Mexico

Bibliography of books and articles on Luis Bunuel

English

Berg, Charles Ramirez

Cinema of Solitude: A Critical Study of Mexican Film, 1967-1983 / by Charles Ramirez Berg. 1st ed. Austin: University of Texas Press, c1992. Series title: Texas film studies series.

UCB Chicano PN1995 .B386 1992

UCB Main PN1993.5.M4 B4 1992

UCB Moffitt PN1993.5.M4 B4 1992

Bordering Difference: Culture and Ideology in 20th century Mexico

Edited by Kemy Oyarzun. Riverside, Calif.: University of California, 1991. Series title: Commemorative series; no. 10.

UCB Bancroft p PQ6003 .B673 1991

NRLF B 3 882 182

Costello, Judith A. M.

"Politics and Popularity: The Current Mexican Cinema." Review: Literature and Arts of the Americas Volume 38, Number 1 / May 2005

Cotter, Bobb.

The Mexican masked wrestler and monster filmography Jefferson, N.C. : McFarland & Co., c2005.

BANC: PN1995.9.W74 C68 2005; Contact Bancroft Library for availability.: Non-circulating; may be used only in The

Table of contents http://www.loc.gov/catdir/toc/ecip056/2005000889.html

Dever, Susan

Celluloid nationalism and other melodramas : from post-revolutionary Mexico to fin de siglo Mexamerica Albany : State University of New York Press, c2003.

UCB MAIN: PN1993.5.M4 D48 2003

BANC: PN1993.5.M4 D48 2003; Non-circulating; may be used only in The Bancroft Library

Dominguez Ruvalcaba, Hector

Modernity and the nation in Mexican representations of masculinity : from sensuality to bloodshed New York, N.Y. : Palgrave Macmillan, 2007.

MAIN: PQ7122.M37 D66 2007

BANC: PQ7122.M37 D66 2007

Table of contents http://www.loc.gov/catdir/enhancements/fy0711/2007011886-t.html

Doremus, Anne T.

Culture, politics and national identity in Mexican literature and film, 1929-1952 New York: P. Lang, c2001.

MAIN: PQ7155 .D67 2001

Greene, Doyle

Mexploitation cinema : a critical history of Mexican vampire, wrestler, ape-man, and similar films, 1957-1977 Published: Jefferson, N.C. : McFarland & Co., c2005.

MAIN: PN1995.9.S284 G74 2005

BANC: PN1995.9.S284 G74 2005

Table of contents http://www.loc.gov/catdir/toc/ecip0511/2005011057.html

Foster, David William.

Mexico City in contemporary Mexican cinema Austin: University of Texas Press, 2002.

MAIN: PN1993.5.M4 F67 2002

BANC: PN1993.5.M4 F67 2002; Storage Info: W 176 249 Non-circulating; may be used only in The Bancroft Library.

Haddu, Miriam

Contemporary Mexican cinema, 1989-1999 : history, space, and identity Lewiston : E. Mellen Press, c2007.

MAIN: PN1993.5.M4 H33 2007

BANC: PN1993.5.M4 H33 2007

Table of contents http://www.loc.gov/catdir/toc/ecip0718/2007020304.html

Hershfield, Joanne

Mexican Cinema/Mexican Woman, 1940-1950 / Joanne Hershfield. Tucson, Ariz.: University of Arizona Press, c1996. Series title: Latin American communication and popular culture.

UCB Main PN1993.5.M4 H38 1996

DISSERTATION

Huaco-Nuzum, Carmen.

Mestiza Subjectivity: Representation and Spectatorship in Mexican and Hollywood Films / by Carmen Huaco-Nuzum. c1993.

NRLF PN1995.9.W6H83 1993 off campus

Karetnikova, Inga.

Mexico According to Eisenstein / Inga Karetnikova, in collaboration with Leon Steinmetz. 1st ed. Albuquerque: University of New Mexico Press, c1991.

UCB Main PN1998.3.E34 K37 1991

UCB Moffitt PN1998.3.E34 K37 1991

The Mexican Cinema Project

Edited by Chon A. Noriega and Steven Ricci. Los Angeles, CA: UCLA Film and Television Archive, c1994. Series title: The UCLA Film and Television Archive studies in history, criticism, and theory.

UCB Chicano PN1995 .M35 1994

UCB Main PN1993.5.M4 M49 1994

NRLF W 131 166 Request item at UCB Bancroft Library. Type

Mexico's cinema: a century of film and filmmakers

Wilmington, Del.: SR Books, 1999.

MAIN: PN1993.5.M4 M465 1999

Mora, Carl J.

"Mexican Cinema: Decline, Renovation, and the Return of Commercialism, 1960-1980." In: New Latin American Cinema / edited by Michael T. Martin. pp: 37-75 Detroit: Wayne State University Press, Main Stack PN1993.5.L3.N48 1997

Mora, Carl J.

Mexican Cinema: Reflections of a Society, 1896-2004 Jefferson, N.C. : McFarland & Co., c2005.

BANC: PN1993.5.M4 M6 2005

PFA : PN1993.5.M4 M6 2005

Mora, Carl J.

Mexican Cinema: Reflections of a Society / Carl J. Mora. Rev. ed. Berkeley: University of California Press, c1989.

UCB Main PN1993.5.M4 M6 1989

UCB Moffitt PN1993.5.M4 M6 1989

DISSERTATION

Mora, Carl J.

Mexican Cinema: Reflections of a Society, 1896-1980 / Carl J. Mora. Berkeley: University of California Press, c1982.

UCB Bancroft F1222.88 .M78 1982

UCB Chicano PN1995 .M7

UCB Main PN1993.5.M4 .M6 1982

UCB Moffitt PN1993.5.M4 .M6 1982

Noble, Andrea.

Mexican national cinema London ; New York : Routledge, 2005.

MAIN: PN1993.5.M4 N63 2005; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip058/2005005097.html

Rashkin, Elissa.

Women filmmakers in Mexico: the country of which we dream Austin: University of Texas Press, 2001.

MAIN: PN1993.5.M4 R33 2001

UCB Bancroft PN1993.5.M4 R33 2001; Storage Info: W 169

Schaefer, Claudia

Bored to distraction : cinema of excess in end-of-the-century Mexico and Spain Albany : State University of New York Press, c2003.

MAIN: PN1993.5.M4 S32 2003

Spanish

Almoina, Helena.

Bibliografia del Cine Mexicano / Helena Almoina. 1a ed. [Mexico City]: Filmoteca, UNAM, 1985.

UCB Bancroft p Z5784.M9 A42 1985

UCB Main PN1993.5.M4 A12 A42 1985

DISSERTATION

Amado G., Francisco.

El Cine en Mexico; Estudio Sociologico [por] Francisco Amado G. y Alicia Echeverria M. Mexico, 1960.

UCB Bancroft BANC FILM 225

UCB Bancroft Box 586:16 Master Negative

Ayala Blanco, Jorge.

Aventura del Cine Mexicano. [1. ed.]. Mexico, Ediciones Era [1968]. Series title: Cine club Era: Critica, tecnica, historia, documentacion.

UCB Bancroft F1222.88.A84

Ayala Blanco, Jorge.

La Busqueda del Cine Mexicano (1968-1972) / Jorge Ayala Blanco. 1a ed. en Editorial Posada. Mexico, D.F.: Editorial Posada, 1986.

UCB Bancroft PN1993.5.M4 A94 1986

Ayala Blanco, Jorge.

La Condicion del Cine Mexicano: (1973-1985) / Jorge Ayala Blanco. Mexico, D.F.: Editorial Posada, c1986.

UCB Bancroft PN1993.5.M4 A95 1986

Ayala Blanco, Jorge.

La Disolvencia del Cine Mexicano: Entre lo Popular y lo Exquisito / Jorge Ayala Blanco. 1. ed. Mexico, D.F.: Grijalbo, c1991.

UCB Bancroft In Process

Ayala Blanco, Jorge.

La fugacidad del cine mexicano Mexico, D.F.: Oceano, c2001.

UCB Bancroft PN1993.5.M4 A96 2001; Storage Info: W 175 507 Non-circulating; may be used only in The Bancroft Library.

Bustillo Oro, Juan

Vida Cinematografica / Juan Bustillo Oro. 1a ed. Mexico: Cineteca Nacional, 1984.

UCB Bancroft F1222.88.B85 A3 1984

Carro, Nelson.

El Cine de Luchadores / Nelson Carro. [1a ed.]. [Mexico]: Filmoteca de la UNAM, 1984. Series title: Coleccion Filmografia nacional; 1.

UCB Bancroft p PN1993.5.M4 C28 1984

Centro de Capacitacion Cinematografica, 1975-2000.

Mexico, D.F.: CONACULTA, 2001.

UCB Bancroft BANC: PN1993.8.M62 C46 2001; Storage Info: W 178 601 Non-circulating; may be used only in The Bancroft Library.

El Cine Mexicano de los 70's Visto Desde los 80's.

[Mexico City]: Instituto Nacional de Bellas Artes, Cine Club, [1980].

UCB Bancroft p PN1993.5.M4 C5 1980 pt.2

Cinema Mexicain. English. Mexican Cinema

Edited by Paulo Antonio Paranagua; translated by Ana M. Lopez. London: British Film Institute, 1995.

UCB Bancroft PN1993.5.M4 C4913 1995

UCB Main PN1993.5.M4 C4913 1995

Con Villa en Mexico: Testimonios Sobre Camarografos Norteamericanos en la Revolucion, 1911-1916

Aurelio de los Reyes [compilador]. 1a ed. Mexico, D.F.: Universidad Nacional Autonoma de Mexico, Instituto de Investigaciones Esteticas, 1985.

UCB Bancroft F1235.V633 R4 1985

Contreras Torres, Miguel.

El Libro Negro del Cine Mexicano / Miguel Contreras Torres. Mexico, 1960.

UCB Bancroft F1222.88.C6

Coria, Jose Felipe.

El Senor de Sombras: La Vida de Javier Solis / Jose Felipe Coria. 1a ed. Mexico: Clio, 1995. Series title: Serie tres gallos; Negrete, Solis, Infante.

UCB Bancroft pf ML420.S64 C6 1995 v. 1-3 (1995) AT NRLF: v. 1-3

NRLF pf ML420.S64 C6 1995 v. 1-3 Request item at UCB Bancroft Library.

Costa, Paola.

La "Apertura" Cinematografica: Mexico, 1970-1976 / Paola Costa. Puebla, Pue.: Universidad Autonoma de Puebla, [1988]. Series title: Coleccion Difusion cultural (Puebla, Mexico). Serie Cine.

UCB Main PN1993.5.M4 C67 1988

Davalos Orozco, Federico.

Filmografia General del Cine Mexicano, 1906-1931 / Federico Davalos Orozco, Esperanza Vazquez Bernal. 1a ed. Puebla, Pue.: Universidad Autonoma de Puebla, 1985. Series title: Coleccion Difusion cultural (Puebla, Mexico); 4. Series title: Coleccion Difusion cultural (Puebla, Mexico). Serie Cine.

UCB Bancroft p PN1998 .D29 1985

Escalona, Enrique

Tlacuilo / Enrique Escalona. 1. ed. Mexico: Universidad Nacional Autonoma de Mexico, 1989. Series title: Coleccion Biblioteca del editor.

UCB Bancroft PN1997.5 .E8 1989

Fernández l'Hoeste, Héctor D.

"Nationalism as Burden: Rituals of Migration and Exile in Contemporary Latin American Cinema." Chasqui, 29:1 (May 2000), 64-74.

Foster, David William.

Queer issues in contemporary Latin American cinema Austin : University of Texas Press, 2003.

MAIN: PN1995.9.H55 F67 2003

Galindo, Alejandro.

El Cine Mexicano: Un Personal Punto de Vista / Alejandro Galindo; prologo-introduccion de Octavio Colmenares. 2a. ed. [i.e. printing]. Mexico: EDAMEX, 1986, c1985.

UCB Bancroft F1222.88 .G28 1986

Galindo, Alejandro.

Una Radiografia Historica del Cine Mexicano. Mexico, Fondo de Cultura Popular, 1968.

UCB Bancroft F1222.88.G3

Galindo, Alejandro.

Verdad y Mentira del Cine Mexicano / Alejandro Galindo. 2a ed. Mexico: Editorial Katun, 1981. Series title: Coleccion Libro de bolsillo; Serie Testimonios.

UCB Main PN1993.5.M4 G24 1981

Garcia Aguilar, Eduardo.

Garcia Marquez: La Tentacion Cinematografica / Eduardo Garcia Aguilar. [Mexico City, Mexico]: Filmoteca UNAM, [1985]. Series title: Coleccion Filmografia nacional; 3.

UCB Main PQ8180.17.A73 Z67431 1985

Garcia, Gustavo, 1954-

El Cine Mudo Mexicano / Gustavo Garcia. Mexico: Martin Casillas Editores: Cultura/SEP, 1982. Series title: Coleccion Memoria y olvido--imagenes de Mexico; 9.

UCB Bancroft pf F1416.95 .G3 1982

UCB Main Ordered for Main Stack

Garcia Riera, Emilio.

El Cine es Mejor Que la Vida / Emilio Garcia Riera; prologo de Alvaro Mutis. 1. ed. Mexico, D.F.: Cal y Arena, 1990.

UCB Main PN1994 .G3578 1990

Garcia Riera, Emilio.

La Guia del Cine Mexicano de la Pantalla Grande a la Television, 1919-1984 / Emilio Garcia Riera, Fernando Macotela. 1a reimp. Mexico: Editorial Patria, 1988.

UCB Bancroft PN1993.5.M4 G294 1988

Garcia Riera, Emilio.

Historia Documental del Cine Mexicano / Emilio Garcia Riera. [Guadalajara, Jalisco, Mexico]: Universidad de Guadalajara, 1992-<1995>.

UCB Bancroft PN1993.5.M4 G295 1993 v. 1-2 (1993)

UCB Main PN1993.5.M4 G295 1992 v. 1-2 (1992-1993)

Garcia Riera, Emilio.

Historia Documental del Cine Mexicano; Epoca Sonora. [1. ed. Mexico] Ediciones Era [1969-

UCB Bancroft F1222.88 .G32 v.1-9

Garcia Riera, Emilio.

Mexico Visto Por el Cine Extranjero / Emilio Garcia Riera. 1. ed. Mexico: Ediciones Era: Universidad de Guadalajara, Centro de Investigaciones y Ensenanzas Cinematograficas, 1987-<1990>. Series title: Biblioteca Era.

UCB Bancroft PN1995.9.M5 G37 1987 v. 1-6 (1987-1990) AT NRLF: v. 1-4

UCB Main PN1995.9.M5 G37 1987 t. 1-2 (1987)

NRLF PN1995.9.M5 G37 1987 v. 1-4 Request item at UCB Bancroft Library.

Gimenez Caballero, Ernesto

Amor a Mejico (a Traves de Su Cine) [Madrid, 1948]. Series title: Cuadernos de monografias (Seminario de Problemas Hispanoamericanos (Madrid, Spain); 5.

UCB Main PN1993.5.M4 G5

Gonzalez Casanova, Manuel.

Las Vistas: Una Epoca del Cine en Mexico / Manuel Gonzalez Casanova. Mexico, D.F.: Instituto Nacional de Estudios Historicos de la Revolucion Mexicana, 1992. Series title: Coleccion Arte y cultura (Mexico)

NRLF W 125 249 Request item at UCB Bancroft Library.

Iglesias Prieto, Norma.

La Vision de la Frontera a Traves del Cine Mexicano / Norma Iglesias. 1a ed. Tijuana, Baja California: Centro de Estudios Fronterizos del Norte de Mexico, 1985. Series title: Cuadernos CEFNOMEX.

UCB Chicano PN1995 .I6

Leal, Juan Felipe.

Vistas Que No Se Ven: Filmografia Mexicana, 1896-1910 / Juan Felipe Leal, Eduardo Barraza y Alejandra Jablonska. 1. ed. Mexico: Universidad Nacional Autonoma de Mexico, Coordinacion de Humanidades, Facultad de Ciencias Politicas y Sociales, 1993.

NRLF W 131 252 Request item at UCB Bancroft Library.

Lozoya, Jorge Alberto.

Cine Mexicano / Jorge Alberto Lozoya. [Mexico?]: Instituto Mexicano de Cinematografia, c1992.

UCB Bancroft f PN1993.5.M4 L64 1992

Luna, Andres de

La Batalla y Su Sombra: La revolucion en el Cine Mexicano / Andres de Luna. 1a ed. Mexico, D.F.: Universidad Autonoma Metropolitana-Xochimilco, 1984. Series title: Coleccion Ensayos (Universidad Autonoma Metropolitana. Unidad Xochimilco); S10.

UCB Bancroft F1234 .L951 1984

Maciel, David.

El Norte: The U.S.-Mexican Border in Contemporary Cinema / by David R. Maciel. San Diego, Calif.: Institute for Regional Studies of the Californias San Diego State University, 1990. Series title: Border studies series;.

UCB Bancroft p PN1994 .M2

UCB Chicano PN1994 .M2

Microhistorias del cine en Mexico

Guadalajara, Jalisco: Universidad de Guadalajara; Mexico, D.F.: Universidad Nacional Autonoma de Mexico: Instituto Mexicano de Cinematografia: Cineteca Nacional: Instituto Mora, 2001.

MAIN: MAIN: PN1993.5.M4 M467 2001

BANC: PN1993.5.M4 M467 2001; Storage Info: W 182 000 Non-circulating; may be used only in The Bancroft Library.

Montero, Rafael

Corazones rotos Mexico: Cal y Arena: Volcan Producciones, 2001.

MAIN: PN1997.2 .C673 2001

Notas Para la Historia del Cine en Mexico, 1896-1925

Compiladora Helena Almoina. [Mexico City, Mexico]: Filmoteca, UNAM, [1980]. Series title: Coleccion Documentos de Filmoteca; no. 1.

UCB Bancroft PN1993.5.M4 N67 1980 v.1-2 AT NRLF: v.1-2

NRLF PN1993.5.M4 N67 1980 v.1-2 Request item at UCB Bancroft Library.

Orellana, Margarita de.

La Mirada Circular: El Cine Norteamericano de la Revolucion Mexicana, 1911-1917 / Margarita de Orellana; prologo de Friederich Katz. 1. ed. Mexico.: Editorial J. Mortiz, 1991. Series title: Cuadernos de Joaquin Mortiz.

UCB Bancroft F1234 .O687 1991

Quiroz, Alberto

Nociones de Estetica Cinematografica, Con Ejemplos Mexicanos. [J.J. Nava, 1942].

UCB Bancroft F1222.88.Q85

Ramirez, Gabriel.

Norman Foster y los Otros Directores Norteamericanos en Mexico / Gabriel Ramirez. 1. ed. Mexico: Universidad Nacional Autonoma de Mexico, Coordinacion de Difusion Cultural, Direccion General de Actividades Cinematograficas, 1992. Series title: Documentos de Filmoteca; 11. Series title: Coleccion Documentos de Filmoteca; no. 11.

UCB Bancroft PN1998.3.F68 R36 1992

Ramirez, Gabriel (Ramirez Aznar)

El Cine Yucateco / Gabriel Ramirez. Mexico, D.F.: Filmoteca, UNAM, 1960-1980 [i.e. 1980]. Series title: Coleccion Documentos de Filmoteca; no. 3.

UCB Bancroft p F1222.88 .R2

Reyes, Aurelio de los.

Cine y Sociedad en Mexico, 1896-1930 / Aurelio de los Reyes. 1a ed. Mexico: Universidad Nacional Autonoma de Mexico: Cineteca Nacional, 1981-

UCB Bancroft F1219 .7 R4 .C5 1981 V.1

Reyes, Aurelio de los.

Los Origenes del Cine en Mexico, 1896-1900 / Aurelio de los Reyes. 1a ed. en Lecturas Mexicanas. Mexico: Secretaria de Educacion Publica, Cultura SEP, 1984, c1983. Series title: Lecturas mexicanas; 61.

UCB Main PN1993.5.M4 R364 1984

Reyes, Aurelio de los.

Los Origenes del Cine Mexicano (1896-1900) / Aurelio de los Reyes. 1a ed. Mexico: Fondo de Cultura Economica, 1983. Series title: SEP/80; 56.

UCB Bancroft p F1222.88 .R42 1983

UCB Chicano PN1995 .D3

UCB Main PN1993.5.M4 R42 1983

Reyes de la Maza, Luis.

El Cine Sonoro en Mexico.

[1. ed.]. Mexico, Universidad Nacional Autonoma de Mexico, 1973. Series title: Estudios y fuentes del arte en Mexico; 32.

UCB Bancroft F1222.88.R425

Reyes de la Maza, Luis.

Salon Rojo: Programas y Cronicas del Cine Mudo en Mexico. [Mexico]: UNAM, 1968. Series title: Cuadernos de cine (Universidad Nacional Autonoma de Mexico. Direccion General de Difusion Cultural); no. 16.

UCB Bancroft F1222.88.R426 v.1

Ruy Sanchez, Alberto

Mitologia de un Cine en Crisis / Alberto Ruy Sanchez. 1a ed. Mexico, D.F.: Premia, 1981. Series title: La Red de Jonas.

UCB Bancroft p F1222.88 .S25 1981

Sanchez, Francisco.

Cronica Antisolemne del Cine Mexicano / Francisco Sanchez. Mexico: Universidad Veracruzana, 1989.

UCB Bancroft p PN1993.5.M4 S263 1989 / <2003>

Taibo, Paco Ignacio

Gloria y Achaques del Espectaculo en Mexico, 1900-1929 / Paco Ignacio Taibo I. 1a. ed. Mexico: Ediciones Leega/Jucar, c1988. Series title: Cronica general de Mexico; 8.

UCB Bancroft p PN2314 .T35 1988

Taibo, Paco Ignacio

Los Toros en el Cine Mexicano / Paco Ignacio Taibo I. 1a ed. Mexico: Plaza y Valdes, 1987.

UCB Bancroft p PN1995.9.B8 T35 1987

Segre, Erica

"Reframing the City: Images of Displacement in Mexican Urban Films of the 1940s and 1950s." Journal of Latin American Cultural Studies Volume 10, Number 2 / August 2001

UC users only

Tapia Campos, Martha Laura.

La Dramatica del Mal en el Cine Mexicano / Martha Laura Tapia Campos. Ciudad Universitaria [Mexico]: Facultad de Ciencias Politicas y Sociales, Universidad Nacional Autonoma de Mexico, [1989]. Series title: Cuaderno de ciencias de la comunicacion; no. 3.

NRLF W 122 397 Request item at UCB Bancroft Library. Type

Testimonios Para la Historia del Cine Mexicano

Coordinacion del proyecto, Eugenia Meyer. [Mexico, D. F.: La Cineteca Nacional, [1975]-76. Series title: Cineteca Nacional (Mexico) Cuadernos de la Cineteca Nacional; 1-

UCB Bancroft F1222.88.C9 v.1-7

Tunon, Julia.

Historia de un Sueno: El Hollywood Tapatio / Julia Tunon. Guadalajara, Jalisco, Mexico: Universidad de Guadalajara, Centro de Investigaciones y Ensenanza Cinematograficas; [Mexico City]: Universidad Nacional Autonoma de Mexico, Instituto de Investigaciones Esteticas, c1986. Series title: Coleccion El Cine en Jalisco; 1. Series title: Difusion cientifica.

UCB Main PN1993.5.M4 T8 1986

NRLF W 92 173 Request item at UCB Bancroft Library.

Tunon, Julia.

Mujeres de luz y sombra en el cine mexicano: la construccion de una imagen (1939-1952) Mexico, D.F.: Colegio de Mexico: Instituto Mexicano de Cinematografia, 1998.

UCB Main PN1995.9.W6 T86 1998

BANC: PN1995.9.W6 T86 1998; Storage Info: X 56 150 Non-circulating; may be used only in The Bancroft Library.

Vaidovits, Guillermo.

El Cine Mudo en Guadalajara / Guillermo Vaidovits. Guadalajara, Jalisco, Mexico: Universidad de Guadalajara, Centro de Investigaciones y Ensenanza Cinematografica, c1989. Series title: Coleccion El Cine en Jalisco; 2.

NRLF W 99 857 Request item at UCB Bancroft Library.

Wilt, David E.

The Mexican filmography : 1916 through 2001 Jefferson, N.C. : McFarland & Co., c2004.

Table of contents: http://www.loc.gov/catdir/toc/ecip044/2003012495.html

MAIN: PN1993.5.M4 W55 2004

BANC: PN1993.5.M4 W55 2004; Non-circulating; may be used only in The Bancroft Library.

Yanes Gomez, Gabriela.

Una mirada al espejo: el cine de las Hermanas Novaro Puebla: Programa Estatal de la Mujer, Gobierno del Estado de Puebla: FFyL-BUAP, Benemerita Universidad Autonoma de Puebla, [1999].

BANC: \p PN1998.3.N69 Y36 1999; Non-circulating; may be used only in The Bancroft Library.

Mexico: Reviews and Articles About Individual Films

Danzon

Aspden, Peter.

"Danzon." (movie reviews) Sight and Sound v2, n7 (Nov, 1992):41.

Cardullo, Bert.

"Danzon." (movie reviews) Hudson Review v46, n4 (Wntr, 1994):713 (10 pages).

Golden, Tim.

"Danzon." (movie reviews) New York Times v142, sec2 (Sun, Oct 11, 1992):H24(N), H24(L), col 1, 18 col in.

Maslin, Janet.

"Danzon." (Living Arts Pages ) (movie reviews) New York Times v142 (Fri, Sept 25, 1992):B9(N), C6(L), col 1, 12 col in.

Cabeza de Vaca

Canby, Vincent.

"Cabeza de Vaca." (movie reviews) New York Times v141 (Fri, May 15, 1992):C8(L), col 5, 9 col in.

Denby, David.

"Cabeza de Vaca." (movie reviews) New York v25, n23 (June 8, 1992):59.

Hershfield, Joanne.

"Assimilation and Identification in Nicholas Echeverria's Cabeza de Vaca." Wide Angle: A Film Quarterly of Theory, Criticism, and Practice vol. 16 no. 3. 1995. pp: 6-24.

A reading of "Cabeza de Vaca" in terms of its historical and narrative idiosyncrasies.

Werner, Louis.

"Truth & fiction chart a miraculous journey." (Alvar Nunez Cabeza de Vaca's 'Naufragios')(includes related article on retellings in modern media) Americas (English Edition) v48, n4 (July-August, 1996):22 (8 pages).

Erendira

Elsaesser, Thomas (UK)

"Erendira". (Review). Monthly Film Bulletin LIII/630, July 86; p.208-209.

Garcia Marquez, Gabriel

"Chronicle of a Film Foretold." American Film IX/10, Sept 84; p.12-13,72.

Author Gabriel Garcia Marquez discusses the creation and casting of "Erendira".

Kiely, T.

"A Not-so-innocent Film." (Review). Jump Cut /31, Mar 86; p.6-7.

Mills, Moylan C.

"Magic realism and Garcia Marquez's 'Erendira.'" (Gabriel Garcia Marquez) Literature-Film Quarterly v17, n2 (April, 1989):113 (10 pages).

Notes the use of 'magic realism' in the writings of Gabriel Garc¡a M rquez and how it is translated into film adaptations, focusing on "Erendira".

Stam, Robert

"Erendira." (Review). Cineaste XIII/4, 84; p.49-50.

Like Water for Chocolate

Ansen, David.

"Like Water for Chocolate." (movie reviews) Newsweek v121, n11 (March 15, 1993):74 (2 pages).

Corliss, Richard.

"Like Water for Chocolate." (movie reviews) Time v141, n14 (April 5, 1993):61 (2 pages).

Geist, Kenneth L.

"Like Water for Chocolate." (movie reviews) Films in Review v44, n5-6 (May-June, 1993):191 (2 pages).

Hart, Patricia.

"The Deconstruction of the 'Soldadera' in Laura Esquivel's Como Agua para Chocolate." Cincinnati Romance Review ( vol. 14. 1995. pp: 164-71.

Jaffe, Janice.

"Hispanic American Women writers' novel recipes and Laura Esquivel's Como Agua Para Chocolate." (Like Water for Chocolate). Women's Studies v22, n2 (March, 1993):217 (14 pages).

Karlin, Susan.

"Sweet Shortcut for Hot 'Chocolate.'" (motion picture 'Like Water for Chocolate') Variety v352, n3 (August 30, 1993):1 (2 pages).

Kauffmann, Stanley.

"Like Water for Chocolate." (movie reviews) New Republic v208, n9 (March 1, 1993):24 (2 pages).

Kraniauskas, John

"Like Water for Chocolate."(Synopsis+Review). Sight & Sound III/10, Oct 93; p.42-43.

Maslin, Janet.

"Like Water for Chocolate." (movie reviews) New York Times v142 (Wed, Feb 17, 1993):B4(N), C13(L), col 3, 19 col in.

Niebylski, Dianna C.

"Heartburn, Humor, and Hyperbole in Like Water for Chocolate." In: Performing Gender and Comedy: Theories, Texts and Contexts / edited by Shannon Hengen. pp: 179-97. Amsterdam: Gordon and Breach, c1998. Studies in humor and gender; v. 4

Main Stack PN1922.P47 1998

O'Neill, Molly.

"Sensing the Spirit in All Things, Seen and Unseen." ("Like Water for Chocolate" a new movie by author Laura Esquivel) (Living Arts Pages) New York Times v142 (Wed, March 31, 1993):B1(N), C1(L), col 1, 30 col in.

Romney, Jonathan.

"Like Water for Chocolate." (movie reviews) New Statesman & Society v6, n272 (Oct 1, 1993):33 (2 pages).

Tanitch, Robert.

"Like Water for Chocolate." (movie reviews) TLS. Times Literary Supplement, n4724 (Oct 15, 1993):17.

Valdes, Maria Elena de.

"Verbal and Visual Representation of Women: Como Agua para Chocolate/Like Water for Chocolate." World Literature Today: A Literary Quarterly of the University of Oklahoma vol. 69 no. 1. 1995 Winter. pp: 78-82.

Wu, Harmony H.

"Consuming Tacos and Enchiladas: Gender and the Nation in Como agua para chocolate." In: Visible nations : Latin American cinema and video / Chon A. Noriega, editor. pp: 174-92 Minneapolis : University of Minnesota Press, c2000.

Main Stack PN1993.5.L3.V58 2000

Cuba

English

Agosta, Diana; Keeton, Patricia.

"One Way or Another: The Havana Film Festival and Contemporary Cuban Film." Afterimage v22, n2 (Sept, 1994):7 (4 pages).

Almendros, Nestor.

"Lights, camera, Communism: What Castro is Doing to the Cuban Cinema." New Republic v198, n9 (Feb 29, 1988):28 (4 pages).

Arredondo, Isabel.

"From Transparent to Translucid: Cuban Filmmakers in 1990." (women in Cuban films)(25 Years: Anniversary Issue) Latin American Literary Review v25, n49 (Jan-June, 1997):25 (17 pages).

Women in Cuban film moved from stereotypes to individuals and from history to story by the end of the 1980s. Films by Mayra Segura, Mayra Villasis, Isabel Moreno and Rosa Leon in 'Mujer transparente' created female characters whose bodies represented female experience, rather than passive actors with identities determined by history and society. This reappropriation allowed women to become independent subjects for exploration.

Barnard, Timothy.

"Death Is Not True: Form and History in Cuban Film." In: Mediating Two Worlds: Cinematic Encounters in the Americas. Edited by John King, Ana M. Lopez, Manuel Alvarado. pp.: 230-41.. London: BFI, 1993.

UCB Main PN1995.9.L37 M43 1993

UCB Moffitt PN1995.9.L37 M43 1993

Behar, Ruth.

"Queer Times in Cuba." In: Bridges to Cuba/Puentes a Cuba. Ann Arbor: University of Michigan Press, c1995. pp. 394-415.

Bejel, Emilio.

"Strawberry and Chocolate": coming out of the Cuban closet?(Bridging Enigma: Cubans on Cuba) South Atlantic Quarterly v96, n1 (Wntr, 1997):66 (18 pages).

Benamou, Catherine.

"Cuban Cinema: On the Threshold of Gender." Frontiers: A Journal of Women Studies, vol. 15 no. 1. 1994. pp: 51-75.

Benamou, Catherine.

"Cuban Cinema." In: Redirecting the gaze : gender, theory, and cinema in the Third World / edited by Diana Robin and Ira Jaffe. Albany : State University of New York Press, c1999. SUNY series, cultural studies in cinema/video.

Main Stack PN1995.9.W6.R45 1999

Berenschot, Denis Jorge

Performing Cuba : (re)writing gender identity and exile across genres Published: New York : Peter Lang, c2005.

PQ7378 .B46 2005; View current status of this item

Table of contents http://www.loc.gov/catdir/toc/ecip053/2004027471.html

Burton, Julianne.

"Film and Revolution in Cuba: The First Twenty-Five Years." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 123-42. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Burton-Carvajal, Julianne.

"Portrait(s) of Teresa: Gender Politics and the Reluctant Revival of Melodrama in Cuban Film." In: Multiple Voices in Feminist Film Criticism. Diane Carson, Linda Dittmar, and Janice R. Welsch, editors. pp: 305-17. Minneapolis: University of Minnesota Press, c1994.

Main Stack PN1995.9.W6.M82 1994

Moffitt PN1995.9.W6.M82 1994

Cabrera-Infante, G

"Cuba's shadow" (films made by Cubans and exiled Cubans) Film Comment v 21 May/June 1985. p. 43-5

Chanan, Michael.

The Cuban Image: Cinema and Cultural Politics in Cuba/ Michael Chanan. Minneapolis : University of Minnesota Press, c2004

Table of contents http://www.loc.gov/catdir/toc/ecip048/2003020074.html

MAIN: PN1993.5.C8 C48 2004

PFA : PN1993.5.C8 C45 2004

UCB Moffitt PN1993.5.C8 C48 1985 [earlier edition: London: BFI Pub.; Bloomington, Ind.: Indiana University Press, 1985]

UCB Main PN1993.5.C8 C481 1985 [earlier edition]

Chanan, Michael.

"We Are Losing All Our Values: An Interview with Tomas Gutierrez Alea." Boundary 2-An International Journal of Literature & Culture. 29(3):47-53. 2002 Fall

Chua, L.

"I scream, you scream." [interview with Tomas Gutierrez Alea]. Artforum International v. 33 (December 1994) p. 62-3+

Curry, Dan.

"Interview with Nestor Almendros." Wide Angle, vol. 7 no. 1-2. 1985. pp: 118-125.

Daries, Catherine.

"Modernity, Masculinity and Imperfect Cinema in Cuba." Screen, vol. 38 no. 4. 1997 Winter. pp: 345-59.

Davies, Catherine

"Modernity, Masculinity and Imperfect Cinema in Cuba. Screen, v. 38 (Winter '97) p. 345-59

"The phenomenon of Imperfect Cinema in Cuba is discussed. The Cuban film industry was established by the Cuban Government in 1959, shortly after the Revolution's victory. Incorporating documentary and direct cinema techniques into its films, the industry gained an international reputation, and by 1970 its revolutionary ideas had become known in Latin America as Imperfect Cinema and hailed as the continent's response to Hollywood. This cinema, with a preferred form of critical socialist realism, aimed to present a wealth of nonjudgemental, nonprescriptive expositions of the problems faced by "people who struggle" as a process. Focusing on the themes of masculinity and modernity in two interrelated films--De cierta manera/One Way or Another (1974), directed by Sara Gomez, and Hasta cierto punto/Up to a Point (1983), directed by Tomas Gutierrez Alea, the writer goes on to explain Imperfect Cinema's enduring significance, arguing that the post-Marxist films of the 19" [Art Index]

Davies, Catherine.

"Recent Cuban Fiction Films: Identification, Interpretation, Disorder."Bulletin of Latin American Research, 15:2 (May 1996), 177-192.

D'Lugo, Marvin.

"'Transparent Women': Gender and Nation in Cuban Cinema." In: Mediating Two Worlds: Cinematic Encounters in the Americas. Edited by John King, Ana M. Lopez, Manuel Alvarado. pp.: 279-90. London: BFI, 1993.

UCB Main PN1995.9.L37 M43 1993

UCB Moffitt PN1995.9.L37 M43 1993

Engel, Andi

"Solidarity and violence: three Cuban directors." Sight and Sound v 38 no4 Autumn 1969. p. 196-200

Fernandez, Enrique.

"Cinema politico." Film Comment v 22 May/June 1986. p. 74+

Fernandez, Enrique.

"Parting of the Ways: A Cuban-American View." Cineaste, vol. 15 no. 4. 1987. pp: 23, 39.

Garcia Osuna, Alfonso J.

The Cuban filmography, 1897 through 2001 Jefferson, N.C. : McFarland & Co., c2003.

MAIN: PN1993.5.C8 G375 2003

Hess, John

"No mas Habermas, or . . . rethinking Cuban cinema in the 1990s." Screen (London, England) v 40 no2 Summer 1999. p. 203-7

"The writer critiques two articles on Cuban cinema: "Modernity, masculinity and Imperfect Cinema in Cuba" by Catherine Davies, and "Critical mass of Cuban cinema: art as the vanguard of society" by Oscar Quiros. He observes that both writers choose films from different moments in Cuban filmmaking that they call "Marxist" because they critique the Cuban Revolution, and that they argue that their preferred film aesthetic represents the greatest freedom because its filmmakers take up a position most distant from and most critical of Cuban "authority" or state power. He questions Davies's reading of Sara Gomez's film One Way or Another and Quiros's version of Cuban film history, maintaining that although the authors argue strongly for antagonist aesthetic visions, they both take bourgeois aesthetic approaches and oppose the Cuban Revolution's historical reality." [Art Index]

Kernan, Margot

"Cuban Cinema: Tomas Gutierrez Alea." Film Quarterly v 29 no2 Winter 1975/1976. p. 45-52

King, John

"Cuba: Revolutionary Projections." In: Magical reels : a history of cinema in Latin America London ; New York : Verso, 2000.

MAIN: PN1993.5.L3 K45 2000

PFA : PN1993.5.L3 K45 2000

Kovacs, Katherine S.

"Revolutionary Consciousness and Imperfect Cinematic Forms." Humanities in Society, vol. 4 no. 1. 1981 Winter. pp: 101-112.

Lopez, Ana M.

" Parody, Underdevelopment, and the New Latin American Cinema." (article on Tomas Gutierrez Alea) Quarterly Review of Film and Video, v. 12 (May '90) p. 63-71

Lopez, Ana M.

"Revolution and Dreams: The Cuban Documentary Today." Studies in Latin American Popular Culture, vol. 11. 1992. pp: 45-57.

Lopez, Ana M.

"Greater Cuba." In: The Ethnic Eye: Latino Media Arts. / Chon A. Noriega and Ana M. Lopez, editors. pp: 38-58. Minneapolis, Minn.: University of Minnesota Press, c1996.

Main Stack PN1995.9.L37.E84 1996

Macbean, James Roy

" A Dialogue with Tomas Gutierrez Alea: On the Dialectics of the Spectator in Hasta Cierto Punto. Film Quarterly, v. 38 (Spring '85) p. 22-9

Martin, Michael T; Paddington, Bruce

"Restoration or innovation? An interview with Humberto Solas: post-revolutionary Cuban cinema." Film Quarterly v 54 no3 Spring 2001. p. 2-13

"Humberto Solas's work encapsulates the cinematic principles and social concerns of the New Latin-American Cinema, a movement that began in the late 1950s as a reaction to the continent's economic and cultural dependency and underdevelopment. A leading film theorist and practitioner, Solas has played a major role as a guide for young filmmakers and as a participant in the policies and practices of ICAIC, the Cuban Film Institute. His films deal thematically with colonization and decolonization in cultural and psychological terms; feature innovative camera work, complex set designs, stylized acting, and a baroque visual style; and highlight symbolism, surrealism, location in spatial and temporal terms, and music as a narrative form. In an interview, Solas discusses such topics as Cuba's relationship with the United States, the emergence of artistic innovations in Cuban film, and the interconnection between the development of film and the concept of nationhood." [Art Index]

Martinez-Echazabal, Lourdes.

"The Politics of Afro-Cuban Religion in Contemporary Cuban Cinema." Afro-Hispanic Review, vol. 13 no. 1. 1994 Spring. pp: 16-22.

Memories of Underdevelopment: The Revolutionary Films of Cuba

Edited by Michael Myerson. London: Lorrimer Publishing, [1973?].

UCB Main PN1993.5.C8 M91 1973b

UCB Moffitt PN1993.5.C8 M91 1973b

Merrim, Stephanie.

"Through the Film Darkly: Grade 'B' Movies and Dreamwork in Tres tristes tigres and El Beso de la Mujer Arana." Modern Language Studies, vol. 15 no. 4. 1985 Fall. pp: 300-312.

Michaels, Albert L.

"Revolutionary Cinema and the Self-Reflections on a Disappearing Class." Journal of Latin American Lore, 4:1 (Summer 1978), 129-134.

Mraz, John

"Memories of Underdevelopment: Bourgeois Consciousness/Revolutionary Context." In: Revisioning History: Film and the Construction of a New Past / edited by Robert A. Rosenstone. pp: 102-14. Princeton, N.J.: Princeton University Press, c1995. Series title: Princeton studies in culture/power/history.

UCB Main PN1995.2 .R48 1995

Nelson, Anitra .

"Tomás Gutiérrez Alea (1928-1996."JILAS: Journal of Iberian and Latin American Studies (Australia), 3:2 (Dec 1997), 99-107.

Paranagua, Paulo Antonio.

"Cuban Cinema's Political Challenges." In: New Latin American Cinema, II: Studies of National Cinemas / edited by Michael T. Martin. pp: 167-90. Detroit: Wayne State University Press, c1997- Contemporary film and television series

Main Stack PN1993.5.L3.N48 1997

Quiros, Oscar.

"Critical Mass of Cuban Cinema: Art as the Vanguard of Society." Screen, vol. 37 no. 3. 1996 Autumn. pp: 279-93.

"Focusing on the aesthetics of both Imperfect and Perfect Cinema, the writer assesses the shifting interactions between Marxist ideology and the Cuban cinematic apparatus between 1959 and 1989. Established in March 1959, the Instituto Cubano de Arte e Industria Cinematografica produced a series of feature-length movies during the late 1960s and early 1970s, known as Imperfect Cinema. This type implicitly and explicitly manifested the official Marxism-Leninism of the Cuban Polity. Its style was defined by the specific techniques and qualities contextualized in the aesthetics of content over form typical of orthodox Marxism, such as excessive movements of the camera. By the late 1970s, signs of aesthetic change appeared: Perfect Cinema did not employ the devices used by Imperfect Cinema or other imposed aesthetic formulae. Moreover, its post-Marxist approach to film significantly deviated from the orthodox ideology, operating under its own, rather than the Polity's" logic. [Art Index]

Quirós, Oscar E.

"Values and Aesthetics in Cuban Arts and Cinema." SALALM Papers, 34 (1989), 151-171.

Skoller, Jeffrey

"The future's past: re-imaging the Cuban Revolution." Afterimage v 26 no5 Mar/Apr 1999. p. 13-15

"The current pop appropriation of images of Che Guevara and the Cuban Revolution, as well as other iconography of past revolutions is visible in many American advertising campaigns of the 1990s, which aim to equate socialist revolutionary iconography with consumer freedom. The status of such iconography and the lived experience of past radical social movements for the Left as they try to rebuild opposition movements in the face of the globalization of free-market capitalism is complex and riddled with ambiguities, however; for example, if such movements have failed, as is being claimed, it is questionable whether their iconography still has the potential for inspiration by linking the present with an idealistic past. Two new works, Leandro Katz's film El Dia Que Me Quieras (The Day That You'll Love Me) and Steve Fagin's video TropiCola, investigate and implicitly raise these issues by taking up the fate of these radical utopian experiments, specifically the Cuban Revolution. The writer examines the works in detail." [Art Index]

Smith, Paul Julian.

Vision Machines: Cinema, Literature, and Sexuality in Spain and Cuba, 1983-93

UCB Main PN1993.5.S7 S53 1996

Contents via Google Books

Stein, Elliott.

"Nestor Almendros: Master of Light." Review: Latin American Literature and Arts, vol. 33. 1984 Sept.-Dec. pp: 58-61.

Sutherland, Elizabeth

"Cinema of revolution --90 miles from home." Film Quarterly v 15 no2 Winter 1961/1962. p. 42-9

"Tomas Gutierrez Alea." (interview with Cuban director)(Interview) UNESCO Courier (July-August, 1995):53 (3 pages).

Weiner, Rex.

"For Hollywood, Cuba is close but no cigar." (film and television trade) Variety v361, n7 (Dec 18, 1995):7 (2 pages).

With the US trade embargo still in effect American films and television programs still cannot be legally exported to Cuba, though Cuba shows pirated US movies all the time. The US film industry is positioning itself to move into the Cuban market once the embargo ends.

West, Dennis.

"Alice in a Cuban wonderland: an interview with Daniel Diaz Torres." (Interview) Cineaste v20, n1 (Wntr, 1993):24 (4 pages).

Daniel Diaz Torres's film 'Alice in Wondertown,' the idea for which originated in Lewis Carroll's works 'Alice in Wonderland' and 'Through the Looking Glass,' promises to be the most controversial film in Cuban film history. Torres reveals that he wanted to integrate the spirit of Carroll's books with his personal sense of reality. Alice, the movie's protagonist, has an air of naivete and candor. Torres admits that the story for the film was conceived in response to the debates that followed the campaign of rectification in 1986.

West, Dennis.

"Reconciling entertainment and thought." (interview with Julio Garcia Espinosa) Cineaste v 16 no1/2 1988. p. 20-6+

West, Dennis.

" 'Strawberry and Chocolate,' Ice Cream and Tolerance: Interviews with Tomas Gutierrez Alea and Juan Carlos Tabio." (Cuban filmmakers) (Interview) Cineaste v21, n1-2 (Wntr-Spring, 1995):16 (5 pages).

Spanish & Other Languages

Berthier, Nancy.

Tomas Gutierrez Alea et la revolution cubaine Paris : Cerf; Conde-sur-Noireau : Corlet, 2005.

MAIN: PN1998.3.G874 B47 2005

Bikova, Irina .

"Vida y películas de Tomás Gutiérrez Alea." América Latina (USSR), 8 (Aug 1988), 56-69.

Birringer, Johannes.

"Homosexuality and the Revolution: An Interview with Jorge Perugorria." Cineaste, vol. 21 no. 1-2. 1995. pp: 21-22.

Cine y Revolucion en Cuba

Santiago Alvarez ... [et al.]. Barcelona: Editorial Fontamara, 1975.

UCB Main PN1993.5.C8 C5

Le Cinema cubain

Sous la direction de Paulo Antonio Paranagua ; textes de Roberto Cobas, ... [et al.] ; traductions de Nicole Canto ... [et al.] Paris : Centre Georges Pompidou, c1990.

Cuba : cinema et revolution

Julie Amiot-Guillouet, Nancy Berthier (dir). Lyon : GRIMH-LCE-GRIMIA, c2006.

Main Stack PN1993.5.C8.C84 2006

Garcia, Juan Antonio

La edad de la herejia : ensayos sobre el cine cubano, su critica y su publico Santiago de Cuba : Editorial Oriente, 2002.

MAIN: PN1993.5.C8 G35 2002

Gutierrez Alea, Tomas.

"Confesiones de un cineasta." Araucaria de Chile, 37 (1987), 79-89.

Gutierrez Alea, Tomas.

"Enajenación y desenajenación: Eisenstein y Brecht." Casa de las Américas, 20:115 (July-Aug 1979), 28-37

Gutierrez Alea, Tomas.

"I Wasn't Always a Filmmaker." Cineaste, vol. 14 no. 1. 1985. pp: 36-38.

Gutierrez Alea, Tomas.

"Memorias de <>." Casa de las Américas, 21:122 (Sept-Oct 1980), 67-76.

Historia de un gran amor : relaciones cinematograficas entre Cuba y Mexico 1897-2005

Sara Vega ... [et al.] Guadalajara, Jal. : Universidad de Guadalajara, Centro Universitario de Ciencias Sociales y Humanidades; Cuba : Instituto Cubano de Arte e Industria Cinematograficos, Cinemateca Cubana, c2007

MAIN: PN1993.5.M4 H57 2007

BANC: \pf\ PN1993.5.M4 H57 2007

Ruffinelli, Jorge

"Doce miradas (y media mirada más) al cine de Tomás Gutiérrez Alea." Casa de las Américas, 203 (Apr-June 1996), 3-14.

Valdes Rodriguez, Jose Manuel

Ojeada al Cine Cubano, 1906-1958. La Habana [Imp. de la Universidad de la Habana] 1963.

NRLF B 2 800 271

Vásquez Rentería, Víctor Hugo .

"Alea Jacta Est." La Palabra y el Hombre, 100 (Oct-Dec 1996), 143-150.

Cuba: Reviews and Articles About Individual Films

Bitter Sugar (Azucar amarga)

Cole, Melanie.

"Bitter Sugar/Azucar Amarga." (movie reviews) Hispanic v9, n10 (Oct, 1996):84 (1 page).

Comer, Brooke

"Hope and despair in Cuba." American Cinematographer v 77 Nov 1996. p. 101-2

"A review of Leon Ichaso's motion picture Bitter Sugar. The movie tells the story of an idealistic Cuban honor student who realizes the hypocrisy of the system that he once endorsed. Exposing the scandalous statistics that the Cuban government would rather hide, such as the existence of 30,000 teenage prostitutes, it conveys a vehement anti-Castro message. This precluded Ichaso from filming in Havana, opting for Santo Domingo instead and adding second-unit Havana footage. Crucial landmarks were captured with an army-surplus camera that was over 50 years old, and several scenes were shot with a Hi-8 camera; on location, Kodak's 5222 Double-X stock and Arriflex BL were used. Extras who had recently left Cuba were hired to add an authentic feel to the movie." [Art Index]

Holden, Stephen.

"Bitter Sugar/Azucar Amarga." (movie reviews) New York Times v146 (Fri, Nov 22, 1996):B4(N), C10(L), col 5, 13 col in.

Guantanamera

Holden, Stephen.

"Guantanamera." (movie reviews) New York Times v146 (Fri, July 25, 1997):B12(N), C12(L), col 5, 13 col in.

Klawans, Stuart.

"Guantanamera." (movie reviews) Nation v265, n6 (August 25, 1997):48 (2 pages).

Kauffmann, Stanley.

"Guantanamera." (movie reviews) New Republic v217, n4 (July 28, 1997):26.

Ocaña, Jaime González

"Guantanamera." (movie reviews) Chasqui, 27:2 (Nov 1998), 177-179.

Rohter, Larry.

"Guantanamera." (movie reviews) New York Times v146, sec2 (Sun, July 20, 1997):H11(N), H11(L), col 1, 35 col in.

Smith, Paul Julian.

"Guantanamera." (movie reviews) Sight and Sound v6, n10 (Oct, 1996):40 (2 pages).

Memories of Underdevelopment

Alexander, W.

"Class, film language, and popular cinema." Jump Cut /30, Mar 85; p.45-48. illus.

Analysis of "Jatun auka" and "Memorias del subdesarrolla" as examples of revolutionary cinema.

Burton, Julianne.

The Intellectual In Anguish: Modernist Form and Ideology in Land in Anguish and Memories of Underdevelopment / Julianne Burton. Washington, D.C.: The Wilson Center, 1983. Series title: Working papers (Woodrow Wilson International Center for Scholars. Latin American Program); no. 132.

UCB Main PN1993.5.L3 B851 1983

Burton, Julianne.

"Modernist Form in Land of Anguish and Memories of Underdevelopment." Post Script: Essays in Film and the Humanities, vol. 3 no. 2. 1984 Winter. pp: 65-84.

Compares "Terra em transe" and "Memorias del subdesarrollo" as films which expand and redefine formal tradition.

Fernandez, Enrique

"'Witnesses always everywhere' the rhetorical strategies of Memories of underdevelopment." Wide Angle IV/2, 80; p.52-55. illus.

On narrative point of view in "Memorias del subdesarrollo".

Gutierrez Alea, Tomas

"The viewer's dialectic III." (Book extract). Jump Cut /32, Apr 86; p.57-60. illus.

Third and final extract from T.G.A's book 'La dialectica del espectador'. Discusses his film "Memorias del subdesarrollo" and its critical reception.

Lesage, Julia

"Memories of underdevelopment; images of underdevelopment." Jump Cut /1, May-June 74; p.9-11.

Lopez, A.

"Parody, underdevelopment, and the new Latin American Cinema." Quarterly Review of Film and Video XII/1-2, May 90; p.63-71.

Three Latin American films - "Memorias del subdesarrollo", "De cierta manera" and "El chacal de Nahueltoro" - analysed for their particular approach to parody.

Memories of Underdevelopment: Tomas Gutierrez Alea, Director. Inconsolable Memories: Edmundo Desnoes, Author introduction [to both] by Michael Chanan. New Brunswick: Rutgers University Press, c1990. Series title: Rutgers films in print; v. 15.

UCB Main PN1997 .M434513 1990

Memories of Underdevelopment: The Revolutionary Films of Cuba

Edited by Michael Myerson. London: Lorrimer Publishing, [1973?].

UCB Main PN1993.5.C8 M91 1973b

UCB Moffitt PN1993.5.C8 M91 1973b

Memories of Underdevelopment: Tomas Gutierrez Alea, Director. Inconsolable Memories: Edmundo Desnoes, Author introduction [to both] by Michael Chanan. New Brunswick: Rutgers University Press, c1990. Series title: Rutgers films in print; v. 15.

UCB Main PN1997 .M434513 1990

Miller, Paul B.

"Memories of Underdevelopment, Thirty Years Later: An Interview with Sergio Corrieri." (Interview) Cineaste v25, n1 (Winter, 1999):20.

Argentina

60 generaciones, 90 generaciones : cine argentino independiente

Fernando Martin Pena (ed.). Buenos Aires : Fundacion Eduardo F. Costantini, 2003.

Main Stack PN1993.5.S7.A16 2003

Abel Martin, Jorge.

Cine Argentino '76 [i.e. setenta y seis] / Jorge Abel Martin. Buenos Aires: Ediciones Metrocop, [1977].

UCB Main PN1993.5.A7 A2

Argentina Cine: Catalogo = Catalogue, 85/86

Editor/director, Daniel Alfredo Astray]. [Buenos Aires]: Ediciones Montoya, [1986].

UCB Main PN1993.5.A7 A7331 1986

Argentine Cinema

Edited by Tim Barnard. Toronto: Nightwood Editions, c1986.

UCB Main PN1993.5.A7 B3761 1986

Aguilar, Gonzalo Moises.

Otros mundos : ensayo sobre el nuevo cine argentino. Buenos Aires : Santiago Arcos Editor, 2006.

MAIN: PN1993.5.A7 A58 2006

An Argentine passion: Maria Luisa Bemberg and her films

Published: London; New York: Verso, 2000.

UCB Main PN1998.3.B457 A74 2000

Barrios Baron, Carlos

Pioneros del Cine en la Argentina: Cardini, Py y Ducros Hicken / [Carlos Barrios Baron =; edicion y diseno, Gustavo R. Gomez =; traduccion al ingles, David T. Hollywood]. 1. ed. [Argentina]: C. Barrios Baron, c1995.

UCB Main PN1993.5.A7 B37 1995

Beceyro, Raul.

Ensayos Sobre Cine Argentino / Raul Beceyro. Santa Fe, Argentina: Universidad Nacional del Litoral, Departamento de Extension Universitaria, Centro de Publicaciones, 1986. Series title: Cuadernos de extension universitaria (Santa Fe, Argentina); no. 8. Series title: Cuadernos de extension universitaria (Santa Fe, Argentina). Serie Ensayos.

UCB Main PN1993.5.A7 B4 1986

Berardi, Mario.

La vida imaginada : vida cotidiana y cine argentino, 1933-1970 Buenos Aires : Ediciones del Jilguero, 2006.

MAIN: PN1993.5.A7 B473 2006

Bernini, Emilio.

Ciertas tendencias : notas sobre el "nuevo cine argentino" (1956-1966) / Emilio Bernini. [Buenos Aires] : Facultad de Filosofia y Letras, Universidad de Buenos Aires, 2002.

MAIN: PN1993.5.A7.B47 2002

Cabrera, Gustavo

Tita Merello (1904-2002) : el mito, la mujer y el cine Published: Buenos Aires : Marcelo Hector Oliveri Editor, 2006.

MAIN: PN2454.M474 C33 2006

Castillo, Jorge

Cine argentino e identidad cultural / Jorge Castillo. 1a. ed. [Resistencia, Chaco] : J. Castillo, [2003]

Main Stack PN1993.5.A7.C37 2003

La Censura en el Dine

[por] Juan Carlos Goti Aguilar [et al.]. Buenos Aires, Ediciones Libera [1966].

NRLF $B 256 386

Che, que bueno que vinisteis : el cine argentino que cruzo el charco

Juan Carlos Gonzalez Acevedo ; [prologo de Federico Luppi]. 1. ed. Barcelona : Editorial Dieresis, 2005.

Main Stack PN2451.G66 2005

Cine argentino: industria y clasicismo, 1933-1956

Buenos Aires: Fondo Nacional de las Artes, c2000.

MAIN: PN1993.5.A7 C47 2000

Cine argentino : modernidad y vanguardias, 1957/1983 / Claudio Espa?na , director general ; Gonzalo Aguilar ... [et al.], coautores ; Ricardo Manetti, seleccion fotografica. Buenos Aires, Argentina : Fondo Nacional de las Artes, c2004-c2005.

Main Stack PN1993.5.A7.C475 2004

Cine argentino y derechos humanos

Pablo Alvarez ... [et al.]. Rosario : Editorial Ciudad Gotica, 2007.

MAIN: PN1993.5.A7 C478 2007

Contents: Cautiva / Pablo Alvarez -- Kamchatka / Patricia Alvarez Blanda -- Ilusion de movimiento / Maria Eugenia Caggiano -- Botin de guerra / Raul M. Carreras -- Un lugar en el mundo / Miguel Catala -- Hermanas / Jorge Eduardo Colao -- La historia oficial / Maria Florencia Culasso -- Sol de noche / Quique de Maria -- Garage Olimpo / Sergio Luis Fuster -- Sur / Esteban Langhi -- Los rubios / Eber Molina -- Trescientos cincuenta / Antonio Ramos -- La noche de los lapices / Norma E. Rios -- Y-- milagros no hay / Graciela Rosello.

Cine Argentino en Democracia, 1983-1993

Claudio Espana, compilador; Gabriela Fabbro ... [et al.], autores. Buenos Aires: Fondo Nacional de las Artes, [1994].

UCB Main PN1993.5.A7 C47 1994

Cine Argentino: La Otra Historia

Abel Posadas ... [et al]; Sergio Wolf (compilador). 2a. ed. [Buenos Aires]: Ediciones Letra Buena, 1994. Series title: Coleccion Communicacion visual. Series title: Coleccion Comunicacion visual (Buenos Aires, Argentina)

UCB Main PN1993.5.A7 C52 1994

Cine desde Argentina: producciones 2000-2001

Buenos Aires, Republica Argentina: INCAA, [2002?]

UCB Main PN1993.5.A7 C39 2002

Cine y dictadura

[Maria Paulinelli, coordinadora]. Cordoba, Argentina : Comunic-arte Editorial, c2006.

MAIN: PN1993.5.A7 C568 2006

Cine y fotografia como intervencion politica

Susana Sel (compiladora). Buenos Aires : Prometeo Libros, c2007.

MAIN: PN1993.5.A7 C554 2007

Cines al margen : nuevos modos de representacion en el cine argentino contemporaneo

Prologo de David Oubi?na ; Maria Jose Moore, Paula Wolkowicz, editoras. 1. ed. Buenos Aires : Libraria, 2007.

Main Stack PN1993.5.A7.C564 2007

Ciria, Alberto.

Mas Alla de la Pantalla: Cine Argentino, Historia y Politica / Alberto Ciria. Buenos Aires: Ediciones de la Flor, c1995.

UCB Main PN1993.5.A7 C57 1995

Colautti, Carlos.

Libertad de Expresion y Censura Cinematografica / Carlos Colautti. Buenos Aires: Fundacion Instituto de Estudios Legislativos, 1983.

UCB Law Lib KC3076 .C64

Civilizacion y barbarie : en el cine argentino y latinoamericano

Ana Laura Lusnich, editora ; Andrea Cuarterolo ... [et al.]. Buenos Aires : Editorial Biblos, c2005.

Main Stack PN1993.5.A7.C58 2005

Couselo, Jorge Miguel

"The Connection: Three Essays on the Treatment of History in the Early Argentine Cinema." (Translated by Bradford Burns). Journal of Latin American Lore, 1:2 (Winter 1975), 211-230.

Couselo, Jorge Miguel

Literatura Argentina y Cine Nacional / Jorge Miguel Couselo. Buenos Aires: Centro Editor de America Latina, c1981. Series title: Capitulo (Centro Editor de America Latina). Biblioteca argentina fundamental; 96 (Suppl.)

UCB Main PN1997.A1 G83 1981 Suppl.

Couselo, Jorge Miguel

El "negro" Ferreyra: un cine por instinto Buenos Aires: Grupo Editor Altamira: GobBsAs: Edulp, 1969.

UCB Main MAIN: PN1998.3.F37 C68 2001

De Tomaso, Mariana.

El cine que nos pertenece : historias de espectadores / Mariana De Tomaso. Buenos Aires : Libros del Rojas, Universidad de Buenos Aires, 2005.

Main Stack PN1995.9.A8.D4 2005

Decorados: Apuntes Para una Historia Social del Cine Argentino

Horacio Gonzalez, Eduardo Rinesi (compiladores); A. Bonvecchi ... [et al.]. 1. ed. Buenos Aires, Argentina: M. Suarez, 1993. Series title: La Carabela perdida.

UCB Main PN1995.9.S6 D37 1993

Elner, David A.

Bibliografia Sobre Cine y Teatro en Argentina. Ano 1938 / David A. Elner. Buenos Aires: Ediciones S.J.L., 1987-

UCB Main PN1993.5.A7 E45 1987 t. 1-2 (1987)

Elner, David A.

Bibliografia Sobre Cine y Teatro en Argentina: Desde la Revolucion Nacionalista de 1943 Hasta al Surgimiento del Peronismo, 1944 / David A. Elner. Buenos Aires: Ediciones S.J.L., 1987-

UCB Main PN1993.5.A7 A12E48 1987 t. 1-3 (1987)

Espana, Claudio.

Medio Siglo de Cine: Argentina Sono Film, S.A.C.I. / Claudio Espana con la colaboracion de Miguel Angel Rosado. Buenos Aires: Editorial Abril: Heraldo del Cine, c1984.

UCB Main PN1999.A7 E87 1984

El estado y el cine argentino : textos y documentos.

Santa Fe : Instituto Superior de Cine y Artes Audiovisuales, 2005.

Main Stack PN1993.5.A7.E88 2005

Falicov, Tamara L.

"Argentine Cinema and the Construction of National Popular Identity, 1930-1942." Studies in Latin American Popular Culture, 17 (1998), 61-78.

Falicov, Tamara L.

The cinematic tango : contemporary Argentine film London : Wallflower, 2007.

MAIN: PN1995.9.A7 F35 2007

Farhi, Andres.

Una cuestion de representacion : los jovenes en el cine argentino, 1983-1994 / Andres Farhi. Buenos Aires : Libros del Rojas, Universidades de Buenos Aires, 2005.

Main Stack PN1995.9.Y6.F37 2005

Fernando Solanas ou la rage de transformer le monde

Conde-sur-Noireau: Corlet; Paris: Telerama, 2001.

UCB Main PN1998.3.S64 F47 2001

Finkielman, Jorge

The film industry in Argentina : an illustrated cultural history Jefferson, N.C. : McFarland, c2004.

MAIN: PN1993.5.A7 F56 2004; circ info

Table of contents http://www.loc.gov/catdir/toc/ecip0411/2003024611.html

Foster, David William.

Contemporary Argentine Cinema / David William Foster. Columbia: University of Missouri Press, c1992.

UCB Main PN1993.5.A7 F6 1992

UCB Moffitt PN1993.5.A7 F6 1992

Fuster Retali, Jose.

"La ausencia de la historia argentina en el cine nacional." Cuadernos Hispanoamericanos. 624:77-91. 2002 June

The Garden of Forking Paths: Argentine Cinema

Edited by John King and Nissa Torrents. London: British Film Institute, 1988.

UCB Main PN1993.5.A7 G37 1988

Getino, Octavio

Cine argentino : entre lo posible y lo deseable / Octavio Getino. 2. ed. actualizada. Buenos Aires : Ediciones CICCUS : INCAA, 2005.

Main Stack PN1993.5.A7.G46 2005

Getino, Octavio

Cine y Dependencia: El Cine en la Argentina / Octavio Getino. Buenos Aires, Argentina: Puntosur Editores, c1990.

UCB Main PN1993.5.A7 G47 1990

Goldman, Ilene S.

"To Be(come) Jewish and Argentine: Cinematic Views of a Changing Nation." Estudios Interdisciplinarios de América Latina y el Caribe, 10:2 (July-Dec 1999), 151-157.

El Grupo de los 5 y sus contemporaneos: pioneros del cine independiente en la Argentina: 1968-1975

Buenos Aires: Secretaria de Cultura GobBsAs, c2000.

UCB Main PN1993.5.A7 G78 2000;

Historia del Cine Argentino

Jorge Miguel Couselo ... [et al.]. Buenos Aires: Centro Editor de America Latina, c1984.

UCB Main PN1993.5.A7 H5 1984

Jaehne, Karen

" Love as a Revolutionary Act: An Interview with Maria Luisa Bemberg."Cineaste, vol. 14 no. 3, 1986 | pp: 22-24

Jakubowicz, Eduardo.

La historia argentina a traves del cine : las "visiones del pasado" (1933-2003) Published: Buenos Aires : La Crujia Ediciones, 2006.

MAIN: PN1993.5.A7 J35 2006

Lipszyc, Delia.

?Quien es el Autor de la Obra Cinematografica? Buenos Aires, Sociedad General de Autores de la Argentina (Argentores) [1967]. Series title: Serie de estudios sobre derechos de autor 1.

NRLF B 2 826 565

Lopez, Daniel

Catalogo del nuevo cine argentino, 1984-1986 / edicion preparada por Daniel Lopez. Buenos Aires, Republica Argentina: Instituto Nacional de Cinematografia, 1987.

UCB Main PN1998.A1 L661 1987 [1]-v.2 (1987-1989)

A la luz del trabajo : las representaciones de lo laboral en el cine argentino de los '90

Santiago Druetta ... [et al.]. Edition 1. ed. Cordoba, Argentina : Comunicarte, 2005.

Main Stack PN1995.9.L28.A22 2005

Mahieu, Agustin.

Breve Historia del Cine Nacional / Augustin Mahieu. Buenos Aires: Alzamor Editores, 1974. Series title: Coleccion del alba; v. 1.

NRLF $D 62 817

Mahieu, José Agustín

"Imágenes del pasado: panorama histórico del cine argentino en los años '30." Cuadernos Hispanoamericanos, 481 (July 1990), 81-90

Manzi, Italo.

"La presencia francesa en el cine argentino (y 3): La epoca de la guerra: 1939-1945." Cuadernos Hispanoamericanos. 619:71-78. 2002 Jan

Maranghello, Cesar.

Breve historia del cine argentino / Cesar Maranghello. 1. ed. Barcelona : Laertes, 2005.

Main Stack PN1993.5.A7.M297 2005

Martin, Jorge Abel.

Diccionario de Realizadores Contemporaneos.: Cine Argentino / Jorge Abel Martin. Buenos Aires, Republica Argentina: Instituto Nacional de Cinematografia, c1987.

UCB Main PN1998.A2 M331 1987

Matharan de Potenze, Sylvia

"Etapas evolutivas del cine argentino." Criterio (Argentina), 46:1681-1682 (24 Dec 1973), 708-715.

Millan, Francisco Javier.

La memoria agitada: cine y represion en Chile y Argentina [Madrid]: Ocho y Medio, Libros de Cine; [Huelva]: Fundacion Cultural de Cine Iberoamericano de Huelva, 2001.

UCB Main PN1993.5.C3 M55 2001

Mugica, Rene.

En el Principio Fue la Imagen: La Obra, Cinematografica, Derecho de Autor y de los Artistas Interpretes, Derecho del Productor / Rene Mugica. [Buenos Aires]: Editorial Universitaria de Buenos Aires, c1989. Series title: Temas / Editorial Universitaria de Buenos Aires.

NRLF B 3 709 309

New Argentine cinema: themes, auteurs and trends of innovation

[Buenos Aires]: Ediciones Tatanka: FIPRESCI, 2002.

MAIN: PN1993.5.A7 N49 2002

Neifert, Agustin.

Del papel al celuloide : escritores argentinos en el cine, Roberto Arlt, Adolfo Bioy Casares, Jorge Luis Borges, Silvina Bullrich, Julio Cortazar, Marco Denevi, Beatriz Guido, Horacio Quiroga, Osvaldo Soriano / Agustin Raimundo Neifert. 1. ed. Buenos Aires : La Crujia Ediciones, 2003.

Main Stack PQ7655.N45 2003

Panik, Eduardo T. (Eduardo Tomas)

La Calificacion Cinematografica: Analisis y Estadisticas, 1984-1987 / Eduardo T. Panik. [Buenos Aires, Republica Argentina]: Instituto Nacional de Cinematografia, [c1989].

NRLF B 3 708 720

Pick, Zuzana M.

"An interview with Maria Luisa Bemberg." (Interview) Journal of Film and Video v44, n3-4 (Fall-Wntr, 1992):76 (7 pages).

Maria Luisa Bemberg, an Argentinian filmmaker of repute, has several major films to her credit including 'Senora de nadie' (Nobody's wife), 'Camila,' 'Yo, la peor de todas' (I, the Worst Woman of All) and 'Miss Mary.' She reveals that her objective in making films on historical women in Argentina was not based on grand ideals such as highlighting the importance of women in history. She found the subject of Camila O'Gorman, a social rebel in 19th-century Argentina, challenging and decided to project her as daring rather than submissive. Maria admits she is easily bored by the battle scenes in historical films and prefers to adopt an impressionist approach in making historical films.

Plano secuencia : 20 peliculas argentinas para reafirmar la democracia

Monica Satarain (comp.) Ciudad Autonoma de Bs. As. : SIGNIS : La Crujia Ediciones, 2004.

Main Stack PN1993.5.A7.P53 2004

Podalsky, Laura

"Cityscapes and Alienation: Buenos Aires in the Argentine Cinema, 1950-1960." Nuevo Texto Crítico, 11:21-22 (Jan-Dec 1998), 77-92.

Podalsky, Laura

Specular city : transforming culture, consumption, and space in Buenos Aires, 1955-1973 / Laura Podalsky. Philadelphia : Temple University Press, 2004.

Main Stack F3001.2.P63 2004

Poeticas en el cine argentino : 1995-2005

Maria Paulinelli, coordinadora ; Julio Ariza ... [et al] ; prologo de Ramiro Ortiz. 1. ed. Cordoba, Argentina : Communicarte, 2005.

Main Stack PN1993.5.A7.P56 2005

Portas, Juan Carlos

Patagonia: cinefilia del extremo austral del mundo: el cine mirando la Patagonia, la Patagonia mirando cine Comodoro Rivadavia: Editorial Universitaria de la Patagonia, Universidad Nacional de la Patagonia San Juan Bosco: Editorial Ameghino, 2001.

UCB Main PN1993.5.P38 P67 2001;

Posadas, Abel.

Cine sonoro argentino / Abel Posadas, Monica Landro, Marta Speroni. 1. ed. Buenos Aires : El Calafate Editores, 2005

Main Stack PN1993.5.A7.P67 2005

Postiglione, Gustavo

Cine instantaneo / Gustavo Postiglione ; prologo por Quintin. 1. ed. Rosario, Argentina : UNR, 2004.

Main Stack PN1993.5.A7.P67 2004

Pujol, Sergio Alejandro.

Valentino en Buenos Aires: Los Anos Veinte y el Espectaculo / Sergio Pujol. 1. ed. Buenos Aires, Argentina: Emece, c1994.

UCB Main PN2452.B8 P85 1994

Radiografia de Carlos Gardel

Osvaldo Pellettieri, compilador; trabajos de Guillermo Ara ... [et al.]. Buenos Aires: Editorial Abril, 1987.

UCB Main ML420.G247 R33 1987

Rangil, Viviana.

Otro punto de vista : mujer y cine en Argentina / Viviana Rangil. 1st ed. Rosario : Beatriz Viterbo, 2005.

Main Stack PN1995.9.W6.R36 2005

Reati, Fernando.

" Argentine Political Violence and Artistic Representation in Films of the 80's."Latin American Literary Review, vol. 17 no. 34, 1989 July-Dec. pp: 24-39

Romano, Eduardo.

Literatura/Cine Argentinos Sobre la(s) Frontera(s) / Eduardo Romano. Buenos Aires, Republica Argentina: Catalogos Editora, c1991. Series title: Coleccion Armas de la critica.

UCB Main PN1995.3 .R57 1991

Saenz, Sebastian

El cine en Cordoba : catalogo de la produccion cinematografica, 1915-2000 / Sebastian Saenz. Cordoba [Argentina] : Ferreyra, c2004.

Main Stack PN1993.5.A7.S24 2004

Semana de Literatura y Cine Argentinos (1970: Universidad Nacional de cuyo) Semana de Liteatura y Cine Argentinos, 14 al 20 de octubre de 1970. Mendoza, Universidad Nacional de Cuyo, Facultad de Filosofia y Letras [1972].

NRLF B 3 567 976

Tal, Tzvi.

Pantallas y revolucion : una vision comparativa del cine de liberacion y el cinema novo / Tzvi Tal ; [traduccion, Tzvi Tal y Rita Sevet]. [Buenos Aires, Argentina] : Lumiere ; [Tel Aviv] : Universidad de Tel Aviv, Instituto de Historia y Cultura de America Latina, c2005.

Main Stack PN1993.5.A7.T35 2005

Urquiza, Juan Jose de.

La Revolucion de Mayo y el Cine Agrentino / Juan Jose de Urquiza. Buenos Aires: Escuela Industrial No. 9 (Industrias de las Artes Graficas), 1960.

NRLF $B 2 795 411

Varea, Fernando G. (Fernando Gabriel)

El cine argentino en la historia Argentina, 1958-1998 Rosario, Argentina: Ediciones del Arca Editorial, [1999]

MAIN: PN1993.5.A7 V37 1999

Bolivia

Cine Boliviano, del Realizador al Critico / Carlos D. Mesa G. ... [et al.]; coordina, Carlos D. Mesa G. 1. ed. La Paz: Editorial Gisbert, 1979.

NRLF B 3 567 377 Type EXP NRLF for loan details.

Feder, Elena

"In the Shadow of Race: Forging Images of Women in Bolivian Film and Video."Frontiers: A Journal of Women Studies, vol. 15 no. 1, 1994 pp: 123-40. Also in Redirecting the gaze: gender, theory, and cinema in the Third World / edited by Diana Robin and Ira Jaffe. pp: 149-203. Albany: State University of New York Press, c1999. SUNY series, cultural studies in cinema/video.

Main Stack PN1995.9.W6.R45 1999

Garcia Pabon, Leonardo

La patria intima: alegorias nacionales en la literatura y el cine de Bolivia / Leonardo Garcia Pabon. 1. ed. La Paz, Bolivia: Centro de Estudios Superiores Universitarios, Universidad Mayor de San Simon: Plural Editores, 1998.

Main Stack PQ7802.G3724 1998

Gumucio Dagron, Alfonso.

Historia del Cine Boliviano / Alfonso Gumucio Dagron. 1a ed. Mexico: Filmoteca, UNAM, 1983. Series title: Coleccion Documentos de Filmoteca; no. 5.

NRLF B 3 567 278

King, John.

"Andean Images: Bolivia, Ecuador and Peru." In: New Latin American cinema / edited by Michael T. Martin. pp: 483-504 Detroit: Wayne State University Press, Main Stack PN1993.5.L3.N48 1997

Mesa Gisbert, Carlos, D.

"Cine boliviano 1953-1983: Aproximacion a una experiencia." In: Tendencias actuales en la literatura boliviana / introduccion y edicion de Javier Sanjines C. pp: 171-227 Minneapolis: Institute for the Study of Ideologies & Literature, 1985. Series towards a social history of Hispanic and Luso-Brazilian literatures.

Main Stack PQ7803.T461 1985

Mesa G., Carlos D.

La Aventura del Cine Boliviano, 1952-1985 / Carlos