Books/Videos

DeAngelis, Michael

"The characteristics of new queer filmmaking : case study - Todd Haynes." In: New queer cinema : a critical reader / edited by Michele Aaron. New Brunswick, N.J. : Rutgers University Press, 2004.

Grad Svcs PN1995.9.H55.N48 2004 Non-circulating; may be used only in Graduate Services

Main Stack PN1995.9.H55.N48 2004

Levy, Emanuel

"The New Gay and Lesbian Cinema." In: Cinema of outsiders : the rise of American independent film / Emanuel Levy. New York : New York University Press, c1999.

Main Stack PN1995.9.E96.L43 1999

PFA PN1995.9.E96.L43 1999

Journal Articles

Burdette, K.

"Queer Readings/Queer Cinema: An Examination of the Early Work of Todd Haynes." Velvet Light Trap, vol. 41, pp. 68-80, Spring 1998.

Landy, Marcia

"'The Dream of the Gesture': The Body of/in Todd Haynes's Films." Boundary 2: An International Journal of Literature and Culture, vol. 30, no. 3, pp. 123-40, Fall 2003.

MacLean, Alison

"Todd Haynes." BOMB, vol. 52, pp. 48-51, Summer 1995.

Pick, Anat

"'No Callous Shell': The Fate of Selfhood from Walt Whitman to Todd Haynes." Film and Philosophy, vol. 7, pp. 1-21, 2003.

Wyatt, Justin.

"Cinematic/Sexual Transgression: An Interview with Todd Haynes." Film Quarterly, vol. 46, no. 3, pp. 2-8, Spring 1993.

UC users only

Wyatt, Justin

"'Masochism Knows the Story Inside and Out': An Interview with Todd Haynes by Justin Wyatt." Strategies: A Journal of Theory, Culture and Politics, vol. 8, pp. 5-19, Winter 1995.

Articles and Books on Individual films

Far From Heaven

Cooper, Rand Richards.

"Art deco: `Far from Heaven' & `Frida'. (Screen).(Movie Review)." Commonweal 130.1 (Jan 17, 2003): 20.

DeFalco, Amelia.

"A Double-Edged Longing: Nostalgia, Melodrama, and Todd Haynes's Far from Heaven." Iowa Journal of Cultural Studies, vol. 5, pp. 26-39, Fall 2004.

Doane, Mary Ann.

"Pathos and pathology: the cinema of Todd Haynes." Camera Obscura 57 (Sept 2004): 1(22). July 2006

UC users only

Falcon, Richard.

"Magnificent obsession.(director Todd Haynes and his new film 'Far From Heaven')." Sight and Sound 13.3 (March 2003): 12(4).

Harvey, James

"Made in Heaven." Film Comment. Mar/Apr 2003. Vol. 39, Iss. 2; pg. 52, 3 pgs

UC users only

Holleran, Andrew.

"Weepers. (Arts).(Talk to Her)(Far From Heaven)(The Hours)(Movie Review)." The Gay & Lesbian Review Worldwide 10.3 (May-June 2003): 48(2).

UC users only

James, Nick.

"Todd Haynes.(Interview)(Interview)." Sight and Soundd 13.3 (March 2003): 14(2).

Filmmaker Todd Haynes is interviewed about the experience of directing his new film, the melodrama 'Far From Heaven'.

Joyrich, Lynne.

"Written on the screen: mediation and immersion in Far from Heaven." Camera Obscura 57 (Sept 2004): 187(33).

UC users only

Lally, Kevin.

"Far from Hollywood: Todd Haynes Breaks Convention with Sirk-Inspired Melodrama." Film Journal International, vol. 105, no. 11, pp. 12-14, November 2002.

Landy, M.

"The Dream of the Gesture'': The Body of / in Todd Haynes's Films." boundary 2 30.3 (Sept 1, 2003): 123(18).

UC users only

Mulvey, Laura.

"Far From Heaven.(Reviews)(Movie Review)." Sight and Sound 13.3 (March 2003): 40(2).

O'Brien, Geoffrey.

"Past perfect.(Todd Haynes's Far from Heaven)(Interview)." Artforum Internationall 41.3 (Nov 2002): 152(7).

UC users only

"Director Todd Haynes is profiled and his new film "Far from Heaven" is examined. The film is a precise pastiche of a movie Douglas Sirk might have made in 1958--if, that is, Universal Studios had been prepared to release a movie bearing on homosexuality, interracial romance and civil rights." [ProQuest]

Schickel, Richard.

"A heaven of magnificent obsessions." Time. Nov 18, 2002. Vol. 160, Iss. 21; p. 132

UC users only

Simmons, Gary.

"Paradise lost: far from heaven.(FILM AS TEXT: 1931-2005)." Australian Screen Education 40 (Autumn 2005): 103(5)

Thomson, Clifford.

"Todd Haynes, filmmaker.(Biography)." Current Biography 64.7 (July 2003): 32(5).

Willis, Sharon.

"The politics of disappointment: Todd Haynes rewrites Douglas Sirk." Camera Obscura 54 (Dec 2003): 131(46).

UC users only

Poison

Berger, Maurice.

"Todd Haynes' 'Poison.' (Troubleshooters) (Column)." Artforum International 30.n2 (Oct 1991): 17(3).

Bryson, Norman

"Todd Haynes's Poison and Queer Cinema." Invisible Culture - An Electronic Journal for Visual Culture Issue 1, Winter 1999.

Burdette, K.

"Queer Readings/Queer Cinema: An Examination Of The Early Work Of Todd Haynes." Velvet Light Trap 1998 (41): 68-80.

"Two films by director Todd Haynes, Superstar: The Karen Carpenter Story (1987) and Poison (1991), exemplify the narrative strategies employed in the "queer cinema" films that emerged in the late 1980's and early 1990's. Queer cinema deconstructed classic Hollywood images of heterosexuality and the formal structures and myths that naturalize opposite-sex attraction." [America: History and Life]

Canby, Vincent.

"Poison." (movie reviews) (Living Arts Pages) New York Times v140 (Fri, April 5, 1991):B2(N), C8(L), col 4, 18 col in.

Christian, Laura.

"Of housewives and saints: abjection, transgression, and impossible mourning in Poison and safe." Camera Obscura 57 (Sept 2004): 93(32).

UC users only

Corliss, Richard.

"Poison." (movie reviews) Time v137, n19 (May 13, 1991):69.

Jenkins, Nicholas.

"Poison." TLS. Times Literary Supplement n4624 (Nov 15, 1991 n4624): 19(1).

Klawans, Stuart.

"Poison." (movie reviews) Nation v252, n15 (April 22, 1991):535.

Laskawy, Michael

"Poison at the Box Office: An Interview with Todd Haynes." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 18, no. 3, pp. 38-39, 1991.

Nichols, Peter M.

"Poison." (movie reviews)(Living Arts Pages) New York Times v141 (Thu, May 28, 1992):B5(N), C22(L), col 1, 9 col in.

Picardie, Ruth.

"Poison." (movie reviews) New Statesman & Society v4, n172 (Oct 11, 1991):21 (2 pages).

Romney, Jonathan.

"Poison." Sight and Sound 1.n6 (Oct 1991): 56(2).

Savage, Jon.

"Tasteful tales. (new film concerned with AIDS)." Sight and Sound 1.n6 (Oct 1991): 15(5).

Todd Haynes, a graduate from Brown University, directed and co-edited 'Poison,' a film on Aids that focuses on male homosexuality. The film deals with the effect of Aids on society and the way gays feel at the prospect of being excluded from society. This movie focuses on the hostile attitude towards queers.

Travers, Peter.

"Poison." (movie reviews) Rolling Stone, n602 (April 18, 1991):99.

Vachon, Christine

"Poison, swoon, safe." In: Redding, Judith M. Film fatales: independent women directors / Judith M. Redding and Victoria A. Brownworth. Seattle: Seal Press ; [Emeryville, Calif.]: Distributed to the trade by Publishers Group West, c1997.

Main Stack PN1998.2.R43 1997

Safe

Bouchard, Danielle; Desai, Jigna.

''There's Nothing More Debilitating Than Travel:' Locating U.S. Empire in Todd Haynes' Safe." Quarterly Review of Film and Video, vol. 22, no. 4, pp. 359-70, Fall 2005.

UC users only

Christian, Laura. "Of housewives and saints: abjection, transgression, and impossible mourning in Poison and safe." Camera Obscura 57 (Sept 2004): 93(32).

UC users only

Davis, Glyn

"Health and Safety in the Home: Todd Haynes's Clinical White World." In: Territories of desire in queer culture : refiguring contemporary boundaries / edited by David Alderson and Linda Anderson. Manchester, U.K. ; New York : Manchester University Press : Distributed exclusively in the USA by St. Martin's Press, 2000.

Main Stack HQ76.25.T477 2000

Gandy, Matthew

"Allergy and Allegory in Todd Haynes' [Safe]." In: Screening the city / edited by Mark Shiel and Tony Fitzmaurice. London ; New York : Verso, 2003.

Environ Dsgn PN1995.9.C513.S37 2003

Main Stack PN1995.9.C513.S37 2003

PFA PN1995.9.C513.S37 2003

Haynes, Todd; Moore, Julianne; Vachon, Christine

"...and all is well in our world- making Safe." In: Film-makers on film-making / edited by John Boorman and Walter Donohue. London : Faber and Faber, 1996.

Main Stack PN1994.F43912 1996 Not checked out.

Kollin, Susan

"Toxic Subjectivity: Gender and the Ecologies of Whiteness in Todd Haynes's Safe." Isle: Interdisciplinary Studies in Literature and Environment, vol. 9, no. 1, pp. 121-39, Winter 2002.

Lynch, L.

"The Epidemiology of "Regrettable Kinship": Gender, Epidemic, and Community in Todd Haynes Safe and Richard Powers Gain." Journal of Medical Humanities 23.3 (Annual 2002): 203(17).

UC users only

"In "The Epidemiology of Regrettable Kinship: Gender, Epidemic, and Community", in Todd Haynes' [Safe] and Richard Powers' Gain,? the author analyzes two contemporary cultural texts about women and environmentally-linked illnesses to rethink commonplace understandings of the relationship between gender, disease, and community formation. By reading these narratives side by side, Lynch is able to address difficult issues about gendered subjectivity and the fragile construction of collective political identity. While the female protagonists in the texts Lynch examines relate differently to their illnesses, both portray the ways in which women negotiate the potential and limitations of ?illness communities." [Expanded Academic Index]

McQuain, Christopher

"Safe Man: Are Todd Haynes' Films Gay Enough?" Film Journal, vol. 1, no. 3, pp. [no pagination], 2002.

Naismith, Gaye

"Tales from the Crypt: Contamination and Quarantine in Todd Haynes's Safe." In: The visible woman : imaging technologies, gender, and science / edited by Paula A. Treichler, Lisa Cartwright, and Constance Penley. New York : New York University Press, c1998.

Anthropology RA778.V53 1998

Potter, Susan.

"Dangerous spaces: Safe." Camera Obscura 57 (Sept 2004): 125(32).

UC users only

Rayns, Tony.

"Safe." Sight and Sound 6.n5 (May 1996): 59(2).

Reid, Roddey

"Unsafe at Any Distance: Todd Haynes' Visual Culture of Health and Risk." Film Quarterly, vol. 51, no. 3, pp. 32-44, Spring 1998.

UC users only

Todd Haynes' 1995 film 'Safe' uses the relationship between the film's heroine and the audience to create a complex cienmatic exploration of the issue of health and the environment. The film uses visibility to deny viewers the conventional identification of mainstream cinema.

Schorr, Collier.

"Diary of a sad housewife. (interview with filmmaker Todd Haynes)(Interview)." Artforum International 33.n10 (Summer 1995): 86(4).

Stephens, Chuck.

"Gentlemen prefer Haynes" Film Comment. Jul 1995. Vol. 31, Iss. 4; pg. 76, 5 pgs

UC users only

Stuber, Dorian

"Patient Zero? Illness and Vulnerability in Todd Haynes's [Safe]." Parallax Volume 11, Number 2 / April-June 2005

UC users only

Taubin, Amy.

"Nowhere to hide.(director Todd Haynes)(Interview)." Sight and Sound 6.n5 (May 1996): 35(3).

"The film director Todd Haynes asserts that his concern about AIDS diseases and recovery treatments led to the making of 'Safe.' The film sees illness as a rejection of a healthy identity and self. The knowledge of such an affliction can vastly alter perceptions, as is the case with Carol White. The subversive nature of 'Safe' is evident in the rejection of the Wrenwood culture as representing all conventional and new age recovery theories. While lamenting the absence of beneficial radical politics, Haynes reaffirms that environmental illness and the havoc it wreaks remain the focus of the film." [Expanded Academic Index]

Vachon, Christine

"Poison, swoon, safe." In: Redding, Judith M. Film fatales: independent women directors / Judith M. Redding and Victoria A. Brownworth. Seattle: Seal Press ; [Emeryville, Calif.]: Distributed to the trade by Publishers Group West, c1997.

Main Stack PN1998.2.R43 1997

Velvet Goldmine

Brooks, Xan.

"Velvet Goldmine.(Review)." Sight and Sound 8.11 (Nov 1998): 63(2).

Bullock, Marcus.

"Treasures of the earth and screen: Todd Haynes's film Velvet Goldmine.(Critical Essay)." Discourse 24.3 (Fall 2002): 3(25).

UC users only

doCarmo, Stephen N.

"Beyond good and evil: mass culture theorized in Todd Haynes' Velvet Goldmine." Journal of American & Comparative Cultures (Fall-Winter 2002): 395(4).

UC users only

Horspool, David.

"Velvet Goldmine." TLS. Times Literary Supplement n4988 (Nov 6, 1998 n4988): 31(1).

James, Nick.

"American voyeur. (Film Director Todd Haynes)(Interview)." Sight and Sound 8.n9 (Sept 1998): 8(6). Filmmaker Todd Haynes discusses his film 'Velvet Goldmine.' He explains how he, as an American, became aware of the film's subject, the British glam rock scene of the early 1970s, and he gives his own opinion about glam rock. He describes some of the techniques he used in the making of the film, he notes the influence of other films, including Scorsese's 'The Last Waltz', and he discusses his feelings on completion of the film.

O'Neill, Edward R.

"Traumatic postmodern histories: Velvet Goldmine's phantasmatic testimonies." Camera Obscura 57 (Sept 2004): 157(30).

UC users only

Seligman, Craig.

"Velvet Goldmine." Artforum International 37.n2 (Oct 1998): 102(4).

UC users only