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- Babener, Liahna K.
- "Chinatown, City of Blight." In: Los Angeles in Fiction: A Collection
of Essays: From James M. Cain to Walter Mosley / edited by David
Fine. pp: 273-85. Rev. ed. Albuquerque: University of New Mexico Press,
c1995.
-
--UCB Main PS374.L57 L6 1995
-
--UCB Moffitt PS374.L57 L6 1995
- Belton, John.
- "Language, Oedipus, and Chinatown." MLN, vol. 106 no. 5. 1991
Dec. pp: 933-50.
 UCB Users Only
- Biskind, Peter.
- "The Low Road to Chinatown." Premiere: The Movie Magazine,
vol. 7 no. 10. 1994 June. pp: 68-78.
- Bottiggi, William D.
- "The Importance of 'C - ing' in Earnest: A Comparison of The Maltese
Falcon and Chinatown." Armchair Detective, New York, NY. ISSUE:
vol. 14 no. 1. Winter 1981. pp: 86-87.
- Cawelti, John G.
- "Chinatown and Generic Transformation in Recent American Films." In:
Film Genre Reader II / edited by Barry Keith Grant. pp: 227-45.
1st ed. Austin: University of Texas Press, 1995.
-
--UCB Main PN1995 .F45792 1995 pp: 227-45.
- Cooper, S.
- "Sex/Knowledge/Power in the Detective Genre." Film Quarterly,
XLII/3, Spring 89; p.23-31.
- Four detective films - "The Maltese Falcon", "The Big Heat", "Chinatown",
"Angel Heart" - used to discuss characteristics of male-female relationships
within the genre, notably the woman's withholding of knowledge sought
by the man.
- Deutsche, Rosalyn.
- "Chinatown, Part Four? What Jake Forgets about Downtown." Assemblage:
A Critical Journal of Architecture and Design Culture, vol. 20.
1993 Apr. pp: 32-33.
- Fawell, John.
- "Cruel Fates: Parallels between Roman Polanski's Chinatown and Sophocles's
Oedipus Rex." Armchair Detective, vol. 29 no. 2. 1996 Spring.
pp: 178-85.
- Galperin, William.
- "'Bad for the Glass': Representation and Filmic Deconstruction in
Chinatown and Chan Is Missing." MLN, vol. 102 no. 5. 1987 Dec.
pp: 1151-1170. UCB Users Only
- Horowitz, M.
- Fault lines." Film Comment Vol XXVI nr 6 (Nov-Dec 1990); p 52-55,57-58
- Compares scriptwriter Robert Towne's "Chinatown" to his other work
- Jameson, Richard T.
- "Film noir: today; Son of noir." Film Comment Vol X nr 6 (Nov-Dec 1974); p 30-33
- Recent trends in 'film noir', emphasizing 'Gumshoe', 'The long goodbye' and 'Chinatown'.
- Kaplan, F.
- "Chinatown." Cineaste Vol VI nr 3 (1974); p 38-39
- Kavanagh, J.
- "Chinatown: other places other times."
Jump Cut nr 3 (Sept-Oct 1974); p 1,8
- Linderman, D.
- "Oedipus in Chinatown." Enclitic, 5/6 (1981/82) pp: 190-203
- "Chinatown" is analysed as an Oedipal text in an attempt to define what is loosely called the classical text.
- Lynch, Karen.
- "Orientation via Orientalism: Chinatown in Detective Narratives." Popular Culture Review. 11(1):13-29.
2000 Feb.
- Lyons, Donald
- "Flaws in the iris." Film Comment Vol XXIX nr 4 (July-Aug 1993); p 44-45,47-49,51-53
- Claims that "Chinatown" and "The long goodbye" are the lone masterworks of 'neo-noir'.
- Man, Glenn.
- "Marginality and Centrality: The Myth of Asia in 1970s Hollywood.
East-West Film Journal, vol. 8 no. 1. 1994 Jan. pp: 52-67.
- MacDonald, Scott
- "The City as Motion Picture: Notes on Some California City Films."
Wide Angle 19.4 (1997) 109-130
- Maxfield, James.
- "'The Injustice of It All': Polanski's Revision of the Private Eye Genre in Chinatown." In: The detective in American fiction, film, and television
- Edited by Jerome
H. Delamater and Ruth Prigozy. pp: 93-102. Westport, Conn.: Greenwood Press, 1998.
Series title: Contributions to the study of popular culture no. 63.
- --UCB Main PS374.D4 D48 1998
- McGinnis, Wayne D.
- ""Chinatown": Roman Polanski's Contemporary Oedipus Story." Literature/Film
Quarterly 3:3 (1975:Summer) 249
- McGowman, John.
- "Oedipus at the Movies." Southern Humanities Review, vol.
20 no. 1. 1986 Winter. pp: 1-11.
- Oliver, Bill
- ""The Long Goodbye" and "Chinatown": Debunking the Private Eye Tradition."
Literature/Film Quarterly 3:3 (1975:Summer) 240
- Palmer, R. Barton
- ""Chinatown" and the Detective Story." Literature/Film Quarterly
5:2 (1977:Spring) 112
- Shepard, Jim
- "Jolting noir with a shot of nihilism: it was 25 years ago that 'Chinatown,' to
renovate the genre, gave it a new ferocity."
The New York Times Feb 7, 1999 s2 pAR24(L) col 1 (19 col in)
- Shetley, Vernon.
- "Incest and Capital in Chinatown." MLN. 114(5):1092-1109. 1999 Dec.
- Sobchack, Thomas
- "Genre Film: A Classical Experience." Literature/Film Quarterly
3:3 (1975:Summer) 196
- Sperber, Murray
- "'Do as little as possible'; Polanski's message and manipulation."
Jump Cut nr 3 (Sept-Oct 1974); p 9-10
- Stewart, B.
- "'The Long Goodbye' from 'Chinatown'". Film Quarterly, 28:2
(1974/75) pp: 25-32.
- A comparison of 'The long goodbye' and 'Chinatown' in terms of the detective genre as a whole.
- Telotte, J. P.
- "The Detective As Dreamer: The Case of The Lady in the Lake."
Journal of Popular Film and Television, vol. 12 no. 1. 1984 Spring.
pp: 4-15.
- Towne, Robert
- "Chinatown."
Sight and Sound ns9 no10 Oct 1999 supp. p. 1-146
- Robert Towne's screenplay for Chinatown, directed by Roman Polanski, is provided
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