


Copyright 1995 ABC-CLIO. This review was taken from the ABC-CLIO Video Rating Guide for Libraries on CD-ROM, a 5-year compilation of over 8900 video titles and reviews, 1990-1994. For information regarding order VRGL CD-ROM, contact: ABC-CLIO, P.O. Box 1911, Santa Barbara, CA 93116-1911; 805-968-1911
This following text has been included in the UCB Media Resources Center Web site with the kind permission of the publishers.

Overnight, thousands of homeless and impoverished individuals
were given acreage along the proposed road. They began to tend
their free land with hope; but within a few years, most had
abandoned the barren farms that could not grow anything due to
the earlier ruthless pillage of the area.
CinÇma veritÇ style is used to interview many of the
principals involved - government officials, farmers,
anthropologists, and executives of the World Bank. As many of the
interviewees do not speak English, subtitles are used. For once,
the subtitles are clear and legible. The producers deserve an
accolade for not obscuring the dialogue.
The people affected by the destruction of this region tell the
story. A poor farmer's frustration at not being able to grow
anything, thereby making a better life for himself and his
family, is traced over a seven-year period. There is nothing but
despair in his voice and attitude. His family is frightened when
the Indians who come out of the jungle at night attack and kill
their dog.
A political activist from the rubber growers' union is tracked
also, as he develops from a naive optimist into a cynical
political realist. He runs for office, wins more votes than any
of the other candidates, yet due to political machinations is not
elected. Scenes of vote buying are recorded, with the candidate
refusing to pay for votes.
In the interviews, the speakers are identified via labels. The
label indicates the person's name and affiliation or employer.
Because so many individuals are used in the documentary, this
particular device works well.
The producers cast blame at many institutions - the Brazilian
government, civic planners, land speculators, and most
importantly at the World Bank and other quasi-governmental
agencies funding the destruction of the tropical forest.
The pacing of the film is well organized, replete with
interviews, some documentary/newsreel type footage, etc. The
script and narration are very informative and provide an exposÇ
of the best kind - responsible journalism.
The photography is very good, although at times the color
balance is less than ideal. The music has been well selected,
with a good mix of popular as well as the traditional
documentary-style elevator music.
On the whole, the film-to-tape transfer works well, with the
exception of the color balance problem already mentioned. It
belongs in large collections where ecological concerns are of
interest. While the price might cause some institutions problems,
the title is well worth it. Recommended.
Banking on Disaster

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