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 Books
- Journal Articles
- Articles and Books on Individual films
- Forman, Milos.
- Turnaround : a memoir
New York : Villard Books, 1994.
- --MOFF: PN1998.3.F66 A3 1994
- Goodridge, Mike.
- "Milos Forman" In: Directing Boston : Focal Press, 2002
- --Main Stack PN1998.A2.G66 2002
- Liehm, Antonín J.
- The Milos Forman stories White Plains, N.Y. : International Arts and Sciences Press, c1975
- --MAIN: PN1998.A3 .F63
- Liehm, Antonín J.
- "Milos Forman: The Style and the Man." In: Politics, art, and commitment in the East European cinema / edited by David W. Paul. New York : St. Martin's Press, 1983.
- -- MAIN: PN1993.5.E82 P6 1983
- --Moffitt PN1993.5.E82.P6 1983 [a different edition]
- MacDonald, George B.
- "The Rules of the Game: Milos Forman's American Allegory." Lex et Scientia: International Journal of Law & Science, vol. 13, no. 1-2, pp. 87-91, 1977.
- "Milos Forman. (interview with Czech-born motion picture director)(Interview)." UNESCO Courier (July-August 1995): 18(3). Expanded Academic ASAP. Thomson Gale. UC Berkeley (CDL). 06 January 2006
 UC users only
- Slater, Thomas J.
- Milos Forman : a bio-bibliography New York : Greenwood Press, 1987.
- --MAIN: Z8309.24 .S571 1987
- Slater, Thomas J.
- "Milos Forman: An Interview, Part I." Post Script: Essays in Film and the Humanities, vol. 4, no. 3, pp. 1-15, Spring 1985.
- Vidal-Hall, Judith, and Sally Sampson.
- "It's good out in the jungle.(Milos Forman)(Interview)." Index on Censorship 24.n6 (Nov-Dec 1995): 129(7).
- The portrayal of the truth of the society in a compassionate, humorous manner are the primary reason for the success of Czech director Milos Forman. Combined with passion and experience, Forman's movies do not have larger-than-life heroes. 'The Firemen's Ball' reveals his anti-government views. Forman suggests that only competition can improve the quality of films. 'One Flew Over the Cuckoo's Nest' indicates his views on the concept of sanity and society.
- Warchol, Tomasz
- "The Rebel Figure in Milos Forman's American Films." New Orleans Review, vol. 17, no. 1, pp. 64-71, Spring 1990.
- Amadeus
- Conroy, Peter V., Jr.
- "Amadeus on Stage and Screen." Post Script: Essays in Film and the Humanities, vol. 9, no. 1-2, pp. 25-37, Fall 1989.
- Garrett, Greg.
- "God's Frail Flute: Amadeus and Amadeus." Proteus: A Journal of Ideas, vol. 8, no. 2, pp. 57-60, Fall 1991.
- Gianakaris, C. J.
- "Drama into Film: The Shaffer Situation." Modern Drama, vol. 28, no. 1, pp. 83-98, March 1985.
- Hodenfield, Chris.
- "The Czech bounces back; with 'Amadeus', director Milos Forman has created what might be one of the best movies about music ever made." Rolling Stone (Sept 27, 1984): 19(3).
- Kael, Pauline.
- "Amadeus." The New Yorker 60 (Oct 29, 1984): 122(2).
- Lellis, George, Petrie.
- "Misplaced Mistrust: A Dissenting View of Milos Forman's Amadeus." In: Before the Wall came down : Soviet and East European filmmakers working in the West / edited by Graham Petrie, Ruth Dwyer. Lanham, Md. : University Press of America, 1990.
- --Main Stack PN1993.5.E82.B44 1990
- --Moffitt PN1993.5.E82.B44 1990)
- Marshall, Robert L.
- "Film as Musicology: Amadeus." Musical Quarterly, vol. 81, no. 2, pp. 173-79, Summer 1997.
- UC users only
- Perry-Camp, Jane; Ringer, Mark; Johnson, J. L. L.
- " Film Forum: Amadeus." Eighteenth-Century Life, vol. 9, no. 1, pp. 116-122, Fall 1984.
- Robbins, Gregory Allen.
- "Mozart & Salieri, Cain & Abel: A Cinematic Transformation of Genesis 4." Journal of Religion and Film, vol. 1, no. 1, pp. 38 paragraphs, Spring 1997.
- Tibbetts, Jon C.
- "Faces and masks: Peter Shaffer's Amadeus from stage to screen." Literature-Film Quarterly 32.3 (July 2004): 166-175.
- Townsend, Martha A.
- "Amadeus as Dramatic Monologue." Literature/Film Quarterly, vol. 14, no. 4, pp. 214-219, 1986
- One Flew Over the Cuckoo's Nest
- Billingsley, Ronald G.; Palmer, James W.
- "Milos Forman's Cuckoo's Nest: Reality Unredeemed." Studies in the Humanities, vol. 7, no. 1, pp. 14-18, 1978.
- Domino, George.
- "Impact of the film, One Flew Over the Cuckoo's Nest, on attitudes towards mental illness." Psychological Reports. Vol 53(1), Aug 1983, pp. 179-182
- MacDonald, George B.
- "Control by Camera: Milos Forman as Subjective Narrator." In: A Casebook on Ken Kesey's One flew over the cuckoo's nest / edited by George J. Searles. Albuquerque : University of New Mexico Press,
c1992.
- --Main Stack PS3561.E667.O533 1992
- --Moffitt PS3561.E667.O533 1992
- McCreadie, Marsha,
- "One Flew over the Cuckoo's Nest: Some Reasons for One Happy Adaptation." Literature/Film Quarterly, vol. 5, pp. 125-31, 1977.
- Palumbo, Donald
- "Kesey's and Forman's One Flew over the Cuckoo's Nest: The Metamorphosis of Metamorphoses as Novel Becomes Film." CEA Critic: An Official Journal of the College English Association, vol. 45, no. 2, pp. 25-32, Winter 1983.
- Safer, Elaine B.
- "'It's the Truth Even If It Didn't Happen': Ken Kesey's One Flew over the Cuckoo's Nest." Literature/Film Quarterly, vol. 5, pp. 132-41, 197
- Slater, Thomas J.
- "One Flew over the Cuckoo's Nest: A Tale of Two Decades." In: Film and literature : a comparative approach to adaptation / edited by Wendell Aycock and Michael Schoenecke. Lubbock, Tex. : Texas Tech University Press, 1988.
- --Main Stack PN1995.3.F5 1988
- Sodowsky, Gargi Roysircar; Sodowsky, Roland E.
- "Different Approaches to Psychopathology and Symbolism in the Novel and Film One Flew over the Cuckoo's Nest." Literature and Psychology, vol. 37, no. 1-2, pp. 34-42, 1991.
- Zubizarreta, John
- "The Disparity of Point of View in One Flew Over the Cuckoo's Nest." Literature/Film Quarterly, vol. 22, no. 1, pp. 62-69, 1994.
- People vs Larry Flynt
- Alter, Jonathan.
- "The right to be wrong: the issues Milos Forman is tackling are complicated - and so is the one he leaves out.(in 'The People vs. Larry Flynt')(Column)." Newsweek 128.n26 (Dec 23, 1996): 64(1).
- UC users only
- Ansen, David.
- "The People vs. Larry Flynt." Newsweek 128.n26 (Dec 23, 1996): 62(2).
- UC users only
- Berlins, Marcel.
- "Milos Forman, in his film about the US' first amendment, has made a foul-mouthed monster his hero. (motion picture director; motion picture 'The People versus Larry Flynt')." New Statesman (1996) 126.n4328 (April 4, 1997): 36(2).
- UC users only
- Bibby, Bruce.
- "The People vs. Larry Flynt." The Advocate (The national gay & lesbian newsmagazine) n722 (Dec 10, 1996 n722): 69(3).
- Boylan, James.
- "The People vs. Larry Flynt." Columbia Journalism Review 35.n5 (Jan-Feb 1997): 15(1).
- UC users only
- Bruzzi, Stella.
- "The People vs. Larry Flynt." Sight and Sound 7.n3 (March 1997): 58(2).
- Coe, Jonathan.
- "The People vs. Larry Flynt." New Statesman (1996) 126.n4329 (April 11, 1997): 40(2).
- UC users only
- Cooper, Cynthia A.
- "The People vs. Larry Flynt." Journalism History 23.n1 (Spring 1997): 43(1).
- Freund, Charles Paul.
- "Market culture: bashed and unabashed. (motion picture 'The People vs. Larry Flint)." Reason 28.n8 (Jan 1997): 54(2).
- UC users only
- Fuller, Kathryn H.
- "The Peole vs. Larry Flynt." Journal of American History 84.n3 (Dec 1997): 1185(2).
- Johnson, Brian D.
- "The Peole vs. Larry Flynt." (movie reviews)Maclean's v109, n53 (Dec 30, 1996):99 (2 pages)
- Kauffmann, Stanley.
- "The People vs. Larry Flynt." The New Republic 216.n3 (Jan 20, 1997): 24(2).
- UC users only
- McCarthy, Todd.
- "The Peole vs. Larry Flynt." (movie reviews)Variety v364, n11 (Oct 14, 1996):77 (1 page).
- Newey, Adam.
- "The People vs Larry Flynt." TLS. Times Literary Supplement n4907 (April 18, 1997 n4907): 18(1).
- Perez, Gilberto.
- "The People vs. Larry Flint." Yale Review 85.n3 (July 1997): 175(9).
- Pollitt, Katha.
- "Born again vs. porn, again.(the new motion picture by Milos Forman, 'The People vs. Larry Flynt')(Subject to Debate)(Column)." The Nation 264.n4 (Feb 3, 1997): 9(1).
- UC users only
- Porton, Richard
- "Milos Forman: Porn Again." In: The Cineaste interviews 2 : on the art and politics of the cinema / Gary Crowdus, Dan Georgakas. Chicago : Lake View Press, c2002.
- --Main Stack PN1998.2.C51 2002
- --PFA PN1998.2.C51 200
- Porton, Richard
- "Porn Again: The People vs. Larry Flynt: An Interview with Milos Forman." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 22, no. 4, pp. 28-32, 1997.
- UC users only
- Ramsey, E. Michele
- "Protecting Patriarchy: The Myths of Capitalism and Patriotism in The
People vs. Larry Flynt."
Feminist Media Studies, vol. 5, no. 2, pp. 197-213, Summer 2005.
- Rosin, Hanna.
- "Hustler: Larry Flynt, scum chic." The New Republic 216.n1-2 (Jan 6, 1997): 20(3).
- UC users only
- Simon, John.
- "The People vs. Larry Flynt." National Review 49.n3 (Feb 24, 1997): 53(2).
- UC users only
- Steinem, Gloria.
- "What's wrong with this picture? (the film "The People Versus Larry Flynt")." Ms. Magazine 7.n5 (March-April 1997): 76(1).
- "The "The People vs. Larry Flynt" has incurred varied opinions from movie goers and media critics. The movie has created a the notion that Larry Flynt is an commendable person who deserves recognition for promoting freedom of speech, rather than depicting a misogynist who depicts violence against women." [Expanded Academic Index]
- Tsiolkas, Christos.
- "The People vs. Larry Flint." (Review)." Arena Magazine (June 1997):
- Valmont
- Billson, Anne.
- "Valmont." New Statesman & Society 4.n178 (Nov 22, 1991): 40(2).
- Bowie, Malcolm.
- "Valmont." TLS. Times Literary Supplement n4626 (Nov 29, 1991 n4626): 21(1).
- Halberstadt, Ilona.
- "Valmont." Sight and Sound 1.n8 (Dec 1991): 54(2).
- Hollinger, Karen.
- "Losing the feminist drift: adaptations of "Les Liaisons dangereuses." (International Cinema)." Literature-Film Quarterly 24.n3 (July 1996): 293(8).
- "Recent film adaptations of Choderlos de Laclos's "Les Liaisons dangereuses" failed to address the feminist potential of the 1782 novel. Milos Forman's "Valmont" and Stephen Frears's "Dangerous Liaisons" do not focus on the motivations of Madame de Merteuil the way the novel does. The novel portrays her as rejecting the limited roles available to women in 18th century French society. Frears portrays her as more villainous and Valmont as more sympathetic, and his film focuses on romantic love more than sexual politics. Forman de-emphasizes the Merteuil character, focusing more on Valmont." [Expanded Academic Index]
- Johnson, Brian D.
- "The art of seduction. ("Valmont", film by Milos Forman)." Maclean's 102.n47 (Nov 20, 1989): 82(2).
- UC users only
- Kael, Pauline.
- "Valmont." The New Yorker 65.n41 (Nov 27, 1989): 105(3).
- Kauffmann, Stanley.
- "Valmont." The New Republic 201.n24 (Dec 11, 1989): 24(3).
- UC users only
- Klawans, Stuart.
- "Valmont." The Nation 249.n20 (Dec 11, 1989): 727(2).
- UC users only
- Simon, John.
- "Valmont." National Review 42.n1 (Jan 22, 1990): 56(1).
- UC users only
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