 1993, Issue 10, p102-118, 17p

Hausmann, Vincent.
"Cinematic inscriptions of otherness: Sounding a critique of subjectivity." Journal of Film & Video, Spring98, Vol. 50 Issue 1, p20, 22p

Loshitzky, Yosefa.
"The Tourist/Traveler Gaze: Bertolucci and Bowles's The Sheltering Sky." East-West Film Journal, vol. 7, no. 2, pp. 111-37, 1993 July

McAuliffe, Jody.
"The church of the desert: Reflections on The Sheltering Sky." South Atlantic Quarterly, Spring92, Vol. 91 Issue 2, p419, 8p

Thomas, Allan James. "The Sheltering Sky" and the sorrow of memory: Reading Bertolucci through Deleuze. Literature Film Quarterly, 1998, Vol. 26 Issue 3, p196, 8p
UC users only

Thomas, Allan James.
""The Sheltering Sky" and the sorrow of memory: Reading Bertolucci through Deleuz" Literature Film Quarterly, 1998, Vol. 26 Issue 3, p196, 8p
UC users only

Thomson, D.
"Gone Away" Film Comment, May/Jun91, Vol. 27 Issue 3, p18, 5p
UC users only

Vittorio de Sica

Abajo de Pablos, Juan Eugenio Julio de.
Vittorio de Sica : su vida, su obra, su cine / [un libro de Juan Julio de Abajo de Pablos]. Valladolid : Fancy Ediciones, [2000]
Main (Gardner) Stacks PN1998.3.D42 A32 2000

Agel, Henri.
Vittorio de Sica. Paris, Editions universitaires [1955] Classiques du cinema, 3
Main Stack PN1993.C5 v.3

Agel, Henri.
"Présence de Vittorio de Sica." CinémAction nr 70 (Jan 1994); p 138-146
Analysis of the work of de Sica, esp. in his period of neorealism.

Bachmann, Gideon
"Vittorio De Sica: always a true window."Sight & Sound Vol XLIV nr 2 (Spring 1975); p 76-77
An appreciation, including an account of De Sica working on his last film 'Il viaggio'

Bailey, Paul
"Looking up for rain." Sight & Sound Vol III nr 12 (Dec 1993); p 30
"The film, 'Umerto D,' is about a lonely, old man's relation with his dog, and his endurance of the humiliations inflicted by the society. The film's director has an excellent understanding of the theme and treats the subject with sympathy, without allowing for sentimentality. The film has some flaws, one of which is the director's treatment of the landlady's character." [Expanded Academic Index]

Bazin, Andre and Cardullo, Bert.
"Bazin on post-neorealistic Rossellini, De Sica, and Visconti: three original reviews." (English translation of essay on film criticism, originally written in 1953)(Roberto Rossellini, Vittorio De Sica, Luchino Visconti)(Critical Essay)(Reprint) The Massachusetts Review Spring 2002 v43 i1 p89(15)
"The article presents a contemporary introduction and a reprint of an essay on film criticism by the French New Wave art intellect Andre Bazin, who died of leukemia in 1958. The essay, originally written in 1953 and published posthumously, examines the works of directors Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, along with topics such as decor, spectacle, representation and reality." [Expanded Academic Index]

Bonadella, Peter
"Three neorealist classics by Vittorio De Sica."Cineaste Vol XXIII nr 1 (1997); p 52-53
Discusses the history of Italian neorealism and the work of De Sica on the occasion of a video release for "I bambini ci guardano", "Miracolo a Milano" and "Umberto D."

Braudy, Leo
"The sacraments of genre: Coppola, De Palma, Scorsese.." Film Quarterly Vol XXXIX nr 3 (Spring 1986); p 17-28
Contrasts Italian-American filmmakers F.C., M.S. and B.De P. to the neorealists Rossellini, De Sica, Antonioni and Fellini.

Bruni, David
Vittorio De Sica : Sciuscià / David Bruni. Torino : Lindau, 2007.
Main (Gardner) Stacks PN1997.S318 B78 2007

Cardullo, Bert.
"The Auteur as Actor: The Performance Career of Vittorio De Sica." Lamar Journal of the Humanities. 26 (2): 5-20. 2001 Fall.

Cardullo, Bert.
"Actor-Become-Auteur: The Neorealist Films of Vittorio De Sica." Massachusetts Review: A Quarterly of Literature, the Arts and Public Affairs. 41 (2): 173-92. 2000 Summer.
UC users only

Cardullo, Bert.
"Theatre into Film: The Versatile Career of Vittorio De Sica." Dalhousie Review, Spring99, Vol. 79 Issue 1, p39, 48p

Cardullo, Bert.
Vittorio De Sica: director, actor, screenwriter / Bert Cardullo. Jefferson, N.C.: McFarland, c2002.
Main Stack PN1998.3.D42.C37 2002

Darretta, John.
Vittorio De Sica: a guide to references and resources / John Darretta. Boston, Mass.: G.K. Hall, c1983. Reference publication in film.
Moffitt PN1998.A3.D463 1983

De Sica, Vittorio
Lettere dal set / Vittorio De Sica ; a cura di Emi De Sica e Giancarlo Governi. Milano, Italia: SugarCo, 1987.
Main Stack PN1998.A3.D3391 1987

Governi, Giancarlo.
Vittorio de Sica: Parlami d'amore Mariu / Giancarlo Governi ; con la collaborazione di Anna Maria Bianchi. Roma: Gremese, c1993. Cinema & miti.
Main Stack PN1998.3.D42.G68 1993

James, Caryn
"De Sica's reputation gets a shine." (actor and director Vittorio De Sica) (Living Arts Pages) The New York Times Oct 4, 1991 v141 pB10(N) pC1(L) col 1 (32 col in)

Kinder, M.
"The Subversive potential of the pseudo-iterative." Film Quarterly v. 43 (Winter 1989/1990) p. 2-16

Kanoff, Joel.
"De Sica, Vittorio." In: St. James Film Directors Encyclopedia, 1998, p135-140, 6p
UC users only

Lauder, R.E.
"Vittorio DeSica: genius of neorealism." America v. 132 (March 8 1975) p. 172-3

Leprohon, Pierre.
Vittorio De Sica ... Choix de textes [de Vittorio De Sica] ... / Filmographie, bibliographie ... Paris, Seghers, 1966. Cinema d'aujourd'hui, 39
Main Stack PN1993.C4 v.39 NRLF #: $D 60 053

Mercader, Maria.
La mia vita con Vittorio De Sica / Maria Mercader. 1. ed. Milano: A. Mondadori, 1978. (Series: Le Scie)
Main Stack PN1998.A3.S54113 1978 NRLF #: B 3 168 912

Moscati, Italo.
Vittorio De Sica : vitalità, passione e talento in un'Italia dolceamara / Italo Moscati. Roma : Rai-Eri : Ediesse, c2003 (2004 printing)
Main (Gardner) Stacks PN1998.3.D42 M67 2003

Passalacqua, J.
"Vittorio De Sica." Films in Review Vol XXIX nr 4 (Apr 1978); p 24-48
Bio-filmographic information on actor-director De Sica.

Samuels, Charles Thomas
Vittorio De Sica." In: Encountering directors New York, Putnam [1972]
Main Stack PN1998.A2.S16
Moffitt PN1998.A2.S16

Shipman, David
"Directors of the decade: forties." Films & Filming nr 345 (June 1983); p 10-12
Consideration De Sica's career as a director.

Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Bicycle Thief (Ladri di biciclette)

Alonge, Andrea Giaime
Vittorio De Sica: Ladri di biciclette / Giaime Alonge. Torino: Lindau, 1997. Universale/film ; 8
Main Stack PN1997.L1383.A46 1997 NRLF #: B 4 317 198

"The Bicycle Thief." (Review) Films in Review, v1, Feb. 1950, pp: 31-2

"The Bicycle Thief." (Review) Journal of Aesthetic Education, v9, April 1975, pp: 50-61

"The Bicycle Thief." (Review) New York Times, Dec. 13, 1949, p. 49.

"The Bicycle Thief." (Review) Sight and Sound, v19, Mar. 1950, pp:26-8

"The Bicycle Thief." (Review) Theatre Arts, "The Bicycle Thief" (review) 34:2 (1950:Feb) 38

Bondanella, Peter E.
"Bicycle Thief." In: Italian Cinema: From Neorealism to the Present / Peter Bondanella. pp: 56-62. New York: F. Ungar Pub. Co., c1983. Series title: Ungar film library.
Main PN1993.5.I88 .B58 1983
Moffitt PN1993.5.I88 .B58 1983

Cartier, Clarice
"Zavattini, 'Le voleur de bicyclette' et les problèmes d'écriture: entretien avec Suso Cecchi d'Amico." CinémAction nr 70 (Jan 1994); p 169-172
Scriptwriter S.C.d'A. talks about his work for the neorealists, esp. with Cesare Zavattini, and describes his contribution to "Ladri di bicyclette".

Celli, Carlo
"The bicycle thieves" In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Celli, Carlo
"The Legacy of Mario Camerini in Vittorio De Sica's The Bicycle Thief (1948)." Cinema Journal. Summer 2001. Vol. 40, Iss. 4; p. 3 (15 pages)
UC users only

De Sica, Vittorio
Bicycle Thieves: A Film [directed] by Vittorio De Sica; [script by Oreste Biancoli, Vittorio De Sica and others] translated [from the French] by Simon Hartog. London, Lorrimer Publishing Ltd., 1968. Series title: Modern film scripts, 14.
UCB Moffitt PN1997 .S493

Fabe, Marilyn
"Italian neorealism: Vittorio de Sica's Bicycle thief." In: Closely watched films : an introduction to the art of narrative film technique / Marilyn Fabe. Berkeley : University of California Press, c2004.
Main Stack PN1995.9.E9.F17 2004
Moffitt PN1995.9.E9.F17 2004
PFA PN1995.9.E9.F17 2004
Table of contents http://www.loc.gov/catdir/toc/ecip0413/2004000202.html

Jacobson, Herbert L.
"De Sica's "Bicycle Thieves" and Italian Humanism" Hollywood Quarterly, Vol. 4, No. 1 (Autumn, 1949), pp. 28-33
UC users only

Leff, Leonard J.
"No Trollops, No Tomcats." American Film XV/3, Dec 89; p.40-43,52-54.
Discusses the power of the US Production Code Administration under its director Joseph Breen, and describes the effort to censor "Ladri di biciclette".

Lombardi, Elena.
"Of Bikes and Men: The intersection of three narratives in Vittorio De Sica's Ladri di biciclette." Studies in European Cinema, 2009, Vol. 6 Issue 2/3, p113-126, 14p
UC users only

Marcus, Millicent Joy.
"De Sica's Bicycle thief: casting shadows on the visionary city." In: Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

Mastri, Augustus
"Critical Restatement on De Sica's "Bicycle Thief": Background and Literary Debt." Italian Quarterly 24:91 (1983:Winter) 45

Serceau, Michel
"La ville dans le néoréalisme." CinémAction nr 75 (Apr 1995); p 44-56
On the important role given to the city in neorealist films by directors such as Fellini, Antonioni, Rossellini and esp. in "Ladri di biciclette".

Thompson, Kristin
"Realism in the cinema: Bicycle thieves." In: Breaking the glass armor: neoformalist film analysis / Kristin Thompson.p. 197-217 Princeton, N.J.: Princeton University Press, c1988.
Main Stack PN1995.T46 1988
Moffitt PN1995.T46 1988

Tomasulo, Frank P.
"Bicycle Thieves: A Re-Reading." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 160-71 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Tomasulo, Frank P.
"Bicycle Thieves: A Re-Reading." Cinema Journal Vol XXI nr 2 (Spring 1982); p 2-13
An in-depth analysis of the film, with emphasis on its historical, political, ideological, textural and aesthetic aspects
UC users only

Wagstaff, Chris
"Comic positions." Sight & Sound Vol II nr 7 (Nov 1992); p 25-27
"Vittorio De Sica's 'Bicycle Thieves' has traditionally been read as a film that accurately represents reality, but such a reading overlooks the film's high degree of artistry. By combining particular genre choices with carefully chosen camera angles De Sica encourages the reader to interpret and respond to images, instead of passively observing them. When considering 'Bicycle Thieves' it is also necessary to find a way to reconcile De Sica's interest in comedy and neo-realism." [Expanded Academic Index]

Wagstaff, Christopher
"Ladri di biciclette." In: Italian neorealist cinema : an aesthetic approach / Christopher Wagstaff. Toronto : University of Toronto Press, c2007.
Full text available online (UC Berkeley users only)
Main (Gardner) Stacks PN1993.5.I88 W34 2007

Waller, Marguerite R.
"Decolonizing the Screen: From Ladri di biciclette to Ladri di saponette." In: Revisioning Italy: National Identity and Global Culture / Beverly Allen and Mary Russo, editors. pp: 253-74. Minneapolis: University of Minnesota Press, c1997.
Main Stack DG455.R48 1997

West, Mark.
"Holding Hands with a Bicycle Thief." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 137-59. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Wojcik-Andrews, Ian.
"Vittorio De Sica's The Bicycle Thief." In: Children's films : history, ideology, pedagogy, theory / Ian Wojcik-Andrews. New York : Garland Pub., 2000.
Full text available online (UC Berkeley users only)
Main (Gardner) Stacks PN1995.9.C45 W59 2000

Garden of the Finzi-Continis

Corbin, L.
"Garden of the Finzi-Contini." Films in Review; Vol.XXIII nr.2 (Feb 1972); p.114

Davis, Harry.
"Narrated and Narrating I in 'Il giardino dei Finzi-Contini'." Italian Studies vol. 43. 1988. pp: 117-129.

Denby, David
"Garden of the Finzi-Continis." (movie reviews) New York Nov 18, 1996 v29 n45 p106(2)

Eskin, S.G.
"'The garden of the Finzi-Continis'." Literature/Film Quarterly Vol I nr 2 (Spring 1973); p 170-175
Compares the film and the novel.

Kael, P.
"Garden of the Finzi-Continis." The New Yorker v. 47 (December 18 1971) p. 48+

"Garden of the Finzi-Continis." (review) America v. 126 (February 26 1972) p. 216

"Garden of the Finzi-Continis." (review) Commonweal v. 95 (March 3 1972) p. 525-6

"Garden of the Finzi-Continis." (review) The New Republic v. 166 (February 19 1972) p. 32-3

"Garden of the Finzi-Continis." Newsweek v. 79 (January 10 1972) p. 58

"Garden of the Finzi-Continis." (review) National Review v. 24 (April 28 1972) p. 476

"Garden of the Finzi-Contini" (review), New York Times, Dec. 17, 1971, p. 32

"Garden of the Finzi-Contini" (review), New York Times, Jan. 2, 1972, Sect. II, p. 9

"Garden of the Finzi-Contini" (review), New York Times, Aug. 22, 1971, p. 20

"Garden of the Finzi-Contini" (review), New Yorker, v47, Dec. 18, 1971, p. 47

"Garden of the Finzi-Continis." (review) Saturday Review v. 55 (January 8 1972) p. 19

"Garden of the Finzi-Continis." (review) Time v. 99 (January 17 1972) p. 54

"Garden of the Finzi-Contini" (review), Village Voice, Dec. 23, 1971, p. 71

Holden, Stephen.
"Garden of the Finzi-Continis." (review) The New York Times Nov 8, 1996 v145 pC18(L) col 6 (6 col in)

Insdorf, Annette.
"Beautiful Evasions?" In: Indelible Shadows: Film and the Holocaust/ Annette Insdorf. 3rd ed. Cambridge ; New York: Cambridge University Press, 2003.
Full text available online (UC Berkeley users only)
Main Stack PN1995.9.H53.I57 2003
PFA PN1995.9.H53.I57 2003

Marcus, Millicent.
"De Sica's Garden of the Finzi-Continis: An Escapist Paradise." In: Vittorio De Sica: contemporary perspectives / edited by Howard Curle and Stephen Snyder. pp: 258-79. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Stuart, Andrea
"Garden of the Finzi-Contini" (review) Films & Filming; Vol.XVIII nr.11 (Aug 1972); p.47-48

Miracle in Milan

Bondanella, Peter.
"Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan." Film Criticism, Winter78, Vol. 3 Issue 2, p24-29, 6p
UC users only

Bondanella, Peter.
"Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 172-80 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Bonadella, Peter
"Three neorealist classics by Vittorio De Sica."Cineaste Vol XXIII nr 1 (1997); p 52-53
Discusses the history of Italian neorealism and the work of De Sica on the occasion of a video release for "I bambini ci guardano", "Miracolo a Milano" and "Umberto D."

De Sica, Vittorio
Miracle in Milan. [Screenplay by Cesare Zavattini and Vittorio de Sica, with others] New York, Orion Press [1969, c1968]
Main Stack PN1997.S491 1969

Grinstein, Alexander.
"Miracle in Milan: Some Psychoanalytic Notes on a Movie." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 181-88 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Roy, Claude. Allard, Jean-Pierre.
"MReflections on Miracle in Milan." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 179-80 Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Shoeshine

Cardullo, Bert.
"The Art of Shoeshine." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 129-36. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Kael, Pauline.
"Shoeshine." In: Vittorio De Sica: contemporary perspectives
Edited by Howard Curle and Stephen Snyder. pp: 126-28. Toronto: University of Toronto Press, c2000. Toronto Italian studies.
Main Stack PN1998.3.D42.V58 2000

Umberto D

Bonadella, Peter
"Three neorealist classics by Vittorio De Sica."Cineaste Vol XXIII nr 1 (1997); p 52-53
Discusses the history of Italian neorealism and the work of De Sica on the occasion of a video release for "I bambini ci guardano", "Miracolo a Milano" and "Umberto D."

Brunette, Peter
"When neo-realism collided with reality; De Sica's 'Umberto D.' is the finale of a warts-and-all movement silenced by Italy's fear for its image." The New York Times Feb 17, 2002 pAR33(N) pAR33(L) col 1 (35 col in)

Kinder, Marsha
"The subversive potential of the pseudo-iterative."Film Quarterly Vol XLIII nr 2 (Winter 1989-90); p 2-16
Discovers examples of the iterative tense, used frequently in literature, in the narratives of "Umberto D.", "Il posto" and "Toute une nuit".

Marcus, Millicent Joy.
"De Sica's Umberto D: dark victory for neorealism." In: Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

Federico Fellini

See separate Fellini bibliography

Sergio Leone

English Language

Babiak, Peter.Once
"Upon a Time in America: Sergio Leone and the construction of myth." CineAction - Spring 2007 i72 p65(5)
UC users only

Bertolucci, Bernardo.
"Once upon a time in Italy." (tribute to Italian film director Sergio Leone) Film Comment July-August 1989 v25 n4 p77(2)

Bondanella, Peter E.
"A fistful of pasta: Sergio Leone and the spaghetti western." In" Italian cinema: from neorealism to the present / Peter Bondanella New York: F. Ungar Pub. Co., c1983 Ungar Film Library
Main Stack PN1993.5.I88.B58 1983
Moffitt PN1993.5.I88.B58 1983

Burlingame, Jon; Crowdus, Gary.
"Music at the service of the cinema: an interview with Ennio Morricone. (Italian filmmaker) (Sound and Music in the Movies) (Interview) Cineaste Wntr-Spring 1995 v21 n1-2 p76(5) (5504 words)
UC users only
"Ennio Morricone is unique as a film music composer due to the fact that he composes for concert halls as well and uses sound effects in his music not usually found in film scores. As a film composer, Morricone acknowledges the director as having the exclusive authority over the entire film. Therefore, it is important that the film composer and the director establish a working understanding of each other's roles in the production. Morricone is known for his score in Sergio Leone's Western films and Giuseppe Tornatore's 'Cinema Paradiso' (1988)." [Expanded Academic Index]

Caputo, Rolando.
"Aldrich, Leone and Vera Cruz: Style and Substance Over the Border." Screening the Past: An International, Refereed, Electronic Journal of Visual Media and History [Australia] 2000 (10)
"Compares the "baroque" style of Robert Aldrich's 1954 film Vera Cruz, starring Gary Cooper and Burt Lancaster, based on a true story about two American soldiers of fortune taking a shipment of gold through rebel territory for Emperor Maximillian, with the 1960's "spaghetti westerns" of Sergio Leone, who appropriated Aldrich's key plot elements, such as money and the double cross, as well as Aldrich's unique stylistic elements, for Leone's own films. This made Aldrich's influence more obvious in European westerns of the 1960's than their American counterparts." [America: History and Life]

Cumbow, Robert C.
Once upon a time: the films of Sergio Leone Metuchen, N.J.: Scarecrow Press, 1987.
Main: PN1998.A3 L476241 1987

De Fornari, Oreste.
Sergio Leone: the great Italian Dream of Legendary America Rome: Gremese International, c1997.
Main: PN1998.3.L463 D4413 1997

Edwards, Daniel.
"Sergio Leone." (Great Directors: A Critical Database)Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema.

Frayling, Christopher.
"The Making of Sergio Leone's A Fistful of Dollars." Cineaste, Summer 2000 v25 i3 p14
UC users only

Frayling, Christopher.
Once upon a time in Italy : the westerns of Sergio Leone / by Christopher Frayling. Frayling, Christopher. New York : Harry N. Abrams, in association with the Autry National Center, 2005.
Main (Gardner) Stacks PN1998.3.L463 F68 2005
Pacific Film Archive PN1998.3.L485 F68 2005
Bancroft (NRLF) PN1998.3.L463 F68 2005

Frayling, Christopher.
Sergio Leone: something to do with death London: Faber and Faber, 2000.
Main: PN1998.3.L455 F738 2000

Frayling, Christopher.
Spaghetti westerns: cowboys and Europeans from Karl May to Sergio Leone / Christopher Frayling London ; Boston: Routledge & Kegan Paul, 1981 Cinema and society.
Main Stack PN1995.9.W4.F64
Moffitt PN1995.9.W4F67

Fridlund, Bert.
The spaghetti Western : a thematic analysis / Bert Fridlund. Jefferson, N.C. : McFarland & Co., c2006.
Main (Gardner) Stacks PN1995.9.W4 F75 2006

Godden, Richard.
"Maximizing the Noodles: Class, Memory, and Capital in Sergio Leone's Once upon a Time in America." Journal of American Studies. 31 (3): 361-84. 1997 Dec.
" Sergio Leone's 1984 motion picture 'Once Upon A Time in America' stars Robert De Niro and James Woods. The movie features 'God Bless America' at the start and finish and it is suggested that the film aims to offer a typical picture rather than the portrayal of what is essential a number of criminals. The resurrection of Max is analysed, along with the role of rape and sexual themes." [Expanded Academic Index]

Gow, Gordon
"A Fistful of Dynamite." Films & Filming Vol XIX nr 2 (Nov 1972); p 45

Hill, Sarah.
"Sergio Leone and the Myth of the American West: Once upon a Time in the West." RLA: Romance Languages Annual. 9: 202-10. 1997.

Hoberman, J
"The Revolution Will Be Westernized: Leone's Nutty, Lefty Epic" ["Giù la testa" ("Duck, You Sucker")] The Village Voice 48:47 [19 November 2003-19 November 2003] p. 64

Hughes, Howard.
"'The End of the Line' - 'Once Upon a Time in the West' (1968)." In: Stagecoach to tombstone : the filmgoers' guide to the great westerns / Howard Hughes. London ; New York : I.B. Tauris ; 2008.
Full-text available online [UCB users only]
Moffitt PN1995.9.W4 H833 2008)

Hughes, Howard.
Once upon a time in the Italian West: the filmgoers' guide to spaghetti westerns. London ; New York : I.B. Tauris : In the U.S. and Canada, distributed by Palgrave Macmillan, 2004.
Full-text available online [UCB users only]
Pacific Film Archive PN1995.9.W4 H83 2006

Hughes, Howard.
The Pocket Essential Spaghetti Westerns / Howard Hughes. Harpenden : Pocket Essentials, 2001.
Full-text available online [UCB users only]

Jameson, Richard T.
"Something to do with death. A fistful of Sergio Leone." Film Comment Vol IX nr 2 (Mar-Apr 1973); p 8-16
An analysis of the films of S.L. with emphasis on "C'era una volta il West".

Knee, Adam.
"Notions of Authorship and the Reception of Once Upon a Time in America." Film Criticism. 10 (1): 3-17. 1985 Fall.

Landy, Marcia
" "Which way is America?": Americanism and the Italian western." (films of Sergio Leone) boundary 2, Spring 1996 v23 n1 p35(25)
"The western films made by Italian directors such as Sergio Leone show how Americanism represents a philosophy of action that relates to global issues and themes, transcending the cultural and geographical boundaries of the US. The spaghetti westerns deal primarily with issues such as materialism, social conflict, identity and knowledge that reflect Italian politics of the period when they were created. Moreover, the films' use of physical action, body mechanics and typology of characters are related to traditional Italian comedy stemming from the commedia dell'arte." [Expanded Academic Index]

Leone, Sergio
Conversations avec Sergio Leone Paris: Stock, c1987.
Main: PN1998.3.L463 A5 1987

Lomenzo, Elaine
"A fable for adults: Sergio Leone interviewed by Elaine Lomenzo." Film Comment July-August 1984 v20 p21(3)

Lukas, Karli.
"A Fistful of Dynamite/Duck, You Sucker/Giu la testa." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 28: (no pagination). 2003 Sept-Oct.

Martinovic, Milica. Martinovic, Zarko.
"Eros in the Traumatophylic World of Once upon a Time in the West." Journal of Evolutionary Psychology. 17 (3-4): 247-56. 1996 Aug.

MacKenzie, Scott.
"Closing Arias: Operatic Montage in the Closing Sequences of the Trilogies of Coppola and Leone." p.o.v: A Danish Journal of Film Studies. 6: 109-24. 1998 Dec.

Nicholls, D.
"Once upon a time in Italy."Sight & Sound Vol L nr 1 (Winter 1980-81); p 46-49
On the work of Sergio Leone and his 'Italian westerns'.

Quiring, Loren
"Dead men walking: consumption and agency in the western." Film & History Vol XXXIII nr 1 (2003); p 41-46
Describes a change in western masculine figures and western myths as revealed in three films from the late 1960's and early 1970's: "Once upon a time in the West", "Little big man" and "Westworld".

Robertson, Richard.
"New Directions In Westerns Of the 1960's and 70's." Journal of the West 1983 22(4): 43-52.
"Analyzes the plots of Western movies of the 1960's-70's. Among the recurrent themes are those of race, as evidenced in Sergeant Rutledge (1960) and Cheyenne Autumn (1964), and violence, which in this era is more brutal and more graphic, as seen in such Sergio Leone films as A Fistful of Dollars, A Few Dollars More, and The Good, the Bad, and the Ugly. Explicit sex is another feature of films of this era, as in Peckinpah's The Wild Bunch (1969). The passing of the frontier and the aging of the main protagonist are companion themes seen in such films as Hud (1963), Will Penny (1968), and Butch Cassidy and the Sundance Kid (1969)." [America: History and Life]

Roth, Lane
Film semiotics, Metz, and Leone's trilogy New York: Garland Pub., 1983.
Main: PN1995 .R67 1983

The spaghetti west [videorecording]
Celebrates the history of the Spaghetti Western - the wildly popular but brutal cinema classics of the 1960s created by Italy's finest filmmakers. Featuring narrations by Spaghetti Western director Sergio Leone and actor Robert Forster, plus interviews with legendary composer Ennio Morricone, director Alex Cox, and a host of others who pioneered this vibrant film movement.
Media Resources Center DVD 8318

Starrs, Paul F.
"The Ways of Western Death: Mor(t)ality & Landscape in Cormac McCarthy's Novels and Sergio Leone's Films." Wide Angle: A Film Quarterly of Theory, Criticism, and Practice. 15 (4): 62-74. 1993 Dec.

Thomson, David.
"Leonesque." (works of Italian film director Sergio Leone) American Film Sept 1989 v14 n10 p26(6)
Critical assessment of the director's work which considers the issues of style and substance. Leone is quoted on a number of actors and the USA.

Weisser, Thomas
Spaghetti westerns: the good, the bad, and the violent: a comprehensive, illustrated filmography of 558 Eurowesterns and their personnel, 1961-1977 / by Thomas Weisser ; foreword by Craig Ledbetter ; foreword by Tom Betts ; comments by William Connolly. Jefferson, N.C.: McFarland, c1992.
Moffitt PN1995.9.W4.W32 1992

Williams, Tony.
"A Fistful of Dollars." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 28: (no pagination). 2003 Sept-Oct.

Once Upon a Time in America

Ansen, David.
"Once upon a time in America." (movie review) Newsweek June 11, 1984 v103 p81(1)

Canby, Vincent.
"Once upon a time in America." (movie review) The New York Times June 1, 1984 v133 p20(N) pC8(L) col 5 (14 col in)

Corliss, Mary
'Once upon a time..." (Sergio Leone moving picture) Film Comment July-August 1984 v20 p18(4)
Compares the cut to the uncut version of "Once upon a time in America" and discusses the film with S.L.

Corliss, Richard
"Once upon a time in America." (movie review) Time June 18, 1984 v123 p82(1) (963 words)

Denby, David.
"Once upon a time in America." (movie review) New York June 18, 1984 v17 p88(1)

Fryxell, David A.
"Once upon a time in America." (movie review) Horizon Oct 1984 v27 p60(1)

Godden, Richard.
"Maximizing the Noodles: Class, Memory, and Capital in Sergio Leone's Once upon a Time in America." Journal of American Studies. 31 (3): 361-84. 1997 Dec.

Hamill, P.
"Once upon a time in America." American Film Vol IX nr 8 (June 1984); p 20-29,54
Report on the lengthy production history of "Once upon a time in America" incl. director S.L.'s comments on his work and his influences.

Hutchinson, Curtis
"Once upon a time in America." (movie review) Films & Filming nr 360 (Sept 1984); p 41

Kael, Pauline
"Once upon a time in America." (movie review) The New Yorker May 27, 1985 v61 p82(4)

Kauffmann, Stanley
"Once upon a time in America." (movie review) The New Republic July 2, 1984 v191 p25(1) (408 words)

Kopkind, Andrew
"Once upon a time in America." (movie review) The Nation July 21, 1984 v239 p60(1)

Kaminsky, Stuart M.
"Narrative Time in Sergio Leone's Once upon a Time in America." Studies in the Literary Imagination. 16 (1): 59-74. 1983 Spring.

Knee, Adam.
"Notions of Authorship and the Reception of Once Upon a Time in America." Film Criticism. 10 (1): 3-17. 1985 Fall.

Mitchell, Tony
"Leone's America." Sight & Sound Vol LII nr 3 (Summer 1983); p 151-152
The ten-year history of Leone's latest film.

Weinraub, Bernard.
"Once Upon A Time in America." (movie review) The New York Times Oct 22, 1992 v142 pB1(N) pC19(L) col 2 (18 col in)

Italian and other Languages

Cebe, Gilles.
Sergio Leone Paris: H. Veyrier, 1984.
Main: PN1998.A3 L4763 1984

De Fornari, Oreste.
Tutti i film di Sergio Leone Milano: Ubulibri, c1984.
Main: PN1998.A3 L476261 1984

Garofalo, Marcello.
Tutto il cinema di Sergio Leone Milano: Baldini & Castoldi, c1999.
Main: PN1998.3.L463 G37 1999

Tarzia, Fabio.
"C'era una volta il western: Leone tra i fantasmi della Monument Valley." Problemi: Periodico Quadrimestrale di Cultura. 111: 188-206. 1998 May-Aug.

Nanni Moretti

Bonsaver, Guido.
"The Caiman." Sight & Sound, May2007, Vol. 17 Issue 5, p56-57, 2p
UC users only

Brody, Richard.
"The Caiman." New Yorker, 4/16/2007, Vol. 83 Issue 8, p32-34, 2p

Corliss, Richard.
"Hey, Nanni." (Dear Diary) Time; 10/24/94, Vol. 144 Issue 17, Following p74, 1/3p
UC users only

d'Aquino, Niccolo.
"Nanni Moretti." (Dear Diary)Europe; Mar1995 Issue 344, p43, 1/2p
UC users only

Diffrient, David Scott.
"Autobiography, Corporeality, Seriality: Nanni Moretti's Dear Diary as a Narrative Archipelago." Journal of Film & Video; Winter2009, Vol. 61 Issue 4, p17-30, 14p
UC users only

Haaland, Torunn.
"Moretti's Epistemological Realism: Cultural Heritage and Intellectual Distance in Caro diario." Forum Italicum, vol. 40, no. 2, pp. 325-45, Fall 2006

Jacobson, Harlan.
"Knock before you enter" (The Son's Room) Film Comment. Jan/Feb 2002. Vol. 38, Iss. 1; pg. 59, 1 pgs
UC users only

Kauffmann, Stanley.
"Fine Italian Hand." (Dear Diary)New Republic; 10/17/94, Vol. 211 Issue 16, p38-39, 2p
UC users only

Kauffmann, Stanley.
"Examined Lives." (The Son's Room)New Republic; 2/25/2002, Vol. 226 Issue 7, p24-26, 2pUC users only

Mazierska, Ewa.
The cinema of Nanni Moretti: dreams and diaries London ; New York: Wallflower, 2004.
Main: PN1998.3.M67 M39 2004;

Rascaroli, Laura.

"Caro diaro = Dear diary." In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Rascaroli, Laura.

"New voyages to Italy: postmodern travellers and the Italian road film." Screen v. 44 no. 1 (Spring 2003) p. 71-91

Young, Deborah.
"Deborah Young on the latest from Italian filmmaker Nanni Moretti." Film Comment; May/Jun2001, Vol. 37 Issue 3, p14, 1p
UC users only

Ermanno Olmi

Bachmann, Gideon.
"Ermanno Olmi: The New Italian Films." Nation; 5/25/1964, Vol. 198 Issue 22, p540-543, 4p
UC users only

Bondanella, Peter.
"II posto/I fidanzati." Cineaste, Winter2003, Vol. 29 Issue 1, p73-74

Brook, Clodagh.
"Beyond dialogue: Speech-silence, the monologue, and power in the films of Ermanno Olmi." Italianist, 2008, Vol. 28 Issue 2, p268-280, 13p

Cardullo, Bert.
"Married to the Job: Ermanno Olmi's Il Posto and I Fidanzali Reconsidered." Cambridge Quarterly, 2009, Vol. 38 Issue 2, p120-129, 10p
UC users only

Codelli, Lorenzo
"Entretien avec Ermanno Olmi: Il s'agit d'un jeu théâtral." Positif: Revue Mensuelle de Cinéma, vol. 527, pp. 25-29, Jan 2005

Ermanno Olmi
Presente par Michel Estève ; avec des textes de Ermanno Olmi ... [et al.]. Paris : Lettres modernes, 1992.
MAIN: PN1993 .E8 no.187-193

Ermanno Olmi : il cinema, i film, la televisione, la scuola
a cura di Adriano Aprà. Venezia : Marsilio, 2003.
MAIN: PN1998.3.O46 E76 2003

Finatti, Luca.
Stupore e mistero nel cinema di Ermanno Olmi Roma : ANCCI, 2000.
MAIN: PN1998.3.O46 F553 2000

Hirshfield, Claire.
"Tree of Wooden Clogs" Film & History, Feb1981, Vol. 11 Issue 1, p18-20, 3p
UC users only

Kauffmann, Stanley.
"Kauffmann on Films." New Republic; 6/2/79, Vol. 180 Issue 22, p24-25, 2p

Monaco, James.
"Tree of Wooden Clogs." Cineaste; Winter2004, Vol. 30 Issue 1, p58-59, 2p
UC users only

"Olmi, Ermanno."
In: St. James Film Directors Encyclopedia, 1998, p359-361, 3p
UC users only

Olmi, Ermanno
Il sentimento della realtà Milano : San Raffaele, 2008.
MAIN: PN1998.3.O46 A5 2008

Samuels, Charles Thomas.
"Ermano Olmi." In: Encountering directors New York, Putnam, [1972] (Main Stack PN1998.A2.S16;
Moffitt PN1998.A2.S16)

Tournès, Andrée.
"Recontre avec Ermanno Olmi." Jeune Cinema, Nov2004, Issue 292, p9-11, 3p

Young, Deborah.
"On earth as it is in heaven." Film Comment. Mar/Apr 2001. Vol. 37, Iss. 2; pg. 56, 5 pgs
UC users only

Pier Paolo Pasolini

English Language

Anderson, Laurie Jane.
Challenging the norm: the dialect question in the works of Gadda and Pasolini / by Laurie Jane Anderson. Stanford honors essay in humanities ; 20 Stanford, Calif.: Humanities Honors Program, Stanford University, 1977.
Main Stack PQ4817.Ga33 .Z616; Storage Info: B 3 595 485

Baranski, Zygmunt (pref.).
" Pasolini 1922-1975." The Italianist: Journal of the Department of Italian Studies, University of Reading. 5 1985.

Bondavalli, Simona.
"Charming the cobra with a ballpoint pen: Liminality and spectacular authorship in Pier Paolo Pasolini's interviews." MLN 122.1 (Jan 2007): 24(22).
Pier Paolo Pasolini's creative and critical use of images in the form of interviews or paratextual inserts is described in this article.

Bongie, Chris
"A postscript to transgression; the exotic legacy of Pier Paolo Pasolini." In: Exotic memories: literature, colonialism, and the fin de siecle / Chris Bongie. Stanford, Calif.: Stanford Unversity Press, 1991.
Main Stack PN761.B57 1991

Bruno, Giuliana
"Heresies: The Body of Pasolini's Semiotics" Cinema Journal, Vol. 30, No. 3. (Spring, 1991), pp. 29-42.
UC users only

Chasseguet-Smirgel, Janine.
"Body and cosmos: Pasolini, Mishima, Foucault." American Imago 61.2 (Summer 2004): 201-221.
"The image of a dismembered body, in pieces, like that of damiens or a dissected cat, whose innards are likened to a world, is projected upon society or even onto the cosmos, so that the fame of the world collapses and the heavens are disemboweled. Suicide is thus the ultimate means of unit with the divine power, of becoming one with its glory, even while blowing up the universe." [Expanded Academic Index]

Cro, Stelio.
"Italian Post-Modernity: Dialect and National Literature in Pasolini's Narrative and Films." RLA: Romance Languages Annual. 10 (1): 229-34. 1998.

De Lauretis, Teresa.
"Re-Reading Pasolini's Essays on Cinema." Italian Quarterly. 21-22 (82-83): 159-166. 1980-1981 Fall-Winter.

Dillon, Jeanne Carol.
"Pasolini: Literary Works, Published Screenplays, Screenplays (Coauthored), Filmography, Interviews." Stanford Italian Review. 2 (2): 130-133. 1982 Fall.

Eloit, Audrene.
"Oedipus Rex by Pier Paolo Pasolini the palimpsest: Rewriting and the creation of Pasolini's cinematic language." Literature-Film Quarterly 32.4 (Oct 2004): 288-12.
"Efforts made to analyze how the film, 'Oedipus Rex' by Pier Paolo Pasolini becomes an example of Pasolini's cinematic theory and a general reflection on language and communication are presented. The film deals with cinematic language in particular looking into its status as a fundamental tool of human communication." [Expanded Academic Index]

Friedrich, Pia.
Pier Paolo Pasolini / by Pia Friedrich. Boston: Twayne, c1982. Series: Twayne's world authors series ; TWAS 657
Main Stack PN35 .T85 v.657; Storage Info: B 3 557 933
Main Stack PQ4835.A48 .Z686 1982

Gandy, Matthew.
"The heretical landscape of the body: Pier Paolo Pasolini and scopic regime of European cinema." Environment & Planning D: Society & Space, Jun96, Vol. 14 Issue 3, p293, 17p

Gordon, Robert Samuel Clive
Pasolini: forms of subjectivity / Robert S. C. Gordon. Oxford: Clarendon Press ; New York: Oxford University Press, 1996.
Main Stack PQ4835.A48 Z6885 1996

Greene, Naomi
Pier Paolo Pasolini: cinema as heresy / Naomi Greene. Princeton, N.J.: Princeton University Press,Greene, Naomi, 1942-
Main Stack PN1998.3.P367 G74 1990

Greene, Naomi
"Pasolini: 'Organic Intellectual'?" Italian Quarterly. 31 (119-120): 81-100. 1990 Winter-Spring

Keating, Patrick.
"Pasolini, Croce and the Cinema of Poetry." Scope: An Online Journal of Film Studies: (no pagination). 2001 June. pgs. (no pagination).

Konstantarakos, Myrto
"Is Pasolini an urban film-maker? In: Spaces in European cinema
Edited by Myrto Konstantarakos. Exeter, England ; Portland, OR: Intellect, 2000.
Main Stack PN1993.5.E8.S69 2000

Landis, Bill
"Realism(s). The neorealist transgressions of Pier Paolo Pasolini." In: Cinema inferno : celluloid explosions from the cultural margins Edited by Robert G. Weiner, John Cline ; foreword by Mikita Brottman. Lanham, Md. : Scarecrow Press, 2010.
Main (Gardner) Stacks PN1995.9.H6 C493 2010

Lawton, Ben.
"The Evolving Rejection of Homosexuality, the Sub-Proletariat, and the Third World in the Films of Pier Paolo Pasolini." Italian Quarterly. 21-22 (82-83): 167-173. 1980-1981 Fall-Winter.

MacBean, James Roy.
" Between Kitsch and Fascism: Notes on Fassbinder, Pasolini, (Homo)Sexual Politics, the Exotic, the Erotic & Other Consuming Passions." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema. 13 (4): 12-19. 1984.

Michalczyk, John J.
"Pier Paolo Pasolini: the epical-religious cinema of political sexuality." In: The Italian political filmmakers / John J. Michalczyk. Rutherford: Fairleigh Dickinson University Press, c1986.
Main Stack PN1993.I88.M481 1986
Moffitt PN1993.I88.M48 1986

Pasolini old and new: surveys and studies
Edited by Zymunt G. Baranski. Dublin: Four Courts, 1999.
Main Stack PQ4835.A48 Z818 1999

Pasolini, Pier Paolo, et al.
"An Epical-Religious View of the World." Film Quarterly, Vol. 18, No. 4 (Summer, 1965), pp. 31-45
UC users only

Pasolini, Pier Paolo
The letters of Pier Paolo Pasolini / edited by Nico Naldini ; translated by Stuart Hood. London: Quartet Books, 1992-
Main Stack PQ4835.A48 Z4813 1992; v.1 (c1992)

Pier Paolo Pasolini: contemporary perspectives
Edited by Patrick Rumble and Bart Testa. Toronto ; Buffalo: University of Toronto Press, c1994.
Main Stack PQ4835.A48 Z8626 1994
Contents: Pier Paolo, my cousin... / N. Naldini -- Pasolini's 'Roman Novels,' the Italian Communist Party, and the events of 1956 / J. Francese -- Pasolini, Zanzotto, and the question of pedagogy / J. Stone -- Pasolini's 'Second Victory' / W. Siti -- Free/indirect/discourse / P. Fabbri -- The body of Pasolini's semiotics: a sequel twenty years later / G. Bruno -- Toward a materialist linguistics: Pasolini's theory of language / S. Mariniello -- A genial analytic mind: 'Film' and 'Cinema' in Pier Paolo Pasolini's film theory / D. Ward -- Manifesto for a new theatre / P.P. Pasolini -- Accattone and Mamma Roma / P.A. Sitney -- To film a Gospel...and Advent of the theoretical stranger / B. Testa -- Stylistic contamination in the Trilogia della vita: the case of Il fiore delle mille e una notte / P. Rumble -- Salo: the refusal to consume / N. Greene -- Tetis / P.P. Pasolini.

Radcliff-Umstead, Douglas.
"The Hero as Victim: Violence in Pasolini's Films." In: Film Conference of Kent State University (1st: 1983) Holding the vision: essays on film : proceedings of the First Annual Film Conference of Kent State University, April 21, 1983 / edited by Douglas Radcliff-Umstead. [Kent, Ohio]: International Film Society, Kent State University, c1983.
Main Stack PN1995.F4577 1983 NRLF #: C 2 843 031

Rappaport, Mark.
"The Autobiography of Pier Paolo Pasolini." Film Quarterly. 56 (1): 2-8. 2002 Fall.

Ricciardi, Gabriella.
Autobiographical representation in Pier Paolo Pasolini and Audre LordeTubingen: Stauffenburg, c2001.
Main Stack PQ4834 Z6424 2001

Rhodes, John David
Stupendous, miserable city : Pasolini's Rome Minneapolis : University of Minnesota Press, c2007.
Full text available online (UC Berkeley users only)
MAIN: PN1998.3.P367 R54 2007

Rohdie, Sam
The passion of Pier Paolo Pasolini / Sam Rohdie. Bloomingt: Indiana University Press ; London: BFI Publishing, 1995.
Main Stack NX552.Z9 P3736 1995

Rumble, Patrick Allen
Allegories of contamination: Pier Paolo Pasolini's Trilogy of life / Patrick Rumble. Toronto ; Buffalo: University of Toronto Press, c1996.
Main Stack PN1998.3.P367 R85 1996

Ryan-Scheutz, Colleen.
Sex, the self, and the sacred : women in the cinema of Pier Paolo Pasolini Toronto : University of Toronto Press, c2007.
MAIN: PN1998.3.P367 R93 2007

Sangalli, Yuri M.
"Space and Time in the Cinema of Pier Paolo Pasolini's Roman Trilogy." Nemla Italian Studies. 23-24: 61-84. 1999-2000.

Schwartz, Barth David.
Pasolini requiem / Barth David Schwartz. Edition 1st ed. Place/Publisher New York: Pantheon Books,
Main Stack PN1998.3.P367.S39 1992

Siciliano, Enzo
Pasolini: a biography / by Enzo Siciliano ; translated from the Italian by John Shepley. 1st American ed. New York: Random House, c1982.
Main Stack PQ4835.A48.Z8813 1982

Snyder, Stephen.
Pier Paolo Pasolini / Stephen Snyder. Series: Twayne's theatrical arts series Boston: Twayne, 1980
Main Stack PN1998.A3 .P287
Moffitt PN1998.A3 .P287

Stack, Oswald.
Pasolini on Pasolini: interviews with Oswald Stack. London, Thames & Hudson, 1969.
Main Stack PN1993 .C45 v.11

Steimatsky, Noa.
"Pasolini on Terra Sancta: Towards a Theology of Film." Yale Journal of Criticism: Interpretation in the Humanities. 11 (1): 239-58. 1998 Spring.

Verdicchio, Pasquale.
"Censoring the Body of Ideology: The Films of Pier Paolo Pasolini." Fiction International. 22: 369-78. 1992.

Viano, Maurizio Sanzio
A certain realism: making use of Pasolini's film theory and practice / Maurizio Viano Berkeley: University of California Press, 1993
UC users only
Main Stack PN1998.3.P367 V5 1993

Vighi, Fabio.
"Beyond Objectivity: The Utopian in Pasolini's Documentaries." Textual Practice. 16 (3): 491-510. 2002 Winter.

Vighi, Fabio.
""Lacan for cinema today: The uncanny pouvoir de la verite." Journal for the Psychoanalysis of Culture & Society 10.3 (Dec 2005): 232(20).
"An attempt is made to bring together psychoanalysis and film by focusing on the most disruptive and potentially subversive Lacanian notion that of the Real is presented. The main cinematic concepts of editing, suture and gaze are reassessed through Lacanian theory, while their theoretical and political potential are measured against the work of Italian directors Michelangelo Antonioni and Pier Paolo Pasolini." [Expanded Academic Index]

Vighi, Fabio.
"Liberation Hurts: Violence, Masochism and Anti-Capitalism According to Pasolini." Italian Studies, Spring2007, Vol. 62 Issue 1, p61-77, 17p
UC users only

Wagstaff, Christopher.
"Reality into Poetry: Pasolini's Film Theory." The Italianist: Journal of the Department of Italian Studies, University of Reading. 5: 107-132. 1985.

Watson, William Van.
Pier Paolo Pasolini and the theatre of the word / by William Van Watson. Ann Arbor: UMI Research Press, c1989.
Main Stack PQ4835.A48 Z971 1989

Watson, William Van.
"(B)Oinking with Pier Paolo: Pasolini's Pigsty and the Death of Dialectic." RLA: Romance Languages Annual. 9: 383-89. 1997.

Ward, David
A poetics of resistance: narrative and the writings of Pier Paolo Pasolini / David Ward. Madison [N.J.]: Fairleigh Dickinson University Press ; London ; Cranbury, NJ: Associated University Presses, c1995.
Main Stack PQ4835.A48 Z96 1995

Waugh, Thomas
"Bright lights in the night: Pasolini, Schroeter, and others." In: The fruit machine: twenty years of writings on queer cinema / Thomas Waugh ; foreword by John Greyson.p. 126-30 Durham, NC: Duke University Press, 2000.
Main Stack PN1995.9.H55.W38 2000

Italian and Other Languages

Bazzocchi, Marco Antonio.
Pier Paolo Pasolini Milano: B. Mondadori, 1998.
Main: PQ4835.A48 Z459 1998

Bertelli, Pino.
Il cinema in corpo: Pier Paolo Pasolini: atti impuri di un eretico Roma: Libreria Croce, 2001.
Main: PN1998.3.P367 B478 2001

Biondillo, Gianni.
Pasolini: il corpo della citta Milano: Edizioni Unicopli, 2001.
Main: PQ4835.A48 Z63 2001

Calabretto, Roberto.
Pasolini e la musica: l'unica azione espressiva forse, alta, e indefinibile come le azioni della realta Pordenone: Cinemazero, 1999.
Main: PQ4835.A48 Z636 1999
MUSI: PQ4835.A48 Z636 199

Carotenuto, Aldo.
L'autunno della coscienza: ricerche psicologiche su Pier Paolo Pasolini. Torino: Boringhieri, 1985.
Main: PQ4835.A48 Z64 1985

Cavalluzzi, Raffaele.
Il limite oscuro: Pasolini visionario, la poesia, il cinema Fasano: Schena editore, c1994.
Main: PQ4835.A48 Z66 1994

Ceccatty, Rene de.
Sur Pier Paolo Pasolini Le Faouet: Editions du Scorff, 1998.
Main: PN1998.3.P367 C4 1998

Le citta del cinema: Pier Paolo Pasolini
a cura di Paolo Federico Colusso, Fabrizia Da Giau, Angelo Villa. [Venice?]: Istituto universitario di architettura di Venezia: Archivio progetti Angelo Masieri: Biblioteca dell'immagine, 1995.
Main: PQ4835.A48 Z642 1995

De Benedictis, Maurizio.
Linguaggi dell'aldila: Fellini e Pasolini Roma: Lithos, c2000.
Main: PN1998.3.F45 D43 2000

De Giusti, Luciano
I film di Pier Paolo Pasolini Roma: Gremese, 1990.
Main: PN1998.3.P367 D4 1990

Duflot, Jean
Entretiens avec Pier Paolo Pasolini. Paris, P. Belfond [1970]
MAIN: PN1998.A3 P283 1970; Storage Info: B 2 853 900

La forma dello sguardo: Pier Paolo Pasolini.
Milano: Charta, c1993.
Catalog of an exhibition held in the Arengario, Milan, Italy, Nov.-Dec. 1993. Includes bibliographical references.
Main: PN1998.3.P367 F67 1993

Fusillo, Massimo
La Grecia secondo Pasolini: mito e cinema Scandicci, Firenze: Nuova Italia, 1996.
Main: PN1998.3.P367 F88 1996]

Gervais, Marc.
Pier Paolo Pasolini.Paris] Editions Seghers [1973]
Main: PN1993 .C4 v.73; Storage Info: $D 59 595

Incontri pasoliniani /
a cura di Alfonso Canziani. Roma: Bulzoni, 1996.
Main: PN1998.3.P367 I53 1996; Storage Info: B 4 204 568

Magaletta, Giuseppe.
La musica nell'opera letteraria e cinematografica di Pier Paolo Pasolini Urbino: Quattro venti, c1997.
Main: ML2075 .M34 1997

Manzoli, Giacomo.
Voce e silenzio nel cinema di Pier Paolo Pasolini / <2001> Published: Bologna: Pendragon, 2001.
Main: PN1998.3.P367 M36 2001

Martellini, Luigi.
Introduzione a Pasolini.Bari: Laterza, 1989.
Main: PN1998.A3 P2836 1989

Micciche, Lino.
Pasolini nella città del cinema Published: Venezia: Marsilio, c1999.
Main: PN1998.3.P367 M53 1999

Moscati, Italo.
Pasolini e il teorema del sesso: 1968, dalla Mostra del cinema al sequestro: un anno vissuto nello scandalo. Milano: Saggiatore, 1995.
Main: PN1998.3.P367 M67 1995

Murri, Serafino
Pier Paolo Pasolini Roma: Editrice Il castoro, 1994.
Main: PN1998.3.P367 M87 1994

Naldini, Nico.
Mio cugino Pasolini Milano: Bietti, 2000.
Main: PQ4835.A48 Z812 2000

Panicali, Anna.
Pier Paolo Pasolini: testimonianze Firenze: Salani, 1982.
Main: PN1998.A3 P2854 1982

Pasolini cineaste.
[realise par Alain Bergala et Jean Narboni]. Paris: Editions de l'Etoile, c1981.
Main: PN1998.A3 P2848 1981

Pasolini, Pier Paolo
Per il cinema / Pier Paolo Pasolini ; a cura di Walter Siti e Franco Zabagli ; con due scritti di Bernardo Bertolucci... 1. ed. Milano: A. Mondadori, 2001. (Series: I meridiani) Pasolini, Pier Paolo, 1922-1975. Works. 1998.
Main Stack PQ4835.A48.P47 2001 Library has: t.1-2 (c2001)

Pasolini, Pier Paolo
Le regole di un'illusione: i film, il cinema / Pier Paolo Pasolini ; a cura di Laura Betti e Michele Gulinucci. Roma: Ass. "Fondo P.P. Pasolini," c1991.
Main Stack PQ4835.A48.Z84 1991

Pasolini, Pier Paolo
Il sogno del centauro Roma: Editori Riuniti, 1983, c1981.
Main: PQ4835.A48 Z838161 1983; Storage Info: B 3 762 280

Pasolini: seminaire
dirige par Maria Antonietta Macciocchi. Paris: Grasset, [1980]
Main: PQ4835.A48 Z835; Storage Info: B 3 762 279

Per Pasolini Milano: Gammalibri, 1982, c1981.
Main: PQ4835.Pa48 Z858

Petraglia, Sandro.
Pier Paolo Pasolini.Firenze: La Nuova Italia, 1974.
Main: PN1998.A3 P2851

Pier Paolo Pasolini, corpi e luoghi.
a cura di Michele Mancini e Giuseppe Perrella. Roma: Theorema, c1981.
Main: PN1998.A3 P28591 1981; Storage Info: B 3 569 746

Pier Paolo Pasolini: generi e figure
a cura di Neil Novello. Ancona: Mediateca delle Marche, 2001.
Main: PQ4835.A48 Z8326 2001

Pierangeli, Fabio.
Pier Paolo Pasolini: biografia per immagini Cavallermaggiore: Gribaudo, c1995.
Main: PN1998.3.P367 P54 1995

Ponzi, Mauricio.
Pier Paolo Pasolini.Roma, Visigalli-Pasetti arti grafiche, 1968.
Main: PN1998.A3 P286 P6; Storage Info: $C 36 454 P

Quirino, Ilario
Pasolini: sulla strada di Tarso Lungro (Cosenza): C. Marco, 1999.
Main: PN1998.3.P367 Q57 1999

Repetto, Antonino.
Invito al cinema di Pier Paolo Pasolini Milano: Mursia, 1998.
Main: PN1998.3.P367 R46 1998

Rinaldi, Rinaldo
Pier Paolo Pasolini Milano: Mursia, c1982.
Main: PQ4835.Pa48 Z865 1982;
Main: PQ4057.A1 C5 no.40; Storage Info: $B 452 759

Siciliano, Enzo
Vita di Pasolini Firenze, Giunti, c1995.
Main: PQ4835.A48 Z88 1995

Vighi, Fabio
Le ragioni dell'altro: la formazione intellettuale di Pasolini tra saggistica, letteratura e cinema Ravenna: Longo, 2001.
Main: PQ4835.A48 Z934 2001

Zigaina, Giuseppe
Pasolini: un'idea di stile: uno stilo! Venezia: Marsilio, 1999.
Main: PQ4835.A48 Z98 1999

Accattone

Da accattone a Salo: 120 scritti sul cinema di Pier Paolo Pasolini
Presentati da Vittorio Boarini, Pietro Bonfiglioli, Giorgio Cremonini. Bologna: Tip. Compositori, 1982.
Main: PN1998.A3 P28271 1982; Storage Info: B 3 569 699

LaPalma, Marina DeBellagente.
"Meditations on Masculinity: Accattone and Midnight Cowboy." Italian Culture. 10: 217-25. 1992.

Rumble, Patrick
"Accattone." In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Ryan, Colleen.
"Three Women and One Male Survival Trajectory in Pasolini's Accattone." RLA: Romance Languages Annual. 9: 342-45. 1997.

Viano, Maurizio.
"Accattone, New Realism and Ambivalence." RLA: Romance Languages Annual. 2: 278-85. 1990.

Sitney, P.A.
"Accattone and Mamma Roma." In: Pier Paolo Pasolini: contemporary perspectives
Edited by Patrick Rumble and Bart Testa. Toronto ; Buffalo: University of Toronto Press, c1994.
Main Stack PQ4835.A48 Z8626 1994
Contents: Pier Paolo, my cousin... / N. Naldini -- Pasolini's 'Roman Novels,' the Italian Communist Party, and the events of 1956 / J. Francese -- Pasolini, Zanzotto, and the question of pedagogy / J. Stone -- Pasolini's 'Second Victory' / W. Siti -- Free/indirect/discourse / P. Fabbri -- The body of Pasolini's semiotics: a sequel twenty years later / G. Bruno -- Toward a materialist linguistics: Pasolini's theory of language / S. Mariniello -- A genial analytic mind: 'Film' and 'Cinema' in Pier Paolo Pasolini's film theory / D. Ward -- Manifesto for a new theatre / P.P. Pasolini -- Accattone and Mamma Roma / P.A. Sitney -- To film a Gospel...and Advent of the theoretical stranger / B. Testa -- Stylistic contamination in the Trilogia della vita: the case of Il fiore delle mille e una notte / P. Rumble -- Salo: the refusal to consume / N. Greene -- Tetis / P.P. Pasolini.

Vighi, Fabio
"Accattone : the excremental remainder." In: Traumatic encounters in Italian film : locating the cinematic unconscious / by Fabio Vighi. Bristol, U.K. ; Portland, Or. : Intellect, c2006. (Full text available online [UC Berkeley users only]; Print: Main (Gardner) Stacks PN1995.9.P783 V54 2006)

Canterbury Tales

Forni, Kathleen.
"A "cinema of poetry": what Pasolini did to Chaucer's "Canterbury Tales." Literature-Film Quarterly Oct 2002 v30 i4 p256-263

Green, Martin.
"The Dialectic of Adaptation: The Canterbury Tales of Pier Paolo Pasolini." Literature/Film Quarterly. 4: 46-53. 1976.

Moliterno, Gino.
"The Canterbury Tales." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 19: (no pagination). 2002 Mar-Apr.

Pugh, Tison.
"Chaucerian Fabliaux, Cinematic Fabliau: Pier Paolo Pasolini's I racconti di Canterbury." Literature/Film Quarterly. 32 (3): 199-206. 2004.

Robinson, Carol L.
"Celluloid Criticism: Pasolini's Contribution to a Chaucerian Debate." Studies in Medievalism. 5: 115-26. 1993.

Rumble, Patrick Allen
Allegories of contamination: Pier Paolo Pasolini's Trilogy of life / Patrick Rumble. Toronto ; Buffalo: University of Toronto Press, c1996. Toronto Italian studies.
Main Stack PN1998.3.P367.R85 1996

Gospel According to St. Matthew

Fraser, Peter
"The gospel according to St Matthew (Il Vangelo secondo Matteo, 1964)." In: Images of the passion: the sacramental mode in film / Peter Fraser. Westport, Conn.: Praeger, 1998.
Main Stack PN1995.9.R4.F73 1998

Marcus, Millicent Joy
"Pasolini's Gospel according to St. Matthew: the gaze of faith." In: Filmmaking by the book: Italian cinema and literary adaptation / Baltimore: Johns Hopkins University Press, c1993.
Main Stack PN1993.5.I88.M278 1993

Salo Or The 120 Days Of Sodom

Mousoulis, Bill.
"In the Extreme: Pasolini's Salo." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 4: (no pagination). 2000 Mar.

Peterson, Thomas E
"The Allegory of Repression from Teorema to Salo.." Italica. 73 (2): 215-32. 1996 Summer.

Teorema

Marcus, Millicent Joy
"Pasolini's Teorema: the halfway revolution." In: Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

Peterson, Thomas E
"The Allegory of Repression from Teorema to Salo.." Italica. 73 (2): 215-32. 1996 Summer.

Roberto Rossellini

Aprà, Adriano; Ponzi, Maurizio
"An Interview with Roberto Rossellini." Screen 1973 14: 112-126
UC users only

Baldelli, Pio.
Roberto Rossellini. I Film (1936-1972) e la filmografia nella piu completa analisi del cinema del grande regista. . Roma, La nuova sinistra, [1972] Saggistica (Nuova Sinistra (Firm)) ; 39.
Main Stack PN1998.A3.R66251 NRLF #: B 3 569 725

Bazin, Andre.
"Film Chronicle: Three Italian Realists." North Dakota Quarterly. 62 (1): 96-108. 1994-1995 Winter.

Bazin, Andre, Bert Cardullo.
"Bazin on post-neorealistic Rossellini, De Sica, and Visconti: three original reviews." (English translation of essay on film criticism, originally written in 1953)(Roberto Rossellini, Vittorio De Sica, Luchino Visconti)(Critical Essay)(Reprint) The Massachusetts Review Spring 2002 v43 i1 p89(15)
"The article presents a contemporary introduction and a reprint of an essay on film criticism by the French New Wave art intellect Andre Bazin, who died of leukemia in 1958. The essay, originally written in 1953 and published posthumously, examines the works of directors Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, along with topics such as decor, spectacle, representation and reality." [Expanded Academic Index]

Brunette, Peter
"Just How Brechtian is Rossellini?" Film Criticism, Winter78, Vol. 3 Issue 2, p30-42, 13p
UC users only

Brunette, Peter
"Rossellini and Cinematic Realism." Cinema Journal, Vol. 25, No. 1. (Autumn, 1985), pp. 34-49.
UC users only

Dagrada, Elena.
Le varianti trasparenti : i film con Ingrid Bergman di Roberto Rossellini Milano : LED, 2005.
MAIN: PN1998.3.R67 .D34 2005

Forgacs, David
"Rossellini's Pictorial Histories." Film Quarterly Vol. 64, No. 3 (Spring 2011), pp. 25-36
UC users only
A survey of Roberto Rossellini's filmmaking career with particular emphasis on the continuities and differences between the World War II films of his early career and the later dramatization of an older scientific, religious, and political history.

Gallagher, Tag.
The adventures of Roberto Rossellini / Tag Gallagher. New York: Da Capo Press, c1998.
Main Stack PN1998.3.R67.G36 1998

Guarner, Jose Luis.
Roberto Rossellini. Translated by Elisabeth Cameron. [New York] Praeger [1970] (Series: [Praeger film library])
Moffitt PN1998.A3.R66513

Guarner, Jose Luis.
Roberto Rossellini.; translated [from the French] by Elisabeth Cameron. London, Studio Vista, 1970.
Main Stack PN1998.A3.R66513 1970b

Lawton, Ben.
'Remember, You Can't Live without Rossellini! In: P. Matteo, Sante Italian echoes in the Rocky Mountains: papers from the 1988 annual conference of the American Association for Italian studies Provo, UT: David M. Kennedy Center for International Studies, Brigham Young University, 1990
Main Stack XM91.00612 NRLF #: B 3 800 077 , Book

Lorch, Maristella (introd.).
"Rossellini in America." In: Matteo, Sante Italian echoes in the Rocky Mountains: papers from the 1988 annual conference of the American Association for Italian studies Provo, UT: David M. Kennedy Center for International Studies, Brigham Young University, 1990
Main Stack XM91.00612 NRLF #: B 3 800 077

Marcus, Millicent.
"A Corridor with a View: Florence through the Eyes of Rossellini." Forum Italicum. 33 (1): 161-68. 1999 Spring.

Marcus, Millicent.
"Palimpsest versus Pastiche: Revisiting Neo-realism in the 1990s." Annali d'Italianistica. 17: 56-68. 1999.

Michelone, Guido.
Invito al cinema di Roberto Rossellini / Guido Michelone. Milano: Mursia, 1996. Invito al cinema ; 4
Main Stack PN1998.3.R67.M53 1996

Neorealismo fino al 1954 = Neorealism until 1954[Video]
Carlo Lizzani discusses the crisis and decadence of Neorealism in Italian cinema. In the fifties Rossellini seeks new ways to depict social change taking place in Italy, while upcoming talents such as Fellini, Antonioni and Lizzani use neorealism as a starting point for their personal probings. Meanwhile Neorealism spreads, giving rise to new schools of filmmaking in England, South America and France. 60 min. Video/C 5880

Rondolino, Gianni.
Roberto Rossellini Torino: Utet, 1989 Vita sociale della nuova italia ; 38
Main Stack XM90.13545 NRLF #: B 3 689 658

Rondolino, Gianni.
Roberto Rossellini di Gianni Rondolino. Firenze, La nuova Italia, 1974. Castoro cinema, 4
Main Stack PN1998.A3.R6691 NRLF #: $D 62 919

Renzi, Renzo.
Era notte a Roma di Roberto Rossellini. [Bologna] Cappelli [1960] Rossellini, Roberto, 1906 Dal soggetto al film, 16
Main Stack PN1997.E7.R4 NRLF #: $B 184 680

Rossellini on Rossellini Screen 1973 14: 79-82
UC users only

"Rossellini, Roberto." (obituary) Current Biography August 2000 v38 p46(1)

Roberto Rossellini
Mit Beitragen von Rainer Gansera ... [et al.]. Munchen: C. Hanser, c1987. Rossellini, Roberto, 1906 Reihe Film ; 36
Main Stack PN1998.A3.R6693 1987

Rossellini, Ingrid.
"Rossellini and the Adventure of Life: Reminiscences." In: Matteo, Sante Italian echoes in the Rocky Mountains : papers from the 1988 annual conference of the American Association for Italian studies Provo, UT: David M. Kennedy Center for International Studies, Brigham Young University, 1990
Main Stack XM91.00612 NRLF #: B 3 800 077

Rossellini, Roberto
Cartesius. Sceneggiatura di un film televisivo di Roberto Rosellini. Prefazione di Gian Paolo Cresci. Roma, Coines, 1974. Rossellini, Roberto, 1906- TV di Rossellini.
Main Stack PQ4878.O833.C3 1974 NRLF #: $B 504 511

Rossellini, Roberto
El cine revelado / recopilacion y prologo de Alain Bergala Barcelona: Buenos Aires ; Mexico,: Paidos, c2000. La memoria del cine 5
Main Stack PN1998.A3.R6618 2000

Rossellini, Roberto
Le cinema revele / textes reunis et prefaces par Alain Bergala. [Paris]: Editions de l'Etoile: Diffusion, Seuil, [1984] Cahiers du cinema. Ecrits.
Main Stack PN1998.A3.R661 1984

Rossellini, Roberto
La television comme utopie / Roberto Rossellini ; textes reunis et prefaces par Adriano Apra ; traduits de l'italien par ... Paris: Cahiers du cinema, 2001. Cahiers du cinema. Essais.
Main Stack PN1992.5.R67 2001

Salas, Hugo
"Roberto Rossellini." (Great Directors: A Critical Database0 Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema.

Toscan Du Plantier, Daniel.
Les enfants d'Al Capone et de Rossellini / Daniel Toscan Du Plantier. Paris: Mazarine, c1981. (Series: Essai)
Main Stack PN1998.A3.R6697

Venturi, Lauro
"Roberto Rossellini Roberto Rossellini" Hollywood Quarterly, Vol. 4, No. 1 (Autumn, 1949), pp. 1-13
UC users only

Verdone, Mario.
Roberto Rossellini. Presentation par Mario Verdone; choix de textes et propos de Rossellini; extraits de decoupages et ... [Paris] Seghers [1963] Cinema d'aujourd'hui, 15
Main Stack PN1993.C4 v.15 NRLF #: $D 60 029

The war trilogy [di] Roberto Rossellini. Edited and with an introd. by Stefano Roncoroni. Translated from the Italian by ... New York, Grossman, 1973. Rossellini, Roberto, 1906
Main Stack PN1997.A1.R6131

Werly, Patrick.
Roberto Rossellini, une poétique de la conversion / Patrick Werly. Paris : Cerf; Condé-sur-Noireau : Corlet, 2010.
Main (Gardner) Stacks PN1998.3.R67 W47 2010

Zizek, Slavoj.
"Rossellini: Woman as Symptom of Man." October. 54: 19-44. 1990 Fall.
UC users only

Germany, Year Zero

Bazin, André.
"Film Chronicle: Three Italian Realists." North Dakota Quarterly, vol. 62, no. 1, pp. 96-108, Winter 1994

Byg, Barton.
"Nazism as Femme Fatale: Recuperations of Cinematic Masculinity in Postwar Berlin." In: Gender and Germanness : cultural productions of nation / edited by Patricia Herminghouse and Magda Mueller. Providence [R.I.] : Berghahn Books, 1997.
Main Stack PT111.G46 1997

Camilleri, Tina Marie.
"Roberto Rossellini's Germany, Year Zero: A Child's Journey through the Crumbling Skeleton of War-Torn Germany." Senses of Cinema, vol. 11, pp. (no pagination), December 2000

Carrigy, Megan.
"Beginning Again from Zero: Post-War Reconstruction." Senses of Cinema, vol. 26, pp. (no pagination), May 2003

Hillman, Roger. "
Germany after Unification: views from abroad." Film-Historia, 1997, Vol. 7 Issue 2, p103-112, 10p

Torriglia, Anna Maria.
"'Time Is No Longer the Same': Ambivalence and Denial or the Uneasy Relationship with the Past in Pietro Germi's Gioventù perduta and Roberto Rossellini's Germania anno zero." Forum Italicum, vol. 32, no. 1, pp. 86-107, Spring 1998

The war trilogy [di] Roberto Rossellini.
Edited and with an introd. by Stefano Roncoroni. Translated from the Italian by Judith Green. New York, Grossman, 1973.
Main Stack PN1997.A1.R6131

Zizek, Slavoj.
"Rossellini: woman as symptom of man." October, Fall 1990, Issue 54, p18-44, 27p
UC users only

Camilleri, Tina Marie
"Roberto Rossellini's Germany, Year Zero: A child's journey through the crumbling skeleton of war-torn Germany." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 11: (no pagination). 2000 Dec-2001 Jan.

Torriglia, Anna Maria.
"'Time Is No Longer the Same': Ambivalence and Denial or the Uneasy Relationship with the Past in Pietro Germi's Gioventu perduta and Roberto Rossellini's Germania anno zero." Forum Italicum. 32 (1): 86-107. 1998 Spring.

Miracle in Milan

Trubiano, Marisa S.
"Of Miracles and the Reel: Italian Neorealism Revisited." Nemla Italian Studies. 20: 145-63. 1996.

Open City (Roma, citta aperta)

Cannon, JoAnn.
"Resistance Heroes and Resisting Spectators: Reflections on Rossellini's Roma, citta aperta." Italianist: Journal of the Department of Italian Studies, University of Reading. 17: 145-57. 1997.

Celli, Carlo.
"Italian Neorealism's Wartime Legacy: Roberto Rosellini's Roma citta aperta/Rome Open City (1945) and L'uomo dalla croce/Man of the Cross (1943)." RLA: Romance Languages Annual. 10 (1): 225-28. 1998.

Conley, Tom.
"Maps and Theaters of Torture: Roma, città aperta." In: Cartographic cinema / Tom Conley. Minneapolis : University of Minnesota Press, c2007.
Full-text available online [UCB users only]
Main (Gardner) Stacks PN1995.9.M28 C66 2007

Fraser, Peter
"Rome, open city (Roma, citta aperta, 1945)." In: Images of the passion: the sacramental mode in film / Peter Fraser. Westport, Conn.: Praeger, 1998.
Main Stack PN1995.9.R4.F73 1998

Ginsberg, Terri.
"Nazis and Drifters: The Containment of Radical (Sexual) Knowledge in Two Italian Neorealist Films." Journal of the History of Sexuality. 1 (2): 241-61. 1990 Oct.

Marcus, Millicent Joy
"Rossellini's Open city: the founding." In: Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

O'Healy, Aine.
"Politics and Sociosexual (In)Difference from Roma citta aperta to The Last Emperor." RLA: Romance Languages Annual. 6: 321-27. 1994.

"Open City, Rossellini and neorealism: Sixty years on." Screening the Past, Issue 20

Wagstaff, Christopher
"Roma città aperta." In: Italian neorealist cinema : an aesthetic approach / Christopher Wagstaff. Toronto : University of Toronto Press, c2007.
Full text available online (UC Berkeley users only)
Main (Gardner) Stacks PN1993.5.I88 W34 2007

Paisan

Brunette, Peter.
"Unity and Difference in Paisan." Studies in the Literary Imagination. 16 (1): 91-111. 1983 Spring.

Burke, Frank.
"Rossellini's Paisa and Neorealism: Unitive Dreams, Fragmented Realities." RLA: Romance Languages Annual. 10 (1): 199-205. 1998.

Conley, Tom
"Facts and figures of history: Paisan." In: Film hieroglyphs: ruptures in classical cinema / Tom Conley. p. 102-29 Minneapolis: University of Minnesota Press, c1991.
Main Stack PN1995.C63 1991

Marcus, Millicent.
"Rossellini's Paisan: National Identity by Means of Montage." Italian Quarterly. 37 (143-146): 295-302. 2000 Winter-Fall.

Muscio, Giuliana
"Paisà = Paisan." In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Perry, Alan R.
" Literary and Cinematic Representations of Sacred Italian Resistance Memory: The Holy Partisan-Martyr as Hero." Forum Italicum. 33 (2): 433-57. 1999 Fall.

La Prise de pouvoir par Louis XIV (The Taking of Power by Louis XIV)

Burke, Peter.
"Rossellini's Louis XIV." In: Eyewitnessing : the uses of images as historical evidence / Peter Burke. Ithaca, N.Y. : Cornell University Press, c2001.
Full-text available online [UC Berkeley users only]
Art History/Classics Room H61 .H83 2001
Environmental Design H61 .H83 2001

"Constructing the King's Body in Roberto Rossellini's The Rise to Power of Louis XIV." In: Writing history in film / William Guynn. New York : Routledge, 2006.
Main Stack PN1995.2.G89 2006

Grindon, Leger.
"The Politics of the Spectacle: The Rise to Power of Louis IV." In: Shadows on the past : studies in the historical fiction film / Leger Grindon. Grindon, Leger, 1949- Philadelphia : Temple University Press, 1994.
Main (Gardner) Stacks PN1995.9.H5 G75 1994
Moffitt PN1995.9.H5 G75 1994

MacBean, James Roy.
"Rossellini's Materialist Mise-en-Scène of "La Prise de Pouvoir par Louis XIV"" Film Quarterly Vol. 25, No. 2 (Winter, 1971-1972), pp. 20-29
UC users only

Walsh, Martin.
"Rome, Open City, The Rise to Power of Louis XIV: Re-evaluating Rossellini Jump Cut, no. 15, 1977, pp. 13-15

Stromboli

Flaus, John
"Stromboli." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 26: (no pagination). 2003 May-June.

Thomas, Paul
"Gone Fishin'? Rossellini's Stromboli, Visconti's La Terra Trema." Film Quarterly Dec 2008, Vol. 62, No. 2: 20–25.
UC users only

Vittorio and Paolo Taviani

Brunette, Peter
"Vittorio Taviani: an interview." Film Quarterly Vol XXXVI nr 3 (Spring 1983); p 2-9
UC users only
Examines his and his brother's 20-year association in film. Interprets the meaning of his films, with special emphasis on the recent "La notte di San Lorenzo".

Camerino, Vincenzo.
Dialettica dell'utopia: il cinema di Paolo e Vittorio Taviani / [di] Vincenzo Camerino, Antonio Tarsi. Manduria: Lacaita, 1978. Ideologia e scienze sociali ; 8
Main Stack PN1995.9.P6.C28 1978 NRLF #: B 3 179 193

Crowdus, Gary. Heard, Carolyn (translator).
"The Taviani Brothers: We Believe in the Power of Cinema." In: The Cineaste interviews 2: on the art and politics of the cinema / Gary Crowdus, Dan Georgakas. Chicago: Lake View Press, c2002.
PFA PN1998.2.C51 2002 Pacific Film Archive collection; non-circulating

Crowdus, Gary. Heard, Carolyn (tr.).
"We Believe in the Power of Cinema: An Interview with Paolo and Vittorio Taviani." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema. 12 (3): 31-34. 1983.
The Taviani Brothers discuss their relationship to Italian neorealism, their experimentation with film language, innovative use of music and sound effects and the political function of their films.

Ehrenstein, David.
"Your Own Reality: An Interview with Paolo and Vittorio Taviani." Film Quarterly. 47 (4): 2-6. 1994 Summer.
UC users only
"The Taviani brothers hope that film 'Fiorile' will show the young people of Italy that wealth can bring tragedy. In the film the conflict between love and money results in death among the Benedetti family. The talk about the production of the film and Italian politics." [Expanded Academic Index]

Glaessner, Verina
"The brothers Taviani." Cinema Papers nr 15 (Jan 1978); p 226-228,281
Interview with the Tavianis, discussing the background to their interest in films and their Cannes grand prix winner 'Padre padrone'.

Landy, Marcia.
"Neorealism, Politics, and Language in the Films of the Tavianis." Annali d'Italianistica. 6: 236-251. 1988.

Mancini, Andrea.
Sguardi, corpi, paesaggi : sul cinema di Paolo e Vittorio Taviani / Andrea Mancini ; fotografie e un'intervista a Umberto Montiroli ; con un saggio e la filmografia completa di Paolo e Vittorio Taviani.Corazzano (Pisa) : Titivillus, 2008.
Main (Gardner) Stacks PN1998.3.T38 M36 2008

Marcus, Millicent Joy.
"The Taviani brothers' Night of the shooting stars: ambivalent tribute to neorealism." In: Italian film in the light of neorealism Princeton, N.J.: Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

O'Healy, Aine.
"Weeping for Togliatti: The Taviani Brothers' 'Optimistic Tragedy'." RLA: Romance Languages Annual. 8: 265-70. 1996.

Rafferty, Terrence
"Brothers in search of truths in local myths." (Holiday Films)(Vittorio, Paolo Taviani) The New York Times Nov 4, 2001 pMT24(N) pMT24(L) col 1 (50 col in)

Regards, corps, paysages : sur le cinéma de Paolo et Vittorio Taviani
[edité par] Andrea Mancini Corazzano (Pisa) : Titivillus, c2008.
Main (Gardner) Stacks PN1998.3.T38 R44 2008

Testa, Carlo
"Revolution, Loneliness, and the Future of Love: Tolstoy in the Cinema of Paolo and Vittorio Taviani." Tolstoy Studies Journal, vol. 16, pp. 87-94, 2004

Willis, Don
"Modernism!: The terror from beyond space." Film Comment Vol XVI nr 1 (Jan-Feb 1980); p 9-15
An attack on Modernism in films with particular reference to the work of Jean-Luc Godard, Carl Th. Dreyer and P. and V. Taviani.

Yakir, D.
"The Tavianis." Film Comment Vol XIX nr 2 (Mar-Apr 1983); p 44-45
Survey of their career.

Padre Padrone

Aste, Mario.
"Padre padrone and the 'Sardinian Question': From Ledda's Novel to the Tavianis' Film." RLA: Romance Languages Annual. 1: 27-33. 1989.

Graham, M.
"Padre Padrone and the dialectics of sound." Film Criticism Vol VI nr 1 (Fall 1981); p 21-30
Analyses the use of sound as the key element in an understanding of "Padre Padrone".

Steimatsky, Noa
"Padre padrone/Father and Master." In: The cinema of Italy Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Night of the Shooting Star

Blake, Richard A.
"The night of the shooting stars." (movie reviews) America Feb 26, 1983 v148 p154(1)

Canby, Vincent.
"The night of the shooting stars." (movie reviews) The New York Times Sept 29, 1982 v132 p24(N) pC19(L) col 3 (16 col in); Jan 29, 1983 v132 p14(N) col 3 (11 col in)

Corliss, Richard
"The night of the shooting stars." (movie reviews) Time Feb 21, 1983 v121 p80(1) (547 words)

"The night of the shooting stars." (movie reviews) Variety Jan 26, 1983 v309 p14(1)

Luchino Visconti

Album Visconti
a cura di Caterina D'Amico de Carvalho ; con una intervista di Lietta Tornabuoni a Michelangelo Antonioni. 1. ed. Milano: Sonzogno, 1978.
Main Stack PN1998.A3V5829

Aristarco, Guido.
Rocco e i suoi fratelli di Luchino Visconti. A cura de G. Aristarco e G. Carancini. [Bologna] Cappelli [1960] Visconti, Luchino, 1906-1976. Dal soggetto al film, 17
Main Stack PN1997.R6.A7 1960

Aristarco, Guido.
"Luchino Visconti: Critic or Poet of Decadence?" Film Criticism, Spring88, Vol. 12 Issue 3, p58-63, 6p
UC users only

L'arte del costume nel cinema di Luchino Visconti: documentazione dei costumi ideati da Piero Tosi per i film di Luchino Visconti: Comune di Modena, Comune di Reggio Emilia: con il patrocinio della Regione Emilia Romagna, Galleria civica del Comune di Modena: catalogo Roma: L'arte della stampa, [1977]
Main Stack PN1998.A3.V5828 1977 NRLF #: $D 16 363

Bacon, Henry.
Visconti: explorations of beauty and decay / Henry Bacon. Cambridge ; New York: Cambridge University Press, 1998.
Main Stack PN1998.3.V57.B34 1998

Baldelli, Pio.
I film di Luchino Visconti. Manduria, Lacaita Editore [1965] Uomini e cose della nuova Italia, n. 17
Main Stack PN1998.A3.V573 1965 NRLF #: B 2 851 485

Baldelli, Pio.
I Luchino Visconti. Milano, G. Mazzotta, 1973. Cinema e informazione visiva, 4
Main Stack PN1998.A3.V5831

Bazin, Andre, Bert Cardullo.
"Bazin on post-neorealistic Rossellini, De Sica, and Visconti: three original reviews." (English translation of essay on film criticism, originally written in 1953)(Roberto Rossellini, Vittorio De Sica, Luchino Visconti)(Critical Essay)(Reprint) The Massachusetts Review Spring 2002 v43 i1 p89(15)
"The article presents a contemporary introduction and a reprint of an essay on film criticism by the French New Wave art intellect Andre Bazin, who died of leukemia in 1958. The essay, originally written in 1953 and published posthumously, examines the works of directors Roberto Rossellini, Vittorio De Sica, and Luchino Visconti, along with topics such as decor, spectacle, representation and reality." [Expanded Academic Index]

Bencivenni, Alessandro.
Luchino Visconti / di Alessandro Bencivenni. Firenze: La Nuova Italia, 1982. Castoro cinema ; 98
Main Stack PN1998.A3.V5832 1982 NRLF #: B 3 569 745

Boccaccio '70 / di De Sica, Fellini, Monicelli, Visconti
a cura di Carlo di Carlo e Gaio Fratini. Bologna: Cappelli, 1962. (Series: Dal soggetto al film ; 22) Visconti, Luchino, 1906-1976.
Main Stack PN1997.B625.Z1 1962 NRLF #: B 2 794 999

Bondanella, Peter E.
"Myth and Marx: Pier Paolo Pasolini and Bernardo Bertolucci." In: Italian cinema: from neorealism to the present In: / Peter Bondanella. 3rd ed. New York: Continuum, 2001.
Main Stack PN1993.5.I88.B58 2001

Brunette, P.
"Writing for Visconti." [interview with Suso Cecchi D'Amico]. Sight & Sound v. 56 (Winter 1986-1987) p. 53-5

Cavallari, Giovanni Battista.

Il cinema di Luchino Visconti
A cura di Veronica Pravadelli ; scritti di Mino Argentieri ... [et al.]. 1. ed. Venezia: Fondazione Scuola nazionale di cinema: Promozione e distribuzione: Marsilio, 2000. Biblioteca di Bianco e nero. Quaderni ; n. 2.
Main Stack PN1998.3.V57.C56 2000

De Franceschi, Leonardo.
Il film Lo straniero di L. Visconti: dalla pagina allo schermo / Leonardo De Franceschi. 1. ed. [Roma]: Fondazione "Scuola nazionale di cinema" ; Venezia: Distribuzione Marsilio, c1999. Biblioteca di bianco e nero. Quaderni.
Main Stack PN1997.S775.D43 1999

De Giusti, Luciano
I film di Luchino Visconti / Luciano De Giusti. Roma: Gremese, c1985. Luchino Visconti. Effetto cinema ; 11
Main Stack PN1998.A3.V5836 1985

Elizondo, Salvador
Luchino Visconti. [Mexico] Direccion General de Difusion Cultural, U[niversidad] N[acional] A[utonoma de] M[exico] 1963. Cuadernos de cine (Mexico City, Mexico) ; no. 11.
Main Stack PN1993.5.I88.E4 1963

Ferrara, Giuseppe
Luchino Visconti. Presentation par Giuseppe Ferrara; choix de textes et propos de Visconti; entretien inedit, extraits de ... Paris] Seghers [1964, c1963] Cinema d'aujourd'hui, 21
Main Stack PN1993.C4 v.21

Ferrara, Giuseppe
Luchino Visconti. Presentation par Giuseppe Ferrara. Traduit de l'italien par Jean-Pierre... Nouvelle edition remaniee et mi... Paris, Seghers, 1970. Cinema d'aujourd'hui, 21
Main Stack PN1993.C4 v.21 1970 NRLF #: $D 60 035

Gastel Chiarelli, Cristina.
Musica e memoria nell'arte di Luchino Visconti / Cristina Gastel Chiarelli. Milano: Archinto, c1997. Biografie e ritratti.
Main Stack ML429.V57.G37 1997

Graham, Alison
"The phantom self." Film Criticism Vol.IX nr.1 (Fall 1984); p.47-62
UC users only
Examines the influence of James M. Cain on the early neorealist films of Visconti and Antonioni.

Guillaume, Yves
Luchino Visconti. Paris, Editions universitaires, 1966. Classiques du cinema, 25
Main Stack PN1993.C5 v.25

Ishaghpour, Youssef.
Luchino Visconti: le sens et l'image / Youssef Ishaghpour. Paris: Editions de la Difference, [1984] (Series: Essais)
Main Stack PN1998.A3.V58515 1984 NRLF #: B 3 569 748

Johnston, Sheila.
"Supper with Visconti." Sight and Sound. 11 (9): 6. 2001 Sept.

Korte, Walter F., Jr.
"Marxism and Formalism in the Films of Luchino Visconti." Cinema Journal, 11:1 (1971:Fall) p.3
UC users only

Korte, Walter F., Jr.
"Marxism and formalismin the films of Luchino Visconti." In: Cinema examined: selections from Cinema journal / Richard Dyer MacCann, Jack C. Ellis. 1st ed. New York: Dutton, c1982.
Main Stack PN1995.C495 1982

Larere, Odile.
De l'imaginaire au cinema: Violence et passion de Luchino Visconti / Odile Larere. Paris: Albatros, c1980. Collection Ca/cinema ; 29
Main Stack PN1997.G783.L37 1980 NRLF #: B 3 566 949

Le Cain, Maximilian.
"Visconti's Cinema of Twilight." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 18: (no pagination). 2002 Jan-Feb.
UC users only

Liandrat-Guigues, S. (Suzanne)
Le couchant et l'aurore: sur le cinema de Luchino Visconti / Suzanne Liandrat-Guigues ; preface de Jean-Claude Guiguet. Paris: Meridiens Klincksieck, c1999. Collection "L'autre visible"
Main Stack PN1998.3.V57.L53 1999

Lopate, Phillip
"The operatic realism of Luchino Visconti." In: Totally, tenderly, tragically: essays and criticism from a lifelong love affair with the movies /... 1st Anchor Books ed. p. 101-14 New York: Anchor Books/Doubleday, 1998.
Main Stack PN1995.L627 1998

Luchino Visconti
mit Beitr. von Martin Schlappner ... [et al.]. Munchen: Hanser, 1975. (Series: Reihe Hanser ; 181) Reihe Film ; 4
Main Stack PN1998.A3.V5852 1975

Mancini, Elaine.
Luchino Visconti: a guide to references and resources / Elaine Mancini. Boston, Mass.: G.K. Hall, 1986. Reference publication in film.
Main Stack PN1998.A3.V585251 1986

Mannino, Franco
Visconti e la musica / Franco Mannino ; pref. di Lino Micciche. Lucca: Akademos & LIM, 1994. Akademos tascabili musica ; 1
Music PN1998.3.V57.M36 1994

Marcus, Millicent Joy.
"Visconti's La terra trema: the typology of adaptation." In: Filmmaking by the book: Italian cinema and literary adaptation / Millicent Marcus. p. 25-44 Baltimore: Johns Hopkins University Press, c1993.
Main Stack PN1993.5.I88.M278 1993

Micciche, Lino.
Luchino Visconti: un profilo critico / Lino Micciche. Venezia: Marsilio, 1996. (Series: Saggi Marsilio) Cinema (Venice, Italy)
Main Stack PN1998.A3.V58527 1996

Morte a Venezia di Luchino Visconti.
A cura di Lino Micciche. Bologna, Cappelli, 1971. Visconti, Luchino, 1906-1976. Dal soggetto al film, 42
Main Stack PN1997.M678.V5

Nochimson, M.P.
"The Melodramatic Neorealism of Luchino Visconti." Cineaste v. 28 no. 2 (Spring 2003) p. 45-8

Nowell-Smith, Geoffrey.
Luchino Visconti / Geoffrey Nowell-Smith. 3rd ed. London: British Film Institute, 2003.
Main Stack PN1998.A3.V5855 2003

Nowell-Smith, Geoffrey.
Luchino Visconti London, Secker & Warburg in association with the British Film Institute, 1967. Cinema one, 3
Main Stack PN1993.C45 v.3

Nowell-Smith, Geoffrey.
Luchino Visconti Garden City, N.Y., Doubleday, 1968 (Series: Cinema world, 3)
Moffitt PN1998.A3V5855 1968

Nowell-Smith, Geoffrey.
Luchino Visconti New York, Viking Press [1973] (Series: Cinema one, 3)
Moffitt PN1998.A3.V5855

Pepper, C.G.
"Rebirth in Italy." [three great movie directors]. Newsweek v. 58 (July 10 1961) p. 66-8

Perilli, P.
"Luchino Visconti: the melodrama of decadence." L'Architettura v. 47 no. 543 (January 2001) p. 59-64

Perilli, P.
"Luchino Visconti: realistic and decadent 1-The "anti-spectacle" of Neorealism." L'Architettura v. 46 (December 2000) p. 785-8

Poggi, G.
"Luchino Visconti and the Italian cinema." Film Quarterly v. 13 no. 3 (Spring 1960) p. 11-22
UC users only

Ramsey-Portolano, Catherine.
"Ossessione and Visconti's Alternative Cinema." In: Pagina pellicola pratica: studi sul cinema italiano / a cura di Rebecca West. pp: 97-108 Ravenna: Longo, 2000. (Series: Il portico ; 120)
Main Stack PN1993.5.I8.P335 2000

Renzi, Renzo.
Visconti segreto / Renzo Renzi. 1. ed. Roma: Laterza, 1994. (Series: I Robinson)
Main Stack PN1998.3.V57.R46 1994

Rondolino, Gianni.
Luchino Visconti / [di] Gianni Rondolino. Torino: Unione tipografico-editrice torinese, 1981. Vita sociale della nuova Italia ; v. 30
Main Stack PN1998.A3.V5858 1981 NRLF #: B 3 569 747

Sanzio, Alain
Luchino Visconti, cineaste / Alain Sanzio et Paul-Louis Thirard. Paris: Persona, 1984.
Main Stack PN1998.A3.V5859 1984

Schifano, Laurence.
Le Guepard: Luchino Visconti / etude critique par Laurence Schifano. [Paris]: Nathan, c1991. Synopsis (Paris, France) ; 8.
Main Stack PN1997.L463.S35 1991

Schifano, Laurence.
Luchino Visconti: les feux de la passion / Laurence Schifano. Paris: Libr. academique Perrin, c1987.
Main Stack PN1998.3.V57.S35 1987

Servadio, Gaia.
Luchino Visconti: a biography / Gaia Servadio. London: Weidenfeld & Nicolson, 1981, c1982.
Main Stack PN1998.A3.V5863

Servadio, Gaia.
Luchino Visconti: a biography / Gaia Servadio. New York: F. Watts, 1983, c1982.
Moffitt PN1998.A3.V5859 1983

Stirling, Monica
A screen of time: a study of Luchino Visconti / by Monica Stirling. 1st ed. New York: Harcourt Brace Jovanovich, c1979.
Main Stack PN1998.A3.V5865

La terra trema di Luchino Visconti: analisi di un capolavoro
a cura di Lino Micciche. 2. ed. Torino: Lindau, [1994]
Main Stack PN1997.T4153.T47 1994

Tonetti, Claretta.
Luchino Visconti / Claretta Tonetti. Boston: Twayne Publishers, 1983. Twayne's filmmakers series.
Main Stack PN1998.A3.V5867 1983
Moffitt PN1998.A3.V5867 1983

Visconti: classicisme & subversion
sous la direction de Michele Lagny ; [photos, Sylvie Pliskin et Raymond Noel]. [Paris]: Publications de la Sorbonne nouvelle, [1990] Theoreme ; 1
Main Stack PN1998.3.V57.V57 1990

Visconti, Luchino
Leggere Visconti: scritti, interviste, testimonianze e documenti / di e su Luchino Visconti ; con una bibliografia critica bibliografia critica generale a cura di Giuliana Callegari e Nuccio Lodato. [Pavia]: Amministrazione provinciale di Pavia, Assessorato pubblica istruzione e cultura, 1976. (Series: Si va per cominciare, quarta rassegna di teatro, musica ed arte dell' espressione.
Main Stack B3998.A3.V586 1976

Visconti, Luchino
Il mio teatro / Luchino Visconti ; a cura di Caterina d'Amico de Carvalho e Renzo Renzi Bologna: Cappelli, 1979
Main Stack PN1998.A3.V5827 1979 Library has: V.1-2

Visconti, Luchino
La terra trema / Luchino Visconti ; trascrizione di Enzo Ungari ; con la collaborazione di Claudio Battistini e G. B. ... Bologna: Cappelli, 1977. (Series: NUC cinema ; 3)
Main Stack PN1997.T4153V5 1977 NRLF #: $B 184 907

Visconti, Luchino
Three screenplays: White nights. Rocco and his brothers. The job [an episode from Boccaccio '70] Translated from the Italian from the Italian by Judith Green. New York, Orion Press, 1970.
Main Stack PN1997.A1.V5 1970 NRLF #: B 2 856 233
Moffitt PN1997.A1.V5 1970

Visconti, Luchino
Two screenplays: La terra trema, Senso. Translated from the Italian by Judith Green New York, Orion Press, 1970 Visconti, Luchino, 1906-1976. Senso. English. 1970
Main Stack PN1997.T41513 NRLF #: B 3 569 414

Visconti a Volterra: la genesi di Vaghe stelle dell'Orsa..
a cura di Veronica Pravadelli. Torino: Lindau, 2000.
Main Stack PN1998.3.V57.V583 2000

Visconti e il suo lavoro. Milano: Electa, [1981]
Main Stack PN1998.A3.V59 1981 NRLF #: B 3 569 729

Visconti, il cinema: tavola rotonda: rassegna cinematografica: mostra dei costumi: catalogo critico
a cura di Adelio ... Modena: Comune, Ufficio cinema, 1978?
Main Stack PN1998.A3.V594

Viscontiana: Luchino Visconti e il melodramma verdiano
a cura di Caterina D'Amico de Carvalho. Milano: Mazzotta, c2001.
Music ML410.V4.V56 2001

Death in Venice

Alpert, H.
"Visconti in Venice." Saturday Review v. 53 (August 8 1970) p. 16-18

Bertellini, G.
"A battle d'arriere-garde: notes on decadence in Luchino Visconti's Death in Venice." Film Quarterly v. 50 (Summer 1997) p. 11-19
UC users only
"Critics rejected Viscounti's 'Death in Venice' as a decadent political tome, which did not measure up to his previous films. However, these critics misunderstood the film, which actually not decrying the decadence of political leaders, but rather an autobiographical view of his own life ." [Expanded Academic Index]

Burrows, Stuart.
"'Desire Projected Itself Visually': Watching Death in Venice." In: Classics in film and fiction / edited by Deborah Cartmell ... [et al.]. pp: 137-56 London ; Sterling, Va.: Pluto Press, 2000. Film/fiction ; v. 5
Main Stack PN1997.85.C56 2000

Fetzer, John Francis.
"Visconti's Cinematic Version of Death in Venice." In: Approaches to teaching Mann's Death in Venice and other short fiction / edited by Jeffrey B. Berlin. pp: 146-52. New York: Modern Language Association of America, 1992. Approaches to teaching world literature ; 43
Main Stack PT2625.A44.T6416 1992
Moffitt PT2625.A44.T6416 1992

Fletcher, Angus.
"Music, Visconti, Mann, Nietzsche: Death in Venice." In: Nietzsche in Italy / edited by Thomas Harrison. pp: 301-12 Saratoga, Calif.: ANMA Libri ; [Stanford]: Dept. of French and Italian, Stanford University, 1988.
Main Stack B3317.N49431 1988

Fletcher, Angus.
"Music, Visconti, Mann, Nietzsche: Death in Venice." Stanford Italian Review. 6 (1-2): 301-312. 1986

Galerstein, Carolyn.
"Images of Decadence in Visconti's Death in Venice." Literature/Film Quarterly. 13 (1): 29-34. 1985.
UC users only

Glassco, David.
"Films Out of Books: Bergman, Visconti and Mann." Mosaic: A Journal for the Interdisciplinary Study of Literature. 16 (1-2): 165-173. 1983 Winter-Spring.

Grossvogel, David I.
"Visconti and the Too, Too Solid Flesh." Diacritics: A Review of Contemporary Criticism. 1 (2): 52-55. 1971 Winter.

Hillman, Roger.
"Deaths in Venice." Journal of European Studies. 22 (4 (88)): 291-311. 1992 Dec.
UC users only
"Two interpretations of Thomas Mann's novella 'Death in Venice,' Luchino Visconti's film and Benjamin Britten's opera, can be compared in their use of Mann's narrative structure. Visconti's film has a harder time for many reasons including the difficulty of relating narrative visually. Britten is more successful because Mann relied on the music of Gustav Mahler to indicate a mood and opera's musical component can imply themes that are more difficult for dialog or staging." [Expanded Academic Index]

Hinxman, M.
"Death in Venice." Sight & Sound v. 39 no. 4 (Autumn 1970) p. 198-200

Hutchison, Alexander.
"Luchino Visconti's Death in Venice." Literature/Film Quarterly. Winter 1974. Vol. 2, Iss. 1; p. 31 (13 pages)
UC users only

Lippe, George B. von der.
"Death in Venice in Literature and Film: Six 20th-Century Versions." Mosaic: A Journal for the Interdisciplinary Study of Literature. 32 (1): 35-54. 1999 Mar.

Marshall, Alexander J., III.
"The Lure of Eros: Nietzschean Intertextuality in Visconti, Mahler, and Mann." Post Script: Essays in Film and the Humanities. 13 (3): 30-38. 1994 Summer.

Mellen, J.
"Death in Venice." Film Quarterly v. 25 no. 1 (Fall 1971) p. 41-7
UC users only

Ratcliff, C.
"Death in Venice." Art International v. 15 (October 1971) p. 60

Radcliff-Umstead, Douglas.
"The Journey of Fatal Longing: Mann and Visconti." Annali d'Italianistica. 6: 199-219. 1988

Reed, Philip.
"Aschenbach Becomes Mahler: Thomas Mann as Film." In: Benjamin Britten: Death in Venice / compiled and edited by Donald Mitchell. pp: 178-183 Cambridge [England] ; New York: Cambridge University Press, 1987. Cambridge opera handbooks.
Music ML410.B853.B421 1987

Singer, Irving.
"Death in Venice: Visconti and Mann." Modern Language Notes. 91: 1348-59. 1976. Baltimore, MD.

Vaget, Hans Rudolf.
"Film and Literature. The Case of 'Death in Venice': Luchino Visconti and Thomas Mann." German Quarterly. 53 (2): 159-75. 1980 Mar.

Watson, William Van.
"The Subject as Abject: Luchino Visconti's Death in Venice and the 'Art' of Pederasty." RLA: Romance Languages Annual. 8: 335-41. 1996.

Wiehe, Roger E.
"Of Art and Death: Film and Fiction Versions of Death in Venice." Literature/Film Quarterly. 16 (3): 210-215. 1988.

Wilson, Michael.
"Art Is Ambiguous: The Zoom in Death in Venice." Literature/Film Quarterly. 26 (2): 153-56. 1998.

Wolf, Ernest M.
"A Case of Slightly Mistaken Identity: Gustav Mahler and Gustav Aschenbach." Twentieth Century Literature: A Scholarly and Critical Journal. 19 (1): 40-52. 1973 Jan.

Wood, Michael.
"Death Becomes Visconti." Sight and Sound. 13 (5): 24-27. 2003 May.

The Leopard (Il gattopardo)

Canby, Vincent
"The leopard." (movie reviews) The New York Times Sept 11, 1983 v132 s2 pH21(N) pH21(L) col 4 (32 col in)

Cesaretti, Enrico.
"The Representation of the Arts in Visconti's The Leopard." Anello Che Non Tiene: Journal of Modern Italian Literature. 9 (1-2): 27-38. 1997 Spring-Fall.

Davies, B.
"Can the leopard...?." Sight & Sound v. 33 no. 2 (Spring 1964) p. 99-101

Hampson, Ernest.
"Visconti's Il Gattopardo: Aspects of a Literary Adaptation." Spunti e Ricerche: Rivista d'Italianistica. 15: 69-78. 2000.

Kauffmann, Stanley
'On Films - In Our Heads." (criticism of the arts) The New Republic August 21, 2000 p32 (1303 words)

Leake, Elizabeth
"Prototypes of the mafia : Luchino Visconti's The leopard." In: Mafia movies : a reader / edited by Dana Renga. Toronto ; Buffalo [N.Y.] : University of Toronto Press, c2011.
Main (Gardner) Stacks PN1995.9.M23 M34 2011

Marcus, Millicent Joy.
"Visconti's Leopard: the politics of adaptation." In: Filmmaking by the book: Italian cinema and literary adaptation / Millicent Marcus. p. 45-66 Baltimore: Johns Hopkins University Press, c1993.
Main Stack PN1993.5.I88.M278 1993

Mendes Sargo, Tino
"The Leopard." Film Quarterly, Vol. 17, No. 2 (Winter, 1963-1964), pp. 35-38
UC users only

Nicholls, Mark
"Visconti's Il gattopardo: Melancholia and the Radical Sensibility." Quarterly Review of Film and Video, Volume 23 Issue 2 2006
UC users only

Sorlin, Pierre
"The Leopard." (movie reviews) History Today Sept 1995 v45 n9 p44(6) (3032 words)
UC users only

Ossessione

Deasy, F.
"Drenched in longing [Ossessione and The loneliness of the long distance runner]." Sight & Sound v. ns5 (May 1995) p. 33

Gambarota, Paola.
"Visconti's Ossessione and Garnett's The Postman Always Rings Twice: Creativity and Convention." Fusta: Journal of Literature and Culture. 11: 99-109. 1997 Fall-1998 Spring.

Ginsberg, Terri.
"Nazis and Drifters: The Containment of Radical (Sexual) Knowledge in Two Italian Neorealist Films." Journal of the History of Sexuality. 1 (2): 241-61. 1990 Oct.

Lyons, D.
"Visconti's magnificent obsessions." Film Comment v. 15 (March 1979) p. 9-13

Watson, William van.
"Luchino Visconti's (Homosexual) Ossessione." In: Re-viewing fascism: Italian cinema, 1922-1943 / edited by Jacqueline Reich and Piero Garofalo.pp: 172-93 Bloomington: Indiana University Press, c2002.
Main Stack PN1993.5.I88.R45 2002

Rocco and His Brothers

Aristarco, Guido.
Rocco e i suoi fratelli / Luchino Visconti ; a cura di G. Aristarco e G. Carancini 2. ed Bologna: Cappelli, 1978 (Series: NUC cinema ; 7) Visconti, Luchino, 1906-1976. Uomini e cose della nuova Italia, n. 17
Main Stack PN1997.R5753 1978 NRLF #: $B 184 903

Hudson, Anne
"Rocco E I suoi fratelli" In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Miller, D. A.
"Rocco and His Brothers." Film Quarterly, Vol. 62, No. 1 (Fall 2008), pp. 12-18
UC users only

"Rocco E I suoi fratelli =Rocco and his brothers"
In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Rohdie, Sam.
Rocco and his brothers = Rocco e i suoi fratelli / Sam Rohdie. London: BFI Publishing, 1992. BFI film classics.
Main Stack PN1997.R5753.R63 1992

Visconti, Luchino
Three screenplays: White nights. Rocco and his brothers. The job [an episode from Boccaccio '70] Translated from the Italian from the Italian by Judith Green. New York, Orion Press, 1970.
Main Stack PN1997.A1.V5 1970 NRLF #: B 2 856 233
Moffitt PN1997.A1.V5 1970

Senso

Luchino Visconti: Senso / a cura di G. B. Cavallaro 2. ed Bologna: Cappelli, 1977 (Series: NUC cinema ; 4) Visconti, Luchino, 1906-1976. Senso
Main Stack PN1997.S3623.C3 1977 NRLF #: $B 184 908

Marcus, Millicent Joy.
"Visconti's Senso: the risorgimento according to Gramsci." In: Filmmaking by the book: Italian cinema and literary adaptation / Millicent Marcus. p. 164-87 Baltimore: Johns Hopkins University Press, c1993.
Main Stack PN1993.5.I88.M278 1993

Partridge, C. J.
Senso: Visconti's film and Boito's novella: a case study in the relation between literature and film / Colin Partridge. Lewiston [NY]: E. Mellen Press, c1991.
Main Stack PN1997.S3623.P37 1991

Sellors, C. Paul
"Senso" In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

Visconti, Luchino
Two screenplays: La terra trema, Senso. Translated from the Italian by Judith Green New York, Orion Press, 1970 Visconti, Luchino, 1906-1976. Senso. English. 1970
Main Stack PN1997.T41513 NRLF #: B 3 569 414

La Terra Trema

Thomas, Paul
"Gone Fishin'? Rossellini's Stromboli, Visconti's La Terra Trema." Film Quarterly Dec 2008, Vol. 62, No. 2: 20–25.
UC users only

Lina Wertmüller

Bachmann, Gideon; Wertmüller, Lina
""Look, Gideon--": Gideon Bachmann Talks with Lina Wertmüller." Film Quarterly, Vol. 30, No. 3. (Spring, 1977), pp. 2-11.
UC users only

Bartholomew, David
"Let's talk about men." Cineaste Vol VII nr 4 (Winter 1976-77); p 47-48

Ben-Ghiat R.
"The Italian cinema and the Italian working class." International Labor and Working-Class History (59): 36-51 SPR 2001
"This essay examines representations of the Italian working class from the 1930s through the 1970s. I analyze four films produced at four crucial moments in Italian labour and film history (Gli uomini, che mascalzoni!, Mario Camerini, 1932; Ladri di biciclette, Vittorio De Sica, 1946, Rocco e i suoi fratelli, Luchino Visconti, 1960; and Mimi metallurgico ferito nell'onore, Lina Wertmüller, 1972), I discuss the specific political climates that shaped these films' production and reception, paying attention to the role workers were to play as audiences in Communist and Catholic strategies of mass organization. I also highlight continuities of theme and attitude in Italian movies about the working class. A preoccupation with the maintenance of family structures links films by Camerini, De Sica, and Visconti--directors of different cinematic styles, political affiliations, and generation. Only after 1968 do directors such as Wertmüller subject such mindsets and their attendant social practices to sustained critique." [Web of Knowledge]

Berets, R.
"Recent cinematic images of Nazism: 'The night porter' and 'Seven beauties'." Film & History Vol IX nr 4 (Dec 1979); p 73-81
UC users only
"The article presents information on two motion pictures: "The Night Porter," directed by Liliana Cavani, and "Seven Beauties," directed by Lina Wertmüller. There are many similarities between the two motion pictures particularly in the parallels developed between Nazi degeneracy and contemporary decadence. Both films present portraits of the Nazi mentality by developing the relationships between what happened in World War II and what is occurring at the present time. Each film begins with the present, moves back to the past, before returning to its "present" again. In "The Night Porter" the present is the late 1950s in Vienna, Austria. "Seven Beauties" is more immediately set in the time of war and the period just preceding it when Italian dictator Benito Mussolini was assuming power, but this film also ends after the war and carries its message into the present era. "The Night Porter" opens with a definition of place and character. "Seven Beauties" begins with documentary footage of German and Italian battles, and speeches by their leaders." [Ebsco]

Bettleheim, B.
"Reflections [Nazi camps as depicted in the film Seven beauties and in the writings of T. Des Pres]." The New Yorker v. 52 (August 2 1976) p. 31-6

Biskind, Peter
"Lina Wertmüller: The Politics of Private Life." Film Quarterly, Vol. 28, No. 2. (Winter, 1974-1975), pp. 10-16.
UC users only

Blumenfeld, G.
"The (next to) last word on Lina Wertmüller." Cineaste Vol VII nr 2 (Spring 1976); p 2-5, 50
The controversy over Wertmüller in the US press.

Bullaro, Grace Russo.
"The Fictitious Genius of Lina Wertmüller's 1970s Films: A Look at the American and the Italian Views." Forum Italicum, vol. 40, no. 2, pp. 487-99, Fall 2006

Bullaro, Grace Russo.
'What's an Anarchist?': Exploring the Boundaries of the Personal and Political in Wertmüller's 'Love and Anarchy' Forum Italicum, vol. 35, no. 2, pp. 457-72, Fall 2001

Callenbach, Ernest
"Everything ready, nothing works." Film Quarterly Vol XXVIII nr 2 (Winter 1974-75); p 59-60

Déléas, Josette.
"Lina Wertmüller: The Grotesque in Seven Beauties." In: Women filmmakers : refocusing / edited by Jacqueline Levitin, Judith Plessis, and Valerie Raoul. Vancouver : UBC Press, 2002.
Main Stack PN1995.9.W6.W655 2003

Des Pres, T.
"Movies: black comedies." Harper's Magazine v. 252 (June 1976) p. 26-8

Erens, Patricia
"Love and anarchy; passion and pity." Jump Cut nr 2 (July-Aug 1974); p 8-9

Ferlita, Ernest.
The parables of Lina Wertmüller New York : Paulist Press, c1977.
Main: PN1998.A3 W474
MOFF: PN1998.A3 W474

Garson, B.
"Wertmüller ethic." Ms. v. 4 (May 1976) p. 71-5+

Gerard L.
"Ascendance of Lina Wertmüller - Reviving The Foreign-Film." American Film 1 (7): 20-27 1976

Gilliatt, P.
"Let's talk about men." The New Yorker v. 52 (August 16 1976) p. 82+

Greene, Naomi
"Fascism in recent Italian films." Film Criticism Vol VI nr 1 (Fall 1981); p 31-42
Discusses the ambivalent treatment of fascism in films made by Bertolucci, Cavani, Visconti and Wertmüller, and how they in part reflect Italian cultural attitudes.

Grossvogel D.
"Lina Wertmüller and Failure Of Criticism." Yale Italian Studies 1 (2): 171-183 1977

Haskell, Molly
"Swept away on a wave of sexism: Lina Wertmüller." In: Holding my own in no man's land : women and men, film and feminists New York : Oxford University Press, 1997.
Main: PN1995.9.W6 H32 1997
MOFF: PN1995.9.W6 H32 1997

Jacobs, D.
"Lina Wertmüller: the Italian Aristophanes?" Film Comment Vol XII nr 2 (Mar-Apr 1976); p 48-50

Kael, P.
"Seven beauties." The New Yorker v. 51 (February 16 1976) p. 104+

Lawton B.
"Paradox Formation in Films of Lina Wertmüller." Rocky Mountain Review Of Language And Literature 31 (3): 145-145 1977

Le Sueur, Marc
"The Use of Works of Art in the Films by Lina Wertmüller." Artibus et Historiae, Vol. 3, No. 6. (1982), pp. 151-161.
UC users only
"This paper attempts to explain the recurrent appearance of works of art in the films of Lina Wertmüller. The article asserts that there is a symbolic connection between the artifacts used in her naturalistic 'mise en scene' and the thematic directions, often seemingly chaotic, of her narratives. This correlation between setting and theme brings to light interesting aspects of the directors feminism and politics in general. The films discussed are "Love and Anarchy, Seven Beauties" and "Night Full of Rain." The artifacts employed by this director are the "Marcus Aurelius" statue and the "Neptune Fountain" on the Capitoline hill, "The Roman Forum," copies of the "Dioscuri" statues and an antique statue of the "Aphrodite." Further pieces are the "Ara Pacis" and Bronzino's "Allegory of Love.""

Lina Wertmüller
mit Beitragen von Wolfgang Jacobsen ... [et al.]. Munchen : C. Hanser, c1988.
Main Stack PN1998.3.W48.L561 1988

Magretta W.R., Magretta J.
"Lina Wertmüller and the Tradition of Italian Carnivalesque Comedy." Genre 12 (1): 25-43 1979

Marcus, M. J.
"Wertmüller's Love and anarchy: the high price of commitment." In: Marcus, Millicent Joy. Italian film in the light of neorealism Princeton, N.J. : Princeton University Press, 1986.
Main: PN1993.5.I88 M281 1986

Marcus, M. J.
"Love and Anarchy" In: The cinema of Italy
Edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York: Wallflower, 2004.
Main: PN1993.5.I88 C5677 2004
MOFF: PN1993.5.I88 C5677 2004

McCormick, R.
"Swept away." Cineaste Vol VII nr 2 (Spring 1976); p 41-42

McIsaac, P.; Blumenfeld, G.
"You cannot make the revolution on film; An interview with Lina Wertmüller." Cineaste Vol VII nr 2 (Spring 1976); p 6-9

Mellen, J.
"On Lina Wertmüller." Society v. 14 (January 1977) p. 82-4

Michalczyk, J. J.
"Lina Wertmüller: the politics of sexuality." In: Michalczyk, John J. The Italian political filmmakers. Fairleigh Dickinson Univ. Press, 1986
Main: PN1993.I88 M481 1986
MOFF: PN1993.I88 M48 1986

Pechter, William S.
"Watching Lina Wertmüller." Commentary 61:1 (1976:Jan.) p.75

Pfefferkorn, Eli
"Bettelheim, Wertmüller, and the Morality of Survival." Post Script: Essays in Film and the Humanities, vol. 1, no. 2, pp. 15-26, Winter 1982

Picchietti V.
"Crossing the line: Gender transgression in three Italian films (Alessandro Blasetti's La 'Corona di ferro', Bernardo Bertolucci's Il 'Conformista', Lina Wertmüller's 'Sotto...Sotto...Strapazzato d'anomala passione')." Forum Italicum 38 (1): 115-137 SPR 2004

Porter, Carolyn ; Thomas, Paul
"Swept Away" (Review) Film Quarterly, Vol. 29, No. 3. (Spring, 1976), pp. 49-53.
UC users only

Quacinella, L.
"How left is Lina?" Cineaste Vol VII nr 3 (Fall 1976); p 15-17
Author critically questions the leftist political analysis in Wertmüller's films and the revolutionary tendencies for which she has been credited by US critics.

Quart, B.
"Antecedents." In: Women directors : the emergence of a new cinema / Barbara Koenig Quart. Praeger Pubs., 1988
Main Stack PN1995.9.W6.Q371 1988

Riley, Brooks
"Lina Wertmüller: the sophists' Norman Lear?" Film Comment Vol XII nr 2 (Mar-Apr 1976); p 49,51
Article disparaging L.W.'s films as shrill, excessive and based on a formula.

Rodica Diaconescu-Blumenfeld.
"Regista di Clausura: Lina Wertmüller and Her Feminism of Despair." Italica, Vol. 76, No. 3. (Autumn, 1999), pp. 389-403.
UC users only

Rotondi, C. J.
"Lina Wertmüller, an interview." Films in Review v. 35 (November 1984) p. 550-2

Rubenstein, L.
"Love and anarchy." Cineaste Vol VI nr 3 (1974); p 36-37

Simon, John
"Through Babel to the Flood." National Review; 3/31/1978, Vol. 30 Issue 13, p416, 2p
UC users only
The article presents a profile on Lina Wertmüller, a female fiction film director. Several topics and information about Wertmüller's life are mentioned in the article, which includes her reputation, her achievement and contributions to the film industry, her styles in filmmaking, and a collection of motion pictures she directed.

"Swept away." Film Quarterly v. 29 (Spring 1976) p. 49-53

Tutt, Ralph.
"Seven Beauties and the Beast: Bettelheim, Wertmüller, and the Uses of Enchantment." Literature/Film Quarterly, vol. 17, no. 3, pp. 193-201, 1989
UC users only

Van Wert, William F.
"Love, anarchy, and the whole damned thing." Jump Cut nr 4 (Nov-Dec 1974); p 8-9

Vitti, Antonio C.
"The Critics 'Swept Away' by Wertmüller's Sexual Politics." Nemla Italian Studies, vol. 13-14, pp. 121-31, 1989Vitti, Antonio C.

Wagner, Hedwig.
"Places and Spaces: The Public Sphere and Privacy in Lina Wertmüller's Love and Anarchy." Gender Forum. Köln: 2006.

Waller, Marguerite R.
"'You Cannot Make the Revolution on Film': Wertmüller's Performative Feminism in Mimi Metallurgico, Ferito nell'Onore." Women & Performance: A Journal of Feminist Theory, vol. 6, no. 2 [12], pp. 11-25, 1993

"Wertmüller." Film Criticism; Spring76, Vol. 1 Issue 1, p13-17, 5p
UC users only
The article focuses on the political aspects of the film "SWEPT AWAY," directed by Lina Wertmuller. It cites that Wertmuller's film has a deeper and significant message that depicts the dialectical properties of domination and alienation. Moreover, it is noted that Wertmuller uses humor to reveal her political message and her interpretation of the phrase "politics of the unpolitical." It also asserts that her portrayal of sexist behavior in the film has been intended to illustrate the essence of merging the political with the personal.

Westerbeck, C.L., Jr.
"Beauties and the beast." Sight & Sound Vol XLV nr 3 (Summer 1976); p 134-139
Examination of the appeal of 'Pasqualino settebellezze' and 'Taxi driver'.



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