German/Austrian Cinema:
A Selected Bibliography of Materials in the UC Berkeley Library
General Works: Books in English
General Works: Books in German and Other Languages
Film and the Third Reich
General Works: Journal Articles
Books and Articles About DEFA
Works on individual film makers
- General Works: Books in English
- Alter, Nora M.
- General Works: Books in English
- Projecting history: German nonfiction cinema, 1967-2000 / Nora M. Alter. Ann Arbor: University of Michigan Press, c2002. Social history, popular culture, and politics in Germany.Main Stack PN1995.9.D6.A39 2002
- Bahr, Ehrhard.
- Weimar on the Pacific : German exile culture in Los Angeles and the crisis of modernism Berkeley : University of California Press, c2007.
MAIN: BH301.M54 B34 2007
BANC: BH301.M54 B34 2007
Table of contents http://www.loc.gov/catdir/toc/ecip079/2007000207.html
- Bar, Gerald.
- Das Motiv des Doppelgangers als Spaltungsphantasie in der Literatur und im deutschen Stummfilm
Amsterdam ; New York : Rodopi, c2005.
MAIN: PT134.D67 B37 2005
- Barlow, John D.
- German Expressionist Film / John D. Barlow. Boston: Twayne, 1982. Series title: Twayne's filmmakers series.Main PN1993.5.G3 .B314Moffitt PN1993.5.G3 .B314 1982
- Berghahn, Daniela
- Hollywood behind the wall : the cinema of East Germany
Manchester ; New York : Manchester University Press, 2005.
MAIN: PN1993.5.G3 B37 2005
- Bergfelder, Tim.
- International adventures : German popular cinema and European co-productions in the 1960s New York : Berghahn Books, 2005.
MAIN: PN1993.5.G3 B37 2005
- Berlin, images in progress : contemporary Berlin filmmaking
- Edited by Jurgen Bruning and Andreas Wildfang. Buffalo, N.Y. : Hallwalls Contemporary Arts Center, 1989.
PFA : PN1993.5.G3 B47 1989; OS\
- Contents: The gay/Super 8 connection : Berlin / Jurgen Bruning -- A cinematically divided city / Karen Rosenberg -- Self portrait with skull / Birgit Hein -- Interview with Michael Brynntrup / Steff Ulbrich -- Moderns in ruins / Madeleine Leskin -- Sucking the city pulse : interview with Penelope Buitenhuis / Torsten Alisch -- "The inter-view!" (with Michael Krause) / Niels Kruger -- A story from a Berliner courtyard / Katarina Peters -- Excerpt from an interview with Katarina Peters / Masud Rajai -- Die Alten Filme / Andreas Dohler.
- Boa, Elizabeth.
- Heimat: a German dream: regional loyalties and national identity in German culture, 1890-1990
Oxford; New York: Oxford University Press, 2000.Main PT749.N3 B63 2000
- Bongartz, Barbara.
- Von Caligari zu Hitler, von Hitler zu Dr. Mabuse? : eine psychologische Geschichte des deutschen Films von 1946 bis 1960 / Barbara Bongartz.
Münster : MakS Publikationen, c1992.
Main (Gardner) Stacks PN1993.5.G3 B62 1992
- Brady, Martin and Helen Hughes
- "German cinema." In: The Cambridge companion to modern German culture / edited by Eva Kolinsky and Wilfried van der Will. Cambridge, UK ; New York, NY: Cambridge University Press, 1998. companions to culture.Main Stack DD204.C36 1998
- Byg, Barton
- Landscapes of Resistance: The German Films of Daniele Huillet and Jean-Marie Straub / Barton Byg. Berkeley: University of California Press, c1995.Main PN1998.3.S77 B94 1995
- Byrne, Richard Burdick
- German Cinematic Expressionism: 1919-1924. Ann Arbor, Mich, University Microfilms 1970.Main PN1993.5.G3 B9 1970
- Caligari's heirs : the German cinema of fear after 1945
- Edited by Steffen Hantke.
Lanham, Md. : Scarecrow Press, 2007.
Main Stack PN1995.9.H6.C37 2007
- Coates, Paul
- The Gorgon's Gaze: German Cinema, Expressionism, and the Image of Horror / Paul Coates. Cambridge [England]; New York: Cambridge University Press, 1991. Series title: Cambridge studies in film.Main PN1993.5.G3 C64 1991Moffitt PN1993.5.G3 C64 1991
- Collier, Jo Leslie
- From Wagner to Murnau: The Transposition of Romanticism from Stage to Screen / by Jo Leslie Collier. Ann Arbor, Mich.: UMI Research Press,
c1988.
Series title: Studies in cinema; no. 45.Main PN1998.3.M87 C641 1988
- Cooke, Paul
- Representing East Germany since unification : from colonization to nostalgia
Oxford ; New York : Berg, 2005.
Full-text of this book available online [UC Berkeley users only]
MAIN: DD289.5 .C66 2005
- Corrigan, Timothy.
- New German Film: The Displaced Image / Timothy Corrigan. Rev. ed. Bloomington: Indiana University Press, c1994.Main PN1993.5.G3 C67 1994
- The cosmopolitan screen : German cinema and the global imaginary, 1945 to the present
- Stephan K. Schindler and Lutz Koepnick, editors.
Ann Arbor : University of Michigan Press, c2007.
DD>Main (Gardner) Stacks PN1993.5.G3 C673 2007
- Coury, David N.
- "Servus Deutschland: Nostalgia for Heimat in Contemporary West German Cinema." In: Moving pictures, migrating identities / Eva Rueschmann. pp: 72-89. Jackson: University Press of Mississippi, c2003.Main Stack PN1995.9.E44.R84 2003Compar Ethn PN1995.9.E44.R84 2003
- Davidson, John E.
- Deterritorializing the New German Cinema / John E. Davidson. Minneapolis, Minn.: University of Minnesota Press, c1999.
Full-text available online [UC Berkeley users only]
UCB Main PN1993.5.G3 D34 1999
- Diethe, Carol
- "Beauty and the beast: an investigation into the role and function of women in German expressionist film." In: Visions of the "Neue Frau": women and the visual arts in Weimar Germany / edited by Marsha Meskimmon and Shearer West. Aldershot, England: Scolar Press ; Brookfield, Vt., USA: Ashgate Pub. Co., c1995.Main Stack NX550.A1.V57 1995
- Dickos, Andrew
- "German expressionism and the roots of the film noir." In: Street with no name: a history of the classic American film noir
Lexington: University Press of Kentucky, c2002.Main Stack PN1995.9.F54.D53 2002Moffitt PN1995.9.F54.D53 2002
- Eisner, Lotte H.
- The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt / by Lotte H. Eisner; [translated from the French by Roger Greaves]. Berkeley: University of California Press, 1973, c1969.Main PN1993.5.G3 E512 1973Moffitt PN1993.5.G3E513 1969
- Elsaesser, Thomas.
- New German Cinema: A History / Thomas Elsaesser. New Brunswick, N.J.:Rutgers University Press, 1989.Main PN1993.5.G3 E571 1989Moffitt PN1993.5.G3 E57 1989
- Elsaesser, Thomas.
- "Film history and visual pleasure: Weimar cinemar."
In:Cinema histories, cinema practices / edited by Patricia Mellencamp and Philip Rosen. Frederick, MD: University Publications of America, c1984. American Film Institute monograph series ; v. 4Main Stack PN1995.C4971 1984
- Elsaesser, Thomas.
- Weimar cinema and after: Germany's historical imaginary London; New York: Routledge, 2000.Main PN1993.5.G3 E58 2000
- Expressionist film--new perspectives
- Edited by Dietrich Scheunemann. Rochester, NY: Camden House, 2003. Studies in German literature, linguistics, and culture (Unnumbered)Main Stack PN1993.5.G3.E94 2003
- Contents: Activating the differences: expressionist film and early Weimar cinema / Dietrich Scheunemann -- Weimar cinema, mobile selves, and anxious males: Kracauer and Eisner revisited / Thomas Elsaesser -- Revolution, power, and desire in Ernst Lubitsch's Madame Dubarry / Marc Silberman -- "Bringing the ghostly to life": Fritz Lang and his early Dr. Mabuse films / Norbert Grob -- Murnau, a conservative filmmaker?: on film history as intellectual history / Thomas Koebner -- The double, the decor, and the framing device: once more on Robert Wiene's The cabinet of Dr. Caligari / Dietrich Scheunemann -- Film as graphic art: on Karl Heinz Martin's From morn to midnight / Jurgen Kasten -- Episodic patchwork: the bric-a-brac principle in Paul Leni's Waxworks / Jurgen Kasten -- Entrapment and escape: readings of the city in Karl Grune's The street and G.W. Pabst's The joyless street / Anthony Coulson -- Fragmenting the space: on E.A. Dupont's Variete / Thomas Brandlmeier -- On Murnau's Faust: a generic Gesamtkunstwerk? / Helmut Schanze -- "Painting in time" and "visual music": on German avant-garde films of the 1920s / Walter Schobert -- Ruttmann, rhythm, and "reality": a response to Siegfried Kracauer's interpretation of Berlin, the symphony of a great city / David Macrae.
- Fehrenbach, Heide.
- Cinema in Democratizing Germany: Reconstructing National Identity After HitlerChapel Hill: University of North Carolina
Press, c1995.
UCB Main PN1993.5.G3 F35 1995
Contents via Google books
- Feinstein, Joshua.
- The triumph of the ordinary: depictions of daily life in the East German cinema, 1949-1989
Chapel Hill: University of North Carolina Press, c2002.
Full-text of this book available online via ebrary [UC Berkeley users only]
UCB Main MAIN: PN1993.5.G3 F37 2002
- Films from the Federal Republic of Germany.
- Bonn: Press and Information
Office of the Federal Government: Inter Nationes, 1986-Main PN1993.8.G3 F4 1986 v.1, suppl (1986-1989)
- The Films of Hellmuth Costard
- Compiled and edited by Jan Dawson. London: Riverside Studios, 1979.Main PN1988.A3 .C786
- Fisher, Jaimey
- "On the Ruins of Masculinity: The Figure of the Child in Italian Neorealism and the German Rubble-Film." In: Italian neorealism and global cinema / edited by Laura E. Ruberto & Kristi M. Wilson. Detroit : Wayne State University Press, 2007.
Main Stack PN1993.5.I88.I76 2007
- Flinn, Caryl.
- The new German cinema: music, history, and the matter of style Berkeley: University of California Press, c2004.
Full-text of this book available online [UC Berkeley users only]
MAIN: PN1993.5.G3 F57 2004Moffitt PN1993.5.G3 F57 2004
- Fox, Thomas C.
- Stated memory: East Germany and the Holocaust /
Rochester, NY; Camden House, 1999.Main DS135.G332 F69 1999
- Framing the Past: The Historiography of German Cinema and Television /
- Edited by Bruce A. Murray and Christopher J. Wickham. Carbondale: Southern Illinois University Press, c1992.Main PN1993.5.G3 F67 1992Moffitt PN1993.5.G3 F67 1992
- Franklin, James C.
- New German Cinema: from Oberhausen to Hamburg / James Franklin. Boston: Twayne, 1983.Series title: Twayne's Filmmakers Series.Main PN1993.5.G3 F7Moffitt PN1993.5.G3 F7
- Gender and German Cinema: Feminist Interventions
- Edited by Sandra Frieden ... [et al.]. Providence: Berg, 1993.Main PN1993.5.G3 G357 1993 v.1-2 (1993)
- The German cinema book
- Edited by Tim Bergfelder, Erica Carter and Deniz Göktürk.
London : BFI Pub., 2002.
Main (Gardner) Stacks PN1993.5.G3 G47 2002
- German cinema : since unification
- Edited by David Clarke.
London ; New York : Continuum, c2006.
Main (Gardner) Stacks PN1993.5.G3 G359 2006
- German essays on film
- Edited by Richard W. McCormick and Alison Guenther-Pal.
New York: Continuum, 2004.MAIN: PN1994 .G425 2004Contents via Google books
- The German Experimental Film of the Seventies
- Edited by Ulrich Gregor. Munchen: Goethe-Institut, 1980.Main PN1993.5.G3 G47 1980
- German experimental films : from the beginnings to 1970
- [Goethe Institute].
Munich : The Institute, 1981.
Main (Gardner) Stacks PN1993.5.G3 G4683 1981
- German Film & Literature: Adaptations and Transformations
-
Edited by Eric Rentschler. New York: Methuen, 1986.Main PN1993.5.G3 G361 1986Moffitt PN1993.5.G3 G36 1986
- German cinema : since unification
- Edited by David Clarke. London ; New York : Continuum, c2006.
MAIN: PN1993.5.G3 G359 2006
- Gleber, Anke
- The art of taking a walk: flanerie, literature, and film in Weimar culture / Anke Gleber. Princeton, N.J.: Princeton University Press, c1999.Main Stack NX652.F55.G64 1999
- Goss, Mimi Tennyson.
- The Democratic Spirit of the Weimar Cinema / Mimi Tennyson Goss.[Cambridge, Mass.]: Research Programs, John F. Kennedy School of Government, Harvard University, 1994.Series title: Faculty research Working Paper Series; R94-12.IGS A9533 R94-12
- Guerin, Frances.
- A culture of light: cinema and technology in 1920s Germany
Minneapolis: University of Minnesota Press, c2005.
Full-text of this book available online [UC Berkeley users only]
MAIN: PN1993.5.G3 G84 2005
- Hake, Sabine
- German national cinema London; New York: Routledge, 2008.
Main (Gardner) Stacks PN1993.5.G3 H28 2008
Main PN1993.5.G3 H28 2002 [earlier edition]
- Hales, Barbara.
- "Blonde Satan: Weimar Constructions of the Criminal Femme Fatale." In: Commodities of desire: the prostitute in modern German literature / Eited by Christiane Schonfeld. pp: 131-52. Rochester, NY: Camden House, 2000. Studies in German literature, linguistics, and culture (Unnumbered)
Main Stack PT345.C58 2000
- Halle, Randall.
- German film after Germany : toward a transnational aesthetic / Randall Halle.
Urbana : University of Illinois Press, c2008.
Main (Gardner) Stacks PN1993.5.G3 H32 2008
- Hardt, Ursula.
- From Caligari to California: Erich Pommer's life in the international film wars.
Providence: Berghahn Books, 1996.Main PN1998.3.P66 H37 1996
- Helt, Richard C.
- West German Cinema, 1985-1990: A Reference Handbook / by Richard C. Helt
and Marie E. Helt. Metuchen, N.J.: Scarecrow Press, 1992.Main PN1993.5.G3 H426 1992
- Heckmann-Yalcin, Lale.
- "Negotiating Identities: Media Representations of Different Generations of Turkish Migrants in Germany." In: Fragments of culture: the everyday of modern Turkey / edited by Deniz Kandiyoti and Ayse Saktanber. London ; New York: I.B. Tauris, 2002.Anthropology DR432.F73 2002b
- Helt, Richard C.
- West German Cinema Since 1945: A Reference Handbook / by Richard C. Helt and Marie E. Helt. Metuchen, N.J.: Scarecrow Press, 1987.Main PN1993.5.G3 H435 1987Moffitt PN1993.5.G3 H435 1987 Ref.
- Hillman, Roger.
- Unsettling scores: German film, music, and ideology
Bloomington: Indiana University Press, c2005.
MUSI: ML2075 .H54 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0421/2004019209.html
- Jelavich, Peter.
- Berlin Alexanderplatz: radio, film, and the death of Weimar culture
Berkeley: University of California Press, c2006.
MAIN: PT2607.O35 B51353 2006
Table of contents http://www.loc.gov/catdir/toc/ecip058/2005005285.html
- Kaes, Anton.
- From Hitler to Heimat: The Return of History as Film / Anton Kaes. Cambridge, Mass.: Harvard University Press, 1989.Main PN1993.5.G3 K29131 1989Moffitt PN1993.5.G3 K2913 1989
- Kaes, Anton.
- Deutschlandbilder : die Wiederkehr der Geschichte als Film / Anton Kaes. München : Edition Text + Kritik, c1987.
Main (Gardner) Stacks PN1993.5.G3 K291 1987
Graduate Services PN1993.5.G3 K29 1987
Moffitt PN1993.5.G3 K291 1987 c.11
- Kaes, Anton.
- Expressionismus in Amerika : Rezeption u. Innovation / Anton Kaes. Tübingen : Niemeyer, 1975.
Main (Gardner) Stacks PT35 .S7 v. 43
- Kaes, Anton.
- Weimar Cinema: The Predicament of Modernity." In: European cinema / edited by Elizabeth Ezra.
Oxford : New York : Oxford University Press, c2004.
Main: PN1993.5.E8 E96 2004
Moffitt: PN1993.5.E8 E96 2004
PFA: PN1993.5.E8 E96 2004
- Kester, Bernadette
- Film front Weimar: representations of the First World War in German films on the Weimar period (1919-1933) Amsterdam: Amsterdam University Press, c2003.
Full-text available online [UC Berkeley users only]
MAIN: D522.22 .K4713 200
- Knight, Julia.
- New German cinema: images of a generation
London ; New York: Wallflower, 2004.MAIN: PN1993.5.G3 K578 2004
- Knight, Julia.
- New German cinema: images of a generation
London ; New York: Wallflower, 2004.MAIN: PN1993.5.G3 K578 2004;
- Knight, Julia.
- Women and the New German Cinema / Julia Knight. London; New York: Verso, 1992.Series title: Questions for Feminism. Main PN1993.5.G3 K58 1992
- Koch, Gertrud
- Siegfried Kracauer: an introduction / Gertrud Koch;translated by Jeremy Gaines. Princeton, N.J.: Princeton University Press, c2000.Main PT2621.R135; Z7613 2000
- Koepnick, Lutz.
- The dark mirror: German cinema between Hitler and Hollywood / Berkeley: University of California Press, c2002.
Full-text of this book available online via ebrary [UC Berkeley users only]
MAIN: PN1993.5.G3 K645 2002Moffitt PN1993.5.G3 K645 2002
- Koepnick, Lutz.
- Framing attention : windows on modern German culture / Lutz Koepnick. Baltimore : Johns Hopkins University Press, 2007.
Full text available online (UC Berkeley users only)
Main Stack NX650.W57.K64 2007
- Kracauer, Siegfried
- From Caligari to Hitler: a psychological history of the German film Princeton, N.J.: Princeton University Press, 2004.MAIN: PN1993.5.G3 K7 2004PFA: PN1993.5.G3 K72 2004Main PN1993.5.G3 K71 1947 [earlier edition]Moffitt PN1993.5.G3 K7 [earlier edition]
- Kuzniar, Alice A.
- The queer German cinema Stanford, Calif.: Stanford University Press, c2000.
Full-text of this book available online via ebrary [UC Berkeley users only]
Main PN1995.9.H55 K89 2000
- Langford, Michelle.
- Allegorical images : tableau, time and gesture in the cinema of Werner Schroeter
Bristol, UK ; Portland, OR, USA : Intellect, 2006.
Main (Gardner) Stacks PN1998.3.S359 L36 2006
- Light motives: German popular film in perspective
- Edited by Randall Halle and Margaret McCarthy. Detroit, Mich.: Wayne State University Press, c2003. Contemporary film and television series.Main Stack PN1993.5.G3.L54 2003
- Linville, Susan E., (Susan Elizabeth)
- Feminism, Film, Fascism: Women's Auto/biographical Film in Postwar Germany / Susan E. Linville. 1st University of Texas Press ed. Austin: University of Texas Press, 1998.
Full-text of this book available online via ebrary [UC Berkeley users only]
UCB Main PN1993.5.G3 L56 1998
- Manvell, Roger
- The German Cinema [by] Roger Manvell and Heinrich Fraenkel. New York, Praeger Publishers [1971].Moffitt PN1993.5.G3 M3
- McCormick, Richard W.
- Gender and sexuality in Weimar modernity: film, literature, and "new objectivity" New York: Palgrave, 2001.MAIN: PN1993.5.G3 M39 2001
- McCormick, Richard W.
- "Gender, film, and German history: filmmaking by German women directors from Weimar to the present." In: Facing fascism and confronting the past: German women writers from Weimar to the present / edited by Elke P. Frederiksen, et al. Albany, NY: State University of New York Press, c2000.Main Stack PT405.F295 2000
- Meurer, Hans Joachim.
- Cinema and national identity in a divided Germany, 1979-1989: the split screen Lewiston, N.Y.: Edwin Mellen Press, 2000.UCB Main PN1993.5.G3 M48 2000
- Monaco, Paul.
- Cinema and Society: France and Germany During the Twenties / Paul Monaco. New York: Elsevier, c1976.Main PN1995.9.S6 M61Moffitt PN1995.9.S6 M61
- Murray, Bruce Arthur.
- Film and the German Left in the Weimar Republic: From Caligari to Kuhle Wumpe / by Bruce Murray. 1st ed. Austin: University of Texas Press, 1990.Main PN1993.5.G3 M87 1990Moffitt PN1993.5.G3 M87 1990
- Naughton, Leonie.
- That was the wild East: film culture, unification, and the "new" Germany Ann Arbor: University of Michigan Press, c2002.Main PN1993.5.G3 N28 20
- New German Filmmakers: From Oberhausen Through the 1970s
- Edited by Klaus Phillips. New York: Ungar Pub. Co., c1984.Main PN1993.5.G3 N481 1984
- Oksiloff, Assenka
- Picturing the primitive: visual culture, ethnography, andearly German cinema. New York: Palgrave, , 2001.Anthropology GN347; .O38 2001
- Ott, Frederick W.
- The Great German Films / by Frederick W. Ott. Secaucus, N.J.: Citadel Press, c1986.Main PN1993.5.G3 O881 1986Moffitt PN1993.5.G3 O881 1986
- Peripheral visions: the hidden stages of Weimar cinema
- Edited by Kenneth S. Calhoon. Detroit: Wayne State
University Press, c2001.Main Stack PN1993.5.G3; P39 2001
- Performance and performativity in German cultural studies
- Carolin Duttlinger, Lucia Ruprecht, Andrew Webber (eds.). Oxford ; New York: P. Lang, c2003. German linguistic and cultural studies ; v. 14Main Stack PF3074.8.P47 2003
- Perspectives on German Cinema
- Edited by Terri Ginsberg and Kirsten Moana
Thompson. New York: G.K. Hall; London: Prentice Hall International, c1996.Series title: Perspectives on film.UCB Main PN1993.5.G3 P42 1996
- Petley, Julian.
- Capital and Culture: German Cinema, 1933-45 / Julian Petley. London: Educational Advisory Service, British Film Institute, 1979.Main PN1993.5.G3 .P44
- Petro, Patrice
- Aftershocks of the new : feminism and film history / Patrice Petro.
New Brunswick, N.J. : Rutgers University Press, c2002.
Main (Gardner) Stacks PN1995.9.W6 P485 2002
Contents: Introduction -- The "place" of television in film studies -- Feminism and film history -- German film theory and Anglo-American film studies -- After shock, between boredom and history -- Historical ennui, feminist boredom -- World weariness, Weimar women, and visual culture -- Nazi cinema at the intersection of the classical and the popular -- The Hottentot and the Blonde Venus -- Film feminism and nostalgia for the seventies.
- Petro, Patrice
- Joyless Streets: Women and Melodramatic Representation in Weimar Germany Patrice Petro. Princeton, N.J.: Princeton University Press, c1989.Main PN1993.5.G3 P435 1989Moffitt PN1993.5.G3 P435 1989
- Petro, Patrice
- "Perceptions of Difference: Woman as Spectator and Spectacle."
In: Women in the metropolis: gender and modernity in Weimar culture / edited by Katharina von Ankum. pp: 41-66. Berkeley: University of California Press, c1997. Weimar and now ; 11Main Stack HQ1623.W66 1997
- Petro, Patrice
- "World weariness, Weimar women, and visual culture." In: Aftershocks of the new: feminism and film history / Patrice Petro. New Brunswick, N.J.: Rutgers University Press, c2002.Main Stack PN1995.9.W6.P485 2002
- Pflaum, Hans Gunther.
- Germany on Film: Theme and Content in the Cinema of the Federal Republic of Germany / Hans Gunther Pflaum; edited by Robert Picht; translated by Richard C. Helt and Roland Richter. Detroit: Wayne State University Press, 1990.Series title: Contemporary film and television studies and readers.Main PN1993.5.G3 P4413 1990Moffitt PN1993.5.G3 P4413 1990
- Phillips, Alastair.
- City of darkness, city of light: emigré filmmakers in Paris 1929-1939 / Alastair Phillips.
Amsterdam : Amsterdam University Press, c2004.
Full-text available online (UCB users only)
Main (Gardner) Stacks PN1993.5.F7 P45 2004 AVAILABLE
Pacific Film Archive PN1993.5.F7 P45 2004
- Pilgert, Henry P.
- Press, Radio and Film in West Germany, 1945-1953, [n.p.] Historical Division, Office of the Executive Secretary, Office of the U. S. High Commissioner for Germany, 1953. Main PN5208 .P5 NRLF $B 119 194 T
>
- Prawer, Siegbert Salomon
- Between two worlds : the Jewish presence in German and Austrian film, 1910-1933
New York : Berghahn Books, 2005.
Main Stack PN1995.9.J46.P73 2005
- Processes of transposition : German literature and film / edited by Christiane Schönfeld ; in collaboration with Hermann Rasche. Amsterdam ; New York : Rodopi, 2007.
- Main (Gardner) Stacks PN1993.5.G3 P756 2007
- Reimer, Robert C. (Robert Charles), 1943-
- Historical dictionary of German cinema / Robert C. Reimer, Carol J. Reimer.
Lanham, Md. : Scarecrow Press, 2008.
Main (Gardner) Stacks PN1993.5.G3 R417 2008
- Reimer, Robert C. (Robert Charles)
- Nazi-retro Film: How German Narrative Cinema Remembers the Past / Robert C. Reimer, Carol J. Reimer. New York: Twayne; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, 1992.Series title: Twayne's Filmmakers Series.Main PN1995.9.N36 R45 1992Moffitt PN1995.9.N36 R45 1992
- Rentschler, Eric.
- West German Film in the Course of Time: Reflections on the Twenty Years Since Oberhausen / Eric Rentschler. Bedford Hills, N.Y.: Redgrave Pub. Co., 1984.Main PN1993.5.G3 R44 1984Moffitt PN1993.5.G3 R44 1984
- Rentschler, Eric.
- The Ministry of Illusion: Nazi Cinema and Its Afterlife / Eric Rentschler. Cambridge, Mass.: Harvard University Press, 1996.UCB Main PN1995.9.N36 R46 1996
- Rhiel, Mary
- Re-viewing Kleist: The Discursive Construction of Authorial Subjectivity in West German Kleist Films / Mary Rhiel. New York: P. Lang, c1991.Series title: Studies in Modern German Literature vol. 44.Main PT2379.Z5 R45 1991
- Rickels, Laurence.
- "The Demonization of the Home Front: War Neurosis and Weimar Cinema." In: Dancing on the volcano: essays on the culture of the Weimar Republic / edited by Thomas W. Kniesche, Stephen Brockmann. pp: 181-93. Columbia, SC, USA: Camden House, c1994. Studies in German literature, linguistics, and culture (Unnumbered)Main Stack DD239.D36 1994
- Rinke, Andrea.
- Images of women in East German cinema, 1972-1982 : socialist models, private dreamers and rebels Lewiston, N.Y. : Edwin Mellen Press, c2006.
MAIN: PN1995.9.W6 R495 2006
- Rinke, Andrea.
- "Models or Misfits? The Role of Screen Heroines in GDR Cinema."
In: Triangulated visions: women in recent German cinema / edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. pp: 207-18. Albany: State University of New York Press, c1998. SUNY series in feminist criticism and theory. SUNY series, cultural studies in cinema/video.Main Stack PN1995.9.W6.T75 1998
- Roberts, Ian
- German expressionist cinema : the world of light and shadow / Ian Roberts.
London ; New York : Wallflower Press, 2008.
Main (Gardner) Stacks PN1993.5.G3 R56 2008
- Sandford, John
- The New German Cinema / John Sandford. New York: Da Capo Press, [1982] c1980. Series title: A Da Capo paperback.Main PN1993.5.G3 S3 1982
- Santner, Eric L.
- Stranded Objects: Mourning, Memory, and Film in Postwar Germany / Eric
L. Santner. Ithaca, N.Y.: Cornell University Press, 1990.Main PN1993.5.G3 S33 1990Moffitt PN1993.5.G3 S33 1990
- Saunders, Thomas J.
- Hollywood in Berlin: American Cinema and Weimar Germany / Thomas J. Saunders. Berkeley: University of California Press, c1994.
Series title: Weimar and now; 6.
UC users only
Main PN1993.5.G3 S34 1994Moffitt PN1993.5.G3 S34 1994
- Schmidt, Klaus M.
- Lexikon Literaturverfilmungen: Verzeichnis deutschsprachige Filme, 1945-2000 Stuttgart: Metzler, 2001.MAIN: PN1993.5.G3 S5 2001
- Science, technology and German cultural imagination : papers from the Conference 'The fragile tradition', Cambridge 2002.
- Christian Emden & David Midgley (eds). Vol. 3 Oxford ; New York : P. Lang, c2005.
Main Stack D208.P36 2004 v.3
- A Second life: German Cinema's First Decades
- Edited by Thomas Elsaesser, with Michael Wedel. Amsterdam: Amsterdam University Press, c1996.Series title: Film culture in transition.UCB Main PN1993.5.G3 S42 1996
- Shandley, Robert R.
- Rubble films: German cinema in the shadow of the Third
Reich / Robert R. Philadelphia, PA: Temple University Press, c2001.Main PN1993.5.G3; S53 2001
- Silberman, Marc
- German Cinema: Texts in Context / Marc Silberman. Detroit: Wayne State University Press, c1995.Series title: Contemporary film and television series.UCB Main PN1993.5.G3 S54 1995
- Siodmak Bros.: Berlin-Paris-London-Hollywood
- Berlin: Argon, 1998. MAIN: PN1998.3.S54 S56 1998
- Siodmak, Robert
- Zwischen Berlin und Hollywood: Erinnerungen eines grossen Filmregisseurs
Munchen: Herbig, 1980.MAIN: PN1998.A3 S54327 1980
- Staskowski, Andrea.
- Conversations with experience: feminist hermeneutics and the autobiographical films of German women New York: P. Lang, c2004.MAIN: PN1995.9.W6 S77 2004
- Stemmer, Michael
- Western Movie Composers: A Selected, Annotated Listing of 2006 Genre Films Shown in Germany
- Compiled and edited by Michael Stemmer. Berlin: Wiesjahn, 1996, c1995.
UCB MusicML128.M7 S84 1996 Ref
- Compiled and edited by Michael Stemmer. Berlin: Wiesjahn, 1996, c1995.
- Textual responses to German unification: processing historical and social change in literature and film
- Edited by Carol Anne Costabile-Heming, Rachel J. Halverson, Kristie A. Foell.
\Berlin; New York: W. de Gruyter, 2001.Main Stack PT405 .T435 2001
- Thomas, Douglas B.
- The early history of German motion pictures, 1895-1935 /
Washington, D.C.: Thomas International, c1999.
Main PN1993.5.G3 T46 1999
Contents via Google books
- Thomas, Douglas B.
- The early history of German motion pictures, 1895-1935 / by Douglas B. Thomas.
Washington, D.C. : Thomas International, c1999.
Main (Gardner) Stacks PN1993.5.G3 T46 1999
- Thompson, Kristin
- Herr Lubitsch goes to Hollywood : German and American film after World War I / Kristin Thompson.
Amsterdam : Amsterdam University Press, c2005.
Full-text available online (UCB users only)
Main (Gardner) Stacks PN1998.3.L83 T46 2005
Pacific Film Archive PN1998.3.L83 T46 2005
- Triangulated Visions: Women in Recent German Cinema
- Edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. Albany: State University of New York Press, c1998. SUNY series in feminist criticism and theory SUNY series, cultural studies in cinema/videoMain Stack PN1995.9.W6.T75 1998
- Von Moltke, Johannes
- Beyond authenticity : experience, identity, and performance in the new German cinema / by Johannes Von Moltke.
Von Moltke, Johannes, 1966-
1998.
Main (Gardner) Stacks PN1993.5.G3 V66 1998a
- Von Moltke, Johannes
- No place like home: locations of Heimat in German cinema
Berkeley: University of California Press, c2005.
Full-text of this book available online [UC Berkeley users only]
MOFF: PN1995.9.H4 V66 2005
- Wager, Jans B.
- Dangerous Dames: Women and Representation in the Weimar Street Film and Film Noir / Jans B. Wager. Athens: Ohio University Press, c1999.Main Stack PN1995.9.F44.W35 1999
- Ward, Janet
- Weimar surfaces: urban visual culture in 1920s Germany / Janet Ward. Berkeley: University of California Press, c2001. Weimar and now ; 27Main Stack NX550.A1.W37 2001
- Wayne, Mike.
- "After The Fall: Cinema and Central and Eastern Europe" In: The politics of contemporary European cinema : histories, borders, diasporas
Bristol, UK ; Portland, Or. : Intellect Books, 2002.
Full-text of this book available online via ebrary [UC Berkeley users only]
PFA : PN1993.5.E82 W29 2002
- Weidauer, Friedemann. From
- "'World Conspiracy' to 'Cultural Imperialism': The History of Anti-Plutocratic Rhetoric in German Film." In:The Terministic screen: rhetorical perspectives on film / edited by David Blakesley. pp: 190-210. Carbondale: Southern Illinois University Press, c2003.Main Stack PN1994.T47 2003
- Welch, David
- Propaganda and the German cinema, 1933-1945
London ; New York : I.B. Tauris ; New York : Distributed by St. Martin's Press, 2001.
Full-text of online [UC Berkeley users only]
PFA : PN1995.9.N36 W45 2001
MAIN: DD256.5 .W432 1983 (another edition)
- Welch, David.
- Propaganda and the German Cinema, 1933-1945 / David Welch. Oxford: Clarendon Press; New York: Oxford University Press, 1983.
Main PN1993.5.G3 W4 1983Moffitt PN1993.5.G3 W4 1983
- West German Filmmakers on Film: Visions and Voices
- Edited by Eric Rentschler. New York: Holmes & Meier, c1988.Series title: Modern German Voices Series.Main PN1993.5.G3 W441 1988Moffitt PN1993.5.G3 W44 1988
- Wilharm, Irmgard.
- Bewegte Spuren : Studien zur Zeitgeschichte im Film
Hannover : Offizin, 2006.
Main: PN1993.5.G3 W57 2006
- Wollenberg, Hans H.
- Fifty Years of German Film [tr. by Ernst Sigler]. London, Falcon Press [1948].Series title: National cinema series.Main PN1993.5.G3 W63 1948
- Zonal Film Archives (Hamburg, Germany)
- Catalogue of forbidden German feature and short film productions held in Zonal Film Archives of Film Section, Information Services Division, Control Commission for Germany, (BE) / original text by John F. Kelson. Westport, Conn.: Greenwood Press, 1996.UCB Main PN1995.65.G5 Z66 1996
- General Works: Books in German and Other Languages
- Der Alte Film war tot : 100 Texte zum westdeutschen Film 1962-1987
- herausgegeben und mit einem aktuellen Vorwort versehen von Hans Helmut Prinzler und Eric Rentschler. Frankfurt am Main : Verlag der Autoren, 2001.
Main (Gardner) Stacks PN1993.5.G3 A45 2001
- Auf neuen Wegen : 5 Jahre fortschrittlicher deutscher Film. DEFA. Berlin : Deutscher Filmverlag, [1951]
NRLF (UCB) PN1993.5.G3 D38
- Autorenfilm-Filmautoren : beiträge und diskussionen
- von und mit Jörg Becker, Dieter Berner... Wien : Wespennest, 1996.
Main (Gardner) Stacks PN1995.9.A837 A87 1996
- Babelsberg : Ein Filmstudio 1912-1992
- herausgegeben von Wolfgang Jacobsen. Berlin : Argon, 1992.
NRLF (UCB) PN1993.5.G3 B33 1992
- Beyer, Frank
- Wenn der Wind sich dreht: meine Filme, mein Leben Munchen: Econ, 2001.
MAIN: PN1998.3.B53 A38 2001">
- Blunk, Harry
- Die DDR in ihren Spielfilmen : Reproduktion und Konzeption der DDR-Gesellschaft im neueren DEFA-Geg / Harry Blunk. München : Profil, c1984.
Main (Gardner) Stacks PN1999.D4 B5 1984
- Brauerhoch, Annette.
- "Frauleins" und GIs : Geschichte und Filmgeschichte Frankfurt am Main : Stroemfeld/Nexus, c2006.
MAIN: D743.23 .B73 2006
- Buache, Freddy.
- Le cinéma allemand, 1918-1933 / Freddy Buache ; préface de Michel Soutter. Renens [Switzerland] : 5 Continents ; [Paris] : Hatier, [1984]
Main (Gardner) Stacks PN1993.5.G3 B831 1984
- Cadars, Pierre.
- Le cinéma nazi / Pierre Cadars [et] Francis Courtade. Paris : E. Losfeld, 1972.
Main (Gardner) Stacks PN1993.5.G3 C3
- Le cinéma allemand
- Bernard Eisenschitz ; ouvrage publié sous la direction de Francis Vanoye. Eisenschitz, Bernard. Paris : Nathan université, c1999.
Main (Gardner) Stacks PN1993.5.G3 E474 1999
- Cossart, Axel von
- Kino, Theater des Expressionismus : das literarische Resümee einer Besonderheit / Axel von Cossart. Essen : Verlag Die Blaue Eule, c1985.
NRLF (UCB) PN1993.5.G3 C6751 1985
- Courtade, Francis.
- Cinéma expressionniste / Francis Courtade ; avec le concours de la Cinémathèque de Toulouse. Courtade, Francis. Paris : H. Veyrier, c1984.
Main (Gardner) Stacks PN1993.5.G3 C681 1984
- Courtade, Francis.
- Cinema nazi. / German München : C. Hanser, c1975.
Main (Gardner) Stacks PN1993.5.G3 C85 1975
- Courtade, Francis.
- Jeune cinéma allemand. Lyon, SERDOC, Société d'études, recherches et documentation cinématographiques, 1969.
Main (Gardner) Stacks PN1993 .P7 no.53
- Der Deutsche Film : Aspekte seiner Geschichte von den Anfängen bis zur Gegenwart
- Uli Jung (Hg.). Trier : Wissenschaftlicher Verlag, 1993.
NRLF (UCB) PN1993.5.G3 D396 1993
- Der Deutsche Heimatfilm : Bildwelten und Weltbilder : Bilder, Texte, Analysen zu 70 Jahren deutsche
- Projektgruppe Deutscher Heimatfilm ; Leitung, Wolfgang Kaschuba ; [Schreibarbeiten, Beate Bechtold-C Tübingen : Tübinger Vereinigung für Volkskunde, 1989.
Main (Gardner) Stacks PN1995.9.N354 D48 1989
- Deutsche Universal: transatlantische Verleih- und Produktionsstrategien eines Hollywood-Studios in den 20er und 30er Jahren
- Munchen: Edition Text + Kritik, 2001.
MAIN: PN1999.U585 D48 2001
- Drewniak, Boguslaw.
- Der Deutsche Film 1938-1945 : ein Gesamtüberblick / Boguslaw Drewniak. Düsseldorf : Droste, c1987.
Main (Gardner) Stacks PN1993.5.G3 D741 1987
- Dziergwa, Roman
- Am Vorabend des Grauens : Studien zum Spannungsfeld Politik, Literatur, Film in Deutschland und Polen in den 30er Jahren des 20. Jahrhunderts Frankfurt am Main ; New York : P. Lang, c2005.
MAIN: PT405 .D85 2005;
- Eke, Norbert Otto
- Wort/Spiele : Drama, Film, Literatur / von Norbert Otto Eke. Berlin : Erich Schmidt, c2007.
Main (Gardner) Stacks PT611 .E54 2007
- Es geht auch anders : Gesprache uber Leben, Film und Fernsehen
- Berlin : Bertz + Fischer, c2006.
MAIN: PN1993.5.G3 E8 2006
- Fantastique et réalisme dans le cinéma allemand 1912-1933. Catalogue de la rétrospective / présentée par le Musée du cinéma, la Staatliches Filmarchiv der Deutschen Demokratischen Republik et Bruxelles, Musée du inéma, Palais des beaux-arts, [rue Baron Horta, 9], 1969.
Main (Gardner) Stacks PN1993.5.G3 F3
- Fiedler, Manuela.
- Heimat im deutschen Film : ein Mythos zwischen Regression und Utopie / Manuela Fiedler. Alfeld/Leine : Coppi-Verlag, 1997.
Main (Gardner) Stacks PN1995.9.N354 F54 1997
- Film in Berlin : 5 Jahre Berliner Filmförderung
- [herausgegeben vom Senator für Wirtschaft und Verkehr ; Redaktion, Hubert Ortkemper]. Berlin : Colloquium Verlag, c1983.
NRLF (UCB) PN1993.5.G3 F45 1983
- Film und Gesellschaft in Deutschland : Dokumente u. Materialien / Wilfried von Bredow, Rolf Zurek (Hrsg.). Hamburg : Hoffmann und Campe, 1975.
Main (Gardner) Stacks PN1993.5.G3 F481
- Film und Literatur : literarische Texte und der neue deutsche Film
- hrsg. von Sigrid Bauschinger, Susan L. Cocalis und Henry A. Lea. Bern ; München : Francke, 1984.
Main (Gardner) Stacks PN1993.5.G3 F483 1984
- Film und Realität in der Weimarer Republik : mit Analysen d. Filme "Kuhle Wampe" u. "Mutter Krause
- hrsg. von Helmut Korte. München ; Wien : Hanser, 1978.
NRLF (UCB) PN1993.5.G3 F485 1978
- Film und revolutionäre Arbeiterbewegung in Deutschland, 1918 - 1932 : Dokumente u. Materialien / zusammengestellt u. eingel. von Gertraude Kühn, Karl Tümmler, Walter Wimmer ; Hochschule f. Film u. Berlin : Henschelverlag Kunst u. Gesellschaft, 1975.
Main (Gardner) Stacks PN1993.5.G3 F49 1975
- Filmstadt Babelsberg : zur Geschichte des Studios und seiner Filme
- herausgegeben von Axel Geiss für das Filmmuseum Potsdam. Berlin : Nicolai, c1994.
Main (Gardner) Stacks PN1999.D4 F57 1994
- Fischer, Robert.
- Der neue deutsche Film, 1960-1980 / Robert Fischer, Joe Hembus ; Vorwort Douglas Sirk München : Goldmann, 1981
Main (Gardner) Stacks PN1993.5.G3 .F55 1981
- Fürstenau, Theo
- Film. Junge deutsche Produktion. / (Hrsg. vom Deutschen Institut für Filmkunde.) (München [vielm., Pullach Berlin, Verlag Dokumentation [in Komm., 1969].)
Main (Gardner) Stacks PN1993.5.G3 .F85
- Gdinetmao : Abweichungen vom deutschen Film
- Rainer Knepperges (Hg.) ; Texte von Stefan Ertl und Rainer Knepperges ; mit Gastbeiträgen von Erik G Berlin : Maas , 2000.
Main (Gardner) Stacks PN1993.5.G3 G33 2000
- Gersch, Wolfgang.
- Szenen eines Landes : die DDR und ihre Filme Berlin : Aufbau-Verlag, 2006.
MAIN: PN1993.5.G3 G375 2006
- Geschichte des deutschen Films
- Herausgegeben von Wolfgang Jacobsen, Anton Kaes und Hans Helmut Pri Stuttgart : Metzler, c2004.
Main (Gardner) Stacks PN1993.5.G3 G385 2004
Main (Gardner) Stacks PN1993.5.G3 G385 1993 [Earlier edition]
- "Getürkte Bilder" : zur Inszenierung von Fremden im Film
- / Ernst Karpf, Doron Kiesel, Karsten Visarius (Hrsg.). Marburg : Schüren, c1995.
Main (Gardner) Stacks PN1995.9.A48 G48 1995
- Göttsche, Frauke.
- Geometrie im Film : Fritz Langs Dr. Mabuse, der Spieler und Leni Riefenstahls Triumph des Willens / Frauke Göttsche. Münster : Lit, c2003.
Main (Gardner) Stacks PN1997.D72 G68 2003
- Günther, Beate
- Leitbilder richtigen Lebens : politischer Diskurs und filmische Darstellung in DEFA-Gegenwartsfilme / Beate Günther. Berlin : Trafo, c2008.
Main (Gardner) Stacks PN1993.5.G33 G87 2008
- Hanisch, Michael.
- Auf den Spuren der Filmgeschichte : Berliner Schauplätze / Michael Hanisch. Berlin : Henschel, 1991.
Main (Gardner) Stacks PN1993.5.G3 H3 1991
- Happel, Hans-Gerd.
- Der historische Spielfilm im Nationalsozialismus / Hans-Gerd Happel. Frankfurt : R.G. Fischer, c1984. Der historische Spielfilm im Nationalsozialismus / Hans-Gerd Happel.Main (Gardner) Stacks PN1995.9.N36 H371 1984
- Hardinghaus, Christian.
- Filmpropaganda für den Holocaust? : eine Studie anhand der Hetzfilme "Der ewige Jude" und "Jud Süss / Christian Hardinghaus. Marburg : Tectum Verlag, c2008.
Main (Gardner) Stacks PN1995.9.A55 H37 2008
- Heimann, Thomas.
- Bilder von Buchenwald : die Visualisierung des Antifaschismus in der DDR (1945-1990) Koln : Bohlau, 2005.
MAIN: D805.5.B83 H45 2005
- Hembus, Joe.
- Der deutsche Film kann gar nicht besser sein Bremen, C. Schünemann [1961]
Main (Gardner) Stacks PN1993.5.G3 H4
- Höfig, Willi.
- Der deutsche Heimatfilm 1947-1960. Stuttgart, F. Enke, 1973.
NRLF (UCB) PN1995.9.C58 H61 (1947-60)
- Kannapin, Detlef.
- Dialektik der Bilder : der Nationalsozialismus im deutschen Film ; ein Ost-West-Vergleich Berlin : Karl Dietz, 2005.
MAIN: PN1995.9.N36 K36 2005;
- Karl Valentins Filme : alle 29 Filme, 12 Fragm., 344 Bilder, Texte, Filmogr.
- hrsg. von Michael Schulte u. Peter Syr. München ; Zürich : Piper, 1978.
Main (Gardner) Stacks PN2658.V3 K3 1978
- Kasten, Jürgen
- Der expressionistische Film : abgefilmtes Theater oder avantgardistisches Erzählkino? : eine stil- / Jürgen Kasten. Münster : MAkS Publikationen, c1990.
Main (Gardner) Stacks PN1995.25 .K37 1990
- Klötzer, Sylvia.
- Satire und Macht : Film, Zeitung, Kabarett in der DDR Koln : Bohlau, 2006.
MAIN: PT405 .K564 2006
- Klötzer, Sylvia.
- Satire und Macht : Film, Zeitung, Kabarett in der DDR / Sylvia Klötzer. Köln : Böhlau, 2006.
Main (Gardner) Stacks PT405 .K564 2006
- Kurtz, Rudolf
- Expressionismus und Film.
- Mit 73 Abbildungen und 5 Tafeln. Berlin, Verlag der Lichtbildbühne 1926. Zürich, Rohr, 1965.)
NRLF (UCB) PN1993.5.G3 K8 1965
- Laak, Lothar van.
- Medien und Medialität des Epischen in Literatur und Film des 20. Jahrhunderts : Bertolt Brecht, Uw / Lothar van Laak. München : Wilhelm Fink, c2009.
Main (Gardner) Stacks PT405 .L214 2009
- Manz, H. P. (Hanspeter)
- UFA + deutscher Film; eine Bildchronik mit Texten von Marlene Dietrich [et al., / von] H. P. Manz. [Zürich] Sanssouci [1963]
Main (Gardner) Stacks PN1999.U6 M3
- Muhl-Benninghaus, Wolfgang.
- Vom Augusterlebnis zur Ufa-Grundung : der deutsche Film im 1. Weltkrieg / <2004> Berlin : Avinus, [2004]
MAIN: PN1999.U35 M85 2004
- Müller, Corinna.
- Frühe deutsche Kinematographie : formale, wirtschaftliche und kulturelle Entwicklungen, 1907-1912 / Corinna Müller. Stuttgart : Metzler, c1994.
Main (Gardner) Stacks PN1993.5.G3 M85 1994
- Münch, Markus
- Drehort Berlin : wo berühmte Filme entstanden / Markus Münch. Berlin : Berlin Edition, 2007.
Main (Gardner) Stacks PN1995.9.B47 M86 2007
- Neuer deutscher Film : eine Dokumentation
- herausgegeben vom Verband der deutschen Filmclubs, e.V., anlässlich der Internationalen Filmwoche Ma [Mannheim? : Verband der deutschen Filmclubs?, 1967?]
Main (Gardner) Stacks PN1993.5.G3 N458 1967
- Opgenoorth, Ernst.
- Volksdemokratie im Kino : propagandistische Selbstdarstellung der SED im DEFA-Dokumentarfilm, 1946- / Ernst Opgenoorth. Köln : Verlag Wissenschaft und Politik, c1984.
Main (Gardner) Stacks JN3971.5.A69 P8561 1984
- Paech, Anne.
- Menschen im Kino: Film und Literatur erzahlen Stuttgart: Metzler, 2000.
Main PN1993.5.G3 P34 2000
- Pflaum, Hans Günther.
- Film in der Bundesrepublik Deutschland : der neue deutsche Film von den Anfängen bis zur Gegenwart / Hans Günther Pflaum, Hans Helmut Prinzler. München : C. Hanser, 1992.
Main (Gardner) Stacks PN1993.5.G3 P454 1992 AVAILABLE
- Schneeland : Bilder und Drehbuch zum Film / ein Film von Hans W. Geissendörfer ; Fotos von Hans-Günther Bücking. Berlin : Schwarzkopf & Schwarzkopf, 2005.
Main (Gardner) Stacks PN1997.S3134 S3 2005
- Schnurre, Wolfdietrich
- Rettung des deutschen Films; eine Streitschrift. Stuttgart, Deutsche Verlags-Anstalt [c1950]
Main (Gardner) Stacks PN1993.5.G3 S38
- Szenenwechsel : Momentaufnahmen des jungen deutschen Films
- herausgegeben von Michael Töteberg. Reinbek bei Hamburg : Rowohlt, 1999.
Main (Gardner) Stacks PN1993.5.G3 S93 1999
- Voghelaer, Nathalie de.
- Le cinéma allemand sous Hitler: un âge d'or ruiné Paris: Harmattan, c2001.
Main Stack PN1993.5.G3 V64 2001
- Vogt, Guntram.
- Die Stadt im Film: deutsche Spielfilme 1900-2000 Marburg: Schuren, 2001.
MAIN: PN1995.9.C513 V648 2001
- Wilharm, Irmgard.
- Bewegte Spuren : Studien zur Zeitgeschichte im Film / Irmgard Wilharm ; herausgegeben von Detlef Endeward, Claus Füllberg-Stolberg und Peter Stettner. Hannover : Offizin, 2006.
Main (Gardner) Stacks PN1993.5.G3 W57 2006
- Wind im Film ; Junger Deutscher Film
- herausgegeben von Filmstellen VSETH/VSU. Zurich : Filmstellen VSETH/VSU, 1993.
NRLF (UCB) PN1995.9.W56 W56 1993
- Zglinicki, Friedrich Pruss von
- Der Weg des Films / Friedrich von Zglinicki. Hildesheim : Olms, 1979.
NRLF (UCB) PN1993.5.A1 Z41 1956
- Zwischen Bluejeans und Blauhemden : Jugendfilm in Ost und West
- Herausgegeben von Ingelore Konig, Dieter Wiedemann und Lothar Wolf.Berlin: Henschel, 1995.
MAIN: PN1995.9.Y6 Z89 1995
Film and the Third Reich
- Alt, Dirk.
- "'Front in Farbe': Color Cinematography for the Nazi Newsreel, 1941-1945." Historical Journal of Film, Radio & Television, Mar2011, Vol. 31 Issue 1, p43-60, 18p
UC users only
- Ascheid, Antje
- Hitler's heroines: stardom and womanhood in Nazi cinema Philadelphia: Temple University Press, 2003.
PFA: PN1995.9.N36 A83 2003MAIN: PN1995.9.N36 A83 2003Electronic Location(s): Table of contents http://www.loc.gov/catdir/toc/fy035/2002071460.html
- Bathrick, David.
- "State of the Art as Art of the Nazi State: The Limits of Cinematic Resistance." In: Flight of fantasy: new perspectives on inner emigration in German literature, 1933-1945 / edited by Neil H. Donahue and Doris Kirchner. pp: 292-304. New York: Berghahn Books, 2003.
Main Stack PT405.F54 2003
- Beyer, Friedemann.
- Die Ufa-Stars im dritten Reich : Frauen für Deutschland / von Friedemann Beyer. München : W. Heyne, c1991.
Main (Gardner) Stacks PN2657 .B49 1991
- Carter, Erica.
- Dietrich's ghosts : the sublime and the beautiful in Third Reich film London : British Film Institute, 2004.
MAIN: PN1995.9.N36 C37 2004
- Cultural history through a National Socialist lens : essays on the cinema of the Third Reich
Rochester, NY: Camden House, 2000. Main PN1995.9.N36 C85 2000
- Delage, Christian.
- La Vision nazie de l'histoire : le cinéma documentaire du Troisième Reich / Christian Delage ; préface de Marc Ferro Lausanne : L'Age d'Homme, 1989
Main (Gardner) Stacks PN1995.9.N36 D4 1989
- Donner, Wolf.
- Propaganda und Film im "Dritten Reich" Berlin : TIP Verlag, 1995.
MAIN: PN1995.9.N36 D66 1995
- Fox, Jo.
- Film propaganda in Britain and Nazi Germany : World War II cinema Oxford ; New York : Berg, 2007.
MAIN: PN1993.5.G7 F68 2007
Table of contents only http://www.loc.gov/catdir/enhancements/fy0701/2006031633-t.html
- Fox, Jo.
- Filming women in the Third Reich Oxford; New York: Berg, c2000.
Main PN1995.6.W6 F69 2000
- Giesen, Rolf.
- Nazi propaganda films: a history and filmography Jefferson, N.C: McFarland & Co., c2003.
MAIN: PN1995.9.N36 G54 2003MoffittPN1995.9.N36 G54 2003
- Hake, Sabine
- Popular cinema of the Third Reich. Austin: University of Texas Press, 2001.
Full-text of this book available online via ebrary [UC Berkeley users only]
MainPN1995.9.N36 H34 2001
- Hoffmann, Hilmar.
- The triumph of propaganda : film and national socialism, 1933-1945 Providence : Berghahn Books, 1996-
MAIN: PN1995.9.N36 H6413 1996
- Hoffmann, Kay.
- "Propagandistic problems of German newsreels in World War II." Historical Journal of Film, Radio and Television 24.1 (March 2004): 133(142).
UC users only
- "Propaganda is a central issue for non-fiction film in the Third Reich. Along with a few well-known and often discussed propaganda films, the newsreels have generally been viewed as the perfect propaganda instrument for the National Socialists. They have to be discussed as a part of the Nazi media system, which includes newspapers, magazines, radio, and the beginnings of television as well as photography or paintings and which developed a special aesthetics and Nazi symbolism. The newsreels determine the image of the Third Reich that we have in our minds today, since they form the basis for nearly all the popular historical programs on television. Surprisingly, however, there is not much research in Germany about this area of film production. Some highly detailed analyses were down at the IWF in Göttingen, the German center for scientific film. From the 1970s on, there have been some books published by former cameramen and a few books on newsreels, but a detailed overview is lacking. Just recently, in June 2003, the first 100 hours of German newsreels were put on the Internet for research purposes, which was made possible through the cooperation of selected archives, copyright owners, and the DEFA foundation; a fourth of these newsreels are before 1945. In recent years, in various countries like Belgium, Norway, France, and Luxembourg, an intense study of the German newsreels for the occupied countries has been done. In this article, the author gives a short overview of the German newsreel production in World War II, noting some aspects of the newsreels that tend to put the idea of them as perfect propaganda into question." [Communication Abstracts]
- Hollstein, Dorothea
- Antisemitische Filmpropaganda; die Darstellung des Juden im nationalsozialistischen Spielfilm. München-Pullach, Verlag Dokumentation, 1971.
NRLF (UCB) PN1995.9.A55 H6
- Hull, David Stewart.
- Film in the Third Reich; a study of the German cinema, 1933-1945. Berkeley, University of California Press, 1969.
Main PN1993.5.G3 H84
- Kaes, Anton.
- From Hitler to Heimat: The Return of History as Film / Anton Kaes. Cambridge, Mass.: Harvard University Press, 1989.
Main PN1993.5.G3 K29131 1989Moffitt PN1993.5.G3 K2913 1989
- Koepnick, Lutz.
- The dark mirror: German cinema between Hitler and Hollywood / Berkeley: University of California Press, c2002.
Full-text of this book available online via ebrary [UC Berkeley users only]
MAIN: PN1993.5.G3 K645 2002Moffitt PN1993.5.G3 K645 2002
- Kracauer, Siegfried
- From Caligari to Hitler: a psychological history of the German film Princeton, N.J.: Princeton University Press, 2004.
MAIN: PN1993.5.G3 K7 2004PFA: PN1993.5.G3 K72 2004Main PN1993.5.G3 K71 1947 [earlier edition]Moffitt PN1993.5.G3 K7 [earlier edition]
- Kunst der Propaganda : der Film im Dritten Reich
- herausgegeben von Manuel Köppen, Erhard Schütz. Bern ; Oxford : Peter Lang, 2007.
Main (Gardner) Stacks PN1995.9.N36 K86 2007
- Leiser, Erwin
- Nazi Cinema / Erwin Leiser; translated from the German by Gertrud Mander and David Wilson. London: Secker and Warburg, 1974.Series title: Cinema Two.
Main PN1993.5.G3 L38131 1974Moffitt PN1993.5.G3 L3813
- Moeller, Felix
- The film minister: Goebbels and the cinema in the Third Reich Stuttgart: Edition Axel Menges, c2000.
UCB Main PN1993.5.G3 M6413 2000
- Moeller, Felix
- Der Filmminister : Goebbels und der Film im Dritten Reich / Felix Moeller ; mit einem Vorwort von Volker Schlöndorff. Berlin : Henschel, 1998.
Main (Gardner) Stacks PN1993.5.G3 M64 1998
- Novikoff, Melvin.
- The Film as Propaganda: Soviet Russia (1924-1930) and Nazi Germany (1933-1940) / by Melvin Novikoff. 1960.
NRLF C 2 945 822
- O'Brien, Mary-Elizabeth
- Nazi cinema as enchantment: the politics of entertainment in the Third Reich Rochester, NY: Camden House, 2004.
MAIN: PN1995.9.N36 O27 2004
- Offermanns, Ernst.
- Die deutschen Juden und der Spielfilm der NS-Zeit / Ernst Offermanns. Frankfurt am Main ; New York : P. Lang, 2005.
Main (Gardner) Stacks PN1995.9.J46 O444 2005
- Offermanns, Ernst.
- Internationalitat und europaischer Hegemonialanspruch des Spielfilms der NS-Zeit Hamburg: Dr. Kovac, 2001.
MAIN: PN1995.9.N36 O43 2001
- Peck, Robert E.
- "Film Music in the Third Reich." In: Composing for the screen in Germany and the USSR : cultural politics and propaganda / edited by Robynn Stilwell and Phil Powrie. Bloomington : Indiana University Press, c2008.
Music ML2075 .C66 2008
- Petley, Julian
- "Film Policy in the Third Reich." In: The German cinema book Edited by Tim Bergfelder, Erica Carter and Deniz Göktürk. London : BFI Pub., 2002.
Main (Gardner) Stacks PN1993.5.G3 G47 2002
- Petro, Patrice
- "Nazi cinema at the intersection of the classical and the popular." In: Aftershocks of the new: feminism and film history / Patrice Petro. New Brunswick, N.J.: Rutgers University Press, c2002.
Main Stack PN1995.9.W6.P485 2002
- Rabenalt, Arthur Maria.
- Joseph Goebbels und der "Grossdeutsche" Film / Arthur Maria Rabenalt ; ausgewählt, durch historische Fakten ergänzt und herausgegeben von Herbert Holba. München : Herbig, c1985.
Main (Gardner) Stacks PN1993.5.G3 R321 1985
- Reimer, Robert C. (Robert Charles)
- Nazi-retro Film: How German Narrative Cinema Remembers the Past / Robert C. Reimer, Carol J. Reimer. New York: Twayne; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, 1992.Series title: Twayne's Filmmakers Series.
Main PN1995.9.N36 R45 1992Moffitt PN1995.9.N36 R45 1992
- Rentschler, Eric.
- The Ministry of Illusion: Nazi Cinema and its Afterlife / Eric Rentschler. Cambridge, Mass.: Harvard University Press, 1996.
UCB Main PN1995.9.N36 R46 1996
- Romani, Cinzia.
- Tainted Goddesses: Female Film Stars of the Third Reich / Cinzia Romani; translated from the Italian by Robert Connolly; foreword by Richard C. Hottelet. New York: Sarpedon, c1992.
Main PN1995.6.W6 R5513 1992
- Rother, Rainer.
- "What is a National Socialist Film?" Historical Journal of Film, Radio & Television, Oct2007, Vol. 27 Issue 4, p455-469, 15p Rother, Rainer.
UC users only
- Schoeps, Karl-Heinz
- Literature and film in the Third Reich Rochester, N.Y.: Camden House, c2004.
MAIN: PT405 .S3495 2004 Electronic Location(s): Table of contents http://www.loc.gov/catdir/toc/ecip047/2003017324.html
- Schulte-Sasse, Linda.
- Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema/ Linda Schulte-Sasse. Durham: Duke University Press, 1996. Series title: Post-contemporary interventions.
UCB Main PN1995.9.N36 S38 1996
- Stamm, K.
- "German wartime newsreels (deutsche wochenschau): the problem of 'authenticity'." Historical Journal of Film, Radio and Television, 7:3, 239 - 245, 1987
UC users only
- Taylor, Richard
- Film Propaganda: Soviet Russia and Nazi Germany / Richard Taylor. London: Croom Helm; New York: Barnes & Noble Books, 1979.
Main PN1993.5.R9 .T25Moffitt PN1993.5.R9 .T25
- Tegel, S.
- "Third Reich newsreels: an effective tool of propaganda?" Historical Journal of Film, Radio and Television, vol. 24, no. 1, pp. 143-154, March 2004
UC users only
- "With a few important exceptions, Third Reich newsreels have attracted little scholarly attention. That feature film and documentary have attracted more is understandable, especially as many non-historians have been drawn to the subject. Most historians involved with Third Reich film have concerned themselves with propaganda, which is not unexpected, in view of their interest in the state and the fact that Third Reich film (of all varieties)-either overtly or covertly in numerous ways-promoted the interests of the state. But given this interest in propaganda, the neglect of newsreels, which formed part of the Third Reich cinema program, is all the more surprising. If the message was not overt in feature film, it was in newsreels, which from late 1938 formed a compulsory part of the cinema program, as was also later the case in occupied Europe. During the war, it reached large numbers as cinema attendance was very high. These contributors add considerably to the knowledge about the structure and organizations of the Third Reich newsreel empire, newsreel production history, and, most important, a consideration of newsreel reception. Newsreels also of themselves provide a valuable historical source for understanding the period in which they were produced and shown, in this case the war, and in particular the relationship between propaganda and public opinion. The picture that emerges is a complex one, and the variations from context to context are significant." [Communication Abstracts]
- Vaupel, Angela.
- Frauen im NS-Film : unter besonderer Berucksichtigung des Spielfilms Hamburg : Kovac, 2005.
MAIN: PN1995.9.N36 V38 2005
- Weinberger, Gabriele.
- Nazi Germany and its Aftermath in Women Directors' Autobiographical Films of the Late 1970: In the Murderers' House / Gabriele Weinberger. San Francisco: Mellen Research University Press, c1992.
Main PN1995.9.N36 W44 1992
- Welch, David.
- "Hitler's history films: David Welch looks at the dramatisation of Fuhrerprinzip in the Nazi cinema, and how history films were used to propagate themes of anti-parliamentarianism and the concept of an individual leader of genius." History Today 52.12 (Dec 2002): 20(6).
UC users only
- Welch, David.
- Propaganda and the German Cinema, 1933-1945 / David Welch. Oxford: Clarendon Press; New York: Oxford University Press, 1983.
Full-text of online [UC Berkeley users only]
Main PN1993.5.G3 W4 1983Moffitt PN1993.5.G3 W4 1983
- Welzel, Birgitta.
- Die Beliebigkeit der filmischen Botschaft : aufgewiesen am "ideologischen" Gehalt von 120 NS-Spielf / Birgitta Welzel. Rheinfelden : Schäuble, c1994.
NRLF (UCB) PN1995.9.N36 W4 1994
- Winkel, Roel Vande
- "Nazi Actresses as Trojan Horses? 'New' and 'Traditional' Interpretations of Third Reich Film Representations of Women." Historical Journal of Film, Radio and Television, vol. 25, no. 4, pp. 647-54, Oct 2005
UC users only
- Winkel, Roel Vande
- "Nazi newsreels in Europe, 1939-1945: the many faces of Ufa's foreign weekly newsreel ( Auslandstonwoche ) versus German's weekly newsreel ( Deutsche Wochenschau)." Historical Journal of Film, Radio & Television, Mar2004, Vol. 24 Issue 1, p5-34, 30p UC users only
UC users only
- Wulf, Josef.
- Theater und Film im Dritten Reich : eine Dokumentation / Joseph Wulf. Frankfurt/M : Ullstein, 1983, c1982.
NRLF (UCB) PN2044.G4 W86 1983
Journal Articles
- Anderson, Susan C.
- "Outsiders, foreigners, and aliens in cinematic or literary narratives by Bohm, Dische, Dorrie and Oren." The German Quarterly Spring 2002 v75 i2 p144(15)
UC users only
- Depictions of the German and foreigner in films and authors appearing in West Germany in the 1980s and 1990s are discussed. The films are "Yasemin" and "Keiner liebt mich," while the literature is by Irene Dische and Aras Oren. Traditional German figures become outsiders while the foreigner assumes more of a German identity.
- Ashkenazi, Ofer
- "The Incredible Transformation of Dr. Bessel: Alternative Memories of the Great War in German War Films of the Late 1920s." History & Memory: Studies in Representations of the Past, vol. 20, no. 1, pp. 121-152, Spring 2008
UC users only
- Ashkenazi, Ofer
- "Prisoners' Fanstasies in Weimar film: The Longing for a Rational and Just Legal System." Journal of European Studies, vol. 39, no. 3, pp. 290-304, Sept 2009
UC users only
- Baker, Mark.
- ""Trummerfilme:" postwar German cinema, 1946-1948." Film Criticism v 20 Fall/Winter 1995/1996. p. 88-101.
- "The writer discusses film in Germany in the period between 1946 and 1948. Both the Soviet and the British-American authorities recognized the German public's need for information and entertainment through film, for reasons that included showing films from their own countries to reeducate the brainwashed German Volk and documenting the war crimes of the German nation. German postwar film is considered to have begun in October 1946 with the release of Wolfgang Staudte's Die Morder sind unter uns (The murderers are among us), the most important example of the "Trummerfilm" genre. This genre involved Germany's own attempt to come to terms with the war and Nazism, and the film reached back past the vulgarity and kitsch of Nazi film to the period of classical German cinema of the 1920s, the Expressionist era, where the crooked streets and painted shadows of Expressionism have become reality in Germany's ruined cities. The Trummerfilm died out in the 1950s with the onslaught of the Cold War and the division of Germany. This genre reflected the need of a people in a specific situation at a specific period in time." [Art Abstracts]
- Bathrick, David (ed.). Rentschler, Eric (ed.).
- "Special Issue on Weimar Mass Culture." New German Critique. 51. 1990 Fall
- Berghahn, Daniela
- "Post-1990 Screen Memories: How East and West German Cinema Remembers the Third Reich and the Holocaust." German Life and Letters Volume 59, Issue 2, Date: April 2006, Pages: 294-308
UC users only
- Boehringer, Michael (introd.)
- "Discourses on Masculinity in German Literature and Film." Seminar: A Journal of Germanic Studies, vol. 44, no. 1, pp. 1-174, Feb 2008
UC users only
- Brockmann, Stephen M.
- "The Politics of German Comedy." German Studies Review, Vol. 23, No. 1 (Feb., 2000), pp. 33-51
UC users only
- Chaouli, Michel (ed.). Levin, David (ed.).
- "Distractions: A Dossier on Weimar Culture." Qui Parle: Literature, Philosophy, Visual Arts, History. 5(2):49-142. 1992 Spring-Summer
- Colm Hogan, Patrick.
- "Narrative Universals, Nationalism, and Sacrificial Terror: From Nosferatu to Nazism." Film Studies, Summer2006, Vol. 8 Issue 0, p93-105, 105p
UC users only
- Dawson, Jan
- "The sacred terror - shadows of terrorism in the new German cinema." Sight & Sound; Vol.XLVIII nr.4 (Autumn 1979); p.242-245
- On problems faced by filmmakers in West Germany today, and the taboo subjects they are not supposed to film, although some directors, like Fassbinder, are getting round this.
- Dimendberg, Edward.
- "Down These Seen Streets A Man Must Go: Siegfried Kracauer, Hollywood's Terror Films and the Spatiality of Film Noir." New German Critique: An Interdisciplinary Journal of German Studies. 89: 113-43. 2003 Spring-Summer.
- Durgnat, Raymond
- "From Caligari to 'Hitler'." Film Comment Vol XVI nr 4 (July-Aug 1980); p 59-70.
- Analyses the evolution of the 'New German Cinema' by discussing specific trends and filmmakers
- Dyer, Richard.
- "Less and More Than Women and Men: Lesbian and Gay Cinema in Weimar Germany." New German Critique. 51:5-60. 1990 Fall
- Elsaesser, Thomas
- "Early German cinema: audiences, style and paradigms." Screen v 33 Summer 1992. p. 205-14.
- Elsaesser, Thomas
- "Filming fascism: is history just an old movie?" (German films of the 70s and 80s preoccupied with fascism and its relationship to spectacle) Sight and Sound v 2 Sept 1992. p. 18-21
- Elsaesser, Thomas.
- "Hollywood Berlin." (wit of Nazi entertainment films) Sight and Sound, Nov 1997 v8 n11 p14(4)
- "History played a role in the popularity of Nazi entertainment films. One reason for their popularity is their attempt to replace reason with subtle fantasies. In the so-called Weimar Germany period, the cinema formed a part of popular culture. The Weimar cinema was considered as an avant-garde involving figures such as Hans Richter, Walter Ruttmann and Lotte Reiniger. The transition of the Weimar cinema to Nazi cinema was influenced by modernism. Another contributory to the German cinema's success was its sound technology which replaced most of the silent films." [Expanded Academic Index]
- Elsaesser, Thomas.
- "Social Mobility and the Fantastic: German Silent Cinema." Wide Angle-A Quarterly Journal of Film History Theory & Criticism. 5(2):14-25. 1982
- Fay, Jennifer
- "Becoming democratic: Satire, satiety, and the founding of West Germany." Film History v. 18 no. 1 (2006) p. 6-20
UC users only
- Fisher, William
- "Germany: a neverending story." [aftermath of the new German cinema] Sight and Sound v 54 Summer 1985. p. 174-9
- Franklin, James C.
- "Metamorphosis of a Metaphor: The Shadow in Early German Cinema." German Quarterly. 53 (2): 176-88. 1980 Mar.
UC users only
- Fuchs. Andreas
- "Kino Klatsch." (German motion picture industry)Film Journal International, August 2001 v104 i8 p148 <
- Fuhrich, Angelika
- "Woman and Typewriter: Gender, Technology, and Work in Late Weimar Film." Women in German Yearbook, Annual 2000 p151
UC users only
- "German Cinema" Sight and Sound, vol. 16, no. 12, pp. 26-31, December 2006
- Green, Peter.
- "Germans abroad." Sight and Sound v 57 Spring 1988. p. 126-30
- Hake, Sabine
- "Review essay: the New German cinema; problems of historiography." Quarterly Review of Film and Video v 12 Sept 1991. p. 107-15.
- Hake, Sabine
- "Self-referentiality in early German cinema." Cinema Journal v 31 Spring 1992. p. 37-55.
UC users only
- Hales, Barbara.
- "Woman as Sexual Criminal: Weimar Constructions of the Criminal Femme Fatale." Women in German Yearbook: Feminist Studies in German Literature & Culture. 12:101-21. 1996
- Hall, Sara F.
- "Moving Images and the Policing of Political Action in the Early Weimar Period." German Studies Review, vol. 31, no. 2, pp. 285-302, May 2008
- Halle, Randall.
- "German film, European film: transnational production, distribution and reception." Screen (London, England) v. 47 no. 2 (Summer 2006) p. 251-9
- "The recent expansion of the German film industry is not merely a market effect of globalization, but also involves a process of conscious transnationalism. The fundamental premise of the national film industry has altered in a subtle yet important way: Industry experts no longer speak of German directors creating German films, but rather of a film as " made in Germany" or from "location Germany." The shift from "made for Germans" to "made in Germany" leads to products that sidestep apprehension by national-oriented approaches. The products of transformed national film industries contain models for a reconceptualization of community. Such films engage in a transnational decentering in which ethnocentrism is replaced with intersubjective openness. The resolutions of the resulting film narratives occur not within the filiative national community, but rather through the affiliative potential of the world community." [Art Index]
- Halle, Randall.
- "German Film, Aufgehoben: Ensembles of Transnational Cinema." New German Critique, No. 87, Special Issue on Postwall Cinema (Autumn, 2002), pp. 7-46
UC users only
- Halle, Randall.
- ""Happy ends" to crises of heterosexual desire: toward a social psychology of recent German comedies."Camera Obscura no44 2000. p. 1-39.
- "Part of a special issue on marginality and alterity in new European cinemas. Therelationship of the Comedy Wave in 1990s German film to greater social and psychologicaltransformations in Germany is examined. These films represent a specific subgenre of comedythat had a significant resonance in Germany at a time of rapid cultural change. The writerinvestigates the specific material structures and historical transformations that gave rise to thesubgenre, uses the analytic tools of queer theory to approach the dynamic of sexuality at workin the films, and concludes by examining the psychic structures involved in the films' crises andtheir relationships to social transformations." [Art Index]
- Hansen, Miriam
- "Messages in a bottle?" (Frauen und Film, women's cinema and feminist film theory in West Germany)Screen v 28 Autumn 1987. p. 30-9
- Hoerschelmann, Olaf.
- "Memoria dextera est": film and public memory in postwar Germany." Cinema Journal v 40 no2 2001. p. 78-97.
UC users only
- "The writer discusses German filmmakers involved in the struggles over publicmemory in postwar West Germany. West Germany's postwar culture is marked by processesof contestation and the existence of competing histories. The specific historical situation inGermany after World War II allowed collective amnesia to develop, but many Germanfilmmakers who emerged from the context of the 1960s student movement attempted tocounter this amnesia, creating alternative public memories that re-imagined German history.The German terrorist movement of the 1960s and 1970s arose from the same culturalbackground and voiced a similar criticism of German culture. The writer goes on to examinefilms from the 1970s that combine a concern with Germany's historical imagination with adebate over the treatment of terrorism in Germany." [Art Abstracts]
- Hull, David Stewart
- "Forbidden Fruit: The Harvest of the German Cinema, 1939-1945." Film Quarterly, Vol. 14, No. 4 (Summer, 1961), pp. 16-30
UC users only
- Jacobs, Diane
- "Hitler's ungrateful grandchildren: today's German filmmakers." American Film v 5 May 1980. p. 34-7+
- Jung, Uli.
- "Local views: A blind spot in the historiography of early German cinema. Historical Journal of Film, Radio and Television August 2002 v22 i3 p253(21)
UC users only
- Kaes, Anton and Levin, David (translator).
- "Modernity and Its Discontents: Notes on Alterity in Weimar Cinema." Qui Parle: Literature, Philosophy, Visual Arts, History. 5(2):135-42. 1992 Spring-Summer
- Kaes, Anton
- "The Debate about Cinema: Charting a Controversy (1909-1929)." New German Critique; Winter87 Issue 40, p7, 27p
UC users only
- Examines the critical confrontation between literature and the medium of film in the context of poetological discussions during the 1910s to 1920s. Emergence of cinema as a threat to the monopoly of literature; Phases of the relations between literature and film in Germany; Aesthetics of the metropolis; Commercialization of culture as commodity by the mass media.
- Kaes, Anton
- "German cultural history and the study of film: Ten theses and a postscript." New German Critique; Spring/Summer95 Issue 65, p47, 12p
UC users only
- Focuses on the recognition of film as part of German cultural studies. Flaws in historian Siegfried Kracauer's film historiography; Role of signs and symbols in the life of society; Use of rhetorical devices in film.
- Kapczynski, Jennifer M. (ed. and introd.)
- "Newer German Cinema." Germanic Review, vol. 82, no. 1, pp. 3-100, Winter 2007
- Kapczynski, Jennifer M.
- "Postwar Ghosts: Heimatfilm and the Specter of Male Violence. Returning to the Scene of the Crime." German Studies Review, May2010, Vol. 33 Issue 2, p305-330, 26p
- Kilb, Andreas
- "'68/'88: Rainer doesn't live here anymore." Film Comment v 24 July/Aug 1988. p. 47-8
- "Part of a special section examining the influence of the 1960s on film. Contemporary German cinema has been paralyzed by government subsidies that prevent most films from doing well at the box office, by inept filmmakers unable to find an audience, and by nostalgic film critics searching for signs of the intellectual fervor of 1968. German cinema has been dominated recently by television comedy actors whose films are silly and anticinematic. Of the major German directors, only Wim Wenders has managed a success with his Der Himmel uber Berlin (Wings of Desire). It has become fashionable to call for the abolition of subsidies, but state support has nurtured German cinema through both its fecund and fallow periods. The current crisis is more likely a matter of talent. Rainer Werner Fassbinder, who died in 1982, could have established a lasting tradition in German film. In his absence, the critics have embraced Wenders, but this reflects desperation rather than conviction." [Art Index]
- Koepnick, Lutz.
- "Consuming the other: identity, alterity, and contemporary German cinema." Camera Obscura no44 2000. p. 40-73.
UC users only
- "Part of a special issue on marginality and alterity in new European cinemas. A discussion of the flexible accumulation of alterity in post-Wall German cinema and the postcolonial status and aspiration of contemporary German film. There is a curious uniformity to the various ways in which German film has domesticated alterity in the course of what seems to be a collective project of displacement. Fritz Baumann's 1992 film Die Reise des Lowen, no doubt intended to empower the disempowered, shows how quickly the redemption of reality through film can be transposed into a flexible accumulation of otherness. It illustrates that German Third-Worldism can not only reinforce negligence about Germany's colonial past, but also market alterity as a screen of primitivist and realist fantasies, harnessing (instead of decentering) the German viewer's own self and identity." [Art Abstracts]
- Koepnick, Lutz P.
- "Unsettling America: German Westerns and Modernity." Modernism/Modernity. 2(3):1-22. 1995 Sept
- Koepnick, Lutz P.
- "Reframing the Past: Heritage Cinema and Holocaust in the 1990s." New German Critique. New York: Oct 31, 2002. , Iss. 87; pg. 47
UC users only
- Larkey, Uta
- " New Places, New Identities: The (Ever) Changing Concept of Heimat." German Politics & Society; Summer2008, Vol. 26 Issue 2, p24-44, 21p
UC users only
- Liebman, Stuart.
- "Weimar cinema's greatest hits." Cineaste v 21 no3 1995. p. 50-2.
- "A review of video releases of films from Weimar Germany, 1918-1933. The extravagantly simplistic ideas, dynamic formulas, hyperbolic paranoia, and the sheer visual excessiveness--bordering on camp--of some of these films remain irresistible to younger viewers. The sophisticated set designs, lighting and editing strategies, and the ranging camera movements of many of the best Weimar films hold enduring appeal for the cinematically informed. Many of these films must be counted among the greatest of Weimar's achievements and have become part of the canon regularly seen by generations of enthusiastic film students." [Art Abstracts]
- Mack, Michael.
- "Film as Memory: Siegfried Kracauers's Psychological History of German 'National Culture'." Journal of European Studies. 30(2 (118)):157-81. 2000 June
- McCormick, Richard W.
- "From Caligari to Dietrich: Sexual, Social, and Cinematic Discourses in Weimar Film." Signs: Journal of Women in Culture & Society. 18(3):640-68. 1993 Spring
- McCormick, Richard W.
- "Private Anxieties/Public Projections: 'New Objectivity,' Male Subjectivity, and Weimar Cinema." Women in German Yearbook: Feminist Studies in German Literature & Culture. 10:1-18. 1995
- Mennel, Barbara.
- "Local Funding and Global Movement: Minority Women's Filmmaking and the German Film Landscape of the Late 1990s." Women in German Yearbook: Feminist Studies in German Literature & Culture. 18:45-66. 2002
- Moeller, H. B.
- "New German Cinema and its precarious subsidy and finance system." Quarterly Review of Film Studies; Vol.V nr.2 (Spring 1980); p.157-168
- Analyses the economic situation for filmmaking in the Federal Republic, esp. government subsidies. Examines the particular case of support for Fassbinder's films.
- Moller, Olaf.
- "Film critic Olaf Moller reflects on the current state of German cinema in the wake of Run Lola Run."Film Comment v 37 no3 May/June 2001. p. 11-13. "In Germany itself and overseas, contemporary German cinema essentially means Tom Tykwer. Many are delighted that Germany at last has a young filmmaker with major international appeal and popular and critical success. A handful of observers, however, believe that Tykwer symbolizes all that went wrong with German cinema in the 1990s. Talent was never a difficulty--Germany had talent in such abundance that it could afford to allow some of the lesser stars to go to Hollywood. The problem is that individual talent and vision have been fundamentally erased from the equation for producing good cinema, and "successful" has replaced "good." The writer discusses the true hope and beauty of German cinema, which lies with a group of former students of the DFFB, the German Film and Television School in Berlin." [Art Abstracts]
- Myntefering, Matthias.
- "Dubbing in Deutschland: Cultural and Industrial Considerations." Language International: the Business Resource for a Multilingual Age. 14(2):14-16. 2002 Apr
- Paver, Chloe E. M..
- "'Als Hitler und der Tonfilm kamen': Cinematic, Technological, and Historical Narratives in Gert Hofmann's Der Kinoerzahler." Modern Language Review. 97(3):632-52. 2002 July
- Poore, Carol
- "Who belongs? Disability and the German nation in postwar literature and film." German Studies Review Feb 2003 v26 i1 p21-42
- The status of the visibly disabled and their portrayal in literature and film in post-reunification Germany is discussed. These works discuss who should have the full rights of a German citizen.
- Rayns, Tony
- "Forms of address." Sight & Sound; Vol.XLIV nr.1 (Winter 1974-75); p.2-7
- The resurgent film culture in the German Federal Republic. Incl. interviews with Rainer Werner Fassbinder, Wim Wenders and Hans J?rgen Syberberg.
- Reimer, Robert C. (Robert Charles)
- "Nazi-retro films: experiencing the mistakes of the ordinary citizen." Journal of Popular Film and Television v 12 Fall 1984. p. 112-17.
- Rentschler, Eric.
- "Ministry of illusion: German film 1933-1945." Film Comment v 30 Nov/Dec 1994. p. 34-40+.
- "Nazi cinema sought to reshape public imagination in accordance with the party's own beliefs. The majority of films made under Goebbels are light and frothy entertainments without overt ideology or official intervention; almost half of all features were comedies and musicals. Goebbels and his minions followed Hollywood in trying to maximize film's seductive potential and use it as a medium of emotional remote control. American movies and other aspects of American culture were highly present in Germany in the 1930s. With the onset of war, Nazi film came into its own, eliminating American competition, capturing wide foreign markets, and bringing in unparalleled profits. The Reich's consummate cinematic achievement was Josef von Baky's Agfacolor Munchhausen (1943), which enacts the heroic myth central to Nazi self-fashioning. The postwar career of Nazi films has been durable." [Art Abstracts]
- Roper, Katherine.
- "Looking for the German revolution in Weimar films."Central European History v31, n1-2 (Wntr-Spring, 1998):65 (26 pages).
- "The German people of the 1920's felt they were living in a time of transformation, and argued about what form a Marxist revolution would take in Germany. Filmmakers were reluctant to address the issue of a German revolution directly. Instead they made films about the French Revolution of over 100 years before, or about the distant future, as in Fritz Lang's 'Metropolis.' These films represented the widely-held belief that Weimar Germany's crises would culminate in a people's uprising." [Expanded Academic Index]
- Saunders, Thomas J.
- "Comedy as Redemption: American Slapstick in Weimar Culture." Journal of European Studies. 17(4 (68)):253-277. 1987 Dec.
- Scheib, Ronnie
- "Images in exile." [European filmmakers find apt metaphor for their own situation] American Film v 10 Mar 1985. p. 28-34+
- Schaal, Hans Dieter
- "Spaces of the psyche in German Expressionist film." Architectural Design v 70 no1 Jan 2000. p. 12-15
- "Part of a special section on film and architecture. In 1920s Germany, the Expressionist impulse transferred itself from the canvas on to the cinema screen, resulting in some of the most dramatic works of film architecture. The formulations of Expressionist paintings, which fought against impressionistic superficiality and illuminated agitated inner worlds, were realized in German Expressionist films in which the heroes roam through a labyrinth of narrow alleys that can represent both a medieval city and a spiritual space that has become visible. In The Cabinet of Dr. Caligari, the major film in this genre, the architecture consists of narrow, high rooms and lanes, inside and out, a labyrinth that is completely enclosed and apparently inescapable. Subsequent film spaces and architecture have evolved from the Expressionist space-cell. Indeed, in a number of films, including Metropolis, Key Largo, and Blade Runner, the chosen space, building, or city often becomes the leading character." [Art Abstracts]
- Scharf, Inga
- " Staging the Border: National Identity and the Critical Geopolitics of West German Film." Geopolitics; Summer2005, Vol. 10 Issue 2, p378-397, 20p
UC users only
- Scheib, Ronnie
- "Images in exile: European filmmakers find apt metaphor for their own situation." American Film v. 10 (March 1985) p. 28-34+
- Schlüpmann, Heide
- "Melodrama and Social Drama in the Early German Cinema." Camera Obscura 8(1 22): 73-89 (1990)
UC users only
- Spector, Scott.
- "Was the Third Reich movie-made? Interdisciplinarity and the reframing of "Ideology"." American Historical Review v106, n2 (April, 2001):460 (2 pages).
- Issues concerning the use of historical films to study society and values is discussed, with particular attention to the propaganda films made by the Nazis between 1933 and 1945.
- Sanford, John.
- "Chaos and Control in the Weimar Film." German Life & Letters. 48(3):311-23. 1995 July
- Silberman, Marc
- "What Is German in the German Cinema?" Film History, Vol. 8, No. 3, Cinema and Nation - II (1996), pp. 297-315
UC users only
- Tegel, Susan.
- "Nazi Film Aesthetics Historical Journal of Film, Radio and Television, vol. 26, no. 3, pp. 417-20, August 2006
- Tegel, Susan.
- "Veit Harlan and the Origins of 'Jud Suss,' 1938-1939: Opportunism in the Creation of Nazi Anti-Semitic Film Propaganda." Historical Journal of Film, Radio and Television v16, n4 (Oct, 1996):515 (17 pages).
- Thompson, Rick.
- "He and She: Weimar Screwballwerk." (Viktor und Viktoria)Senses of Cinema: an Online Film Journal Devoted to the Serious & Eclectic Discussion of Cinema. 22:(no pagination). 2002 Sept-Oct
- Urang, J. G. "Realism and romance in the East German Cinema, 1952-1962." Film History v. 18 no. 1 (2006) p. 88-103
UC users only
- "Part of a special issue on Cold-War German cinema. The writer examines the fraught ambivalence around the treatment of romantic plots in 1950s East German film culture. He states that love stories in East German films seem uncomfortably suspended between realism and romance and that the changing fortunes of East German romance reveal the inconsistency of an uncharacteristically erratic Communist Party line." [Art Index]
- Welsch, Tricia
- "Foreign exchange: German Expressionism and its legacy." Cinema Journal v 38 no4 Summer 1999. p. 98-102
- "Part of a special section on the teaching of film and video courses. The writer describes "Expressionism and Its Legacy," an elective course she teaches to undergraduates that examines the influence on American cinema of the German expatriates who settled in America in the 1920s and 1930s. The course first examines the accomplishments of the Weimar studio system and subsequently investigates the links between Germany and America at the beginning of the sound era. It includes weekly screenings of German silent movies, from The Student of Prague of 1919 to M of 1930; of films made in America by first-generation emigrants; and American films that borrow from the German film industry, such as Blade Runner and Rumble Fish. The course engages issues of aesthetics, history, economics, and politics across two cultures." [Art Abstracts]
Books and Articles About DEFA
- Bathrick, David.
- "Holocaust Film Before the Holocaust: DEFA, Antifascism and the Camps.Preview / Les films sur l'Holocauste avant l'Holocauste : la DEFA, l'antifascisme et les camps." Cinemas, Fall2007, Vol. 18 Issue 1, p109-134, 26p
UC users only
- Buffet, Cyril.
- Defunte DEFA : histoire de l'autre cinema allemand Paris : Cerf, 2007.
MAIN: PN1999.D4 B84 2007
- Byg, Barton.
- "DEFA and the traditions of International cinema." In: The European cinema reader / edited by Catherine Fowler. London ; New York : Routledge, 2002.
Main Stack PN1993.5.E8.E97 2002
PFA PN1993.5.E8.E97 2002
- Byg, Barton.
- "What Might Have Been: DEFA Films of the Past and the Future of German Cinema." Cineaste 17 (4): 9-15. 1990.
- "Cold-War German Cinema." [Special Issue] Film History v. 18 no. 1 (2006) p. 2-103
- "A special issue on Cold-War German cinema. Topics discussed include how cinema functioned in America's Cold-War campaign in occupied Germany; four major feature films that East Germany's state-owned film company DEFA coproduced with French companies and released between 1956 and 1960; the influence of Heimatfilm, well-known as a symbol of postwar reconstruction in West German society, on early films produced by East Germany's state-owned film company DEFA; inter-German film relations during the 1950s with reference to two films made by director Hans Heinrich; musical films made by DEFA; and the fraught ambivalence around the treatment of romantic plots in 1950s East German film culture." [Art Index]
- DEFA : East German cinema, 1946-1992 Edited by Sean Allan and John Sandford. New York : Berghahn Books, 1999.
Main Stack PN1999.D4.D34 1999)
- DEFA NOVA--nach wie vor? : Versuch einer Spurensicherung.
- Berlin : Freunde der Deutsche Kinemathek], 1993.
MAIN: PN1999.D4 D44 1993;
- Deutschlandbilder Ost : Dokumentarfilme der DEFA von der Nachkriegszeit bis zur Wiedervereinigung
- Herausgegeben von Peter Zimmermann. Konstanz : UVKMedien/Olschlager, 1995.
MAIN: PN1995.9.D6 D49 1995; Storage Info: B 4 131 025
- Ecke, Peter
- "DEFA-Märchenfilme zur Vermittlung von Deutsch als Fremdsprache DEFA-Märchenfilme zur Vermittlung von Deutsch als Fremdsprache." Die Unterrichtspraxis / Teaching German, Vol. 37, No. 1 (Spring, 2004), pp. 43-52
UC users only
- Einblicke in die Lebenswirklichkeit der DDR durch dokumentare Filme der DEFA
- Gebhard Moldenhauer/Volker Steinkopff (Hrsg.) ; [Redaktion: Sandra Langenhahn]. Oldenburg : Bis, 2001
Main Stack PN1994.D4.E46 2001
- Elsaesser, Thomas; Wedel, Michael.
- "Defining DEFA's Historical Imaginary: The Films of Konrad Wolf." New German Critique, Winter2001 Issue 82, p3, 22p
UC users only
- Falcon, Richard.
- "Cold warriors." Sight and Sound ns11 no11 Nov 2001. p. 28-30.
- "During the 1970s, Munich stole the New German Cinema glory through Fassbinder and Wenders, but the divided city of Berlin was at the frontier of political filmmaking. As a refuge from conscription and National Service, Berlin had a large youth population, and it became the center of risk and radicalism. As the home of West Germany's major international film festival, the city was the focus of tensions arising out of the protest movement's radicalized view of the function of a non-industrial cinema. The Berlin school of filmmaking, DEFA, founded in 1965 anchored its films within the traditions of documentary and essayistic work going back to the proletarian films of late Weimar Berlin. By the 1970s, Berlin film culture was committed to a radical engagement with political reality, which led at the end of the decade to films like Solo Sunny. This film, a culmination of the trend for fiction blended with documentary realism, was remarkable in validating self-realization outside state-directed productivity, a sentiment that, a decade later, would dismantle the wall." [Art Abstracts]
- Filmland DDR : ein Reader zu Geschichte, Funktion und Wirkung der DEFA
- Herausgegeben von Harry Blunk und Dirk Jungnickel ; Beitrage von Harry Blunk ... [et al.]. Koln : Verlag Wissenschaft und Politik, c1990.
MAIN: PN1999.D4 F55 1990
- Fisher, Jaimey.
- "Children of the Rubble: Youth, Pedagogy, and Politics in Early DEFA Films." In: Disciplining Germany : youth, reeducation, and reconstruction after the Second World War / <2007> Wayne State University Press, c2007.
MAIN: DD257.2 .F57 2007
- Fisher, Jaimey.
- "Who's Watching the Rubble-Kids? Youth, Pedagogy, and Politics in Early DEFA Films." New German Critique, Winter2001 Issue 82, p91, 34p
UC users only
- Frolich, Margrit.
- "Behind the Curtains of a State-Owned Film Industry: Women Filmmakers at the DEFA ." In: Triangulated visions: women in recent German cinema / edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. pp: 43-63. Albany: State University of New York Press, c1998. SUNY series in feminist criticism and theory. SUNY series, cultural studies in cinema/video.
Main Stack PN1995.9.W6.T75 1998
- German postwar films : life and love in the ruins
- Edited by Wilfried Wilms and William Rasch. New York : Palgrave Macmillan, 2008.
Main (Gardner) Stacks PN1995.9.R83 G47 2008
- Contents: Introduction : Looking again at the rubble / William Rasch -- "When everything falls to pieces" : rubble in German films before the rubble films / Erhard Schütz -- Rubble without a cause : the air war in postwar film / Wilfried Wilms -- A time for ruins / Dagmar Barnouw -- Rubble film as archive of trauma and grief : Wolfgang Lamprecht's Somewhere in Berlin / Anke Pinkert -- The stones begin to speak : the laboring subject in early DEFA documentaries / Brad Prager -- What's new? Allegorical representations of renewal in DEFA's youth films, 1946-1949 / Marc Silberman -- In the ruins of Berlin : A foreign affair / Gerd Gemünden -- Rubble noir / Jennifer Fay -- When Liebe was just a five-letter word : Wolfgang Liebeneiner's Love 47 / Robert G. Moeller -- "Kampf dem Kampf" : aesthetic experimentation and social satire in The ballad of Berlin / Claudia Breger -- Planes, trains, and the occasional car : the rubble film as demobilization film / Jaimey Fisher -- The sound of ruins / Lutz Koepnick.
- Der Geteilte Himmel : Hohepunkte des DEFA-Kinos, 1946-1992. Wien : Filmarchiv Austria, c2001.
MAIN: PN1999.D4 G48 2001
- Hackbarth, Doris.
- DEFA 1946-1964 : Studio fur Popularwissenschaftliche Filme (und Vorlaufer) : Filmografie / <1997> Berlin : Henschel, 1997.
MAIN: PN1995.9.D6 H22 1997
- Hake, Sabine
- "Anti-Americanism and the Cold War: on the DEFA Berlin films." In: Americanization and anti-Americanism : the German encounter with American culture after 1945 / edited by Alexander Stephan. New York : Berghahn Books, 2005.
Main Stack E183.8.G3.A626 2005
- Halle, Randall.
- "German Film, Aufgehoben: Ensembles of Transnational Cinema." New German Critique, No. 87, Special Issue on Postwall Cinema (Autumn, 2002), pp. 7-46
UC users only
- Harhausen, Ralf.
- Alltagsfilm in der DDR : die "Nouvelle Vague" der DEFA Marburg : Tectum, c2007.
MAIN: PN1995.9.S63 H37 2007
- Hedges, Inez
- "Always just over the horizon: The East German intellectual and the elusive public sphere." Socialism and Democracy. Summer 1992. Vol. 8, Iss. 2-3; pg. 59
- About a dozen incomplete films from DEFA, East Germany's government-financed film studio, and a number of TV programs and works of literature were banned in a massive cultural cleanup in Dec 1965. Most of these works dealt with the positioning of women and working-class people and addressed problems related to socialism.
- Die imaginierte Nation : Identität, Körper und Geschlecht in DEFA-Filmen / Bettina Mathes (Hg.) ; herausgegeben von der DEFA-Stiftung. Berlin : DEFA-Stiftung, 2007.
Main (Gardner) Stacks PN1999.D4 I46 2007
- Kannapin1, Detlef.
- "GDR Identity" in DEFA feature films." Debatte: Review of Contemporary German Affairs, Aug2005, Vol. 13 Issue 2, p185-200, 16p;
UC users only
- Kramer, Karen Rouff
- "Blauhemd und Bluejeans in Filmen der DEFA." In: Jeans, Rock und Vietnam : amerikanische Kultur in der DDR / herausgegeben von Therese Hornigk und Alexander Stephan. Berlin : Theater der Zeit, 2002.
Main Stack DD286.3.J43 2002
- Lessard, John
- "Iron Curtain Auteurs: Lost Voices from East Germany's DEFA Studios." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 34, no. 3, pp. 5-11, Summer 2009
UCB users only
- Lindenberger, Thomas.
- "Home sweet home: Desperately seeking Heimat in early DEFA films." Film History, 2006, Vol. 18 Issue 1, p46-58, 13p
UC users only
- Lischke-McNab, Ute.
- "Women, Film, and Writing in the GDR: Helga Schubert and the DEFA: An Interview with Helga Schubert." In: Triangulated visions: women in recent German cinema / edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. pp: 199-205. Albany: State University of New York Press, c1998. SUNY series in feminist criticism and theory. SUNY series, cultural studies in cinema/video.
Main Stack PN1995.9.W6.T75 1998
- McGee, Laura G.
- ""Ich wollte ewig einen richtigen Film machen! Und als es soweit war, konnte ich's nicht!" The End Phase of the GDR in Films by DEFA Nachwuchsregisseure." German Studies Review, Vol. 26, No. 2 (May, 2003), pp. 315-332
UC users only
- McGee, Laura G.
- "Revolution in the studio? The DEFA's fourth generation of film directors and their reform efforts in the last decade of the GDR." Film History, 2003, Vol. 15 Issue 4, p444-464, 21p
UC users only
- Muckenberger, Christiane.
- "The Cold War in East German Feature Film." (Special Issue: Media and the Cold War in Europe) Historical Journal of Film, Radio and Television v13, n1 (March, 1993):49 (9 pages).
- East German movie portrayals of the cold war came from the national film company Deutsche Film Aktiengesellschaft (DEFA). The films did not fit rigid ideological constraints until 1989, and showed much artistic license from 1946 until 1989. There was a general sympathy with the aims of the East German government, but DEFA did show sympathetic portrayals of humanity in both sides of Germany.
- Mueller, Gabriele
- "Going East, Looking West: Border Crossings in Recent German Cinema." Seminar: A Journal of Germanic Studies, vol. 44, no. 4, pp. 453-469, Nov 2008
UC users only
- Naughton, Leonie.
- That was the wild East : film culture, unification, and the "new" Germany Ann Arbor : University of Michigan Press, c2002.
Main Stack PN1993.5.G3.N28 2002
- Pinkert, Anke.
- "Can Melodrama Cure? War Trauma and Crisis of Masculinity in Early DEFA Film." Seminar -- A Journal of Germanic Studies, Feb2008, Vol. 44 Issue 1, p118-136, 19p
UC users only
- Pusch, Steffi
- Exemplarisch DDR-Geschichte leben : Ostberliner Dokumentarfilme, 1989/1990 Frankfurt am Main ; New York : P. Lang c2000.
MAIN: PN1995.9.D6 P87 2000;
- Raundalen, Jon
- "A Communist Takeover in the Dream Factory -- Appropriation of Popular Genres by the East German Film Industry." Slavonica; 2005, Vol. 11 Issue 1, p69-86, 18p
UC users only
- Reimer, Dieter
- DEFA-Stars : Legenden aus Babelsberg Leipzig : Militzke, c2004.
MAIN: PN2657 .R45 2004
- Schenk, Ralf
- Eine kleine Geschichte der DEFA : Daten, Dokumente, Erinnerungen Berlin : DEFA-Stiftung, 2006.
MAIN: PN1999.D4 S35 2006
- Schulberg, Stuart
- "The German Film: Comeback or Setback? The German Film: Comeback or Setback?" The Quarterly of Film Radio and Television, Vol. 8, No. 4 (Summer, 1954), pp. 400-404
UC users only
- Schwarzweiss und Farbe : DEFA-Dokumentarfilme 1946-92
- Gunter Jordan, Ralf Schenk (Red.) ; mit Beitragen von Gunter Jordan ... [et al.] ; herausgegeben vom Filmmuseum Potsdam. Berlin : Jovis, 2000.
MAIN: PN1999.D4 S38 2000
- Shandley, Robert R.
- "Dismantling the Dream Factory: The Film Industry in Berubbled Germany." South Central Review, Vol. 16, No. 2/3, German Studies Today (Summer - Autumn, 1999), pp. 104-117
UC users only
- Silberman, Marc
- "The first DEFA fairy tales : Cold War fantasies of the 1950s." In: Framing the fifties : cinema in a divided germany / by John Davidson, Sabine Hake. New York : Berghahn Books, [2009], c2007.
Main (Gardner) Stacks PN1993.5.G3 T35 2009
- Silberman, Marc
- "Learning from the enemy: DEFA-French co-productions of the 1950s." Film History v. 18 no. 1 (2006) p. 21-45
UC users only
- "Part of a special issue on Cold-War German cinema. The writer discusses four major feature films that East Germany's state-owned film company DEFA coproduced with French companies and released between 1956 and 1960. The historical context for the coproductions reveals compromises and discrepancies between ideological intentions and institutional practices in East Germany. Communists, socialists, and progressive humanists emerged or returned from exile after World War II to create a new German film that sought to contribute to the reeducation of the masses." [Art Index]
- Soldovieri, Stefan
- "Finding navigable waters: Inter-German film relations and modernisation in two DEFA barge films of the 1950s." Film History; 2006, Vol. 18 Issue 1, p59-72, 14p
UC users only
- Spur der Filme : Zeitzeugen uber die DEFA
- Ingrid Poss, Peter Warnecke (Hg.). Berlin : Ch. Links Verlag, 2006.
MAIN: PN1993.5.G47 S68 2006
- Trampe, Wolfgang
- Erzahlen fur den Film : Gesprache mit Autoren der DEFA Berlin : DEFA-Stiftung, 2004.
MAIN: PN1996 .T73 2004
- Die Trick-Fabrik : DEFA-Animationsfilme 1955-1990
- Ralf Schenk, Sabine Scholze (Red.) ; mit Beitragen von Jorg Herrmann ... [et al.]. Berlin : Bertz, c2003.
MAIN: PN1999.D4 T75 2003
- Urang, John Griffith.
- "Realism and romance in the East German Cinema, 1952-1962 Film History. 2006. Vol. 18, Iss. 1; p. 88 (16 pages)
UC users only
- Walker, William
- "GDR Film in Cultural Context GDR Film in Cultural Context." Die Unterrichtspraxis / Teaching German, Vol. 15, No. 2 (Autumn, 1982), pp. 194-206
UC users only
- Das zweite Leben der Filmstadt Babelsberg : DEFA-Spielfilme, 1946-1992
- Ralf Schenk (Red.) ; mit Beitragen von Christiane Muckenberger ... [et al.] ; herausgegeben vom Filmmuseum Potsdam. Berlin : Henschel, 1994.
MAIN: PN1999.D4 Z93 1994
Books and Articles on Individual Film Makers
Percy Adlon
- Baron, Cynthia.
- "Food and Gender in Bagdad Cafe." Food and Foodways. 11 (1): 49-74. 2003 Jan-Mar.
UC users only
- Dempsey, Anna.
- "Nurturing Nature and Cinematic Experience: The American Landscape and the Rural Female Community." Journal of Cultural Geography; Fall/Winter2005, Vol. 23 Issue 1, p115-137, 23p
UC users only
- Levin, David J.
- "Community and Its Contents: Race and Film History in Percy Adlon's Bagdad Cafe." Triangulated visions : women in recent German cinema / edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. Albany : State University of New York Press, c1998.
Main (Gardner) Stacks PN1995.9.W6 T75 1998
- Mennel, Barbara Caroline; Onigiri, Amy.
- "In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon's Bagdad Cafe." Camera Obscura 44 (15.2), 2000
UC users only
- Sunka, Simon.
- "Out of Hollywood: Monika Treut's Virgin Machine and Percy Adlon's Bagdad Cafe." In: Queering the canon : defying sights in German literature and culture / edited by Christoph Lorey and John L. Plews. Columbia, SC : Camden House, 1998.
Main (Gardner) Stacks PT71 .Q44 1998
- Streese, Konstanze; Shea, Kerry.
- "Who's Looking? Who's Laughing? Of Multicultural Mothers and Men in Percy Adlon's Bagdad Cafe." Women in German Yearbook: Feminist Studies in German Literature and Culture, vol. 8, pp. 179-97, 1992
Wolfgang Becker
- Goodbye Lenin!
- Abeel, Erica.
UC users only
- Barney, Timothy.
- "When We Was Red: Good Bye Lenin! and Nostalgia for the 'Everyday GDR'." Communication & Critical/Cultural Studies, Jun2009, Vol. 6 Issue 2, p132-151, 20p
UC users only
- Böhn, Andreas.
- "Memory, Musealization and Alternative History in Michael Kleeberg's Novel Ein Garten im Norden and Wolfgang Becker's Film Good Bye, Lenin!" In: Memory traces : 1989 and the question of German cultural identity / Silke Arnold-de Simine. Oxford ; New York : P. Lang, c2005.
Main (Gardner) Stacks DD290.24 .A76 2005
- Bowman, James.
- "Post-Cold War Propaganda." American Spectator, Mar2004, Vol. 37 Issue 2, p50-51, 2p
UC users only
- Creech, Jennifer.
- "A Few Good Men: Gender, Ideology, and Narrative Politics in The Lives of Others and Good Bye, Lenin!" Women in German Yearbook: Feminist Studies in German Literature and Culture, vol. 25, pp. 100-126, 2009
UC users only
- Finger, Anke.
- "Hello Willy, Good Bye Lenin!: Transitions of an East German Family." South Central Review, Summer2005, Vol. 22 Issue 2, p39-58, 20p
UC users only
- Godeanu-Kenworthy, Oana.
- "Deconstructing Ostalgia: The national past between commodity and simulacrum in Wolfgang Becker’s Good Bye Lenin! (2003)." Journal of European Studies, Jun2011, Vol. 41 Issue 2, p161-177, 17p
UC users only
- Hillman, Roger.
- "Goodbye Lenin (2003): History in the subjunctive." Rethinking History, Jun2006, Vol. 10 Issue 2, p221-237, 17p
UC users only
- Kapczynski, Jennifer M.
- "Negotiating Nostalgia: The GDR Past in Berlin Is in Germany and Good Bye, Lenin!" Germanic Review, Winter2007, Vol. 82 Issue 1, p78-100, 23p
UC users only
- Manghani, Sunil.
- "Public Screening: Critical Pictures of the Wall." In: Image critique & the fall of the Berlin Wall / Sunil Manghani. Bristol, UK ; Chicago : Intellect, 2008.
Full text available online (UCB users only)
Main (Gardner) Stacks DD881 .M36 2008
- Manning, Caitlin; Shackford-Bradley, Julie.
- "Global Subjects in Motion: Strategies for Representing Globalization in Film." Journal of Film & Video, Fall2010, Vol. 62 Issue 3, p36-52, 17p
UC users only
Sark, Katrina. "City Spaces and National Identity." Cineaction, 2010, Issue 80, p56-59, 4p
UC users only
- Schmidt, Gary.
- "Motherhood, Melodrama, and Masculinity in Wolfgang Becker's Good Bye Lenin!" West Virginia University Philological Papers, vol. 52, pp. 123-32, 2005
UC users only
- Setje-Eilers, Margaret.
- "Ferreting Out the Foreign: Billy Wilder's A Foreign Affair (1948) and Wolfgang Becker's Good Bye, Lenin! (2003)." In: Finding the foreign / edited by Robert Schechtman and Suin Roberts. Interdisciplinary German Studies Conference (13th : 2005 : University of California, Berkeley) Newcastle, UK : Cambridge Scholars Publishing, 2007.
Main (Gardner) Stacks PT405 .I568 2005
- Siegel, Robert
UC users only
- Uecker, Matthias.
- "Fractured families united countries? Family, nostalgia and nation-building in Das Wunder von Bern and Goodbye Lenin!" New Cinemas: Journal of Contemporary Film, 2007, Vol. 5 Issue 3, p189-200, 12p
UC users only
- White, Christina M.
UC users only
Slatan Dudow
- Kuhle Wampe
- Alter, Nora M.
- "Dissonant visions. The politics and sounds of everyday life in Kuhle Wampe." In: Sound matters : essays on the acoustics of modern German culture / edited by Nora M. Alter and Lutz Koepnick. New York : Berghahn Books, 2004.
Music ML3845.S6835 2004
- Birgel, Franz A.
- "Kuhle Wampe, Leftist Cinema, and the Politics Film Censorship in Weimar Germany." Historical Reflections; Summer2009, Vol. 35 Issue 2, p40, 23p.
UC users only
- Brecht, Bertolt
- Texte fur Filme: Drehbucher, Protokoll "Kuhle Wampe", Exposes, Szenarien. Frankfurt am Main, Suhrkamp, [1969]
CMHE: PN1997 .B724; Storage Info: B 4 801 458
- Brewster, Ben and MacCabe, Colin
- "Making Kuhle Wampe-An interview with George Hoellering." Screen 1974 15: 71-79
UC users only
- Kirn, Gal.
- "Kuhle Wampe: Politics of Montage, De-montage of Politics?" Film-Philosophy; 2007, Vol. 11 Issue 2, p33-48, 16p
- "Kuhle Wampe or Who Does the World Belong To?" Screen 1974 15: 41-42
UC users only
- Lessard, John.
- "Kuhle Wampe, or Who Owns the World?" Cineaste, Fall2009, Vol. 34 Issue 4, p71-73, 3p
UC users only
- "Making Kuhle Wampe: An Interview with George Hoellering." Screen, Winter74/75, Vol. 15 Issue 4, p71-79, 9p;
- Pettifer, James
- "Against the Stream - Kuhle Wampe." Screen 1974 15: 49-64
UC users only
- Rippey, Theodore F.
- "Kuhle Wampe and the Problem of Corporal Culture." Cinema Journal 47.1 (2007) 3-25
UC users only
- Scboenbaum, David.
- "Brecht's Kuhle Wampe: An Expression of Communism in the Weimar Republic." Film & History May1972, Vol. 2 Issue 2, p11-17, 7p
UC users only
- Silberman, Marc
- "Whose revolution? The subject of Kuhle Wampe (1932)." In: Weimar cinema : an essential guide to classic films of the era / edited by Noah Isenberg. New York : Columbia University Press, c2009.
Main (Gardner) Stacks PN1993.5.G4 W357 2009
Uli Edel
- The Baader Meinhof Complex
- Brunskill, Ian.
- "A German Complex." American Interest; May/Jun2009, Vol. 4 Issue 5, p92-97, 6p
UC users only
- Dittgen, Andrea.
- "Radical chic." Sight & Sound, Dec2008, Vol. 18 Issue 12, p24-26, 3p
UC users only
- Gerhardt, Christina.
- "The Baader Meinhof Complex." Film Quarterly, Winter2009/2010, Vol. 63 Issue 2, p60-61, 2p
UC users only
- Grawe, Ursula; Grawe, Christian.
- "The Baader Meinhof Complex." Metro, Jun2009, Issue 161, p170-177, 8p
UC users only
- Hope-Jones, Mark.
- "Anarchy in the BRD." American Cinematographer, Sep2009, Vol. 90 Issue 9, p32-43, 10p
UC users only
- Leslie, Esther.
- "The Baader Meinhof Complex." Radical Philosophy, Jan/Feb2009, Issue 153, p63-64, 2p
- Lewis, Malcolm.
- "The Baader Meinhof Complex." New Internationalist; Dec2008, Issue 418, p34
UC users only
- Macnab, Geoffrey.
- "The Baader Meinhof Complex." Sight & Sound, Dec2008, Vol. 18 Issue 12, p51-52, 2p
UC users only
- Miller, Henry K.
- "Fatal attraction; Che Guevara, Carlos the Jackal, Andreas "Baader: these are the faces of radical terrorist chic. Henry K Miller examines the myths. (The Back Half).(popular culture)." New Statesman (1996) 131.4611 (Oct 28, 2002): 38(2).
- Nicodemus, Katja
- "Death Wish." Film Comment, Sep/Oct2009, Vol. 45 Issue 5, p54-59, 6p
UC users only
- Preece, Julian.
- "Between Identification and Documentation, 'Autofiction' and 'Biopic': The Lives of the RAF." German Life & Letters; Oct2003, Vol. 56 Issue 4, p363, 14p
UC users only
- Rasch, Ilka
- "The Generation Gap: The Reappropriation of the Red Army Faction in Contemporary German Film." In: Generational shifts in contemporary German culture / edited by Laurel Cohen-Pfister and Susanne Vees-Gulani. Rochester, N.Y. : Camden House, 2010. (Main (Gardner) Stacks PT111 .G36 2010)
- Scribner, Charity.
- "Fucking and shooting: the release of The Baader-Meinhof Complex." Sixties: A Journal of History, Politics & Culture, Dec2009, Vol. 2 Issue 2, p251-253, 3p
UC users only
- Sklar, Robert.
- "The Baader Meinhof Complex." Cineaste, Fall2009, Vol. 34 Issue 4, p42-44, 3p
UC users only
- Stott, Rosemary.
- "Revolutionary Fiction: The Baader Meinhof Complex and other representations of the Red Army Faction in German film." Twentieth Century Communism, May2010, p180-196, 17p
- White, Rob.
- "Fugitive Expressions." Film Quarterly, Winter2009/2010, Vol. 63 Issue 2, p4-7, 4p
UC users only
- Zielke, Dustin.
- "Der Baader Meinhof Komplex." Journal of Religion & Film, Oct2009, Vol. 13 Issue 2, p8-8, 1p
UC users only
Valie Export
- del Rio, Elena.
- "Politics and Erotics of Representation: Feminist Phenomenology and Valie Export's The Practice of Love." Discourse 2000 Spring, 22:2, 46-70.
- Eifler, Margret.
- "Valie Export: Feministische Filmautorin." Osterreich in Amerikanischer Sicht: Das Osterreichbild im Amerikanischen Schulunterricht, 1992, 7, 1-9.
- Eifler, Margret.
- "Valie Export's Iconography: Visual Quest for Subject Discourse." Modern Austrian Literature, 1996, Vol. 29 Issue 1, p108-130, 23p
UC users only
- Export Lexikon : Chronologie der bewegten Bilder bei Valie Export : Sonderzahl
- Sylvia Szely (Hg.). Wien : Sonderzahl, 2007.
MAIN: PN1993.5.A83 E9 2007
- Export, Valie.
- Valie Export: ob/de+con(struction) / exhibition organized by Elsa Longhauser ; texts by Robert Fleck ... [et al.]. Philadelphia: Goldie Paley Gallery, c1999. Moore international discovery series ; 4
Main Stack N6811.5.E94.A4 1999
- Hallensleben, Markus
- "Importing Valie Export: Corporeal Topographies in Contemporary Austrian Body Art." Modern Austrian Literature; 2009, Vol. 42 Issue 3, p29-49, 21p
UC users only
- Hoberman, J..
- "Explorations: our movies, ourselves."American Film Vol VII nr 1 (Oct 1981); p 34-36.
- Discusses current avant-garde filmmakers who take a feminist point of view: Yvonne Rainer, Vivienne Dick, Valie Export and others.
- Holmlund, Chris.
- "Feminist Makeovers: The Celluloid Surgery of Valie Export and Su Friedrich." In: Play it again, Sam: retakes on remakes / edited by Andrew Horton and Stuart Y. McDougal; with an afterword by Leo Braudy. pp: 217-37 Berkeley; University of California Press, c1998.
Media Center PN1995.9.R45.P58 1998Main Stack PN1995.9.R45.P58 1998
- Juno, Andrea
- "Valie Export." In: Angry women / [editors, A. Juno and V. Vale. New York: Juno, c1999.
Main Stack NX180.F4.A53 1999
- Kapke, Barry
- "Body as sign: Performance and Film Works of Valie Export." High Performance 12:1=45 (1989:Spring) 34Kapke, Barry
- King, Homay.
- "Vision and Its Discontents: Valie Export's Invisible Adversaries." Discourse 2000 Spring, 22:2, 25-45.
UC users only
- Lamb-Faffelberger, Margarete.
- "Avantgarde-Filmkunst und ihre Presse-Rezeption: Valie Exports feministische Asthetisierung." Modern Austrian Literature, 1996 Apr, 29:1, 93-10
- Lamb-Faffelberger,-Margarete.
- "Austria's Feminist Avant-Garde: Valie Export's and Elfriede Jelinek's Aesthetic Innovations." In: Out from the shadows: essays on contemporary Austrian women writers and filmmakers / edited and with an introduction by Margarete Lamb-Faffelberger. pp: 229-41. Riverside, Calif.; Ariadne Press, c1997. Studies in Austrian literature, culture, and thought.
Main Stack PT3818 .O97 1997
- Lippert, R.
- "Ein Millimeter schmerzfreie Zone. Valie Exports... Remote... Remote." Frauen und Film nr 39 (Dec 1985); p 73-80.
- About Valie Export and one of her first short films "...Remote... Remote", about the masochistic surrender of a woman under a female ideal of beauty dictated by men.
- "Masochismus."
- Frauen und Film nr 39 (Dec 1985); p 3-81.
- On masochism in films, with articles on directors Josef von Sternberg and Valie Export, and discussions of the films "Queen Kelly", "Raw deal" and "Letter from an unknown woman".
- MacDonald, Scott
- "Valie Export." In: A critical cinema: interviews with independent filmmakers / Scott MacDonald. Berkeley: University of California Press, c1988-c1992.
Main Stack PN1995.9.E96.M341 1988Moffitt PN1995.9.E96.M34 1988 Library has: [1]-2 (c1988-c1992)
- Mueller, Roswitha
- "The Prosthetic Womb: Technology and Reproduction in the Work of Valie Export." In:Out from the shadows: essays on contemporary Austrian women writers and filmmakers / edited and with an introduction by Margarete Lamb-Faffelberger. pp: 242-51 Riverside, Calif.; Ariadne Press, c1997. Studies in Austrian literature, culture, and thought.
Main Stack PT3818 .O97 1997
- Mueller, Roswitha
- Valie Export: Fragments of the Imagination / Roswitha Mueller. Bloomington: Indiana University Press, c1994.
Main Stack NX548.Z9.E866 1994Moffitt NX548.Z9.E866 1994
- Mueller, Roswitha
- "Screen Embodiments: Valie Export's Syntagma."Discourse 1991 Spring-Summer, 13:2, 39-57.
- Nesweda, P.
- "In Her Own Image, Export,Valie, Artist And Feminist." Arts Magazine, 1991 MAY, V65 N9:70-72.
- Rickey, Carrie
- "The practice of love. (movie reviews) . Ms. Magazine Dec 1985 v14 p26(1)
- Rio, Elena del.
- "Politics and erotics of representation: feminist phenomenology and Valie Export's "The Practice of Love."" Discourse, Spring 2000, Issue 22.2, p46-70, 25p
UC users only
- Sander, helke
- "mann & frau & animal": "interview mit valie export" Frauen und Film 7 (1976:M?rz) 38
- Sicinski, Michael.
- "Valie Export and Paranoid Counter-Surveillance." Discourse 2000 Spring, 22:2, 71-91.
UC users only
- Silverman, Kaja
- "Speak, body" Discourse (22:2) Spring 2000, 8. (2000)
UC users only
- Wilke, Sabine.
- "The Body Politic of Performance, Literature, and Film: Mimesis and Citation in Valie Export." Paragraph, Nov99, Vol. 22 Issue 3, p228, 20p
UC users only
Rainer Werner Fassbinder
Books
- Bae, Sang-Joon
- Rainer Werner Fassbinder und seine filmästhetische Stilisierung Remscheid : Gardez! Verlag, 2005.
MAIN: PN1998.3.F37 B34 2005
- Baer, Harry
- Schlafen kann ich, wenn ich tot bin: das atemlose Leben des Rainer Werner Fassbinder Koln: Kiepenheuer & Witsch, 1982.
MAIN: PN1998.A3 F274 1982;
- Barnett, David
- Rainer Werner Fassbinder and the German theatre. Cambridge, UK ; New York : Cambridge University Press, 2005.
MAIN: PN1998.3.F37 B37 2005
- Braad Thomsen, Christian
- Fassbinder: the life and work of a provocative genius / Christian Braad Thomsen; translated by Martin Chalmers. London; Boston: Faber and Faber, 1997.
UCB Main PN1998.3.F37 B7313 1997
- Crimp, Douglas.
- "Fassbinder, Franz, Fox, Elvira, Armin, and All the Others." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. pp: 257-74. New York: Routledge, 1993.
Main Stack PN1995.9.H55.Q4 1993Moffitt PN1995.9.H55.Q4 1993
- Deutsch-judische Normalitat-- Fassbinders Sprengsatze
- Frankfurt am Main: Pflasterstrand, 1985.
Main Stack DS146.G4 D481 1985
- Eckhardt, Bernd.
- Rainer Werner Fassbinder in 17 Jahren 42 Filme: Stationen eines Lebens fur den deutschen Film Munchen: W. Heyne, 1982.
MAIN: PN1998.A3 F2743 1982; Storage Info: B 3 569 652
- Elsaesser, Thomas.
- Fassbinder's Germany: History, Identity, Subject / by Thomas Elsaesser. Amsterdam: Amsterdam University Press, c1996. Series title: Film culture in transition.
UCB Moffitt PN1998.3.F37 E45 1996
- Elsaesser, Thomas.
- "Primary identification and the historical subject: Fassbinder and Germany." In: Narrative, apparatus, ideology: a film theory reader / edited by Philip Rosen. New York: Columbia University Press, 1986.
Main Stack PN1995.N341 1986 Grad Svcs PN1995.N34 1986 Non-circulating; may be used only in Graduate Services.Moffitt PN1995.N34 1986
- Elsaesser, Thomas.
- "Primary identification and the historical subject: Fassbinder and Germany." In: Narrative, apparatus, ideology: a film theory reader / edited by Philip Rosen. New York: Columbia University Press, 1986.
Main Stack PN1995.N341 1986Grad Svcs PN1995.N34 1986 Non-circulating; may be used only in Graduate Services.Moffitt PN1995.N34 1986
- Fassbinder
- New York: Tanam Press, 1981
MAIN: PN1998.A3 .F2742Moffitt PN1998.A3 .F273
- Fassbinder
- London: British Film Institute, 1976.
MAIN: PN1998.A3 F2741
- Fassbinder
- Edited by Tony Rayns. 2d rev. and expanded ed. London: British Film Institute, 1980.
Moffitt PN1998.A3 .F274 1979
- Fassbinder
- Peter Iden ... [et al.]; translated from the German by Ruth McCormick. 1st American ed. New York: Tanam Press, 1981.
Main PN1998.A3 .F2742Moffitt PN1998.A3 .F273
- Die Fassbinder-Kontroverse, oder, Das Ende der Schonzeit
- Konigstein/Ts.: Athenaum, c1986.
Main DS146.G4 F371 1986;
- Fassbinder, Rainer Werner
- The Anarchy of the Imagination: Interviews, Essays, Notes / edited by Michael Toteberg and Leo A. Lensing; translated from the German by Krishna Winston. Baltimore: Johns Hopkins University Press, c1992. Series title: PAJ books.
Main PN1998.3.F37 A3 1992
- Fassbinder, Rainer Werner
- Die Anarchie der Phantasie: Gesprache und Interviews <1986> Frankfurt am Main: Fischer Taschenbuch Verlag, c1986.
Main PN1998.3.F37 A31 1986
- Fassbinder, Rainer Werner
- Fassbinder über Fassbinder : die ungekurzten Interviews Frankfurt am Main : Verlag der Autoren, c2004.
MAIN: PN1998.3.F37 A5 2004
- Fassbinder, Rainer Werner
- Die Kinofilme Munchen: Schirmer/Mosel, c1987-
Main PN1997.A1 F37 1987
- Fassbinder, Rainer Werner
- Plays / edited, translated, and with an introduction by Denis Calandra. 1st ed. New York: PAJ Publications, c1985. Series title: PAJ playscripts.
Moffitt PT2666.A8 A1913 1985 NRLF B 3 586 964
- Firaza, Joanna.
- Die Asthetik des Dramenwerks von Rainer Werner Fassbinder : die Struktur der Doppelheit Frankfurt am Main ; New York : Peter Lang, 2002.
MAIN: PN2658.F37 F57 2002;
- Flinn, Caryl.
- " Modernism's Aftershocks: Peer Raben's Film Music for Fassbinder." In: The new German cinema: music, history, and the matter of style Berkeley: University of California Press, c2004.
Full-text of this book available online via ebrary [UC Berkeley users only]
MAIN: PN1993.5.G3 F57 2004Moffitt PN1993.5.G3 F57 2004
- Freybourg, Anne Marie.
- Bilder lesen: Visionen von Liebe und Politik bei Godard und FassbinderWien: Passagen-Verlag, c1996.
MAIN: PN1998.3.G63 F74 1996
- Firaza, Joanna.
- "Die Asthetik des Dramenwerks von Rainer Werner Fassbinder: die Struktur der Doppelheit." Frankfurt am Main ; New York: Peter Lang, 2002.
MAIN: PN2658.F37 F57 2002
- Flinn, Caryl
- "Strategies of remembrance: music and history in the new German cinema." In: Music and cinema / edited by James Buhler, Caryl Flinn, and David Neumeyer. pp. 118-41. Hanover, NH: University Press of New England [for] Wesleyan University Press, c2000. Music/culture.
MusicML2075.M875 2000
- Franklin, James C.
- "The Films of Fassbinder: Form and Formula." Quarterly Review of Film Studies 5:2 (1980:Spring) 169
- Ganz normale Chaos. English.
- Chaos as usual: conversations about Rainer Werner Fassbinder / edited by Juliane Lorenz with Marion Schmid and Herbert Gehr; translated by Christa Armstrong and Maria Pelikan. New York; London: Applause, c1997.
UCB Main PN1998.3.F37 G3613 1997UCB Moffitt PN1998.3.F37 G3613 1997
- Gemünden, Gerd
- "The gangster film and melodrama of Rainer Werner Fassbinder." In: Framed visions: popular culture, Americanization, and the contemporary German and Austrian imagination / Gerd Gemünden. Ann Arbor: University of Michigan Press, c1998. Social history, popular culture, and politics in Germany.
UCB Main NX550.A1.G385 1998
- Gilliatt, Penelope.
- "Fassbinder." In: Three-quarter face: reports and reflections / Penelope Gilliatt New York: Coward, McCann & Geoghegan, c1980
Main Stack PN1995.G49
Moffitt PN1995.G49
- Patrick Greaney
- "Montage and identity in Brecht and Fassbinder." In: Visual culture in twentieth-century Germany : text as spectacle / edited by Gail Finney. Bloomington, IN : Indiana University Press, c2006.
Main (Gardner) Stacks NX550.A1 V57 2006
- Haunschild, Jessica.
- The perception of foreign films by American college students: two films of Rainer Werner Fassbinder / Jessica Haunschild. Stuttgart: Ibidem-Verlag, 1997.
UCB Main PN1998.3.F37 H38 1997
- Hand, Richard J.
- "History, Homage, and Horror: Fassbinder, Raab, Lommel and The Tenderness of Wolves(1973)." In: Caligari's heirs : the German cinema of fear after 1945
- Edited by Steffen Hantke. Lanham, Md. : Scarecrow Press, 2007.
Main Stack PN1995.9.H6.C37 2007
- Hayman, Ronald
- Fassbinder Film Maker / Ronald Hayman. New York: Simon & Schuster, 1984.
Main PN1998.A3 F27441 1984
- Indiana, Gary.
- "Germany inside him : Rainer Fassbinder and the spell of dystopia." In: Utopia's debris : selected essays / Gary Indiana. New York, NY : Basic Books, c2008.
Main (Gardner) Stacks PS3559.N335 U86 2008
Bancroft (NRLF) PS3559.N335 U86 2008
- Katz, Robert
- Love is Colder Than Death: The Life and Times of Rainer Werner Fassbinder / Robert Katz. 1st ed. New York: Random House, c1987.
Main PN1998.A3 F274451 1987Moffitt PN1998.A3 F27445 1987
- Kellner, Douglas.
- "Fassbinder, women, and melodrama: critical interrogations." In: Triangulated Visions: Women in Recent German Cinema / edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. pp: 219-28 Albany: State University of New York Press, c1998. SUNY series in feminist criticism and theory SUNY series, cultural studies in cinema/video.
Main Stack PN1995.9.W6.T75 1998
- Kellner, Douglas
- "Fassbinder, women, and melodrama: critical interrogations." In: Triangulated visions: women in recent German cinema / edited by Ingeborg Majer O'Sickey and Ingeborg von Zadow. Albany: State University of New York Press, c1998. SUNY series in feminist criticism and theory. SUNY series, cultural studies in cinema/video.
Main Stack PN1995.9.W6.T75 1998
- Koch, Gertrud; Spencer, Andy (translator); Hansen,-Miriam (translator)
- "Torments of the Flesh, Coldness of the Spirit: Jewish Figures in the Films of Rainer Werner Fassbinder." In: Perspectives on German cinema / edited by Terri Ginsberg and Kirsten Moana Thompson. pp: 221-30. New York: G.K. Hall; London: Prentice Hall International, c1996. Perspectives on film.
Main Stack PN1993.5.G3.P42 1996- also in New German Critique 38 (1986:Spring/Summer) 28
- Kuzniar, Alice A.
- "Now I have a different desire": transgender specularity in Zarah Leander and R. W. Fassbinder." In: The queer German cinema / Alice A. Kuzniar.p. 57-87. Stanford, Calif.: Stanford University Press, c2000.
Full-text of this book available online via ebrary [UC Berkeley users only]
Main Stack PN1995.9.H55.K89 2000
- Limmer, Wolfgang.
Rainer Werner Fassbinder, Filmemacher
Reinbek bei Hamburg: Spiegel-Verlag, c1981.MAIN: PN1998.A3 F2745; Storage Info: B 3 569 654
- Lode, Imke.
- "Terrorism, Sadomasochism, and Utopia in Fassbinder's The Third Generation." In: Perspectives on German cinema / edited by Terri Ginsberg and Kirsten Moana Thompson. pp: 415-34 New York; G.K. Hall; London; Prentice Hall International, c1996. Perspectives on film.
Main Stack PN1993.5.G3.P42 1996
- Militz, Klaus Ulrich.
- Personal experience and the media : media interplay in Rainer Werner Fassbinder's work for theatre, cinema and television Frankfurt am Main ; New York : P. Lang, 2006.
MAIN: PN1998.3.F37 M55 2006
- Mitchell, Andrew J.
- "Rainer Werner Fassbinder : the subject of film." In: Cinematic thinking : philosophical approaches to the new cinema / edited by James Phillips. Stanford, Calif. : Stanford University Press, c2008.
Main (Gardner) Stacks PN1995 .C5352 2008
- Monaco, Paul.
- "Across the Great Divide: Young German Cinema in the 1970s." Mundus Artium: A Journal of International Literature and the Arts, vol. 11 no. 2. 1979. pp: 42-51.
- Mulvey, Laura
- "Fassbinder and Sirk." In: Visual and other pleasures / by Laura Mulvey. p. 45-48. Bloomington: Indiana University Press, 1989.
Main Stack PN1995.9.W6.M84 1989Moffitt PN1995.9.W6.M84 1989
- Penman, Ian
- "Fassbinder: Love is colder than death." In: Vital signs: music, movies and other manias / Ian Penman. p. 103-08. London; [New York]: Serpent's Tail, c1998.
Main Stack ML3534.P46 1998
- Pflaum, Hans Gunther.
- Rainer Werner Fassbinder: Bilder und Dokumente Munchen: Spangenberg, c1992.
MAIN: PN1998.3.F37 P55 1992; Storage Info: B 3 798 594
- Pott, Sabine
- Film als Geschichtsschreibung bei Rainer Werner Fassbinder : Fassbinders Darstellung der Bundesrepublik Deutschland anhand ausgewählter Frauenfiguren in seiner "BRD-Trilogie" : Die Ehe der Maria Braun (1978), Lola (1981) und Die Sehnsucht der Veronika Voss (1982) / Sabine Pott. Frankfurt am Main ; New York : P. Lang, c2000.
Main (Gardner) Stacks PN1998.3.F37 P68 2000
- Raab, Kurt
- Die Sehnsucht des Rainer Werner Fassbinder Munchen: Bertelsmann, c1982.
MAIN: PN1998.A3 F2756 1982
- Rainer Werner Fassbinder
- Edited by Laurence Kardish, in collaboration with Juliane Lorenz. New York: Museum of Modern Art: Distributed by Harry N. Abrams, c1997.
UCB Main PN1998.3.F37 R35 1997
- Rainer Werner Fassbinder
- Munchen: Hanser, 1974.
MAIN: PN1998.A3 F2761 1974
- "Rainer Werner Fassbinder: I let the audience feel and think." In: The Cineaste interviews: on the art and politics of the cinema / Dan Georgakas, Lenny Rubenstein. Chicago: Lake View Press, c1983.
Main Stack PN1993.5.D44.C56 1983
- Rainer Werner Fassbinder, Margarethe von Trotta, Michelangelo Antonioni
- Zurich: Filmstellen VSETH/VSU, 1991.
MAIN: MAIN: PN1998.3.F37 R353 1991
- Robertson, Ritchie
- "Varieties of antisemitism from Herder to Fassbinder." In: The German-Jewish dilemma: from the enlightenment to the Shoah / edited by Edward Timms and Andrea Hammel ; with a preface ... Lewiston, NY: Edwin Mellen Press, 1999. Symposium series (Edwin Mellen Press) ; v. 52.
Main Stack DS147.G47 1999
- Shattuc, Jane.
- Television, Tabloids, and Tears: Fassbinder and Popular Culture. Minneapolis: University of Minnesota Press, c1995.
Full-text available online [UC Berkeley users only]
Main PN1998.3.F37 S52 199
- Silverman, Kaja
- "Fassbinder and Lacan: a reconsideration of gaze, look, and image." In: Visual culture: images and interpretations / edited by Norman Bryson, Michael Ann Holly, and Keith Moxey. Hanover, NH: Published by University Press of New England [for] Wesleyan University Press, c1994.
Main Stack N72.S6.V59 1994Moffitt N72.S6.V59 1994
- Spaich, Herbert
- Rainer Werner Fassbinder: Leben und Werk
Weinheim: Beltz, 1992.MAIN: PN1998.3.F37 S68 1992
- Töteberg, Michael
- Rainer Werner Fassbinder Reinbek: Rowohlt Taschenbuch Verlag, 2002.
MAIN: PN1998.6.F37 T68 2002
- Vicari, Justin
- "Reading/Watching Fassbinder." Film Journal, vol. 1, no. 13, pp. [no pagination], Winter 2006
- Watson, Wallace Steadman
- Understanding Rainer Werner Fassbinder: Film as Private and Public Art / Wallace Steadman Watson. Columbia, S.C.: University of South Carolina Press, c1996. Understanding modern European and Latin American literature.
Main Stack PN1998.3.F37.W38 1996Moffitt PN1998.3.F37.W38 1996
Journal Articles
- Adair, Gilbert
- "Fassbinder's wristwatch." Films & Filming; nr.347 (Aug 1983); p.13-16
- Tribute to and assessment of R.W.F.'s films.
- Anger, Cedric.
- "Rainer Werner Fassbinder: theorie du groupe." Cahiers du Cinema special issue 1998. p. 94-5.
- Part of a special issue on film and politics in France in 1968. The work of Rainer Werner Fassbinder is discussed. In his theater and film work, Fassbinder strove to convey a sense of a character's loss of identity and difficulties within a society of pure spectacle that hinders him from being himself. His work with the group Theatre Action embodied all the political beliefs of 1968, but his films gradually came to undermine these beliefs in a disenchanted manner. Prenez garde a la sainte putain is the key film of this disillusionment, examining how the dream of a community and the utopias that went along with 1968 were lost." [Art Abstracts]
- Aufderheide, Patricia
- "Fassbinder, superstar." American Film;Vol.VIII nr.7 (May 1983); p.10-11
- Discusses R.W.F.'s starring role in "Kamikaze 1989".
- Brown, Russell E.
- "Names in the Films of R. W. Fassbinder." Names: Journal of the American Name Society,vol. 41 no. 4. 1993 Dec. pp: 239-47.
- Canby, Vincent
- "A beginner's baedeker to the genius of Fassbinder." The New York Times Oct 3, 1982 v132 s2 pH15(N) pH15(L) col 1 (35 col in)
- Canby, Vincent
- "A disturbing talent; movie maker turned skeptical eye on life; satires bitter, witty, curel, funny, tragic." The New York Times June 11, 1982 v131 p46(N) pD18(L) col 1 (17 col in)
- Canby, Vincent
- "Fassbinder - the movies' first great satirist." The New York Times June 20, 1982 v131 s2 pH21(N) pH21(L) col 1 (28
- Corrigan, Timothy.
- "The Temporality of Place, Postmodernism, and the Fassbinder Texts." New German Critique, vol. 63. 1994 Fall. pp: 139-54.
- Denby, David
- "Fast Times." (film director Rainer Werner Fassbinder) The New Yorker Feb 10, 2003 v78 i46 p102 (1435 words)
- Durgnat, Raymond
- "Obituary: Werner Fassbinder." Studio International 195:996 (1982:Sept.) 74
- Elsaesser, Thomas.
- "Historicizing the Subject: A Body of Work?" New German Critique, vol. 63. 1994 Fall. pp: 11-33.
- Emerson, Jim
- "Regarding Hanna." Film Comment; Vol.XXVII nr.4 (July-Aug 1991); p.72-74
- Actress Hanna Schygulla discusses her collaborations with Rainer Werner Fassbinder.
- Farber, Manny and Patterson, Patterson
- "Rainer Werner Fassbinder." Film Comment 11:6 (1975:Nov./Dec.) 5
- Feinstein, Howard
- "BRD 1-2-3: Fassbinder's Postwar Trilogy and the Spectacle." Cinema Journal 23:1 (1983:Fall) 44
- "This essay attempts to historicize Fassbinder's BRD (Bundesrepublik Deutschland) Trilogy films, "The Marriage of Maria Braun, Lola", and "Veronika Voss". He stresses the spectacular nature of the image, often embodied in the form of a female protagonist in her encounter with concrete historical forces. In terms of structure, he treats the films' basic generic mode, the melodrama, dialectically, both adhering to, and revising, its norms in their historical development." {Periodicals Content Index]
- Gemünden, Gerd.
- "Re-Fusing Brecht: The Cultural Politics of Fassbinder's German Hollywood." New German Critique, vol. 63. 1994 Fall. PAGES: 55-75.
UC users only
- Gemünden, Gerd
- "Special Issue on Rainer Werner Fassbinder." New German Critique, vol. 63. 1994 Fall.
- Grenier, Richard
- "Movies: Fassbinder & the Bloomingdale's Factor." Commentary 74:4 (1982:Oct.) 53
- Grisham, Therese.
- "Processes of subjectification in Fassbinder's I only want you to love me." Screen
- "Rainer Werner Fassbinder's 1976 made-for-television family melodrama and docudrama Ich will doch nur, dass Ihr mich liebt/I Only Want You to Love Me is discussed. The plot's main action concerns Peter Trepper and his adult life--his marriage, work, hyperconsumerism, and his murder of an innkeeper, for which he is serving a prison sentence. The film can be read as a close examination of an individual's narcissistic disorder and its origins and development in his family, with hints at such things as the narcissistic disturbances in other families. However, Fassbinder works out these relations visually by using material objects as metaphors fornarcissism, and Peter's disturbed personality is so intimately linked to West German consumerism and the demand for material achievement, the legacy of the Economic Miracle of the 1950s, that it is hard to definitively state that the film portrays purely familial, individualistic psychological causation. It offers the experience of complex and acutely framed complicities between familial, social, literary, economic, political, and filmic orders." [Art Abstracts]
- Gussow, Mel
- "3 who worked with Fassbinder recall a demon and a magician." (the late German film director Rainer Werner Fassbinder) (Living Arts Pages) The New York Times Jan 27, 1997 v146 pB7(N) pC13(L) col 4 (33 col in
- Hartsough, D..
- "Cine-feminism renegotiated: Fassbinder's Ali as interventionist cinema." Wide Angle; Vol.XII nr.1 (Jan 1990); p.18-29
- Feminist discussion of 'interventionist' cinema (political use of cinema in support of subordinategroups' struggle against dominant groups) and two specific interventions involving Fassbinder's "Angstessen Seele auf".
- Hayman, Ronald.
- "Fassbinder's Achievement."Encounter, vol. 64 no. 2. 1985 Feb.pp: 61-64.
- Hoberman, J..
- "The legacy of Rainer Werner Fassbinder." American Film; Vol.VII nr.10 (Sept 1982); p.72,74
- Discusses the prolific, but short-lived career of director R.W.F.
- Hughes, John and Riley, Brooks
- "A new realism: Fassbinder interviewed." Film Comment 11:6 (1975:Nov./Dec.) 14
- R.W.F. talkes about his relationship to Sirk, Warhol and Brecht, about the political and socialcontents of his films and about some of his techniques.
- Hughes, John
- "Why Herr R ran amok: Fassbinder and modernism." Film Comment; Vol.XI nr.6 (Nov-Dec 1975); p.11-13
- Iden, P..
- "The sensation maker: Rainer Werner Fassbinder and the theater." Wide Angle;Vol.II nr.1 (1978); p.4-13
- P.I. discusses German film director Fassbinder's work in the theatre and its relationship to his films.
- Indiana, Gary.
- "All the Rage." (retrospective on director Rainer Werner Fassbinder at the Museum of Modern Art) Artforum v35, n6 (Feb, 1997):11 (2 pages).
- The Museum of Modern Art is featuring a retrospective on director RainerWerner Fassbinder. The retrospective features all of Fassbinder's 43 filmsincluding a self-portrait called 'Germany in Autumn.' Fassbinder, who diedat the age of 37 from an overdose, led a lifestyle characterized byalcoholism, gluttony and drug addiction. He was a homosexual who drove hislovers to suicide and struck fear into those who were around him. His filmswere chronicles of the humiliations that he experienced during hischildhood.
- Johnston, Sheila.
- "A Star Is Born: Fassbinder and the New German Cinema." New German Critique, vol. 24-25. 1981-1982 Fall-Winter. pp:57-72.
- Johnston, Sheila.
- "Rainer Werner Fassbinder." (Obituary) Films & Filming; nr.335 (Aug 1982); p.5
- Kilb, Andreas
- "'68/'88: Rainer doesn't live here anymore." Film Comment v 24 July/Aug 1988. p. 47-8.
- "Part of a special section examining the influence of the 1960s on film. Contemporary German cinema has been paralyzed by government subsidies that prevent most films from doing well at the box office, by inept filmmakers unable to find an audience, and by nostalgic film critics searching for signs of the intellectual fervor of 1968. German cinema has been dominated recently by television comedy actors whose films are silly and anticinematic. Of the major German directors, only Wim Wenders has managed a success with his Der Himmel uber Berlin (Wings of Desire). It has become fashionable to call for the abolition of subsidies, but state support has nurtured German cinema through both its fecund and fallow periods. The current crisis is more likely a matter of talent. Rainer Werner Fassbinder, who died in 1982, could have established a lasting tradition in German film. In his absence, the critics have embraced Wenders, but this reflects desperation rather than conviction." [Art Abstracts]
- Kirby, Lynne.
- "Fassbinder's Debt to Poussin." Camera Obscura, vol. 13-14. 1985 Spring-Summer. pp:5-27.
- Kuhn, Anna K.
- "Rainer Werner Fassbinder: The Alienated Vision." In: New German Filmmakers: From Oberhausen through the 1970's / edited by Klaus Phillips. pp: 76-123. New York: Ungar Pub. Co., c1984.
Main Stack PN1993.5.G3.N481 1984
- Lardeau, Yann.
- "Saint Fassbinder comedien et martyr." Cahiers du Cinema no413 Nov 1988. p. 30-2.
- LaValley, A.
- "The Gay Liberation of Rainer Werner Fassbinder: Male Subjectivity, Males Bodies, Male Love." New German Critique, 1994 Fall, N63:108-137.
- Levy, Shawn.
- "The Films of Fassbinder, Rainer Werner on Video." American Film, 1991 Jul, V16 N7:54-56.
- Levy, Shawn.
- "Rainer Werner Fassbinder: When the Movies are Great, Does Their Maker's Manner Matter? American Film v16, n7 (July, 1991):54 (3 pages).
- MacBean, James Roy.
- "Between Kitsch and Fascism: Notes on Fassbinder, Pasolini, (Homo)SexualPolitics, the Exotic, the Erotic & Other Consuming Passions." Cineaste, vol. 13 no. 4. 1984. pp: 12-19.
- Discusses the homosexual and other erotic films of Fassbinder and Pasolini.
- Macbean, James Roy.
- "The Cinema as Self-Portrait: The Final Films of R. W. Fassbinder." Cineaste, vol. 12 no. 4. 1983. pp: 9-16.
- Mangin, Daniel.
- "Rainer Werner Fassbinder." (movie reviews) Advocate, n726 (Feb 4, 1997):63 (4 pages).
- Maslin, Janet
- "Rainer Werner Fassbinder, 36, film maker, dead." (obituary) The New York Times June 11, 1982 v131 p46(N) pD18(L) col 1 (27 col in)
- Mayne, Judith
- "Fassbinder and Spectatorship." New German Critique 12 (1977:Fall) 61
- McCormick, Ruth
- "Fassbinder And The Politics Of Everyday Life-A Survey Of His Films." Cin?aste 8:2 (1977:Fall) 22
- Survey of the films of profilic German director R.W.F. and a look at his political philosophy.
- Medhurst, Andy.
- "The Long Take: Still unnerving after all these years: Andy Medhurst on Fassbinder, films and sexuality." Sight and Sound v6, n2 (Feb, 1996):20 (3 pages).
- "The writer reappraises the work of Rainer Werner Fassbinder. He discusses, from a 1990s perspective, the productive contentiousness of Fassbinder's sexual politics and also considers the formal strategies of Fassbinder's films. He maintains that both these elements share a bullish refusal to simplify for the sake of avoiding controversy. He asserts that Fassbinder took it for granted that to make films was to contribute politically, whether to the politics of the nation or the politics of sexuality. He argues that this assumption, which he finds typical of Fassbinder's generation, should shame the filmmakers of the 1990s. For them, he contends, stylishness has become an end in itself, whereas for Fassbinder style was the conveyor of ideological complexity." [Art Abstracts]
- Moltke, Johannes von.
- "Camping in the Art Closet: The Politics of Camp and Nation in German Film." New German Critique, vol. 63. 1994 Fall. pp: 77-106.
- Nevers, Camille.
- "R.W.F., la rumeur du monde."Cahiers du Cinema no469 June 1993. p. 52-8.
- Niroumand, Miriam.
- "German as a Foreign Language: Fassbinder on Video." Cineaste v20, n1 (Wntr, 1993):52 (2 pages).
- "Fassbinder, the Balzac of German national cinema, portrayed the unity of life and art while refraining from distinguishing between reality and the theater. His films and plays reflect his thoughts without any reservations. Fassbinder's pessimism about the pitiful state of German society is elucidated in his films. They highlight the attitudes of the entire social strata rather than concentrating on any particular individual of a social class. Some of his films, such as 'The Marriage of Maria Braun' and 'The Merchant of Four Seasons, ' are founded on fascism, an integral feature of German history." [Expanded Academic Index]
- "The other Fassbinder." Wide Angle; Vol.XII nr.1 (Jan 1990); p.1-65
- Articles aiming at a fresh perspective on Fassbinder's work esp. from a Marxist, feminist and psychoanalytical viewpoint.
- Pipolo, T.
- "Straight from the Heart: Re-Viewing the Films of Rainer Werner Fassbinder." Cineaste v. 29 no. 4 (Fall 2004) p. 18-25
UC users only
- "The films of Rainer Werner Fassbinder are discussed on the occasion of the release of 23 Fassbinder films on DVD. The person who put the New German Cinema on the map, Fassbinder transformed his obsessions and interpersonal relationships into extraordinary social parables of German life and history. More than any of his contemporaries, he appears to have taken to heart the social, political, and psychological context of his time, and its connections to the fallout of a broken and divided Germany still haunted by the war. In doing so, and by utilizing everyone around him to enact the ramifications, he may be the only filmmaker of the past 50 years who continually challenged the idea that the problems of changing society are contingent on the difficulties of changing the self: Proposed solutions by this or that ideology or political system, regardless of ethical or pragmatic parameters, are useless if they overlook this basic fact." [Art Index]
- Plater, Edward M. V.
- "The Externalization of the Protagonist's Mind in Fassbinder's Despair." Film Criticism, vol. 11 no. 3. 1987 Spring. pp: 29-43.
UC users only
- "Reflections in a broken glass." Film Comment; Vol.XI nr.6 (Nov-Dec 1975); p.4
- Introduction to a series of articles on Fassbinder, Russell and Duras, with filmographies of each.
- Rentschler, Eric.
- "Life with Fassbinder: The Politics of Fear and Pain." Discourse: Journal for Theoretical Studies in Media and Culture, vol. 6. 1983 Fall. pp: 75-90.
- Rickey, Carrie
- "Fassbinder and Altman: Approaches to Filmmaking." Performing Arts Journal 2:2 (1977:Fall) 33
- Riley, Brooks; Kennedy, Harlan
- "Rainer Werner Fassbinder 1946-1982." Film Comment; Vol.XVIII nr.5 (Sept-Oct 1982); p.19-23
- Two appreciations of R.W.F.
- Robertson, Ritchie
- "Varieties of antisemitism from Herder to Fassbinder." In: The German-Jewish dilemma: from the enlightenment to the Shoah / edited by Edward Timms and Andrea Hammel ; with a preface ... Lewiston, NY: Edwin Mellen Press, 1999. Symposium series (Edwin Mellen Press) ; v. 52.
Main Stack DS147.G47 1999
- Ruffell, Jeff
- "Rainer Werner Fassbinder." Senses of Cinema (Great Directors: A Critical Database)
- Ruppert, Peter.
- "Fassbinder, spectatorship, and utopian desire." Cinema Journal v 28 Winter 1989. p. 28-47.
UC users only
- Explores the relationship between viewer and screen, addressing Fassbinder's exploitation of both in his melodramas.
- Schlumberger, Hella.
- "I've Changed Along with the Characters in My Films": An Interview with Rainer Werner Fassbinder.Performing Arts Journal , n41 (May, 1992):1 (23 pages).
- "German film director Rainer Werner Fassbinder discusses his work in a 1978 interviews. He did not see himself as a political leftist, but rather as an extreme believer, in democracy so much so that he had an anarchistic utopia as his ideal which motivated his film making. His depictions of women were not intended to be misogynistic but rather to show their degradation in society since he considered women more seriously than other directors." [Expanded Academic Index]
- Schuckmann, Patrick.
- "Masculinity, the Male Spectator and the Homoerotic Gaze." Amerikastudien/American Studies vol. 43 no. 4. 1998. pp: 671-80.
- Schutte, Wolfram.
- "Rainer Werner Fassbinder." Artforum International v 24 Mar 1986. p. 92-6.
- "Le secret de Rainer Werner Fassbinder."Cahiers du Cinéma no469 June 1993. p. 50-67.
- Shattuc, Jane.
- "Contra Brecht: R. W. Fassbinder and Pop Culture in the Sixties." Cinema Journal, vol. 33 no. 1. 1993 Fall. pp: 35-54.
UC users only
dd>"Rainer Weiner Fassbinder was subject to the dynamics of the elitist conception of aesthetic individualism, because of the extent to
which he allowed the subject matter of his films to reflect his personality. Fassbinder, the television industry and German media
journals were responsible for the creation of the 'Fassbinder film.' The director's planned orchestrations of his public image were not the only
forces behind the 'Fassbinder legend.'" [Expanded Academic Index]
- Shattuc, Jane (ed.)
- "The Other Fassbinder."Wide Angle, vol. 12 no. 1. 1990 Jan.
- Shattuc, Jane.
- "R.W. Fassbinder as a Popular Auteur: The Making of an Authorial Legend."Journal of Film and Video v45, n1 (Spring, 1993):40 (18 pages).
- Rainer Weiner Fassbinder was subject to the dynamics of the elitist conception of aesthetic individualism, because of the extent to which he allowed the subject matter of his films to reflect his personality. Fassbinder, the television industry and German media journals were responsible for the creation of the 'Fassbinder film.' The director's planned orchestrations of his public image were not the only forces behind the 'Fassbinder legend.'.
- Shattuc, Jane.
- "R. W. Fassbinder's Confessional Melodrama: Towards Historicizing Melodrama within the Art Cinema." Wide Angle, vol. 12 no. 1. 1990 Jan. pp: 44-59.
- Silverman, Kaja
- "Fassbinder and Lacan." Camera Obscura, 1989 Jan, N19:54+.
- Sparrow, Norbert
- "I Let the Audience Feel and Think -- An Interview with R.W. Fassbinder." Cin?aste 8:2 (1977:Fall) 20
- Strauss, Frederic
- "Martha" (motion picture review) Cahiers du Cinema no498 Jan 1996. p. 68-9.
- "A review of Rainer Werner Fassbinder's film Martha, which was made for German television in 1973 and has been recently rereleased. The story of a violent encounter of love, hate, scorn, and possession between a man and a woman, the film is initially not one that is easy to enjoy. Yet despite its seriousness, Martha includes moments of humor and lightness and remains a work for which Fassbinder deserves much admiration." [Art Abstracts]
- Thomas, Paul
- "Fassbinder: the poetry of the inarticulate." (with filmography) Film Quarterly v 30 no2 Winter 1976/1977. p. 2-17
UC users only- An expansive analysis of the films of R.W.F.
- Thomsen, C.B.
- "The Doubled Individual." Wide Angle-A Film Quarterley of Theory Criticism and Practice, 1990, V12 N1:60-65.
- Toulza, Pierre Olivier.
- "Fassbinder: un film retrouve, une femme cloitree." Cahiers du Cinema no496 Nov 1995. p. 4-5. The writer discusses the commercial rerelease of Rainer Werner Fassbinder's Martha (1973), a film whose negative had been so badly damaged that it was thought beyond repair. Starring Margit Carstensen, this film is a study of a couple's complex sadomasochistic relationship and explores the physical effects of cruelty and confinement.
- Tropiano, Stephen
- "Fassbinder's Not-so-pretty Picture." Gay & Lesbian Review Worldwide v8, n2 (March, 2001):18.
UC users only
- Toteberg, M.
- "Fassbinder, Rainer Werner - A Bibliography of Primary and Secondary Literature."Text & Kritik, 1989 July, N103:88-99.
- Vicari, Justin
- "Fragments of Utopia: A Meditation on Fassbinder's Treatment of Anti-Semitism and the Third Reich." Postmodern Culture; Jan2006, Vol. 16 Issue 2, p8-8, 1p
- Focuses on the depiction of Holocaust and anti-Semitism in the films of Rainer Werner Fassbinder. Themes used by Fassbinder to depict atrocities of the Holocausts in movies, including "Fear of Fear," "The Merchant of Four Seasons" and "Mother Kusters Goes to Heaven"; Approach of Fassbinder in directing documentary films; Plot of "In a Year With Thirteen Moons."
- Watson, Wallace.
- "The Bitter tears of RWF." Sight and Sound v 2 July 1992. p. 24-6+.
- Appreciation of Fassbinder's life and career on the tenth anniversary of his death; plus letters exchanged between R.W.F. and Dirk Bogarde during and after the production of "Despair".
- Watson, Wallace.
- "The Bitter Tears of RWF." (the late Reiner Werner Fassbinder) Sight and Sound v2, n3 (July, 1992):24 (5 pages).
- Waugh, Thomas
- "Fassbinder fiction: a new biography." In: The fruit machine: twenty years of writings on queer cinema / Thomas Waugh; foreword by John Greyson. p. 156-60. Durham, NC: Duke University Press, 2000.
Main Stack PN1995.9.H55.W38 2000
- Waugh, Thomas
- "Rainer Werner Fassbinder." In: The fruit machine: twenty years of writings on queer cinema / Thomas Waugh; foreword by John Greyson. p. 43-58. Durham, NC: Duke University Press, 2000.
Main Stack PN1995.9.H55.W38 2000
- Williams, Bruce
- "'Life is very precious, even right now': (un)happy camping in the new German cinema." Post Script; Vol.XVI nr.3 (Summer 1997); p.51-64
- "Describes the camp aesthetics of the German filmmakers Fassbinder, Praunheim and Schroeter and their creation of a sexually ambivalent discourse in which the boundries of gender and sexuality are problematized." [FIAF]
- Wilson, David
- "Anti-Cinema: Rainer Werner Fassbinder." Sight and Sound 41:2 (1972:Spring) 99
- Wistrich, Robert S.
- "The Fassbinder Controversy." Jerusalem Quarterly 50 (1989:Spring) 122
- Woodward, Katherine S.
- "European Anti-Melodrama: Godard, Truffaut, and Fassbinder." Post Script, vol. 3 no. 2. 1984 Winter. pp: 34-47.
Fassbinder: Articles on Individual Films
- Berlin Alexanderplatz
- Canby, Vincent .
- "Berlin Alexanderplatz." (movie reviews) The New York Times July 10, 1983 v132 s2 pH17(N) pH17(L) col 1 (49 col in)
- Chase, Chris
- "Berlin film star recalls city in war. (Gunter Lamprecht of Berlin Alexanderplatz) (includes other film news) (column) . The New York Times August 19, 1983 v132 p18(N) pC8(L) col 4 (28 col in)
- Corliss, Richard.
- "Berlin Alexanderplatz." (movie reviews) Time August 15, 1983 v122 p64(1)
- Elsaesser, Thomas.
- "Berlin Alexanderplatz: Franz Biberkopf'/S/Exchanges." Wide-Angle 1990 Jan., 12:1, 30-
- Fassbinder, Rainer Werner
- Der Film Berlin Alexanderplatz: ein Arbeitsjournal / von Rainer Werner Fassbinder und Harry Baer. 1. Aufl. Frankfurt am Main: Zweitausendeins, 1980.
UCB Main PN1997 .B459 1980
- Jelavich, Peter.
- "Contemporary literary theory: from deconstruction back to history." (Special Issue: German Histories: Challenges in Theory, Practice, Technique) Central European History v22, n3-4 (Sept-Dec, 1989):360 (21 pages).
- Markham, James M.
- "A great novel's journey to film." The New York Times August 7, 1983 v132 s2 pPH1(N) PH1(L) col 3 (36 col in)
- Rentschler, Eric.
- "Terms of Dismemberment: The Body in/and/of Fassbinder's Berlin Alexanderplatz (1980)." In: German film and literature: adaptations and transformations / edited by Eric Rentschler. pp: 305-321 New York: Methuen, 1986.
Main Stack PN1993.5.G3.G361 1986Moffitt PN1993.5.G3.G36 1986
- Rentschler,-Eric.
- "Terms of Dismemberment: The Body in-and-of Fassbinder's Berlin Alexanderplatz (1980)."New German Critique 1985 Winter, 34, 194-208.
UC users only
- Scheunemann, Dietrich.
- "'Collecting Shells' in the Age of Technological Reproduction: On Storytelling, Writing and the Film." In: Orality, literacy, and modern media / edited by Dietrich Scheunemann. pp: 79-94 Columbia, SC: Camden House, c1996.
Main Stack P91.O73 1996
- Sontag, Susan
- "Novel into film: Fassbinder's Berlin Alexanderplatz." In: Where the stress falls: essays / Susan Sontag. p. 123-31. 1st ed. New York: Farrar, Straus and Giroux, 2001.
Morrison Rm PS3569.O6547.W48 2001
- Watson, Wallace.
- "Sexuality wanders dark paths": Fassbinder's romanticism of Berlin Alexanderplatz. (Rainer Werner Fassbinder) Literature-Film Quarterly v18, n4 (Oct, 1990):245 (5 pages)
UC users only
- Notes Fassbinder's particularly subjective treatment of Alfred Dublin's novel 'Berlin Alexanderplatz' for his tv adaptation.
- Ali: Fear Eats the Soul
- Burns, Rob.
- "Social Reality and Stylization in Fear Eats the Soul: Fassbinder's Study in Prejudice." New German Studies, vol. 9 no. 3. 1981 Autumn. pp: 193-206.
- Burns, Rob.
- "Fassbinder's Angst essen Seele auf: A Mellow Brechtian Drama." German Life and Letters, vol. 48 no. 1. 1995 Jan. pp: 56-74.
- Franklin, James C.
- "Method and message: forms of communication in Fassbinder's 'Angst essen Seele auf'." Literature/Film Quarterly, vol. 7. 1979. pp: 182-200.
- Use of language - words, silence, music and visual imagery - in Fassbinder's 'Angst essen Seele auf'.
UC users only
- Hartsough, Denise.
- "Cine-Feminism Renegotiated: Fassbinder's Ali as Interventionist Cinema."Wide Angle, vol. 12 no. 1. 1990 Jan. pp: 18-29. Feminist discussion of 'interventionist' cinema (political use of cinema in support of subordinate groups' struggle against dominant groups) and two specific interventions involving Fassbinder's "Angst essen Seele auf".
- Katz, Robert.
- "Fear ate his soul." American Film v 10 July/Aug 1985. p. 38-40+.
- Levy, Shawn.
- "Ali: Fear Eats the Soul." (video recording reviews)American Film v16, n7 (July, 1991):56 (1 page).
- Mayne, Judith
- "Fassbinder's Ali: fear eats the soul and spectatorship."In: Close viewings: an anthology of new film criticism / edited by Peter Lehman. Tallahassee: Florida State University Press ; Gainesville, FL: Orders to University Presses of Florida, c1990.
Main Stack PN1995.C543 1990
- Mennel, Barbara.
- "Masochistic Fantasy and Racialized Fetish in Rainer Werner Fassbinder's Ali: Fear Eats the Soul." In: One hundred years of masochism; literary texts, social and cultural contexts / edited by Michael C. Finke and Carl Niekerk. pp: 191-205 Amsterdam; Atlanta, GA; Rodopi, 2000. Series title: Psychoanalyse en cultuur; 10.
UCB Main HQ79 .O54 2000
- Mayne, Judith.
- "Fassbinder's Ali: Fear Eats the Soul and Spectatorship." In: Close Viewings: An Anthology of New Film Criticism / edited byPeter Lehman. pp: 353-69. Tallahassee: Florida State University Press, c1990.
Main Stack PN1995.C543 1990
- Medhurst, Andy
- "The Long Take." Sight & Sound VI/2, Feb 96; p.20-22. illus. Considers the contemporary significance of Fassbinder's films, referring to "Faustrecht der Freiheit", "Angst Essen Seele auf", "Die Bitteren Trenen der Petra von Kant" and "Der Amerikanische Soldat".
- Paterson, Susanne F.
- "Fassbinder's Ali: Fear Eats the Soul and the Expropriation of a National Heim." Post Script: Essays in Film and the Humanities vol. 18 no. 3. 1999 Summer. pp: 46-57.
UC users only
- Rayns, Tony
- "Fear eats the soul." Sight & Sound; Vol.XLIII nr.4 (Autumn 1974); p.245
- Reimer, Robert C.
- "Comparison of Douglas Sirk's All That Heaven Allows and R.W. Fassbinder's Ali: Fear Eats the Soul; or, how Hollywood's New England dropouts became Germany's marginalized Other." Literature/Film Quarterly XXIV/3, 96; p.281-287.
- "Rainer Werner Fassbinder's 1973 film "Ali: Fear Eats the Soul" was influenced by Douglas Sirk's 1955 film "All That HeavenAllows" but was not a remake of the earlier film. "Ali: Fear Eats theSoul" represents Fassbinder's response to Sirk's work, paired withpersonal experiences that he was having around the time he made thefilm. "All That Heaven Allows" positioned the main characters as failingto fit into New England society. Fassbinder replaced them witheconomically and politically marginalized figures in Germany." [Expanded Academic Index]
- Savage, Julian.
- "The Conscious Collusion of the Stare: The Viewer Implicated in Fassbinder's Fear Eats the Soul."Senses of Cinema: an Online Film Journal Devoted to the Serious & Eclectic Discussion of Cinema. 16:(no pagination). 2001 Sept-Oct
- Sharma, Shailja.
- "Fassbinder's Ali and the Politics of Subject-Formation." Post Script, vol. 14 no. 1-2. 1994-1995 Fall-Winter-Spring. pp: 104-16. Examines Fassbinder's work in relation to the history of post-war German cinema, concentrating on "Angst essen Seele auf".
- Wartenberg, Thomas E.
- "Ali: Fear Eats the Soul: The Privileges of "Race." In: Unlikely couples : movie romance as social criticism / Thomas E. Wartenberg. Boulder, Colo.: Westview Press, 1999.
Full-text available online [UC Berkeley users only]
Main (Gardner) Stacks PN1995.9.L6 W37 1999
- Woodward, K.S.
- "European anti-melodrama: Godard, Truffaut, and Fassbinder." Post Script III/2,; p.34-47. On the use of the 'anti-melodramatic' form in "Sauve qui peut (la vie)", "Angst essen Seele auf" and "Le dernier metro".
- Elsaesser, Thomas.
- "Berlin Alexanderplatz: Franz Biberkopf'/S/Exchanges."Wide Angle, vol. 12 no. 1. 1990 Jan. pp: 30-43.
- Watson, Wallace.
- "Sexuality Wanders Dark Paths: Fassbinder's Romanticism of Berlin Alexanderplatz." (Rainer Werner Fassbinder) Literature-Film Quarterly v18, n4 (Oct, 1990):245 (5 pages).
- The Bitter Tears of Petra Von Kant
- Corrigan, Timothy
- "Transformations in Fassbinder's Bitter Tears of Petra Von Kant." In: Post-war cinema and modernity : a film reader / edited by John Orr and Olga Taxidou. New York, NY : New York University Press, 2001.
Main (Gardner) Stacks PN1994 .P6567 2001
Pacific Film Archive PN1994 .P6567 2001
- Johnson, C.
- "The Imaginary and The Bitter Tears of Petra Von Kant."Wide Angle III/4, 80; p.20-25. illus.
- An Analysis of Fassbinder's attitudes, style and techniques through an examination of the film.
- Kirby, L.
- "Fassbinder's Debt to Poussin."Camera Obscura /13-14, Spring-Summer 85; p.5-27.
- On the significance of Poussin's painting 'Midas and Dionysos' in "Die bitteren Tränen der Petra von Kant".
- Levy, Shawn.
- "The Bitter Tears of Petra von Kant." (video recording reviews)American Film v16, n7 (July, 1991):55 (2 pages).
- Mennel, Barbara.
- "Masochistic Fantasy and Racialized Fetish in Rainer Werner Fassbinder's Ali: Fear Eats the Soul." In: One hundred years of masochism: literary texts, social and cultural contexts / edited by Michael C. Finke and Carl Niekerk. pp: 191-205. Amsterdam; Rodopi, 2000. Psychoanalysis and culture; 10
Main Stack HQ79.O54 2000
- Medhurst, Andy
- "The Long Take." Sight & Sound VI/2, Feb 96; p.20-22. illus.
- Rainer Werner Fassbinder's sexual politics and the formal strategies of his films make the films unabashedly political, reflecting the spirit of the time. His films such as 'Fear Eats The Soul,' which depicts German racism, bears relevance in the contemporary world in view of the rise of fascism. His films reveal the plasticity of images which can produce meanings from the configuration of objects within the frame of a camera. He has a unique style of using the camera and treats complex themes.
- Reimer, Robert C.
- "Comparison of Douglas Sikr's "All That Heaven Allows" and R.W. Fassbinder's "Ali: Fear Eats the Soul"; or, how Hollywood's New England dropouts became Germany's marginalized other." (International Cinema) Literature-Film Quarterly v24, n3 (July, 1996):281 (7 pages).
- Rainer Werner Fassbinder's 1973 film "Ali: Fear Eats the Soul" was influenced by Douglas Sirk's 1955 film "All That Heaven Allows" but was not a remake of the earlier film. "Ali: Fear Eats the Soul" represents Fassbinder's response to Sirk's work, paired with personal experiences that he was having around the time he made the film. "All That Heaven Allows" positioned the main characters as failing to fit into New England society. Fassbinder replaced them with economically and politically marginalized figures in Germany.
- Sonnenberg, Ben.
- "The Bitter Tears of Petra von Kant." (video recording reviews)Nation v253, n12 (Oct 14, 1991):458 (3 pages).
- Effi Briest
- Borchardt, E.
- "Leitmotif and Structure in Fassbinder's 'Effi Briest'." Literature/Film Quarterly; Vol.VII nr.3 (1979); p.201-207
- On the adaptation of Fontane's novel into 'Effi Briest'' by Fassbinder.
- Krause, Edith H.
- "Effi's Endgame." Oxford German Studies. 32: 155-84. 2003.
- Plater, Edward M.V.
- "Reflected images in Fassbinder's 'Effi Briest.'" Literature-Film Quarterly v27, n3 (July, 1999):178 (11 pages).
UC users only
- "An analysis of filmmaker Rainer Werner Fassbinder's 'Fontane Effi Briest' is presented. Topics include the film's clever use of mirrors and innovative cinematography, and how the mirror images serve as symbols for the characters' lives." [Expanded Academic Index]
- Plater, Edward M.V.
- "Sets, Props And The 'Havanaise' In Fassbinder's Fontane Effi Briest." German Life & Letters, Jan1999, Vol. 52 Issue 1, p28, 15p;
UC users only
- Plater, Edward M. V.
- "Sets, Props and the 'Havanaise' in Fassbinder's Fontane Effi Briest." German Life and Letters vol. 52 no. 1. 1999 Jan. pp: 28-42.
- Fox and His Friends
- Cant, B.
- "Fox and his Friends." (Review).Jump Cut /16, Nov 77; p.22-23.
- Levy, Shawn.
- "Fox and his Friends." (Review). American Film v16, n7 (July, 1991):56 (1 page).
- McCormick, R..
- "Fox and his Friends." (Review). Cineaste; Vol.VII nr.2 (Spring 1976); p.43-44
- Medhurst, Andy
- "The Long Take." Sight & Sound VI/2, Feb 96; p.20-22. illus. Considers the contemporary significance of Fassbinder's films, referring to "Faustrecht der Freiheit", "Angst Essen Seele auf", "Die Bitteren Trenen der Petra von Kant" and "Der Amerikanische Soldat".
- Wigod, Sheldon.
- "The Capitalist and the Lottery Queen: Sex and Politics in Fassbinder's Fox and His Friends." In:Sex and Love in Motion Pictures: proceedings of the Second AnnualFilm Conference of Kent State University, April 11, 1984. pp: 97-100. [Kent, Ohio]: Romance Languages Dept., Kent State University,c1984.
Main Stack PN1995.9.S45.F551 1984
- Germany In Autumn (Deutschland im Herbst)
- Eley, Geoff.
- "Deutschland im Herbst." (Germany in Autumn). (video recording reviews) American Historical Review v96, n4 (Oct, 1991):1130 (3 pages).
UC users only
- Holloway, Dorothea
- "Deutschland im Herbst." (Germany in Autumn). Variety; Vol.CCXC nr.8 (Mar 29 1978); p.24
- Kligerman, Eric
- "The Antigone Effect: Reinterring the Dead of Night and Fog in the German Autumn." New German Critique; Winter2011, Issue 112, p9-38, 31p
UC users only
- McCormick, R.
- "Germany in Autumn." (Review). Cineaste IX/3, Spring 79; p.53-54.
- In a Year of Thirteen Moons (In Einem Jahr Mit 13 Monden)
- Auty, Martyn.
- "A Fassbinder Suicide." (Review). Sight and Sound, XLIX/4, Autumn 80; p.266.
- Hayman, Ronald.
- Fassbinder Film Maker. New York: Simon & Schuster, 1984. pp: 76-83
Main Stack PN1998.A3.F27441 1984
- Iden, Peter.
- Fassbinder. Tanslated from the Germanby Ruth McCormick. 1st American ed. pp: 197-206. New York: Tanam Press, 1981
Main Stack PN1998.A3.F2742Moffitt PN1998.A3.F273
- New York Times, (June 12, 1980), III, p. 18
- Village Voice, (June 16, 1980), p. 41
- The Marriage of Maria Braun
- Cocks, Geoffrey.
- "Die Ehe der Maria Braun." (The Marriage of Maria Braun). (video recording reviews) American Historical Review v96, n4 (Oct, 1991):1128 (3 pages).
- Feinstein, Howard
- "BRD 1-2-3: Fassbinder's Postwar Trilogy and the Spectacle." Cinema Journal 23:1 (1983:Fall) 44
- "This essay attempts to historicize Fassbinder's BRD (Bundesrepublik Deutschland) Trilogy films, "The Marriage of Maria Braun, Lola", and "Veronika Voss". He stresses the spectacular nature of the image, often embodied in the form of a female protagonist in her encounter with concrete historical forces. In terms of structure, he treats the films' basic generic mode, the melodrama, dialectically, both adhering to, and revising, its norms in their historical development." {Periodicals Content Index]
- Haralovich, Mary Beth
- "The Sexual Politics of The Marriage of Maria Braun." Wide Angle XII/1, Jan 90; p.6-16. Theoretical analysis of "Die Ehe der Maria Braun", focusing on the role economics plays in the narrative, and the relationship between women's sexual and social identity and economics.
- Hillman, Roger.
- "Narrative, Sound, and Film: Fassbinder's The Marriage of Maria Braun." In:Fields of Vision: Essays in Film Studies, Visual Anthropology, and Photography / edited by Leslie Devereaux and Roger Hillman. pp: 181-95. Berkeley: University of California Press, c1995.
Main Stack PN1994.F433 1995Moffitt PN1994.F433 1995
- Kaes, Anton.
- "History, Fiction, Memory: Fassbinder's The Marriage of Maria Braun." In: German Film and Literature: Adaptations and Transformations /edited by Eric Rentschler. pp: 276-288. New York: Methuen, 1986.
Grad Svcs PN1993.5.G3.G361 1986Moffitt PN1993.5.G3.G36 1986
- Kaes, Anton.
- The presence of the past: Rainer Werner Fassbinder's The marriage of Maria Braun." In: From Hitler to Heimat: the return of history as film / Anton Kaes. p. 73-103 Cambridge, Mass.: Harvard University Press, 1989.
Main Stack PN1993.5.G3.K29131 1989Grad Svcs PN1993.5.G3.K2913 1989 Non-circulating; may be used only in Graduate Services.Moffitt PN1993.5.G3.K2913 1989
- Langford, Michelle.
- "Film Figures: Rainer Werner Fassbinder's The Marriage of Maria Braun and Alexander Kluge's The Female Patriot." In: Kiss Me Deadly: Feminism and Cinema for the Moment / edited byLaleen Jayamanne. pp: 147-79. Sydney: Power Publications, c1995.
Main Stack PN1995.9.W6.K57 1995
- Levy, Shawn.
- "The Marriage of Maria Braun." (video recording reviews) American Film v16, n7 (July, 1991):56 (1 page).
- The Marriage of Maria Braun / Rainer Werner Fassbinder, director
- Joyce Rheuban, editor. New Brunswick, N.J. : Rutgers University Press, c1986.
Main (Gardner) Stacks PN1997.E3643 M37 1986
Pacific Film Archive PN1997.M377 M37 1986 LIB USE ONLY LIB USE ONLY
- McCormick, R.
- "The Marriage of Maria Braun." (Review). Cineaste X/2, Spring 80; p.34-36.
- Moeller, H. B.
- "Fassbinder's Use of Brechtian Aesthetics."Jump Cut /35, Apr 90; p.102-107. illus. Examines Brechtian method in the critique of German society in "Lola", "Die Ehe der Maria Braun" and "Die Sehnsucht der Veronika Voss".
- Noonan, Tom
- "The Marriage of Maria Braun." (Review). Film Quarterly XXXIII/3, Spring 80; p.40-45.
- O'Sickey, Ingeborg Majer.
- "Representing Blackness: Instrumentalizing Race and Gender in Rainer Werner Fassbinder's The Marriage of Maria Braun." Women in German Yearbook: Feminist Studies in German Literature & Culture. 17:15-29. 2001
- Pott, Sabine
- Film als Geschichtsschreibung bei Rainer Werner Fassbinder : Fassbinders Darstellung der Bundesrepublik Deutschland anhand ausgewählter Frauenfiguren in seiner "BRD-Trilogie" : Die Ehe der Maria Braun (1978), Lola (1981) und Die Sehnsucht der Veronika Voss (1982) / Sabine Pott. Frankfurt am Main ; New York : P. Lang, c2000.
Main (Gardner) Stacks PN1998.3.F37 P68 2000
- Reimer, Robert C.
- "Memories from the Past: A Study of Rainer Werner Fassbinder's The Marriage of Maria Braun." Journal of Popular Film and Television, vol. 9 no. 3. 1981 Fall. pp: 138-143.
- Rheuban, Joyce.
- "The Marriage of Maria Braun: History, Melodrama, Ideology German Film History/German History on Film." In: Gender and German Cinema: Feminist Interventions, Part II / edited bySandra Frieden ... [et al.]. pp: 207-26. Providence: Berg, 1993.
Main Stack PN1993.5.G3.G357 1993
- Triggs, Jeffery Alan.
- "The Faustian Theme in Fassbinder's The Marriage of Maria Braun."Studies in the Humanities, vol. 16 no. 1. 1989 June. pp: 24-32.
- Uecker, Matthias.
- "A Fatal German Marriage: The National Subtext of Fassbinder's Die Ehe der Maria Braun." German Life & Letters, Jan2001, Vol. 54 Issue 1, p45, 15p
UC users only
- The Desire of Veronika Voss
- Blake, Richard A.
- "Veronika Voss." (movie reviews) America Nov 27, 1982 v147 p334(1)
- Canby, Richard
- "Veronika Voss." (movie reviews) The New York Times Sept 24, 1982 v132 p22(N) pC12(L) col 3 (20 col in)
- Feinstein, Howard
- "BRD 1-2-3: Fassbinder's Postwar Trilogy and the Spectacle." Cinema Journal 23:1 (1983:Fall) 44
- "This essay attempts to historicize Fassbinder's BRD (Bundesrepublik Deutschland) Trilogy films, "The Marriage of Maria Braun, Lola", and "Veronika Voss". He stresses the spectacular nature of the image, often embodied in the form of a female protagonist in her encounter with concrete historical forces. In terms of structure, he treats the films' basic generic mode, the melodrama, dialectically, both adhering to, and revising, its norms in their historical development." {Periodicals Content Index]
- Fosha, Diana
- "On the dangers of imagining a future: A review of Fassbinder's Veronika Voss." New Ideas in Psychology 3:3 (1985) 357
- Kaplan, Ann E.
- "Fassbinder as Political Voyeur: "Lola" and "Veronika Voss" Social Policy 14:1 (1983:Summer) 60
- Kinder, Marsha
- "Ideological parody in the new German cinema: reading The State of Things, The Desire of Veronika Voss, and Germany Pale Mother as postmodernist rewritings of The Searchers, Sunset Boulevard and Blonde Venus." Quarterly Review of Film and Video XII/1-2, May 90; p.73-103.
- "Three German movies constitute postmodern ideological parodies of other movies. Wim Wenders' 'The State of Things' parodies 'The Searchers,' an American western. Rainer Werner Fassbinder's 'The Desire of Veronica Voss' parodies 'Sunset Boulevard,' a tale of an aging movie actress. Helma Sanders-Brahms' 'Germany Pale Mother' uses 'Blonde Venus' and other sources in a feminist parody." [Expanded Academic Index]
- MacBean, J.R.
- "The Cinema as Self Portrait: The Final Films of Fassbinder." Cineaste XII/4, 83; p.9-16.
- An examination of two of R.W.F.'s recent films, "Lola" and "Veronika Voss", as portraits of the director himself.
- McCarthy, Todd
- "R.W. Fassbinder, prolific all-media director, dies in Munich aged 36." (obituary) Variety June 16, 1982 v307 p4(2)
- Moeller, H. B.
- "Fassbinder's Use of Brechtian Aesthetics." Jump Cut /35, Apr 90; p.102-107.
- Examines Brechtian method in the critique of German society in "Lola", "Die Ehe der Maria Braun" and "Die Sehnsucht der Veronika Voss".
- Querelle
- Macbean, James Roy.
- "The Success And Failure Of Fassbinder." Sight and Sound 52:1 (1982/1983:Winter) 42
- "Man to man." Sight and Sound ns4 May 1994. p. 69.
- "The writer comments on the work of Rainer Werner Fassbinder, singling him out as the most original, talented, and productive director/writer in German cinema after the Second World War. The writer focuses on Querelle, which is based on Jean Genet's Querelle de Brest, probably Fassbinder's most outspoken homosexual film. In this film, she contends, maleness can be studied by watching the protagonists act like members of an unknown--and at the same time familiar--tribe. For the writer, Querelle reveals as through a magnifying glass a claustrophobic, frozen environment of male paranoia." [Art Abstracts]
- Pott, Sabine
- Film als Geschichtsschreibung bei Rainer Werner Fassbinder : Fassbinders Darstellung der Bundesrepublik Deutschland anhand ausgewählter Frauenfiguren in seiner "BRD-Trilogie" : Die Ehe der Maria Braun (1978), Lola (1981) und Die Sehnsucht der Veronika Voss (1982) / Sabine Pott. Frankfurt am Main ; New York : P. Lang, c2000.
Main (Gardner) Stacks PN1998.3.F37 P68 2000
- Shaviro, Steven
- "Masculinity, Spectacle, and the Body of Querelle." In: The cinematic body / Steven Shaviro. Minneapolis : University of Minnesota Press, c1993.
Full text available online (UCB users only)
Graduate Services PN1995 .S484 1993 Main (Gardner) Stacks PN1995 .S484 1993
Michael Haneke
- Badt, Karin
- "Family Is Hell and So Is the World: Talking to Michael Haneke at Cannes 2005." Bright Lights Film Journal, vol. 50, pp. (no pagination), Nov 2005
- Christian Wessely, Gerhard
- Michael Haneke und seine Filme : eine Pathologie der Konsumgesellschaft
- Marburg : Schüren, c2005.
Main (Gardner) Stacks PN1998.3.H36 M533 2005
- Chua, Lawrence.
- "Michael Haneke." BOMB. 80: 54-58. 2002 Summer.
- "German filmmaker Michael Haneke prefers making movies that disturb an audience's tendencies to provide a familiar emotional response. The environments of his films begin as superficially tranquil but once those worlds are disrupted, audiences begin to understand how easily they are fooled by the cinematic medium." [Expanded Academic Index]
- Coulthard, Lisa.
- "Negative ethics: The missed event in the French films of Michael Haneke." Studies in French Cinema, 2011, Vol. 11 Issue 1, p71-82, 12p
UC users only
- Cowan, Michael
- "Between the Street and the Apartment: Disturbing the Space of Fortress Europe in Michael Haneke." Studies in European Cinema, vol. 5, no. 2, pp. 117-129, 2008
- Frey, Mattias
- "Michael Haneke." (A cinema of disturbance: the films of Michael Haneke in context) Senses of Cinema
- Gibson, Brian.
- "Bearing witness: the Dardenne brothers' and Michael Haneke's implication of the viewer." CineAction - Summer 2006 i70 p24(15)
UC users only
- Grossvogel, D. I.
- "Haneke: The Coercing of Vision." Film Quarterly Jun 2007, Vol. 60, No. 4: 36-43.
UC users only
- Grundmann, Roy
- "Auteur de Force: Michael Haneke's "Cinema of Glaciation."" Cineaste; Spring2007, Vol. 32 Issue 2, p6-14, 9p
UC users only
- Gemünden, Roy
- "The specular America of Peter Handke." In: Framed visions : popular culture, Americanization, and the contemporary German and Austrian imagination / Gerd Gemünden. Ann Arbor : University of Michigan Press, c1998.
Main (Gardner) Stacks NX550.A1 G385 1998
- James, Nick
- "Code uncracked." (profile of Austrian film director Michael Haneke)Sight and Sound June 2001 v11 i6 p8(1)
- A profile of Austrian film director Michael Haneke is presented, at the time of the release of his film 'Code Unknown'. Haneke speaks guardedly about the film, which concerns communication difficulties in multicultural cities and is comprised of short fragments.
- Lane, Anthony
- "Michael Haneke and His Movies." The New Yorker 85:31 (5 October 2009) p. 60-67
UC users only
- Lebeau, Vicky
- "The Arts of Looking: D. W. Winnicott and Michael Haneke." Screen, vol. 50, no. 1, pp. 35-44, Spring 2009
UC users only
- Le Cain, Maximilian.
- "Do the Right Thing: The Films of Michael Haneke." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 26: (no pagination). 2003 May-June.
- Nadar, Thomas R.
- "The Question of Cultural Identity: The Figure of the Outsider in Michael Haneke's Adaptation of Joseph Roth's Die Rebellion." In: After postmodernism: Austrian literature and film in transition / edited and with a preface by Willy Riemer. Riverside, Calif.: Ariadne Press, c2000. Studies in Austrian literature, culture, and thought.
Main Stack PT3818.A33 2000
- Peucker, Brigitte
- "Fragmentation and the Real: Michael Haneke's Family Trilogy." In: After postmodernism: Austrian literature and film in transition / edited and with a preface by Willy Riemer. Riverside, Calif.: Ariadne Press, c2000. Studies in Austrian literature, culture, and thought.
Main Stack PT3818.A33 2000
- Peucker, Brigitte
- "Violence and affect: Haneke's modernist melodramas." In: The material image : art and the real in film / Brigitte Peucker. Stanford, Calif. : Stanford University Press, 2007.
Main (Gardner) Stacks PN1995.25 .P46 2007
- Porton, Richard
- "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 31, no. 1, pp. 50-51, Winter 2005
UC users only
- Price, Brian (ed. and introd.)
- "Dossier on Michael Haneke." Framework: The Journal of Cinema and Media, vol. 47, no. 2, pp. 4-36, Fall 2006
UC users only
- Rhodes, John David.
- "Haneke, the Long Take, Realism" Framework: The Journal of Cinema and Media, Volume 47, Number 2, Fall 2006, pp. 17-21
UC users only
- Riemer, Willy.
- "Beyond Mainstream Film: An Interview with Michael Haneke." In: After postmodernism: Austrian literature and film in transition / edited and with a preface by Willy Riemer. Riverside, Calif.: Ariadne Press, c2000. Studies in Austrian literature, culture, and thought.
Main Stack PT3818.A33 2000
- Riemer, Willy.
- "Michael Haneke, Funny Games: Violence and the Media." In: Conference on Austrian Literature and Culture (2001: Lafayette College) Visions and visionaries in contemporary Austrian literature and film / edited and introduced by Margarete Lamb-Faffelberger ... New York: P. Lang, c2004. Austrian culture ; v. 34
Main Stack PT3818.C66 2001
- Sharrett, Christopher
- "Michael Haneke and the Discontents of European Culture." Framework: The Journal of Cinema and Media, vol. 47, no. 2, pp. 6-16, Fall 2006
UC users only
- Sharrett, Christopher. Heinrichs, Jurgen (translator).
- "The World That Is Known: An Interview with Michael Haneke." 28 (3): 28-31. 2003 Summer.Cineaste: America's Leading Magazine on the Art and Politics of the Cinema.
UC users only
- Sorfa, David.
- "Uneasy domesticity in the films of Michael Haneke." Studies in European Cinema, 2006, Vol. 3 Issue 2, p93-104, 12p
UC users only
- Speck, Oliver C.
- Funny Frames : The Filmic Concepts of Michael Haneke London: Continuum International Publishing, 2010
Full text available online (UCB users only)
- "The spectator as moral agent : Kantian ethics and the films of Michael Haneke." In: From Plato's cave to the multiplex : contemporary philosophy and film / edited by Barbara Gabriella Renzi and Stephen Rainey. Newcastle, UK : Cambridge Scholars Press, 2006.
Main (Gardner) Stacks PN1995.9.P42 F76 2006
- Szalai, Jennifer
- "Habits of Seeing: The Unsettling Films of Michael Haneke." Harper's, vol. 315, no. 1890, pp. 68-75, Nov 2007
- Thomas, Jonathan
- " Michael Haneke's New(s) Images." Art Journal; Fall2008, Vol. 67 Issue 3, p80-85, 6p
UC users only
- The article discusses filmmaker Michael Haneke. It mentions his film "Caché," as well as his his treatment of images in his work. The article mentions the historiographical claims and psychoanalytic significations present in film scenes. It also mentions other films by Haneke, including "Code Unknown" and "Time of the Wolf."
- Vicari, Justin
- "Films of Michael Haneke: Utopia of Fear." Jump Cut: A Review of Contemporary Media, vol. 48, pp. (no pagination), Winter 2006
UC users only
- Vogel, Amos
- "Of nonexisting continents: the cinema of Michael Haneke." Film Comment July-August 1996 v32 n4 p73(3) (1871 words)
UC users only- "The film style of Austrian director Michael Haneke stands in direct contrast to that of the typical Hollywood variety. Haneke believes in producing films that challenge the viewers to think for themselves by presenting them with visuals, narrative, and dialog rather than explanations and answers." [Expanded Academic Index]
- Wood, Robin.
- "Michael Haneke: beyond compromise." CineAction - Summer 2007 i73-74 p44(12)
UC users only
- Wynter, Kevin
- "Excesses of Millenial Capitalism, Excesses of Violence: Several Critical Fragments Regarding the Cinema of Michael Haneke." CineAction, vol. 70, pp. 39-45, Nov 2006
UC users only
- Caché
- Austin, Guy.
- "Drawing trauma: visual testimony in Caché and J'ai 8 ans." Screen, Winter2007, Vol. 48 Issue 4, p529-536, 8p
UC users only
- Frey, Mattias
- "Dossier on Michael Haneke: "Benny's Video," "Caché," and the Desubstantiated Image." Framework 47:2 (Fall 2006)
UC users only
- Gallagher, Brianne.
- "Policing Paris : Private Publics and Architectural Media in Michael Haneke's Caché. Journal for Cultural Research, Jan2008, Vol. 12 Issue 1, p19-38, 20p
UC users only
- Gautam GB Basu Thakur.
- "Of Suture and Signifier in Michael Haneke's Caché (2005)." Psychoanalysis, Culture & Society, Sep2008, Vol. 13 Issue 3, p261-278, 18p; (AN 34119013)
UC users only
- Locke, Richard.
- "Globalization and Its Discontents: the directors of "Babel" and "Caché" tell complex stories of families caught in ever-expanding worlds. American Scholar, Spring2007, Vol. 76 Issue 2, p114-117, 4p
UC users only
- Mecchia, Giuseppina.
- "The Children Are Still Watching Us, Caché/Hidden in the folds of time." Studies in French Cinema, 2007, Vol. 7 Issue 2, p131-141, 11p,
UC users only
- Menne, Jeff; Seymour, Nicole
- "'Show Yourself and Say What You Want': Mocking the Objective Claim in Caché." Post Script: Essays in Film and the Humanities, vol. 28, no. 3, pp. 93-107, Summer 2009
UC users only
- Nair, Kartik. "Caché and the Secret Image." Wide Screen, 2009, Vol. 1 Issue 1, p1-5, 5p
UC users only
- Ogrodnik, Benjamin.
- "Deep Cuts." Film International, 2009, Vol. 7 Issue 1, p56-59, 4p,
UC users only
- Osterweil, Ara
- "Caché" Film Quarterly, Vol. 59, No. 4 (Summer, 2006), pp. 35-39
UC users only
- Ritzenhoff, Karen
- "Visual competence and reading the recorded past: the paradigm shift from analogue to digital video in Michael Haneke's film Caché." Visual Studies, Sep2008, Vol. 23 Issue 2, p136-146, 11p
UC users only
- Saxton, Libby.
- "Secrets and revelations: Off-screen space in Michael Haneke's Caché (2005)." Studies in French Cinema, 2007, Vol. 7 Issue 1, p5-17, 13p
UC users only
- Seshadri, Kalpana Rahita
- "Spectacle of the Hidden: Michael Haneke's Caché." Nottingham French Studies, vol. 46, no. 3, pp. 32-48, Autumn 2007
- Silverman, Max.
- "The Violence of the Cut: Michael Haneke's Caché and Cultural Memory." French Cultural Studies, Feb2010, Vol. 21 Issue 1, p57-65, 9p
UC users only
- Sternagel, Joerg
- "From Inside Us: Experiencing the Film Actor in Michael Haneke's Caché." Film International, vol. 7, no. 3 [39], pp. 50-61, 2009
UC users only
- Thomas, Jonathan
- " Michael Haneke's New(s) Images." Art Journal; Fall2008, Vol. 67 Issue 3, p80-85, 6p
UC users only
- The article discusses filmmaker Michael Haneke. It mentions his film "Caché," as well as his his treatment of images in his work. The article mentions the historiographical claims and psychoanalytic significations present in film scenes. It also mentions other films by Haneke, including "Code Unknown" and "Time of the Wolf."
- Turkkan, Sevinc.
- "Hiroshima mon amour and Cache: Collapse of Private and Public Domains." International Journal of the Humanities, Nov2008, Vol. 6 Issue 8, p93-100, 8p
UC users only
- Code Inconnu
- Falcon, Richard.
- "Code Unknown."(Film Reviews).Sight and Sound May 2001 v11 i5 p46(1)
- Horton, Robert.
- "Code Inconnu." (Review) Film Comment Nov 2000 v36 i6 p18
- Lane, Anthony
- "The great divide; unsettling pictures of Parisian life." ('Code Unknown') (movie review) The New Yorker Dec 3, 2001 v77 i38 p105(3)
- Naqvi, Fatima
- "The Politics of Contempt and the Ecology of Images: Michael Haneke's Code Inconnu." In: The cosmopolitan screen : German cinema and the global imaginary, 1945 to the present / Stephan K. Schindler and Lutz Koepnick, editors. Ann Arbor : University of Michigan Press, c2007.
Main (Gardner) Stacks PN1993.5.G3 C673 2007
- Quart, Leonard
- "Code Unknown."(Film Reviews). (movie review) Cineaste Spring 2002 v27 i2 p35(3) (1973 words)
UC users only
- Rhodes, John David.
- "Haneke, the Long Take, Realism." Framework: The Journal of Cinema and Media, Volume 47, Number 2, Fall 2006, pp. 17-21
UC users only
- Wood, Robin.
- "In search of the Code Inconnu." (Critical Essay) CineAction Summer 2003 i62 p41(9) (7949 words)
- Funny Games
- Brinkema, Eugenie
- "'Not to Scream before or about, but to Scream at Death': Haneke's Horrible Funny Games." In: Caligari's heirs : the German cinema of fear after 1945 / edited by Steffen Hantke. Lanham, Md. : Scarecrow Press, 2007.
Main (Gardner) Stacks PN1995.9.H6 C37 2007
- Falcon, Richard.
- "The discreet harm of the bourgeoisie." (Haneke releases third of trilogy on violence) Sight and Sound May 1998 v8 i5 p10(2)
UC users only
- "'Funny Games' by Austrian director Michael Haneke is the third of a trilogy of films focusing on the meaning of violence. The first two films were entitled 'Benny's Video' and 'The Seventh Continent' and all three portray teenage violence. 'Funny Games' was screened at the Cannes and London Film Festivals and has been met with mixed responses as far as its portrayal of violence is concerned." [Expanded Academic Index]
- Grundmann, Roy
- "Michael Haneke's Subversive Games." Chronicle of Higher Education, vol. 54, no. 25, pp. B14-B15, Feb 2008
- Hampton, Howard
- "Bored silly." (violent film 'Funny Games') Artforum International March 1998 v36 n7 p19(1) (757 words)
- "Austrian director Michael Haneke's film 'Funny Games' attempts to discount typical explanations of violence by combining renderings of stale shock with alienation effects. Through these strategies, the filmmaker aims to represent violence as being inconsumable. However, he fails to realize this goal because he did not implicate his own attitudes with those of the violence-devouring public. Instead of effectively criticizing the violent acts depicted, the film actually embraces a clinical form of voyeurism, which is more pathetic than the violence it is supposed to abhor." [Expanded Academic Index]
- Hantke, Steffen.
- "The Aesthetics of Affect in the Shot-by-Shot Remakes of "Psycho" and "Funny Games." English Language Notes, Spring/Summer2010, Vol. 48 Issue 1, p113-127, 15p
UC users only
- Hart, Gail K.
- "Michael Haneke's Funny Games and Schiller's Coercive Classicism." Modern Austrian Literature, vol. 39, no. 2, pp. 63-75, 2006
UC users only
- Holden, Stephen
- "Funny Games." (movie reviews) The New York Times March 11, 1998 v147 pB5(N) pE5(L) col 3 (14 col in)
- Johnston, Sheila
- "Michael Haneke: "Funny Games": Interview: Michael Haneke." Sight and Sound 18:4 (April 2008) p. 20-21
- UCB users only
- Justice, Chris
- "Funny Games." Senses of Cinema
UC users only
- Kauffmann, Stanley
- "Funny Games." (movie reviews) The New Republic March 23, 1998 v218 n12 p24(2) (1415 words)
UC users only
- Kermode, Mark
- "Funny Games." (movie reviews) Sight and Sound Dec 1998 v8 i12 p44(2)
- Laine, Tarja
- "'What Are You Looking at and Why?'" Kinoeye, vol. 4, no. 1, pp. [no pagination], Mar 2004
- Pillip, Frank
- "Michael Haneke's Film Funny Games and the Hollywood Tradition of Self-Referentiality." Modern Austrian Literature, vol. 32, no. 4, pp. 353-63, 1999
UC users only
- Price, Brian
- "Pain and the Limits of Representation." Framework: The Journal of Cinema and Media, vol. 47, no. 2, pp. 22-29, Fall 2006
UC users only
- Riemer, Willy.
- "Michael Haneke, Funny Games: Violence and the Media." In: Conference on Austrian Literature and Culture (2001: Lafayette College) Visions and visionaries in contemporary Austrian literature and film / edited and introduced by Margarete Lamb-Faffelberger ... New York: P. Lang, c2004. Austrian culture ; v. 34
Main Stack PT3818.C66 2001
- Romney, Jonathan
- "Funny Games." New Statesman (1996) Oct 30, 1998 pNA (815 words)
UC users only
- Silvey, Vivian
- "Paris, Borders and the Concept of Europe in "Paris, je t’aime" and "Code Unknown" Alphaville: Journal of Film and Screen Media Issue 1, Summer 2011. "European Cinema: Transnational, Transcultural, Transmedial".
- Wheatley, Catherine
- "Unkind Rewind: Michael Haneke." Sight and Sound, vol. 18, no. 4, pp. 18-19, 21-22, Apr 2008
UC users only
- Piano Teacher (La Pianiste)
- Cardullo, Bert
- "Shoot the piano player." (The Pianist)(The Piano Teacher)(Movie Review) The Hudson Review Autumn 2003 v56 i3 p521-530
UC users only
- Champagne, John
- "Undoing Oedipus: Feminism and Michael Haneke's The Piano Teacher." Bright Lights Film Journal, vol. 36, pp. (no pagination), Apr 2002
UC users only
- Combs, Richard.
- "Living in Never-Never Land: Michael Haneke Continues the Search for a New European Cinema." Film Comment. 38 (2): 26-28. 2002 Mar-Apr.
UC users only
- Coulthard, Lisa.
- "Negative ethics: The missed event in the French films of Michael Haneke." Studies in French Cinema, 2011, Vol. 11 Issue 1, p71-82, 12p
UC users only
- Denby, David
- "Play it again." ('The Piano Teacher')_(movie review) The New Yorker April 1, 2002 v78 i6 p98(2) (1461 words)
UC users only
- Gural-Migdal, Anna; Chareyron, Romain.
- "The 'ghost image' of horror and pornography in Michael Haneke's La Pianiste (2001)." Studies in French Cinema, 2011, Vol. 11 Issue 1, p57-69, 13p;
UC users only
- Hohenadel, Kristin .
- "A different kind of shock treatment." (the making of 'The Piano Teacher') The New York Times March 24, 2002 pAR13(N) pAR13(L) col 1 (25 col in)
- Holden, Stephen
- "Kinky and cruel goings-on in the conservatory." (The Piano Teacher)_(movie review) The New York Times March 29, 2002 pB12(N) pE15(L) col 2 (30 col in)
- Hutchison, Nina
- "Between Action and Repression: The Piano Teacher." Senses of Cinema
- Johnson, Beth
- "Masochism and The Mother, Pedagogy and Perversion." Angelaki: Journal of the Theoretical Humanities; Dec2009, Vol. 14 Issue 3, p117-130, 14p
UC users only
- Kauffmann, Stanley.
- "On Films - Honesties." (The Piano Teacher)(Y Tu Mama Tambien) (movie review) The New Republic April 15, 2002 p22 (1315 words)
- Rayns, Tony
- "The Piano Teacher." (motion picture)(Review) Sight and Sound Nov 2001 v11 i11 p54(1)
- Riemer, Willy
- "Michael Haneke, The Piano Teacher [Die Klavierspielerin]: Repertoires of Power and Desire." In: Elfriede Jelinek : writing woman, nation, and identity : a critical anthology / edited by Matthias Piccolruaz Konzett and Margarete Lamb-Faffelberger. Madison [N.J.] : Fairleigh Dickinson University Press, c2007.
Main (Gardner) Stacks PT2670.E46 Z645 2007
- Sharrett, Christopher.
- "The Piano Teacher." (Movie Review) Christopher Sharrett. Cineaste Fall 2002 v27 i4 p37(5) (2816 words)
UC users only
- Thakur, Gautam Basu.
- "Re-reading Michael Haneke's La Pianiste: schizo-politics and the critique of consumer culture." New Cinemas: Journal of Contemporary Film, 2007, Vol. 5 Issue 2, p139-152, 14p
UC users only
- Van Dijk, Maria
- "Alienation and Perversion: Michael Haneke's The Piano Teacher." Bright Lights Film Journal, vol. 36, pp. (no pagination), Apr 2002
- Wheatley, Catherine.
- "The masochistic fantasy made flesh: Michael Haneke's La Pianiste as melodrama." Studies in French Cinema, 2006, Vol. 6 Issue 2, p117-127, 11p
UC users only
- Wigmore, Juliet
- "Sex, Violence and Schubert: Michael Haneke's La Pianiste and Elfriede Jelinek's Die Klavierspielerin." In: Processes of transposition : German literature and film / edited by Christiane Schönfeld ; in collaboration with Hermann Rasche. Amsterdam ; New York : Rodopi, 2007.
Main (Gardner) Stacks PN1993.5.G3 P756 2007
- Wood, Robin
- "Do I disgust you?" or, tirez pas sur La Pianiste." (Critical Essay) CineAction Spring 2002 p54(8) (6156 words)
- Wrye, Harriet Kimble
- "Perversion Annihilates Creativity and Love: A Passion for Destruction in Haneke's The Piano Teacher." Psychoanalytic Inquiry, Sep/Oct2007, Vol. 27 Issue 4, p455-466, 12p
UC users only
- Wyatt, Jean
- "Jouissance and Desire in Michael Haneke's The Piano Teacher." American Imago: Psychoanalysis and The Human Sciences, vol. 62, no. 4, pp. 453-82, Winter 2005
UC users only
- Time of the Wold
- Aston, James.
- "The (Un) spectacle of the real: Forwarding an active spectator in Michael Haneke's Le temps du loup/Time of the Wolf (2003)." Studies in European Cinema, 2010, Vol. 7 Issue 2, p109-122, 14p;
UC users only
- James, Nick.
- "Darkness Falls." Sight & Sound, Oct2003, Vol. 13 Issue 10, p16-17, 2p
UC users only
- Johnston, Ian.
- "Lost World: Michael Haneke's Time of the Wolf." Bright Lights Film Journal, May2007, Issue 56, p27-27, 1
- Jones, Kent.
- "The End of the World as We Know it." Film Comment, Jul/Aug2003, Vol. 39 Issue 4, p55, 3p
UC users only
- Matthews, Peter.
- "Time of the Wolf." Sight & Sound, Nov2003, Vol. 13 Issue 11, p64-65, 2p
UC users only
- Sorfa, David.
- "Uneasy domesticity in the films of Michael Haneke." Studies in European Cinema, 2006, Vol. 3 Issue 2, p93-104, 12p
UC users only
- The White Ribbon
- Sterritt, David.
- "The Ghost Writer/The White Ribbon/Shutter Island" Tikkun, May/Jun2010, Vol. 25 Issue 3, p67-68, 2p
UC users only
- Stewart, Garrett
- "Pre-War Trauma: Haneke's The White Ribbon." Film Quarterly Jun 2010, Vol. 63, No. 4: 40-47.
UC users only
- White, Rob.
- "Three Types of Nothing." Film Quarterly, Summer2010, Vol. 63 Issue 4, p4-6, 3p
UC users only
- Williams, James S.
- "Aberrations Of Beauty: Violence and Cinematic Resistance in Haneke's The White Ribbon." Film Quarterly, Summer2010, Vol. 63 Issue 4, p48-55, 8p
UC users only
Werner Herzog
Works about individual films For books/articles about Werner Herzog's documentary works, see Documentary Bibliography
- Ames, Eric
- "Herzog, Landscape, and Documentary." Cinema Journal, 48, Number 2, Winter 2009, pp. 49-69
UC users only
- Arthur, Paul.
- "Beyond the limits: Werner Herzog's metaphysical realism: 40 years of boldly going where no documentary has gone before." Film Comment 41.4 (July-August 2005)
UC users only
- Atkinson, Michael.
- "The Wanderings Of Werner Herzog." (Critical Essay) Film Comment v36, n1 (Jan, 2000):16-27.
UC users only
- "Werner Herzog has never been granted his deserved acclaim nor his proper place in film history. Together with Wenders and Fassbinder, Herzog was one of the figureheads of the German New Wave. His films have been both patronized and faintly praised, although Aguirre, the Wrath of God (1972) is respected for its visual integrity. Herzog's position, methods, and very personal visual philosophy were consistently too grand for easy media absorption. His new walking-heads documentary on the late, semi-great actor Klaus Kinski, My Best Fiend, is little more than an offhand, personal portrait. Nonetheless, it is time for Herzog to be canonized at the very least for Aguirre." [Art Index]
- Bachmann, Gideon
- "The Man on the Volcano: A Portrait of Werner Herzog The Man on the Volcano: A Portrait of Werner Herzog." Film Quarterly, Vol. 31, No. 1 (Autumn, 1977), pp. 2-10
UC users only
- Basoli, A. G.
- "The Wrath of Klaus Kinski: An Interview with Werner Herzog." Cineaste 1999, 24:4, 32-35.
UC users only
- Filmmaker Werner Herzog discusses his personal history with the actor Klaus Kinski and the film he made of Kinski, "My Best Fiend." Topics include the tempestuous characters of them both, their working relationships, and Herzog's feelings about documentaries.
- Berman, Russell.
- "The Recipient as Spectator: West German Film and Poetry of the Seventies." The German Quarterly, 1982 Nov., 55:4, 499-510.
- Bis ans Ende-und dann noch Weiter [videorecording]; die ekstatischewelt des flimemachers Werner Herzog / ein essay von Peter Buchka [Videorecording]
- A film essay by Peter Buchka analyzing Herzog's work through extracts from his films and statements by the filmmaker himself. From the very outset of Herzog's film career, his intellectual quest has taken him to marginal groups. In their ecstatic isolation he has sought to regain a measure of humanity and human dignity. Herzog's heroes generally fail, however, in a measure proportional to the effort they expend -- which is precisely what makes them heroes in Herzog's eyes, because it elevates their stories to the level of myths. VIDEO/C 7049
- Carrère, Emmanuel
- Werner Herzog / Emmanuel Carrère. Paris : Edilig, [1982]
Main (Gardner) Stacks PN1998.A3 H4421 1982
- Chipperfield, Alkan
- "Murmurs from a Shadowless Land: Fragmentary Reflections on the Cinema of Werner Herzog." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 15, pp. (no pagination), Summer 2001
- Csicsery, George
- "Ballad of the little soldier: Werner Herzog in a political hall of mirrors." Film Quarterly v. 39 (Winter 1985/1986) p. 7-15
- The Films of Werner Herzog: Between Mirage and History
- Edited by Timothy Corrigan. New York: Methuen, 1986.
Main PN1998.A3 H4431 1986Moffitt PN1998.A3 H443 1986
- Gabrea, Radu.
- Werner Herzog et la mystique rhénane Lausanne: L'Age d'Homme, 1986.
Main PN1998.A3 H441 1986
- Green, Peter.
- "Germans Abroad." Sight and Sound v57, n2 (Spr, 1988):126 (5 pages).
- Herzog, Werner
- Drehbücher / Werner Herzog München : Skellig, 1977
Main (Gardner) Stacks
Call No. PN1997.3 .H4
- Herzog, Werner
- Herzog on Herzog / edited by Paul Cronin. London ; New York : Faber and Faber, 2002.
Main (Gardner) Stacks PN1998.3.H477 A3 2002Herzog on Herzog / edited by Paul Cronin.
- Herzog, Werner
- Images at the horizon : a workshop with Werner Herzog / conducted by Roger Ebert at the Facets Multimedia Center, Chicago, Illinois, April 17, 1979 ; transcribed, annotated, and edited by Gene Walsh. New York : New York Zoetrope, c1979.
Main (Gardner) Stacks PN1998.A3 H44 1979b
- Herzog, Werner
- Of Walking in Ice: Munich - Paris, 23 November - 14 December, 1974 / Werner Herzog; translated from the German by Marje Herzog and Alan Greenberg. London: Cape, 1991, c1980.
NRLF B 4 083 078
- Herzog, Werner
- Screenplays / Werner Herzog; translated from the German by Alan Greenberg and Martje Herzog. 1st American ed. New York; Tanam Press, 1980.
NRLF B 3 629 541
- Hillman, Roger.
- "The great eclecticism of the filmmaker Werner Herzog." In: Unsettling scores : German film, music, and ideology / Bloomington : Indiana University Press, c2005.
Music ML2075.H54 2005
- Horak, Jan-Christopher
- "Werner Herzog's Erran Absurde." Literature Film Quarterly; 1979, Vol. 7 Issue 2, p223, 12p
UC users only
- Jones, Gareth.
- "Visions of Heaven and Hell in the Cinema of Werner Herzog." Journal of the GPA: Proceedings, 2008, p125-135, 11p
UC users only
- Kauffmann, Stanley
- "Stanley Kauffmann on Films." (New German Cinema film director Werner Herzog, and French New Wave director Philippe de Broca) The New Republic Oct 14, 2002 v227 i16 p24 (1192 words)
- McDonagh, Maitland
- "Behind Blue Eyes: The Wonderful, Horrible Life of Klaus Kinski." Film Comment v. 43 no. 4 (July/August 2007) p. 48-50, 52-3
- "A profile of the actor Klaus Kinski. Before the collaborations with film director Werner Herzog that established Kinski's international reputation as an actor of extreme intensity, he performed soul-baring solo theatrical shows that were the talk of Europe. Kinski performed theater as therapy, as trance work, as seizure, as secular exorcism, as unrestrained nervous breakdown, culminating in 1971's Jesus Tour. Kinski could attract a capacity audience to a continental soccer stadium with his four-hour one-man tour through the wild, the beautiful, and the damned of classical theater, from Hamlet to Faust. It was his movie work from 1948 onwards that traveled, however, a hodgepodge of Eurotrash genre films and cameos in major motion pictures. Despite the much-discussed Sturm und Drang associated with it, Kinski's role in Herzog's 1972 Aguirre, the Wrath of God could have altered the direction of Kinski's career. Herzog harnessed Kinski's raw energy to a project of visionary scope and scale, demonstrating to the world that he was more than a colorful oddity." [Art Index]
- Morgan, Peter.
- "'A Presence...Called Germany': Personal History in the Construction of National Identity by Post-war German Intellectuals: Three Case-studies. Journal of European Studies v26, n3 (Sept, 1996):239 (28 pages).
- "Left-wing post-war German intellectuals Martin Walser, Werner Herzog and Monika Maron shared a common belief that Germany can achieve a national identity via reunification. The three case studies were based on speeches made by Walser in 1984, Herzog in 1988 and Maron in 1989. Change was already taking place when Walser and Maron delivered the speeches even if the possibility of the Berlin Wall's fall seemed remote then. Future studies should address the question of how the German people perceive Nazism as it relates to the present." [Magazine Index]
- O'Brien, Geoffrey.
- "Werner Herzog in Conversation with Geoffrey O'Brien." Parnassus: Poetry in Review v22, n1-2 (Spring-Summer, 1997):40 (15 pages).
- "Werner Herzog's recent documentary, 'Bells from Russia,' is unmistakably of the same genre as his other documentaries such as 'Herdsmen of the Sun' and 'Lessons of Darkness.' The film, subtitled, 'Faith and Superstition in Russia' depicted the soul of the country on film within 55 minutes without a commentary. It presented a series of scenes such as singers chanting by a river in Siberia following a self-proclaimed Jesus ministering to his faithful disciples, a terrifying exorcist who talks about fire and death, and a haunting image of people staring through thin ice to catch a glimpse of the legendary lost city of Kitezh." [Magazine Index]
- Payne, Robert.
- "New German Cinema/Old Hollywood Genres." Critical Studies (School of Cinema-TV, Univ. of Southern Calif.) vol. 5 no. 1. 1985 Fall. pp: 8-11.
- Perina, Kaja.
- "Werner Herzog on introspection.(FINAL ANALYSIS)(Interview)." Psychology Today 38.4 (July-August 2005): 96(1).
UC users only
- Peucker, Brigitte.
- "Literature and Writing in the Films of Werner Herzog." Film und Literatur : literarische Texte und der neue deutsche Film / hrsg. von Sigrid Bauschinger, Susan L. Cocalis und Henry A. Lea. Bern ; Munchen : Francke, 1984.
Main Stack PN1993.5.G3.F483 1984
- Peucker, Brigitte.
- "Werner Herzog: In Quest of the Sublime." In: New German Filmmakers: From Oberhausen through the 1970's / edited by Klaus Phillips. pp: 168-184. New York: Ungar Pub. Co., c1984.
Main Stack PN1993.5.G3.N481 1984
- Portrait Werner Herzog
