


Copyright 1995 ABC-CLIO. This review was taken from the ABC-CLIO Video Rating Guide for Libraries on CD-ROM, a 5-year compilation of over 8900 video titles and reviews, 1990-1994. For information regarding order VRGL CD-ROM, contact: ABC-CLIO, P.O. Box 1911, Santa Barbara, CA 93116-1911; 805-968-1911
This following text has been included in the UCB Media Resources Center Web site with the kind permission of the publishers.

Copyright 1995 ABC-CLIO. This review was taken from the ABC-CLIO Video Rating Guide for Libraries on CD-ROM, a 5-year compilation of over 8900 video titles and reviews, 1990-1994. For information regarding order VRGL CD-ROM, contact: ABC-CLIO, P.O. Box 1911, Santa Barbara, CA 93116-1911; 805-968-1911
This following text has been included in the UCB Media Resources Center Web site with the kind permission of the publishers.
These two films are part of the Glasnost Film Festival series.
Scenes at a Fountain dramatically captures the results of a
natural gas disaster in Russia in 1985; The Limit frankly
examines how alcoholism affects Soviet society. Both
documentaries have been recorded in the Russian language, with
English subtitles. Each presents personal struggles, successes,
and failures of individuals, in an attempt to illuminate the
larger problems. Adults and high school or college students of
Soviet studies would find this video worthwhile; the programs are
powerfully presented and emotionally charged.
Scenes at a Fountain begins with shots of a gas fire gusher
erupting on the shores of the Caspian Sea. These scenes are
followed by the introduction of the members of a fire rescue
team. A round-table discussion provides the framework as the
footage of events following the disaster and the subsequent
discussion are interwoven to recreate the experience. Tribute is
paid to the one Soviet fireman who lost his life in the blaze.
The Limit conveys a strong message about alcoholism and its
effect on Soviet society. This universal problem, which plagues
many countries, is intensely examined via interviews, discussions
with victims, and a look at mental patients, the abuse of
children, and women in prisons. The Limit decisively "tells all"
in unflattering terms. The consequences of alcoholism deeply
affect the lives of the Soviet people.
Technically, the film transfer reflects good color; subtitles
are easy to read, and audio quality is good. The background
music, especially for The Limit, is in a minor key and consists
of passages quite disturbing to the ear. Perhaps this is intended
to create an aura of uneasiness. In the case of The Limit, it is
sometimes difficult to identify what is being viewed and why.
Both Scenes at a Fountain and The Limit capture the essence of
some distinctively personal accounts of struggle. Public
libraries will find this series an excellent addition to their
collections.
: ABC Clio VRGL




Glasnost Film Festival, No. 5

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