Frankenstein and Dracula (motion pictures):
A Bibliography of Materials in the UC Berkeley Library












Frankenstein (James Whale)

Frankenstein (James Whale)

Mary Shelley's Frankenstein (Kenneth Branagh)

Hammer Studios Frankenstein Films (separate page)

Dracula (General Works)

Dracula (Todd Browning) (separate page)

Bram Stoker's Dracula (Francis Coppola) (separate page)

Hammer Studios Dracula Films (separate page)

Nosferatu (F.W. Murnau) (separate page)

Nosferatu (Werner Herzog) (separate page)

Frankenstein (James Whale & General Works)

Abbott, Joe.
"The 'Monster' Reconsidered: Blade Runner's Replicant as Romantic Hero." Extrapolation: A Journal of Science Fiction and Fantasy, vol. 34 no. 4. 1993 Winter. pp: 340-50.

Adams, Carol J.
The bedside, bathtub & armchair companion to Frankenstein New York : Continuum, 2007.
MAIN: PR5397.F73 A33 2007;
Table of contents http://www.loc.gov/catdir/toc/ecip076/2006100001.html

Bram, Christopher.
Father of Frankenstein / Christopher Bram. New York: Dutton, 1995.
UCB Main PS3552.R2817 F38 1995

Bronski, Mark
"Gods and Monsters: The Search for the Right Whale." (filmmaker James Whale) Cineaste Fall 1999 v24 i4 p10
UC users only
"The life and artistic career of filmmaker James Whale isexamined, focusing on his films, such as "The Bride of Frankenstein,"and the representation of Whale in Bill Condon's film "Gods andMonsters" and Christopher Bram's novel, "Father of Frankenstein."Topics include the impact of Whale's homosexuality and war experienceon his films and his relationship to Hollywood." [Expanded Academic Index]

Buehrer, Beverley Bare
Boris Karloff : a bio-bibliography / Beverley Bare Buehrer. Westport, Conn. : Greenwood Press, 1993. Bio-bibliographies in the performing arts ; no. 39
Main Stack PN2287.K25.B84 1993

Butler, Ivan.
"Horror in the cinema, by Ivan Butler. [2nd rev. ed.] pp: 36-39. London, Zwemmer; New York, A. S. Barnes [1970] (Series: International film guide series)
Main Stack PN1995.9.H6.B8 1970

Clarens, Carlos.
Horror movies; an illustrated survey. [New] ed. retitled, revised and enlarged. pp: 80-4. London, Secker & Warburg, 1968.
Main Stack PN1995.9.H6.C5 1968

Clark, Stephanie Brown
"Frankenflicks: medical monsters in classic horror films." Cultural sutures : medicine and media / edited by Lester D. Friedman. Durham [N.C.] : Duke University Press, 2004.
Public Health RA440.5 .C835 2004

Clayton, Jay.
"Frankenstein's Futurity: Replicants and Robots." In: Cambridge Companion to Mary Shelley/ edited by Esther Schor. pp: 84-99. Cambridge, UK ; New York : Cambridge University Press, 2003. Cambridge companions to literature.
Table of contents: http://www.loc.gov/catdir/toc/cam031/2003046266.html
Main Stack PR5398.C36 2003

Colloque Frankenstein litterature/cinema (1997 : Liege, Belgium) Actes du colloque Frankenstein litterature/cinema / organise par la Bibliotheque centrale Chiroux-Croisiers de Liege et le ... Liege [Belgium] : Editions du CEFAL, c1997. cahiers des paralitteratures ; 7
Main Stack PR5397.F73.C65 1997

Conger, Syndy M.; Welsch, Janice R.
"The Comic and the Grotesque in James Whale's Frankenstein Films." In: Planks of Reason: Essays on the Horror Film / edited by Barry Keith Grant. pp: 290-306. Metuchen, N.J.: Scarecrow Press, 1984.
Main Stack PN1995.9.H6.P56 1984
Moffitt PN1995.9.H6.P56 1984

Curtis, James
James Whale / by James Curtis. Metuchen, N.J.: Scarecrow Press, 1982. Series title: Filmmakers series; no. 1.
UCB Main PN1998.A3 .W4772 1982
UCB Moffitt PN1998.A3 .W4772 1982

Curtis, James
James Whale: a new world of gods and monsters / by James Curtis. Boston: Faber and Faber, 1998.
UCB Main PN1998.3.W5 C87 1998

Del Valle, David.
"Curtis Harrington on James Whale."(includes filmography)(Interview) Films in Review v47, n1-2 (Jan-Feb, 1996):2 (14 pages).
"Curtis Harrington feels that James Whale's horror films are entertaining, as they show an amalgamation of the James Whale humor and stylish filmmaking with quirky characters. He believes that Whale's films are not replete with homosexual implications, as artists do not conceptualize in psychoanalytic terms. Harrington feels that he is indebted to Whale for the sense of humor and the choice of nonconformist characters. Whale's attitude towards life is discussed." [Magazine Index]

Dixon, Wheeler W.
"The Films of Frankenstein." In: Approaches to Teaching Shelley's Frankenstein / edited by Stephen C. Behrendt. pp: 166-179. New York: Modern Language Association of America, 1990. Series title: Approaches to teaching world literature; 33.
UCB Main PR5397.F73 A6 1990
UCB Moffitt PR5397.F73 A6 1990

Desser, David.
"The New Eve: The Influence of Paradise Lost and Frankenstein on Blade Runner." In: Retrofitting Blade Runner: Issues in Ridley Scott's Blade Runner and Philip K. Dick's Do Androids Dream of Electric Sheep? / edited by Judith B. Kerman. pp: 53-65. Bowling Green, Ohio: Bowling Green State University Popular Press, c1991.
UCB Main PN1997.B283 R4 1991

Douglas, Drake.
Horror! / Drake Douglas. pp: 136-42. New York, NY : Overlook Press, 1988.
Moffitt PN1995.9.H6.D6 1988

Ellis, Reed.
A Journey into Darkness: The Art of James Whale's Horror Films / Reed Ellis. New York: Arno Press, 1980. Series title: Dissertations on film 1980.
UCB Moffitt PN1998.A3 .W4774 1980

Evans, W..
"Monster movies: a sexual theory." Journal of Popular Film and Television Vol II nr 4 (Fall 1973); p 353-365.
Explains the popularity of monster movies in terms of adolescent sexual changes.

Fischer, Dennis.
"James Whale." In: Horror film directors, 1931-1990 / Dennis Fischer. Jefferson, N.C. : McFarland, c1991.
Main (Gardner) Stacks PN1995.9.H6 F5 1991

Forry, Steven Earl.
Hideous Progenies: dramatizations of Frankenstein from Mary Shelley to the Present / Steven Earl Forry. Philadelphia: University of Pennsylvania Press, c1990.
UCB Main PR5397.F73 F67 1990
UCB Moffitt PR5397.F73 F67 1990

"Frankenstein." (review)The New Yorker, Dec. 12, 1932, v7. pp:79-80.

"Frankenstein." (review)Sight & Sound, Autumn 1957, v27. p. 96

The Frankenstein file / [edited by] Peter Haining. London : New English Library, 1977.
Main Stack PR5397 F7 F7

Frentz, Thomas S.
"The Frankenstein Myth in Contemporary Cinema." In: Critical Questions: Invention, Creativity, and the Criticism of Discourse and Media / edited by William L. Nothstine, Carole Blair, Gary A. Copeland. pp: 155-82. New York: St. Martin's Press, c1994.
UCB Main PN4061 .C7 1994
UCB Moffitt PN4061 .C7 1994

Frentz, Thomas S.
"The Frankenstein Myth in Contemporary Cinema." Critical Studies in Mass Communication March 1989 v6 n1 p61(20)
Author's Abstract: COPYRIGHT 1989 Speech Communication Association "Through and examination of Rocky IV, Blade Runner, and the Terminator, this essay constructs an evolving dystopian shadow myth that expresses repressed fears the culture has about its relationship to technology. In its patriarchal form, the myth depicts and increasing division of technological agency from human agent, leading toward an entelechial end of human obsolescense. If this tragic "perfection" is to be averted, the myth implies, the culture must reintegrate feminine values into its consciousness, thereby activating an oppositional entelechial motive to reidentify agent with agency."

Frost, R. J.
"'It's Alive!' Frankenstein: The Film, the Feminist Novel and Science Fiction." Foundation: The Review of Science Fiction, vol. 67. 1996 Summer. pp: 75-94.

Gerblinger, Christiane
"James Whale's Frankensteins: re-animating the Great War." CineAction. 82-83 (Winter 2011) p2. UC users only

Gill, Linda.
"Women Beware! The Appropriation of Women in Hollywood's Revisioning of Mary Shelley's Frankenstein."Journal of American & Comparative Cultures. 24(3-4):93-98. 2001 Fall-Winter

Glut, Donald F.
The Frankenstein archive : essays on the monster, the myth, the movies, and more / Donald F. Glut. Jefferson, N.C. : McFarland & Co., c2002.
Main Stack PN1995.9.F8.G59 2002

Glut, Donald F.
The Frankenstein catalog / Donald F. Glut. Jefferson, N.C. : McFarland, c1984.
Main Stack PR5397.F73.A12 G8, 1984

Glut, Donald F.
The Frankenstein Legend: A Tribute to Mary Shelley and Boris Karloff, by Donald F. Glut. Metuchen, N.J., Scarecrow Press, 1973.
UCB Main PR5397.F73 G4
UCB Main PR5397.F7 G4

VIDEORECORDING
Gods and monsters
Lions Gate Films and Flashpoint present in association with BBC Films ; a Regent Entertainment production in association with Gregg Fienberg ; produced by Paul Colichman, Gregg Fienberg, Mark R.... Universal City, CA : Universal Home Video, [1999]. (106 min.) UCB Media Ctr VIDEO/C 999:2598
Credits from Internet Movie Database

Gould, Stephen Jay.
"The Monster's Human Nature." Kaleidoscope: International Magazine of Literature, Fine Arts, and Disability, vol. 30. 1995 Winter-Spring. pp: 19-24.

Grant, Michael.
"James Whale's Frankenstein: The Horror Film and the Symbolic Biology of the Cinematic Monster." In: Frankenstein, Creation and Monstrosity / edited by Stephen Bann. pp: 113-35. London: Reaktion Books, 1994. Series title: Critical views.
UCB Main PR5397.F73 F69 1994)

Heffernan, James A. W.
"Looking at the Monster: Frankenstein and Film." Critical Inquiry, vol. 24 no. 1. 1997 Autumn. pp: 133-58.
UC users only
"Film theory has become more explicitly linguistic but the medium remains firmly committed to the principle that its structure and sequence of images, or the so-called language of cinema, is essentially visual. The visuality of cinema might help to explain why film versions of the novel 'Frankenstein' have been largely ignored by academic critics of the book. The different motion picture versions of Frankenstein are evaluated." [Magazine Index]

Heffernan, James A. W.
"The color of blood: Hammer films and Curse of Frankenstein." In: Ghouls, gimmicks, and gold : horror films and the American movie business, 1953-1968" / Kevin Heffernan. Durham : Duke University Press, 2004.
Main Stack PN1995.9.H6.H45 2004

Helman, Cecil
"Dr Frankenstein and the Industrial Body: Reflections on 'Spare Part' Surgery." Anthropology Today, Vol. 4, No. 3 (Jun., 1988), pp. 14-16
UC users only

Hopkins, Lisa
"Taking the gothic out: 'tis pity she's a whore, Mary Shelley's Frankenstein, The woman in white, and Lady Audley's secret." In: Screening the gothic / Lisa Hopkins. 1st ed. Austin, TX : University of Texas Press, c2005.
Main Stack PR408.G68.H67 2005

Jensen, Paul
Paul Jensen on Frankenstein." Film Comment 6:3 (1970:Fall) 42

Juengel, Scott J.
"Face, Figure, Physiognomics: Mary Shelley's Frankenstein and the Moving Image." Novel-A Forum on Fiction. 33(3):353-76. 2000 Summer

Lavalley, Albert J.
"Stage and film children of Frankenstein : a survey." In: The Endurance of Frankenstein : essays on Mary Shelley's novel / edited by George Levine and U. C. Knoepflmacher. Berkeley : University of California Press, c1979.
UCB Main PR5397.F73 E5
UCB Moffitt PR5397.F73 E5

Lewis, Barbara Jo.
"Frankenstein's Monsters and Moral Accountability."Journal of Evolutionary Psychology. 22(1-2):78-86. 2001 Mar

Linaker, Kay
"Tod Browning and James Whale." In: Eye on science fiction : 20 interviews with classic SF and horror filmmakers / by Tom Weaver. Jefferson, N.C. : McFarland, c2003.
Main Stack PN1995.9.S26.E9 2003
Contents via Google books

Lindsay, Cynthia.
Dear Boris : the life of William Henry Pratt a.k.a. Boris Karloff / Cynthia Lindsay. 1st ed. New York : Knopf, 1975.
Pacific Film Archive PN2287.K25 L51 1975
NRLF (UCB) PN2287.K25 L51 1975

Mank, G.
"Frankenstein Restored."Films in Review, XL/6-7, June-July 89; p.322-326.
Describes footage restored to "Frankenstein" as part of Universal's programme to issue complete versions of its classic horror films on video.

Mank, G.
"Little Maria Remembers."Films in Review, XLIII/9-10, Sept-Oct 92; p.328-331.
"Marilyn Harris was seven years old when she portrayed Little Maria in the 1931 production of 'Frankenstein.' In one scene, Harris is to be thrown by the monster played by Boris Karloff into a lake where she drowns. The scene was censored in the released version although Harris recalls that it was the most haunting episode in the motion picture. The recent video release of the film features this significant footage." [Expanded Academic Index]

Margolis, Harriet E.
"Lost Baggage: Or, The Hollywood Sidetrack." In: Approaches to Teaching Shelley's Frankenstein / edited by Stephen C. Behrendt. pp: 160-165. New York: Modern Language Association of America, 1990. Series title: Approaches to teaching world literature; 33.
UCB Main PR5397.F73 A6 1990
UCB Moffitt PR5397.F73 A6 1990

Martin, Sara.
"In Mary Shelley's Loving Arms: Brian Aldiss's Frankenstein Unbound and Its Film Adaptation by Roger Corman." Foundation: The International Review of Science Fiction. 32 (89): 76-92. 2003 Autumn.

Mary Wollstonecraft Shelley Frankenstein, the making of the monster[Videorecording]
The Shelleys and Byron wiled away part of a rainy summer in Switzerland reading and writing ghost stories; Frankenstein was Mary Shelley's contribution. But Frankenstein is more than a great ghost story. Its theme-- that we do not know the monsters our minds can create-- is perhaps even more valid today. The program contains clips from the Boris Karloff film, the prototype of movie monsters, and authors Anne Rice and Ann Mellor add their insights into this book. Princeton, N.J. : Films for the Humanities, 2003.
Media Center: DVD 1976

Mays, Milton A.
"Frankenstein, Mary Shelley's black theodicy." In: Clareson, SF: the other side of realism; essays on modern fantasy and science fiction. Edited by Thomas D. Clareson. Bowling Green, Ohio, Bowling Green University Popular Press [1971].
UCB Main PN3448.S4 C5
UCB Moffitt PN3448.S45 .C5

Negra, Diane.
"Coveting the feminine: Victor Frankenstein, Norman Bates, and Buffalo Bill." Literature/Film Quarterly (24:2) 1996, 193-200. 1996
UC users only

Nestrick, William
"Coming to life : Frankenstein and the nature of film narrative." In: The Endurance of Frankenstein : essays on Mary Shelley's novel / edited by George Levine and U. C. Knoepflmacher. Berkeley : University of California Press, c1979.
UCB Main PR5397.F73 E5
UCB Moffitt PR5397.F73 E5

O'Flinn, Paul.
"Production and Reproduction: The Case of Frankenstein." Literature and History, vol. 9 no. 2. 1983 Autumn. pp: 194-213.

Picart, Caroline Joan
The cinematic rebirths of Frankenstein : Universal, Hammer, and beyond / Caroline Joan ("Kay") S. Picart. Westport, Conn. : Praeger, 2002.
Main Stack PN1995.9.F8.P52 2002

Picart, Caroline Joan
The Frankenstein film sourcebook / Caroline Joan "Kay" S. Picart, Frank Smoot, and Jayne Blodgett ; foreword by Noel Carroll. Westport, Conn. : Greenwood Press, 2001. Bibliographies and indexes in popular culture ; no. 8
Main Stack PN1995.9.F8.P53 2001
Contents via Google books

Picart, Caroline Joan S.
"Humour and Horror in Science Fiction and Comedic Frankensteinian Films." Scope: An Online Journal of Film Studies. : (no pagination). 2004 May. pgs. (no pagination).

Picart, Caroline Joan S.
"Re-birthing the monstrous: James Whale's (mis)reading of Mary Shelley's 'Frankenstein.'" Critical Studies in Mass Communication v15, n4 (Dec, 1998):382 (2 pages).
" James Whale's direction of the motion picture version of Mary Shelley's novel 'Frankenstein' obliterated Shelley's pointed disapprobation of the concept of male parthenogenesis and artificial human reproduction techniques. The movie had instead focused on the character's monstrous appearance which had been deemed a parody of Jesus Christ's resurrection. Other gender-related elements such as the male protagonist's ambivalent relationships with his mother and sweetheart were replaced with the familiar theme of a love triangle." [Expanded Academic Index]

Picart, Caroline Joan S.
Remaking the Frankenstein myth on film : between laughter and horror Albany : State University of New York Press, c2003.
MAIN: PN1995.9.F8 P54 2003;
Picart examines the connection between horror and humor through a discussion of the remaking of the Frankenstein myth on film. Her account utilizes various critical tools, such as feminist critical theory, Jungian theories of "the shadow," and Arthur Koestler's account of the continuum between comedy and horror. Unfortunately, her use of multiple theoretical perspectives hinders her analysis.

Picart, Caroline Joan S.
The cinematic rebirths of Frankenstein : Universal, Hammer, and beyond Westport, Conn. : Praeger, 2002.
MAIN: PN1995.9.F8 P52 2002
PFA : PN1995.9.F8 P52 2002

Poindexter, Mark.
"The Diverse Discourses of Frankenstein and Its Retellings."Journal of Evolutionary Psychology. 22(1-2):2-23. 2001 Mar

Redfield, Marc.
"Frankenstein's Cinematic Dream." In: Frankenstein's Dream U of Maryland. Place of Publication: College Park, MD; Book Pagination: 15 paragraphs, Year of Publication: 2003.

Rieder, John.
"Embracing the Alien: Science Fiction in Mass Culture." Science-Fiction Studies vol. 9 no. 1 (26). 1982 Mar. pp: 26-37.

Riviere, Francois
En enfer avec James Whale / Francois Riviere. Paris: Editions du masque, c1999. Series title: Riviere, Francois, 1949- Blaspheme; 2.
UCB Main PQ2678.I8737 E5 2000

Rushing, Janice Hocker; Frentz, Thomas S.
"The Frankenstein Myth in Contemporary Cinema." Critical Studies in Mass Communication, Mar1989, Vol. 6 Issue 1, p61, 20p; (AN 9335352)
UC users only

Sarver, Stephanie
"Homer Simpson Meets Frankenstein: Cinematic Influence in Nathanael West's The Day of the Locust." Literature/Film Quarterly, XXIV/2, Apr 96; p.217-222.
UC users only
"Nathanael West's novel "The Day of the Locust" borrowed both from James Whale's 1931 film "Frankenstein" and from 1930s Hollywood to develop its motifs. The main character, Homer Simpson, is depicted as a character that is both monstrous and sympathetic. The novel's Hollywood settings mimic the anachronisms present in the many styles of 1930s Hollywood and in the inconsistent costuming of the townspeople in "Frankenstein." A mob's misunderstanding of the monstrous Homer Simpson results in his death, as is the case in the film." [Magazine Index]

Schor, Esther.
"Frankenstein and Film." In: Cambridge Companion to Mary Shelley/ edited by Esther Schor. pp: 63-83. Cambridge, UK ; New York : Cambridge University Press, 2003. Cambridge companions to literature.
Table of contents: http://www.loc.gov/catdir/toc/cam031/2003046266.html
Main Stack PR5398.C36 2003

The Sci-fi files. Children of Frankenstein [Videorecording]
For centuries, science fiction has predicted the future. This film series explores the history of this art form using clips from films and expert commentary. Part 1 traces one of the prevalent themes of science fiction, biological experimentation and its potentially dangerous repercussions. From Frankenstein to 2001, from The Outer Limits to The Fly, this segment highlights some of the dangers of society's relationship with science.
Media Center: VIDEO/C 5987

Spadoni, Robert
"Frankenstein and the Vat of Hollywood." In: Uncanny bodies : the coming of sound film and the origins of the horror genre / Robert Spadoni. Berkeley : University of California Press, c2007.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1995.9.H6 S66 2007

Taves, Brian
"Universal's Horror Tradition." American Cinematographer, LXVIII/4, Apr 87; p.36-48.
Focuses on Robert Florey's work as co-screenwriter on "Frankenstein" and his collaboration with cinematographer Karl Freund on "Murders in the rue Morgue".

Thomson, David
"Really a Part of Me." Film Comment, XXXI/1, Jan-Feb 95; p.17-18,23-24,26-29.
On the themes of the body and bodily fluids in horror comedy and vampire films such as "Frankenstein", "Dracula", "Junior" and "Interview with the vampire".

Tropp, Martin.
"Frankenstein and film." In: Nineteenth-century women at the movies : adapting classic women's fiction to film / edited by Barbara Tepa Lupack. Bowling Green, Oh. : Bowling Green State University, 1999.
UCB Main PN1997.85 .N56 1999

Tropp, Martin.
Mary Shelley's monster : the story of Frankenstein / Martin Tropp. Boston : Houghton Mifflin, 1976.
Main Stack PR5397.F7.T7
Moffitt PR5397.F7.T7

Underwood, Peter
Horror man: the life of Boris Karloff, with an appendix of the films in which he appeared. London, Frewin, 1972.
Main Stack PN2287.K25.U471 NRLF #: B 3 571 235

Willem, Linda M..
"Text and Intertext: James Whale's Frankenstein in Victor Erice's El Espiritu de la Colmena." RLA: Romance Languages Annual, 1997, 9, 722-25.

Zakharieva, Bouriana.
"Frankenstein of the Nineties: The Composite Body." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee, vol. 23 no. 3. 1996 Sept. pp: 739-52.

Bride of Frankenstein (James Whale)

"Bride of Frankenstein." (Feature Films Reviewed January 20th to December 31st, Monthly Film Bulletin 2:[13/24] (1935) 83

"Bride of Frankenstein." (review)New Republic v. 5 (May 29 1935) v83 p. 75

"Bride of Frankenstein." (review)New York Times May 11, 1935 p21

"Bride of Frankenstein." (review)New Yorker May 25, 1935 v11 p70

"Bride of Frankenstein." (review)Newsweek v. 5 (May 4 1935) p. 25

"Bride of Frankenstein." (review)Time April 29, 1935 v25 p52

Douglas, Drake.
Horror! pp: 126-30. New York, Macmillan [1966]
Main Stack PN1995.9.H6.D6 NRLF #: $B 120 657

Knoppers, Laura L.
"Miltonic Lonliness and Monstrous Desire, From Paradise Lost to Bride of Frankenstein." In: Milton in popular culture / edited by Laura Lunger Knoppers and Gregory M. Colón Semenza. New York : Palgrave Macmillan, 2006.
Full text available online (UCB users only)
Main (Gardner) Stacks PR3588 .M5525 2006

Manguel, Alberto.
Bride of Frankenstein / Alberto Manguel. London: British Film Institute, c1997. Series title: BFI film clasics.
Main PN1997.B73 M36 1997

Morgan, M.
"Sexual Subversion. The Bride of Frankenstein.Bright Lights, /11, Fall 93; p.5-6.
"The Bride of Frankenstein" viewed - by means of its themes and casting - as a homosexual attack on heterosexual mores.

Morris, Gary.
"James Whale's The Bride of Frankenstein." Bright Lights issue 23
No institution society, religion, marriage, or heterosexuality was safe from the penetrating queer eye of James Whale. Make way for the homosexual creator!

Morris, Gary.
"Sexual Subversion: The Bride of Frankenstein." Bright Lights Film Journal. 19: (no pagination). 1997 July.
No institution society, religion, marriage, or heterosexuality ? was safe from the penetrating queer eye of James Whale. Make way for the homosexual creator!

Norden, Martin F.
"Sexual References in James Whale's Bride of Frankenstein." In: Eros in the Mind's Eye / edited by Donald Palumbo. pp: 141-150. New York: Greenwood Press, 1986. Series title: Contributions to the study of science fiction and fantasy no. 21.
UCB Main PN1995.9.S45 E681 1986
UCB Moffitt PN1995.9.S45 E68 1986

Phelan, Lyn.
"Artificial Women and Male Subjectivity in 42nd Street and Bride of Frankenstein." Screen. 41(2):161-82. 2000 Summer.

Vermilye, Jerry.
The films of the thirties / Jerry Vermilye ; introduction by Judith Crist. 1st ed. pp: 144-5. Secaucus, N.J. : Citadel Press, c1982.
Main Stack PN1997.8.V44 1982

Warner, Marina.
"Women Against Women in the Old Wives' Tale.": Internal BFI Seminar, 26 February 1992. In: Cinema and the Realms of Enchantment: Lectures, Seminars and Essays by Marina Warner and Others edited by Duncan Petrie. pp: 63-84. London: British Film Institute, 1993. Series title: BFI working papers.
Main PN1995.9.F36 C55 1993

Young, Elizabeth
"Bods and monsters: the return of the Bride of Frankenstein." In: The End of cinema as we know it : American film in the nineties / edited by Jon Lewis. New York : New York University Press, c2001.
UCB Main PN1993.5.U6 E53 2001

Young, Elizabeth
"Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein." In: The Dread of Difference: gender and the horror film / edited by Barry Keith Grant. pp: 309-37. 1st ed. Austin: University of Texas Press, 1996. Texas film studies series.
Main Stack PN1995.9.H6.D74 1996

Young, Elizabeth
"Here Comes the Bride: Wedding Gender and Race in Bride of Frankenstein." Feminist Studies, Vol. 17, No. 3. (Autumn, 1991), pp. 403-437.
UC users only

Mary Shelley's Frankenstein (Kenneth Branagh)

Bennett, Betty T.
"Mary Shelley's Frankenstein." (movie reviews) TLS. Times Literary Supplement, n4781 (Nov 18, 1994):16 (2 pages).

Denby, David.
"Mary Shelley's Frankenstein." (movie reviews) New York v27, n45 (Nov 14, 1994):76 (2 pages).

Goodson, A. C.
"Frankenstein in the Age of Prozac." In: Literature and Medicine, vol. 15 no. 1. 1996 Spring. pp: 16-32.

Heffernan, James A. W.
"Looking at the Monster: Frankenstein and Film." Critical Inquiry, vol. 24 no. 1. 1997 Autumn. pp: 133-58.

Hindle Maurice
"Male order only." (male-oriented themes in film 'Mary Shelly's Frankenstein') New Statesman & Society Nov 4, 1994 v7 n327 p33(1)
UC users only
"Kenneth Branagh's version of Mary Shelley's 'Frankenstein' explores both the male bonding concerns of the 1990s men's movement and the dangers of interfering with nature. Frankenstein becomes a father figure to his creation, but his actions lead to a tragic end." [Expanded Academic Index]

James, Caryn.
"In search of the man within the monster." (recent horror films) New York Times v144, sec2 (Sun, Nov 13, 1994):H1(N), H1(L), col 1, 38 col in.

Kauffmann, Stanley.
"Mary Shelley's Frankenstein." (movie reviews) New Republic v211, n22 (Nov 28, 1994):56 (2 pages).

Kermode, Mark
"Making Frankenstein and the Monster." (Interview). Sight & Sound Nov 94. Kermode,Mark

Lane, Anthony.
"Mary Shelley's Frankenstein." (movie reviews) New Yorker v70, n37 (Nov 14, 1994):141 (3 pages).

Laplace-Sinatra, Michael.
"Science, Gender and Otherness in Shelley's Frankenstein and Kenneth Branagh's Film Adaptation." European Romantic Review vol. 9 no. 2. 1998 Spring. pp: 253-70.

Lipman, Amanda.
"Mary Shelley's Frankenstein." (movie reviews) Sight and Sound v4, n12 (Dec, 1994):51 (2 pages).

Maslin, Janet.
"Mary Shelley's Frankenstein." (movie reviews) New York Times v144 (Fri, Nov 4, 1994):B1(N), C1(L), col 1, 22 col in.

Morris, Gary.
"Queer Horror: Decoding Universal's Monsters." Bright Lights issue 23
What do horror and homosexuality have in common anyway? The all-pervasive, barely disguised, downright queerness of classics like Dracula, The Bride of Frankenstein, The Invisible Man, and Dracula's Daughter

Parker, Daniel.
"Making Frankenstein and the Monster." Sight and Sound, vol. 4 no. 11. 1994 Nov. pp: 6-9.

Pearson, Harry, Jr.
"Mary Shelley's Frankenstein." (movie reviews) Films in Review v46, n1-2 (Jan-Feb, 1995):58 (2 pages).

Romney, Jonathan.
"Mary Shelley's Frankenstein." (movie reviews) New Statesman & Society v7, n327 (Nov 4, 1994):32 (2 pages).

Salamon, Julie.
"Mary Shelley's Frankenstein." (movie reviews) Wall Street Journal (Thu, Nov 10, 1994):A12(W), A14(E), col 1, 19 col in.

Sandell, Jillian
"Pleasures of the Body." Bright Lights /15, 95; p.18-23. illus., bibliogr.
Focuses on the physicality of "Mary Shelley's Frankenstein" and its depiction of the body as a dual source for both pleasure and pain.

Travers, Peter.
"Mary Shelley's Frankenstein." (movie reviews) Rolling Stone, n696 (Dec 1, 1994):131 (2 pages).

Welsh, Jim
"Frankenstein Reborn!" Literature/Film Quarterly XXIII/2, Apr 95; p.151-152.
UC users only
"Kenneth Branagh's adaptation of Mary Shelley's'Frankenstein' is an exaggerated interpretation of the gothic tradition.Robert De Niro's performance is formidable. The film's scenery isinfluenced by Francis Coppola's 'Dracula.' Branagh maintains a balancein his depiction of the creator and his creation" [Expanded Academic Index]

Zakharieva, Bouriana.
"Frankenstein of the Nineties: The Composite Body." Canadian Review of Comparative Literature/Revue Canadienne de itterature Comparee, vol. 23 no. 3. 1996 Sept. pp: 739-52.

Dracula: General Works)

Tod Browning
Francis Ford Coppola
F.W. Murnau (Nosferatu)
Werner Herzog (Nosferatu)

Bojarski, Richard.
The films of Bela Lugosi / by Richard Bojarski 1st ed Secaucus, N.J. : Citadel Press, c1980
Main Stack PN2859.H86.L832

Clarens, Carlos.
Horror movies; an illustrated survey. [New] ed. retitled, revised and enlarged. pp: 79-80. London, Secker & Warburg, 1968.
Main Stack PN1995.9.H6.C5 1968

Cramer, Marc.
"The secret language of Count Dracula." (Spanish language version of the film 'Dracula')Americas (English Edition) v49, n1 (Feb, 1997):58 (2 pages).
A Spanish-speaking crew shot a version of 'Dracula' in 1930 on the set where Bela Lugosi was starring in the English version. Carlos Villarias played the title role in the film, which premiered in 1931 and was shown in Latin America until the 1950s. A restored version was released on video in 1992.

Day, William Patrick.
Vampire legends in contemporary American culture : what becomes a legend most Lexington : University Press of Kentucky, c2002.
MAIN: PS374.V35 D39 2002
Contents via Google books

Donald, James
"The fantastic, the sublime and the popular; or, what's at stake in vampire films?" In: Fantasy and the cinema / edited by James Donald. London : British Film Institute, 1989.
Main Stack PN1995.9.F36.F361 1989
Moffitt PN1995.9.F36

Dyer, Richard.
"Dracula and Desire British Film Institute." In: Film/literature/heritage / edited by Ginette Vincendeau. pp: 91-97. London : British Film Institute, 2001. Series title: Sight and sound reader.
UCB Main PN1995.3 .F54 2001

The films of Tod Browning
Edited by Bernd Herzogenrath. London: Black Dog Pub. Date c2006.
Main Stack PN1998.3.B773.F55 2006
Contents: The films of Tod Browning : an overview long past / Vivian Sobchack -- Tod Browning and the slapstick genre / Boris Henry -- Staging deception : theatrical illusionism in Browning's films of the 1920s / Matthew Solomon -- The spectator's spectacle : Tod Browning's theatre / Stefanie Diekmann, Ekkehard Knorer -- Double identity : presence and absence in the films of Tod Browning / Alec Charles -- Body dreams : Lon Chaney and Tod Browning , thesaurus anatomicus / Nicole Brenez -- Between silence and sound : ventriloquism and the advent of the voice in The unholy tree / Robin Blyn -- White bo(d)y in wonderland : cultural alterity and sexual desire in Where East is East / Stefan Brandt -- Speaking with eyes : Tod Browning's Dracula and its phantom camera / Elisabeth Bronfen -- Tod Browning's thematic continuity and stylisitic development in Iron Man / Leger Grindon -- The monstrous body/politic of Freaks / Bernd Herzogenrath -- Mark of the vampire /

Gelder, Ken
"Vampires and Cinema: From Nosferatu to Bram Stoker's 'Dracula'." In: Reading the vampire / Ken Gelder. London ; New York : Routledge, 1994. Location Call No. Status
Full text available online (UCB users only)
Main (Gardner) Stacks

Harbin, Leigh Joyce.
"A Dangerous Woman and a Man's Brain: Mina Harker, Clarice Starling and the Empowerment of the Gothic Heroine in Novel and Film."West Virginia University Philological Papers. 49:30-37. 2002-2003

Hendershot, Cyndy.
"Vampire and Replicant: The One-sex Body in a Two-sex World." Science - Fiction Studies, vol. 22 Part 3 Nov 1995 pp: 373+

Holte, James Craig.
Dracula in the Dark: The Dracula Film Adaptations / James Craig Holte. Westport, Conn.: Greenwood Press, 1997. Series title: Contributions to the study of science fiction and fantasy no. 73.
Full text available online (UCB users only0
UCB Main PN1995.9.D64 H65 1997

Hopkins, Lisa
"Fragmenting the Gothic; Jane Eyre and Dracula." In: Screening the gothic / Lisa Hopkins. Austin, TX : University of Texas Press, c2005.
Full text available online (UCB users only)
Main (Gardner) Stacks PR408.G68 H67 2005

Hutchings, Peter. Dracula / Peter Hutchings. London : I.B. Tauris, 2003.
Full text available (UCB users only)
Main (Gardner) Stacks PN1997.D734 H87 2002

Joslin, Lyndon W.
Count Dracula goes to the movies : Stoker's novel adapted, 1922-1995 / by Lyndon W. Joslin. Jefferson, N.C. : McFarland, c1999.
MAIN: PR6037.T617 D784 2006
Main Stack PR6037.T617.D784 1999 (earlier editions
Main Stack PN1995.9.S26.E9 2003

Konigsberg, Ira
"How Many Draculas Does It Take to Change a Lightbulb." In: Play it again, Sam : retakes on remakes / edited by Andrew Horton and Stuart Y. McDougal ; with an afterword by Leo Braudy. Berkeley : University of California Press, c1998.
Main (Gardner) Stacks PN1995.9.R45 P58 1998
Moffitt PN1995.9.R45 P58 1998

Newman, Kim.
"Bloodlines." In: Film/literature/heritage / edited by Ginette Vincendeau. pp: 97-101. London : British Film Institute, 2001. Series title: Sight and sound reader.
UCB Main PN1995.3 .F54 2001

Pippin, Tina R.
"Of Gods and demons : blood sacrifice and eternal life in Dracula and the Apocalypse of John." In: Screening scripture : intertextual connections between scripture and film / edited by George Aichele and Richard Walsh. Harrisburg, Pa. : Trinity Press International, c2002.
Main Stack PN1995.5.S35 2002

Rickels, Laurence A.
The vampire lectures / Laurence A. Rickels. Minneapolis : University of Minnesota Press, c1999.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1995.9.V3 R53 1999

Skal, David J.
Hollywood gothic: the tangled web of Dracula from novel to stage to screen / David J. Skal. New York: Norton, c1990.
UCB Main PR6037.T617 D787 1990
Contents via Google books

Spadoni, Robert
"Dracula as Uncanny Theater." In: Uncanny bodies [electronic resource] : the coming of sound film and the origins of the horror genre / Robert Spadoni. Berkeley : University of California Press, c2007.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1995.9.H6 S66 2007

Spadoni, Robert
"The Mystery of Dracula." In: Uncanny bodies [electronic resource] : the coming of sound film and the origins of the horror genre / Robert Spadoni. Berkeley : University of California Press, c2007.
Full text available online (UCB users only)
Main (Gardner) Stacks PN1995.9.H6 S66 2007

Steven, Herbert C.
"Dracula as Metaphor for Human Evil." Journal of Religion & Psychical Research, Apr2004, Vol. 27 Issue 2, p62-71, 10p
UC users only

Stoker, Bram
Dracula: authoritative text, contexts, reviews and reactions, dramatic and film variations, criticism / edited by Nina Auerbach and David J. Skal. 1st ed. New York: W.W. Norton, c1997. Series title: A Norton critical edition.
UCB Main PR6037.T617 D7 1997

Thomas, Ronald R.
"Specters of the Novel: Dracula and the Cinematic Afterlife of the Victorian Novel." Nineteenth-Century Contexts, Jun2000, Vol. 22 Issue 1, p77-102, 26p
UC users only

Vermilye, Jerry.
The films of the thirties / Jerry Vermilye ; introduction by Judith Crist. 1st ed. pp: 47-9. Secaucus, N.J. : Citadel Press, c1982.
Main Stack PN1997.8.V44 1982

Wyman, Leah M.; Dionisopoulos, George N.
"Primal urges and civilized sensibilities: the rhetoric of gendered archetypes, seduction, and resistance in Bram Stoker's Dracula." Journal of Popular Film and Television v. 27 no. 2 (Summer 1999) p. 32-9
UC users only
"Part of a special issue on vampires in film and television. The writers analyze the film script of Bram Stoker's Dracula to explore how gendered archetypes of primitive masculinity and civilized femininity are portrayed in popular filmic versions of folklore. They examine how mythic archetypes of gender are expressed in popular theories and social trends, showing how masculinity is linked to aggressive, indulgent, and destructive impulses and femininity is associated with delicate and civilized sensibilities. They demonstrate that Dracula is repeatedly represented as innately masculine and is constructed in opposition to purity and righteousness. They also reveal how his female love Mina has a civilizing effect on Dracula, in accordance with the traditional feminine role that is able to subdue male rage. They conclude that Mina's eventual killing of Dracula symbolizes the restoring of order and civility to culture and an overpowering of primal masculinity by female sensibility." [Art Index]



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