Mexico

Bibliography of books and articles on Luis Bunuel

English

Berg, Charles Ramirez

Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983 / by Charles Ramirez Berg. 1st ed. Austin: University of Texas Press, c1992. Series title: Texas film studies series.

UCB Chicano PN1995 .B386 1992

UCB Main PN1993.5.M4 B4 1992

UCB Moffitt PN1993.5.M4 B4 1992

Bordering Difference: Culture and Ideology in 20th century Mexico

Edited by Kemy Oyarzun. Riverside, Calif.: University of California, 1991. Series title: Commemorative series; no. 10.

UCB Bancroft p PQ6003 .B673 1991

NRLF B 3 882 182

Costello, Judith A. M.

"Politics and Popularity: The Current Mexican Cinema." Review: Literature and Arts of the Americas Volume 38, Number 1 / May 2005

Cotter, Bobb.

The Mexican masked wrestler and monster filmography Jefferson, N.C. : McFarland & Co., c2005.

BANC: PN1995.9.W74 C68 2005; Contact Bancroft Library for availability.: Non-circulating; may be used only in The

Table of contents http://www.loc.gov/catdir/toc/ecip056/2005000889.html

Dever, Susan

Celluloid nationalism and other melodramas : from post-revolutionary Mexico to fin de siglo Mexamerica Albany : State University of New York Press, c2003.

UCB MAIN: PN1993.5.M4 D48 2003

BANC: PN1993.5.M4 D48 2003; Non-circulating; may be used only in The Bancroft Library

Dominguez Ruvalcaba, Hector

Modernity and the nation in Mexican representations of masculinity : from sensuality to bloodshed New York, N.Y. : Palgrave Macmillan, 2007.

MAIN: PQ7122.M37 D66 2007

BANC: PQ7122.M37 D66 2007

Table of contents http://www.loc.gov/catdir/enhancements/fy0711/2007011886-t.html

Doremus, Anne T.

Culture, politics and national identity in Mexican literature and film, 1929-1952 New York: P. Lang, c2001.

MAIN: PQ7155 .D67 2001

Greene, Doyle

Mexploitation cinema : a critical history of Mexican vampire, wrestler, ape-man, and similar films, 1957-1977 Published: Jefferson, N.C. : McFarland & Co., c2005.

MAIN: PN1995.9.S284 G74 2005

BANC: PN1995.9.S284 G74 2005

Table of contents http://www.loc.gov/catdir/toc/ecip0511/2005011057.html

Foster, David William.

Mexico City in contemporary Mexican cinema Austin: University of Texas Press, 2002.

MAIN: PN1993.5.M4 F67 2002

BANC: PN1993.5.M4 F67 2002; Storage Info: W 176 249 Non-circulating; may be used only in The Bancroft Library.

Haddu, Miriam

Contemporary Mexican cinema, 1989-1999 : history, space, and identity Lewiston : E. Mellen Press, c2007.

MAIN: PN1993.5.M4 H33 2007

BANC: PN1993.5.M4 H33 2007

Table of contents http://www.loc.gov/catdir/toc/ecip0718/2007020304.html

Hershfield, Joanne

Mexican Cinema/Mexican Woman, 1940-1950 / Joanne Hershfield. Tucson, Ariz.: University of Arizona Press, c1996. Series title: Latin American communication and popular culture.

UCB Main PN1993.5.M4 H38 1996

DISSERTATION

Huaco-Nuzum, Carmen.

Mestiza Subjectivity: Representation and Spectatorship in Mexican and Hollywood Films / by Carmen Huaco-Nuzum. c1993.

NRLF PN1995.9.W6H83 1993 off campus

Karetnikova, Inga.

Mexico According to Eisenstein / Inga Karetnikova, in collaboration with Leon Steinmetz. 1st ed. Albuquerque: University of New Mexico Press, c1991.

UCB Main PN1998.3.E34 K37 1991

UCB Moffitt PN1998.3.E34 K37 1991

The Mexican Cinema Project

Edited by Chon A. Noriega and Steven Ricci. Los Angeles, CA: UCLA Film and Television Archive, c1994. Series title: The UCLA Film and Television Archive studies in history, criticism, and theory.

UCB Chicano PN1995 .M35 1994

UCB Main PN1993.5.M4 M49 1994

NRLF W 131 166 Request item at UCB Bancroft Library. Type

Mexico's cinema: a century of film and filmmakers

Wilmington, Del.: SR Books, 1999.

MAIN: PN1993.5.M4 M465 1999

Mora, Carl J.

"Mexican Cinema: Decline, Renovation, and the Return of Commercialism, 1960-1980." In: New Latin American Cinema / edited by Michael T. Martin. pp: 37-75 Detroit: Wayne State University Press, Main Stack PN1993.5.L3.N48 1997

Mora, Carl J.

Mexican Cinema: Reflections of a Society, 1896-2004 Jefferson, N.C. : McFarland & Co., c2005.

BANC: PN1993.5.M4 M6 2005

PFA : PN1993.5.M4 M6 2005

Mora, Carl J.

Mexican Cinema: Reflections of a Society / Carl J. Mora. Rev. ed. Berkeley: University of California Press, c1989.

UCB Main PN1993.5.M4 M6 1989

UCB Moffitt PN1993.5.M4 M6 1989

DISSERTATION

Mora, Carl J.

Mexican Cinema: Reflections of a Society, 1896-1980 / Carl J. Mora. Berkeley: University of California Press, c1982.

UCB Bancroft F1222.88 .M78 1982

UCB Chicano PN1995 .M7

UCB Main PN1993.5.M4 .M6 1982

UCB Moffitt PN1993.5.M4 .M6 1982

Noble, Andrea.

Mexican national cinema London ; New York : Routledge, 2005.

MAIN: PN1993.5.M4 N63 2005; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip058/2005005097.html

Rashkin, Elissa.

Women filmmakers in Mexico: the country of which we dream Austin: University of Texas Press, 2001.

MAIN: PN1993.5.M4 R33 2001

UCB Bancroft PN1993.5.M4 R33 2001; Storage Info: W 169

Schaefer, Claudia

Bored to distraction : cinema of excess in end-of-the-century Mexico and Spain Albany : State University of New York Press, c2003.

MAIN: PN1993.5.M4 S32 2003

Spanish

Almoina, Helena.

Bibliografia del Cine Mexicano / Helena Almoina. 1a ed. [Mexico City]: Filmoteca, UNAM, 1985.

UCB Bancroft p Z5784.M9 A42 1985

UCB Main PN1993.5.M4 A12 A42 1985

DISSERTATION

Amado G., Francisco.

El Cine en Mexico; Estudio Sociologico [por] Francisco Amado G. y Alicia Echeverria M. Mexico, 1960.

UCB Bancroft BANC FILM 225

UCB Bancroft Box 586:16 Master Negative

Ayala Blanco, Jorge.

Aventura del Cine Mexicano. [1. ed.]. Mexico, Ediciones Era [1968]. Series title: Cine club Era: Critica, tecnica, historia, documentacion.

UCB Bancroft F1222.88.A84

Ayala Blanco, Jorge.

La Busqueda del Cine Mexicano (1968-1972) / Jorge Ayala Blanco. 1a ed. en Editorial Posada. Mexico, D.F.: Editorial Posada, 1986.

UCB Bancroft PN1993.5.M4 A94 1986

Ayala Blanco, Jorge.

La Condicion del Cine Mexicano: (1973-1985) / Jorge Ayala Blanco. Mexico, D.F.: Editorial Posada, c1986.

UCB Bancroft PN1993.5.M4 A95 1986

Ayala Blanco, Jorge.

La Disolvencia del Cine Mexicano: Entre lo Popular y lo Exquisito / Jorge Ayala Blanco. 1. ed. Mexico, D.F.: Grijalbo, c1991.

UCB Bancroft In Process

Ayala Blanco, Jorge.

La fugacidad del cine mexicano Mexico, D.F.: Oceano, c2001.

UCB Bancroft PN1993.5.M4 A96 2001; Storage Info: W 175 507 Non-circulating; may be used only in The Bancroft Library.

Barrueto, Jorge J.

Primitivismo, racismo y misoginismo en el cine latinoamericano = Primitivism, racism, and misogyny in Latin American cinema Lewiston, N.Y. : Edwin Mellen Press, c2008.

MAIN: PN1993.5.L3 B37 2008

Bustillo Oro, Juan

Vida Cinematografica / Juan Bustillo Oro. 1a ed. Mexico: Cineteca Nacional, 1984.

UCB Bancroft F1222.88.B85 A3 1984

Carro, Nelson.

El Cine de Luchadores / Nelson Carro. [1a ed.]. [Mexico]: Filmoteca de la UNAM, 1984. Series title: Coleccion Filmografia nacional; 1.

UCB Bancroft p PN1993.5.M4 C28 1984

Centro de Capacitacion Cinematografica, 1975-2000.

Mexico, D.F.: CONACULTA, 2001.

UCB Bancroft BANC: PN1993.8.M62 C46 2001; Storage Info: W 178 601 Non-circulating; may be used only in The Bancroft Library.

El Cine Mexicano de los 70's Visto Desde los 80's.

[Mexico City]: Instituto Nacional de Bellas Artes, Cine Club, [1980].

UCB Bancroft p PN1993.5.M4 C5 1980 pt.2

Cinema Mexicain. English. Mexican Cinema

Edited by Paulo Antonio Paranagua; translated by Ana M. Lopez. London: British Film Institute, 1995.

UCB Bancroft PN1993.5.M4 C4913 1995

UCB Main PN1993.5.M4 C4913 1995

Con Villa en Mexico: Testimonios Sobre Camarografos Norteamericanos en la Revolucion, 1911-1916

Aurelio de los Reyes [compilador]. 1a ed. Mexico, D.F.: Universidad Nacional Autonoma de Mexico, Instituto de Investigaciones Esteticas, 1985.

UCB Bancroft F1235.V633 R4 1985

Contreras Torres, Miguel.

El Libro Negro del Cine Mexicano / Miguel Contreras Torres. Mexico, 1960.

UCB Bancroft F1222.88.C6

Coria, José Felipe.

El Senor de Sombras: La Vida de Javier Solis / José Felipe Coria. 1a ed. Mexico: Clio, 1995. Series title: Serie tres gallos; Negrete, Solis, Infante.

UCB Bancroft pf ML420.S64 C6 1995 v. 1-3 (1995) AT NRLF: v. 1-3

NRLF pf ML420.S64 C6 1995 v. 1-3 Request item at UCB Bancroft Library.

Costa, Paola.

La "Apertura" Cinematografica: Mexico, 1970-1976 / Paola Costa. Puebla, Pue.: Universidad Autonoma de Puebla, [1988]. Series title: Coleccion Difusion cultural (Puebla, Mexico). Serie Cine.

UCB Main PN1993.5.M4 C67 1988

Davalos Orozco, Federico.

Filmografia General del Cine Mexicano, 1906-1931 / Federico Davalos Orozco, Esperanza Vazquez Bernal. 1a ed. Puebla, Pue.: Universidad Autonoma de Puebla, 1985. Series title: Coleccion Difusion cultural (Puebla, Mexico); 4. Series title: Coleccion Difusion cultural (Puebla, Mexico). Serie Cine.

UCB Bancroft p PN1998 .D29 1985

Donapetry, María.

Imagi/nacion : la feminizacion de la nacion en el cine español y latinoamericano Madrid : Editorial Fundamentos, 2006. DD>UMAIN: PN1995.9.W6 D638 2006;

Escalona, Enrique

Tlacuilo / Enrique Escalona. 1. ed. Mexico: Universidad Nacional Autonoma de Mexico, 1989. Series title: Coleccion Biblioteca del editor.

UCB Bancroft PN1997.5 .E8 1989

Fernández l'Hoeste, Héctor D.

"Nationalism as Burden: Rituals of Migration and Exile in Contemporary Latin American Cinema." Chasqui, 29:1 (May 2000), 64-74.

Foster, David William.

Queer issues in contemporary Latin American cinema Austin : University of Texas Press, 2003.

MAIN: PN1995.9.H55 F67 2003

Galindo, Alejandro.

El Cine Mexicano: Un Personal Punto de Vista / Alejandro Galindo; prologo-introduccion de Octavio Colmenares. 2a. ed. [i.e. printing]. Mexico: EDAMEX, 1986, c1985.

UCB Bancroft F1222.88 .G28 1986

Galindo, Alejandro.

Una Radiografia Historica del Cine Mexicano. Mexico, Fondo de Cultura Popular, 1968.

UCB Bancroft F1222.88.G3

Galindo, Alejandro.

Verdad y Mentira del Cine Mexicano / Alejandro Galindo. 2a ed. Mexico: Editorial Katun, 1981. Series title: Coleccion Libro de bolsillo; Serie Testimonios.

UCB Main PN1993.5.M4 G24 1981

Garcia Aguilar, Eduardo.

Garcia Marquez: La Tentacion Cinematografica / Eduardo Garcia Aguilar. [Mexico City, Mexico]: Filmoteca UNAM, [1985]. Series title: Coleccion Filmografia nacional; 3.

UCB Main PQ8180.17.A73 Z67431 1985

Garcia, Gustavo, 1954-

El Cine Mudo Mexicano / Gustavo Garcia. Mexico: Martin Casillas Editores: Cultura/SEP, 1982. Series title: Coleccion Memoria y olvido--imagenes de Mexico; 9.

UCB Bancroft pf F1416.95 .G3 1982

UCB Main Ordered for Main Stack

Garcia Riera, Emilio.

El Cine es Mejor Que la Vida / Emilio Garcia Riera; prologo de Alvaro Mutis. 1. ed. Mexico, D.F.: Cal y Arena, 1990.

UCB Main PN1994 .G3578 1990

Garcia Riera, Emilio.

La Guia del Cine Mexicano de la Pantalla Grande a la Television, 1919-1984 / Emilio Garcia Riera, Fernando Macotela. 1a reimp. Mexico: Editorial Patria, 1988.

UCB Bancroft PN1993.5.M4 G294 1988

Garcia Riera, Emilio.

Historia Documental del Cine Mexicano / Emilio Garcia Riera. [Guadalajara, Jalisco, Mexico]: Universidad de Guadalajara, 1992-<1995>.

UCB Bancroft PN1993.5.M4 G295 1993 v. 1-2 (1993)

UCB Main PN1993.5.M4 G295 1992 v. 1-2 (1992-1993)

Garcia Riera, Emilio.

Historia Documental del Cine Mexicano; Epoca Sonora. [1. ed. Mexico] Ediciones Era [1969-

UCB Bancroft F1222.88 .G32 v.1-9

Garcia Riera, Emilio.

Mexico Visto Por el Cine Extranjero / Emilio Garcia Riera. 1. ed. Mexico: Ediciones Era: Universidad de Guadalajara, Centro de Investigaciones y Ensenanzas Cinematograficas, 1987-<1990>. Series title: Biblioteca Era.

UCB Bancroft PN1995.9.M5 G37 1987 v. 1-6 (1987-1990) AT NRLF: v. 1-4

UCB Main PN1995.9.M5 G37 1987 t. 1-2 (1987)

NRLF PN1995.9.M5 G37 1987 v. 1-4 Request item at UCB Bancroft Library.

Gimenez Caballero, Ernesto

Amor a Mejico (a Traves de Su Cine) [Madrid, 1948]. Series title: Cuadernos de monografias (Seminario de Problemas Hispanoamericanos (Madrid, Spain); 5.

UCB Main PN1993.5.M4 G5

Gonzalez Casanova, Manuel.

Las Vistas: Una Epoca del Cine en Mexico / Manuel Gonzalez Casanova. Mexico, D.F.: Instituto Nacional de Estudios Historicos de la Revolucion Mexicana, 1992. Series title: Coleccion Arte y cultura (Mexico)

NRLF W 125 249 Request item at UCB Bancroft Library.

Iglesias Prieto, Norma.

La Vision de la Frontera a Traves del Cine Mexicano / Norma Iglesias. 1a ed. Tijuana, Baja California: Centro de Estudios Fronterizos del Norte de Mexico, 1985. Series title: Cuadernos CEFNOMEX.

UCB Chicano PN1995 .I6

Leal, Juan Felipe.

Vistas Que No Se Ven: Filmografia Mexicana, 1896-1910 / Juan Felipe Leal, Eduardo Barraza y Alejandra Jablonska. 1. ed. Mexico: Universidad Nacional Autonoma de Mexico, Coordinacion de Humanidades, Facultad de Ciencias Politicas y Sociales, 1993.

NRLF W 131 252 Request item at UCB Bancroft Library.

Lozoya, Jorge Alberto.

Cine Mexicano / Jorge Alberto Lozoya. [Mexico?]: Instituto Mexicano de Cinematografia, c1992.

UCB Bancroft f PN1993.5.M4 L64 1992

Luna, Andres de

La Batalla y Su Sombra: La revolucion en el Cine Mexicano / Andres de Luna. 1a ed. Mexico, D.F.: Universidad Autonoma Metropolitana-Xochimilco, 1984. Series title: Coleccion Ensayos (Universidad Autonoma Metropolitana. Unidad Xochimilco); S10.

UCB Bancroft F1234 .L951 1984

Maciel, David.

El Norte: The U.S.-Mexican Border in Contemporary Cinema / by David R. Maciel. San Diego, Calif.: Institute for Regional Studies of the Californias San Diego State University, 1990. Series title: Border studies series;.

UCB Bancroft p PN1994 .M2

UCB Chicano PN1994 .M2

Microhistorias del cine en Mexico

Guadalajara, Jalisco: Universidad de Guadalajara; Mexico, D.F.: Universidad Nacional Autonoma de Mexico: Instituto Mexicano de Cinematografia: Cineteca Nacional: Instituto Mora, 2001.

MAIN: MAIN: PN1993.5.M4 M467 2001

BANC: PN1993.5.M4 M467 2001; Storage Info: W 182 000 Non-circulating; may be used only in The Bancroft Library.

Montero, Rafael

Corazones rotos Mexico: Cal y Arena: Volcan Producciones, 2001.

MAIN: PN1997.2 .C673 2001

Notas Para la Historia del Cine en Mexico, 1896-1925

Compiladora Helena Almoina. [Mexico City, Mexico]: Filmoteca, UNAM, [1980]. Series title: Coleccion Documentos de Filmoteca; no. 1.

UCB Bancroft PN1993.5.M4 N67 1980 v.1-2 AT NRLF: v.1-2

NRLF PN1993.5.M4 N67 1980 v.1-2 Request item at UCB Bancroft Library.

Orellana, Margarita de.

La Mirada Circular: El Cine Norteamericano de la Revolucion Mexicana, 1911-1917 / Margarita de Orellana; prologo de Friederich Katz. 1. ed. Mexico.: Editorial J. Mortiz, 1991. Series title: Cuadernos de Joaquin Mortiz.

UCB Bancroft F1234 .O687 1991

Quiroz, Alberto

Nociones de Estetica Cinematografica, Con Ejemplos Mexicanos. [J.J. Nava, 1942].

UCB Bancroft F1222.88.Q85

Ramirez, Gabriel.

Norman Foster y los Otros Directores Norteamericanos en Mexico / Gabriel Ramirez. 1. ed. Mexico: Universidad Nacional Autonoma de Mexico, Coordinacion de Difusion Cultural, Direccion General de Actividades Cinematograficas, 1992. Series title: Documentos de Filmoteca; 11. Series title: Coleccion Documentos de Filmoteca; no. 11.

UCB Bancroft PN1998.3.F68 R36 1992

Ramirez, Gabriel (Ramirez Aznar)

El Cine Yucateco / Gabriel Ramirez. Mexico, D.F.: Filmoteca, UNAM, 1960-1980 [i.e. 1980]. Series title: Coleccion Documentos de Filmoteca; no. 3.

UCB Bancroft p F1222.88 .R2

Reyes, Aurelio de los.

Cine y Sociedad en Mexico, 1896-1930 / Aurelio de los Reyes. 1a ed. Mexico: Universidad Nacional Autonoma de Mexico: Cineteca Nacional, 1981-

UCB Bancroft F1219 .7 R4 .C5 1981 V.1

Reyes, Aurelio de los.

Los Origenes del Cine en Mexico, 1896-1900 / Aurelio de los Reyes. 1a ed. en Lecturas Mexicanas. Mexico: Secretaria de Educacion Publica, Cultura SEP, 1984, c1983. Series title: Lecturas mexicanas; 61.

UCB Main PN1993.5.M4 R364 1984

Reyes, Aurelio de los.

Los Origenes del Cine Mexicano (1896-1900) / Aurelio de los Reyes. 1a ed. Mexico: Fondo de Cultura Economica, 1983. Series title: SEP/80; 56.

UCB Bancroft p F1222.88 .R42 1983

UCB Chicano PN1995 .D3

UCB Main PN1993.5.M4 R42 1983

Reyes de la Maza, Luis.

El Cine Sonoro en Mexico.

[1. ed.]. Mexico, Universidad Nacional Autonoma de Mexico, 1973. Series title: Estudios y fuentes del arte en Mexico; 32.

UCB Bancroft F1222.88.R425

Reyes de la Maza, Luis.

Salon Rojo: Programas y Cronicas del Cine Mudo en Mexico. [Mexico]: UNAM, 1968. Series title: Cuadernos de cine (Universidad Nacional Autonoma de Mexico. Direccion General de Difusion Cultural); no. 16.

UCB Bancroft F1222.88.R426 v.1

Ruy Sanchez, Alberto

Mitologia de un Cine en Crisis / Alberto Ruy Sanchez. 1a ed. Mexico, D.F.: Premia, 1981. Series title: La Red de Jonas.

UCB Bancroft p F1222.88 .S25 1981

Sanchez, Francisco.

Cronica Antisolemne del Cine Mexicano / Francisco Sanchez. Mexico: Universidad Veracruzana, 1989.

UCB Bancroft p PN1993.5.M4 S263 1989 / <2003>

Taibo, Paco Ignacio

Gloria y Achaques del Espectaculo en Mexico, 1900-1929 / Paco Ignacio Taibo I. 1a. ed. Mexico: Ediciones Leega/Jucar, c1988. Series title: Cronica general de Mexico; 8.

UCB Bancroft p PN2314 .T35 1988

Taibo, Paco Ignacio

Los Toros en el Cine Mexicano / Paco Ignacio Taibo I. 1a ed. Mexico: Plaza y Valdes, 1987.

UCB Bancroft p PN1995.9.B8 T35 1987

Segre, Erica

"Reframing the City: Images of Displacement in Mexican Urban Films of the 1940s and 1950s." Journal of Latin American Cultural Studies Volume 10, Number 2 / August 2001

UC users only

Tapia Campos, Martha Laura.

La Dramatica del Mal en el Cine Mexicano / Martha Laura Tapia Campos. Ciudad Universitaria [Mexico]: Facultad de Ciencias Politicas y Sociales, Universidad Nacional Autonoma de Mexico, [1989]. Series title: Cuaderno de ciencias de la comunicacion; no. 3.

NRLF W 122 397 Request item at UCB Bancroft Library. Type

Testimonios Para la Historia del Cine Mexicano

Coordinacion del proyecto, Eugenia Meyer. [Mexico, D. F.: La Cineteca Nacional, [1975]-76. Series title: Cineteca Nacional (Mexico) Cuadernos de la Cineteca Nacional; 1-

UCB Bancroft F1222.88.C9 v.1-7

Tunon, Julia.

Historia de un Sueno: El Hollywood Tapatio / Julia Tunon. Guadalajara, Jalisco, Mexico: Universidad de Guadalajara, Centro de Investigaciones y Ensenanza Cinematograficas; [Mexico City]: Universidad Nacional Autonoma de Mexico, Instituto de Investigaciones Esteticas, c1986. Series title: Coleccion El Cine en Jalisco; 1. Series title: Difusion cientifica.

UCB Main PN1993.5.M4 T8 1986

NRLF W 92 173 Request item at UCB Bancroft Library.

Tunon, Julia.

Mujeres de luz y sombra en el cine mexicano: la construccion de una imagen (1939-1952) Mexico, D.F.: Colegio de Mexico: Instituto Mexicano de Cinematografia, 1998.

UCB Main PN1995.9.W6 T86 1998

BANC: PN1995.9.W6 T86 1998; Storage Info: X 56 150 Non-circulating; may be used only in The Bancroft Library.

Vaidovits, Guillermo.

El Cine Mudo en Guadalajara / Guillermo Vaidovits. Guadalajara, Jalisco, Mexico: Universidad de Guadalajara, Centro de Investigaciones y Ensenanza Cinematografica, c1989. Series title: Coleccion El Cine en Jalisco; 2.

NRLF W 99 857 Request item at UCB Bancroft Library.

Wilt, David E.

The Mexican filmography : 1916 through 2001 Jefferson, N.C. : McFarland & Co., c2004.

Table of contents: http://www.loc.gov/catdir/toc/ecip044/2003012495.html

MAIN: PN1993.5.M4 W55 2004

BANC: PN1993.5.M4 W55 2004; Non-circulating; may be used only in The Bancroft Library.

Yanes Gomez, Gabriela.

Una mirada al espejo: el cine de las Hermanas Novaro Puebla: Programa Estatal de la Mujer, Gobierno del Estado de Puebla: FFyL-BUAP, Benemerita Universidad Autonoma de Puebla, [1999].

BANC: \p PN1998.3.N69 Y36 1999; Non-circulating; may be used only in The Bancroft Library.

Mexico: Reviews and Articles About Individual Films

Danzón

Aspden, Peter.

"Danzon." (movie reviews) Sight and Sound v2, n7 (Nov, 1992):41.

Cardullo, Bert.

"Danzón ." (movie reviews) Hudson Review v46, n4 (Wntr, 1994):713 (10 pages).

Golden, Tim.

"Danzon." (movie reviews) New York Times v142, sec2 (Sun, Oct 11, 1992):H24(N), H24(L), col 1, 18 col in.

Maslin, Janet.

"Danzon." (Living Arts Pages) (movie reviews) New York Times v142 (Fri, Sept 25, 1992):B9(N), C6(L), col 1, 12 col in.

Tierney, Dolores.

"Silver sling-backs and Mexican melodrama: Salón México and Danzón" Screen 1997 38: 360-371

UC users only

Cabeza de Vaca

Canby, Vincent.

"Cabeza de Vaca." (movie reviews) New York Times v141 (Fri, May 15, 1992):C8(L), col 5, 9 col in.

Denby, David.

"Cabeza de Vaca." (movie reviews) New York v25, n23 (June 8, 1992):59.

Hershfield, Joanne.

"Assimilation and Identification in Nicholas Echeverria's Cabeza de Vaca." Wide Angle: A Film Quarterly of Theory, Criticism, and Practice vol. 16 no. 3. 1995. pp: 6-24.

A reading of "Cabeza de Vaca" in terms of its historical and narrative idiosyncrasies.

Werner, Louis.

"Truth & fiction chart a miraculous journey." (Alvar Nunez Cabeza de Vaca's 'Naufragios')(includes related article on retellings in modern media) Americas (English Edition) v48, n4 (July-August, 1996):22 (8 pages).

Erendira

Elsaesser, Thomas (UK)

"Erendira". (Review). Monthly Film Bulletin LIII/630, July 86; p.208-209.

Garcia Marquez, Gabriel

"Chronicle of a Film Foretold." American Film IX/10, Sept 84; p.12-13,72.

Author Gabriel Garcia Marquez discusses the creation and casting of "Erendira".

Kiely, T.

"A Not-so-innocent Film." (Review). Jump Cut /31, Mar 86; p.6-7.

Mills, Moylan C.

"Magic realism and Garcia Marquez's 'Erendira.'" (Gabriel Garcia Marquez) Literature-Film Quarterly v17, n2 (April, 1989):113 (10 pages).

Notes the use of 'magic realism' in the writings of Gabriel García M rquez and how it is translated into film adaptations, focusing on "Erendira".

Stam, Robert

"Erendira." (Review). Cineaste XIII/4, 84; p.49-50.

Like Water for Chocolate

Andrist, Debra D.

"Transformation, Code, and Mimesis: Healing the Family in Like Water for Chocolate." In: Laura Esquivel's Mexican fictions : Like water for chocolate, The law of love, Swift as desire, Malinche: a novel / Elizabeth Moore Willingham, editor. Eastbourne ; Portland, Or. : Sussex Academic Press, 2010.

Main (Gardner) Stacks PQ7298.15.S638 Z76 2010

Ansen, David.

"Like Water for Chocolate." (movie reviews) Newsweek v121, n11 (March 15, 1993):74 (2 pages).

Corliss, Richard.

"Like Water for Chocolate." (movie reviews) Time v141, n14 (April 5, 1993):61 (2 pages).

Badikian, Beatriz.

"Food and Sex, That's All We're Good for: Images of Women in Like Water for Chocolate (1993)." Film & History , Feb-May1998, Vol. 28 Issue 1/2, p46-48, 3p

UC users only

Benjamin-Labarthe, Elyette.

"La Cuisine, substitut de l'amour dans Come agua para chocolate (Les Epices de la passion)." In: Les cineastes et la table / dirige par Trudy Bolter. Conde-sur-Noireau : Corlet ; Paris : Telerama, 2003.

Main Stack PN1995.9.F65.C5 2003

Corliss, Richard.

"Like Water for Chocolate." (movie reviews) Time v141, n14 (April 5, 1993):61 (2 pages).

Counihan, Carole.

"Food, Feelings and Film." Food, Culture & Society; Fall 2005, Vol. 8 Issue 2, p201, 14p

UC users only

The article focuses on the Mexican film Like Water for Chocolate (1991) to address the question of how women can use food as a path to power. The film is directed by Alfonso Arau based on his wife Laura Esquivel's screenplay. It uses lush and sensual images of foods and cooking to articulate a rich picture of family and gender. The film also portrays several characters' relationship to food, and through food to each other, and suggests multiple ways women can carve out diversely empowering or demeaning roles from food.

Duffey, Patrick

"Crossing Gender Borders: Subversion of Cinematic Melodrama in Like Water for Chocolate." In: Laura Esquivel's Mexican fictions : Like water for chocolate, The law of love, Swift as desire, Malinche: a novel / Elizabeth Moore Willingham, editor. Eastbourne ; Portland, Or. : Sussex Academic Press, 2010.

Main (Gardner) Stacks PQ7298.15.S638 Z76 2010

Finnegan, N.

"At Boiling Point: Like Water for Chocolate and the Boundaries of Mexican Identity." Bulletin of Latin American Research, Jul99, Vol. 18 Issue 3, p311, 16p

UC users only

Geist, Kenneth L.

"Like Water for Chocolate." (movie reviews) Films in Review v44, n5-6 (May-June, 1993):191 (2 pages).

Hart, Patricia.

"The Deconstruction of the 'Soldadera' in Laura Esquivel's Como Agua para Chocolate." Cincinnati Romance Review ( vol. 14. 1995. pp: 164-71.

Jaffe, Janice.

"Hispanic American Women writers' novel recipes and Laura Esquivel's Como Agua Para Chocolate." (Like Water for Chocolate). Women's Studies v22, n2 (March, 1993):217 (14 pages).

Karlin, Susan.

"Sweet Shortcut for Hot 'Chocolate.'" (motion picture 'Like Water for Chocolate') Variety v352, n3 (August 30, 1993):1 (2 pages).

Kauffmann, Stanley.

"Like Water for Chocolate." (movie reviews) New Republic v208, n9 (March 1, 1993):24 (2 pages).

Kilgour, Maggie.

"The Function of Cannibalism at the Present Time." In: Cannibalism and the colonial world / edited by Francis Barker, Peter Hulme, and Margaret Iversen. pp: 238-59. Cambridge, U.K. ; New York: Cambridge University Press, 1998. Cultural margins ; [5]

Grad Srvcs GN409.C35 1998 Non-circulating; may be used only in Graduate Services.

Main Stack GN409.C35 1998

Moffitt GN409.C35 1998

Kraniauskas, John

"Like Water for Chocolate."(Synopsis+Review). Sight & Sound III/10, Oct 93; p.42-43.

Lucas, Rose.

"Enchiladas or Tacos? Families, Frontiers & Food in Like Water for Chocolate." Island. 60-61:65-67. 1994 Spring-Summer

Maslin, Janet.

"Like Water for Chocolate." (movie reviews) New York Times v142 (Wed, Feb 17, 1993):B4(N), C13(L), col 3, 19 col in.

McMahon, Donna M.

"From the Kitchen to Eternity: The Feminine Voice in Laura Esquivel's Like Water for Chocolate." In: Cine-Lit 2000 : essays on hispanic film and fiction / edited by George Cabello Castellet, Jaume Marti-Olivella, and Guy H. Wood. Corvallis, OR : Oregon State University, 2000

Main Stack PN1993.5.L3.C48 2000

Niebylski, Dianna C.

"Heartburn, Humor, and Hyperbole in Like Water for Chocolate." In: Performing Gender and Comedy: Theories, Texts and Contexts / edited by Shannon Hengen. pp: 179-97. Amsterdam: Gordon and Breach, c1998. Studies in humor and gender; v. 4

Main Stack PN1922.P47 1998

Niebylski, Dianna C.

"The uses of humor in Like water for chocolate." In: Literature and film : a guide to the theory and practice of film adaptation / edited by Robert Stam, Alessandra Raengo. Malden, MA : Blackwell, 2005.

Main (Gardner) Stacks PN1997.85 .L515 2005

Olesen, Anne Marie.

"Film as Metaphor: Cannibalism and the Serial Killer as Metaphors for Transgression." P.O.V: a Danish Journal of Film Studies. 4:135-49. 1997 Dec

O'Neill, Molly.

"Sensing the Spirit in All Things, Seen and Unseen." ("Like Water for Chocolate" a new movie by author Laura Esquivel) (Living Arts Pages) New York Times v142 (Wed, March 31, 1993):B1(N), C1(L), col 1, 30 col in.

Oxford, Jeffrey

"Unmasked Men: Sex Roles in Like Water for Chocolate." In: Laura Esquivel's Mexican fictions : Like water for chocolate, The law of love, Swift as desire, Malinche: a novel / Elizabeth Moore Willingham, editor. Eastbourne ; Portland, Or. : Sussex Academic Press, 2010.

Main (Gardner) Stacks PQ7298.15.S638 Z76 2010

Price, Helene

"Unsavoury Representations in Laura Esquivel's Like Water for Chocolate." In: A companion to magical realism / edited by Stephen M. Hart and Wen-chin Ouyang. Woodbridge, Suffolk ; Rochester, NY : Tamesis, 2005.

Main (Gardner) Stacks PQ7082.N7 C625 2005

Román-Odio, Clara.

"From Writer to Producer: Conflicting Voices in Like Water for Chocolate." In: Cine-Lit 2000 : essays on hispanic film and fiction / edited by George Cabello Castellet, Jaume Marti-Olivella, and Guy H. Wood. Corvallis, OR : Oregon State University, 2000

Main Stack PN1993.5.L3.C48 2000

Romney, Jonathan.

"Like Water for Chocolate." (movie reviews) New Statesman & Society v6, n272 (Oct 1, 1993):33 (2 pages).

Santos-Phillips, Eva L.

"Discourses of Power in the Film Versions of The House of Bernarda Alba and Like Water for Chocolate." Hispanic Journal, vol. 18, no. 1, pp. 9-22, Spring 1997.

Shaw, Deborah.

"Seducing the public: images of Mexico in Like water for chocolate and Amores perros." In: Contemporary cinema of Latin America : ten key films / Deborah Shaw. New York : Continuum, 2003.

Main (Gardner) Stacks PN1993.5.L3 S53 2003

Shugart, H.A.

Sumptuous Texts: Consuming 'Otherness' in the Food Film Genre." Critical Studies in Media Communication, 25:1, 2008. 68 - 90

UC users only

"In recent years, food has played an increasingly prominent role in the mainstream media in a variety of ways. As one manifestation of this trend, "food films" have coalesced into a bona fide genre in contemporary popular culture. In this essay, I seek to contribute to the growing conversation regarding the symbolic role and rhetorical function of mediated representations of food. In an analysis of three films of that genre - Like Water for Chocolate, Chocolat, and Woman on Top - I argue that these films are unified not only insofar as they feature food but also, and more importantly, with respect to how they use food to engage and assuage anxieties attendant to contemporary cultural ambiguities and permeabilities, especially around race/ethnicity and gender. Specifically, I contend that these films offer food as a rhetorical device through which discourses of privilege are reconciled with and restabilised against contemporary practices of desire and consumption, especially (and increasingly) for and of the "Other."

Tanitch, Robert.

"Like Water for Chocolate." (movie reviews) TLS. Times Literary Supplement, n4724 (Oct 15, 1993):17.

Tenenbaum, Barbara A.

"Why Tita Didn't Marry the Doctor, or Mexican History in Like Water for Chocolate." In: Based on a true story : Latin American history at the movies / edited by Donald F. Stevens. Wilmington, Del. : SR Books, 1997.

Main (Gardner) Stacks PN1995.9.L37 B37 1997

Pacific Film Archive PN1995.9.L37 B37 1997

Valdés, Maria Elena de.

"Verbal and Visual Representation of Women: Como Agua para Chocolate/Like Water for Chocolate." World Literature Today: A Literary Quarterly of the University of Oklahoma vol. 69 no. 1. 1995 Winter. pp: 78-82.

Wu, Harmony H.

"Consuming Tacos and Enchiladas: Gender and the Nation in Como agua para chocolate." In: Visible nations : Latin American cinema and video / Chon A. Noriega, editor. pp: 174-92 Minneapolis : University of Minnesota Press, c2000.

Full text available online (UCB users only)

Main Stack PN1993.5.L3.V58 2000

Zamudio-Taylor

"Criss-Crossing Texts: Reading Images in Like Water for Chocolate." In: The Mexican cinema project Los Angeles, CA : UCLA Film and Television Archive, c1994

Bancroft \pf\ PN1993.5.M4 M49 1994;

Main PN1993.5.M4 M49 1994

CHIC: PN1995 .M35 1994; Housed at Ethnic Studies Library. V

Zubiaurre, Maite.

"Culinary Eros in Contemporary Hispanic Female Fiction: From Kitchen Tales to Table Narratives." College Literature, Summer2006, Vol. 33 Issue 3, p29-51, 23p

UC users only

Y Tu Mamá También

Acevedo-Muñoz, Ernesto R.

"Sex, Class, and Mexico in Alfonso Cuarón's Y tu mamá también. Film & History (03603695), May2004, Vol. 34 Issue 1, p39-48, 10p

UCB users only

Arroyo, José.

"Y tu mamá también." Sight & Sound v. ns12 no. 4 (April 2002) p. 40

UCB users only

Gibbs, Jessie.

"Y tu mamá también: Road Movies Mapping the Nation." eSharp: Electronic Social Sciences, Humanities, and Arts Review for Postgraduates, vol. 4, pp. 1-13, Spring 2005.

Hind, Emily.

"Post-NAFTA Mexican Cinema, 1998-2002. Studies in Latin American Popular Culture 2004 23: 95-111 17p

Kroll, Juli A.

"The Cinergetic, Experimental Melodrama: Feminism and Neo-Machista National Consciousness in Mexican Film." Studies in Latin American Popular Culture; 2007, Vol. 26, p27-46, 20p

UCB users only

Lahr-Vivaz, Elena.

"Unconsummated Fictions and Virile Voiceovers: Desire and the Nation in Y Tu Mamá También. Revista de Estudios Hispanicos, ene2006, Vol. 40 Issue 1, p79-101, 23p

UCB users only

Saldaña-Portillo, María Joséfina.

"In the Shadow of NAFTA: "Y Tu Mamá También" Revisits the National Allegory of Mexican Sovereignty." American Quarterly, Sep2005, Vol. 57 Issue 3, p751-777, 27p

Smith, Paul Julian.

"Heaven's mouth. Sight & Sound v. ns12 no. 4 (April 2002) p. 16-19

UCB users only

Cuba

English

Agosta, Diana; Keeton, Patricia.

"One Way or Another: The Havana Film Festival and Contemporary Cuban Film." Afterimage v22, n2 (Sept, 1994):7 (4 pages).

Almendros, Nestor.

"Lights, camera, Communism: What Castro is Doing to the Cuban Cinema." New Republic v198, n9 (Feb 29, 1988):28 (4 pages).

Arredondo, Isabel.

"From Transparent to Translucid: Cuban Filmmakers in 1990." (women in Cuban films)(25 Years: Anniversary Issue) Latin American Literary Review v25, n49 (Jan-June, 1997):25 (17 pages).

UCB users only

Women in Cuban film moved from stereotypes to individuals and from history to story by the end of the 1980s. Films by Mayra Segura, Mayra Villasis, Isabel Moreno and Rosa Leon in 'Mujer transparente' created female characters whose bodies represented female experience, rather than passive actors with identities determined by history and society. This reappropriation allowed women to become independent subjects for exploration.

Barnard, Timothy.

"Death Is Not True: Form and History in Cuban Film." In: Mediating Two Worlds: Cinematic Encounters in the Americas. Edited by John King, Ana M. Lopez, Manuel Alvarado. pp.: 230-41.. London: BFI, 1993.

UCB Main PN1995.9.L37 M43 1993

UCB Moffitt PN1995.9.L37 M43 1993

Behar, Ruth.

"Queer Times in Cuba." In: Bridges to Cuba/Puentes a Cuba. Ann Arbor: University of Michigan Press, c1995. pp. 394-415.

Benamou, Catherine.

"Cuban Cinema: On the Threshold of Gender." Frontiers: A Journal of Women Studies, vol. 15 no. 1. 1994. pp: 51-75.

Benamou, Catherine.

"Cuban Cinema." In: Redirecting the gaze : gender, theory, and cinema in the Third World / edited by Diana Robin and Ira Jaffe. Albany : State University of New York Press, c1999. SUNY series, cultural studies in cinema/video.

Main Stack PN1995.9.W6.R45 1999

Berenschot, Denis Jorge

Performing Cuba : (re)writing gender identity and exile across genres Published: New York : Peter Lang, c2005.

PQ7378 .B46 2005; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip053/2004027471.html

Burton, Julianne.

"Film and Revolution in Cuba: The First Twenty-Five Years." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 123-42. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Burton-Carvajal, Julianne.

"Portrait(s) of Teresa: Gender Politics and the Reluctant Revival of Melodrama in Cuban Film." In: Multiple Voices in Feminist Film Criticism. Diane Carson, Linda Dittmar, and Janice R. Welsch, editors. pp: 305-17. Minneapolis: University of Minnesota Press, c1994.

Main Stack PN1995.9.W6.M82 1994

Moffitt PN1995.9.W6.M82 1994

Cabrera-Infante, G

"Cuba's shadow" (films made by Cubans and exiled Cubans) Film Comment v 21 May/June 1985. p. 43-5

Chanan, Michael.

Cuban cinema / Michael Chanan. Minneapolis : University of Minnesota Press, c2004.

Full text available online (UC Berkeley users only)

Main (Gardner) Stacks PN1993.5.C8 C48 2004

Chanan, Michael.

The Cuban Image: Cinema and Cultural Politics in Cuba/ Michael Chanan. Minneapolis : University of Minnesota Press, c2004

Table of contents http://www.loc.gov/catdir/toc/ecip048/2003020074.html

MAIN: PN1993.5.C8 C48 2004

PFA : PN1993.5.C8 C45 2004

UCB Moffitt PN1993.5.C8 C48 1985 [earlier edition: London: BFI Pub.; Bloomington, Ind.: Indiana University Press, 1985]

UCB Main PN1993.5.C8 C481 1985 [earlier edition]

Curry, Dan.

"Interview with Nestor Almendros." Wide Angle, vol. 7 no. 1-2. 1985. pp: 118-125.

Daries, Catherine.

"Modernity, Masculinity and Imperfect Cinema in Cuba." Screen, vol. 38 no. 4. 1997 Winter. pp: 345-59.

Davies, Catherine

"Modernity, Masculinity and Imperfect Cinema in Cuba. Screen, v. 38 (Winter '97) p. 345-59

"The phenomenon of Imperfect Cinema in Cuba is discussed. The Cuban film industry was established by the Cuban Government in 1959, shortly after the Revolution's victory. Incorporating documentary and direct cinema techniques into its films, the industry gained an international reputation, and by 1970 its revolutionary ideas had become known in Latin America as Imperfect Cinema and hailed as the continent's response to Hollywood. This cinema, with a preferred form of critical socialist realism, aimed to present a wealth of nonjudgemental, nonprescriptive expositions of the problems faced by "people who struggle" as a process. Focusing on the themes of masculinity and modernity in two interrelated films--De cierta manera/One Way or Another (1974), directed by Sara Gomez, and Hasta cierto punto/Up to a Point (1983), directed by Tomas Gutierrez Alea, the writer goes on to explain Imperfect Cinema's enduring significance, arguing that the post-Marxist films of the 19" [Art Index]

Davies, Catherine.

"Recent Cuban Fiction Films: Identification, Interpretation, Disorder."Bulletin of Latin American Research, 15:2 (May 1996), 177-192.

D'Lugo, Marvin.

"'Transparent Women': Gender and Nation in Cuban Cinema." In: Mediating Two Worlds: Cinematic Encounters in the Americas. Edited by John King, Ana M. Lopez, Manuel Alvarado. pp.: 279-90. London: BFI, 1993.

UCB Main PN1995.9.L37 M43 1993

UCB Moffitt PN1995.9.L37 M43 1993

Engel, Andi

"Solidarity and violence: three Cuban directors." Sight and Sound v 38 no4 Autumn 1969. p. 196-200

Espinoza, Julio García

"Cuban Cinema: A Long Journey toward the Light." In: When was Latin America modern? / edited by Nicola Miller and Stephen Hart. New York : Palgrave Macmillan, 2007.

Full text available online [UCB users only]

Main (Gardner) Stacks F1408.3 .W46 2007

Fernandez, Enrique.

"Cinema politico." Film Comment v 22 May/June 1986. p. 74+

Fernandez, Enrique.

"Parting of the Ways: A Cuban-American View." Cineaste, vol. 15 no. 4. 1987. pp: 23, 39.

Garcia Osuna, Alfonso J.

The Cuban filmography, 1897 through 2001 Jefferson, N.C. : McFarland & Co., c2003.

MAIN: PN1993.5.C8 G375 2003

Hess, John

"No mas Habermas, or . . . rethinking Cuban cinema in the 1990s." Screen (London, England) v 40 no2 Summer 1999. p. 203-7

"The writer critiques two articles on Cuban cinema: "Modernity, masculinity and Imperfect Cinema in Cuba" by Catherine Davies, and "Critical mass of Cuban cinema: art as the vanguard of society" by Oscar Quiros. He observes that both writers choose films from different moments in Cuban filmmaking that they call "Marxist" because they critique the Cuban Revolution, and that they argue that their preferred film aesthetic represents the greatest freedom because its filmmakers take up a position most distant from and most critical of Cuban "authority" or state power. He questions Davies's reading of Sara Gomez's film One Way or Another and Quiros's version of Cuban film history, maintaining that although the authors argue strongly for antagonist aesthetic visions, they both take bourgeois aesthetic approaches and oppose the Cuban Revolution's historical reality." [Art Index]

King, John

"Cuba: Revolutionary Projections." In: Magical reels : a history of cinema in Latin America London ; New York : Verso, 2000.

MAIN: PN1993.5.L3 K45 2000

PFA : PN1993.5.L3 K45 2000

Kovacs, Katherine S.

"Revolutionary Consciousness and Imperfect Cinematic Forms." Humanities in Society, vol. 4 no. 1. 1981 Winter. pp: 101-112.

Lopez, Ana M.

"Revolution and Dreams: The Cuban Documentary Today." Studies in Latin American Popular Culture, vol. 11. 1992. pp: 45-57.

Lopez, Ana M.

"Greater Cuba." In: The Ethnic Eye: Latino Media Arts. / Chon A. Noriega and Ana M. Lopez, editors. pp: 38-58. Minneapolis, Minn.: University of Minnesota Press, c1996.

Main Stack PN1995.9.L37.E84 1996

Martin, Michael T; Paddington, Bruce

"Restoration or innovation? An interview with Humberto Solas: post-revolutionary Cuban cinema." Film Quarterly v 54 no3 Spring 2001. p. 2-13

"Humberto Solas's work encapsulates the cinematic principles and social concerns of the New Latin-American Cinema, a movement that began in the late 1950s as a reaction to the continent's economic and cultural dependency and underdevelopment. A leading film theorist and practitioner, Solas has played a major role as a guide for young filmmakers and as a participant in the policies and practices of ICAIC, the Cuban Film Institute. His films deal thematically with colonization and decolonization in cultural and psychological terms; feature innovative camera work, complex set designs, stylized acting, and a baroque visual style; and highlight symbolism, surrealism, location in spatial and temporal terms, and music as a narrative form. In an interview, Solas discusses such topics as Cuba's relationship with the United States, the emergence of artistic innovations in Cuban film, and the interconnection between the development of film and the concept of nationhood." [Art Index]

Martinez-Echazabal, Lourdes.

"The Politics of Afro-Cuban Religion in Contemporary Cuban Cinema." Afro-Hispanic Review, vol. 13 no. 1. 1994 Spring. pp: 16-22.

Memories of Underdevelopment: The Revolutionary Films of Cuba

Edited by Michael Myerson. London: Lorrimer Publishing, [1973?].

UCB Main PN1993.5.C8 M91 1973b

UCB Moffitt PN1993.5.C8 M91 1973b

Merrim, Stephanie.

"Through the Film Darkly: Grade 'B' Movies and Dreamwork in Tres tristes tigres and El Beso de la Mujer Arana." Modern Language Studies, vol. 15 no. 4. 1985 Fall. pp: 300-312.

Michaels, Albert L.

"Revolutionary Cinema and the Self-Reflections on a Disappearing Class." Journal of Latin American Lore, 4:1 (Summer 1978), 129-134.

Morris, Andrea E.

Afro-Cuban identity in postrevolutionary novel and film : inclusion, loss, and cultural resistance / Andrea Easley Morris. Lewisburg [Pa.] : Bucknell University Press ; Lanham, Md. : Co-published with Rowman & Littlefield Pub. Group, c2012.

Main (Gardner) Stacks PQ7372 .M67 2011

Contents: Contradictory approaches to race, from independence to revolution -- pt. I. Representing difference in colonial and republican settings. Slave rebellion and cultural resistance -- Performing the Mulata rumbera -- Fragmented Cubanness by way of detour -- pt. II. Postrevolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Epilogue : the 1980s and beyond.

Mraz, John

"Memories of Underdevelopment: Bourgeois Consciousness/Revolutionary Context." In: Revisioning History: Film and the Construction of a New Past / edited by Robert A. Rosenstone. pp: 102-14. Princeton, N.J.: Princeton University Press, c1995. Series title: Princeton studies in culture/power/history.

UCB Main PN1995.2 .R48 1995

Paranagua, Paulo Antonio.

"Cuban Cinema's Political Challenges." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 167-90. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Quiros, Oscar.

"Critical Mass of Cuban Cinema: Art as the Vanguard of Society." Screen, vol. 37 no. 3. 1996 Autumn. pp: 279-93.

"Focusing on the aesthetics of both Imperfect and Perfect Cinema, the writer assesses the shifting interactions between Marxist ideology and the Cuban cinematic apparatus between 1959 and 1989. Established in March 1959, the Instituto Cubano de Arte e Industria Cinematografica produced a series of feature-length movies during the late 1960s and early 1970s, known as Imperfect Cinema. This type implicitly and explicitly manifested the official Marxism-Leninism of the Cuban Polity. Its style was defined by the specific techniques and qualities contextualized in the aesthetics of content over form typical of orthodox Marxism, such as excessive movements of the camera. By the late 1970s, signs of aesthetic change appeared: Perfect Cinema did not employ the devices used by Imperfect Cinema or other imposed aesthetic formulae. Moreover, its post-Marxist approach to film significantly deviated from the orthodox ideology, operating under its own, rather than the Polity's" logic. [Art Index]

Quirós, Oscar E.

"Values and Aesthetics in Cuban Arts and Cinema." SALALM Papers, 34 (1989), 151-171.

Santos Moray, Mercedes.

"The Creative Work of Two Cuban Filmmakers: Tomás Gutiérrez Alea and Fernando Perez. Mouvement Social, 2007, Issue 219/220, p57-64, 8p

UC users only

Skoller, Jeffrey

"The future's past: re-imaging the Cuban Revolution." Afterimage v 26 no5 Mar/Apr 1999. p. 13-15

"The current pop appropriation of images of Che Guevara and the Cuban Revolution, as well as other iconography of past revolutions is visible in many American advertising campaigns of the 1990s, which aim to equate socialist revolutionary iconography with consumer freedom. The status of such iconography and the lived experience of past radical social movements for the Left as they try to rebuild opposition movements in the face of the globalization of free-market capitalism is complex and riddled with ambiguities, however; for example, if such movements have failed, as is being claimed, it is questionable whether their iconography still has the potential for inspiration by linking the present with an idealistic past. Two new works, Leandro Katz's film El Dia Que Me Quieras (The Day That You'll Love Me) and Steve Fagin's video TropiCola, investigate and implicitly raise these issues by taking up the fate of these radical utopian experiments, specifically the Cuban Revolution. The writer examines the works in detail." [Art Index]

Smith, Paul Julian.

Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983-93

UCB Main PN1993.5.S7 S53 1996

Contents via Google Books

Stein, Elliott.

"Nestor Almendros: Master of Light." Review: Latin American Literature and Arts, vol. 33. 1984 Sept.-Dec. pp: 58-61.

Sutherland, Elizabeth

"Cinema of revolution --90 miles from home." Film Quarterly v 15 no2 Winter 1961/1962. p. 42-9

Weiner, Rex.

"For Hollywood, Cuba is close but no cigar." (film and television trade) Variety v361, n7 (Dec 18, 1995):7 (2 pages).

With the US trade embargo still in effect American films and television programs still cannot be legally exported to Cuba, though Cuba shows pirated US movies all the time. The US film industry is positioning itself to move into the Cuban market once the embargo ends.

West, Dennis.

"Alice in a Cuban wonderland: an interview with Daniel Diaz Torres." (Interview) Cineaste v20, n1 (Wntr, 1993):24 (4 pages).

Daniel Diaz Torres's film 'Alice in Wondertown,' the idea for which originated in Lewis Carroll's works 'Alice in Wonderland' and 'Through the Looking Glass,' promises to be the most controversial film in Cuban film history. Torres reveals that he wanted to integrate the spirit of Carroll's books with his personal sense of reality. Alice, the movie's protagonist, has an air of naivete and candor. Torres admits that the story for the film was conceived in response to the debates that followed the campaign of rectification in 1986.

West, Dennis.

"Reconciling entertainment and thought." (interview with Julio Garcia Espinosa) Cineaste v 16 no1/2 1988. p. 20-6+

Spanish & Other Languages

Bikova, Irina .

"Vida y películas de Tomás Gutiérrez Alea." América Latina (USSR), 8 (Aug 1988), 56-69.

Birringer, Johannes.

"Homosexuality and the Revolution: An Interview with Jorge Perugorria." Cineaste, vol. 21 no. 1-2. 1995. pp: 21-22.

Cine y Revolucion en Cuba

Santiago Alvarez ... [et al.]. Barcelona: Editorial Fontamara, 1975.

UCB Main PN1993.5.C8 C5

Le Cinema cubain

Sous la direction de Paulo Antonio Paranagua ; textes de Roberto Cobas, ... [et al.] ; traductions de Nicole Canto ... [et al.] Paris : Centre Georges Pompidou, c1990.

Cuba : cinema et revolution

Julie Amiot-Guillouet, Nancy Berthier (dir). Lyon : GRIMH-LCE-GRIMIA, c2006.

Main Stack PN1993.5.C8.C84 2006

Garcia, Juan Antonio

La edad de la herejia : ensayos sobre el cine cubano, su critica y su publico Santiago de Cuba : Editorial Oriente, 2002.

MAIN: PN1993.5.C8 G35 2002

Historia de un gran amor : relaciones cinematograficas entre Cuba y Mexico 1897-2005

Sara Vega ... [et al.] Guadalajara, Jal. : Universidad de Guadalajara, Centro Universitario de Ciencias Sociales y Humanidades; Cuba : Instituto Cubano de Arte e Industria Cinematograficos, Cinemateca Cubana, c2007

MAIN: PN1993.5.M4 H57 2007

BANC: \pf\ PN1993.5.M4 H57 2007

Ruffinelli, Jorge

"Doce miradas (y media mirada más) al cine de Tomás Gutiérrez Alea." Casa de las Américas, 203 (Apr-June 1996), 3-14.

Valdes Rodriguez, José Manuel

Ojeada al Cine Cubano, 1906-1958. La Habana [Imp. de la Universidad de la Habana] 1963.

NRLF B 2 800 271

Vásquez Rentería, Víctor Hugo .

"Alea Jacta Est." La Palabra y el Hombre, 100 (Oct-Dec 1996), 143-150.

Tomás Gutiérrez Alea

Alcàzar, Joan del, 1954-

De compañero a contrarrevolucionario : la Revolución cubana y el cine de Tomás Gutiérrez Alea / Joan del Alcàzar Garrido, Sergio López Rivero. Valencia] : Universitat de València, c2009.

Main (Gardner) Stacks PN1998.3.G874 A62 2009

Alea, una retrospectiva crítica / selecciòn, prólogo y notas, Ambrosio Fornet. La Habana, Cuba : Editorial Letras Cubanas, 1987.

Main (Gardner) Stacks PN1998.3.G878 A43 1987

Avellar, José Carlos.

A ponte clandestina : Birri, Glauber, Solanas, Garcia Espinosa, Sanjines, Alea : teorias de cinema na America Latina Sao Paulo, SP : Edusp ; Rio de Janeiro, RJ : Editora 34, 1995.

PFA : PN1993.5.L3 A93 1995 os

Berthier, Nancy.

Tomás Gutiérrez Alea et la révolution cubaine / Nancy Berthier. Paris : Cerf; Condé-sur-Noireau : Corlet, 2005.

Main (Gardner) Stacks PN1998.3.G874 B47 2005

Chanan, Michael.

"We Are Losing All Our Values: An Interview with Tomás Gutiérrez Alea." Boundary 2-An International Journal of Literature & Culture. 29(3):47-53. 2002 Fall

UC users only

Chua, L.

"I scream, you scream." [interview with TomásGutiérrez Alea]. Artforum International v. 33 (December 1994) p. 62-3+

Georgakas, Dan.

"Breaking the blockade: a conversation with Cuban filmmaker Tomás Alea." Radical America, 1986, Vol. 20 Issue 4, p34-44, 11p

Gutiérrez Alea, Tomás.

"Confesiones de un cineasta." Araucaria de Chile, 37 (1987), 79-89.

Gutiérrez Alea, Tomás.

"Enajenación y desenajenación: Eisenstein y Brecht." Casa de las Américas, 20:115 (July-Aug 1979), 28-37

Gutiérrez Alea, Tomás.

"I Wasn't Always a Filmmaker." Cineaste, vol. 14 no. 1. 1985. pp: 36-38.

Gutiérrez Alea, Tomás.

"Memorias de <>." Casa de las Américas, 21:122 (Sept-Oct 1980), 67-76.

"Individual Fulfillment and Collective Achievement": An Interview with Tomás Gutiérrez Alea. Cineaste, Summer77, Vol. 8 Issue 1, p8-59, 9p

Kernan, Margot

"Cuban Cinema: Tomás Gutiérrez Alea." Film Quarterly v 29 no2 Winter 1975/1976. p. 45-52

Nelson, Anitra .

"Tomás Gutiérrez Alea (1928-1996)."JILAS: Journal of Iberian and Latin American Studies (Australia), 3:2 (Dec 1997), 99-107.

Santos Moray, Mercedes.

"The Creative Work of Two Cuban Filmmakers: Tomás Gutiérrez Alea and Fernando Perez. Mouvement Social, 2007, Issue 219/220, p57-64, 8p

UC users only

Schroeder, Paul A.

omás Gutiérrez Alea: the dialectics of a filmmakerNew York : Routledge, 2002.

MAIN: PN1998.3.G874 S37 2002

"Tomás Gutiérrez Alea." (interview with Cuban director)(Interview) UNESCO Courier (July-August, 1995):53 (3 pages).

UC users only

Tomás Gutiérrez Alea: volver sobre mis pasos / selección de textos: Mirtha Ibarra. Madrid : Ediciones Autor, 2007.

Main (Gardner) Stacks PN1998.3.G874 T65 2007

West, Dennis; West, Joan M.

"In the Footsteps of Tomás Gutiérrez Alea." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 35, no. 2, pp. 18-25, Spring 2010

UC users only

Tomás Gutiérrez Alea: Death of a Bureaucrat (La Muerte de un Burócrata)

Downing, John D. H.

"Four Films of Tomás Gutiérrez Alea." In: Film & politics in the Third World / edited by John D.H. Downing. NY : Praeger, c1987. Main (Gardner) Stacks PN1993.5.D44 F54 1987 Moffitt PN1993.5.D44 F54 1987

Rich, B. Ruby

"Death of a Bureaucrat: Madcap Comedy Cuban style." Jump Cut: A Review of Contemporary Media, vol. 22, pp. 29-30, May 1980

Tomás Gutiérrez Alea: Guantanamera

Holden, Stephen.

"Guantanamera." (movie reviews) New York Times v146 (Fri, July 25, 1997):B12(N), C12(L), col 5, 13 col in.

Klawans, Stuart.

"Guantanamera." (movie reviews) Nation v265, n6 (August 25, 1997):48 (2 pages).

Kauffmann, Stanley.

"Guantanamera." (movie reviews) New Republic v217, n4 (July 28, 1997):26.

Ocaña, Jaime González

"Guantanamera." (movie reviews) Chasqui, 27:2 (Nov 1998), 177-179.

UC users only

Otero, Solimar.

"Iku and Cuban nationhood: Yoruba mythology in the film Guantanamera." Africa Today, Spring99, Vol. 46 Issue 2, p1167, 15p

UC users only

Rodríguez-Mangual, Edna

"Driving a Dead Body through the Nation: Death and Allegory in the Film Guantanamera." Chasqui: Revista de Literatura Latinoamericana, vol. 31, no. 1, pp. 50-61, May 2002

UC users only

Rohter, Larry.

"Guantanamera." (movie reviews) New York Times v146, sec2 (Sun, July 20, 1997):H11(N), H11(L), col 1, 35 col in.

Smith, Paul Julian.

"Guantanamera." (movie reviews) Sight and Sound v6, n10 (Oct, 1996):40 (2 pages).

Tomás Gutiérrez Alea: The Last Supper (La última cena)

Alcocer, Rudyard

"Word vs. Image in Afro-Hispanic Pedagogy: Ambiguity and the Racial Identity of the Mayoral in Tomás Gutiérrez Alea's La última cena." PALARA: Publication of the Afro-Latin/Romance Association, vol. 13, pp. 63-74, Fall 2009

Blasini, Gilberto M.

"The Last Supper (1976): Cinema, History, and Decolonization." In: Film analysis : a Norton reader / edited by Jeffrey Geiger and R.L. Rutsky. New York : W.W. Norton, c2005.

Moffitt PN1994 .F43814 2005

Downing, John D. H.

"Four Films of Tomás Gutiérrez Alea." In: Film & politics in the Third World / edited by John D.H. Downing. NY : Praeger, c1987.

Main (Gardner) Stacks PN1993.5.D44 F54 1987

Moffitt PN1993.5.D44 F54 1987

Gordon, Richard A.

"The Slave as National Symbol in Cuban and Brazilian Cinema: Representing Resistance and Promoting National Unity in La última cena and Chico rei." Journal of Latin American Cultural Studies, vol. 15, no. 3, pp. 301-20, Dec 2006

UC users only

Jaehne, Karen

"The Last Supper" Film Quarterly, Vol. 33, No. 1 (Autumn, 1979), pp. 48-53

UC users only

Mraz, John.

"Recasting Cuban Slavery: The Other Francisco and The Last Supper." In: Based on a true story : Latin American history at the movies / edited by Donald F. Stevens. Wilmington, Del. : SR Books, 1997.

Main (Gardner) Stacks PN1995.9.L37 B37 1997

Pacific Film Archive PN1995.9.L37 B37 1997

Tomás Gutiérrez Alea: Memories of Underdevelopment

Alexander, W.

"Class, film language, and popular cinema." Jump Cut /30, Mar 85; p.45-48. illus.

Analysis of "Jatun auka" and "Memorias del subdesarrolla" as examples of revolutionary cinema.

Burton, Julianne.

The Intellectual In Anguish: Modernist Form and Ideology in Land in Anguish and Memories of Underdevelopment / Julianne Burton. Washington, D.C.: The Wilson Center, 1983. Series title: Working papers (Woodrow Wilson International Center for Scholars. Latin American Program); no. 132.

UCB Main PN1993.5.L3 B851 1983

Burton, Julianne.

"Modernist Form in Land of Anguish and Memories of Underdevelopment." Post Script: Essays in Film and the Humanities, vol. 3 no. 2. 1984 Winter. pp: 65-84.

Compares "Terra em transe" and "Memorias del subdesarrollo" as films which expand and redefine formal tradition.

Downing, John D. H.

"Four Films of Tomás Gutiérrez Alea." In: Film & politics in the Third World / edited by John D.H. Downing. NY : Praeger, c1987.

Main (Gardner) Stacks PN1993.5.D44 F54 1987

Moffitt PN1993.5.D44 F54 1987

Fernandez, Enrique

"'Witnesses always everywhere' the rhetorical strategies of Memories of underdevelopment." Wide Angle IV/2, 80; p.52-55. illus.

On narrative point of view in "Memorias del subdesarrollo".

Gutiérrez Alea, Tomás

"The viewer's dialectic III." (Book extract). Jump Cut /32, Apr 86; p.57-60. illus.

Third and final extract from T.G.A's book 'La dialectica del espectador'. Discusses his film "Memorias del subdesarrollo" and its critical reception.

Kovács, Katherine S.

"Revolutionary Consciousness and Imperfect Cinematic Forms." Humanities in Society, vol. 4, no. 1, pp. 101-112, Winter 1981

Kroll, Juli A.

"Exile and Dis-Integration in Memorias del subdesarrollo and Balseros." Hispanic Journal, vol. 30, no. 1-2, pp. 81-96, Spring 2009

Lesage, Julia

"Memories of underdevelopment; images of underdevelopment." Jump Cut /1, May-June 74; p.9-11.

Lofredo, Horacio D.

"Memories of Underdevelopment." Film Quarterly, Vol. 26, No. 2 (Winter, 1972-1973), pp. 56-57

UC users only

Lopéz, A.

"Memorias of a Home: Mapping the Revolution (and the Making of Exiles?)." Revista Canadiense de Estudios Hispánicos, Vol. 20, No. 1, MUNDOS CONTEMPORÁNEOS EN EL CINE ESPAÑOL E HISPANOAMERICANO (Otoño 1995), pp. 5-17

UC users only

Lopéz, A.

"Parody, underdevelopment, and the new Latin American Cinema." Quarterly Review of Film and Video XII/1-2, May 90; p.63-71.

Three Latin American films - "Memorias del subdesarrollo", "De cierta manera" and "El chacal de Nahueltoro" - analysed for their particular approach to parody.

Memories of Underdevelopment: The Revolutionary Films of Cuba

Edited by Michael Myerson. London: Lorrimer Publishing, [1973?].

UCB Main PN1993.5.C8 M91 1973b

UCB Moffitt PN1993.5.C8 M91 1973b

Memories of Underdevelopment: Tomás Gutiérrez Alea, Director. Inconsolable Memories: Edmundo Desnoes, Author introduction [to both] by Michael Chanan. New Brunswick: Rutgers University Press, c1990. Series title: Rutgers films in print; v. 15.

UCB Main PN1997 .M434513 1990

Miller, Paul B.

"Memories of Underdevelopment, Thirty Years Later: An Interview with Sergio Corrieri." (Interview) Cineaste v25, n1 (Winter, 1999):20.

UC users only

Mraz, John.

"Memories of Underdevelopment: Bourgeois Consciousness/Revolutionary Context." In: Revisioning history : film and the construction of a new past / edited by Robert A. Rosenstone. Princeton, N.J. : Princeton University Press, c1995.

Main Stack PN1995.2.R48 1995

Sharman, Adam.

"The Indiscrete Charm of the Bourgeoisie, or, the Difficulty of Going Beyond the Subject of the Nation: Gutiérrez Alea's Memorias del subdesarrollo." Bulletin of Hispanic Studies, Dec2007, Vol. 84 Issue 5, p645-660, 16p

UC users only

Thakkar, Amit.

"Structural Violence, Masculinities and the Hunting Motif in Tomás Gutiérrez Alea's Memorias del subdesarrollo (1968)." Bulletin of Hispanic Studies, 2010, Vol. 87 Issue 6, p705-723, 19p; DOI: 10.3828/bhs.2010.27

UC users only

Williams, Bruce.

"Memory in drag: historical and sexual strategies in Tomas Gutierrez Alea's "Memories of Underdevelopment."" Cinemas, 1998, Vol. 8 Issue 3, p105-120, 16p

Wood, David

"Tomás Gutiérrez Alea and the Art of Revolutionary Cinema. " Bulletin of Latin American Research, Oct2009, Vol. 28 Issue 4, p512-526, 15p

UC users only

Tomás Gutiérrez Alea: Strawberry and Chocolate (Fresa y chocolate)

A'ness, Francine

"A Lesson in Synthesis: Nation Building and Images of a 'New Cuba' in Fresa y chocolate." Lucero: A Journal of Iberian and Latin American Studies, vol. 7, pp. 86-98, Spring 1996

Behar, Ruth.

"Queer Times in Cuba." In: Bridges to Cuba/Puentes a Cuba / Ruth Behar, editor. pp: 394-415. Ann Arbor: University of Michigan Press, c1995.

Main Stack PS508.C83.B75 1995

Bejel, Emilio.

""Strawberry and Chocolate": coming out of the Cuban Closet?"(Bridging Enigma: Cubans on Cuba) South Atlantic Quarterly v96, n1 (Wntr, 1997):66 (18 pages).

UC users only

""Fresa y chocolate" or "Strawberry and Chocolate" is a Cuban movie that has received international and domestic awards. The surprise is twofold - that a film about homosexuality was so widely distributed and that such a film was made in socialist Cuba, about the situation of homosexuals in Cuba. It is a complex well-made film that deals with questions of national identity and the tensions between hetero- and homosexuality, socialism and capitalism, desire and power. It also deals with religious freedom in socialist Cuba." [Expanded Academic Index]

Berenschot, Denis Jorge

Performing Cuba : (re)writing gender identity and exile across genres / Denis Jorge Berenschot. New York : Peter Lang, c2005.

Main (Gardner) Stacks PQ7378 .B46 2005

Birringer, Johannes.

"Homosexuality and the Revolution: An Interview with Jorge Perugorria." Cineaste, vol. 21 no. 1-2. 1995. pp: 21-22.

UC users only

Birringer, Johannes.

"Homosexuality and the Nation: An Interview with Jorge Perugorria. (Cuban actor)(Interview) TDR (Cambridge, Mass.) v40, n1 (Spring, 1996):61 (16 pages).

Birringer, Johannes.

"Homosexuality and the Revolution: an interview with Jorge Perugorria." (Cuban actor) (Interview) Cineaste Wntr-Spring 1995 v21 n1-2 p21(2)

UC users only

"Jorge Perugorria played the part of the homosexual, David, in the film, 'Strawberry and Chocolate,' by Tomas Gutierrez Alea and Juan Carlos Tabio. Although not prepared to admit that Cuban society has learned to accept homosexuals as part of the Revolution, Perugorria claims that Cubans have matured enough to accept the reality of homosexuals in the community. Intolerance against homosexuals forms the central point in the film, a subject which Cuban audiences felt needed to be dwelt upon." [Expanded Academic Index]

Cardullo, Bert

"Spanish and American." The Hudson Review, Autumn 1995 v58 n3 p476(9)

"Whit Stillman's new release 'Barcelona' represents a criticism of American social policy that bears a tinge of phallic aggression. Tomas Gutierrez Alea's 'Strawberry and Chocolate' reveals a somber and tender portrayal of homosexual life. The events of 'Barcelona' occur in the last decade of cold war whereas, 'Strawberry and Chocolate' represents the events of 1979. The basis of both the films is the relationship between two men as they deal with one another, rather than interacting with foreign women." [Expanded Academic Index]

Chanan, Michael

"We Are Losing All Our Values: An Interview with Tomás Gutiérrez Alea." boundary 2; Fall2002, Vol. 29 Issue 3, p47, 7p

UC users only

Correa, Fabio

"Fresa y chocolate." Chasqui, Vol. 27, No. 2 (Nov., 1998), pp. 176-177

UC users only

Chua, Lawrence.

"I Scream You Scream." (Tomás Gutiérrez Alea's film 'Strawberry and Chocolate') Artforum v33, n4 (Dec, 1994):62 (4 pages).

UC users only

"Cuban director Tomas Gutierrez Alea's 'Strawberry and Chocolate' depicts a homosexual's struggle to establish his identity in a discriminatory world. The film expresses romanticism in art and its reflection in the platonic friendship that Diego, the homosexual, wants to develop with David, a Marxist sociology student. The film has been critically acclaimed in Cuba and in Spain, where it bested several American commercial films." [Expanded Academic Index]

Davies, Catherine

"Recent Cuban fiction films: Identification, interpretation, disorder." Bulletin of Latin American Research; May96, Vol. 15 Issue 2, p177, 16p

Denby, David.

"Strawberry and Chocolate." (movie reviews) New York v28, n6 (Feb 6, 1995):59.

Duncan, Cynthia

"The feminine as visible difference in Fresa y chocolate, or Casting El hombre nuevo in a less queer light." In: Cine-Lit 2000: essays on hispanic film and fiction / edited by George Cabello Castellet, Jaume Marti-Olivella, and Guy H. Wood.

Main Stack PN1993.5.L3.C48 2000

"Fresa Y Chocolate (Strawberry and Chocolate)." (movie reviews)

American Historical Review Oct 1997 v102 n4 p1275

Gates, Anita.

"The Red Menace, Courtesy of the Cineplex.

" (life under communism, as portrayed in two films, Cuba's 'Strawberry and Chocolate' and China's 'To Live') New York Times v144, sec2 (Sun, Nov 27, 1994):H15(N), H15(L), col 1, 4 col in.

Howard, Philip A.

"Strawberry and Chocolate." The American Historical Review, Vol. 102, No. 4 (Oct., 1997), pp. 1275-1276

UC users only

James, Caryn.

"Strawberry and Chocolate.

" (movie reviews) New York Times v144 (Sat, Sept 24, 1994):12(N), 16(L), col 1, 17 col in.

Johnson, Brian D.

"Strawberry and Chocolate." (movie reviews) Maclean's v108, n9 (Feb 27, 1995):69.

Kaufman, Frederick

"Strawberry and Chocolate." (movie reviews) Aperture, no141 (Fall '95) p. 70-1

Kauffmann, Stanley.

"Strawberry and Chocolate." (movie reviews) New Republic v212, n6 (Feb 6, 1995):24.

UC users only

Kemp, Philip

"Strawberry and Chocolate." (movie reviews)Sight & Sound, ns4 (Dec. '94) p. 48

Levy, Emmanuel.

"Strawberry and Chocolate." (movie reviews) Advocate, n674 (Feb 7, 1995):60 (2 pages).

López, Tania Cepero

"Deconstructing Cuban Identity: Senel Paz's The Wolf, the Woods and the New Man: And Its Film Adaptation Strawberry and Chocolate by Tomás Gutiérrez Alea." In: Caribbean without borders : literature, language and culture / edited by Dorsia Smith, Raquel Puig, and Ileana Cortés Santiago. Newcastle : Cambridge Scholars, 2008.

Main (Gardner) Stacks PN849.C32 C377 2008

Merlino, Joséph P.

"Strawberry and chocolate: a just dessert? A film review and commentary." Journal of Gay & Lesbian Psychotheraphy Spring 1999 v3 i2 p99(6)

Santi, Enrico Mario.

"Fresa y Chocolate: The Rhetoric of Cuban Reconciliation." MLN, vol. 113 no. 2. 1998 Mar. PAGES: 407-25.

UC users only

Seguin, Jean-Claude

"Fresa y chocolate (Tomás Gutiérrez Alea, 1993): Nobody's perfect." In: Cuba : cinema et revolution

Julie Amiot-Guillouet, Nancy Berthier (dir). Lyon : GRIMH-LCE-GRIMIA, c2006.

Main Stack PN1993.5.C8.C84 2006

Serna Servín, Juan Antonio

"An Ideological Study of the Film Strawberry and Chocolate." Anuario de Cine y Literatura en Español: An International Journal on Film and Literature, vol. 3, pp. 159-66, 1997

Shields, Ronald E.

"Acting Prima Donna Politics in Tomás Gutiérrez Alea's Strawberry and Chocolate." In: More than a method : trends and traditions in contemporary film performance / edited by Cynthia Baro Detroit : Wayne State University Press, c2004.

Main (Gardner) Stacks PN1995.9.A26 M67 2004

Smith, Paul Julian.

"The Language of Strawberry." ('Strawberry and Chocolate') Sight and Sound v4, n12 (Dec, 1994):30 (4 pages).

UC users only

"Director Tomas Gutierrez Alea's Cuban film 'Strawberry and Chocolates' on Cuban gays is flawed in its portrayal of homosexuality. The narrative of this dialogue-oriented film is essentially heterosexual and middle class. Known for his anti-gay stance, the director has mildly treated the film's theme. The film reinforces contempt for the supposed lack of sexual potency of homosexuals as a reflection of Marxist obsession with productive potency." [Expanded Academic Index]

"Tomas Gutierrez Alea." (interview with Cuban director)(Interview) UNESCO Courier (July-August, 1995):53 (3 pages).

UC users only

Travers, Peter.

"Strawberry and Chocolate." (movie reviews) Rolling Stone, n701 (Feb 9, 1995):63.

West, Dennis.

" 'Strawberry and Chocolate,' Ice Cream and Tolerance: Interviews with Tomas Gutierrez Alea and Juan Carlos Tabio." (Cuban filmmakers) (Interview) Cineaste v21, n1-2 (Wntr-Spring, 1995):16 (5 pages).

Wise, Michael Z.

"In Totalitarian Cuba, Ice Cream and Understanding." (Tomas Gutierrez Alea's film, 'Strawberry and Chocolate' raises debate among exiles) New York Times v144, sec2 (Sun, Jan 22, 1995):H26(N), H26(L), col 1, 32 col in.

Tomás Gutiérrez Alea: Up to a Certain Point (Hasta Cierto Punto)

Baron, Guy.

"The Illusion of Equality: Machismo and Cuban Cinema of the Revolution." Bulletin of Latin American Research, Jul2010, Vol. 29 Issue 3, p354-366, 13p

UC users only

Crowdus, Gary.

"Up to a Point: An Interview with Tomás Gutiérrez Alea and Mirta Ibarra." Cineaste, vol. 14 no. 2. 1985. pp: 26-29.

Davies, Catherine.

"Recent Cuban fiction films: Identification, interpretation, disorder." Bulletin of Latin American Research; May96, Vol. 15 Issue 2, p177, 16p

Downing, John D. H.

"Four Films of Tomás Gutiérrez Alea." In: Film & politics in the Third World / edited by John D.H. Downing. NY : Praeger, c1987.

Main (Gardner) Stacks PN1993.5.D44 F54 1987

Moffitt PN1993.5.D44 F54 1987

Macbean, James Roy.

"A Dialogue with Tomás Gutiérrez Alea: On the Dialectics of the Spectator in Hasta Cierto Punto. Film Quarterly, v. 38 (Spring '85) p. 22-9

UC users only

Pick, Zuzana M.

"Spectacles of daily life: "Up to a Point". Canadian Journal of Film Studies, 1992, Vol. 2 Issue 1, p31-42, 12p;

Cuba: Reviews and Articles About Individual Films

Bitter Sugar (Azucar amarga)

Cole, Melanie.

"Bitter Sugar/Azucar Amarga." (movie reviews) Hispanic v9, n10 (Oct, 1996):84 (1 page).

Comer, Brooke

"Hope and despair in Cuba." American Cinematographer v 77 Nov 1996. p. 101-2

"A review of Leon Ichaso's motion picture Bitter Sugar. The movie tells the story of an idealistic Cuban honor student who realizes the hypocrisy of the system that he once endorsed. Exposing the scandalous statistics that the Cuban government would rather hide, such as the existence of 30,000 teenage prostitutes, it conveys a vehement anti-Castro message. This precluded Ichaso from filming in Havana, opting for Santo Domingo instead and adding second-unit Havana footage. Crucial landmarks were captured with an army-surplus camera that was over 50 years old, and several scenes were shot with a Hi-8 camera; on location, Kodak's 5222 Double-X stock and Arriflex BL were used. Extras who had recently left Cuba were hired to add an authentic feel to the movie." [Art Index]

Holden, Stephen.

"Bitter Sugar/Azucar Amarga." (movie reviews) New York Times v146 (Fri, Nov 22, 1996):B4(N), C10(L), col 5, 13 col in.

Argentina

60 generaciones, 90 generaciones : cine argentino independiente

Fernando Martin Pena (ed.). Buenos Aires : Fundacion Eduardo F. Costantini, 2003.

Main Stack PN1993.5.S7.A16 2003

Abel Martin, Jorge.

Cine Argentino '76 [i.e. setenta y seis] / Jorge Abel Martin. Buenos Aires: Ediciones Metrocop, [1977].

UCB Main PN1993.5.A7 A2

Argentina Cine: Catalogo = Catalogue, 85/86

Editor/director, Daniel Alfredo Astray]. [Buenos Aires]: Ediciones Montoya, [1986].

UCB Main PN1993.5.A7 A7331 1986

Argentine Cinema

Edited by Tim Barnard. Toronto: Nightwood Editions, c1986.

UCB Main PN1993.5.A7 B3761 1986

Aguilar, Gonzalo Moises.

Otros mundos : ensayo sobre el nuevo cine argentino. Buenos Aires : Santiago Arcos Editor, 2006.

MAIN: PN1993.5.A7 A58 2006

An Argentine passion: María Luisa Bemberg and her films

Published: London; New York: Verso, 2000.

UCB Main PN1998.3.B457 A74 2000

Barrios Baron, Carlos

Pioneros del Cine en la Argentina: Cardini, Py y Ducros Hicken / [Carlos Barrios Baron =; edicion y diseno, Gustavo R. Gomez =; traduccion al ingles, David T. Hollywood]. 1. ed. [Argentina]: C. Barrios Baron, c1995.

UCB Main PN1993.5.A7 B37 1995

Beceyro, Raul.

Ensayos Sobre Cine Argentino / Raul Beceyro. Santa Fe, Argentina: Universidad Nacional del Litoral, Departamento de Extension Universitaria, Centro de Publicaciones, 1986. Series title: Cuadernos de extension universitaria (Santa Fe, Argentina); no. 8. Series title: Cuadernos de extension universitaria (Santa Fe, Argentina). Serie Ensayos.

UCB Main PN1993.5.A7 B4 1986

Berardi, Mario.

La vida imaginada : vida cotidiana y cine argentino, 1933-1970 Buenos Aires : Ediciones del Jilguero, 2006.

MAIN: PN1993.5.A7 B473 2006

Bernini, Emilio.

Ciertas tendencias : notas sobre el "nuevo cine argentino" (1956-1966) / Emilio Bernini. [Buenos Aires] : Facultad de Filosofia y Letras, Universidad de Buenos Aires, 2002.

MAIN: PN1993.5.A7.B47 2002

Cabrera, Gustavo

Tita Merello (1904-2002) : el mito, la mujer y el cine Published: Buenos Aires : Marcelo Hector Oliveri Editor, 2006.

MAIN: PN2454.M474 C33 2006

Castillo, Jorge

Cine argentino e identidad cultural / Jorge Castillo. 1a. ed. [Resistencia, Chaco] : J. Castillo, [2003]

Main Stack PN1993.5.A7.C37 2003

La Censura en el Dine

[por] Juan Carlos Goti Aguilar [et al.]. Buenos Aires, Ediciones Libera [1966].

NRLF $B 256 386

Che, que bueno que vinisteis : el cine argentino que cruzo el charco

Juan Carlos Gonzalez Acevedo ; [prologo de Federico Luppi]. 1. ed. Barcelona : Editorial Dieresis, 2005.

Main Stack PN2451.G66 2005

Cine argentino: industria y clasicismo, 1933-1956

Buenos Aires: Fondo Nacional de las Artes, c2000.

MAIN: PN1993.5.A7 C47 2000

Cine argentino : modernidad y vanguardias, 1957/1983 / Claudio España , director general ; Gonzalo Aguilar ... [et al.], coautores ; Ricardo Manetti, seleccion fotografica. Buenos Aires, Argentina : Fondo Nacional de las Artes, c2004-c2005.

Main Stack PN1993.5.A7.C475 2004

Cine argentino y derechos humanos

Pablo Alvarez ... [et al.]. Rosario : Editorial Ciudad Gotica, 2007.

MAIN: PN1993.5.A7 C478 2007

Contents: Cautiva / Pablo Alvarez -- Kamchatka / Patricia Alvarez Blanda -- Ilusion de movimiento / María Eugenia Caggiano -- Botin de guerra / Raul M. Carreras -- Un lugar en el mundo / Miguel Catala -- Hermanas / Jorge Eduardo Colao -- La historia oficial / María Florencia Culasso -- Sol de noche / Quique de María -- Garage Olimpo / Sergio Luis Fuster -- Sur / Esteban Langhi -- Los rubios / Eber Molina -- Trescientos cincuenta / Antonio Ramos -- La noche de los lapices / Norma E. Rios -- Y-- milagros no hay / Graciela Rosello.

Cine Argentino en Democracia, 1983-1993

Claudio Espana, compilador; Gabriela Fabbro ... [et al.], autores. Buenos Aires: Fondo Nacional de las Artes, [1994].

UCB Main PN1993.5.A7 C47 1994

Cine Argentino: La Otra Historia

Abel Posadas ... [et al]; Sergio Wolf (compilador). 2a. ed. [Buenos Aires]: Ediciones Letra Buena, 1994. Series title: Coleccion Communicacion visual. Series title: Coleccion Comunicacion visual (Buenos Aires, Argentina)

UCB Main PN1993.5.A7 C52 1994

Cine desde Argentina: producciones 2000-2001

Buenos Aires, Republica Argentina: INCAA, [2002?]

UCB Main PN1993.5.A7 C39 2002

Cine y dictadura

[María Paulinelli, coordinadora]. Cordoba, Argentina : Comunic-arte Editorial, c2006.

MAIN: PN1993.5.A7 C568 2006

Cine y fotografia como intervencion politica

Susana Sel (compiladora). Buenos Aires : Prometeo Libros, c2007.

MAIN: PN1993.5.A7 C554 2007

Cines al margen : nuevos modos de representacion en el cine argentino contemporaneo

Prologo de David Oubiña ; María José Moore, Paula Wolkowicz, editoras. 1. ed. Buenos Aires : Libraria, 2007.

Main Stack PN1993.5.A7.C564 2007

Ciria, Alberto.

Mas Alla de la Pantalla: Cine Argentino, Historia y Politica / Alberto Ciria. Buenos Aires: Ediciones de la Flor, c1995.

UCB Main PN1993.5.A7 C57 1995

Colautti, Carlos.

Libertad de Expresion y Censura Cinematografica / Carlos Colautti. Buenos Aires: Fundacion Instituto de Estudios Legislativos, 1983.

UCB Law Lib KC3076 .C64

Civilizacion y barbarie : en el cine argentino y latinoamericano

Ana Laura Lusnich, editora ; Andrea Cuarterolo ... [et al.]. Buenos Aires : Editorial Biblos, c2005.

Main Stack PN1993.5.A7.C58 2005

Couselo, Jorge Miguel

"The Connection: Three Essays on the Treatment of History in the Early Argentine Cinema." (Translated by Bradford Burns). Journal of Latin American Lore, 1:2 (Winter 1975), 211-230.

Couselo, Jorge Miguel

Literatura Argentina y Cine Nacional / Jorge Miguel Couselo. Buenos Aires: Centro Editor de America Latina, c1981. Series title: Capitulo (Centro Editor de America Latina). Biblioteca argentina fundamental; 96 (Suppl.)

UCB Main PN1997.A1 G83 1981 Suppl.

Couselo, Jorge Miguel

El "negro" Ferreyra: un cine por instinto Buenos Aires: Grupo Editor Altamira: GobBsAs: Edulp, 1969.

UCB Main MAIN: PN1998.3.F37 C68 2001

De Tomaso, Maríana.

El cine que nos pertenece : historias de espectadores / Maríana De Tomaso. Buenos Aires : Libros del Rojas, Universidad de Buenos Aires, 2005.

Main Stack PN1995.9.A8.D4 2005

Decorados: Apuntes Para una Historia Social del Cine Argentino

Horacio Gonzalez, Eduardo Rinesi (compiladores); A. Bonvecchi ... [et al.]. 1. ed. Buenos Aires, Argentina: M. Suarez, 1993. Series title: La Carabela perdida.

UCB Main PN1995.9.S6 D37 1993

Elner, David A.

Bibliografia Sobre Cine y Teatro en Argentina. Ano 1938 / David A. Elner. Buenos Aires: Ediciones S.J.L., 1987-

UCB Main PN1993.5.A7 E45 1987 t. 1-2 (1987)

Elner, David A.

Bibliografia Sobre Cine y Teatro en Argentina: Desde la Revolucion Nacionalista de 1943 Hasta al Surgimiento del Peronismo, 1944 / David A. Elner. Buenos Aires: Ediciones S.J.L., 1987-

UCB Main PN1993.5.A7 A12E48 1987 t. 1-3 (1987)

Espana, Claudio.

Medio Siglo de Cine: Argentina Sono Film, S.A.C.I. / Claudio Espana con la colaboracion de Miguel Angel Rosado. Buenos Aires: Editorial Abril: Heraldo del Cine, c1984.

UCB Main PN1999.A7 E87 1984

El estado y el cine argentino : textos y documentos.

Santa Fe : Instituto Superior de Cine y Artes Audiovisuales, 2005.

Main Stack PN1993.5.A7.E88 2005

Falicov, Tamara L.

"Argentine Cinema and the Construction of National Popular Identity, 1930-1942." Studies in Latin American Popular Culture, 17 (1998), 61-78.

Falicov, Tamara L.

The cinematic tango : contemporary Argentine film London : Wallflower, 2007.

MAIN: PN1995.9.A7 F35 2007

Farhi, Andres.

Una cuestion de representacion : los jovenes en el cine argentino, 1983-1994 / Andres Farhi. Buenos Aires : Libros del Rojas, Universidades de Buenos Aires, 2005.

Main Stack PN1995.9.Y6.F37 2005

Fernando Solanas ou la rage de transformer le monde

Conde-sur-Noireau: Corlet; Paris: Telerama, 2001.

UCB Main PN1998.3.S64 F47 2001

Finkielman, Jorge

The film industry in Argentina : an illustrated cultural history Jefferson, N.C. : McFarland, c2004.

MAIN: PN1993.5.A7 F56 2004; circ info

Table of contents http://www.loc.gov/catdir/toc/ecip0411/2003024611.html

Foster, David William.

Contemporary Argentine Cinema / David William Foster. Columbia: University of Missouri Press, c1992.

UCB Main PN1993.5.A7 F6 1992

UCB Moffitt PN1993.5.A7 F6 1992

Fuster Retali, José.

"La ausencia de la historia argentina en el cine nacional." Cuadernos Hispanoamericanos. 624:77-91. 2002 June

The Garden of Forking Paths: Argentine Cinema

Edited by John King and Nissa Torrents. London: British Film Institute, 1988.

UCB Main PN1993.5.A7 G37 1988

Getino, Octavio

Cine argentino : entre lo posible y lo deseable / Octavio Getino. 2. ed. actualizada. Buenos Aires : Ediciones CICCUS : INCAA, 2005.

Main Stack PN1993.5.A7.G46 2005

Getino, Octavio

Cine y Dependencia: El Cine en la Argentina / Octavio Getino. Buenos Aires, Argentina: Puntosur Editores, c1990.

UCB Main PN1993.5.A7 G47 1990

Goldman, Ilene S.

"To Be(come) Jewish and Argentine: Cinematic Views of a Changing Nation." Estudios Interdisciplinarios de América Latina y el Caribe, 10:2 (July-Dec 1999), 151-157.

El Grupo de los 5 y sus contemporaneos: pioneros del cine independiente en la Argentina: 1968-1975

Buenos Aires: Secretaria de Cultura GobBsAs, c2000.

UCB Main PN1993.5.A7 G78 2000;

Historia del Cine Argentino

Jorge Miguel Couselo ... [et al.]. Buenos Aires: Centro Editor de America Latina, c1984.

UCB Main PN1993.5.A7 H5 1984

Jaehne, Karen

" Love as a Revolutionary Act: An Interview with María Luisa Bemberg."Cineaste, vol. 14 no. 3, 1986 | pp: 22-24

Jakubowicz, Eduardo.

La historia argentina a traves del cine : las "visiones del pasado" (1933-2003) Published: Buenos Aires : La Crujia Ediciones, 2006.

MAIN: PN1993.5.A7 J35 2006

Lipszyc, Delia.

¿Quien es el Autor de la Obra Cinematografica? Buenos Aires, Sociedad General de Autores de la Argentina (Argentores) [1967]. Series title: Serie de estudios sobre derechos de autor 1.

NRLF B 2 826 565

Lopez, Daniel

Catalogo del nuevo cine argentino, 1984-1986 / edicion preparada por Daniel Lopez. Buenos Aires, Republica Argentina: Instituto Nacional de Cinematografia, 1987.

UCB Main PN1998.A1 L661 1987 [1]-v.2 (1987-1989)

A la luz del trabajo : las representaciones de lo laboral en el cine argentino de los '90

Santiago Druetta ... [et al.]. Edition 1. ed. Cordoba, Argentina : Comunicarte, 2005.

Main Stack PN1995.9.L28.A22 2005

Mahieu, Agustin.

Breve Historia del Cine Nacional / Augustin Mahieu. Buenos Aires: Alzamor Editores, 1974. Series title: Coleccion del alba; v. 1.

NRLF $D 62 817

Mahieu, José Agustín

"Imágenes del pasado: panorama histórico del cine argentino en los años '30." Cuadernos Hispanoamericanos, 481 (July 1990), 81-90

Manzi, Italo.

"La presencia francesa en el cine argentino (y 3): La epoca de la guerra: 1939-1945." Cuadernos Hispanoamericanos. 619:71-78. 2002 Jan

Maranghello, Cesar.

Breve historia del cine argentino / Cesar Maranghello. 1. ed. Barcelona : Laertes, 2005.

Main Stack PN1993.5.A7.M297 2005

Martin, Jorge Abel.

Diccionario de Realizadores Contemporaneos.: Cine Argentino / Jorge Abel Martin. Buenos Aires, Republica Argentina: Instituto Nacional de Cinematografia, c1987.

UCB Main PN1998.A2 M331 1987

Matharan de Potenze, Sylvia

"Etapas evolutivas del cine argentino." Criterio (Argentina), 46:1681-1682 (24 Dec 1973), 708-715.

Millan, Francisco Javier.

La memoria agitada: cine y represion en Chile y Argentina [Madrid]: Ocho y Medio, Libros de Cine; [Huelva]: Fundacion Cultural de Cine Iberoamericano de Huelva, 2001.

UCB Main PN1993.5.C3 M55 2001

Mugica, Rene.

En el Principio Fue la Imagen: La Obra, Cinematografica, Derecho de Autor y de los Artistas Interpretes, Derecho del Productor / Rene Mugica. [Buenos Aires]: Editorial Universitaria de Buenos Aires, c1989. Series title: Temas / Editorial Universitaria de Buenos Aires.

NRLF B 3 709 309

New Argentine cinema: themes, auteurs and trends of innovation

[Buenos Aires]: Ediciones Tatanka: FIPRESCI, 2002.

MAIN: PN1993.5.A7 N49 2002

Neifert, Agustin.

Del papel al celuloide : escritores argentinos en el cine, Roberto Arlt, Adolfo Bioy Casares, Jorge Luis Borges, Silvina Bullrich, Julio Cortazar, Marco Denevi, Beatriz Guido, Horacio Quiroga, Osvaldo Soriano / Agustin Raimundo Neifert. 1. ed. Buenos Aires : La Crujia Ediciones, 2003.

Main Stack PQ7655.N45 2003

Panik, Eduardo T. (Eduardo Tomas)

La Calificacion Cinematografica: Analisis y Estadisticas, 1984-1987 / Eduardo T. Panik. [Buenos Aires, Republica Argentina]: Instituto Nacional de Cinematografia, [c1989].

NRLF B 3 708 720

Pick, Zuzana M.

"An interview with María Luisa Bemberg." (Interview) Journal of Film and Video v44, n3-4 (Fall-Wntr, 1992):76 (7 pages).

María Luisa Bemberg, an Argentinian filmmaker of repute, has several major films to her credit including 'Senora de nadie' (Nobody's wife), 'Camila,' 'Yo, la peor de todas' (I, the Worst Woman of All) and 'Miss Mary.' She reveals that her objective in making films on historical women in Argentina was not based on grand ideals such as highlighting the importance of women in history. She found the subject of Camila O'Gorman, a social rebel in 19th-century Argentina, challenging and decided to project her as daring rather than submissive. María admits she is easily bored by the battle scenes in historical films and prefers to adopt an impressionist approach in making historical films.

Plano secuencia : 20 peliculas argentinas para reafirmar la democracia

Monica Satarain (comp.) Ciudad Autonoma de Bs. As. : SIGNIS : La Crujia Ediciones, 2004.

Main Stack PN1993.5.A7.P53 2004

Podalsky, Laura

"Cityscapes and Alienation: Buenos Aires in the Argentine Cinema, 1950-1960." Nuevo Texto Crítico, 11:21-22 (Jan-Dec 1998), 77-92.

Podalsky, Laura

Specular city : transforming culture, consumption, and space in Buenos Aires, 1955-1973 / Laura Podalsky. Philadelphia : Temple University Press, 2004.

Main Stack F3001.2.P63 2004

Poeticas en el cine argentino : 1995-2005

María Paulinelli, coordinadora ; Julio Ariza ... [et al] ; prologo de Ramiro Ortiz. 1. ed. Cordoba, Argentina : Communicarte, 2005.

Main Stack PN1993.5.A7.P56 2005

Portas, Juan Carlos

Patagonia: cinefilia del extremo austral del mundo: el cine mirando la Patagonia, la Patagonia mirando cine Comodoro Rivadavia: Editorial Universitaria de la Patagonia, Universidad Nacional de la Patagonia San Juan Bosco: Editorial Ameghino, 2001.

UCB Main PN1993.5.P38 P67 2001;

Posadas, Abel.

Cine sonoro argentino / Abel Posadas, Monica Landro, Marta Speroni. 1. ed. Buenos Aires : El Calafate Editores, 2005

Main Stack PN1993.5.A7.P67 2005

Postiglione, Gustavo

Cine instantaneo / Gustavo Postiglione ; prologo por Quintin. 1. ed. Rosario, Argentina : UNR, 2004.

Main Stack PN1993.5.A7.P67 2004

Pujol, Sergio Alejandro.

Valentino en Buenos Aires: Los Anos Veinte y el Espectaculo / Sergio Pujol. 1. ed. Buenos Aires, Argentina: Emece, c1994.

UCB Main PN2452.B8 P85 1994

Radiografia de Carlos Gardel

Osvaldo Pellettieri, compilador; trabajos de Guillermo Ara ... [et al.]. Buenos Aires: Editorial Abril, 1987.

UCB Main ML420.G247 R33 1987

Rangil, Viviana.

Otro punto de vista : mujer y cine en Argentina / Viviana Rangil. 1st ed. Rosario : Beatriz Viterbo, 2005.

Main Stack PN1995.9.W6.R36 2005

Reati, Fernando.

" Argentine Political Violence and Artistic Representation in Films of the 80's."Latin American Literary Review, vol. 17 no. 34, 1989 July-Dec. pp: 24-39

Romano, Eduardo.

Literatura/Cine Argentinos Sobre la(s) Frontera(s) / Eduardo Romano. Buenos Aires, Republica Argentina: Catalogos Editora, c1991. Series title: Coleccion Armas de la critica.

UCB Main PN1995.3 .R57 1991

Saenz, Sebastian

El cine en Cordoba : catalogo de la produccion cinematografica, 1915-2000 / Sebastian Saenz. Cordoba [Argentina] : Ferreyra, c2004.

Main Stack PN1993.5.A7.S24 2004

Semana de Literatura y Cine Argentinos (1970: Universidad Nacional de cuyo) Semana de Liteatura y Cine Argentinos, 14 al 20 de octubre de 1970. Mendoza, Universidad Nacional de Cuyo, Facultad de Filosofia y Letras [1972].

NRLF B 3 567 976

Tal, Tzvi.

Pantallas y revolucion : una vision comparativa del cine de liberacion y el cinema novo / Tzvi Tal ; [traduccion, Tzvi Tal y Rita Sevet]. [Buenos Aires, Argentina] : Lumiere ; [Tel Aviv] : Universidad de Tel Aviv, Instituto de Historia y Cultura de America Latina, c2005.

Main Stack PN1993.5.A7.T35 2005

Urquiza, Juan José de.

La Revolucion de Mayo y el Cine Agrentino / Juan José de Urquiza. Buenos Aires: Escuela Industrial No. 9 (Industrias de las Artes Graficas), 1960.

NRLF $B 2 795 411

Varea, Fernando G. (Fernando Gabriel)

El cine argentino en la historia Argentina, 1958-1998 Rosario, Argentina: Ediciones del Arca Editorial, [1999]

MAIN: PN1993.5.A7 V37 1999

María Luisa Bemberg

An Argentine passion : María Luisa Bemberg and her films

Edited by John King, Sheila Whitaker and Rosa Bosch. London ; New York : Verso, 2000.

Main (Gardner) Stacks PN1998.3.B457 A74 2000

Pacific Film Archive PN1998.3.B452 A74 2000

Contents via Google books

Bach, Caleb

"María Luisa Bemberg tells the untold." Americas; Mar/Apr94, Vol. 46 Issue 2, p20, 8p, 6 bw

UC users only

Fontana, Clara.

María Luisa Bemberg / Clara Fontana. Buenos Aires : Centro Editor de America Latina, 1993.

Main (Gardner) Stacks PN1993.5.A7 F66 1993

Guerriero, Leila

"María Luisa Bemberg." In: Mujeres argentinas : el lado femenino de nuestra historia / prólogo, María Esther de Miguel ; [Graciela Batticuore ... et al.]. Buenos Aires : Alfaguara, c1998.

Main (Gardner) Stacks HQ1532 .M86 1998

Jaehne, Karen

"Love as a Revolutionary Act: An Interview with María Luisa Bemberg." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 14, no. 3, pp. 22-24, 1986

María Luisa Bemberg

[Leonor Calvera ... et al.]. Buenos Aires] : Grupo Némesis : Museo Roca, [2005]

NRLF (UCB) PN1998.3.B457 M37 2005

"María Luisa Bemberg" In: Los directores del cine argentino / dirección Jorge Miguel Couselo. Buenos Aires : Centro Editor de America Latina, 1993-

Main (Gardner) Stacks PN1993.5.A7 D57 1993

Miller, Denise .

"Luisina Brando's costuming in María Luisa Bemberg's films : an excessive femininity." In: Fashioning film stars : dress, culture, identity / edited by Rachel Moseley. London : BFI Pub., 2005.

Main (Gardner) Stacks PN1995.9.C56 F553 2005

Pick, Zuzana M.

"An Interview with María Luisa Bemberg." Journal of Film & Video, Fall92/Winter93, Vol. 44 Issue 3/4, p76-82, 7p

UC users only

Williams, Bruce

"Bemberg's Third Sex: Argentine Mothers at the Dawn of Democracy." Cinemas, Fall2004, Vol. 15 Issue 1, p125-144, 20p

UC users only

Williams, Bruce

"The Reflection of a Blinded Gaze: María Luisa Bemberg, Filmmaker." In: A woman's gaze : Latin American women artists / edited by Marjorie Agosín. Fredonia, N.Y. : White Pine Press, c1998.

Main (Gardner) Stacks NX501.5 .W66 1998 AVAILABLE

Moffitt NX501.5 .W66 1998

Camila

Crowdus, Gary.

"Camila: An Interview with Susu Pecoraro." Cineaste, vol. 14 no. 3, 1986, pp: 25

Jaehne, Karen.

"Camila." Cineaste, 1986, Vol. 14 Issue 3, p46-47, 2p,

Williams, Bruce

"In the Realm of the Feminine: María Luisa Bemberg's "Camila" at the Edge of the Gaze." Chasqui, Vol. 25, No. 1 (May, 1996), pp. 62-71

UC users only

I Don't Want to Talk About It

Correa Uribe, Fabio

"De eso no se habla by María Luisa Bemberg." Chasqui, Vol. 28, No. 1 (May, 1999), pp. 133-135

UC users only

Francke, L.

"I don't want to talk about it." Sight & Sound v. ns4 (September 1994) p. 39

Jaehne, Karen.

"I Don't Want to Talk about It by María Luisa Bemberg." Film Quarterly, Vol. 48, No. 2 (Winter, 1994-1995), pp. 52-55

UC users only

Kissin, E. H.

"I don't want to talk about it (Dedicated to all the people who want to be different.)." Films in Review v. 46 (January/February 1995) p. 60

Olazagasti-Segovia, Elena

"Maréa Luisa Bemberg vs. Julio Llinas : La adaptacion filmica de De eso no se habla." In:Cine-Lit 2000 : essays on hispanic film and fiction Corvallis, OR : Oregon State University, [2000]

MAIN: PN1993.5.L3 C48 2000

Stevens, Donald F.

"Passion and Patriarchy in Nineteenth-Century Argentia: María Luisa Bemberg's Camila." In: Based on a true story : Latin American history at the movies / edited by Donald F. Stevens. Wilmington, Del. : SR Books, 1997.

Main (Gardner) Stacks PN1995.9.L37 B37 1997

Pacific Film Archive PN1995.9.L37 B37 1997

I, the Worst of All (Yo, la peor de todas)

Bergmann, Emilie

"Abjection and Ambiguity: Lesbian Desire in Bemberg's Yo, la peor de todas." In: Hispanisms and homosexualities / Sylvia Molloy and Robert McKee Irwin, editors. Durham [N.C.] : Duke University Press, 1998.

Main (Gardner) Stacks PQ7081.A1 H5735 1998

Donapetry, María

"Yo, la peor de todas by María Luisa Bemberg." Chasqui, Vol. 29, No. 1 (May, 2000), pp. 169-171

UC users only

Glaessner, Verina.

"Yo, la peor de todas (I, the Worst of All)." Sight & Sound, Nov91, Vol. 1 Issue 7, p56-57, 2p

Gatto, Katherine Gyékényesi Gatto

"Representing the Silence of Conversion in Ocatvio Paz's Sor Juana, or, The Traps of Faith and María Luisa Bemberg's 'I, the Worst of All'." Monographic Review/Revista Monográfica, vol. 16, pp. 306-14, 2000

Glaessner, Verina.

"Yo, la peor de todas (I, the Worst of All)." Sight & Sound, Nov91, Vol. 1 Issue 7, p56-57, 2p

Maroto Camino, Mercedes.

"'Ser mujer, ni estar ausente': Sor Juana's Silence in María Luisa Bemberg's Yo, la peor de todas/I, the Worst of All (1992)." In: Identity, nation, discourse : Latin American women writers and artists / edited by Claire Taylor. Newcastle upon Tyne : Cambridge Scholars Pub., 2009.

Main (Gardner) Stacks PQ7081.5 .I34 2009

Negrea, Irina; Gibbs, Audrey; Robertson, Nicole.

"Yo, la peor de todas (1990) (I, the Worst of All)." Reel American History (Lehigh University)

UC users only

Pick, Zuzana M.

"An interview with María Luisa Bemberg." Journal of Film & Video, 1992/93, Vol. 44 Issue 3/4, p76-82, 7p

UC users only

Ramírez, Susan E.

"I, the Worst of All: The Literary Life of Juana Inés de la Cruz." In: Based on a true story : Latin American history at the movies / edited by Donald F. Stevens. Wilmington, Del. : SR Books, 1997.

Main (Gardner) Stacks PN1995.9.L37 B37 1997

Pacific Film Archive PN1995.9.L37 B37 1997

Shaw, Deborah.

"Representing inequalities: The voyage by Fernando Solanas and I the worst of all by María Luisa Bemberg." In: Contemporary cinema of Latin America : ten key films / Deborah Shaw. New York : Continuum, 2003.

Main (Gardner) Stacks PN1993.5.L3 S53 2003 AVAILABLE

Moffitt PN1993.5.L3 S53 2003 DUE 04-13-10

Pacific Film Archive PN1993.5.L3 S53 2003

Taylor, Claire.

"María Luisa Bemberg Winks at the Audience: Performativity and Citation in Camila and Yo la peor de todas." In: Latin American cinema : essays on modernity, gender and national identity / edited by Lisa Shaw and Jefferson, N.C. : McFarland & Co., c2005.

Main (Gardner) Stacks PN1993.5.L3 L28 2005

Moffitt PN1993.5.L3 L28 2005

Williams, Bruce.

"A Mirror of Desire: Looking Lesbian in María Luisa Bemberg's I, The Worst of All." Quarterly Review of Film and Video, Volume 19 Issue 2 2002

UC users only

Miss Mary

Burton-Carvajal, Julianne

"María Luisa Bemberg's Miss Mary: Fragments of a Life and Career History." In: Redirecting the gaze : gender, theory, and cinema in the Third World / edited by Diana Robin and Ira Albany : State University of New York Press, c1999.

Main (Gardner) Stacks PN1995.9.W6 R45 1999

Fulks, Barbara P.

"The Female Gaze in María Luisa Bemberg's Film, Miss Mary." West Virginia University Philological Papers, vol. 48, pp. 100-06, 2001

Gatto, Katherine Gyékényesi.

"The Spacialization of Motherhood: Estancia, Nation and Gendered Space in María Luisa Bemberg's Miss Mary." West Virginia University Philological Papers, vol. 52, pp. 109-14, 2005

Kantaris, Elia Geoffrey.

"Re-engendering History: María Luisa Bemberg's Miss Mary." Women's Studies, Feb2000, Vol. 29 Issue 1, p5, 14p

UC users only

Kennedy, H.

"Miss Mary." Film Comment v. 22 (November/December 1986) p. 36

Szuchman, Mark D.

"Depicting the Past in Argentine Films: Family Drama and Historical Debate in Miss Mary and The Official Story." In: Based on a true story : Latin American history at the movies / edited by Donald F. Stevens. Wilmington, Del. : SR Books, 1997.

Main (Gardner) Stacks PN1995.9.L37 B37 1997

Pacific Film Archive PN1995.9.L37 B37 1997

Williams, Bruce.

"Julie Christie Down Argentine Way: Reading Repression Cross-Nationally in Bemberg's Miss Mary." Journal of Film & Video, Winter2003, Vol. 55 Issue 4, p15-29, 15p

UC users only

Lucrecia Martel

Guest, Haden.

"Lucrecia Martel." Bomb, Winter2009, Issue 106, p30-37, 8p

UC users only

Matheou, Demetrios.

"Vanishing Point." Sight & Sound; Mar2010, Vol. 20 Issue 3, p28-32, 5p

UC users only

La Ciénega

Hillman, Anna M.

"Gender Politics, Sexuality, Class and Race in Lucrecia Martel's La Ciénaga (2001)." International Journal of the Humanities, 2009, Vol. 7 Issue 6, p157-166, 10p

UC users only

Podalsky, Laura.

"Out of Depth: The Politics of Disaffected Youth and Contemporary Latin American Cinema." In: Youth culture in global cinema / edited by Timothy Shary and Alexandra Seibel. 1st ed. Austin : University of Texas Press, 2007

Main Stack PN1995.9.Y6.Y68 2007

Rangil, Viviana.

"Changing the Face of Argentinean Cinema: The Vibrant Voices of Four Women." Afterimage, May/Jun2001, Vol. 28 Issue 6, p7, 3p

UC users only

The Headless Woman (La mujer sin cabeza)

Backstein, Karen.

"The Headless Woman." Cineaste, Winter2009, Vol. 35 Issue 1, p64-65, 2p

UC users only

Brunette, Peter.

"The Headless Woman." Film Journal International, Sep2009, Vol. 112 Issue 9, p43-44, 2p

UC users only

Delgado, Maria.

"The Headless Woman."Sight & Sound, Mar2010, Vol. 20 Issue 3, p64-64, 1p

UC users only

Latham, Lisa Moricoli

"The Headless Woman." Bitch Magazine: Feminist Response to Pop Culture, Winter2009, Issue 45, p70-70

UC users only

Losada, Matt

"La mujer sin cabeza." Chasqui ; may2010, Vol. 39 Issue 1, p214-215, 2p

UC users only

Quintin.

"The Headless Woman." Cinema Scope, Summer2008, Issue 35, p42-43, 2p

UC users only

Sosa, Cecilia.

"A counter-narrative of Argentine mourning: {The Headless Woman} (2008)." Theory, Culture & Society, Dec 01, 2009, Vol. 26 Issue 7/8 p250-62

UC users only

Taublin, Amy.

"Identification of a Woman." Film Comment, Jul/Aug2009, Vol. 45 Issue 4, p20-23, 4p

UC users only

Walter Salles: Motorcycle Diaries

Bueno, Fernanda.

"Motorcycle Diaries: The Myth of Che Guevara in the Twenty-First Century." Confluencia: Revista Hispánica de Cultura y Literatura, vol. 23, no. 1, pp. 107-114, Fall 2007

UC users only

Carte, Rebecca.

"Trickster, Traveler, Cultural Hero: Ernesto "Che" Guevara." Studies in Latin American Popular Culture; 2008, Vol. 27, p167-183, 17p

UC users only <

Daniels, Anthony.

"The real Che." New Criterion; Oct2004, Vol. 23 Issue 2, p22-27, 6p

UC users only

Macnab, Geoffrey

Reviews: "The Motorcycle Diaries" Sight and Sound 14:9 (September 2004) p. 70, 72

UC users only

Porton, Richard.

"Road to Revolution." Film Journal International; Oct2004, Vol. 107 Issue 10, p18-49, 2p,

UC users only

Prashad, Vijay

"Che at 23: Making of the Revolution's Poster-Boy." Economic and Political Weekly, Vol. 31, No. 40 (Oct. 5, 1996), pp. 2736-2737

UC users only

Quan, Adan

"The Motorcycle Diaries: A Journey around South America by Ernesto Che Guevara." The Antioch Review, Vol. 54, No. 2 (Spring, 1996), pp. 246-247

UC users only

Ruf, Frederick J.

"The Motorcycle Diaries." Journal of Religion & Film, Apr2005, Vol. 9 Issue 1

UC users only

Sadlier, Darlene J.

"Leaving Home in Three Films by Walter Salles." Symploke: A Journal for the Intermingling of Literary, Cultural and Theoretical Scholarship, vol. 15, no. 1-2, pp. 125-139, 2007

UC users only

Williams, Claire.

"Los diarios de motocicleta as Pan-American Travelogue." In: Contemporary Latin American cinema : breaking into the global market / edited by Deborah Shaw. Lanham, Md. : Rowman & Littlefield, c2007.

Main (Gardner) Stacks PN1993.5.L3 C66 2007

Bolivia

Cine Boliviano, del Realizador al Critico / Carlos D. Mesa G. ... [et al.]; coordina, Carlos D. Mesa G. 1. ed. La Paz: Editorial Gisbert, 1979.

NRLF B 3 567 377 Type EXP NRLF for loan details.

Feder, Elena

"In the Shadow of Race: Forging Images of Women in Bolivian Film and Video."Frontiers: A Journal of Women Studies, vol. 15 no. 1, 1994 pp: 123-40. Also in Redirecting the gaze: gender, theory, and cinema in the Third World / edited by Diana Robin and Ira Jaffe. pp: 149-203. Albany: State University of New York Press, c1999. SUNY series, cultural studies in cinema/video.

Main Stack PN1995.9.W6.R45 1999

Garcia Pabon, Leonardo

La patria intima: alegorias nacionales en la literatura y el cine de Bolivia / Leonardo Garcia Pabon. 1. ed. La Paz, Bolivia: Centro de Estudios Superiores Universitarios, Universidad Mayor de San Simon: Plural Editores, 1998.

Main Stack PQ7802.G3724 1998

Gumucio Dagron, Alfonso.

Historia del Cine Boliviano / Alfonso Gumucio Dagron. 1a ed. Mexico: Filmoteca, UNAM, 1983. Series title: Coleccion Documentos de Filmoteca; no. 5.

NRLF B 3 567 278

King, John.

"Andean Images: Bolivia, Ecuador and Peru." In: New Latin American cinema / edited by Michael T. Martin. pp: 483-504 Detroit: Wayne State University Press, Main Stack PN1993.5.L3.N48 1997

Mesa Gisbert, Carlos, D.

"Cine boliviano 1953-1983: Aproximacion a una experiencia." In: Tendencias actuales en la literatura boliviana / introduccion y edicion de Javier Sanjines C. pp: 171-227 Minneapolis: Institute for the Study of Ideologies & Literature, 1985. Series towards a social history of Hispanic and Luso-Brazilian literatures.

Main Stack PQ7803.T461 1985

Mesa G., Carlos D.

La Aventura del Cine Boliviano, 1952-1985 / Carlos D. Mesa Gisbert. 1a ed. La Paz: Editorial Gisbert, 1985.

NRLF B 3 567 378 Type EXP NRLF for loan details.

Rivadeneira Prada, Raul.

El Cine Alternativo en Bolivia / Raul Rivadeneira Prada. 1. ed. La Paz, Bolivia: Ediciones Signo, 1994.

UCB Main PN1993.5.B5 R58 1994

Susz Kohl, Pedro.

Cine y Educacion en Bolivia / Pedro Susz K. La Paz, Bolivia: Centro de Estudios Sociales, 1989. Series title: Centro de Estudios Sociales (CENDES) (Series); 5.

NRLF B 3 722 891 Type EXP NRLF for loan details.

Susz Kohl, Pedro.

La Pantalla Ajena: El Cine Que Vimos, 1975-1984 / Pedro Susz Kohl. 1a ed. La Paz: Editorial Gisbert, 1985.

UCB Main PN1993.5.B5 S89 1985

Varea, Fernando G. (Fernando Gabriel)

El cine argentino durante la dictadura militar, 1976/1983 Rosario : Editorial Municipal, 2006.

MAIN: PN1993.5.A7 V36 2006

Zolezzi, Emilio.

Noticias del viejo cine criollo Buenos Aires : Lumiere, c2006.

MAIN: PN1993.5.A7 Z65 2006

Brazil

English

Avellar, Juan Carlos.

"Backwards Blindness: Brazilian Cinema of the 1980s." In: Framing Latin American Cinema: Contemporary Critical Perspectives / Ann Marie Stock, editor; foreword by Ambrosio Fornet. pp: 26-56. Minneapolis: University of Minnesota Press, c1997. Hispanic issues; 15.

Main Stack PN1993.5.L3.F73 1997

Brazilian Cinema

Randal Johnson and Robert Stam, editors. Expanded ed., Morningside ed. New York: Columbia University Press, c1995.

UCB Main PN1993.5.B6 B7 1995

"Brazilian Cinema." Film Comment, May/Jun84, Vol. 20 Issue 3, p56, 4p

"Brazilian cinema has come of age. The barbarian of filmdom, as director Carlos Diegues calls it, has graduated from obscurity to an ambitious production schedule of nearly 100 movies a year. The industry likes to call itself the Hollywood of the Third World, and it has some impressive box-office stats to buttress its case. In the past five years alone, it has produced a half-dozen international hits." [EBSCO]

City of God in several voices : Brazilian social cinema as action

Edited with an introduction by Else R. P. Vieira. Nottingham, Eng. : Critical, Cultural and Communication Press, 2005.

Main Stack PQ9698.22.I574.C523 2005

Fister, Barbara.

"Mugging for the Camera: Narrative Strategies in Brazil." Literature/ Film Quarterly, vol. 24 no. 3. 1996. pp: 288-92.

Foster, David William.

Gender and society in contemporary Brazilian cinema / <1999> Austin: University of Texas Press, 1999.

MAIN: PN1993.5.B6 F67 1999;

Franco, Jean.

"High-Tech Primitivism: The Representation of Tribal Societies in Feature Films." In: Mediating Two Worlds: Cinematic Encounters in the Americas / edited by John King, Ana M. Lopez, Manuel Alvarado. pp: 81-94. London: BFI, 1993.

Main Stack PN1995.9.L37.M43 1993

Moffitt PN1995.9.L37.M43 1993

Johnson, Randal.

"The "Nova República" and the Crisis in Brazilian Cinema."Latin American Research Review, 24:1 (1989), 124-139.

Johnson, Randal.

"Popular Cinema in Brazil." Studies in Latin American Popular Culture, vol. 3. 1984. pp: 86-96.

Johnson, Randal.

"The Rise and Fall of Brazilian Cinema, 1960-1990." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 365-93. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Johnson, Randal.

"Toward a Popular Cinema: An Interview with Nelson Pereira dos Santos." Studies in Latin American Popular Culture, vol. 1. 1982. pp: 225-236.

Johnson, Randal.

"Tradition and Brazil's Cinema Novo." Review, 36 (Jan-June 1986), 10-12.

Kovacs, Steven.

"Visions of the Metropolis: Sao Paulo and the Cinema." Review: Latin American Literature and Arts, vol. 28. 1981 Jan.-Apr. pp: 56-59.

Martin, Michael T.

"Suzana Amaral on Filmmaking, the State, and Social Relations in Brazil." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 335-64. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Mosier, John

"The Importance of Popular Cinema in Latin America." Studies in Latin American Popular Culture, 1 (1982), 179-186.

Mosier, John

"The New Brazilian Cinema: Ana Carolina." Américas, 35:3 (May-June 1983), 58-59.

Nagib, Lúcia

Brazil on screen : cinema novo, new cinema, utopia London ; New York : I.B. Tauris : Distributed by Palgrave Macmillan, 2007.

MAIN: PN1993.5.B6 N35313 2007

Neves, David.

"In Search of the Aesthetics of the Brazilian Cinema." New Orleans Review, vol. 9 no. 3. 1982 Winter. pp: 63-68.

The new Brazilian cinema

Edited by Lucia Nagib. London ; New York : I.B. Tauris in association with the Centre for Brazilian Studies, University of Oxford ; New York : In the United States of America distributed by Palgrave Macmillan, 2003.

Full text available online (UCB users only)

MAIN: PN1993.5.B6 N48 2003

Osiel, Mark.

"Bye Bye Boredom: Brazilian Cinema Comes of Age." Cineaste, vol. 14 no. 1. 1985. pp: 30-35.

Rego, Cacilda M.

"Cinema Novo and the Question of the Popular." Studies in Latin American Popular Culture, vol. 10. 1991. pp: 59-73.

Rocha, Glauber.

"History of Cinema Novo." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 275-94. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Salles Gomes, Paulo Emilio.

"Cinema: A Trajectory within Underdevelopment." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 263-71. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Schelling, Vivian.

"Audacity in the Cinema." Index on Censorship, vol. 14 no. 5. 1985 Oct. pp: 58-60.

Stam, Robert.

"Brazilian Cinema: Reflections on Race and Representation." In: Contemporary Latin American cultural studies / edited by Stephen Hart and Richard Young. London : Arnold ; New York : Distributed in the United States of America by Oxford University Press, 2003.

Main Stack F1414.2.C6219 2003

Stam, Robert.

"Cross-Cultural Dialogisms: Race and Multiculturalism in Brazilian Cinema." In: Mediating Two Worlds: Cinematic Encounters in the Americas / edited by John King, Ana M. Lopez, Manuel Alvarado. pp: 175-91. London: BFI, 1993.

Main Stack PN1995.9.L37.M43 1993

Moffitt PN1995.9.L37.M43 1993

Stam, Robert.

"Racial Representation in Brazilian Cinema and Culture: A Cross-Cultural Approach." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 335-64. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Stam, Robert.

"Slow Fade to Afro: The Black Presence in Brazilian Cinema." Film Quarterly, vol. 36 no. 2. 1982-1983 Winter. pp: 16-32.

Stam, Robert.

"Transformation of National Allegory: Brazilian Cinema from Dictatorship to Redemocratization." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 295-322. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Stam, Robert

Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture / Robert Stam. Durham [N.C.]: Duke University Press, 1997. Latin America otherwise

Main Stack PN1993.5.B6.S7 1997

Williams, Bruce.

"To Serve Godard: Anthropophagical Processes in Brazilian Cinema." Literature Film Quarterly, 1999, 27:3, 202-09.

Young, Theodore Robert.

"Three Views of the Amazon in International Commercial Film." Luso-Brazilian Review, 1999 Winter, 36:2, 23-32.

City of God

Bayer, Gerd.

"Violence and the Postcolonial Project: On Watching City of God" Journal of Commonwealth and Postcolonial Studies, vol. 14, no. 2, pp. 36-49, 2007 Fall

Beck, Bernard.

Multicultural Perspectives, 2003, Vol. 5 Issue 4, p24-27, 4p

UC users only

Carlsten, Jennie.

"Violence in the City of God: The Fantasy of the Omniscient Spectator." UBCinephile: The Film Studies Journal of the University of British Columbia, vol. 1, pp. 21-24, 2005 Apr

Chan, Felicia; Vitali, Valentina.

"Revisiting the 'realism' of the cosmetics of hunger: Cidade de Deus and Ônibus 174" New Cinemas: Journal of Contemporary Film, 2010, Vol. 8 Issue 1, p15-30, 16p

UC users only

City of God in several voices : Brazilian social cinema as action

Edited with an introduction by Else R. P. Vieira. Nottingham, Eng. : Critical, Cultural and Communication Press, 2005.

(Main Stack PQ9698.22.I574.C523 2005

Diken, Bülent.

"City of God." City, Dec2005, Vol. 9 Issue 3, p307-320, 14p

UC users only

Elbow, Gary.

"Three Recent Brazilian Films: A Review" Journal of Latin American Geography, 2005, Vol. 4 Issue 2, p125-131, 7p

UC users only

Hamid, Rahul.

"Down These Mean Streets." New Labor Forum, Spring2004, Vol. 13 Issue 1, p111-114, 4p

UC users only

Lally, Kevin.

"Cruel City." Film Journal International, Jan2003, Vol. 106 Issue 1, p22, 2p

UC users only

Leite Neto, Alcino; Sayad, Cecilia (translator)

"A Youth-Crime Saga Set in a Notorious Ghetto, City of God Is a Wake-Up Call for Brazil." Film Comment, vol. 38, no. 4, pp. 10-11, 2002 July-Aug

UC users only

Lino, Sonia Cristina; Lino, Marcello (translator)

"Birds That Cannot Fly: Childhood and Youth in City of God" In: Youth culture in global cinema / edited by Timothy Shary and Alexandra Seibel. Austin : University of Texas Press, 2007.

Full text available online [UCB users only]

Main (Gardner) Stacks PN1995.9.Y6 Y68 2007

Marcelo Melo, Joã.

"Aesthetics and ethics in City of God" Third Text, Sep2004, Vol. 18 Issue 5, p475-481, 7p

UC users only

Nagib, Lúcia.

"Talking Bullets." Third Text, May2004, Vol. 18 Issue 3, p239-250, 12p

UC users only

Rogers, Douglas.

"Lessons of Streets and Screens." Americas, Nov/Dec2003, Vol. 55 Issue 6, p46-53, 8p

UC users only

Portuguese and Other Languages

Abreu, Nuno Cesar.

Boca do Lixo : cinema e classes populares Campinas : Editora Unicamp, 2006.

MAIN: PN1993.5.B6 A37 2006

30 Anos de Cinema Paulista (1950-1980).

Sao Paulo: Fundacao Cinemateca Brasileira, 1980. Series title: Cadernos da cinemateca; 4.

NRLF B 3 567 978

Alencar, Miriam.

O Cinema em Festivais e os Caminhos do Curta-Metragem no Brasil / Miriam Alencar; apresentacao de Heloisa Buarque de Hollanda; pref. de Leandro Tocantins. Rio [de Janeiro]: Editora Artenova, [c1978]. Series title: Cinebiblioteca Embrafilme.

NRLF B 3 169 722

Abreu, Nuno Cesar.

Boca do Lixo : cinema e classes populares Campinas : Editora Unicamp, 2006.

MAIN: PN1993.5.B6 A37 2006

Ab'Saber, Tales A. M.

A imagem fria : cinema e crise do sujeito no Brasil dos anos 80 / Tales A.M. Ab'Saber. Cotia, SP : Atelie Editorial, 2003.

Main Stack PN1993.5.B6.A27 2003

Almeida, Laura Beatriz Fonseca de.

"O Exercicio Experimental da Tropicalia." Itinerarios: Revista de Literatura, Araraquara, Brazil 1996, 10, 269-74.

Avellar, José Carlos.

O Cinema Dilacerado / José Carlos Avellar. Rio de Janeiro-RJ: Alhambra, 1986.

UCB Main PN1993.5.B6 A941 1986

Avellar, José Carlos.

"Glauber Rocha: o discurso do método." Cultura (Brazil), 10:37 (July-Sept 1981),

Baptista Bicalho, María Fernanda.

"The Art of Seduction: Representation of Women in Brazilian Silent Cinema." Luso-Brazilian Review, vol. 30 no. 1. 1993 Summer. pp: 21-33.

Bastos, Monica Rugai.

Tristezas nao pagam dividas : cinema e politica nos anos da Atlantida Sao Paulo, SP : Olho d'Agua, [2001] DD>Main Stack PN1993.5.B6.B32 2001

Bernardet, Jean Claude.

Brasil em Tempo de Cinema; Ensaio Sobre o Cinema Brasileiro de 1958 a 1966. [Rio de Janeiro] Civilizacao Brasilera [1967]. Series title: Biblioteca basica de cinema, v. 12.

UCB Main PN1993.5.B6 B4 1967

Bernardet, Jean Claude.

Brasil em Tempo de Cinema; Ensaio Sobre o Cinema Brasileiro 8. Series title: Colecao Cinema; v. 3.

UCB Main PN1993.5.B6 B4 1978

Bernardet, Jean Claude.

Cinema e Historia do Brasil / Jean-Claude Bernardet e Alcides Freire Ramos. [Sao Paulo]: Editora Contexto: Editora da Universidade de Sao Paulo, 1988. Series title: Colecao Repensando a historia. Series title: Historia Contexto.

UCB Main PN1993.5.B6 B43 1988

Bernardet, Jean Claude.

Historiografia Classica do Cinema Brasileiro: Metodologia e Pedagogia / Jean-Claude Bernardet. 1a. ed. Sao Paulo, SP, Brasil: Annablume, 1995. Series title: Colecao E; 2.

UCB Main PN1993.5.B6 B425 1995

Bicalho, María Fernanda Baptista

"The Art of Seduction: Representation of Women in Brazilian Silent Cinema" (Fragment from <> edited by Albertina de Oliveira Costa and Cristina Bruschini, translated by Sueann Caulfield). Luso-Brazilian Review, 30:1 (Summer 1993), 21-33.

Bilharinho, Guido.

O cinema brasileiro nos anos 90 : novos filmes / Guido Bilharinho. Uberaba, Brasil : Edicao Instituto Triangulino de Cultura, 2004.

Main Stack PN1993.5.B6.B55 2004

Bilharinho, Guido.

O cinema brasileiro nos anos 70 Uberaba, Brasil : Edicão Instituto Triangulino de Cultura, 2007.

MAIN: PN1993.5.B6 B54 2007

Brazil. Departamento de Imprensa e Propaganda.

Cine Jornal Brasileiro: Departamento de Imprensa e Propaganda, 1938-1946. [Sao Paulo]: Fundacao Cinemateca Brasileira: Impr. Oficial do Estado, 1982.

UCB Main PN5021.M68 C5741 1982

Bueno, Alexei

Glauber Rocha : mais fortes sao os poderes do povo! / Alexei Bueno ; direcão, Waly Salomãvisão, María Vitoria de Seixas Caldas ; desenhos, Glauber Rocha. Rio de Janeiro : Manati, 2003.

UCB Main PN1998.3.R63.B84 2003

Burns, E. Bradford

"History in the Brazilian Cinema." Luso-Brazilian Review, 14:1 (Summer 1977), 49-59.

Cabral, Tricia.

Manaus : Editora Valer : Governo do Estado do Amazonas., c2003.

Main Stack PN1993.5.B6.C32 2003

Cajazeira, Haroldo

"Cinema novo, mercado e estado." Vozes, 74:2 (Mar 1980), 73-75.

Carlson, Jerry W.

"The Best Cannibals Never Die: How Contemporary Brazilian Filmmakers Are Shaping a Revitalized Cinema from Anything They Can Eat from Global Culture." Review-Latin American Literature & Arts. 64:79-84. 2002 Spring

Carrion, Luiz Carlos.

Festival do Cinema Brasileiro de Gramado: Levantamento Dos Seus 14 Primeiros Anos: Vencedores, Criticas, Biofilmografias, Fotografias / Luiz Carlos Carrion. Porto Alegre, RS, Brasil: Tche!, 1987.

UCB Main PN1993.5.B6 C377 1987

Cicco, Claudio de.

Hollywood na Cultura Brasileira: O Cinema Americano na Mudanca de Cultura Brasileria na Decade de 40 / Claudio de Cicco. Sao Paulo: Editora Convivio, 1979.

NRLF B 3 180 022

Ciclo de Cinema Brasileiro: Apresentado por Cinemateca Portuguesa e Fundacao Calouste Gulbenkian em Colaboracao com Fundacao Cultural Brasil Portugal, com o alto patrocinio da Embaixada do Brasil: Grande... [Lisbon]: Fundacao Calouste Gulbenkian: Cinemateca Portuguesa, [1987].

UCB Main PN1993.5.B6 C48 1987

Cinema Brasileiro: 8 Estudos.

Rio de Janeiro: Edicao EMBRAFILME/FUNARTE, com o patrocinio da Secretaria de Assuntos Culturais do Ministerio da Educacao e Cultura, 1980.

UCB Main PN1993.5.B7 C56 1980

Cinema brasileiro: Evolucao e Desempenho.

Sao Paulo, SP, Brasil: Fundacao Japao, Assessoria Cultural do Consulado Geral do Japao, 1985. Series title: Pesquisa (Kokusai Koryu Kikin); 5.

NRLF B 3 691 158

Cinema brasileiro 1995-2005 : revis?ao de uma decada

Daniel Caetano, organizacao. Rio de Janeiro : Azougue, c2005.

MAIN: PN1993.5.B6 C4915 2005

Cinema Brasileiro contemporaneo = Cine Brasileno contemporaneo = Contemporary Brazilian cinema

[S.l.] : Departamento Cultural, Ministerio das Relacoaes Exteriores, 2005.

PFA PN1993.5.B6.C555 2005

Le Cinema Bresilien

Sous la direction de Paulo Antonio Paranagua; preface de Jorge Amado; textes de Sergio Augusto ... [et al.]; traductions de Maryvonne Lapouge Pettorelli ... [et al.]. Paris: Centre Georges Pompidou, c1987. Series title: Cinema/pluriel.

UCB Main PN1993.5.B6 C51 1987

"'Cinema Novo' a cultural revolution on screen." (New Cinema of Brazil) UNESCO Courier Dec 1986 p33(4)

Cinema novo and beyond

Rio de Janeiro, Brasil: Prefeitura da Cidade do Rio de Janeiro, Secretaria de Cultura, [1998?]

MAIN: PN1993.5.B6 C45 1998

O Cinema Segundo a Critica Paulista

Coordenador, Heitor Capuzzo; Francisco Luiz de Almeida Salles ... [et al.]. 1a ed. Sao Paulo, SP: Nova Stella Editorial, 1986. Series title: Colecao Belas artes.

UCB Main PN1995 .C4985 1986

Cunha, Renato.

Cinematizacoes : ideias sobre literatura e cinema Brasilia, DF : Circulo de Brasilia, c2007.

MAIN: PN1995.3 .C86 2007

De, Jeferson.

Jeferson De : dogma feijoada, o cinema negro brasileiro Published: São Paulo : Cultura, Fundacão Padre Anchieta : Imprensa Oficial, 2005.

MAIN: PN1998.3.D3843 A3 2005

Dennison, Stephanie.

Popular cinema in Brazil, 1930-2001 / Stephanie Dennison and Lisa Shaw. Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2004.

Main Stack PN1993.5.B6.D47 2004

Dias, Rosangela de Oliveira.

O Mundo Como Chanchada: Cinema e Imaginario das Classes Populares na Decada de 50 / Rosangela de Oliveira Dias. Rio de Janeiro, RJ: Relume Dumara, c1993.

UCB Main PN1993.5.B6 D53 1993

Diegues, Carlos.

"Cinema Novo." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 272-74. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Diegues, Carlos.

Cinco mais cinco : os maiores filmes brasileiros em bilheteria e critica Rio de Janeiro, RJ : Legere Editora, 2007.

MAIN: PN1993.5.B6 D544 2007

Duarte, B. J. (Benedito Junqueira)

Cacadores de Imagens: Nas Trilhas do Cinema Brasileiro / B.J. Duarte. Sao Paulo, Brasil: Massao Ohno-Roswitha Kempf Editores, 1982. Series title: Duarte, B. J. (Benedito Junqueira) Cronicas da memoria; 2.

UCB Main PN1993.5.B6 D8 1982 v.2

Duarte, B. J. (Benedito Junqueira)

Cronicas da Memoria / B.J. Duarte. Sao Paulo, Brasil: Massao Ohno-Roswitha Kempf Editores, 1982.

UCB Main PN1993.5.B6 D8 1982 1-3 (1982) AT NRLF: Some volumes in NRLF

NRLF PN1993.5.B6 D8 1982 Some volumes in NRLF

Duarte, B. J. (Benedito Junqueira)

A Luz Fosca do Dia Nascente / B.J. Duarte. Sao Paulo, Brasil: Massao Ohno-Roswitha Kempf Editores, 1982. Series title: Duarte, B. J. (Benedito Junqueira) Cronicas da memoria; 1.

UCB Main PN1993.5.B6 D8 1982 v.1

Estudos de cinema 2000

Porto Alegre : Editora Salina, 2001.

UCB Main PN1993 .E88 2001

Faria, Octávio de

"Os cinemas do Rio." Cultura (Brazil), 8:28 (Jan-Mar 1978), 106-108.

Faria, ctávio de

"Nuevo cine y el cine brasileño." Revista de Cultura Brasileña, 31 (May 1971), 45-56

Ferreira, Suzana Cristina de Souza.

Cinema carioca nos anos 30 e 40 : os filmes musicais nas telas da cidade / Suzana Cristina de Souza Ferreira. Sao Paulo : Annablume, 2003

Main Stack PN1993.5.B6.F47 2003

Figueiroa, Alexandre Cinema Novo : a onda do jovem cinema e sua recepcao na Franca / Alexandre Figueiroa. 1a. ed. Campinas, Sao Paulo, Brasil : Papirus, 2004

Main Stack PN1993.5.B6.F486 2004

Galano, Ana-María

"Le cinéma et les paysans brésiliens vingt ans aprés." Amérique Latine, 21 (Jan-Mar 1985), 91-92.

Galdino, Marcio da Rocha.

Minas Gerais Ensaio de Filmografia / Marcio da Rocha Galdino. Belo Horizonte: Prefeitura de Belo Horizonte, Secretaria Municipal de Cultura e Turismo, 1983.

NRLF B 3 567 982

Galvao, María Rita Eliezer.

Cronica do Cinema Paulistano / María Rita Eliezer Galvao. S[ao] Paulo: Editora Atica, 1975. Series title: Ensaios; 15.

NRLF B 3 567 983

Garcia, Wilton.

Homoerotismo & imagem no Brasil / Wilton Garcia. 1a ed. Sao Paulo, SP : FAPESP, c2003, 2004.

Main Stack N72.H64.G37 2004

Gatti, José.

Barravento: A Estreia de Glauber / José Gatti. Florianopolis: Editora da UFSC, 1987.

UCB Main PN1997.B33 G37 1987

Gerber, Raquel.

O Cinema Brasileiro e o Processo Politico e Cultural (de 1950 a 1978): Fibliografia e Filmografia Critica e Seletiva (enfase no cinema novo e Glauber Rocha com entradas na area da politica e da cultura):... 1a. ed. [Rio de Janeiro]: EMBRAFILME, 1982.

NRLF B 3 567 379

Gervitz, Roberto

Feliz Ano Velho: O Filme / Roberto Gervitz. Sao Paulo, SP: Editora Brasiliense, 1988.

UCB Main PN1997.F45 G47 1988

Gomes, Paulo Emilio Salles

Paulo Emilio, um Intelectual na Linha de Frente: Coletanea de Textos de Paulo Emilio Salles Gomes / Carlos Augusto Calil e María Teresa Machado (organizadores). [Rio de Janeiro]: EMBRAFILME/Ministerio da Cultur; Sao Paulo-SP: Brasiliense, 1986.

UCB Main PN1993.5.B6 G59 1986

Gomes, Paulo Emilio Salles

Pequeno Cinema Antigo; Panorama do Cinema Brasileiro, 1896-1966; Cinema: Trajetoria no Subdesenvolvimiento / Paulo Emilio. Rio de Janeiro: Editora Paz e Terra, 1980. Series title: Colecao Cinema; v. 8.

NRLF B 3 567 984

Guia de Filmes Produzidos no Brasil Entre 1897-1910.

[Rio de Janeiro]: Empresa Brasileira de Filmes, [1984]. Series title: Serie Filmografia brasileira; lo. fasc.

UCB Main PN1993.5.B6 G85 1984

Historia do Cinema Brasileiro

Fernao Ramos, organizador; Roberto Moura ... [et al.]. Sao Paulo: Art Editora, 1987.

UCB Main PN1993.5.B6 H571 1987

A historia vai ao cinema : vinte filmes Brasileiros commenntados por historiadores /

Rio de Janeiro : Record, c2001.

UCB Main PN1993.5.B6 H57 200

O Indio, Ontem, Hoje, Amanha: Dossie do I Ciclo

Eda Tassara (org.), Maureen Bisilliat [coordenacao]. Sao Paulo, SP, Brasil: Memorial: EDUSP, 1991.

UCB Main F2518.5 .O36 1991

Johnson, Randal (tr. & introd.)

"'Beauty Must Be Convulsive': An Interview with Hector Babenco." Studies in Latin American Popular Culture, vol. 7. 1988. pp: 241-254.

Johnson, Randal

"Brazilian Cinema Novo." Bulletin of Latin American Research, 3:2 (Dec 1984), 95-106.

Johnson, Randal

Cinema Novo x 5: Masters of Contemporary Brazilian Film / by Randal Johnson. 1st ed. Austin, Tex.: University of Texas Press, 1984. Series title: Latin American monographs (University of Texas at Austin. Institute of Latin American Studies); no. 60.

UCB Main PN1993.5.B6 J62 1984

UCB Moffitt PN1993.5.B6 J62 1984

Kennedy, James H.

"The Image of Blacks in Lusophone Literatures and Cinema: A Research Bibliography." A Current Bibliography on African Affairs, vol. 20 no. 1. 1987-1988. pp: 5-16.

Leal, Wills.

O Nordeste no Cinema / Wills Leal. [Joao Pessoa]: Universidade Federal da Paraiba, FUNAPE/Editora Universitaria; Salvador: Universidade Federal da Bahia, 1982.

UCB Main PN1993.5.B7 L4 1982

Leite, Sidney Ferreira

Cinema brasileiro : das origens a Retomado Published: São Paulo, SP : Editora Fundac?ao Perseu Abramo,, 2005.

MAIN: PN1993.5.B6 L45 2005

Lisboa, Fatima Sebastiana Gomes.

Un artiste intellectuel : Glauber Rocha et l'utopie du Cinema Novo, 1955-1971 Villeneuve-d'Ascq : Presses universitaires du Septentrion, 2003.

MAIN: PN1998.3.R63 L58 2003

Lobo, Cristiana

"Cinema brasileiro no exterior." Cultura (Brazil), 10:38 (Oct-Dec 1981), 8-10.

Luccas, Celso.

Cinema Ambulante / Celso Luccas, Beatrice de Chavagnac. 1a. ed. Sao Paulo--SP: Global Editora, 1982. Series title: Cinetexto.

UCB Main PN1993.5.B6 L92 1982

Luiz, Macksen

""Cine literario" en Brasil." Revista de Cultura Brasileña, 37 (June 1974), 132-139.

Lyra, Bernadette.

A Nave Extraviada / Bernadette Lyra. 1a ed. Sao Paulo, SP, Brasil: Annablume, 1995. Series title: Selo universidade; 29. Series title: Selo universidade; Cinema.

UCB Main PQ9697.M18 M535 1995

Mahieu, José Agustín

"Brasil: una cinematografía en expansión." Cuadernos Hispanoamericanos, 349 (July 1979), 152-163.

Marques, Aida.

Ideias em movimento : produzindo e realizando filmes no Brasil Rio de Janeiro : Rocco, c2007.

MAIN: PN1993.5.B6 M37 2007

Memorias de Hollywood

Organizacao de Julieta de Godov Ladeira; Ricardo Ramos ... [et al.]. Sao Paulo: Nobel, c1987.

UCB Main PN1993.5.U65 M451 1987

Miranda, Luiz Felipe.

Dicionario de Cineastas Brasileiros / Luiz Felipe Miranda. Sao Paulo: Secretaria de Estado da Cultura: Art Editora, 1990.

UCB Main PN1998.2 .M55 1990

Moreno, Antonio.

Cinema Brasileiro: Historia e Relacoes Com o Estado / Antonio Moreno. Niteroi, RJ: EDUFF; Goiania GO: Editora UFG, 1994.

UCB Main PN1993.5.B6 M59 1994

Moreno, Antonio.

A personagem homossexual no cinema brasileiro Rio de Janeiro : Ministerio da Cultura, FUNARTE : EdUFF, 2001.

UCB Main MAIN: PN1995.9.H55 M67 2001

Merten, Luiz Carlos

"A agonia do cinema nacional." Vozes, 87:3 (May-June 1993), 64-66.

Nagib, Lúcia

O cinema da retomada : depoimentos de 90 cineastas dos anos 90 / Lucia Nagib ; pesquisa de Almir Rosa ... [et al.]. 1a ed. Place/Publisher Sao Paulo, SP, Brasil : Editora 34, 2002.

Main Stack PN1993.5.B6.N35 2002

Nagib, Lúcia

"Tendências do cinema brasileiro atual."Studies in Latin American Popular Culture, 18 (1999), 19-32.

Nascimento, Helio.

Cinema Brasileiro / Helio Nascimento. P. [i.e. Porto] Alegre, RS: Mercado Aberto, 1981. Series title: Serie Revisao; 5.

UCB Main PN1993.5.B6 N37 1981

Neves, David Eulalio

Cinema Novo no Brasil [por] David E. Neves. Petropolis, Vozes, 1966. Series title: Colecao Nosso tempo, 1.

NRLF PN1993.5.B6 N4

Nobre, F. Silva.

A Margem do Cinema Brasileiro. Rio de Janeiro, Pongetti, 1963.

NRLF B 2 799 463

Noronha, Jurandyr

No Tempo da Manivela / Jurandyr Noronha. [Rio de Janeiro?]: EMBRAFILME: EBAL: KINART, [c1987].

UCB Main PN1993.5.B6 N67 1987

Oricchio, Luiz Zanin.

Cinema de novo : um balanco critico da retomada / Luiz Zanin Oricchio ; prefacio, Ismail Xavier. Sao Paulo : Estacao Liberdade, 2003.

Main Stack PN1993.5.B6.O75 2003

Oricchio, Luiz Zanin.

Fome de bola : cinema e futebol no Brasil Sao Paulo : Impr. Oficial, 2006.

MAIN: PN1995.9.S59 O76 2006

Paiva, Salvyano Cavalcanti de

Historia Ilustrada dos Filmes Brasileiros, 1929-1988 / Salvyano Cavalcanti de Paiva. Rio de Janeiro, RJ: F. Alves, 1989.

UCB Main f PN1993.5.B6 P351 1989

Paxman, Andrew.

"Pic Renaissance." (booming movie production in Brazil)(Spotlight: Brazil) Variety v365, n1 (Nov 4, 1996):67 (3 pages).

Brazil is set to outpace every other Latin American country in movie production in 1996. The number of Brazilian productions will be over 30, and total investment in production may reach $60 million. The government has facilitated production through tax incentives.

Pereira, Miguel

"A religiosidade popular no cinema brasileiro." Vozes, 68:7 (Sept 1974), 59-64.

Perspectivas Esteticas do Cinema Brasileiro: (seminario) / coordenacao geral, Malu Moraes. Brasilia, Distrito Federal: Editora Universidade de Brasilia, c1986. Textos de cinema.

Main Stack PN1993.5.B6.P44 1986

Pierre, Sylvie.

Glauber Rocha: [avec des] Textes et Entretiens de Glauber Rocha / Sylvie Pierre. Paris: Cahiers du cinema: Diffusion, Seuil, c1987. Series title: Cahiers du cinema. Collection "Auteurs".

UCB Main PN1998.A3 R5931 1987

Pires, José Henrique Nunes.

O Cinema em Santa Catarina / José Henrique Nunes Pires, Norberto Verani Depizolatti, Sandra Mara de Araujo; colaboradores, Andrea Grossenbacher ... [et al.]. Florianopolis: Editora da UFSC; Rio de Janeiro-RJ: EMBRAFILME, 1987.

UCB Main PN1993.5.B6 P57 1987

Pontes, Ipojuca.

Cinema Cativo: Reflexoes Sobre a Miseria do Cinema Nacional / Ipojuca Pontes. Sao Paulo, SP, Brasil: EMW Editores, c1987.

UCB Main PN1993.5.B6 P66 1987

Ramos, Alcides Freire

"O cinema brasileiro na era da globalização." Cultura Vozes, 90:4 (July-Aug 1996), 113-129.

Ramos, Fernao

Cinema Marginal, 1968-1973: A Representacao em Seu Limite / Fernao Ramos. [Rio de Janeiro]: EMBRAFILME/Ministerio da Cultura; Sao Paulo-SP: Editora Brasiliense, 1987.

UCB Main PN1993.5.B6 R251 1987

Ramos, José Mario Ortiz.

Cinema, televisao e publicidade : cultura popular de massa no Brasil nos anos 1970-1980 / José Mario Ortiz Ramos. Sao Paulo, SP, Brasil : Annablume, 2004.

Main Stack PN1992.3.B7.R35 2004

Realizadoras de Cinema no Brasil, 1930-1988

Organizacao, Heloisa Buarque de Hollanda; coordenacao e pesquisa, Ana Rita Mendonca e Ana Pessoa. Rio de Janeiro: CIEC/Escola de Comunicacao/UFRJ: Museu da Imagem e do Som do Rio de Janeiro, Secretaria de Estado de Cultura, Fundacao de Artes do Rio de Janeiro: Livraria Taurus-Timbre Editores, 1989. Series title: Quase catalogo; 1.

UCB Main PN1995.9.W6 R44 1989

Rocha, Glauber.

Revisao Critica do Cinema Brasileiro [por] Glauber Rocha. Rio de Janeiro, Editora Civilizacao Brasileira [1963]. Series title: Retratos do Brasil, v. 21.

UCB Main F2502 .R46 v.21

Rocha, Glauber.

Revision Critica del Cine Brasileno [por] Glauber Rocha. [Madrid] Editorial Fundamentos [1971]. Series title: Coleccion Arte; Serie Cine.

UCB Main PN1993.5.B6 R618

Rocha, Glauber.

Revisao critica do cinema brasileiro / Glauber Rocha ; prefacio de Ismail Xavier. [New ed.] Sao Paulo, SP : Cosac & Naify, c2003.

Main Stack PN1993.5.B6.R6 2003

Rocha, Glauber.

Revolucao do Cinema Novo / Glauber Rocha. Rio de Janeiro: Alhambra: Embrafilme, 1981.

UCB Main PN1993.5.B6 R63 1981

Rodrigues, Joao Carlos

O Negro Brasileiro e o Cinema: 1988, 100 Anos de Abolicao--90 Anos de Cinema no Brasil / Joao Carlos Rodrigues. Rio de Janeiro, RJ: Editora Globo, c1988.

UCB Main PN1995.9.N4 R62 1988

Salem, Helena.

Nelson Pereira dos Santos: O Sonho Possivel do Cinema Brasileiro / Helena Salem. Rio de Janeiro, RJ: Editora Nova Fronteira, c1987.

UCB Main PN1998.A3 S32271 1987

Salem, Helena.

"O cinema novo e a retomada do cinema brasileiro." Cultura Vozes, 93:2 (Mar-Apr 1999), 198-207.

Senna, Orlando

"Preto-e-branco ou colorido: o negro e o cinema brasileiro." Vozes, 73:3 (Apr 1979), 51-66.

Shaw, Lisa

Brazilian national cinema London ; New York : Routledge, 2007.

MAIN: PN1993.5.B6 S45 2007;

Silva, Alberto

Cinema e Humanismo / Alberto Silva. Rio de Janeiro: Pallas, 1975.

UCB Main PN1993.5.B6 .S5

Silva, Alberto

Dicionario de filmes brasileiros : curta e media metragem Sao Paulo : [s.n.], 2006 ([Brazil] : Assahi Grafica e Editora)

MAIN: PN1993.5.B6 S527 2006

Silva, Alberto

"Um cineasta do Terceiro Mundo: Glauber Rocha." Cadernos Brasileiros, 12:3 (May-June 1970), 35-45.

Silva Neto, Antonio Leao da

Dicionario de filmes brasileiros Sao Paulo : Futuro Mundo Grafica & Editora, 2002.

Doe Refe PN1993.5.B6.S525 2002

Simoes, Inima F. (Inima Ferreira)

Roteiro da intolerancia: a censura cinematografica no Brasil Sao Paulo, SP: Editora Terceiro Nome: Editora SENAC S~ao Paulo, c1998.

MAIN: PN1995.65.B6 S58 1998

Sippl, Diane.

"Terrorist Acts and 'Legitimate' Torture in Brazil: How Nice to See You Alive." Discourse: Journal for Theoretical Studies in Media and Culture, vol. 17 no. 1. 1994 Fall. pp: 77-92.

Souza, Carlos Roberto de.

A Fascinante Aventura do Cinema Brasileiro / Carlos Roberto de Souza. Ed., rev. e aum. Sao Paulo, SP: Fundacao Cinemateca Brasileira, 1981.

UCB Main PN1993.5.B6 S58 1981

Souza, José Incio de Melo

"História de um arquivo, história de un acervo: o caso da Cinemateca Brasileira."Cultura Vozes, 93:2 (Mar-Apr 1999), 187-197.

Sternheim, Alfredo.

Cinema da Boca : dicionario de diretores Sao Paulo : Cultura, Fundacão Padre Anchieta : Imprensa Oficial, 2005.

MAIN: PN1998.2 .S733 2005

Tal, Tzvi

Pantallas y revolucion : una vision comparativa del cine de liberacion y el cinema novo [Buenos Aires, Argentina] : Lumiere ; [Tel Aviv] : Universidad de Tel Aviv, Instituto de Historia y Cultura de America Latina, c2005.

MAIN: PN1993.5.A7 T35 2005

Viany, Alex

Introducao ao Cinema Brasileiro / Alex Viany. [Rio de Janeiro]: Alhambra: Embrafilme, 1987.

UCB Main PN1993.5.B6 V52 1987

Viany, Alex

"Quem é quem no cinema nôvo brasileiro." Vozes, 64:5 (June-July 1970), 5-20

West, Dennis.

Contemporary Brazilian Cinema / Dennis West. Albuquerque, N.M.: Latin American Institute, [1984?]. Series title: Brazilian curriculum guide specialized bibliography.

UCB Main PN1993.5.B6 W47 1984

Wolf, José

"Por um cinema marginal." Vozes, 64:5 (June-July 1970), 21-26.

Wright, Simon J.

"Villa-Lobos and the Cinema: A Note." Luso-Brazilian Review, 19:2 (Winter 1982), 243-250.

Xavier, Ismail.

Alegorias do Subdesenvolvimento: Cinema Novo, Tropicalismo, Cinema Marginal / Ismail Xavier. 1. ed. Sao Paulo, SP: Editora Brasiliense, 1993.

UCB Main PN1993.5.B6 X385 1993

Xavier, Ismail.

Allegories of Underdevelopment: Aesthetics and Politics in Modern Brazilian Cinema / Ismail Xavier. Minneapolis: University of Minnesota Press, c1997.

Full text available online (UCB users only)

Main Stack PN1993.5.B6.X3813 1997

Xavier, Ismail.

O cinema brasileiro moderno Sao Paulo, SP, [Brasil] : Editora Paz e Terra, 2001.

Main Stack \t PN1993.5.B7 C566 2001; Storage Info: $D 74 067

Xavier, Ismail.

"Eldorado as Hell: Cinema Novo and Post Cinema Novo-Appropriations of the Imaginary of the Discovery." In: Mediating Two Worlds: Cinematic Encounters in the Americas / edited by John King, Ana M. Lopez, Manuel Alvarado. pp: 193-203. London: BFI, 1993.

Main Stack PN1995.9.L37.M43 1993

Moffitt PN1995.9.L37.M43 1993

Xavier, Ismael.

"The Humiliation of the Father: Melodrama and Cinema Novo's Critique of Conservative Modernization." Screen, vol. 38 no. 4. 1997 Winter. pp: 329-44.

Black Orpheus

Ortolano, Glauco. Porter, Julie A.

"Brazilian Cinema: Film in the Land of Black Orpheus." World Literature Today Magazine. 3 (3-4): 19-23. 2003 Oct-Dec.

UC users only

Perrone, Charles A.

"Don't Look Back: Myths, Conceptions, and Receptions of Black Orpheus." Studies in Latin American Popular Culture. 17: 155-77. 1998.

Perrone, Charles A.

"Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu and Internationalization in Brazilian Popular Music." In: Brazilian popular music & globalization / edited by Charles A. Perrone & Christopher Dunn. Gainesville : University Press of Florida, c2001.

Anthropology ML3487.B7.B76 2001

Music ML3487.B7.B76 2001

Ribeiro, Marília Scaff Rocha.

"Variations on the Brazilian Orpheus Theme." CLCWeb: Comparative Literature & Culture: A WWWeb Journal, Sep2009, Vol. 11 Issue 3, p1-10, 10p

UC users only

Santos, Myrian Sepulveda dos.

"Black Orpheus and the Merging of Two Brazilian Nations." European Review of Latin American and Caribbean Studies/Revista Europea de Estudios Latinoamericanos y del Caribe. 71: 107-16. 2001 Oct.

Chile

Chilean Cinema

Edited and introduced by Michael Chanan. London: British Film Institute, 1976.

UCB Main PN1993.5 .C3C51

Cortinez, Veronica.

"Es posible hacer cine en Chile? Las hazanas del Gringuito de Sergio Castilla." Perspectivas en Politica, Economia y Gestion 1999, 2:2, 271-83.

Francia, Aldo

Nuevo Cine Latinoamericano en Vina del Mar / Aldo Francia. Santiago: CESOC Ediciones ChileAmerica: ARTECIEN, 1990.

UCB Main PN1993.5.C3 F73 1990

Garcia Marquez, Gabriel

La Aventura de Miguel Littin Clandestino en Chile / un reportaje de Gabriel Garcia Marquez. 1a ed. Bogota: Oveja Negra, 1986. Series title: Coleccion periodistica.

UCB Main PN1993.5.C3 G281 1986

Garcia Marquez, Gabriel

Clandestine in Chile: The Adventures of Miguel Littin / Gabriel Garcia Marquez; translated by Asa Zatz. 1st American ed. New York: H. Holt, c1987.

UCB Main F3100 .G375131 1987

Guzman, Patricio.

Chile, el Cine Contra el Fascismo / Patricio Guzman, Pedro Sempere. Valencia: F. Torres, 1977.

NRLF $C 96 283

King, John.

"Chilean Cinema in Revolution and Exile." In: New Latin American Cinema / edited by Michael T. Martin. pp: 397-419 Detroit: Wayne State University Press, Main Stack PN1993.5.L3.N48 1997

Littin, Miguel

Cine Chileno: La Tierra Prometida. Caracas: Rocinante/Fondo, 1974. Series title: Coleccion Cine Rocinante.

NRLF B 3 158 520

Mahieu, José Agustín

"Cine chileno en el exilio." Cuadernos Hispanoamericanos, 482-483 (Aug-Sept 1990), 241-256.

Mahieu, José Agustín

"Una revision del cine Chileno." Cuadernos-Hispanoamericanos, (Spain). 1997 Jan, 559, 77-82.

Millan, Francisco Javier.

La memoria agitada : cine y represion en Chile y Argentina [Madrid] : Ocho y Medio, Libros de Cine ; [Huelva] : Fundacion Cultural de Cine Iberoamericano de Huelva, 2001.

MAIN: PN1993.5.C3 M55 2001

Mouesca, Jacqueline.

"El cine chileno durante los anos de la dictadura." Cuadernos Hispanoamericanos: Revista Mensual de Cultura Hispanica, (Spain).1990 Aug-Sept, 482-483, 225-40.

Mouesca, Jacqueline.

Plano Secuencia de la Memoria de Chile: Veinticinco Anos de Cine Chileno (1960-1985) / Jacqueline Mouesca. [Santiago?]: Ediciones del Litoral, [1988] (Madrid, Espana: distribuye, Ediciones Michay).

UCB Main PN1993.5.C3 M68 1988

Paranaguá, Paulo Antonio

"La bataille du cinéma chilien après 1973." Amérique Latine, 9 (Jan-Mar 1982), 62-69.

Pino-Ojeda, Walescka

"Latent Image: Chilean Cinema and the Abject." Latin American Perspectives; Sep2009, Vol. 36 Issue 5, p133, 14p

UC users only

Portas, Juan Carlos

Patagonia: cinefilia del extremo austral del mundo: el cine mirando la Patagonia, la Patagonia mirando cine Comodoro Rivadavia: Editorial Universitaria de la Patagonia, Universidad Nacional de la Patagonia San Juan Bosco: Editorial Ameghino, 2001.

UCB Main PN1993.5.P38 P67 2001

Pena, Richard.

"Borges and the New Latin American Cinema." In: Borges and his successors: the Borgesian impact on literature and the arts / edited by Edna Aizenberg. pp: 229-243 Columbia: University of Missouri Press, c1990.

UCB Main PQ7797.B635 Z63464 1990

UCB Moffitt PQ7797.B635 Z63464 1990

Rinke, Stefan.

"The Loss of the Father: Chilean Cinema in the 1990s." Iberoamericana America Latina-Espana-Portugal, jun2001, Vol. 1 Issue 2, p185-189, 5p; Historical Period: 1990 to 1999

"Despite a lack of state financial support, Chilean cinema thrived in the decade following the 1990 end of Augusto Pinochet's dictatorship. Many of the films produced, including Silvio Caiozzi's 'La Luna en el Espejo' [The moon in the mirror] (1990), Miguel Littín's 'Los Náufragos' [The castaways] (1994), and Andrés Wood's 'Reunión de Familia' [Family reunion] (1994), used a father figure to address the dictatorship's impact." [EBSCO]

Colombia

Alvarez, Carlos.

Sobre Cine Colombiano y Latinoamericano / Carlos Alvarez. 1a ed. Bogota: Centro Editorial, Universidad Nacional de Colombia, 1989.

UCB Main PN1993.5.C7 A48 1989

Duque Isaza, Edda Pilar

La Aventura del Cine en Medellin / Edda Pilar Duque. 1. ed. Bogota: Universidad Nacional de Colombia, El Ancora Editores, 1992.

UCB Main PN1993.5.C6 D87 1992

Goldman, Ilene S.

"Recent Colombian Cinema: Public Histories and Private Stories." Framing Latin American Cinema: Contemporary Critical Perspectives. Ann Marie Stock, editor; foreword by Ambrosio Fornet. pp: 57-76. Minneapolis: University of Minnesota Press, c1997. Series title: Hispanic issues; 15.

Main Stack PN1993.5.L3.F73 1997

Gomez Ocampo, Gilberto.

"The Persistence of Vision: Going to the Movies in Colombia." In: Framing Latin American Cinema: Contemporary Critical Perspectives. Ann Marie Stock, editor; foreword by Ambrosio Fornet. pp: 174-85. Minneapolis: University of Minnesota Press, c1997. Series title: Hispanic issues; 15.

Main Stack PN1993.5.L3.F73 1997

Lenti, Paul.

"Colombia: State Role in Film Production." In: Mediating Two Worlds: Cinematic Encounters in the Americas/ edited by John King, Ana M. Lopez, Manuel Alvarado. pp: 214-21. London: BFI, 1993.

Main Stack PN1995.9.L37.M43 1993

Moffitt PN1995.9.L37.M43 1993

Martinez Pardo, Hernando.

Historia del Cine Colombiano / Hernando Martinez Pardo. Bogota: Libreria y Editorial America Latina, 1978.

NRLF B 3 187 459

Restrepo, Patricia.

Funcion Aocial de los Cine-Clubes / por Patricia Restrepo. [Bogota]: Fundacion Universidad Central, [1987?].

UCB Main PN1993 .R43 1987

Salcedo Silva, Hernando.

Cronicas del Cine Colombiano, 1897-1950 / Hernando Salcedo Silva. 1a ed. Bogota: C. Valencia Editores, 1981.

UCB Main PN1993.5.C6 S24 1981

Valverde, Umberto.

Reportaje Critico al Cine Colombiano / Umberto Valverde. Bogota: Editorial Toronueva, 1978.

UCB Main PN1993.5.C6 .V3

Peru

El Cine Peruano Visto por Criticos y Realizadores

S Seleccion de textos, Balmes Lozano M. 1. ed. Lima: Cinemateca de Lima, [1989].

UCB Main XM90.22862

King, John.

"Andean Images: Bolivia, Ecuador and Peru." In: New Latin American cinema / edited by Michael T. Martin. pp: 483-504 Detroit: Wayne State University Press, Main Stack PN1993.5.L3.N48 1997

Nunez Gorritti, Violeta

Pitas y Alambre: La Epoca de Oro del Cine Peruano, 1936-1950 / Violeta Nunez Gorritti. Lima: Editorial Colmillo Blanco, c1990. Series title: Coleccion de arena.

UCB Main PN1993.5 .P37 1990

Perla A., José (Perla Anaya)

Censura y promocion en el cine / José Perla Anaya. 1. ed. [Lima]: Universidad de Lima, Faculdad de Ciencias de la Comunicacion: Union Latina, 1991. Series title: Derecho y comunicaciones.

UCB Main KHQ3623 .P47 1991