Federico Fellini:
A Bibliography of Materials in the UC Berkeley Library












Books
Journal Articles

Articles and Books on Individual films

Movies by Director videography for works of Fellini in MRC


Books

Alpert, Hollis
Fellini, A Life / by Hollis Alpert. 1st ed. New York: Atheneum, 1986.
UCB Main PN1998.A3 F3151 1986

Angelucci, Gianfranco.
Federico F Cava de' Tirreni, [Salerno] : Avagliano, 2000.
MAIN: PQ4861.N443 F43 2000

Baxter, John.
Fellini / John Baxter. London: Fourth Estate, 1993.
UCB Main PN1998.3.F45 B39 1993
UCB Moffitt PN1998.3.F45 B39 1993

Baxter, John
Fellini / John Baxter. 1st U.S. ed. New York: St. Martin's Press, 1994.
UCB Moffitt PN1998.3.F45 B39 1994
Main Stack PN1998.3.F45.B39 1993 (another edition)

Bertozzi, Marco.
BiblioFellini : monografie, soggetti e sceneggiature, saggi in volume Roma : Scuola nazionale di cinema : Fondazione Federico Fellini, c2002-
MAIN: PN1998.3.F45 B47 2002

Betti, Liliana.
Fellini / by Liliana Betti; translated from the Italian by Joachim Neugroschel. 1st Eng. language ed. Boston: Little, Brown, c1979.
UCB Main PN1998.A3 .F32413

Bispuri, Ennio
Federico Fellini, il sentimento latino della vita / Ennio Bispuri; presentazione di Lino Micciche. Roma: Ventaglio, c1981.
Main Stack PN1998.A3.F325 1981 NRLF Storage Info: $D 62 926

Bispuri, Ennio
Interpretare Fellini Rimini : Guaraldi, 2003.
MAIN: PN1998.3.F45 B55 2003

Bondanella, Peter.
"Beyond Neorealism: Calvino, Fellini and Fantasy." In: Italian Criticism: Literature and Culture / edited by Gregory L. Lucente. pp: 103-20. Ann Arbor, Mich.: Michigan Romance Studies, c1996. Michigan Romance studies; v. 16
Main Stack PC13.M53 v.16

Bondanella, Peter E.
The films of Federico Fellini Cambridge, UK; New York, NY, USA: Cambridge University Press, 2002.
MAIN: PN1998.3.F45 B665 2002
Table of contents via Google books

Bondanella, Peter E.
The Cinema of Federico Fellini / Peter Bondanella; with a foreword by Federico Fellini. Princeton, N.J.: Princeton University Press, c1992.
MAIN: PN1998.3.F45 B66 1992
MOFF: PN1998.3.F45 B66 1992

Bondanella, Peter E.
The films of Federico Fellini Cambridge, UK ; New York, NY, USA : Cambridge University Press, 2002.
Full-text of this book available online via ebrary [UC Berkeley users only]
MAIN: PN1998.3.F45 B665 2002
PFA : PN1998.3.F44 B662 2002

Borin, Fabrizio.
Federico Fellini Roma : Gremese, c1999.
MAIN: PN1998.3.F45 B67 1999

Bosseno, Christian.
Et vogue le navire: Federico Fellini: etude critique Paris: Nathan, c1998.
MAIN: PN1998.3.F45 C47 1998

Budgen, Suzanne.
Fellini. London, British Film Institute (Education Department) [1966]. Series title: B66-16487.
UCB Main PN1998.A3 F34 B8
UCB Moffitt PN1998.A3 .F33

Burke, Frank.
"Federico Fellini: Reality/Representation/Signification." Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. pp: 26-46. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002
Table of contents via Google books

Burke, Frank.
Federico Fellini: Variety Lights to La Dolce Vita / Frank Burke. Boston: Twayne, 1984. Series title: Twayne's filmmakers series.
UCB Main PN1998.A3 F333 1984
UCB Moffitt PN1998.A3 F333 1984

Burke, Frank.
Fellini's Films: From Postwar to Postmodern / Frank Burke. New York: Twayne Publishers; London: Prentice Hall International, c1996. Series title: Twayne's filmmakers series.
UCB Main PN1998.3.F45 B87 1996

Chandler, Charlotte.
I, Fellini / Charlotte Chandler. 1st U.S. ed. New York: Random House, c1995.
UCB Main PN1998.3.F45 A5 1995
UCB Moffitt PN1998.3.F45 A5 1995

Chandler, Charlotte.
Io, Federico Fellini Milano: Mondadori, 1995.
MAIN: PN1998.3.F45 A516 1995

VIDEORECORDING
Ciao Federico! / Gideon Bachmann. New York: Mystic Fire Video, [1985?]. 1 videocassette (62 min.): sd., col.; 1/2 in. VHS.
UCB Media Ctr VIDEO/C 2989

Colon, Carlos.
Rota-Fellini: la musica en las peliculas de Federico Fellini / Carlos Colon. Seville: Universidad de Seville, 1981. Anales de la Universidad Hispalense. Serie Filosofia y letras; 58
Main Stack AS302.S44 no.58

Conversations avec Federico Fellini. English.
Conversations with Fellini / edited by Costanzo Costantini; translated by Sohrab Sorooshian. 1st U.S. ed. San Diego: Harcourt Brace, c1995.
UCB Moffitt PN1998.3.F45 A5 1995

Costa, Fabienne.
Devenir corps: passages de l'uvre de Fellini Paris: L'Harmattan, c2003.
MAIN: PN1998.3.F45 C67 2003

Costello, Donald P.
Fellini's Road / Donald P. Costello. Notre Dame [Ind.]: University of Notre Dame Press, c1983.
UCB Main PN1998.A3 F335 1983

De Benedictis, Maurizio.
Linguaggi dell'aldilą: Fellini e Pasolini / Roma: Lithos, c2000.
UCB Main PN1998.3.F45 D43 2000;

Della Coletta, Cristina
"Fellini's "Unoriginal" scripts: The creative power of the grotesque." In: When stories travel : cross-cultural encounters between fiction and film / Cristina Della Coletta. Baltimore, Md. : Johns Hopkins University Press, 2012.
Main (Gardner) Stacks New books PN1997.85 .C65 2012

Evans, Max.
Bluefeather Fellini in the sacred realm Niwot, Colo.: University Press of Colorado, c1994.
MAIN: PS3555.V23 B58 1994

Fava, Claudio G.
The Films of Federico Fellini / by Claudio G. Fava and Aldo Vigano; with an introduction by Fellini; translated by Shula Curto. 1st American ed. Secaucus, N.J.: Citadel Press, c1985.
UCB Main PN1998.A3 F3357131 1985

Fava, Claudio G.
I film di Federico Fellini / [by] Claudio G. Fava, Aldo Vigano. Roma: Gremese Editore, 1981. Effetto cinema; 1
Main Stack PN1998.A3.F3357 1981

Fellini, Federico.
Carissimo Simenon, Mon cher Fellini / Federico Fellini, Georges Simenon; edition etablie et presentee par Claude Gauteur; ... Paris: Cahiers du cinema, 1998. (Series: Correspondance, Cahiers du cinema) Cahiers du cinema. Correspondance.
UCB Main PN1998.3.F45.Z477 1998

Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002

Federico Fellini, Essays in Criticism
Edited by Peter Bondanella. New York: Oxford University Press, 1978.
UCB Main PN1998.A3 .F336
UCB Moffitt PN1998.A3 .F336

Federico Fellini: interviews
Edited by Bert Cardullo. Jackson : University Press of Mississippi, 2006.
MAIN: PN1998.3.F45 A3 2006
MOFF: PN1998.3.F45 A3 2006
Table of contents http://www.loc.gov/catdir/toc/ecip066/2006001028.html

Fellini, Federico.
Fare un film / [di] Federico Fellini. Torino: Einaudi, 1980. Struzzi; 229
Main Stack PN1995.9.P7.F44 1980

Fellini, Federico.
Cinecitta / Federico Fellini; translated by Graham Fawcett. London: Studio Vista, 1989.
UCB Main f PN1998.A3 F3 1989

Fellini, Federico.
Comments on Film / Federico Fellini; edited by Giovanni Grazzini; translation by Joseph Henry. Fresno, Calif.: Press at California State University, Fresno, c1988.
UCB Main PN1998.3.F45 A31 1988 *c2 copies

Fellini, Federico
Federico Fellini / edited by Lietta Tornabuoni. New York: Rizzoli: Distributed by St. Martin's Press, 1995.
UCB Main PN1998.3.F45 F45413 1995
UCB Moffitt PN1998.3.F45 F45413 1995

Fellini, Federico
Federico Fellini & Dario Fo : disegni geniali. Milano : Mazzotta, c1999.
MAIN: NC257.F397 A4 1999

Fellini, Federico.
Fellini on Fellini / edited by Anna Keel and Christian Strich; translated by Isabel Quigly. London: Methuen, 1976.
UCB Main PN1998.A3 F2913
Table of contents via Google books

Fellini, Federico.
Fellini : parole e disegni Torino : Einaudi, 2000. MAIN: PN1998.3.F45 A5 2000b

Fellini, Federico.
Giulietta / Federico Fellini. Genova: Il Melangolo, c1994. Nugae; 57
Main Stack PQ4866.E434.G58 1994

Fellini, Federico.
Imago: appunti di un visionario / Federico Fellini; conversazione-intervista di Toni Maraini. 1. ed. Roma: Semar, 1994. Visioni; 6
Main Stack PN1998.3.F45.M26 1994

Fellini, Federico.
Intervista sul cinema / Federico Fellini; a cura di Giovanni Grazzini. Roma; Bari: Laterza, 1983. (Series: Saggi tascabili Laterza; 96)
Main Stack PN1995.F431 1983 NRLF #: B 3 567 541

Fellini, Federico.
Il mestiere di regista: intervista con Federico Fellini / Rita Cirio. 1. ed. Milano: Garzanti, 1994. Memorie, documenti, biografie.
Main Stack PN1998.3.F45.A3 1994

Fellini, Federico.
Il mio amico Pasqualino / di Federico Fellini; prefazione di Beniamino Placido. Ristampa anastatica / a cura del... Rimini: Fondazione Federico Fellini: P. Capitani, [1997]
Main Stack PQ4866.E434.M56 1997

Fellini: i costumi e le mode.
Milano: Charta, c1994.
MAIN: PN1998.3.F45 F47 1994

Fellini's Films: The Four Hundred Most Memorable Stills from Federico Fellini's Fifteen and a Half Films
Edited by Christian Strich; with a foreword by Georges Simenon. New York: Putnam, [c1977].
NRLF D 2 580 282

Fink, Guido.
"'Non senti come tutto questo ti assimiglia?': Fellini's Infernal Circles." In: Dante, cinema, and television / edited by Amilcare A. Iannucci. pp. 166-75 Toronto : University of Toronto Press, c2004. Toronto Italian studies
Main Stack PQ4433.D35 2004

Gazetas, Aristides
"The Italian Cinema of Fellini and Antonioni." In: An introduction to world cinema Jefferson, N.C. : McFarland & Co., 2000.
MAIN: PN1993.5.A1 G39 2000
PFA : PN1993.5.A1 G39 2000
Portions of this article via Google books

Gieri, Manuela.
Contemporary Italian Filmmaking: strategies of Subversion; Pirandello, Fellini, Scola, and the Directors of the New Generation / Manuela Gieri. Toronto: University of Toronto Press, c1995.
UCB Main PN1993.5.I88 G437 1995
Table of contents via Google books

Le invenzioni della memoria : il cinema di Federico Fellini
a cura di Valentina Cordelli, Riccardo Costantini ; coordinamento Luca Giuliani. Udine : Centro espressioni cinematografiche : La cineteca del Friuli, [2004].
Published on the occasion of the film festival Gli incantesimi di Fellini tutti i film del grande Federico held 12 Nov. 2003-25 March 2004 in Udine and Pordenone, Italy.
Main Stack PN1998.3.F45.I58 2004

James, Clive.
"Federico Fellini." In: Cultural amnesia : necessary memories from history and the arts / Clive James. 1st ed. New York : W.W. Norton & Co., c2007
Moffitt CB245.J338 2007

James, Clive.
"Mondo Fellini." In: As of this writing : the essential essays, 1968-2002 New York : W.W. Norton, c2003.
MAIN: PR9619.3.J27 A6 2003
MOFF: PR9619.3.J27 A6 2003

Ketcham, Charles B.
Federico Fellini: The Search for a New Mythology / by Charles B. Ketcham. New York: Paulist Press, c1976. Series title: An Exploration book. Series title: The Mythmakers.
GTU Library PN1998.A3 F339
UCB Main PN1998.A3 F3391
UCB Moffitt PN1998.A3 F339

Kezich, Tullio.
Federico Fellini : his life and work New York : Faber and Faber, 2006.
MAIN: PN1998.3.F45 K49 2006
MOFF: PN1998.3.F45 K49 2006
PFA : PN1998.3.F44 K49 2006

Kezich, Tullio.
Fellini / Tullio Kezich. Milano: Camunia, c1987. (Series: Il Belpaese)
Main Stack PN1998.A3.F33951 1987

Levergeois, Bertrand.
Fellini: la dolce vita du maestro / Bertrand Levergeois. Paris: Editions de l'Arsenal, c1994. Collection Boswell & Cie.
Main Stack PN1998.3.F45.L48 1994

The magic of Fellini [videorecording]
This documentary in honor of Federico Fellini, one of the most important maestros of Italian cinema, features a collage of rare interviews with actors and directors who worked with Fellini. The interviews are intercut with clips from films, behind-the-scenes footage, his drawings, photographs and personal memorabilia. 55 min.
Media Center DVD 2278
Main Stack PN1993.5.I88.M278 1993

Mollica, Vincenzo.
Fellini! Rome, Italy: Comunicare Organizzando: Skira, c2003.
MAIN: PN1998.3.F45 M65 2003

Monti, Raffaele.
Bottega Fellini: la Città delle donne: progetto, lavorazione, film Roma: De Luca, [1981]
MAIN: PN1997.C51343 M6

Murray, Edward.
Fellini, the Artist / Edward Murray. New York: F. Ungar Pub. Co., c1976.
UCB Main PN1998.A3 F3441
Moffitt PN1998.A3.F3441

Murray, Edward.
Fellini the Artist / Edward Murray. 2nd, enl. ed. New York: F. Ungar, c1985.
UCB Main PN1998.A3 F3441 1985

VIDEORECORDING
Neorealismo Fino al 1954 = Neorealism until 1954
Une produzione Istituto Luce S.p.A.; a cura di Carlo Lizzani; regia di Piero Tartagni. West Long Branch, NJ: Kultur; Museum of Modern Art, [1998?]. 1 videocassette (60 min.): sd., col., b&w; 1/2 in. VHS. Series title: Collectors series (Museum of Modern Art)
UCB Media Ctr VIDEO/C 5880

Omaggio a Federico Fellini / a cura di Costanzo Costantini; testimonianza di Marcello Mastroianni. Roma: Edizioni Vittoria; Bologna: Edizioni Bora, 1993.
UCB Main PN1998.3.F45 O4 1993

Pecori, Franco.
Fellini. Federico Fellini di Franco Pecori. Firenze, La nuova Italia, 1974. Castoro cinema, 3
Main Stack PN1998.A3.F3471 NRLF #: $B 184 940

Perspectives on Federico Fellini
Edited by Peter Bondanella and Cristina Degli-Esposti. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Series title: Perspectives on film.
UCB Main PN1998.3.F45 P47 1993
UCB Moffitt PN1998.3.F45 P47 1993

Pieri, Francoise.
Federico Fellini: conteur et humoriste, 1939-1942 : avec des textes de Federico Fellini et un entretien inedits. [Perpignan] : Institut Jean Vigo, [2000]
MAIN: PN5246.F44 P54 2000

Price, Barbara Anne
Federico Fellini: An Annotated International Bibliography / by Barbara Anne Price and Theodore Price. Metuchen, N.J.: Scarecrow Press, 1978.
UCB Main PN1998.A3 F349
UCB Moffitt PN1998.A3 F349

Provenzano, Roberto.
Invito al cinema di Federico Fellini Milano: Mursia, c1995.
MAIN: PN1998.3.F45 P76 1995

Reich, Jacqueline
Beyond the Latin lover : Marcello Mastroianni, masculinity, and Italian cinema Bloomington : Indiana University Press, c2004.
MAIN: PN2688.M33 R45 2004
Table of contents http://www.loc.gov/catdir/toc/ecip047/2003017465.html

Ritter, Naomi
"The popular show in film: Bergman and Fellini." In: Art as spectacle: images of the entertainer since romanticism / Naomi Ritter. pp. 276-312. Columbia: University of Missouri Press, c1989.
UCB Main NX652.E56 R58 1989
UCB Moffitt NX652.E56 R58 1989

Rohdie, Sam
Fellini lexicon London: BFI Pub., 2002.
UCB MAIN: PN1998.3.F45 R64 2002

Rosenthal, Stuart.
The Cinema of Federico Fellini / Stuart Rosenthal. South Brunswick: A. S. Barnes, c1976.
UCB Main PN1998.A3F3551 1976
UCB Moffitt PN1998.A3 F355

Rossi, Moraldo.
Fellini & Rossi : il sesto vitellone Recco (Genova) : Le mani ; Bologna : Cineteca del Comune di Bologna, 2001.
MAIN: PN1998.3.F45 R688 2001

Salachas, Gilbert.
Federico Fellini. Translated by Rosalie Siegel. New York, Crown Publishers [1969]. Series title: Editions Seghers' Cinema d'aujourd'hui.
UCB Moffitt PN1998.A3 F363

Salachas, Gilbert.
Federico Fellini / par Gilbert Salachas; pref. de Jean-Christophe Averty; postface de Frederic Rossif. Grenoble: J. Glenat, [c1977] Vivre le cinema; 1
Main Stack PN1998.A3F358 NRLF #: $C 32 016

Salachas, Gilbert.
Federico Fellini Presentation par Gilbert Salachas; choix de textes et propos de Federico Fellini; extraits de decoupages, ... [Paris] Seghers [1963] Cinema d'aujourd'hui, 13
Main Stack PN1993.C4 v.13

Schleicher, Harald
Film-Reflexionen: autothematische Filme von Wim Wenders, Jean-Luc Godard und Federico Fellini Published: Tubingen: Niemeyer, 1991.
MAIN: PN1995 .S355 1991

Schoonejans, Sonia.
Fellini Roma: Lato side editori, 1980.
MAIN: PN1998.A3 F3636 1980

Singer, Irving.
"Mythmaking in Kubrick and Fellini." In: Cinematic mythmaking : philosophy in film / Irving Singer. Cambridge, MA : MIT Press, c2008.
Main Stack PN1995.9.M96.S56 2008

Solmi, Angelo.
Fellini; translated [from the Italian] by Elizabeth Greenwood. London, Merlin, 1967.
GTU SFTS PN1998.A3 F3643 Held at SFTS San Anselmo.
UCB Main PN1998.A3 F34 S62

Stubbs, John Caldwell.
Federico Fellini: A Guide to References and Resources / John C. Stubbs, with Constance D. Markey and Marc Lenzini. Boston: G. K. Hall, c1978. Series title: A Reference publication in film.
UCB Main PN1998 .A3F3644

Stubbs, John Caldwell.
Federico Fellini as auteur : seven aspects of his films Carbondale : Southern Illinois University Press, c2006.
MAIN: PN1998.3.F45 S78 2006; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip0517/2005024126.html

Gli ultimi sogni di Fellini
Rimini: Associazione Federico Fellini: P. Capitani, c1997.
MAIN: \f PN1998.3.F45 U48 1997;

Verdone, Mario.
Federico Fellini / Mario Verdone. Roma: Il Castoro, 1994. Castoro cinema; 165
Main Stack PN1998.3.F45.V47 1994

Voci del variet`a/Federico delle voci : i direttori di doppiaggio di Fellini /
a cura di Tatti Sanguineti ; con la collaborazione e una filmografia di Gerardo Di Cola. Rimini : Fondazione F. Fellini, [2005?]
MAIN: PN1998.3.F45 V63 2006
Table of contents http://www.loc.gov/catdir/toc/casalini06/07938499.pdf

Wall, James McKendree
Three European directors: Francois Truffaut [by] James M. Wall. Fellini's film journey [by] Roger Ortmayer. Luis Bunuel and the death of God [by] Peter P. Schillaci. Edited by James M. Wall. Grand Rapids, Eerdmans [1973].
GTU Library PN1998.A2 W33

Waller, Marguerite.
"Whose Dolce vita Is This, Anyway?: The Language of Fellini's Cinema." In: Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. pp: 107-20. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002

Watson, William Van.
"Fellini and Lacan: The Hollow Phallus, the Male Womb, and the Retying of the Umbilical." In: Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. pp: 65-91. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002
Portions of this article via Google books

Articles

Bachmann, Gideon.
"Federico Fellini: The Cinema Seen as a Woman." Film Quarterly 34:2 (1980/1981:Winter) 2
UC users only

Bachmann, Gideon.
"A Guest in My Own Dreams." (director Federico Fellini) (Interview) (Cover Story) Film Quarterly v47, n3 (Spring, 1994):2 (14 pages).
UCB users only
"Fellini's films visualize stories that come to him spontaneously, often suggested by real life events. He talks about his creative process and his relationship to his films. He also discusses television and film interpretation and criticism." [Expanded Academic Index]

Bachmann, Gideon.
"Interview with Federico Fellini." Sight and Sound v 33 no2 Spring 1964. p. 82-7

Barnes, Bart.
"Federico Fellini dies at 73; maestro of Italian cinema received 6 Oscars." (Obituary) Washington Post v116 (Mon, Nov 1, 1993):D6, col 1, 30 col in.

Begnal, Michael H.
"Fellini & Poe: A Story with a Moral?" Literature/ Film Quarterly, vol. 10 no. 2. 1982. pp: 130-133.
UC users only

Blake, Richard A.
"Arrivederci, Fellini." (filmmaker Federico Fellini) (Obituary) America v169, n18 (Dec 4, 1993):10 (2 pages).
UCB users only

Bondanella, Peter.
"The Birth of an Auteur: Federico Fellini's Artistic Origins." RLA: Romance Languages Annual, vol. 5. 1993. pp: v-xiv.

Bondanella, Peter.
"Literature as Therapy: Fellini and Petronius." Annali d'Italianistica, vol. 6. 1988. ppS: 179-198.

Brook, Clodagh.
"The Hallucinating Eye: Fellini and Bellocchio." Italianist: Journal of the Department of Italian Studies, University of Reading, vol. 24, no. 1, pp. 63-76, 2004.

Burke, Frank.
"Fellini, Academia, and Me. And American Ideology. And the European Art Film." RLA: Romance Languages Annual, vol. 6. 1994. pp: 220-24.

Burke, Frank.
"Fellini: Changing the Subject." Film Quarterly v43, n1 (Fall, 1989):36 (13 pages).
UC users only

Burke, Frank.
"Fellini's Luci del varietą: The Limitations of the Stage and the "Morality of Movies"." Italica, Vol. 55, No. 2, Theatre (Summer, 1978), pp. 225-235
UC users only

Burke, Frank.
"Fellini's Early Films: The Development of Consciousness from Variety Lights through The Nights of Cabiria." North Dakota Quarterly vol. 51 no. 3. 1983 Summer. pp: 111-121.

Burke, Frank.
"Federico Fellini: From Representation to Signification." RLA: Romance Languages Annual, vol. 1. 1989. pp: 34-40.

Burke, Frank
"Fellini's Drive for Individuation." Southwest Review 64:1 (1979:Winter) 68

Canby, Vincent.
"Fellini: Master of Ageless Comedy." (column) New York Times v134, sec2 (Sun, June 9, 1985):H1(N), H1(L), col 1, 40 col in.

Canby, Vincent.
"Warm memories and hot nightmares are etched in Fellini's singular vision. (comprehensive retrospective of the films of Federico Fellini at the Film Forum, New York City; includes list of films available on video." New York Times v143 (Fri, Oct 29, 1993):B1(N), pC1(L), col 3, 34 col in.

Cantwell, Mary.
"'I Am a Storyteller'; An Afternoon with Federico Fellini."New York Times v143 (Tue, Nov 2, 1993):A14(N), pA22(L), col 1, 10 col in.

Care, Ross
"Scoring: Nino Rota." Take One v 7 May 1979. p. 46-7

Celli, Carlo.
"Federico Fellini's Anti-Intellectualism." RLA: Romance Languages Annual vol. 8. 1996. pp: 168-71.

Carotenuto, Aldo; Tambureno, Joan (TRANS)
"Fellini and Jungism." Journal of European Psychoanalysis. No 14, Win-Spr 2002, pp. 181-187
UC users only
"This chapter, taken from Aldo Carotenuto's book Jung e la cultura italiana (Jung and Italian Culture), reproduces a conversation with Federico Fellini, in which Fellini describes his introduction to Jungian thought and to some of Jung's writings, but above all his strange encounter with Ernst Bernhard, the founder of analytical psychology in Italy, and the productive relationship which subsequently developed between the two." (PsycINFO Database Record (c) 2004 APA, all rights reserved)

Chion, Michel
"Fellini." (film history of the Italian director) Cahiers du Cinéma no474 Dec 1993. p. 48-53

Conti, Isabella.
"Federico Fellini: Artist in Search of Self."Biography: An Interdisciplinary Quarterly, vol. 7 no. 4. 1984 Fall. pp: 292-308.
Cited as one of the greatest films of all time, "8 1/2" represents an advance in biography. The film deals with problems of adult development which stifle personal and professional growth. Using Jungian theory, Fellini provides a memorable and revealing glimpse into the hidden side of personality and the psychodynamics of creativity

Corliss, Richard.
"Ringmaster and Clown: Federico Fellini 1920-1993." (Obituary) Time v142, n19 (Nov 8, 1993):95.

Cowell, Alan.
"Thousands of Italian mourners file in homage past Fellini bier. (Federico Fellini) (Obituary) New York Times v143 (Wed, Nov 3, 1993):C22(N), pD24(L), col 1, 13 col in.

Cro, Stelio.
"Fellini's Freudian Psyche between Neo-Realism and Neo-Baroque." Canadian Journal of Italian Studies, vol. 18 no. 51. 1995. pp: 162-83.

Croyden, Margaret.
"The Maestro on Fantasy, Finance and the Art of Film." (Federico Fellini) New York Times v133, sec2 (Sun, Jan 22, 1984):H1(N), H1(L), col 3, 34 col in.

D'Aquino, Antonella
"The Self, the Ideal, and the Real: The Artistic Choice of Three Creative Minds: Fellini, Allen, and Kaufman." Italica, vol. 84, no. 2-3, pp. 556-577, Summer 2007

Degli Esposti, Cristina
"Contemporary Italian filmmaking: strategies of subversion, Pirandello, Fellini, Scola and the directors of the new generation."Screen (London, England) v 38 Summer 1997. p. 210-13
"A review of the book Contemporary Italian Filmmaking: Strategies of Subversion, Pirandello, Fellini, Scola and the Directors of the New Generation, by Manuela Gieri. Gieri uses a very innovative and original approach in presenting an entirely new reading of the historiography of Italian cinema. This well-organized book conveys a persuasive demonstration of the impact of Pirandello's works and theoretical ideas on Italian cinema. It is an incentive for new studies and readings of Italian cinema and should have an enduring effect on the reconsideration of Italian cinema and its place in the larger frame of moving images." [ArtAbstracts]

Diegueza, Sebastian; Assalb, Gil; Bogousslavskyc, Julien
"Visconti and Fellini: From Left Social Neorealism to Right-Hemisphere Stroke." Frontiers of Neurological Neuroscience. Basel, Karger, 2007, vol 22, pp 44–74
UC users only

Dionne, E.J., Jr.
"Giulietta Masina: Film's Eternal Waif." New York Times v135, sec2 (Sun, March 23, 1986):H1(N), H1(L), col 3, 43 col in.

"Federico Fellini." (Obituary) Variety v353, n2 (Nov 15, 1993):48.

"Federico Fellini" (biography from Baseline Encyclopedia of Film)

"Federico Fellini, R I P." (tribute to late Italian motion picture director) (Editorial) National Review v45, n23 (Nov 29, 1993):19 (2 pages).

Flint, Peter B.
"Federico Fellini, film Visionary, is Dead at 73." (Obituary) New York Times v143 (Mon, Nov 1, 1993):A1(N), pA1(L), col 2, 58 col in.

"Fellini au travail." (screenplay writers recount their film experience with Federico Fellini)
Cahiers du Cinéma no474 Dec 1993. p. 60-3

"Fellini roman." (article special section on the Italian film director)
Cahiers du Cinema no474 Dec 1993. p. 46-70

French, Warren.
"Fellini And Antonioni Ten Years After." Kansas Quarterly 1972 4(2): 72-80.
Discusses the differing tempers and philosophies of Federico Fellini and Michelangelo Antonioni as expressed in the decade since La Dolce Vita and L'Avventura.

Fumento, Rocco.
"Maestro Fellini, Studente Angelucci." Literature/ Film Quarterly, vol. 10 no. 4. 1982. pp: 226-233.
UC users only

Gabler, Neal.
"Moving Images Created a Land of Endless Possibility." (filmmaker Federico Fellini; America during 1930's and 1940's) (Column) Los Angeles Times v112 (Sun, Nov 7, 1993):M2, col 1, 27 col in.

Galenson, David W., and Joshua Kotin.
"Filming images or filming reality: the life cycles of important movie directors from D.W. Griffith to Federico Fellini.(Scholarly Incursions)." Historical Methods 40.3 (Summer 2007): 117(18).
UC users only
"Why have some movie directors made classic early films, but subsequently failed to match their initial successes, whereas other directors have begun much more modestly, but have made great movies late in their lives? This study demonstrates that the answer lies in the directors' motivations, and in the nature of their films. Conceptual directors, who use their films to express their ideas or emotions, mature early; thus such great conceptual innovators as D.W. Griffith, Sergei Eisenstein, and Orson Welles made their major contributions early in their careers, and declined thereafter. In contrast experimental directors, whose films present convincing characters in realistic circumstances, improve their techniques with experience, so that such great experimental innovators as John Ford, Alfred Hitchcock, and Akira Kurosawa made their greatest films late in their lives. Understanding these contrasting life cycles can be part of a more systematic understanding of the development of film, and can resolve previously elusive questions about the creative life cycles of individual filmmakers." [Social Science Research Network]

Gieri, Manuela.
"Character and Discourse from Pirandello to Fellini: Defining a Countertradition in an Italian Context." Quaderni d'Italianistica: Official Journal of the Canadian Society for Italian Studies, vol. 13 no. 1. 1992 Spring. pp: 43-55.

Gieri, Manuela.
"Fellini, Advertising And The Ineffable Objects Of Desire." (Italian Cinema) Forum Italicum 33: (1) 169-184 SPR 1999

Gorbman, Claudia
"Music As Salvation: Notes on Fellini and Rota." Film Quarterly, Vol. 28, No. 2. (Winter, 1974-1975), pp. 17-25.
UC users only

Harcourt, Peter.
"The Secret Life of Federico Fellini." Film Quarterly 19:3 (1966:Spring) 4
UC users only

Hardy, Phil
"The Elusive Federico Fellini." Listener 117:3011 (1987:May 14) 35

Hart, H; Cook, P.
"Sound track; Rota, filmusic composer." Films in Review v 22 June 1971. p. 361-3, 367-9

Herman, David
"Federico Fellini." American Imago 26:3 (1969:Fall) 251

Hinson, Hal.
"Ciao, Federico!" (Federico Fellini, dead at age 73) Washington Post v116 (Mon, Nov 1, 1993):B1, col 1, 32 col in.

Hluchy, Patricia.
"The Magic of Fellini." (Obituary) Maclean's v106, n45 (Nov 8, 1993):64.

"Il Maestro." (filmmaker Federico Fellini) (Obituary) Economist v329, n7836 (Nov 6, 1993):120.

James, Caryn.
"Fellini's World Was So Real it was Bizarre." (appreciation for film director Federico Fellini) New York Times v143, sec2 (Sun, Nov 7, 1993):H26(N), pH26(L), col 5, 21 col in.

James, Clive.
"Mondo Fellini." (Italian director Federico Fellini) (A Critic at Large) New Yorker v70, n5 (March 21, 1994):154 (10 pages).
Fellini's films explored the psychology of men, depicting their fantasies and insecurities in lush images of sensuality and foolishness. His centrality in Italian film has made his art a powerful ambassador.

Kauffmann, Stanley.
" Fellini, Farewell." (filmmaker Federico Fellini) (Obituary) New Republic v210, n5 (Jan 31, 1994): 28 (3 pages).
UC users only

Kemp, Philip; Guido Bonsaver.
"Why Fellini?" (Director Federico Fellini) Sight and Sound, August 2004 v14 i8 p20(4)
UC users only
Director Federico Fellini, a maestro of neorealism in the 1960s, is regarded as a sentimental, overblown and self-indulgent filmmaker snared by his own intellectual and aesthetic pretensions. The whole first half of Fellini's career could be seen as a determined campaign to break free from the fetters of neorealism and assert his own vision.

Kerr, Don
"Directors and direction." The Structurist no25/26 1985/1986. p. 115-20
Griffith, D. W.; Fellini, Federico

Ketcham, Charles B.
"Samsonite Agonistes--A Felliniesque Journey to Fellini." Film Criticism, Spring76, Vol. 1 Issue 1, p30-35, 6p
UC users only

Kroll, Jack.
"The Maestro of the Movies." (Obituary) Newsweek v122, n19 (Nov 8, 1993):87.

Lavery, David.
"'Major Man': Fellini as an Autobiographer." Post Script: Essays in Film and the Humanities, vol. 6 no. 2. 1987 Winter. pp: 14-28.

Lavery, David.
"'News from Africa': Fellini-Grotesque." Post Script: Essays in Film and the Humanities, vol. 9 no. 1-2. 1989 Fall-1990 Winter. pp: 82-98.

Ledeen, Michael.
"A Man of the Right." (movie director Federico Fellini)American Spectator v27, n1 (Jan, 1994):74.
Italian film director Federico Fellini was well accepted by his peers for his masterful works bordering on imagery and fantasy. His movies have earned him the distinction of being one of the great movie directors of postwar Italy.

Levine, Irving
"I Was Born of the Cinema: A Conversation with Federico Fellini."Film Comment 4:1 (1966:Fall) 77

Librach, Ronald S.
"Reconciliantion in the Realm of Fantasy: The Fellini World." and the Fellini Text Literature/Film Quarterly 15:2 (1987) 85
UC users only

Manea, Norman; Hollo, Anselm.
"On Clowns: The Dictator and the Artist, Notes to a Text by Fellini." (Federico Fellini, the similarities in the political and social influences of Adolf Hitler and Charlie Chaplin) (Artists and Dictators) Literary Review v35, n1 (Fall, 1991):5 (21 pages).

Maraini, Tony.
"An Interview with Federico Fellini." Bright Lights Journal November 1999 | Issue 26

Marcus, Millicent.
"The Saraghina syndrome, or Fellini and the phenomenology of dance." Italica Summer 2004 v81 i2 p221(10) (4775 words)

McBride, Joseph
"Director as superstar." Sight and Sound v 41 no2 Spring 1972. p. 78-81

Miao, P.
"The Two Themes: Setting in Fellini's Films." Places: A Quarterly Journal of Environmental Design, 7: (3) 4-5 1991

Montalbano, William D.
"In Rome, a Ritting Farewell to Fellini." Los Angeles Times v112 (Wed, Nov 3, 1993):A16, col 1, 13 col in.

Muzzarelli, Anna
" Fellini in conversation." Sight and Sound v 3 Apr 1993. p. 15-16

Nelson, Benjamin.
"The Games of Life and the Dances of Death." Comparative Civilizations Review, vol. 10-11. 1983-1984. pp: 151-162.

Nowell-Smith, Geoffrey.
"Fellini and Popular Culture." Sight and Sound v3, n4 (April, 1993):12 (3 pages).

O'Healy, Aine.
"Unspeakable Bodies: Fellini's Female Grotesques." RLA: Romance Languages Annual, vol. 4. 1992. pp: 325-29.

Paolucci, Anne
"The Italian Film: Antonioni, Fellini, Bolognini." The Massachusetts Review, Vol. 7, No. 3 (Summer, 1966), pp. 556-567
UC users only

Papio, Michael.
"Derailment of Closure: The Father-Son Enigma in Fellini." Italica, vol. 74 no. 3. 1997 Autumn. pp: 392-407.
UC users only

Pasolini, Pier Paolo.
"The Catholic Irrationalism of Fellini." Film Criticism, vol. 9 no. 1. 1984 Fall. pp: 63-73.
UC users only

Peri, Enzo.
"Federico Fellini: An Interview." Film Quarterly 15:1 (1961:Fall) 30
UC users only

Porcari, George.
"Fellini goes to the beach." CineAction - Wntr 2008 i75 p28(6)
UC users only

Prats A.J., Pieters, J.
"The Narratives Of Decharacterization In Fellini Color Movies." South Atlantic Bulletin 45: (2) 31-41 1980
UC users only

"Propos de Federico Fellini." (excerpts of interviews with the Italian film director, 1985-1993)
Cahiers du Cinema no474 Dec 1993. p. 56-9

Rainer, Peter.
"Fellini, Legendary Film Director if Italy, Dies." (Obituary) Los Angeles Times v112 (Mon, Nov 1, 1993):A1, col 2, 39 col in.

Randall, Frederika.
"A Kinky Surrealist, or Our Dante?" (Federico Fellini; Salone delle Fontaine, Rome, Italy) Wall Street Journal (Wed, April 19, 1995):A14(W), A12(E), col 1, 24 col

Rossi, Patrizio
"Reality, Fantasy, and Fellini." Italian Quarterly 15:58/59 (1971:Fall/Winter) 87

Saada, Nicolas
"La voce de Nino Rota." (Rota's music soundtracks for Federico Fellini's films) Cahiers du Cinéma no474 Dec 1993. p. 64

Samuels, Charles Thomas
"Fellini on Fellini. An Interview." Atlantic Monthly 229:4 (1972:Apr.) 84

Satta, Gloria
"The buzz about paparazzi: Marcello Mastroianni remembers working with Federico Fellini and Tazio Secchiaroli, the first paparazzo." Aperture no150 Winter 1998. p. 77-8
UC users only
"A previously unpublished interview with Italian actor Marcello Mastroianni, who died in December 1996. Mastroianni, who was the protagonist of five Federico Fellini films, discusses working with Fellini and the first paparazzo, Tazio Secchiaroli." [Art Index]

Schickel, Richard
"Send in the clowns: an aspect of Fellini." Film Comment v 30 Sept/Oct 1994. p. 28-9+
UC users only
"In their discussions of Federico Fellini's films, critics and film historians tend to focus on the director's grand, aspiring themes, but these films are also noteworthy for their images and stories of show business. The realm of clowns, magicians, chorus girls, and lecherous impresarios intrigued the great director from childhood on. Show business is the subject of Fellini's first directorial venture, Variety Lights, and it is a vital element in Intervista, the last of his films to be released in the United States. Fellini was certainly an "auteur," as the term is classically defined, but he was also a showman, aware that a significant part of his sensibility was rooted in the cheap entertainment of his childhood." [Art Index]

Scorsese, Martin.
"Federico Fellini." (Obituary) Sight and Sound v3, n12 (Dec, 1993):3.
UC users only
Italian film director Federico Fellini, one of the great masters with an inimitable film-making style, died on Oct 31, 1993. His films include 'I Vitelloni' and '8 and a Half.' Fellini had planned a series of comic movies about film-making and film people that would have been a good source of knowledge to the audience. His one regret was that he could not find adequate finance to make his films.

Shanahan, Antonia
"Federico Fellini." Senses of Cinema (Great Directors: A Critical Database)

Simon, John
"The other Rota." The New Criterion v 19 no1 Sept 2000. p. 53-9
UC users only
"The writer discusses the work of the late composer Nino Rota. Rota is known to some as the composer of the score of The Godfather, to the slightly more knowledgeable as the composer of all the leading Fellini scores, and to the still better informed as one of our finest film composers. Only the elite, however, knows him as a true and important classical composer of around 300 works, including instrumental, symphonic, chamber, and sacred music, songs, and operas. The writer goes on to discuss Rota's life and work in detail, in particular his concert music." [ArtAbstracts]

Solomon, Jon.
"Fellini and Ovid." Classical and Modern Literature: A Quarterly, vol. 3 no. 1. 1982 Fall. pp: 39-44.

Stubbs, J. C.
"The Fellini Manner: Open Form and Visual Excess." Cinema Journal 32: (4) 49-64 SUM 1993
UC users only

Stubbs, J. C.
"The Fellini Manner: Open Form and Visual Excess." Cinema Journal, Summer93, Vol. 32 Issue 4, p49-64, 16p
UC users only

Stubbs, John C.
"Mime and the Method: The Working Relationship between Fellini and Masina." Literature-Film Quarterly. 30(4):264-70. 2002
UC users only
"Some of the most effective and interesting moments in Federico Fellini's films are the result of his work with his wife, Giulietta Masina. The collaboration was not always a comfortable one between director and actress. Masina was an actress who insisted on building her characters "from within," and she brought to the mix a certain grounding in internal motivation that gave her characters more resonance than one finds in many of Fellini's other characters. For Masina, Fellini created essentially two personae: the clown-like "waif" and the "deceived wife." The author focuses on the former. The relationship between Masina's representational/internal acting and Constantin Stanislavski's "method" is explored. The qualities for which Masina is best known are the externally expressive ones of her "live face" and her body movement - qualities most associated with the art of mime."

Sugg, Richard P.
"Towards a Jungian Criticism: The Case of Fellini and Jung." Journal of Evolutionary Psychology, vol. 9 no. 1-2. 1989 Mar. pp: 41-49.

Trubiano, Marisa S.
"Of Miracles and the Reel: Italian Neorealism Revisited." Nemla Italian Studies vol. 20. 1996. pp: 145-63.

Tyler, Parker
"Is Man a Clown? Is Fellini? And What's a Clown?" Evergreen Review 17:96 (1973:Spring) 98

Volta, O.
"Working With Fellini - A Memoir." Positif (413-14) 64-66 Jul-Aug 1995

Wagstaff, Chris. <
"Federico Fellini: an annotated filmography."
Sight and Sound v 4 Jan 1994. p. 30-3
UC users only
"An annotated list of the films of the Italian director Federico Fellini. The filmography is divided into the following sections: films directed by Fellini, films partially directed by him, films scripted by Fellini for others, television commercials directed by Fellini, and a film by another director in which he acted."

Waller, Marguerite.
"Whose Dolce vita Is This Anyhow? The Language of Fellini's Cinema." Quaderni d'Italianistica: Official Journal of the Canadian Society for Italian Studies, vol. 11 no. 1. 1990 Spring. pp: 127-135.

Walter, Eugene
"Federico Fellini: Wizard of Film." Atlantic Monthly 216:6 (1965:Dec.) 62

Wead, George
"Buon giorno, Trieste: encountering Leopoldo." Film Comment v 35 no6 Nov/Dec 1999. p. 66-9+
UC users only
"Italian actor Leopoldo Trieste is the primal Fellini character. In his shivers and trembles, inchoate whispers and giggles, and above all in his colossal, hungry eyes, there lurks a sublime delirium that is the quintessence of all that is considered Felliniesque. It is a quality that Fellini himself recognized: He used Trieste on many occasions over the years and the two were close friends until the director passed away in 1993. Fellini tapped an energy in Trieste that has now fed into 171 roles, for which he has received innumerable honors. He has also written and directed movies and has won acclaim as a dramatist outside his cinema work. The writer discusses various aspects of Trieste's life and career, including his early patronage, his friendship with Fellini, and his reclusive lifestyle." [ArtAbstracts]

Weber, Bruce.
"Excuse Me; I Must Have Missed Part of the Movie." (Federico Fellini's movies not universally liked) (Column) New York Times v143, sec4 (Sun, Nov 7, 1993):E2(N), pE2(L), col 1, 14 col in.

Weightman, J.G.
"In Parise of Fellini." Twentieth Century 159 (1956:Jan./June) 598

Williams, Forrest.
"Fellini's Voices." Film Quarterly 21:3 (1968:Spring) 21
UC users only
Young, Deborah.
"La Dolce Vita's Last Act." (Federico Fellini's last days) Variety v352, n12 (Nov 1, 1993):31 (2 pages).

Articles and Books on Individual Films

Amarcord

Bondanella, Peter
"Amarcord: Fellini & Politics." Cineaste XIX/1, 92; p.36-43,32.
On Fellini's approach to, and cinematic treatment of, politics and social problems in his film "Amarcord".

Bonnigal, Dorothee.
"Fellini's Amarcord: Variations on the Libidinal Limbo of Adolescence." In: Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. pp: 137-54. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002

Giannetti, Louis D.
""Amarcord": The Impure Art of Federico Fellini. Western Humanities Review 30:2 (1976:Spring) 153

Gaudenzi, Cosetta.
"Memory, Dialect, Politics: Linguistic Strategies in Fellini's Amarcord." In: Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. pp: 155-68. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002

Fellini, Federico.
Amarcord; Portrait of a town New York, Berkley Windhover Books, 1975 (Series: Berkley Windhover Books)
Main Stack XB6.9260 NRLF #: $B 629 265

Hay, James.
"Grandfather Fascism and Amarcord." In: Perspectives on Federico Fellini / edited by Peter Bondanella and Cristina Degli-Esposti. pp: 166-79. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Series title: Perspectives on Film.
Main Stack PN1998.3.F45.P47 1993
Moffitt PN1998.3.F45.P47 1993)

Il Film Amarcord di Federico Fellini.
A cura di Gianfranco Angelucci e Liliana Betti. Bologna, Cappelli, 1974. Fellini, Federico. Amarcord. Dal soggetto al film, 48
Main Stack PN1997.A3421 1974 NRLF #: $B 184 635

Keyser, Lester J.
"Three Faces Of Evil: Fascism In Recent Films." Journal of Popular Film 1975 4(1): 21-31.
UC users only
"Discusses the 1940's French fascism portrayed in Louise Malle's Lacombe, Lucien, that of 1930's Italy in Federico Fellini's Amarcord, and that of Nazi Germany in Liliana Cavani's The Night Porter."

Marcus, Millicent.
"Fellini's "Amarcord" Quarterly Review of Film Studies 2:4 (1977:Nov.) 418
UC users only

Mckenna, Andrew
"Fellini's Crowds and the Remains of Religion." Contagion: Journal of Violence, Mimesis, and Culture, Issue 12-13, pp. 159-182
UC users only

Parshall, P.F.
"Fellini's Thematic Structuring." Film Criticism VII/2, Winter 83; p.19-30. Discusses the patterns of fascism in "Amarcord".
UC users only

Sciannameo, Franco.
Nino Rota, Federico Fellini, and the making of an Italian cinematic folk opera, Amarcord Lewiston, NY : Edwin Mellen Press, c2005.
MUSI: ML410.R82 S35 2005

And the Ship Sails On

"And His Ship Sails On."
Film Comment v 21 May/June 1985. p. 25-30

Hurley, J.
"And the Ship Sails On." (motion picture review) Films in Review v 35 Apr 1984. p. 238-40

L'Invenzione consapevole: disegni e materiali di Federico Fellini per il film "E la nave va" Published: Firenze: Artificio, c1984.
MAIN: PN1998.A31 F3386 1984

Jebb, Julian
"And the Ship Sails On." (motion picture review) Sight and Sound v 53 Summer 1984. p. 225

Kimball, George Robert
"And the Ship Sails On." (motion picture review) Films and Filming no[357] June 1984. p. 12

Mitchell, T
"Fellini's Ship Sails On." (E la Nave Va) SOURCE: Sight and Sound v 52 no2 Spring 1983. p. 80

Perricone, Joseph
"... and the Ship Sails On": A Reviewing of Fellini." Literature/Film Quarterly 15:2 (1987) 78
UC users only

Casanova

Bradley, Dale.
"History to Hysteria: Fellini's Casanova Meets Baudrillard." In: Perspectives on Federico Fellini
Edited by Peter Bondanella and Cristina Degli-Esposti. pp: 249-59. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Series title: Perspectives on film.
UCB Main PN1998.3.F45 P47 1993
UCB Moffitt PN1998.3.F45 P47 1993

Fellini, Federico.
Casanova: sceneggiatura originale / [di] Federico Fellini e Bernardino Zapponi Torino: G. Einaudi, 1976 (Series: Nuovi coralli; 169)
Main Stack PN1997.C3524

Lederman, Marie Jean.
"Art, Artifacts, and "Fellini's Casanova"." Film Criticism, Fall77, Vol. 2 Issue 1, p43-45, 3p
UC users only

Marcus, Millicent
"Fellini's Casanova": Portrait of the Artist." Quarterly Review of Film Studies 5:1 (1980:Winter) 19
also in: Filmmaking by the Book: Italian Cinema and Literary adaptation / Millicent Marcus. pp: 204-24. Baltimore: Johns Hopkins University Press, c1993.
UCB Main PN1993.5.I88 M278 1993

Marcus, Millicent
"Fellini's Casanova: Adaptation by Self-projection In: Filmmaking by the Book: Italian Cinema and Literary Adaptation / Millicent Marcus. pp: 204-24 Baltimore: Johns Hopkins University Press, c1993.
Main Stack PN1993.5.I88.M278 1993

Marcus, Millicent
"Fellini's Casanova: Portrait of the Artist." Quarterly Review of Film Studies, Winter1980, Vol. 5 Issue 1, p19-34, 16p

Markulin, Joseph
"Plot and Character in Fellini's "Casanova": Beyond "Satyricon." Italian Quarterly 23:87 (1982:Winter) 65

Moore, Kevin Z.
"'Fellini's Casanova' or the fate of formalism." Literature-Film Quarterly v27, n2 (April, 1999):125 (17 pages).
UC users only "Explores the strategy behind director Federico Fellini's film "Fellini's Casanova" (1976) discussing his interpretation of life and his practice of formalism. Informs that the character of Casanova is a formalist, an idealist, and a pragmatist who believes knowledge is power in the civil sense. Suggests that "Casanova" defines much of what Fellini appreciated and found appealing in filmmaking, which is summarily defined as Realism. Demonstrates how this film presents a Fellini who is sober and thoughtful about the role reality plays--must play--in life and in the life of art. Imparts that "Fellini's Casanova" visually suggests why all art should aspire to the condition of photography, a condition defined by the ontological commitments implied in realism, which, in turn, defines the values and aesthetic possibilities of neo-realism, Italian, or otherwise." [Available in full-text in International Index to the Peforming Arts (UC Berkeley users only)]

Salachas, Gilbert
"Casanova a ensorcele Fellini." Connaissance des Arts no301 Mar 1977. p. 44-53

Welsh, James M.
"Casanova" (review) Films in Review 28:4 (1977:Apr.) 245

Willis, D; Johnson, A.
"Two views on Fellini's Casanova." Film Quarterly v 30 no4 Summer 1977. p. 24-31
UC users only

The City of Women (la Città delle Donne)

Bachmann, Gideon
"Federico Fellini: the cinema seen as a woman- an interview on the day City of women premiered in Rome." Film Quarterly v 34 no2 Winter 1980/1981. p. 2-9
UC users only

Cini, Roberta.
Nella città delle donne : femminile e sogno nel cinema di Federico Fellini Tirrenia (Pisa) : Edizioni del Cerro, 2008.
MAIN: PN1998.3.F45 C57 2008
Table of contents http://www.loc.gov/catdir/toc/casalini07/08300801.pdf

Fellini, Federico.
La citta delle donne / Federico Fellini; con una nota di Liliana Betti e una lettura di Andrea Zanzotto. 1. ed. Milano: Garzanti, 1980. (Series: I Garzanti) Cinema (Edizioni il formichiere)
Main Stack PN1997.C51341 1980

Lederman, Marie Jean
"Dreams and vision in Fellini's City of Women." Journal of Popular Film and Television v 9 no3 Fall 1981. p. 114-22
UC users only

Monti, Raffaele.
Bottega Fellini: la Città delle donne: progetto, lavorazione, film / testo di Raffaele Monti; fotografie di Gabriele Stocchi. Roma: De Luca, [1981].
Main Stack PN1997.C51343 M6

The Clowns

Free, William J.
"Fellini's "I Clowns" and the Grotesque." Journal of Modern Literature, Vol. 3, No. 2, Film as Literature and Language (Apr., 1973), pp. 214-227
UC users only

Gilman, Sander L.
"Polemic: Religion as Aesthetic Form: Observations on Fellini's I Clowns." Diacritics, Vol. 1, No. 2 (Winter, 1971), pp. 56-58
UC users only

Kumar, Veena.
"The Clown and the Circus: Spectacle, Risk, and Reality in Fellini." Italian Culture, vol. 11. 1993. pp: 383-92

Schickel, Richard
"Send in the clowns: an aspect of Fellini." Film Comment v 30 Sept/Oct 1994. p. 28-9+
UC users only
"In their discussions of Federico Fellini's films, critics and film historians tend to focus on the director's grand, aspiring themes, but these films are also noteworthy for their images and stories of show business. The realm of clowns, magicians, chorus girls, and lecherous impresarios intrigued the great director from childhood on. Show business is the subject of Fellini's first directorial venture, Variety Lights, and it is a vital element in Intervista, the last of his films to be released in the United States. Fellini was certainly an "auteur," as the term is classically defined, but he was also a showman, aware that a significant part of his sensibility was rooted in the cheap entertainment of his childhood." [Art Index]

Scorsese, Martin.
"Amid Clowns and Brutes, Fellini Found the Divine."New York Times v143, sec2 (Sun, Oct 24, 1993):H21(N), pH21(L), col 1, 14 col in.

Taylor, John Russell
"Roma and The Clowns." (Review). Sight & Sound XLI/4, Autumn 1972; p.229-230.

La Dolce Vita

American Cinematographer, v41 (April 1960), pp. 234-5

Bellone, Julius.
Renaissance of the Film.pp: 79-90. [New York] Collier Books [1970].
UCB Moffitt PN1993.5 A1 B45 1970

Bondanella, Peter E., 1943-
Italian Cinema: From Neorealism to the Present. pp: 323-34. New York: F. Ungar Pub. Co., c1983. Series title: Ungar film library.
UCB Main PN1993.5.I88 .B58 1983
UCB Moffitt PN1993.5.I88 .B58 1983

Budgen, Suzanne.
Fellini. pp: 34-44. London, British Film Institute (Education Department) [1966]. Series title: B66-16487.
UCB Main PN1998.A3 F34 B8
UCB Moffitt PN1998.A3 .F33

Eisenhauer, Robert G.
"Greek aliases and Roman icons : comedic motivation from the Odes of Horace to Fellini's La dolce vita." In: Parables of disfiguration : reason and excess from romanticism to the avant-garde / Robert Eisenhauer. New York : Peter Lang, c2005.
Main Stack PS88.E37 2005
Table of contents http://www.loc.gov/catdir/toc/ecip059/2005006770.html

Fava, Claudio G.,
The Films of Federico Fellini / by Claudio G. Fava and Aldo Vigano; with an introduction by Fellini; translated by Shula Curto. pp: 97-105. 1st American ed. Secaucus, N.J.: Citadel Press, c1985.
UCB Main PN1998.A3 F3357131 1985

Fellini, Federico.
La Dolce Vita. [English translation by Oscar DeLiso and Bernard Shir-Cliff. New York] Ballantine Books [1961] (Series: Ballantine books, S517K)
Main Stack PN1997.D66.F42 1961

Fellini, Federico.
La Dolce Vita. / ideato da Federico Fellini; soggetto e sceneggiatura di Federico Fellini, Ennio Flaiano, Tullio... ... Milano: Garzanti, 1981. Garzanti. Cinema
Main Stack PN1997.D56 1981

Film Journal v19, (April 1962), pp: 44-9.

Films in Review, v12 (June-July 1961), pp: 352-4.

Film Quarterly, v14:4 (Summer 1961), pp: 55-7

Frongia, Eugenio.
"'A Heap of Broken Images': T. S. Eliot, Dante, and Fellini's 'La dolce vita'." European Studies Journal, vol. 2 no. 2. 1985. pp: 52-57.

Frost, Derek Trowbridge.
"Parallel Worlds, Convergent Aesthetics: Cabrera Infante's Tres tristes tigres and Fellini's La dolce vita." Romance Notes, vol. 38 no. 1. 1997 Fall. pp: 3-14.

Garbicz, Adam.
Cinema, The Magic Vehicle: A Guide to its Achievement / by Adam Garbicz and Jacek Klinowski. v2, pp: 455-9 Metuchen, N.J.: Scarecrow Press, 1975-1979.
UCB Main PN1995 .G251

Gilliatt, Penelope
"Behind the scenes: La Dolce Vita." American Film v 11 Nov 1985. p. 9-10+

Gundle, Stephen
"La Dolce Vita." In: The movies as history : visions of the twentieth century / edited by David Ellwood. Stroud : Sutton, 2000.
Main Stack PN1995.2.M68 2000

Gundle, Stephen.
"La Dolce Vita." (movie review) (movie review) History Today v50, n1 (Jan, 2000):29.
UCB users only
" Federico Fellini's controversial film La Dolce Vita reflects the rapid social changes, especially the hedonistic consumerism driven by the cult of celebrity, that developed in Italy as it industrialized after World War II." [Historical Abstracts]

Gundle, Stephen.
"La Dolce Vita." In: The movies as history: visions of the twentieth century / edited by David Ellwood. p. 132-40. Stroud: Sutton, 2000.
Main Stack PN1995.2.M68 2000

Hawkins, R.
"Fellini's La dolce vita." Sight and Sound v 29 no2 Spring 1960. p. 66

Holland, Norman N.
"The Follies Fellini." The Hudson Review, Vol. 14, No. 3 (Autumn, 1961), pp. 425-431
UCB users only

Journal of Social Issues v20, (Spring 1962), pp: 71-96.

Kael, Pauline.
I Lost It At the Movies. [1st ed.]. pp: 179-96. Boston, Little, Brown [1965].
UCB Bancroft F867.M6K25;
UCB Main PN1994 .K25
UCB Moffitt PN1994 .K25

Keynon Review v24, (Jan. 1964), pp: 351-6.

Kezich, Tullio.
La Dolce Vita di Federico Fellini. [2. ed.] [Bologna] Cappelli [1960] Fellini, Federico. Dal soggetto al film. Serie retrospettiva
Main Stack PN1997.D66.K4

Kezich, Tullio.
"Federico Fellini and the Making of La Dolce Vita." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 31, no. 1, pp. 8-14, Winter 2005.
UC users only
"An excerpt from Federico Fellini: His Life and Work, a book by Tullio Kezich, due to be published in March 2006. The writer discusses the making of Federico Fellini's film La Dolce Vita. The course of this "surreal project" is traced in detail here, from the conflict between Fellini and producer Dino De Laurentiis over the script and the casting of the lead, to the final edit of the film. A number of memorable incidents from the shoot are also described. The writer also offers a brief critique of the movie." [Art Index]

Knieger, Bernard
"La Dolce Vita: Twentieth-Century Man?" College Composition and Communication, Vol. 13, No. 4. (Dec., 1962), pp. 26-31.
UC users only

La Dolce vita: il film di Federico Fellini
Published: Roma: Editalia, c1989.
MAIN: PN1997.D563 D6 1989

Lo Duca
La Douceur de Vivre = La Dolce Vita / Lo Duca. Paris: R. Julliard, 1960. Fellini, Federico. La dolce vita (Motion picture)
Main Stack PQ4827 Lo4D63, 1960 NRLF #: $B 450 768

Magill's Survey of Cinema, Foreign Language Films. v2, pp: 857-61.
UCB Main Lib. Info Ctr PN1995 .M335 1985

Murray, Edward.
Fellini, The Artist. pp: 112-133. New York: F. Ungar Pub. Co., c1976.
UCB Main PN1998.A3 F3441

Nelson, Benjamin.
"The Games of Life and the Dances of Death." Comparative Civilizations Review, vol. 10-11. 1983-1984. pp: 151-162.

New York Times (April 16, 1961), Sect II, p. 7

New York Times (April 20, 1961), p. 30

New York Times (April 23, 1961), Sect II, p. 1

New Yorker v37, (April 29, 1961), pp: 126-8.

Pasolini, Pier Paolo.
"The Catholic Irrationalism of Fellini." Film Criticism, vol. 9 no. 1. 1984 Fall. pp: 63-73.

Price, Theodore.
"Look, It's Jesus! The Book of Revelation and Federico Fellini's La Dolce Vita." In: Transformations in literature and Film: selected papers from the Sixth Annual Florida State University Conference on Literature and Film / edited by Leon Golden. pp: 136-142. Tallahassee: University Presses of Florida, 1982.
UCB Main PN1995.3 .F55 1981

Pulleine, Tim
"La Dolce Vita." (Review). Films & Filming /396, Sept 87; p.32

DISSERTATION
Reynolds, Lessie M. An analysis of the non-verbal symbolism in Federico Fellini's film triology: La Dolce Vita, 8 1/2, and Juliet of the Spirits / by Lessie Mallard Reynolds. 1969.
UCB Main PN1998.A3 F3639 1969a

Ricciardi, Alessia
"The spleen of Rome: mourning modernism in Fellini's La Dolce Vita." Modernism/ Modernity v 7 no2 Apr 2000. p. 201-19
UC users only
" Federico Fellini's 1959 film 'La dolce vita' should be seen as an analysis of the corrupt Italian political economy of the mid-twentieth century. The film was neorealistic because it portrayed the consequences of love at last sight." [Expanded Academic Index]

Riviello, Tonia C.
"Fellini's Woman Protagonist in Catholic-Italian Society." Rivista di Studi Italiani, 1996 Dec, 14:2, 167-92.

Rooney, David
"Vita' photos irk paparazzi." ('La Dolce Vita' director Federico Fellini sued)(Brief Article) Variety v378, n8 (April 10, 2000):25.

Sight and Sound v29, (Summer 1960), pp: 123-7.

Springer, Carolyn.
"Fellini's Poetics of Fragmentation: Images of Rome in La Dolce Vita." Canadian Journal of Italian Studies, vol. 11 no. 37. 1988. pp: 158-63.

Tyler, Parker.
Sex Psyche Etcetera in the Film. pp: 106-13. New York, Horizon Press [1969].
UCB Main PN1995 .T83

Village Voice (April 27, 1961), p. 13

Village Voice (Nov. 23, 1967), p. 31

Waller, Marguerite.
"Whose Dolce vita Is This Anyhow? The Language of Fellini's Cinema." Quaderni d'Italianistica: Official Journal of the Canadian Society for Italian Studies, vol. 11 no. 1. 1990 Spring. pp: 127-135.

Welle, John.
"Fellini's Use of Dante in La Dolce Vita." In: Perspectives on Federico Fellini / edited by Peter Bondanella and Cristina Degli-Esposti. pp: 110-18. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Series title: Perspectives on Film.
Main Stack PN1998.3.F45.P47 1993
Moffitt PN1998.3.F45.P47 1993)

8 1/2

Affron, Charles.
"Order and the Space for Spectacle in Fellini's 8-1/2." In: Close Viewings: An Anthology of New Film Criticism / edited by Peter Lehman. pp: 109-24. Tallahassee: Florida State University Press; Gainesville, FL: Orders to University Presses of Florida, c1990.
Main Stack PN1995.C543 1990

Beja, Morris.
Film & Literature, An Introduction. pp: 259-66. New York: Longman, c1979.
UCB Main PN1995.3 .B4;
UCB Moffitt PN1995.3 .B4

Benderson, Albert Edward.
Critical approaches to Federico Fellini's "8 1/2". New York, Arno Press, 1974.
UCB Main PN1997.O77 B41

Bondanella, Peter E.
Italian Cinema: From Neorealism to the Present. pp: 241-45 New York: F. Ungar Pub. Co., c1983. Series title: Ungar film library.
UCB Main PN1993.5.I88 .B58 1983
UCB Moffitt PN1993.5.I88 .B58 1983

Boyer, Deena.
The Two Hundred Days of 8 1/2. Translated by Charles Lam Markmann, with an afterword by Dwight Macdonald. New York, Macmillan [1964].
UCB Main PN1997.O87 .B6
UCB Moffitt PN1997 .F3953

Branigan, Edward
"Subjectivity Under Siege - From Fellini's '8 1/2' to Oshima's The Story of a Man Who Left His Will on Film."Screen XIX/1, Spring 78; p.7-40.
Comparison of the two films, particularly in their point-of-view shots.

Brook, Clodagh
"Borderlines: 8 1/2, Sogni d'oro and the Real-Dream Continuum." Forum Italicum, vol. 41, no. 1, pp. 111-26, Spring 2007

Burke, Frank.
"Modes of Narration and Spiritual Development in Fellini's 8 1/2." Literature/ Film Quarterly, vol. 14 no. 3. 1986. pp: 164-170.
On the spiritual significance of the sequence of narrative acts by the central character in "8 1/2."

Canby, Vincent.
"New Look at a Fellini Chef d'Oeuvre." (Federico Fellini's film '8.5') New York Times v142 (Fri, Oct 30, 1992):C19(L), col 1, 33 col in.

Conti, Isabella.
"Federico Fellini: Artist in Search of Self."Biography: An Interdisciplinary Quarterly, vol. 7 no. 4. 1984 Fall. pp: 292-308.
Cited as one of the greatest films of all time, "8 1/2" represents an advance in biography. The film deals with problems of adult development which stifle personal and professional growth. Using Jungian theory, Fellini provides a memorable and revealing glimpse into the hidden side of personality and the psychodynamics of creativity

Conti, Isabella.
"Federico Fellini: Artist in Search of Self." Biography: An Interdisciplinary Quarterly, vol. 7 no. 4. 1984 Fall. pp: 292-308.

Costello, Donald P.
"Layers of Reality: 8 1/2 as Spiritual Autobiography." Notre Dame English Journal, vol. 13 no. 2. 1981 Spring. pp: 1-12.

8 1/2: Federico Fellini, Director / Charles Affron, editor. New Brunswick: Rutgers University Press, c1987. Series title: Rutgers films in print; v. 7.
UCB Main PN1997.O77 A1181 1987
UCB Moffitt PN1997.O77 A118 1987
Table of contents via Google books

Holland,-Norman-N.
"8 1/2 and Me: The Thirty-Two-Year Difference." In: Aging and identity: a humanities perspective / edited by Sara Munson Deats and Lagretta Tallent Lenker. pp: 213-227 Westport, Conn.: Praeger, 1999.

Hyman, Timothy
"8 1/2 as an anatomy of melancholy."Sight and Sound v 43 no3 Summer 1974. p. 172-5

Fabe, Marilyn
"The European art film: Federico Fellini's 8 1/2." In: Closely watched films : an introduction to the art of narrative film technique / Marilyn Fabe. Berkeley : University of California Press, c2004.
Main Stack PN1995.9.E9.F17 2004
Moffitt PN1995.9.E9.F17 2004
PFA PN1995.9.E9.F17 2004
Table of contents http://www.loc.gov/catdir/toc/ecip0413/2004000202.html

Film Comment v1, (Summer 1963), pp: 61-2

Film Comment v2, (Winter 1964), p. 48

Film Journal no. 21, (April 1963), p. 116-18.

Film Quarterly v17, (Fall 1963), pp: 43-6

Films in Review v14:7, (Aug.-Sept. 1963), pp: 433-35.

Holland, Norman N.
"8 1/2 and Me: The Thirty-Two Year Difference." Journal of Aging and Identity, vol. 1 no. 2. 1996 June. PAGES: 125-41.

Holland, Norman. "Fellini's '8 1/2'." Hudson Review 16:3 (1963:Autumn) 429

Holland, Norman N.
"Fellini's "8 1/2" Hudson Review 16:3 (1963:Autumn) 429
UC users only

Kauffmann, Stanley
"Fellini;s "8 1/2" Horizon 18:2 (1976:Spring) 40

LoBrutto, V.
"The personal film: 8 1/2." In: Becoming film literate : the art and craft of motion pictures Westport, Conn. : Praeger, c2005.
Main Stack PN1995.A448 2006MAIN: PN1994 .L595 2005
MOFF: PN1994 .L595 2005
PFA : PN1994 .L595 2005

Macdonald, Dwight
"8 1/2." In: American movie critics : an anthology from the silents until now / edited by Phillip Lopate. New York : Library of America : Distributed to the trade by Penguin Putnam, c2006.
Main Stack PN1995.A448 2006
Moffitt PN1995.A448 2006
PFA PN1995.A72 2006

Magill's Survey of Cinema, Foreign Language Films. v2, pp: 939-40.
UCB Main Lib. Info Ctr PN1995 .M335 1985

Metz, Christian.
Film Language; A Semiotics of the Cinema. Translated by Michael Taylor. pp: 140-6 New York, Oxford University Press, 1974.
UCB Main PN1995 .M45131
UCB Moffitt PN1995 .M4513

New York Times (review), (June 26, 1963), p. 36

New York Times (review), (June 30, 1963), Sect II, p. 1

New Yorker v29, (June 30, 1963), p. 62

New Yorker v39, (July 6, 1963), pp.: 19-20.

Newton, J. M.
"Fellini's 8 1/2 and the Poor English Film Critics." Cambridge Quarterly 3:1 (1967/1968:Winter) 3

Perry, T. "Signifiers in Fellini's '8 1/2'" Forum Italicum 6:1 (1972:Mar.) 79

Pierson, Frank
"Fellini's Magical '8 1/2'." American Film XIV/8, June 89; p.16-17. illus.
Director F.P. offers a tribute to the final scene of "8 1/2".

Pinilla, Augusto
"Descripcion de 8 1/2 de Fellini." Autores de un autor / Augusto Pinilla. Bucaramanga, Colombia : Sic Editorial, 2004.
Main Stack PN518.P53 2004

Reich, Jacqueline.
"Otto e mezzo: 8 1/2." In: The cinema of Italy / edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York : Wallflower, 2004.
Moffitt PN1993.5.I88.C5677 2004

Reynolds, Lessie M.
An Analysis of the Non-verbal Symbolism in Federico Fellini's Film Triology: La Dolce Vita, 8 1/2, and Juliet of the Spirits [DISSERTATION]. 1969.
UCB Main PN1998.A3 F3639 1969a

Sight and Sound v32, (Autumn 1963), p. 193

Sight and Sound v43, (Fall 1974), pp: 172-75.

Statta, Gloria.
"The buzz about paparazzi: Marcello Mastroianni remembers working with Federico Fellini and Tazio Secchiaroli, the first paparazzo." (Interview) Aperture, n150 (Wntr, 1998):77 (2 pages).
Three years before his death in 1996 actor Marcello Mastronianni discusses his personal relationship with director Federico Fellini and his work on 8 1/2 and La Dolce Vita. Improvisation reigned on Fellini's set as he used no scripts or production plans for the films he made, a sharp contrast to Hollywood's rigid and scientifically planned movie making industry. Fellini introduced Mastroianni to the photographer Tazio Secchiaroli.

Stubbs, John C.
"Fellini's Portrait of the Artist as Creative Problem Solver." Cinema Journal. 41(4):116-31. 2002
UC users only
"What makes Federico Fellini's film 81/2 unique among films concerning the creative process is that Fellini manages to take the audience inside the mind of the creative artists doing mental work. This autobiographical film, Fellini's portrait of the artist, centers on the writer-director Guido Anselmi. The activities of a writer-director as opposed to a writer provide ways of externalizing the director's ideas about the film being made. What is unique about the film is the way in which Fellini illustrates the first three of the four stages of creative thought as developed by French mathematician Henri Poincare, allowing the audience to follow Guido closely though his stages of problem solving: The "preparative " phase, which involves Guido's consultations with Pace, Daumier, the other members of the crew, and the actors who try out for him; the "incubation" phase, which consists of his reveries; and the "Eureka! Moment," when he decides on the circle as the controlling image for his film." [Art Index]

Stubbs, John C.
"8 1/2." Journal of Aesthetic Education, Vol. 9, No. 2, Special Issue: Film IV: Eight Study Guides. (Apr., 1975), pp. 96-108.
UC users only

Telotte, J.P.
"Definitely-Falling-down. 8 1/2, Falling Down, and the Death of Fantasy." Journal of Popular Film and Television XXIV/1, Spring 96; p.19-25.
UC users only
Explores and contrasts elements of fantasy in Fellini's "8 1/2" and Joel Schumacher's "Falling Down".

Telotte, J.P.
""8½" and the Evolution of a Neorealist Narrative. Film Criticism, Winter78, Vol. 3 Issue 2, p67-79, 13p
UC users only

Viera, Maria.
"An Homage? Not Exactly: We Just Stole the Idea Outright: Stardust Memories and 8 1/2." Creative Screenwriting vol. 4 no. 4. 1997 Winter. pp: 65-74.

Willemsen, Paul
"Notes on Subjectivity. On Reading Edward Branigan's 'Subjectivity Under Siege'." Screen XIX/1, Spring 78; p.41-69.
Discourse arising from the above article in the periodical.

Zinman, Toby.
"Sometimes more is less: Fellini's 'Otto e mezzo' to Kopit's 'Nine.'" Modern Drama v41, n1 (Spring, 1998):146 (11 pages).
Frederico Fellini's film '8 1/2,' called 'Otto e mezzo' in Italian, was adapted as musical theater by playwright Arthur Kopit and titled 'Nine.' The translation problems posed, from one language and genre to others, are significant. The film is about a famous director attempting to make a film about his artistic life. The musical does not include this self-reflexivity, and Fellini anticipated this lack of resonance when his contract stipulated the film was never to be mentioned in advertising the musical. In adaptations, more sometimes means less.

Ginger and Fred

Adair, Gilbert
"Ginger and Fred." (motion picture review) Sight and Sound v 55 Spring 1986. p. 137-8 Ginger and Fred (motion picture review)

Chion, Michel
"Ginger and Fred." (motion picture review) Cahiers du Cinema no380 Feb 1986. p. 14-17

Eco, Umberto
"The phantom of neo-tv: the debate on Fellini's Ginger and Fred." In: Apocalypse postponed / Umberto Eco ; edited by Robert Lumley. Bloomington : Indiana University Press ; London : British Film Institute, 1994.
Main Stack HM101.E28 1994

Kauffmann, Stanley
"Ginger and Fred." (motion picture review) The New Republic April 14, 1986 v194 p24(3) (1641 words)

Marcus, Millicent.
"Fellini's Ginger and Fred: Postmodern Simulation Meets Hollywood Romance." In: Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. pp: 169-87. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002

Marcus, Millicent.
"Ginger and Fred: Fellini after Fellini." In: After Fellini : national cinema in the postmodern age / <2002> Baltimore : Johns Hopkins University Press, 2002.
MAIN: PN1993.5.I88 M283 2002
PFA : PN1993.5.I88 M283 2002

Rotondi, Cesar J.
"Ginger and Fred." (motion picture review) Films in Review v 37 Aug/Sept 1986. p. 425

Sanguinetti, Tatti
"Fellini, intervista: on Silvio Berlusconi's Italy." Cahiers du Cinema no479/480 May 1994. p. 70-1+
"In an interview, Federico Fellini discusses his film Ginger and Fred and his opposition to Silvio Berlusconi. The interview took place at the time of the release of the film, before Berlusconi came to full power. Fellini expresses his embarrassment at the showing of the film on a station owned by Berlusconi.

Schickel, Richard
"Ginger and Fred." (motion picture review) Time March 31, 1986 v127 p74(1)

Intervista

Chion, Michel
"Intervista." (motion picture review)Cahiers du Cinema no402 Dec 1987. p. 2-6

Degli-Esposti, Cristina
"Federico Fellini's Intervista or the Neo-Baroque Creativity of the Analysand on Screen." Italica, Vol. 73, No. 2, Film. (Summer, 1996), pp. 157-172.
UCB users only

Kissin, Eva H.
"Intervista." (motion picture review) Films in Review v 44 May/June 1993. p. 198

O'Healy, Aine.
"Interview with the Vamp: Deconstructing Femininity in Fellini's Final Films" (Intervista, La voce della luna) In: Federico Fellini: contemporary perspectives Edited by Frank Burke and Marguerite R. Waller. pp: 209-32. Toronto: University of Toronto Press, c2002. f
UCB Main Stack PN1998.3.F45 F453 2002

Testa, Carlo.
"Cinecitta and America: Fellini Interviews Kafka (Intervista)." In: Federico Fellini: contemporary perspectives
Edited by Frank Burke and Marguerite R. Waller. pp: 188-208. Toronto: University of Toronto Press, c2002.
UCB Main Stack PN1998.3.F45 F453 2002

Toubiana, Serge
"Intervista." (motion picture review) Cahiers du Cinema no397 June 1987. p. 11

I Vitelloni

Burke, Franke M.
"Reason and Unreason in Federico Fellini's "I Vitelloni" Literature/Film Quarterly 8:2 (1980) 116
UC users only

Fellini, Federico.
I Vitelloni e La Strada: soggetto e sceneggiatura / di Federico Fellini, Tullio Pinelli e Ennio Flaiano; prefazione di ... Milano: Longanesi, 1989. Gaja scienza; 273.
Main Stack PN1997.V57 1989

Ratner, Megan.
"Knocking on Modernity's Door: Fellini's I Vitelloni." Bright Lights Film Journal, vol. 41, pp. (no pagination), August 2003.

Van Order, Thomas; Knapp, Faith.
"Music in Federico Fellini's I Vitelloni." RLA: Romance Languages Annual, West Lafayette, 1998, 10:1, 387-97.

Juliet of the Spirits (Giulietta degli Spiriti)

Benderson, A.
"An Archetypal Reading of Juliet of the Spirits." Quarterly Review of Film Studies IV/2, Spring 79; p.193-206.
Analyzes the Jungian elements in the film.

Budgen, Suzanne.
Fellini. pp: 67-84. London, British Film Institute (Education Department) [1966]. Series title: B66-16487.
UCB Main PN1998.A3 F34 B8
UCB Moffitt PN1998.A3 .F33

De Lauretis, Teresa
"Fellini's 9 1/2." In: Technologies of gender: essays on theory, film, and fiction / by Teresa de Lauretis. pp: 95-106. Bloomington: Indiana University Press, c1987. Series title: Theories of representation and difference.
UCB Main PN56.F46 D41 1987
UCB Moffitt PN56.F46 D4 1987 .
Costello, Donald P.
"Fellini, Juliet, And The Feminists, Or: What Does Fellini Think About Women?" Michigan Academician 1983 15(2): 293-300.

Federico Fellini, Essays in Criticism
Edited by Peter Bondanella. pp: 137-51. New York: Oxford University Press, 1978.
UCB Main PN1998.A3 .F336
UCB Moffitt PN1998.A3 .F336

Fellini, Federico.
Juliet of the Spirits. Edited by Tullio Kezich. Translated from the Italian by Howard Greenfeld. New York, Orion Press, 1965.
UCB Main PN1997.G52 F4

Film Quarterly v19, (Spring 1966), pp: 4-19

Film Quarterly v21, (Spring 1968), pp: 21-25

Films and Filming v10, (March 1965), pp: 52-3

Films and Filming v11, (August 1965), pp: 52-3

Films and Filming v10, (April 1966), pp: 52-3

Film Quarterly v21, (Spring 1968), pp: 21-25

Films and Filming v10, (March 1965), pp: 52-3

Lewis, Leon D. 1940-
The Landscape of Contemporary Cinema, by Leon Lewis and William David Sherman. pp: 9-12 Buffalo, Buffalo Spectrum Press, [1967]
Main Stack PN1994.L461 (NRLF #: B 3 567 184)

New Yorker v33, (Nov. 6, 1965), pp: 120

Murray, Edward.
Fellini, the Artist / Edward Murray. pp: 156-76. New York: F. Ungar Pub. Co., c1976.
UCB Main PN1998.A3 F3441

New York Times (Nov. 4, 1965), p 57

New Yorker v33, (Nov. 6, 1965), pp: 120

Quarterly Review of Film Studies v4:2, (1979), pp: 193-206.

DISSERTATION
Reynolds, Lessie M.
An Analysis of the Non-verbal Symbolism in Federico Fellini's Film Triology: La Dolce Vita, 8 1/2, and Juliet of the Spirits / by Lessie Mallard Reynolds. 1969.
UCB Main PN1998.A3 F3639 1969a

Sugg, Richard P.
"Towards a Jungian Criticism: The Case of Fellini and Jung." Journal of Evolutionary Psychology vol. 9 no. 1-2. 1989 Mar. pp: 41-49.

Van Order, Thomas.
"Music in Federico Fellini's I Vitelloni." RLA: Romance Languages Annual vol. 10 no. 1. 1998. pp: 387-97.

Village Voice v33, (Nov. 11, 1965), p. 23

Village Voice v33, (Nov. 18, 1965), p. 23

Waller, Marguerite.
"Neither an 'I' Nor an 'Eye': The Gaze in Fellini's Giulietta degli Spiriti." In: Perspectives on Federico Fellini / edited by Peter Bondanella and Cristina Degli-Esposti. pp: 214-24. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Perspectives on film
Main Stack PN1998.3.F45.P47 1993
Moffitt PN1998.3.F45.P47 1993

Nights of Cabiria (Le Notti di Cabiria)

Alexander, Lily
"Storytelling in Time and Space: Studies in the Chronotope and Narrative Logic on Screen." Journal of Narrative Theory, vol. 37, no. 1, pp. 27-64, Winter 2007
UC users only

Burke, Frank.
"Fellini's Early Films: The Development of Consciousness from Variety Lights through The Nights of Cabiria." North Dakota Quarterly vol. 51 no. 3. 1983 Summer. pp: 111-121.

Cardullo, Bert.
"The Film Style of Federico Fellini: The Nights of Cabiria as Paradigm." New Orleans Review vol. 10 no. 2-3. 1983 Summer-Fall. pp: 43-46.

Fellini, Federico.
Le notti di Cabiria / ideato da Federico Fellini; soggetto e sceneggiatura di Federico Fellini, Ennio Flaiano, Tullio... ... Milano: Garzanti, 1981. Garzanti. Cinema
Main Stack PN1997.N58 1981

Film Culture v4, (Jan. 1958), pp: 18-21.

Film Quarterly v12, (Fall 1958), pp: 43-5.

Films and Filming v4, (March 1958), p. 23.

Gulino, Paul Joseph.
"Fellini's nights of Cabiria: nocturnal episodes." In: Screenwriting : the sequence approach / Paul Joseph Gulino. New York : Continuum, c2004.
PFA PN1996.G84 2004 REF
Kauffman, Stanley.
"Nights of Cabiria." (movie reviews) New Republic v219, n6 (August 10, 1998):24 (2 pages).

Klawans, Stuart.
"Nights of Cabiria." (movie reviews) Nation v267, n8 (Sep 21, 1998):42 (3 pages).
UC users only

Macnab, Geoffrey
"Le Notti di Cabiria." (motion picture review) Sight and Sound ns9 no10 Oct 1999. p. 53-4
"First shown in Cannes in 1957, this film at times appears to be a picaresque folk tale. Cabiria's story is indeed heartrending, but neither the director nor the actress allow her time for self-pity--despair is never more than a passing emotion. Fellini finishes the film ambiguously, so that audiences are liable to leave cinemas concerned about the fate of its heroine." [Art Index]

Maslin, Janet.
"Nights of Cabiria." (movie reviews) New York Times v147 (Fri, July 3, 1998):B16(N), E16(L), col 1, 10 col in.
"Discusses the restoration of Federico Fellini's 1957 "Nights of Cabiria" and states this film is a cinematic masterpiece. Comments on the plot featuring Giulietta Masina in the role as the Roman prostitute. Mentions that the fine new 35mm print, which yellows at a few points but retains a beautiful depth and clarity, also includes an episode that has not been seen in the film since its original showing 41 years ago at the Cannes Film Festival." [International Index to the Performing Arts]

Morris, Gary
"Nights of Cabiria." Bright Lights September 1998 Issue 22

New York Times (Oct. 29, 1957), p. 34

New York Times (April 20, 1961), p. 30

New York Times (Nov. 3, 1957), Sect II, p. 1

New Yorker v33, (Nov. 19, 1957), pp: 109.

Simon, John.
"Nights of Cabiria." (movie reviews) National Review v50, n15 (August 17, 1998):51 (2 pages).

Truffaut, Francois.
The Films in My Life / by François Truffaut; translated by Leonard Mayhew. pp: 270-71. New York: Simon and Schuster, c1978.
Main Stack PN1995.T713
Moffitt PN1995.T713

Waller, Marguerite.
"Neither an 'I' Nor an 'Eye': The Gaze in Fellini's Giulietta degli spiriti." In: Perspectives on Federico Fellini
Edited by Peter Bondanella and Cristina Degli-Esposti. pp: 214-24. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Series title: Perspectives on film.
UCB Main PN1998.3.F45 P47 1993
UCB Moffitt PN1998.3.F45 P47 1993

Orchestra Rehersal

Castle, Robert
"Orchestra Rehearsal Reconsidered: In which "Fellini takes us beyond our frailties and chaos." Bright Lights May 2003 Issue 40

Fellini, Federico.
Prova d'orchestra / Federico Fellino; con una nota di Oreste del Buono. 1a ed. Milano: Garzanti, 1980. Garzanti. Cinema
Main Stack PN1997.P778 1980

Mitchell, T.
"Orchestral Rehearsal." Sight and Sound v 48 no1 Winter 1978/1979. p. 26

Village Voice v33, (April 10, 1957), pp: 51+

Roma

Bachmann, G.
"Fellini Roma."Film Quarterly v 26 no2 Winter 1972/1973. p. 37-9
UC users only

Danks, Adrian.
"Fellini's Roma." Senses of Cinema: an Online Film Journal Devoted to the Serious & Eclectic Discussion of Cinema. 19:(no pagination). 2002 Mar-Apr

Foreman, W. C.
"Fellini's Cinematic City: "Roma" and Myths of Foundation." Forum Italicum 14:1 (1980:Spring) 78
also In: Perspectives on Federico Fellini / edited by Peter Bondanella and Cristina Degli-Esposti. pp: 151-65. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Perspectives on film
Main Stack PN1998.3.F45.P47 1993
Moffitt PN1998.3.F45.P47 1993

"Roma" (review) Films in Review 23:9 (1972:Nov.) 566

Taylor, J. R.
"Fellini's Roma" (review)Sight and Sound v 41 no4 Autumn 1972. p. 299-30

Satyricon

Blanshard, Alastair.
"Art cinema : Fellini-Satyricon (1969)." In: Classics on screen : ancient Greece and Rome on film / Alastair J. L. Blanshard, Kim Shahabudin. London : Bristol Classical Press, 2011.
Main (Gardner) Stacks New books PN1995.9.C515 B53 2011

Dick, Bernard F.
"Adaptation As Archaeology: Fellini Satyricon (1969) from the 'Novel' by Petronius." In: Perspectives on Federico Fellini / edited by Peter Bondanella and Cristina Degli-Esposti. pp: 130-38. New York: G.K. Hall; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, c1993. Perspectives on film
Main Stack PN1998.3.F45.P47 1993
Moffitt PN1998.3.F45.P47 1993

Geduld, Harry M.
"Roman Carnival: the Fellini-Satyricon."Humanist n.s.:30:4 (1970:July/Aug.) 41

Grossvogel, David I.
"Fellini's "Satyricon." Diacritics 1:1 (1971:Fall) 51
UC users only

Hart, Henry
"Satyricon" (review) Films in Review 21:4 (1970:Apr.) 239

Markulin, Joseph
"Plot and Character in Fellini's "Casanova": Beyond "Satyricon" Italian Quarterly 23:87 (1982:Winter) 65

Nethercut, William R.
"Fellini and the Satyricon." Classical Bulletin 47:4 (1971:Feb.) 53

O'Healy, Aine.
"Postcards from the Planet Rome: Fellini-Satyricon." RLA: Romance Languages Annual vol. 9. 1997. pp: 288-92.

Oxenhandler, N.
"Fellini Satyricon." Film Quarterly v 23 no4 Summer 1970. p. 38-42

Prats, A. J.
"The Individual, the World, and the Life of Myth in Fellini Satyricon." South Atlantic Bulletin, Vol. 44, No. 2 (May, 1979), pp. 45-58
UC users only

Robinson, W. R.
"The visual powers denied and coupled: 'Hamlet' and 'Fellini-Satyricon' as narratives of seeing." In: Shakespeare's more than words can witness: essays on visual and nonverbal enactment in the plays / edited by Sidney Homan. pp. 177-206 Lewisburg [Pa.]: Bucknell University Press, c1980.
UCB Main PR2995 .S5

Scott, A.O.
"Fellini's fever dream of ancient Rome: haunting scenes soaked in decadence." (movie review) The New York Times Jan 26, 2001 pB18(N) pE20(L) col 4 (35 col in)

Segal, Erich
"Arbitrary "Satyricon": Petronius and Fellini." Diacritics 1:1 (1971:Fall) 54
UC users only

Siegel, J. F.
"The Social Ambience of Petronius' Satyricon and Fellini Satyricon." In: Classical myth & culture in the cinema / edited by Martin M. Winkler. Oxford ; New York : Oxford University Press, 2001.
Full-text available online (UC Berkeley users only)
Main Stack PN1995.9.M96.C59 2001
PFA PN1995.9.M96.C59 2001

Sullivan, J. P.
"The social ambience of Petronius' Satyricon and Fellini satyricon." In: Classical myth & culture in the cinema / edited by Martin M. Winkler. Oxford ; New York : Oxford University Press, 2001.
Main Stack PN1995.9.M96.C59 2001
PN1995.9.M96.C59 2001

Sutterlin, Axel
Petronius Arbiter und Federico Fellini: ein strukturanalytischer Vergleich Frankfurt am Main; New York: P. Lang, c1996.
MAIN: PA6559 .S88 1996

Taylor, J. R.
"Fellini Satyricon." Sight and Sound v 39 no4 Autumn 1970. p. 217-18

La Strada

Bondanella, Peter.
"La Strada." In: The cinema of Italy / edited by Giorgio Bertellini ; [preface by Gian Piero Brunetta]. London ; New York : Wallflower, 2004.
Moffitt PN1993.5.I88.C5677 2004

Fellini, Federico. La strada: un film de Federico Fellini / [scenario, Federico Fellini et Tullio Pinelli]. Paris: Editions du Seuil, 1955.
Main Stack PN1997.S7.F5 1955

Fellini, Federico.
I Vitelloni e La Strada: soggetto e sceneggiatura / di Federico Fellini, Tullio Pinelli e Ennio Flaiano; prefazione di ... Milano: Longanesi, 1989. Gaja scienza; 273.
Main Stack PN1997.V57 1989

Harcourt, Peter
"The Secret Life of Federico Fellini." Film Quarterly, Vol. 19, No. 3 (Spring, 1966), pp. 4-19
UC users only

La Strada Federico Fellini, director
Peter Bondanella and Manuela Gieri, editors. New Brunswick: Rutgers University Press, c1987. Fellini, Federico. Rutgers films in print; v. 8
Main Stack PN1997.S7741 1987
Moffitt PN1997.S4774 1987
Table of contents via Google books

Marcus, M. J.
"Fellini's La strada: transcending neorealism." In: Italian film in the light of neorealism / Millicent Marcus. Princeton, N.J. : Princeton University Press, 1986.
Main Stack PN1993.5.I88.M281 1986

Swados, Harvey
"La Strada: Realism and the Comedy of Poverty." Yale French Studies, No. 17, Art of the Cinema. (1956), pp. 38-43.
UC users only

Toby Dammit

Eisenhauer, R. G.
"Sinful reading: Fellini's Toby Dammit and Poe's "Never bet the devil your head". In: After romanticism New York : Peter Lang, c2008.
MAIN: PN701 .E37 2008

Kovacs, Steven
"Fellini's "Toby Dammit": A Study of Characteristic Themes and Techniques." The Journal of Aesthetics and Art Criticism, Vol. 31, No. 2. (Winter, 1972), pp. 255-261.
UC users only

Voice of the Moon

Degli-Esposti, Cristina
"Voicing the Silence in Federico Fellini's "La voce della luna"." Cinema Journal Vol. 33, No. 2, Winter, 1994
UC users only

Marcus, Millicent Joy
"Fellini's La Voce Della Luna: Resisting Postmodernism." In: Filmmaking by the Book: Italian Cinema and literary Adaptation / Millicent Marcus. p. 2 Baltimore: Johns Hopkins University Press, c1993.

Marcus, Millicent.
"Miss Mondina, Miss Sirena, Miss Farina: The Feminized Body-Politic from Bitter Rice to La voce della luna." RLA: Romance Languages Annual, vol. 4. 1992. pp: 296-300.

O'Healy, Aine.
"Interview with the Vamp: Deconstructing Femininity in Fellini's Final Films" (Intervista, La voce della luna) In: Federico Fellini: contemporary perspectives Edited by Frank Burke and Marguerite R. Waller. pp: 209-32. Toronto: University of Toronto Press, c2002. f
UCB Main Stack PN1998.3.F45 F453 2002

Zambelli, Massimo
Campane nel pozzo: La voce della luna: il testamento spirituale di Federico Fellini Rimini: Il cerchio, c1997.
MAIN: PN1997.V575 Z36 1997

White Shiek

Burke, Frank M.
""Variety Lights," "The White Sheik," and Italian Neorealism." Film Criticism; Winter78, Vol. 3 Issue 2, p53-66, 14p
UC users only

Fellini, Federico.
Lo sceicco bianco / Federico Fellini; con una nota introduttiva di Oreste del Buono e una intervista di Lietta... 1. ed. Milano: Garzanti, c1980. (Series: I Garzanti. Cinema)
Main Stack PN1997.S19 1980 NRLF #: $D 62 841

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