Gays, Lesbian, and Transgendered People in Motion Pictures:
A Bibliography of Materials in the UC Berkeley Library

Books
Journal Articles

Articles and Books on Individual directors

Articles and Books on Individual films

Books

Arroyo J.
"Film studies." In: Lesbian and gay studies: a critical introduction / edited by Andy Medhurst and Sally R. Munt. London; Washington: Cassell, 1997.
Main Stack HQ75.15.L43 1997

Babuscio, Jack
"Cinema of camp (aka camp and the gay sensibility)." In: Camp: queer aesthetics and the performing subject: a reader / edited by Fabio Cleto. Ann Arbor, Mich.: University of Michigan Press, c1999.
Main Stack HQ76.25.C33 1999

Baker, Rob.
"Hollywood silence vs. independent voices." In: The art of AIDS / Rob Baker. New York: Continuum, 1994.
Main Stack NX180.A36.B35 1994
Moffitt NX180.A36.B35 1994

Barale, Michele Aina.
"When Lambs and Aliens Meet: Girl-Faggots and Boy-Dykes Go to the Movies." In: Cross-Purposes: Lesbians, Feminists, and the Limits of Alliance / edited by Dana Heller. pp: 95-106 Bloomington, IN: Indiana University Press, c1997.
UCB Main HQ75.5 .C76 1997

Barrios, Richard.
Screened out: playing gay in Hollywood from Edison to Stonewall New York: Routledge, 2003.
UCB Main PN1995.9.H55 B37 2003
Moffitt: PN1995.9.H55 B37 2003

Bartone, Richard C.
"Film Actors: Gay Male." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Bateman, Geoffrey W.
"Pornographic Film and Video: Transsexual." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Becker, Edith.
"Lesbians and Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / editedby Corey K. Creekmur and Alexander Doty. pp: 25-43.. Durham: Duke University Press, 1995. Series title: Series Q.
UCB Main HQ76.2.U5 O98 1995.

Becker, Edith; Michelle Citron; Julia Lesage; and Ruby B Rich (1985)
"Lesbians and Film" In: Jump cut: Hollywood, politics, and counter cinema / edited by Peter Steven. New York, N.Y.: Praeger, 1985.
Main Stack PN1995.9.E96.J81 1985
Moffitt PN1995.9.E96.J8 1985

Behar, Ruth.
"Queer Times in Cuba." In: Bridges to Cuba/Puentes a Cuba. Ann Arbor: University of Michigan Press, c1995. pp. 394-415.
Main Stack PS508.C83.B75 1995

Bell-Metereau, Rebecca Louise.
Hollywood androgyny / Rebecca Bell-Metereau. 2nd ed. New York: Columbia University Press, c1993.
Main Stack PN1995.9.I43.B45 1993
Moffitt PN1995.9.I43.B45 1993
Main Stack PN1995.9.I43.B45 1985 [earlier edition]

Benshoff, Harry M.
Monsters in the Closet: Homosexuality and the Horror Film / Harry M. Benshoff. Manchester [England]; New York: Manchester University Press; New York: Distributed by St. Martin's Press, 1997. Series title: Inside popular film.
Main Stack PN1995.9.H55.B457 1997
UCB Moffitt PN1995.9.H55 B457 1997

Benshoff, Harry M.
Queer images: a history of gay and lesbian film in America Lanham, Md.: Rowman & Littlefield, c2006.
MOFF: PN1995.9.H55 B44 2006
Table of contents http://www.loc.gov/catdir/toc/ecip0511/2005012348.html

The bent lens: a world guide to gay & lesbian film
Edited by Lisa Daniel & Claire Jackson.Published: Los Angeles: Alyson Books, 2003.
Media Resources Center: PN1995.9.H55 B45 2003
Main Library Reference: PN1995.9.H55 B45 2003; Non-circulating

Bertelli, Pino.
Cinegay: l'omosessualit`a nella lanterna magica Roma: Libreria Croce, [2002]
MAIN: PN1995.9.H55 B46 2002

Between the Sheets, in the Streets: Queer, Lesbian, and Gay Documentary
Chris Holmlund and Cynthia Fuchs, editors. Minneapolis: University of Minnesota Press, c1997.
Main Stack P96.D622.U63 1997

Bourne, Stephen.
Brief Encounters: Lesbians and Gays in British Cinema 1930-1971. London; New York: Cassell, 1996.
UCB Main PN1995.9.H55 B68 1996

Brassart, Alain.
L'homosexualite dans le cinema francais Paris : Nouveau monde, 2007.
MAIN: PN1995.9.H55 B727 2007

British queer cinema
Edited by Robin Griffiths. London ; New York: Routledge, 2006. British popular cinema
Main Stack PN1995.9.H55.B75 2006
Table of contents http://www.loc.gov/catdir/toc/ecip0519/2005027729.html

Brown, Terry.
"The Butch Femme Fatale." In: The Lesbian Postmodern / edited by Laura Doan. pp: 229-43. New York: Columbia University Press, c1994. Between men--between women
Main Stack PS153.L46.N482 1994

British queer cinema
Edited by Robin Griffiths. London ; New York : Routledge, 2006.
MAIN: PN1995.9.H55 B75 2006; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip0519/2005027729.html

Bryant, Wayne M.
"Bi poly cinema." In: Plural loves: designs for bi and poly living / Serena Anderlini-D'Onofrio, editor. Binghamton, NY: Harrington Park Press, 2004.
Main Stack HQ74.P58 2004

Bryant, Wayne M.
Bisexual characters in film: from Anais to Zee New York: Harrington Park Press, c1997.
MAIN: PN1995.9.B57 B78 1997;

Burns, Ronnie
"Dracula's daughter: cinema, hypnosis, and the erotics of lesbianism."
Lesbian erotics / edited by Karla Jay. New York: New York University Press, 1995. Cutting edge (New York, N.Y.)
Main Stack HQ75.5.L439 1995

Burston, Paul, ed.
Queer Romance: Lesbians, Gay Men and Popular Culture; ed. by Paul Burston London: Routledge, 1995
UCB Main HQ76.25 .Q38 1995

Burston, Paul
What Are You Looking At?: Queer Sex, Style, and Cinema / Paul Burston. London; New York: Cassell, 1995.
UCB Main HQ76.25 .B89 1995

Burt, Richard.
"The Love That Dare Not Speak Shakespeare's Name: New Shakesqueer Cinema." In: Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video / edited by Lynda E. Boose, Richard Burt. pp: 240-68. London; New York: Routledge, 1997.
Main Stack PR3093.S545 1997

Butler, Judith.
"Gender Is Burning: Questions of Appropriation and Subversion." In: Feminist Film Theory: A Reader / edited by Sue Thornham. pp 336-49. New York: New York University Press, 1999
Main Stack PN1995.9.W6.F465 1999

Cagle, Chris.
"Imaging the Queer South: Southern Lesbian and Gay Documentary." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. pp: 30-45. Minneapolis: University of Minnesota Press, c1997. Visible evidence; v. 1
Main Stack P96.D622.U63 1997

Cagle, Chris.
"Rough Trade: Sexual Taxonomy in Postwar America." In: RePresenting Bisexualities: Subjects and Cultures of Fluid Desire / edited by Donald E. Hall and Maria Pramaggiore. pp: 234-52. New York: New York University Press, c1996.
UCB Main HQ74 .R46 1996

Cairns, Lucille
Sapphism on screen: lesbian desire in French and Francophone cinema Edinburgh: Edinburgh University Press, c2006.
MAIN: PN1995.9.H55 C35 2006

Cante, Rich. Restivo, Angelo.
"The Voice of Pornography: Tracking the Subject Through the Sonic Spaces of Gay Male Moving-Image Pornography." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. pp: 207-27. London; New York: Routledge, 2001.
Main Stack PN1995.9.S6.K49 2001

Case, Sue-Ellen.
"Toward a Butch-Femme Aesthetic." In: Making a spectacle: feminist essays on contemporary women's theatre / Lynda Hart, editor. pp: 282-299. Ann Arbor: University of Michigan Press, c1989. Women and culture series.
Main Stack PS338.W6.M31 1989
Moffitt PS338.W6.M31 1989

Castiglia, Christopher.
"Rebel without a Closet." In: Engendering Men: The Question of Male Feminist Criticism / edited by Joseph A. Boone & Michael Cadden. pp: 207-221. New York: Routledge, 1990.
Main Stack PS152.E49 1990
Moffitt PS152.E49 1990

Clark, Danae (1991)
"Commodity Lesbianism." Camera Obscura 25-26: 180-201;
Also in: The Lesbian and gay studies reader / edited by Henry Abelove, Michele Aina Barale, David M. Halperin. New York: Routledge, 1993.
Main Stack HQ76.25.L48 1993
Moffitt HQ76.25.L48 1993

Clum, John M.
"He's all man": learning masculinity, gayness, and love from American movies / John M. Clum. 1st ed. New York: Palgrave, 2002.
Main Stack PN1995.9.M46.C49 2002

Coffman, Christine E.
Insane passions: lesbianism and psychosis in literature and film Middletown, Conn.: Wesleyan University Press, c2006.
MAIN: PS228.L47 C64 2006; View current status of this item
Table of contents only http://www.loc.gov/catdir/toc/ecip0617/2006022541.html

Cohan, Steven.
Incongruous entertainment: camp, cultural value, and the MGM musical Durham: Duke University Press, 2005.
MAIN: PN1995.9.M86 C59 2005

Collis, Rose
"Screened Out: Lesbians and Television." In: Daring to dissent: lesbian culture from margin to mainstream / edited by Liz Gibbs. London: Cassell, 1994. Women on women.
Main Stack HQ75.5.D37 1994

Corber, Robert J.
Homosexuality in Cold War America: Resistance and the Crisis of Masculinity. Durham: Duke University Press, 1997.
UCB Main HQ76.3.U5 C65 1997

Corber, Robert J.
In the Name of National Security: Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America. Durham: Duke University Press, 1993. Series title: New Americanists.
UCB Main PN1998.3.H58 C67 1993
UCB Moffitt PN1998.3.H58 C67 1993

Creed, Barbara.
"The Naked Crunch: Cronenberg's Homoerotic Bodies." In: The Modern Fantastic: the films of David Cronenberg / edited by Michael Grant. pp: 84-101 Westport, Conn.: Praeger, 2000.
Main Stack PN1998.3.C75.M63 2000

Davies, Jude and Carol R. Smith.
Gender, Ethnicity and Sexuality in Contemporary American Film / Jude Davies and Carol R. Smith. Edinburgh: Keele University Press, 1997. Series title: BAAS paperbacks.
UCB Main PN1995.9.M64 D38 1997

De Lauretis, Teresa.
The Practice of Love: Lesbian Sexuality and Perverse Desire /Teresa de Lauretis. Bloomington: Indiana University Press, c1994.
Main Stack HQ75.5.D45 1994

Dickinson, Peter
Screening gender, framing genre: Canadian literature into film Toronto: University of Toronto Press, 2007.
MAIN: PN1995.3 .D53 2007

Dittmar, Linda.
"Of Hags and Crones: Reclaiming Lesbian Desire for the Trouble Zone of Aging." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. pp: 71-90. Minneapolis: University of Minnesota Press, c1997. Visible evidence; v. 1
Main Stack P96.D622.U63 1997

Dixon, Wheeler W.
Straight: constructions of heterosexuality in the cinema / Wheeler Winston Dixon. Albany: State University of New York Press, c2003. SUNY series, cultural studies in cinema/video.
Main Stack PN1995.9.M27.D59 2003

D'Lugo, Marvin.
"From Exile to Ethnicity: Nestor Almendros and Orlando Jimemez-Leal's Improper Conduct." In: The Ethnic Eye: Latino Media Arts. Chon A. Noriega and Ana M. Lopez, editors. Minneapolis, Minn.: University of Minnesota Press, c1996. pp: 171-82.
UCB Main PN1995.9.L37.E84 1996

Doan, Laura (ed.)
The Lesbian Postmodern. New York. 1994. xiv, 267 pp. Series title: Between Men-Between Women: Lesbian and Gay Studies.
Main Stack PS153.L46.N482 1994

Doty, Alexander.
Flaming classics: queering the film canon / Alexander Doty. New York: Routledge, 2000.
Main Stack PN1995.9.H55.D68 2000

Doty, Alexander.
Making Things Perfectly Queer: Interpreting Mass Culture / Alexander Doty. Minneapolis: University of Minnesota Press, c1993.
UCB Moffitt Moffitt PN1992.8.H64.D68 1993

Doty, Alexander
Flaming classics: queering the film canon New York: Routledge, 2000.
MAIN: PN1995.9.H55 D68 2000

Doty, Alexander
"Queer theory." In: The Oxford guide to film studies / edited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, E. Ann ... Oxford ; New York: Oxford University Press, 1998.
Main Stack PN1995.O93 1998

Drukman, Steven
"The Gay Gaze, or Why I Want my MTV." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. London ; New York: Routledge, 1995.
Main Stack HQ76.25.Q38 1995

Dudrah, Rajinder Kumar.
"Queer as Desis: secret politics of gender and sexuality in Bollywood Films in diasporic urban ethnoscapes." In: Bollywood: sociology goes to the movies / Rajinder Kumar Dudrah. New Delhi ; Thousand Oaks: Sage, 2006.
Main Stack PN1993.5.I8.D83 2006
Table of contents http://www.loc.gov/catdir/toc/ecip065/2005037855.html

Dyer, David.
"Believing in Fairies: Author and the Homosexual." In: Inside/Out: Lesbian Theories, Gay Theories / edited by Diana Fuss. pp: 185-201. New York: Routledge, 1991.
Main Stack HQ76.25.I58 1991
Moffitt HQ76.25.I58 1991

Dyer, Richard.
The culture of queers / Richard Dyer. London; New York: Routledge, 2002.
Main Stack HQ76.D9 2002

Dyer, Richard
"Homosexuality and film noir -- Victim: hegemonic project." In: The matter of images: essays on representation 2nd ed. London: Routledge, 2002.
Main Stack PN1995.9.H55.D93 2002
UCB Main PN1995.9.H55 D93 1993 [earlier edition]
UCB Moffitt PN1995.9.H55 D93 1993 [earlier edition]

Dyer, Richard.
Now You See It: Studies on Lesbian and Gay Film. London; New York: Routledge, 1990.
Main Stack PN1995.9.H55 D94 2003
UCB Main PN1995.9.H55 D94 1990 [earlier edition]
UCB Moffitt PN1995.9.H55 D94 1990 [earlier edition]

Dyer, Richard.
"Postscript: Queers and Women in Film Noir." In: Women in film noir / edited by E. Ann Kaplan. Rev. and expanded ed. London: British Film Institute, 1998.
Main Stack PN1995.9.W6.W66 1998

Ehrenstein, David.
Open Secret: Gay Hollywood, 1928-1998 / David Ehrenstein. 1st ed. New York: William Morrow and Co., c1998.
UCB Main PN1995.9.H55 E47 1998

Erhart, Julia
"Laura Mulvey meets Catherine Tramell meets the She-man: counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism." In: A companion to film theory / edited by Toby Miller and Robert Stam. Oxford: Blackwell, 2004.
GRDS: PN1995 .C626 1999
MAIN: PN1995 .C626 1999
Moffitt PN1995.C624 2004

Evans, Caroline and Gamman, Lorraine
"The gaze revisited, or reviewing queer viewing." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. London ; New York: Routledge, 1995.
Main Stack HQ76.25.Q38 1995

Fabulous! the story of queer cinema [video]
An overview of the history of gay and lesbian cinema, from Kenneth Anger's pioneering Fireworks (1947) to Ang Lee's Brokeback mountain (2005). Packed with interviews and an array of film clips from the genre, this documentary celebrates more than half a century of queer independent filmmaking. 2005. 82 min.
Media Center DVD 6633

Feng, Peter X.
" We're queer! We're where? Locating transgressive films." In: Identities in motion: Asian American film and video / Peter X Feng. Durham [N.C.]: Duke University Press, c2002.
Main Stack PN1995.9.A77.F46 2002
Asian Amer PN1995.9.A77.F46 2002

Florence, Penny
"Lesbian cinema, women's cinema." In: Outwrite: lesbianism and popular culture / edited by Gabriele Griffin. London ; Boulder, Colo.: Pluto Press, 1993.
Main Stack PS153.L46.O94 1993
Moffitt PS153.L46.O94 1993

Foster, David William.
Queer issues in contemporary Latin American cinema / Austin: University of Texas Press, 2003.
UCB Main PN1995.9.H55 F67 2003

Foster, David William.
Sexual Textualities: Essays on Queer/ing Latin American Writing / by David William Foster. 1st ed. Austin: University of Texas Press, 1997. Series title: The Texas Pan American series.
UCB Main PQ7081 .F635 1997

Friedman, Jonathan C.
Rainbow Jews : Jewish and gay identity in the performing arts Lanham, MD : Lexington Books, c2007.
MAIN: PN1590.G39 F75 2007
Table of contents only http://www.loc.gov/catdir/toc/ecip076/2006100110.html

Fung, Richard.
"Looking for My Penis: The Eroticized Asian in Gay Video Porn." In: How do I look?: queer film and video / edited by the Bad Object-Choices. Seattle: Bay Press, 1991.
Main Stack PN1995.9.H55.H69 1991
Moffitt PN1995.9.H55.H69 1991

Fung, Richard.
"Shortcomings: Questions about Pornography as Pedagogy." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. pp:355-67. New York: Routledge, 1993.
Main Stack PN1995.9.H55.Q4 1993
Moffitt PN1995.9.H55.Q4 1993

Fung, Richard.
"We're queer! We're where? Locating transgressive films." In: Identities in motion: Asian American film and video / Peter X Feng. Durham [N.C.]: Duke University Press, c2002.
Main Stack PN1995.9.A77.F46 2002
Asian Amer PN1995.9.A77.F46 2002

Gamson, Joshua.
"The Organizational Shaping of Collective Identity: The Case of Lesbian and Gay Film Festivals in New York." In: A Queer World: The Center for Lesbian and Gay Studies Reader / edited by Martin Duberman. pp. 526-43. New York: New York University Press, [1997]
Main Stack HQ76.Q44 1997

Gays and Film
Edited by Richard Dyer. Rev. ed. New York: New York Zoetrope, c1984.
UCB Main PN1995.9.H55 G31 1984
UCB Moffitt PN1995.9.H55 G3 1984

Gay signatures: gay and lesbian theory, fiction and film in France, 1945-1995
Edited by Owen Heathcote, Alex Hughes et al. Oxford, UK; New York: Berg, 1998. Berg French studies. French studies series.
Main Stack PQ307.H6.G39 1998

Gerstner, David A.
"The Queer Frontier: Vincente Minnelli's Cabin in the Sky." In: Manly arts: masculinity and nation in early American cinema / David A. Gerstner. Durham: Duke University Press, 2006.
Main Stack PN1995.9.M46.G47 2006
Table of contents http://www.loc.gov/catdir/toc/ecip061/2005028221.html

Ghosh, Shohini.
"Queer pleasures for queer people: film, television, and queer sexuality in India." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. New York: Routledge, 2002.
Anthropology HQ76.2.I4.Q84 2002
Main Stack HQ76.2.I4.Q84 2002

The good, the bad and the gorgeous: popular culture's romance with lesbianism
Edited by Diane Hamer and Belinda Budge. London: Pandora, 1994.
Main Stack HQ75.5.G66 1994
Contents: Crossover dreams: lesbianism and popular music since the 1970's /Arlene Stein --Queer love affair?: Madonna and lesbian and gay culture /Sonya Andermahr --She thinks I still care: lesbians and country music /Rosa Ainley and Sarah Cooper --Netting the press: playing with Martina /Diane Hamer --Girls who kiss girls and who cares? /Sue O'Sullivan --'Cop it sweet': lesbian crime fiction /Gillian Whitlock --Making a drama out of a difference: Portrait of a Marriage /Jenny Harding --Gorgeous lesbian in LA Law: the present absence? / Rosanne Kennedy --From string of knots to orange box: lesbianism on prime time /Margaret Marshment and Julia Hallam --OUT: reflections on British television's first lesbian and gay magazine series /Diane Hamer with Penny Ashbrook --Pussy galore: lesbian images and lesbian desire in the popular cinema /Yvonne Tasker --Fostering the illusion: stepping out with Jodie /Clare Whatling --Looking lesbian: amazons and aliens in science fiction cinema /Paula Graham --Basic Instinct: damning dykes /Angela Galvin

Gopinath, Gayatri
"Bollywood/Hollywood: queer cinematic representation and the perils of translation." In: Impossible desires: queer diasporas and South Asian public cultures. Durham: Duke University Press, 2005.
MAIN: HQ76.25 .G67 2005
Table of contents http://www.loc.gov/catdir/toc/ecip053/2004027163.html

Gopinath, Gayatri
Impossible desires: queer diasporas and South Asian public cultures Durham: Duke University Press, 2005.
MAIN: HQ76.25 .G67 2005
Table of contents http://www.loc.gov/catdir/toc/ecip053/2004027163.html

Graham, Paula.
Immortal, invisible: lesbians and the moving image / edited by Tamsin Wilton. London; New York: Routledge, 1995.
UCB Main PN1995.9.L48 I45 1995
UCB Main PN1995.9.L48 I45 1995

Graham, Paula
"Looking lesbian: amazons and aliens in science fiction cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. London: Pandora, 1994.
Main Stack HQ75.5.G66 1994

Green, Douglas E.
"Shakespeare, Branagh, and the "queer traitor": close encounters in the Shakespearean classroom." In: The reel Shakespeare: alternative cinema and theory / edited by Lisa S. Starks and Courtney Lehmann. Madison [N.J.]: Fairleigh Dickinson University Press ; London ; Cranbury, N.J.: Associated University Presses, c2002.
Main Stack PR3093.R44 2002

Griffin, Sean.
Tinker Belles and evil queens: the Walt Disney Company from the inside out. New York: New York University Press, c2000.
Bus & Econ PN1999.W27 G75 2000
Moffitt PN1999.W27 G75 2000

Gross, Robert.
"Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective." In: Hollywood on Stage: Playwrights Evaluate the Culture Industry / edited by Kimball King. pp: 212-15. New York: Garland Pub., 1997. Studies in modern drama.
Main Stack PS338.M67.H65 1997

Grossman, Andrew.
"Film Sissies." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Gunn, Drewey Wayne
The gay male sleuth in print and film: a history and annotated bibliography Lanham, Md.: Scarecrow Press, 2005.
MAIN: PS374.D4 A12 G86 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0510/2005009033.html

Hadleigh, Boze.
The Lavender Screen: The Gay and Lesbian Films: Their Stars, Makers, Characters, and Critics. Secaucus, N.J.: Carol Pub. Group, c1993.
UCB Main PN1995.9.H55 H34 1993
UCB Moffitt PN1995.9.H55 H34 1993

Halberstam, Judith
Female Masculinity / Judith Halberstam. Durham, NC: Duke UniversityPress, 1998.
UCB Main HQ75.5 .H33 1998

Halberstam, Judith
"Imagined violence/queer violence: representations of rage and resistance." In: Reel knockouts: violent women in the movies / edited by Martha McCaughey and Neal King. 1st ed. Austin: University of Texas Press, 2001.
Main Stack PN1995.9.W6.R454 2001

Halberstam, Judith
In a queer time and place: transgender bodies, subcultural lives New York: New York University Press, c2005.
MAIN: HQ75.5 .H335 2005; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip0422/2004018151.html

Halle, Randall
"Unification horror: queer desire and uncanny visions." In: Light motives: German popular film in perspective / edited by Randall Halle and Margaret McCarthy. Detroit, Mich.: Wayne State University Press, c2003. Contemporary film and television series.
Main Stack PN1993.5.G3.L54 2003

Han, Judy with Morohoshi, Marie K. and Ju Hui
"Creating, curating, and consuming queer Asian American cinema: an interview with Marie K. Morohoshi." In: Q & A: queer in Asian America / edited by David L. Eng and Alice Y. Hom. Philadelphia: Temple University Press, 1998. Asian American history and culture.
Main Stack HQ76.3.U5.Q18 1998
Morrison Rm HQ76.3.U5.Q18 1998
Asian Amer HQ76.3.U5.Q18 1998

Hankin, Kelly.
The girls in the back room: looking at the lesbian bar Minneapolis: University of Minnesota Press, c2002.
MAIN: PN1995.9.L48 H26 2002

Harris, Daniel
"Evolution of gay pornography film." In: The rise and fall of gay culture / Daniel Harris. 1st ed. New York: Hyperion, c1997.
Main Stack HQ76.2.U5.H347 1997

Hart, Lynda
Fatal Women: Lesbian Sexuality and the Mark of Aggression / Lynda Hart. Princeton, N.J.: Princeton University Press, c1994.
UCB Main PN1995.9.L48.H27 1994
UCB Moffitt PN1995.9.L48.H27 1994

Hernandez, Santiago Fouz; Perriam, Chris.
"Beyond Almodovar: 'Homosexuality' in Spanish Cinema of the 1990s." In: Territories of desire in queer culture: refiguring contemporary boundaries / edited by David Alderson and Linda Anderson. pp: 96-111. Manchester, U.K.; New York: Manchester University Press: Distributed exclusively in the USA by St. Martin's Press, 2000.
Main Stack HQ76.25.T477 2000

Hetze, Stefanie
Happy-ending fur Wen?: Kino und Lesbische Frauen.Frankfurt/M.: Tende, 1986.
UCB Main PN1995.9.H55 H47 1986

Homosexuality and homosexuals in the arts
Edited with introductions by Wayne R. Dynes and Stephen Donaldson. New York: Garland, 1992. Studies in homosexuality ; v. 4
Main Stack NX650.H6.H66 1992

Hoogland, Renee C
Lesbian Configurations. New York: Columbia University Press, 1997.
Main Stack PN56.L45 H66 1997

Horrigan, Patrick E.
Widescreen dreams: growing up gay at the movies / Patrick E. Horrigan. Madison: University of Wisconsin Press, c1999. Living out
Moffitt HQ75.8.H67.A3 1999

How Do I Look?: Queer Film and Video.
Edited by Bad Object-Choices. Seattle: Bay Press, 1991.
UCB Main PN1995.9.H55 H69 1991

Howes, Keith.
Broadcasting It: An Encyclopaedia of Homosexuality in Film, Radio and TV in the UK, 1923-1993. London; New York, NY: Cassell, 1993.
NRLF B 4 003 897

Immortal, Invisible: Lesbians and the Moving Image
Edited by Tamsin Wilton. London; New York: Routledge, 1995.
UCB Main PN1995.9.L48 I45 1995

Jackson, Earl
Strategies of Deviance: Studies in Gay Male Representation. Bloomington: Indiana University Press, 1995.
UCB users only
UCB Main HQ76 .J3 1995

Jenkins, Henry
""He's in the closet but he's not gay"" In: Pornography: film and culture / edited and with an introduction by Peter Lehman. New Brunswick, N.J.: Rutgers University Press, c2006.
Main Stack PN1995.9.S45.P665 2006

Jenkins, Henry
"'Out of the closet and into the universe': queers and Star Trek." In: The audience studies reader / edited by Will Brooker and Deborah Jermyn. London ; New York: Routledge, 2003.
Main Stack PN1995.9.A8.A93 2003

Johnson, Barbara
"Lesbian spectacles: reading Sula, Passing, Thelma and Louise, and The accused." In: Media spectacles / edited by Marjorie Garber, Jann Matlock & Rebecca L. Walkowitz. New York: Routledge, 1993.
Main Stack P92.U5.M444 1993
Moffitt P92.U5.M444 1993

Jump Cut: Hollywood, Politics, and Counter Cinema.
Edited by Peter Steven. New York, NY: Praeger, 1985.
UCB Main PN1995.9.E96 J81 1985
UCB Moffitt PN1995.9.E96 J8 1985

Kabir, Shameem
Daughters of Desire: Lesbian Representations in Film / Shameem Kabir. London; Washington [DC]: Cassell, 1998.
Main Stack PN1995.9.L48.K23 1998

Keller, James R.
Queer (un)friendly film and television / by James R. Keller. Jefferson, N.C.: McFarland, c2002.
Moffitt PN1995.9.H55.K45 2002
MAIN: PN1995.9.H55 K45 2002

Kiss, Robert
"Queer traditions in German cinema." In: The German cinema book / edited by Tim Bergfelder, Erica Carter and Deniz Gokturk. London: BFI Pub., 2002.
Main Stack PN1993.5.G3.G47 2002
PFA PN1993.5.G3.G468 2002 Pacific Film Archive collection; non-circulating

Kramer, Gary M.
Independent queer cinema: reviews and interviews New York: Harrington Park Press, c2006. Location(s):
MAIN: PN1995.9.H55 K73 2006
Table of contents http://www.loc.gov/catdir/toc/ecip0519/2005027587.html

Kraus, Carolyn.
Film Sissies." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Kuzniar, Alice A.
The Queer German Cinema / Alice A. Kuzniar. Stanford, Calif.: Stanford University Press, c2000.
Main Stack PN1995.9.H55.K89 2000

La Bruce, Bruce.
"Pee Wee Herman: The Homosexual Subtext." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. Creekmur and Alexander Doty. pp: 382-88. Durham: Duke University Press, 1995. Series title: Series Q.
UCB Main HQ76.2.U5 O98 1995

Lang, Robert
Masculine interests: homoerotics in Hollywood films New York: Columbia University Press, c2002.
MAIN: PN1995.9.H55 L37 2002;

VIDEO
Lavender Limelight Lesbians in Film. New York, NY: First Run Features, 1997. 57 min.
Media Resources Center, DVD 3615; vhs Video/C 5431

Levy, Emanuel
"The new gay and lesbian cinema." In: Cinema of outsiders: the rise of American independent film / Emanuel Levy. New York: New York University Press, c1999.
Main Stack PN1995.9.E96.L43 1999

Lim, Song Hwee
CCelluloid comrades: representations of male homosexuality in contemporary Chinese cinemas Honolulu: University of Hawai'i Press, c2006.
MAIN: PN1995.9.H55 L56 2006
Table of contents http://www.loc.gov/catdir/toc/ecip0612/2006012837.html

Martin, Fran
Situating sexualities: queer representation in Taiwanese fiction, film and public culture Hong Kong: Hong Kong University Press, 2003.
MAIN: HQ76.16.T34 M37 2003

Masculinity: bodies, movies, culture
Edited by Peter Lehman. New York: Routledge, 2001. AFI film readers.
Main Stack PN1995.9.M46.M34 2001

Mayne, Judith.
Framed: lesbians, feminists, and media culture / Minneapolis: University of Minnesota Press, c2000.
UCB Main PN1995.9.W6 M359 2000

Mayne, Judith.
"Lesbian looks: Dorothy Arzner and female authoriship." In: Feminism and film / edited by E. Ann Kaplan. Oxford ; New York: Oxford University Press, 2000. Oxford readings in feminism.
Main Stack PN1995.9.W6.F448 2000

Mayne, Judith.
"A Parallax View of Lesbian Authorship." In: Feminisms in the Cinema / edited by Laura Pietropaolo and Ada Testaferri. pp: 195-205. Bloomington: Indiana University Press, c1995.
Main Stack PN1995.9.W6.F455 1995
Also in: Film and authorship / edited and with an introduction by Virginia Wright Wexman. New Brunswick, N.J.: Rutgers University Press, c2003. Rutgers depth of field series.
Main Stack PN1995.9.A837.F55 2003

Mayne, Judith.
"Screening Lesbians." In: The New Lesbian Studies: Into the Twenty-First Century / edited by Bonnie Zimmerman and Toni A. H. McNaron. pp: 165-71. 1st ed. New York: Feminist Press at The City University of New York, 1996.
Main Stack HQ75.15.L47 1996
Moffitt HQ75.15.L47 1996

Mennel, Barbara Caroline.
The representation of masochism and queer desire in film and literature New York : Palgrave Macmillan, 2007.
MAIN: PN1995.9.M38 M46 2007
Table of contents http://www.loc.gov/catdir/enhancements/fy0714/2007060041-t.html

Merck, Mandy.
Perversions: deviant readings / by Mandy Merck. New York: Routledge, 1993.
Main Stack HQ71.M45 1993

Moon, Michael.
A Small Boy and Others: Imitation and Initiation in American Culture From Henry James to Andy Warhol. Durham [N.C.]: Duke University Press, 1998.
Main Stack HQ76.25 .M66 1998

Moriel, Liora.
"Erasure and Taboo: A Queer Reading of Bonnie and Clyde." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. Friedman. pp: 148-76 Cambridge, U.K.; New York: Cambridge University Press, 2000. Cambridge film handbooks series.
Main Stack PN1997.B6797 2000

Morris, Bonnie J.
Girl reel: a lesbian remembers growing up at the movies: memoir Minneapolis: Coffee House Press; St. Paul, MN: Distributor, Consortium Book Sales, 2000.
PN1995.9.L48 M67 2000

Morris, Gary.
Film Noir." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Morris, Gary.
Film Sissies." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Muraleedharan T.
"Queer bonds: male friendships in contemporary Malayalam cinema." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. New York: Routledge, 2002.
Anthropology HQ76.2.I4.Q84 2002
Main Stack HQ76.2.I4.Q84 2002

Murray, Raymond.
Images in the Dark: An Encyclopedia of Gay and Lesbian Film and Video. Philadelphia: TLA Publications, c1994 (1995 printing).
UCB Main PN1995.9.H55 M87 1994

Murray, Timothy.
Like a Film: Ideological Fantasy on Screen, Camera, and Canvas. London; New York: Routledge, 1993.
Main PN1995.25 .M87 1993

Nataf, Z. Isiling
"Black lesbian spectatorship and pleasure in popular cinema." In: A Queer romance: lesbians, gay men, and popular culture / edited by Paul Burston and Colin Richardson. London ; New York: Routledge, 1995.
Main Stack HQ76.25.Q38 1995

Negron-Muntaner, Frances.
"Drama Queens: Latino Gay and Lesbian Independent Film/Video." In: The Ethnic Eye: Latino Media Arts. Chon A. Noriega and Ana M.Lopez, editors.Minneapolis, Minn.: University of Minnesota Press, c1996. pp: 59-78
UCB Main PN1995.9.L37.E84 1996

New queer cinema: a critical reader
Ddited by Michele Aaron. New Brunswick, N.J.: Rutgers University Press, 2004.
New queer cinema: an introduction / Michele Aaron -- New queer cinema / B. Ruby Rich -- AIDS and new queer cinema / Monica B. Pearl -- The characteristics of new queer filmmaking: case study - Todd Haynes / Michael DeAngelis -- Camp and queer and the new queer director: case study - Gregg Araki / Glyn Davis -- Art cinema and murderous lesbians / Anneke Smelik -- New queer cinema and experimental video / Julianne Pidduck -- New queer cinema and lesbian films / Anat Pick -- New queer cinema: spectacle, race, utopia / Daniel T. Contreras -- New black queer cinema / Louise Wallenberg -- Nationality and new queer cinema: Australian film / Ros Jennings and Loykie Lomine -- New queer cinema and third cinema / Helen Hok-Sze Leung -- Reception of a queer mainstream film / Harry M. Benshoff -- The new queer spectator / Michele Aaron.
GRDS: PN1995.9.H55 N48 2004
MAIN: PN1995.9.H55 N48 2004

Newman,-David.
"What's It Really All About? Pictures at an Exhibition." In: Arthur Penn's Bonnie and Clyde / edited by Lester D. Friedman. pp: 32-69 Cambridge, U.K.; New York: Cambridge University Press, 2000. Cambridge film handbooks series.

Oishi, Eve
"Bad Asians: new film and video by queer Asian American artists." In: Countervisions: Asian American film criticism / edited by Darrell Y. Hamamoto and Sandra Liu. Philadelphia: Temple University Press, 2000. Asian American history and culture.
Main Stack PN1995.9.A78.C68 2000
Asian Amer PN1995.9.A78.C68 2000

Olson, Jenni.
The queer movie poster book. San Francisco, Calif.: Chronicle Books, c2004.
PFA: PN1995.9.P5 O47 2004

Olson, Jenni.
The Ultimate Guide to Lesbian & Gay Film and Video. New York: Serpent's Tail, 1996.
Main Stack PN1995.9.H55 U49 1996

Ongiri, Amy Abugo.
"We Are Family: Miscegenation, Black Nationalism, Black Masculinity, and Black Gay Cultural Imagination." In: Race-ing Representation: Voice, History, and Sexuality / [edited by] Kostas Myrsiades and Linda Myrsiades. pp: 231-46. Lanham, Md.: Rowman & Littlefield Publishers, c1998. Culture and education series
Main Stack PS153.N5.R28 1998

Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture
Edited by Corey K. Creekmur and Alexander Doty. Durham: Duke University Press, 1995.
UCB Main HQ76.2.U5.O98 1995

Out Takes: Essays on Queer Theory and Film
Edited by Ellis Hanson. Durham, N.C.: Duke University Press, 1999. Series title: Series Q.
UCB Main PN1995.9.H55 O88 1999

Parish, James Robert.
Gays and Lesbians in Mainstream Cinema: Plots, Critiques, Casts and Credits for 272 Theatrical and Made-for-television Hollywood Releases. Jefferson, N.C.: McFarland & Co., c1993. --UCB Main PN1995.9.H55 P37 1993 --UCB Moffitt PN1995.9.H55 P37 1993

Parmar, Pratibha.
"That Moment of Emergence." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. pp: 3-11. New York: Routledge, 1993.
Main Stack PN1995.9.H55.Q4 1993
Moffitt PN1995.9.H55.Q4 1993

Parkerson, Michelle.
"Birth of a Notion: Towards Black Gay and Lesbian Imagery in Film and Video." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. pp: 234-37. New York: Routledge, 1993.
Main Stack PN1995.9.H55.Q4 1993
Moffitt PN1995.9.H55.Q4 1993

Pettitt, Lance.
"Pigs and Provos, Prostitutes and Prejudice: Gay Representation in Irish Film, 1984-1995." In: Sex, Nation, and Dissent in Irish Writing / edited by Eibhear Walshe. pp: 252-84. New York: St. Martin's Press, 1997.
Main Stack PR8734.G39.S49 1997

Philbert, Bertrand.
L'homosexualite a l'Ecran. Paris: H. Veyrier, c1984.
UCB Main PN1995.9.H55 P481 1984

Price, Theodore
Hitchcock and Homosexuality: His 50-year Obsession with Jack the Ripper and the Superbitch Prostitute: A Psychoanalytic View. Metuchen, N.J.: Scarecrow Press, 1992.
UCB Main PN1998.3.H58 P75 1992
UCB Moffitt PN1998.3.H58 P75 1992

Queer Asian cinema: shadows in the shade / Andrew Grossman, editor. New York: Harrington Park Press, c2000.
Main Stack PN1995.9.H55.Q39 2000

The queer encyclopedia of film & television
Claude J. Summers, Editor. San Francisco: Cleis Press, c2005.
Media Center: PN1590.G39 Q44 2005
Table of contents http://www.loc.gov/catdir/toc/ecip0515/2005015928.html

Queer Italia: same-sex desire in Italian literature and film
Edited by Gary P. Cestaro. New York: Palgrave Macmillan, 2004.
MAIN: PQ4028 .Q44 2004
Table of contents http://www.loc.gov/catdir/toc/hol041/2003066427.html

Queer Looks: Perspectives on Lesbian and Gay Film and Video
Editors, Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993.
UCB Main PN1995.9.H55 Q4 1993
UCB Moffitt PN1995.9.H55 Q4 1993

Queer popular culture : literature, media, film, and television
Edited by Thomas Peele. New York : Palgrave Macmillan, 2007.
MAIN: PN1992.8.H64 Q44 2007
Table of contents http://www.loc.gov/catdir/enhancements/fy0709/2007060035-t.html

A Queer romance: lesbians, gay men, and popular culture
Edited by Paul Burston and Colin Richardson. London ; New York: Routledge, 1995.
Main Stack HQ76.25.Q38 1995
The gaze revisited, or reviewing queer viewing / Caroline Evans, Lorraine Gamman -- Black lesbian spectatorship and pleasure in popular cinema / Z. Isiling Nataf -- The gay gaze, or why I want my MTV / Steven Drukman -- La Belle Dame Sans Merci? / Tanya Krzywinska -- Just a gigolo? Narcissism, nellyism and the ?new man' theme -- The transgressive sexual subject / Cherry Smyth -- We're here, we're queer and we're not going catalogue shopping / Gregory Woods --Monika Treut: an outlaw at home / Colin Richardson -- The wild, wild world of fanzines: notes from a reluctant pornographer / Bruce LaBruce -- ?By women, for women and about women' rules OK? The impossibility of visual soliloquy / Anna Marie Smith -- TVOD: the never-bending story / Colin Richardson.

Queer screen : a Screen reader
Edited by Jackie Stacey and Sarah Street. London ; New York : Routledge, 2007.
MAIN: PN1995.9.H55 Q47 2007
Table of contents http://www.loc.gov/catdir/toc/ecip0710/2007005422.html

Queer Words, Queer Images: Communication and the Construction of Homosexuality
Edited by R. Jeffrey Ringer. New York: New York University Press, c1994.
UCB Main HQ76.3.U5 Q44 1994
UCB Moffitt HQ76.3.U5 Q44 1994

Rainer, Yvonne.
" Working Round the L-Word." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video /editors Martha Gever, Pratibha Parmar, John Greyson. pp:12-20. New York: Routledge, 1993.
Main Stack PN1995.9.H55.Q4 1993
Moffitt PN1995.9.H55.Q4 1993

Restuccia, Frances L.
Amorous acts: Lacanian ethics in modernism, film, and queer theory Stanford, Calif.: Stanford University Press, 2006.
ED-P: BF175.5.L68 R47 2006; View current status of this item
Table of contents http://www.loc.gov/catdir/toc/ecip0611/2006011303.html

Reuter, Donald F.
Fabulous!: a loving, luscious and lighthearted look at film from the gay perspective New York: Broadway Books, 2004.
MAIN: PN1995.9.H55 R48 2004;

Robertson, Pamela.
Guilty Pleasures: Feminist Camp From Mae West to Madonna / Pamela Robertson. Durham: Duke University Press, 1996.
UCB Main PN1995.9.W6 R52 1996
UCB Moffitt PN1995.9.W6 R52 1996

Robertson, Pamela.
"Feminist camp in Gold diggers of 1933." In: Hollywood musicals, the film reader / edited by Steven Cohan. London ; New York: Routledge, 2002. In focus--Routledge film readers.
Music ML2075.H65 2002

Routledge international encyclopedia of queer culture
Edited by David A. Gerstner. London ; New York: Routledge, 2006.
Includes major entries concerning queer cinema.
Doe Refe HQ76.96.R68 2006

Russo, Vito.
The Celluloid Closet: Homosexuality in the MoviesRev. ed. New York: Harper & Row, c1987.
UCB Main PN1995.9.H55 R8 1981
UCB Moffitt PN1995.9.H55 R8 1981

Saunders, Michael William
Imps of the Perverse: Gay Monsters in Film. Westport, Conn.: Praeger, 1998.
UCB Main PN1995.9.H55.S28 1998

Sikov, Ed.
"Laughing Hysterically: Sex, Repression, and American Film Comedy." In: Queer Representations: Reading Lives, Reading Cultures: A Center for Lesbian and Gay Studies Book / edited by Martin Duberman. pp: 85-104. New York: New York University Press, c1997.
Main Stack NX650.H6.Q43 1997

Smelik, Anneke
"Gay and lesbian criticism." In: The Oxford guide to film studies / edited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, et al. Oxford ; New York: Oxford University Press, 1998.
Main Stack PN1995.O93 1998

Smyth, Cherry
"Beyond queer cinema: it's in her kiss." In: Daring to dissent: lesbian culture from margin to mainstream / edited by Liz Gibbs. London: Cassell, 1994. Women on women.
Main Stack HQ75.5.D37 1994

Smith, Paul Julian.
Laws of Desire: Questions of Homosexuality in Spanish Writing and Film,1960-1990. Oxford: Clarendon Press; New York: Oxford University Press, 1992.
UCB Main PQ6073.H65 S45 1992
UCB Moffitt PQ6073.H65 S45 1992

Somerville, Siobhan B.
Queering the color line: race and the invention of homosexuality in American culture Durham [N.C.]: Duke University Press, 2000.
Main Stack HQ1075.5.U6 S65 2000

Straayer, Chris.
Deviant Eyes, Deviant Bodies: Sexual Re-orientations in Film and Video / Chris Straayer. New York: Columbia University Press, c1996. Series title: Film and culture. Series title: Between men--between women.
UCB Main PN1995.9.H55 S77 1996

Straayer, Chris.
"The Hypothetical Lesbian Heroine in Narrative Feature Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. Creekmur and Alexander Doty. pp: 44-59. Durham: Duke University Press, 1995. Series title: Series Q.
UCB Main HQ76.2.U5 O98 1995

Straayer, Chris.
"The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing." In: Masculinity: bodies, movies, culture / edited by Peter Lehman. pp: 115-32. New York: Routledge, 2001. AFI film readers.
Main Stack PN1995.9.M46.M34 2001

Studlar, Gay Lynn.
This Mad Masquerade: Stardom and Masculinity in the Jazz Age / Gaylyn Studlar. New York: Columbia University Press, c1996. --UCB Main PN1995.9.M46 S78 1996

Suarez, Juan Antonio.
Bike Boys, Drag Queens, & Superstars: Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema. Bloomington: Indiana University Press, c1996.
Main Stack PN1995.9.E96.S82 1996
Moffitt PN1995.9.E96.S82 1996

Tasker, Yvonne
"Pussy galore: lesbian images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. London: Pandora, 1994.
Main Stack HQ75.5.G66 1994

Tinkcom, Matthew
""Working like a homosexual", camp visual codes and the labor of gay subjects in the MGM Freed Unit." In: Hollywood musicals, the film reader / edited by Steven Cohan. London ; New York: Routledge, 2002. In focus--Routledge film readers.
Music ML2075.H65 2002

Rich, B. Ruby.
"Homo Pomo: The New Queer Cinema." In: Women and Film: A Sight and Sound Reader. / edited by Pam Cook and Philip Dodd. pp: 164-75. Philadelphia: Temple University Press, 1993. Culture and the moving image
Main Stack PN1995.9.W6.W63 1993
Moffitt PN1995.9.W6.W63 1993

Tasker, Yvonne
"Images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. London: Pandora, 1994.
Main Stack HQ75.5.G66 1994

Taubin, Amy.
"Queer Male Cinema and Feminism." In: Women and Film: A Sight and Sound Reader. / edited by Pam Cook and Philip Dodd. pp: 176-79. Philadelphia: Temple University Press, 1993. Culture and the moving image
Main Stack PN1995.9.W6.W63 1993
Moffitt PN1995.9.W6.W63 1993

Theophano, Teresa
"Film Actors: Lesbian." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Theophano, Teresa
"Pornographic Film and Video: Lesbian ." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Thomas, Joe A.
"Pornographic Film and Video: Bisexual." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Thomas, Joe A.
"Pornographic Film and Video: Gay Male." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Thomas, Joe A.
"Porn Stars." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Tinkcom, Matthew
Working like a homosexual: camp, capital, cinema / Matthew Tinkcom. Durham: Duke University Press, 2002. Series Q.
Main Stack PN1995.9.H55.T56 2002

Tyler, Parker.
Screening the Sexes: Homosexuality in the Movies. New foreword by Andrew Sarris; new afterword by Charles Boultenhouse. New York: Da Capo Press, 1993.
UCB Main PN1995.9.H55 T9 1993

The Ultimate Guide to Lesbian & Gay Film and Video
Edited by Jenni Olson. New York: Serpent's Tail, 1996.
UCB Info Ctr PN1995.9.H55 U49 1996
UCB Main PN1995.9.H55 U49 1996

Van Leer, David.
The Queening of America: Gay Culture in Straight Society. New York: Routledge, 1995.
UCB Main PS153.G38 V36 1995
UCB Moffitt PS153.G38 V36 1995

Van Leer, David.
"Visible silence: spectatorship in Black gay and lesbian film." In: Representing Blackness: issues in film and video / edited with an introduction by Valerie Smith. New Brunswick, N.J.: Rutgers University Press, c1997. Rutgers depth of field series.
Main Stack PN1995.9.N4.R47 1997
Moffitt PN1995.9.N4.R47 1997

Vanita, Ruth
"Dosti and Tamanna: male-male love, difference, and normativity in Hindi cinema." In: Everyday life in South Asia / edited by Diane P. Mines and Sarah Lamb. Bloomington: Indiana University Press, c2002.
Main Stack DS339.E94 2002

Viegener, Matias.
'The Only Haircut That Makes Sense Anymore': Queer Subculture and Gay Resistance. In: Queer Looks: Perspectives on Lesbian and Gay Film and Video /editors Martha Gever, Pratibha Parmar, John Greyson. pp: 116-33.New York: Routledge, 1993.
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Walters, Suzanna Danuta.
All the rage: the story of gay visibility in America / Suzanna Danuta Walters. Chicago: University of Chicago Press, 2001.
Main Stack PN1992.8.H64.W35 2001

Waugh, Thomas
The Fruit Machine: Twenty Years of Writings on Queer Cinema / Thomas Waugh; foreword by John Greyson. Durham, NC: Duke University Press, 2000.
Main Stack PN1995.9.H55.W38 2000

Waugh, Thomas
Hard To Imagine: Gay Male Eroticism in Photography and Film From Their Beginnings to Stonewall. New York: Columbia University Press, c1996.
UCB Main TR681.H65 W38 1996

Waugh, Thomas
"I sleep behind you": male homosociality and homoeroticism in Indian parallel cinema." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. New York: Routledge, 2002.
Anthropology HQ76.2.I4.Q84 2002
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Waugh, Thomas
"Lesbian and gay documentary: minority self-imaging, oppositional film practice, and the question of image ethics." In: Image ethics: the moral rights of subjects in photographs, film, and television / edited by Larry Gross, John Katz, Jay Ruby. New York: Oxford University Press, 1988.
Main Stack KF1263.U5.I451 1988 NRLF #: B 4 179 924
Moffitt KF1263.U5.I451 1988

Waugh, Thomas.
"Queer Bollywood, or 'I'm the Player, You're the Naive One': Patterns of Sexual Subversion in Recent Indian Popular Cinema." In: Keyframes: popular cinema and cultural studies / edited by Matthew Tinkcom and Amy Villarejo. pp: 280-97. London; New York: Routledge, 2001.
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Waugh, Thomas.
The romance of transgression in Canada: queering sexualities, nations, cinemas Montreal: McGill-Queen's University Press, c2006.
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Waugh, Thomas
"The third body: patterns in the construction of the subject in gay male narrative film." In: The visual culture reader / edited, with introductions by Nicholas Mirzoeff. London ; New York: Routledge, 1998.
Environ Dsgn NX458.V58 1998

Weiss, Andrea.
"'A Queer Feeling When I Look at You': Hollywood Stars and Lesbian Spectatorship in the 1930s." In: Multiple Voices in Feminist Film Criticism / Diane Carson, LindaDittmar, and Janice R. Welsch, editors. pp: 330-42.Minneapolis: University of Minnesota Press, c1994.
Main Stack PN1995.9.W6.M82 1994
Moffitt PN1995.9.W6.M82 1994
Also in: Stardom: industry of desire / edited by Christine Gledhill. New York: Routledge, 1991.
Main Stack PN1995.S677 1991

Weiss, Andrea.
Vampires & Violets: Lesbians in Film. New York, N.Y., U.S.A.: Penguin Books, 1993.
Main Stack PN1995.9.L48 W45 1993
Moffitt PN1995.9.L48 W45 1993;

Welt, Bernard
Mythomania: Fantasies, Fables, and Sheer Lies in Contemporary American Popular Art / Bernard Welt; with the Dark side of Disneyland by Donald Britton. 1st ed. Los Angeles: Art Issues Press, c1996.
UCB Moffitt P94.6 .W44 1996

Whatling, Clare.
Screen Dreams: Fantasising Lesbians in Film.Manchester; New York: New York: Manchester University Press; Distributed exclusively in the USA by St. Martin's Press, 1997.
Main Stack PN1995.9.L48 W53 1997

White, Jonathan David
"Bisexuals Who Kill: Hollywood's Bisexual Crimewave, 1985-1998." In: Bisexual men in culture and society / Brett Beemyn, Erich Steinman, editors. New York: London: Harrington Park, c2002.
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DISSERTATION
White, Patricia.
The Uninvited: Cinema and the Conditions of Lesbian Representability / by Patricia White. c1993.
NRLF PN1995.9.L48W55 1993 off campus Library has: v. 1-2.

White, Patricia.
Uninvited: classical Hollywood cinema and lesbian representability / Bloomington: Indiana University Press, c1999.
Main Stack PN1995.9.L48 W54 1999

Whitesell, Lloyd
"Trans glam: gender magic in the film musical." In: Queering the popular pitch / edited by Sheila Whiteley and Jennifer Rycenga. New York: Routledge, 2006.
Music ML3470.Q44 2006

Williams, Carla
"Bisexuality in Film." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture
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Wilson, Tasmin, ed.
Immortal Invisible: Lesbians and the Moving Image.London: Routledge, 1995.
UCB Main PN1995.9.L48 I45 1995

Wilton, Tamsin.
"On Not Being Lady Macbeth: Some (Troubled) Thoughts on Lesbian Spectatorship." In: Immortal, Invisible: Lesbians and the Moving Image/ edited by Tamsin. pp: 143-62. Wilton. London; New York: Routledge, 1995.
UCB Main PN1995.9.L48 I45 1995

Weiss, Andrea.
"A Queer Feeling When I Look At You: Hollywood stars and lesbian spectatorship in the 1930s." In: Stardom: industry of desire / edited by Christine Gledhill. New York: Routledge, 1991.
Main Stack PN1995.S677 1991

Weiss, Andrea.
Vampires & Violets: Lesbians in Film / Andrea Weiss. New York, N.Y., U.S.A.: Penguin Books, 1993.
--UCB Main PN1995.9.L48.W45 1993
Main PN1995.9.L48.W45 1993

White, Patricia
Uninvited: classical Hollywood cinema and lesbian representability Bloomington: Indiana University Press, c1999.
MAIN: PN1995.9.L48 W54 1999

Whitaker, Claire
"Hollywood Transformed: Interviews with Lesbian Viewers." In: Jump cut: Hollywood, politics, and counter cinema / edited by Peter Steven. New York, N.Y.: Praeger, 1985.
Main Stack PN1995.9.E96.J81 1985
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Women and Film: a Sight and Sound Reader
Edited by Pam Cook and Philip Dodd. Philadelphia: Temple University Press, 1993. Series title: Culture and the moving image.
UCB Main PN1995.9.W6 W63 1993
UCB Moffitt PN1995.9.W6 W63 1993

Wood, R.
"Responsibilities of a gay film critic." In: Movies and methods: an anthology / edited by Bill Nichols. Berkeley: University of California Press, c1976
Main Stack PN1994.M71 Library has: v.1-2 (1976-1985)

Yosef, Raz
Beyond flesh: queer masculinities and nationalism in Israeli cinema. New Brunswick, N.J.: Rutgers University Press, 2004.
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Yosef, Raz
"Homoland: Interracial Sex and the Israeli-Palestinian Conflict in Israeli Cinema." GLQ: A Journal of Lesbian and Gay Studies, vol. 8, no. 4, pp. 553-79, 2002.
Narratives of miscegenation are common in Israeli cinema. However, it is considered to be a threat to "Jewish purity" and there is strict cultural and religious prohibition against such relationships.

Young, Lola
Fear of the dark: 'race', gender and sexuality in the cinema / Lola Young. London ; New York: Routledge, 1996. Gender, racism, ethnicity series.
Main Stack PN1995.9.N4.Y68 1996

Zalcock, Beverley.
Renegade sisters: girl gangs on film / [Bev Zalcock]. London; San Francisco: Creation, 1998. Series title: Creation cinema collection; 11.
UCB Main PN1995.9.W6 Z35 1998

Zimmerman, Bonnie
"Daughters of darkness: the lesbian vampire on film." In: The dread of difference: gender and the horror film / edited by Barry Keith Grant. 1st ed. Austin: University of Texas Press, 1996. Texas film studies series.
Main Stack PN1995.9.H6.D74 1996

Journal and Periodical Articles

Gay, Lesbian, Transgender studies videography for reviews of specific films

Ansen, David.
"Virtual Fabulousness." (the quality of gay films) Advocate, n744 (Oct 14, 1997):113 (2 pages).

Battles, Kathleen; Wendy Hilton-Morrow.
"Gay characters in conventional spaces: Will and Grace and the situation comedy genre." Critical Studies in Media Communication March 2002 v19 i1 p87(19)
" Author's Abstract: COPYRIGHT 2002 Speech Communication Association. This paper explores how Will & Grace, which has been heralded in the popular press for its positive representations of gay men, situates the potentially controversial issue of homosexuality within sap and familiar popular culture conventions, particularly those of the situation comedy genre. This paper draws on feminist and queer theory to examine the liabilities of relying on these familiar situation comedy conventions, demonstrating how the program equates gayness with a lack of masculinity, relies on sexual tension and delayed consummation, infantilizes the program's most potentially subversive characters, and emphasisizes characters' interpersonal relationships rather than the characters' connection to the larger social world. Additionally it argues that by inviting mainstream audiences to read the program within familiar televisual flames, Will & Grace can be read as reinforcing heterosexism and, thus, can be seen as heteronormative." [Expanded Academic Index]

Ball, Alan.
"Beauty and the box office." (portrayals of homosexuality in 'American Beauty')(Brief Article) Advocate (The national gay & lesbian newsmagazine) (March 28, 2000):11.

Bateman, Geoffrey W.
"Pornographic Film and Video: Transsexual." In: glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture

Bay-Cheng, Sarah
"'An Illogical Stab of Doubt': Avant-Garde Drama, Cinema, and Queerness." Studies in the Humanities, vol. 28, no. 1-2, pp. 82-93, June 2001.

Berry, Chris.
"Asian Values, Family Values: Film, Video, and Lesbian and Gay Identities." Journal of Homosexuality, Vol 40(3/4), 211-231
Author's Abstract: "In a recent essay about gay life in Asia, Dennis Altman (1995) noted that "the past decade has seen the growth of a commercial gay world beyond its few existing bastions such as Bangkok and Tokyo to cover most of the countries of Asia." In a previous article focusing on East Asia, the author pointed out that this development is being complemented by increased film and video representation of gay men and, to a lesser extent, lesbians and other queer characters and communities. Some of those East Asian film and video representations are examined. Altman also notes in reference to "The Wedding Banquet," the representation of these emergent Asian gay communities is itself notably lacking in these films. Where Altman sees this lack of representative depiction as a failing, this article operates from a different basic understanding of the nature and function of cultural representation. It is asserted that these films do not necessarily tell us about the empirical realities of gay lives in East Asian communities, but they do tell us something of what it means to be gay in East Asian cultures. The types of films and videos from East Asia, which center on gay and other queer characters, are the focus of this paper and are broken into three categories: 1) feature films aimed at a mainstream market and the general culture in which they are produced; 2) independent short films and videos shot by gay Asian men; and, 3) a crossover category of features that could be said to be festival or art house films, with a niche market. Several models are discussed." [Sexual Diversity Studies]

Berry, Chris.
"Happy Alone? Sad Young Men in East Asian Gay Cinema." (Critical Essay) Journal of Homosexuality (June, 2000):187.
UC users only
Author Abstract: "This essay chooses as its texts three films representing contemporary gay male subjects from each of the "three" China's: HK, Taiwan, and the Mainland. Relocating the homoerotic image of the "sad young man," a trope popular from Hollywood rebellion films of the 1950s and 1960s, to contemporary China, I discuss how this masculine icon has been transformed from one of heroic rebellion to one of existential isolation. Indeed, as the politics of both the outmoded Confucian family and fractured Chinese nationhood intersect, what the sad young (gay) man rebels against is a political fluctuation which is no longer fixed; as the young man's opposition is no longer fixed, so too does he become alienated even from his own rebellious cause." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: Website: <http://www.HaworthPress.com>] COPYRIGHT 2000 Haworth Press, Inc.

Bould, Mark
"Not in Kansas Any More: Some Notes on Camp and Queer Sf Movies." Foundation: The International Review of Science Fiction, vol. 31, no. 86, pp. 40-50, Fall 2002.B

Bourne S.
"Snobs and gay film history." Sight & Sound 7: (4) 64-64 April 1997

Bowen, Peter.
"Our Own Private Idaho." (distribution of independent gay and lesbian films) Advocate, n614 (Oct 20, 1992):68 (3 pages).

Bronski, Michael.
"Positive Images & the Coming Out Film: The Art And Politics Of Gay And Lesbian Cinema." (Critical Essay) Cineaste v26, n1 (Winter, 2000):20.

Bruni, Frank
"The gay take on 'straight' makes its way into the movies; these days heterosexuals are just as likely to be caricatured as homosexuals." The New York Times June 8, 1997 v146 s2 pH1(N) pH1(L) col 3 (51 col in)

Bryant, Marsha.
"Auden and the Homoerotics of the 1930s Documentary." Mosaic: A Journal for the Interdisciplinary Study of Literature vol. 30 no. 2. 1997 June. pp: 69-92.

Bull, Chris
"Cracking down." (gay pornographic films)(Special Report: Sex & Censorship) The Advocate August 22, 1995 n687-88 p32(3)

Butters, Ronald R.
"Cary Grant and the Emergence of Gay 'Homosexual'." Dictionaries: Journal of the Dictionary Society of North America vol. 19. 1998. pp: 188-204.

Case, Sue-Ellen.
"Performing Lesbian in the Space of Technology." (part two) Theatre Journal v47, n3 (Oct, 1995):329 (15 pages).

Castiglia, Christopher.
"Sex Panics, Sex Publics, Sex Memories." Boundary 2: An-International Journal of Literature and Culture, 2000 Summer, 27:2, 149-75.
This article discusses the role of memory on homosexual identity and activism. Topics includes the influence of history on gay sexual culture and an analysis of the portrayal of homosexuality in film and literature.

Champagne, John.
"Dancing Queen? Feminist and Gay Male Spectatorship in Three Recent Films from Australia." Film Criticism v21, n3 (Spring, 1997):66 (23 pages).

Champagne, John.
"Psychoanalysis and Cinema Studies: A 'Queer' Perspective." Post Script: Essays in Film and the Humanities, vol. 14 no. 1-2. 1994-1995 Fall-Winter-Spring. pp: 33-44.

Champagne, John.
"'Stop reading films!': film studies, close analysis, and gay pornography." Cinema Journal (36:4) 1997, 76-97. (1997)
"The writer discusses film studies and gay pornography. He argues that such films signify culturally and socially regardless of whether they are watched or not; how they do this has less to do with their individual content than with a broad range of forces beyond the reach of a discipline dedicated primarily to reading films. He suggests that film studies in the heteronormative academy relies on the practice of close analysis to contain the threat and promise of gay pornography and the space where it is shown. He calls for an analysis of the tactical responses of (homo)sexual subjects to the historical situation of the exhibition of gay pornography. He goes on to explore viewers' behavior inside the porno-arcade/theater, arguing that the exhibition of gay pornography makes possible a space in which dominant forms of sexual subjectivity can be (re)produced, challenged, countered, and violated." [Art Abstracts]

Chu, Wei-cheng Raymond.
"Some Ethnic Gays Are Coming Home: Or, the Trouble with Interraciality." Textual Practice vol. 11 no. 2. 1997 Summer. pp: 219-35.

Chua, Lawrence.
"Queer Wind from Asia." Nation v257, n1 (July 5, 1993):38 (3 pages).

Ciasullo, Ann M.
"Making her (in)visible: Cultural representations of lesbianism and the lesbian body in the 1990s." Feminist Studies Fall 2001 v27 i3 p577(33)
UC users only

Conway, Mary T.,
"Spectatorship in Lesbian Porn: The Woman's Woman's Film." Wide Angle - Volume 19, Issue 3 1997
UC users only

Corliss, Richard.
" The Final Frontier: Two New Movies ["Birdcage" and "Celluloid Closet"] Pose the Question, Can't Hollywood Treat Gays Like Normal People?(includes related information on four films with a gay theme)." Time v147, n11 (March 11, 1996):66 (3 pages).

Corliss, Richard.
"The Gay Gauntlet." Time v143, n6 (Feb 7, 1994):62 (3 pages).

Corliss, Richard.
"Objects of our affection: gay films are moving into the mainstream. But you don't have to be gay to find that a good thing." (motion pictures depicting a gay lifestyle)(Brief Article) Time v152, n8 (August 24, 1998):73 (2 pages).

Cover, Rob.
"First Contact: Queer Theory, Sexual Identity, and 'Mainstream' Film." International Journal of Sexuality& Gender Studies. 5(1):71-89. 2000 Jan.

Cowan, Noah.
"Out on the Screen." Utne Reader, n51 (May-June, 1992):30 (3 pages).

Currid, Brian
"Judy Garland's American Drag." Amerikastudien/American Studies, vol. 46, no. 1, pp. 123-33, 2001.

Derry, Charles.
"Gay Lives through Gay Eyes."Harvard Gay & Lesbian Review, vol. 3 no. 2. 1996 Spring. pp:20-23.

Devore, Gary.
"'I'M QUEER!' 'No! I'M QUEER!': Hollywood Homosexuality and Roman Epic Films." Popular Culture Review vol. 10 no. 1. 1999 Feb. pp: 127-38.

Dickinson, Peter
"Space, Time, Auteur-ity and the Queer Male Body: The Film Adaptations of Robert Lepage." Screen, vol. 46, no. 2, pp. 133-53, Summer 2005.

Dobinson, Cheryl; Kevin Young.
"Popular Cinema and Lesbian Interpretive Strategies." Journal of Homosexuality, Sept 2000 v40 i2 p97
Author's Abstract: COPYRIGHT 2000 Haworth Press, Inc. In its examination of the relationship between popular film and lesbian viewing practices, this study attempts to more fully elucidate current ideas around audience engagement and forms of cultural reception. Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies. Although the social conditions which create the need for resistant viewing are themselves oppressive, subversion of mainstream film holds out some possibility of empowerment for lesbian viewers. [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: Website: ]

Doty, Alexander.
"Whose Text is it Anyway?: Queer Cultures, Queer Auteurs, and Queer Authorship." (homosexual expression in the films of George Cukor and Dorothy Arzner) Quarterly Review of Film and Video v15, n1 (Nov, 1993):41 (14 pages).

Dreisinger, Baz
"The Queen In Shining Armor: Safe Eroticism and the Gay Friend." [Part 1 of 2] Journal of Popular Film and Television, 28 (1): 2+, Spring 2000
UC users only
Article discusses the dynamics of filmic representations of eroticism and sexuality in heterosexual relationships in recent mainstream films, with emphasis placed on the significance of supporting gay characters.

Dyer, Richard.
"Gay Male Porn: Coming to Terms." Jump Cut. 1985. 30: 27-29.

Dyer, Richard.
"Idol thoughts: orgasm and self-reflexivity in gay pornography." (gay porn star Ryan Idol) (Critically Queer) Critical Quarterly Spring 1994 v36 n1 p49(14)
" Gay pornography is interesting because of its self-reflexivity, which draws attention to sex as performance. The pornographic videos and photo spreads of the porn star Ryan Idol are examples of self-reflexivity. The viewer is never allowed to forget the presence of the camera. It is this very insistence of gay pornography on highlighting reality, rather than focussing on fantasy, that makes it effective." [Expanded Academic Index]

Dyer, R.
"Less and More Than Women and Men - Lesbian and Gay Cinema In Weimar Germany" New German Critique, 1990 FALL, N51:5-60.

Eberwein, Robert.
"Disease, Masculinity, and Sexuality in Recent Films." Journal of Popular Film and Television,vol. 22 no. 4. 1995 Winter. pp: 154-61.

Ehrenstein, David.
"Homophobia in Hollywood, Part 2: The Queer Empire Strikes Again."(includes related article) (Cover Story)Advocate, n600 (April 7, 1992):36 (7 pages).

Emin-Tunc, Tanfir and Prescott, Nichole
"Glen or Glenda: Psychiatry, Sexuality, and the Silver Screen Normalizing "deviant" bodies and genders is just one of many tropes in Wood's complex camp classic." Bright Lights Issue 41

Erni, John Nguyet
"Run Queer Asia Run." Journal of Homosexuality. Special Issue: Queer Theory and Communication: From Disciplining Queers to Queering the Discipline(s). Vol 45(2-4), 2003, pp. 381-384
"The promotion of queer studies in Asian countries is discussed. In Asia, the specificity of "queer markings"-as an object of study caught in the tradition/modernity axis, as a site of reworked sexuality as new pop hipdom, or as ubiquitous forms of ordinary same-sex sociality-appears to be a caveat upon caveat. Many Asian countries have reported on the enormous usefulness of the Internet not only to make queer friends, but also to question and debate sexual politics. In many film and literary representations, we find, again, the centrality of friendship life for offering gay and lesbian youth such an alternative space and relational logic for their tentative, circumlocutory, and often risky explorations. Queer studies in communication have profoundly neglected the salient forms of sexual and affective relatedness that find expression in the terms of intimacy that are ever-present in "friendship." Flirting against the conservative sexual culture, but flirting among ourselves, popular images of queers in Asia have taken a number of specific forms. It seems clear that queer theories are marked by intellectual and speaking positions that cannot be so easily divided into dominant or peripheral, East or West, international or local, the West or the Rest." [PsychInfo]

Farmer, Brett.
"I Remember Mama: Cinema, Memory and Gay Male Matrocentrism."Screen vol. 39 no. 4. 1998 Winter. pp:363-80.

Fejes, Fred and Petrich, Kevin.
"Invisibility, Homophobia And Heterosexism: Lesbians, Gays and the Media." Critical Studies in Mass Communication 1993 10(4): 396-422.
"Evaluates changing film and mass media presentations of gays and lesbians since 1969 and reviews major scholarship on the topic. While homophobia in the media has become less overt in the 1990's, the ideology of heterosexism remains dominant and largely unchallenged." [America: History and Life]

Fithern, David L.
"Gay Pornography as Cultural Object: Homosexual Desire and the Transmission of Dominant Ideology." MAI, 35(06): p. 1622, December 1997

Fuller, Graham.
"Battle for Britain." (conservative backlash against recent Englishmovies; includes related article on rules forbidding intentional promotionof homosexuality) Film Comment v24, n4 (July-August, 1988):62 (7 pages).

Gamson, J.
"The organizational shaping of collective identity: The case of lesbian and gay film festivals in New York." Sociological Forum 11 (2): 231-261 June 1996
"Using information gathered during fieldwork on New York lesbian and gay film festival organizations this paper argues thatscholarship on identity has nor paid sufficient attention to the organizational mediation of collective identity. The shape ofcollective identity - how internal instabilities and diversities are accommodated, in this case - depends not only on the emergentcharacteristics of the collective, but also on the resolution of challenges particular to organizational fields. Two very differentlyconceived lesbian and gay festival organizations, sites at which decision making about collective identity is ongoing andself-conscious, are examined. The analysis traces how each responds to two related tasks: maintaining community legitimacy,which requires racial diversification, and surviving within an altered institutional environment. Rather than imposition from "above" or construction from "below," the adaptive responses by organizations (to changes in both community expectationsand the resource environment) transform the collective identity formulations reaching public visibility." [Social Sciences Abstracts]

"Gay and lesbian film production and reception." Wide Angle; Vol.XIV nr.2 (Apr 1992); p.4-64
Homosexual representations in early stag films, the work of German director Ulrike Ottinger and Andy Warhol, esp. "My hustler".

Geller, Theresa L.
"Queering Hollywood's Tough Chick: The Subversions of Sex, Race, and Nation in The Long Kiss Goodnight and The Matrix." Frontiers: A Journal of Women Studies, vol. 25, no. 3, pp. 8-34, 2004.
UC users only

Gillett, Robert
"Learning to Look Askance: Explaining Queer through Film." Moderna Spr?k, vol. 97, no. 2, pp. 147-65, 2003.

Ginsberg, Terri
"Nazis and Drifters: Radical (Sexual)Knowledge in Two Italian Neorealist Films," Journal of the History of Sexuality 1.2 (1990): 25-50

Glass, Honey.
"Q for Queer." Sight and Sound vol. 7 no. 10. 1997 Oct. pp: 36-39.

Giltz, Michael
"Beyond QAF: from news to sitcoms, out gays & lesbians are making their mark all over British TV." (Brief Article) The Advocate (The national gay & lesbian newsmagazine) Feb 5, 2002 p44(2)
UC users only

Goldman, David
"Gay Abduction Videos Push Adult Genre's Limits." Southern Voice, Vol 13(36), 1, 16-17; 2000

Gomez, G.
"Homocolonialism: Looking for Latinos in Apartment Zero and Paris is Burning." Post Script XIV/1-2, Winter-Spring 94-95; p.117-124.
Discusses the portrayal of homo-eroticism and sexuality among Latin Americians in "Apartment Zero" and "Paris is Burning".

Gopinath, Gayatri.
"Queering Bollywood: Alternative Sexualities in Popular Indian Cinema." (Critical Essay) Journal of Homosexuality (June, 2000):283.
Author Abstract: "In this essay, I demonstrate through numerous examples taken from four identifiable Hindi film subgenres queer themes which though nontransgressive in their native Indian context, acquire subversive value and serve as queer points of identification when viewed from a non-ationalist bias. Watching particular films with this "queer diasporic viewing practive," sex/gender play which is normative (yet still coded) in the land of the films' production can be reclaimed as queer through the differently subjective lens of transnational spectatorship, a lens removed from patriarchy, sexism, and homophobia. This particularly becomes apparent in the Bollywood dance sequence--the frequent site of Hindi sex/gender play--whose coded queer desires are much easier to de-code (or re-code)when in the diaspora." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: Website: http://www.HaworthPress.com>] COPYRIGHT 2000 Haworth Press, Inc.

Gove, Ben.
"Framing Gay Youth."Screen., vol. 37 no. 2. 1996 Summer. pp:174-92.

Greeley, Lynne.
"The witching of Agnes Moorehead." Theatre History Studies v20 (June, 2000):105 (18 pages).
Agnes Moorehead was a classically trained stage actress who first emerged in film in several roles for director Orson Welles. Her regal bearing and unique beauty, her career-long closeted lesbianism, and its effects on her performing career are analyzed.

Gregg, Ronald.
"Gay Culture, Studio Publicity and the Management of Star Discourse: The Homosexualization of William Haines in Pre-Code Hollywood." Quarterly Review of Film and Video. 20 (2): 81-97. 2003 Apr-June.

Gross, Larry.
"Lesbians and Gays and the Broadcast Media."(Sexuality in the Media: Part 1) SIECUS Report v24, n4 (April-May, 1996):10 (5 pages).

Grossman, Andrew.
"Beautiful Publicity": An Introduction to Queer Asian Film.(Critical Essay) Journal of Homosexuality (June, 2000):1.
Author Abstract: "With a few seemingly apolitical exceptions, openly queer cinemas have generally charted two opposing courses--a propagandistic search for bourgeois acceptance or a radical challenge to sexual hegemony. Yet even the most politically challenging of queer films, for example those of Pasolini, are nevertheless distributed and disseminated through the heteronormative and hegemonically capitalist means they philosophically oppose. This essay thus takes as its texts two low-budget gay male Japanese films, of the 1980s, which have been made available on international home video, as opposing examples of politico-economic allegories enacted within the self-reflexive contexts of queer cinema and gay male political history. Taken together, the two films present an interlocking example of how Asian queer films both engage and refute "Eastern" and "Western" conceptions of homosexuality and sexual politics in general." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: Website: <http://www.HaworthPress.com>] COPYRIGHT 2000 Haworth Press, Inc.

Grossman, Andrew.
"Homosexual Men (and Lesbian Men) in a Heterosexual Genre: Three Gangster Films from Hong Kong." (Critical Essay) Journal of Homosexuality (June, 2000):237.
Author Abstract: "Of the East Asian film genres that have captured the attention of film goers internationally, it should be of little surprise that martial and heroically masculine genres have been the most popular, for violent action translates well into any language. Although it has been no secret that male martiality often leaks into homoerotic desire (on the part of the audience, too), three Hong Kong films from 1998 have finally explicated the genetic homosexuality that the action genre has been (defensively) ashamed to admit all along. However, rather than posit this textual homosexuality as transgressive, the generic forces under which these films operate rewrite their homosexualities, both gay and lesbian, into generic modes fashioned around regressive oppositions of gender, and not progressive liberations of sexuality." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: Website: <http://www.HaworthPress.com>] COPYRIGHT 2000 Haworth Press, Inc.

Grossman, Andrew.
"The Rise of Homosexuality and the Dawn of Communism in Hong Kong Film: 1993-1998." Journal of Homosexuality (June, 2000):149.
Author Abstract: "I have designed this essay as a general overview of the self-evident trend towards queer subject matter in the past decade in Hong Kong film, a trend that not only coincides historically with the 1997 handover to the Mainland but also frequently comes equipped with parent-hild relationships that can be read as allegories for the colony's future as the "child" to its mother country. Queerness in HK films has both alternated between and combined indigenous forms of queerness and the imported Western variety; by charting courses through internationalized concepts of homosexuality, HK films have posited their queerness not only as an existential allegory of (post)colonialism but also as a claim (or hope) for a utopian sexuality cum utopian international politics." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: Website: <http://www.HaworthPress.com>] COPYRIGHT 2000 Haworth Press, Inc.

Grossman, Andrew.
"Twelve-Tone Cinema: A Scattershot Notebook on Sexual Atonality ? Is queerness an angry chord or a beautiful harmony?" Bright Lights

Guerrero, Ed.
"The Black Man on our Screens and the Empty Space in Representation." (CULTURAL POLITICS: Three Essays from the Whitney Museum of American Art's "Black Male" Show) Callaloo 18.2 (1995) 395-400
(UCB or Muse subscribers only)

Hall, Jonathan M.
"Japan's Progressive Sex: Male Homosexuality, National Competition, and the Cinema." (Critical Essay) Journal of Homosexuality (June, 2000):31.
Author Abstract: "This essay serves as a broad investigation of the originsof what came to be called the "gay boom" in 1990's Japanese cinema: aculmination of print media, television, and especially films which made thegay male not merely a visible (political) subject but also the site ofdisplaced contestations of gendered (female) desire. The most visibletransnational signifier of the "gay boom" was the 1992 film Okoge, a filmwhich, in keeping with a Japanese trend which relocates the gay male as asafe displacement of female desire, posits the heterosexual female as theaudience's point of identification in a film about the lives of gay Japanese men. Using this as a starting point, this essay seeks to explorehow male homosexuality and gender construction operate within both Japanese nationalism and the transnational discourse of Japanese cinema's dissemination." [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: Website: ]COPYRIGHT 2000 Haworth Press, Inc.

Halle, Randall
"'Happy Ends' to Crises of Heterosexual Desire: Toward a Social Psychology of Recent German Comedies." Camera Obscura: A Journal of Feminism, Culture, and Media Studies, vol. 44, pp. 1-39, 2000.

Hammer, Barbara
"Lesbian Images in the Classic Film Era: Beth Mauldin talks with a lesbian film documentarian." (Interview). The Gay & Lesbian Review Worldwide Nov-Dec 2001 v8 i6 p29(3)
UC users only

Hankin, Kelly. "Lesbian "making-of" documentaries and the production of lesbian sex." Velvet Light Trap Spring 2004 i53 p26(14)

Hardy, E.
"Young Soul Rebels: Negro/Queer Experimental Filmmakers." Millennium Film Journal no. 41 (Fall 2003) p. 23-30
"Part of a special section on gay and lesbian experimental cinema. Black queer filmmakers working in experimental film today often seem to be the ones making movies that most accurately mirror the realities of many black people--gay, straight, and beyond--in the world. Playing around with genre, experimenting with the expectations and rhythms of pacing and editing, digging deep into issues of identity and then refusing to produce easy or superficially "positive" answers or imagery, among other things--this work so frequently captures the fluctuating and freefall experience of black queerness/queer blackness/whatever (not to mention just plain old "blackness") that it uncannily, effectively reflects the way so many of us exist in the world. For viewers sick of representation that has been filtered through capitalist mandates, who are fed up with banal story lines and characterizations, the work of people like Jocelyn Taylor, Dawn Suggs, Thomas Allen Harris, Shari Frilot, the late Marlon Riggs, Isaac Julien, and Cheryl Dunye, is heady, humbling, moving, and inspiring." [Art Index]

Harper, Phillip Brian.
"Walk-On Parts and Speaking Subjects: Screen Representations of Black Gay Men." (CULTURAL POLITICS: Three Essays from the Whitney Museum of American Art's "Black Male" Show) Callaloo 18.2 (1995) 390-394
(UCB or Muse subscribers only)

Harper, P. B.
"The Subversive Edge - 'Paris Is Burning', Social Critique, and the Limits of Subjective Agency" Diacritics--A Review of Contemporary Criticism, 1994 Summer-Fall, V24 N2-3:90-103.

Hart, Kylo-Patrick R.
"Gay Male Spectatorship and the Films of Montgomery Clift." Popular Culture Review vol. 10 no. 1. 1999 Feb. pp: 69-82.

Healy, Murray.
"Were We Being Served? Homosexual Representation in Popular British Comedy." Screen, vol. 36 no. 3. 1995 Autumn. pp: 243-56.

Helfand, Glen.
"Staying in Focus."(gay and lesbian film festivals) Advocate, n736 (June 24, 1997):85 (4 pages).
Films with gay and lesbian themes have become more accepted by mainstream cinema. Major Hollywood film companies such as Dreamworks SKG, Warner Bros., and 20th Century Fox have started to support gay movie events, such as the Los Angeles gay film festival.

Helms, Udo.
"Obscenity and Homosexual Depiction in Japan." Journal of Homosexuality 2000, 39:3-4, 127-47.

Hertzberg, Hendrik.
"Oscar's Closet." (gays in Hollywood) New Yorker v73, n6 (March 31, 1997):7 (2 pages).

Hilferty, Robert.
"That Old Homophobic Subtext on Screen." Harvard Gay and Lesbian Review, vol. 5 no. 1. 1998 Winter. pp: 26-28.

Holleran, Andrew
"Brief History of a Media Taboo." (homosexuality in motion pictures)(Critical Essay) Gay & Lesbian Review v8, n2 (March, 2001):12.

Hollinger K
"Theorizing mainstream female spectatorship: The case of the popular Lesbian film." Cinema Journal, 37: (2) 3-17 WIN 1998

Holmlund, Chris.
"Cruisin' for a Bruisin': Hollywood's Deadly (Lesbian) Dolls." Cinema Journal, vol. 34 no. 1. 1994 Fall. pp: 31-51.

Holmlund, Christine.
"When Is a Lesbian Not a Lesbian? The Lesbian Continuum and the Mainstream Femme Film." Camera Obscura, vol. 25-26. 1991 Jan-May. pp: 145-78.

Hood, Robert L.
"The Wildness of AIDS: Sexual Identity and Cultural Politics in the New Queer Cinema." Revista/Review Interamericana vol. 25 no. 1-4. 1995 Jan-Dec. pp: 72-80.

Hubbard, J., ed.
"Lesbian & Gay Experimental Cinema." [Special section]. Millennium Film Journal no. 41 (Fall 2003) p. 2-72

Isherwood, Charles.
"Breaking Out of the Celluloid Closet." Advocate, n743 (Sept 30, 1997):44 (5 pages).

Isherwood, Charles.
"Ch