Cinema of the 1960s and 1970s: A Bibliography of Books and Articles in the UC Berkeley Libraries

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American Cinema

Foreign Cinema

Bibliographies on notable directors of the 60s and 70s

Bibliographies on notable 60s and 70s films

Cult film bibliography

Experimental/avant-garde film bibliography

Road Movies bibliography

Vietnam War films bibliography

Blaxploitation films bibliography

American Cinema

Albright, Brian
Wild beyond belief! : interviews with exploitation filmmakers of the 1960s and 1970s / Brian Albrigh Jefferson, N.C. : McFarland, c2008.
Main (Gardner) Stacks PN1995.9.S284 A43 2008

American cinema of the 1970s : themes and variations
Edited by Lester D. Friedman. New Brunswick, N.J. : Rutgers University Press, c2007.
Full text available online [UCB users only]
Main (Gardner) Stacks PN1993.5.U6 A8577 2007

Backstory 4 : interviews with screenwriters of the 1970s and 1980s
Edited and with an introduction by Patrick McGilligan. Berkeley : University of California Press, c2006.
Main (Gardner) Stacks PN1998.2 .B345 2006
Table of contents

Bapis, Elaine M.
Camera and action : American film as agent of social change, 1965-1975 / Elaine M. Bapis. Jefferson, N.C. : McFarland, c2008.
Main (Gardner) Stacks PN1993.5.U6 B294 2008
Contents: As Hollywood turned : expansion, exhibition, codes, and directors at mid-decade -- A new audience for the now movie : film societies, the college campus, the American Film Institute and making film art -- The graduate : representing a generation -- Alice's restaurant : constructing hippie folk and legitimizing revolutionary distinction -- Back in the saddle again : men, westerns, hippies, and Easy rider -- Under the influence : representing masculinity in Midnight cowboy -- No icon left unturned : M*A*S*H and the project of antiestablishment -- Out of the saddle, into the seventies : gender in McCabe and Mrs. Miller -- What's sex got to do with it? Carnal knowledge and the delusion of telling it like it is -- Forever native: Penn's new authentics in Little Big Man -- The Godfather films as America -- Conclusion : cinematic anarchists go generic.

Barry, Christopher
"Violent justice : Italian crime/cop films of the 1970s." In: Alternative Europe : eurotrash and exploitation cinema since 1945 / edited by Ernest Mathijs & Xavier Mendik ; [foreword by Jean Rollin]. London ; New York : Wallflower, 2004.
Main (Gardner) Stacks PN1995.9.S284 A46 2004

Baxter, John
Hollywood in the sixties. London, Tantivy Press; New York, A.S. Barnes. [1972]
Pacific Film Archive PN1993.5.U6 B33 1972

Bernardoni, James.
The new Hollywood : what the movies did with the new freedoms of the seventies / by James Bernardoni Jefferson, N.C. : McFarland, c1991.
Main (Gardner) Stacks PN1993.5.U6 B39 1991

Berra, John.
"Ancestry of Independence: Easy Rider and the Declaration of a New American Cinema." In: Declarations of independence: American cinema and the partiality of independent production / John Berra. Bristol, UK ; Chicago : Intellect, 2008.
Full text available online (UCB users only)

Beck, Jay.
"Citing the Sound: The Conversation, Blow Out, and the Mythological Ontology of the Soundrack in '70s." Journal of Popular Film & Television, Winter2002, Vol. 29 Issue 4, p156, 8p
UC users only

Benshoff, Harry M.
"The Short-Lived Life of the Hollywood LSD Film." Velvet Light Trap: A Critical Journal of Film & Television; 2001 (47): 29-44, 16p.
UC users only
Examines the wave of films created by Hollywood during the 1960's-70's that approximated the sensations of the synthetic hallucinogenic drug LSD. The article traces the roots of the film genre from horror movies to the 'head films' of the 1960's. As the counterculture faded and as films turned from celebration of drug experimentation to condemnation of drug abuse, the genre lost its popularity.

Berliner, Todd; Furia, Philip.
"The Sounds of Silence: Songs in Hollywood Films since the 1960s." Style, Spring2002, Vol. 36 Issue 1, p19, 17p
UC users only

Bernardoni, James.
The new Hollywood : what the movies did with the new freedoms of the seventies / by James Bernardoni Jefferson, N.C. : McFarland, c1991.
Main (Gardner) Stacks PN1993.5.U6 B39 1991

Bingham, Dennis.
"'Before She Was a Virgin': Doris Day and the Decline of Female Film Comedy in the 1950s and 1960s." (cover story) Cinema Journal, Spring2006, Vol. 45 Issue 3, p3-31, 29p
UC users only

Biskind, Peter.
Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood New York, NY : Simon & Schuster, 1999, c1998.
Main (Gardner) Stacks PN1998.2 .B56 1998
Moffitt PN1998.2 .B56 1998
Pacific Film Archive PN1998.2 .B566 1999

Blake, Linnie.
The wounds of nations : horror cinema, historical trauma and national identity / Linnie Blake. Manchester, UK ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2008.
Main (Gardner) Stacks PN1995.9.H6 B58 2008
Contents: German and Japanese horror : the traumatic legacy of the Second World War. The horror of the Nazi past in the reunification present : Jörg Buttgereit's Nekromantiks ; Nihonjinron, women, horror : post-war national identity and the spirit of subaltern vengeance in Ringu and The ring -- The traumatised 1970s and the threat of apocalypse now. 'Consumed out of the good land' : George A. Romero's horror of the 1970s ; All hail to the serial killer : America's last frontier hero in the age of Reaganite eschatology and beyond -- From Vietnam to 9/11 : the orientalist other and the American poor white. 'Squealing like a pig' : the War on Terror and the resurgence of hillbilly horror after 9/11 -- New Labour new horrors : the post-Thatcherite crisis of British masculinity. Zombies, dog men and dragon : generic hybridity and gender crisis in British horror of the new millennium.

Bodroghkozy, Aniko.
"Reel Revolutionaries: An Examination of Hollywood's Cycle of 1960s Youth Rebellion Films." Cinema Journal, Spring2002, Vol. 41 Issue 3, p38, 21p
UC users only

Bookbinder, Robert.
The films of the seventies / Robert Bookbinder. Secaucus, N.J. : Citadel Press, c1982.
Main (Gardner) Stacks PN1993.5.U6 B651 1982
Contents via Google books

Brode, Douglas
The films of the sixties / by Douglas Brode. Secaucus, N.J. : Citadel Press, c1980.
Pacific Film Archive PN1997.8 .B7 1980

Cagin, Seth.
Born to be wild : Hollywood and the sixties generation / by Seth Cagin & Philip Dray. Boca Raton, FL : Coyote Books, c1994.
Pacific Film Archive PN1993.5.U6 C24 1994

Cagin, Seth.
Hollywood films of the seventies : sex, drugs, violence, rock 'n' roll & politics / Seth Cagin & Phi New York : Harper & Row, c1984.
Main (Gardner) Stacks PN1993.5.U6 C24 1984

Cardullo. Bert
"Through the Looking Glass: The American Art Cinema in an Age of Social Change." Midwest Quarterly, Autumn2010, Vol. 52 Issue 1, p86-102, 17p
UC users only

Carson, Bruce.
"Comedy, sexuality and "Swinging London" films." Journal of Popular British Cinema nr 1 (1998); p 48-62.

Christensen, Terry.
"1960s -- 1970s" In: Projecting politics : political messages in American film / Terry Christensen and Peter J. Haas. Armonk, N.Y. : M.E. Sharpe, c2005.
Main (Gardner) Stacks PN1995.9.P6 C47 2005

Clark, Paul
"The Film Industry in the 1970s." In: Popular Chinese literature and performing arts in the People's Republic of China, 1949-1979 / edited Berkeley : University of California Press, c1984.
East Asian NX583.A1 P66 1984
Main (Gardner) Stacks NX583.A1 P66 1984
Music NX583.A1 P66 1984

Contemporary American independent film : from the margins to the mainstream
Edited by Chris Holmlund and Justin Wyatt. London ; New York : Routledge, 2005.
Main (Gardner) Stacks PN1993.5.U6 C636 2005 AVAILABLE
Moffitt PN1993.5.U6 C636 2005
Contents via Google books

Cook, David A.
Auteur Cinema and the 'Film Generation' in 1970s Hollywood." In: The new American cinema / edited by Jon Lewis. Durham : Duke University Press, 1998.
Main (Gardner) Stacks PN1993.5.U6 N47 1998 DUE 04-13-10
Pacific Film Archive PN1993.5.U6 N47 1998

Cook, David A.
Lost illusions : American cinema in the shadow of Watergate and Vietnam, 1970-1979 / David A. Cook. New York : Charles Scribner's Sons, c2000.
Main (Gardner) Stacks PN1993.5.U6 H55 1990 v.9

Cowie, Peter.
Revolution! : the explosion of world cinema in the sixties / Peter Cowie. New York : Faber and Faber, 2004.
Main (Gardner) Stacks PN1993.5.A1 C77 2004 DUE 04-12-10
Moffitt PN1993.5.A1 C77 2004 AVAILABLE
Pacific Film Archive PN1993.5.A1 C77 2004

Crocker, Stephen
"Sounds complicated: what sixties audio experiments can teach us about the new media environments." In: Fluid screens, expanded cinema / edited by Janine Marchessault and Susan Lord. Toronto ; Buffalo : University of Toronto Press, c2007.
Main (Gardner) Stacks PN1994 .F52 2007

A Decade Under the Influence [videorecording]
The 1970s was an extraordinary time of rebellion as political activism, the sexual revolution, the women's movement and the music revolution contributed to social unrest. A new generation of filmmakers, galvanized by a new freedom of expression began targeting their films toward a new audience, with stories that reflected the reality of the era. Here a cast of pioneering writers, directors, producers and actors talk about the 70's, their films and their colleagues.
Media Resources Center DVD 2129

Dixon, Wheeler W.
"The 1960s explosion -- World cinema 1970 to the present -- The new Hollywood." In: A short history of film / Wheeler Winston Dixon & Gwendolyn Audrey Foster. New Brunswick, N.J. : Rutgers University Press, c2008.
Main (Gardner) Stacks PN1993.5.A1 D53 2008

Dixon, Wheeler W.
The exploding Eye: A re-visionary History of 1960s American Experimental Cinema / Wheeler Winston Dixon. Albany: State University of New York Press, c1997. Series title: The SUNY series, cultural studies in cinema/video.
UCB Main PN1995.9.E96 D55 1997

Dixon, Wheeler W.
"Performativity in the 1960s American Experimental Cinema: The Body as Site of Ritual and Display." Film Criticism, vol. 23, no. 1, pp. 48-60, Fall 1998
UC users only

Easthope, Anthony
"Cinécities in the Sixties." In: The cinematic city Edited by David B. Clarke. London ; New York : Routledge, 1997.
UCB ENVI: PN1995.9.C513 C46 1997
UCB MAIN: PN1995.9.C513 C46 1997
Contents via Google books

Easy riders, raging bulls : how the sex-drugs-and-rock-'n'-roll generation saved Hollywood [videorecording]
A documentary of Peter Biskind's controversial, best-selling book, which chronicles edgy, impressionistic pictures made by maverick, now-legendary directors such as Scorsese, Coppola, Lucas, Altman, Polanski and Peckinpah. Includes interviews with many directors, writers, actors, etc.
Media Resources Center DVD 2763

Everson, William K.
'Seventies and eighties: the end of the trail." In: The Hollywood western : 90 years of cowboys and Indians, train robbers, sheriffs and gunslingers, and assorted heroes and desperados / by William K. Everson. Secaucus, N.J. : Carol Pub. Group, c1992.
Pacific Film Archive PN1995.9.W4 E85 1992

Farber, Stephen
"End of the Road?" Film Quarterly Vol. 23, No. 2 (Winter, 1969-1970), pp. 3-16
UC users only

Film History of the 1960s via

Film History of the 1970s via

The Film school generation [videorecording]
Traces the rise to prominence of a generation of directors who emerged primarily from the film schools of the University of California, Los Angeles, the University of Southern California and New York University in the 1960s. Examines the financial and cultural forces that made their ascendance possible.
Media Resources Center DVD 371; vhs Video/C 3717

Gallagher, Mark.
"Tripped Out: The Psychedelic Film and Masculinity." Quarterly Review of Film and Video, Volume 21, Issue 3 July 2004 , pages 161 - 171
UC users only

Galloway, Stephen
"The Mild Bunch." Hollywood Reporter -- International Edition; 6/25/2002, Vol. 374 Issue 2, p18, 2p
UC users only
Focuses on the preference of a group of upstart directors to work alongside film studios to revolutionize it. Growth of the directors through working hand in hand with film studios; Directors that rose to prominence in the nineteen seventies; Price of using the system for directors.

Gilbey, Ryan.
It don't worry me : the revolutionary American films of the seventies / Ryan Gilbey. 1st American ed. New York : Faber and Faber, c2003.
Main Stack PN1993.5.U65.G55 2003
Moffitt PN1993.5.U65.G55 2003
PFA PN1993.5.U6.G55 2003

Gorfinkel, Elena
"Wet Dreams: Erotic Film Festivals of the Early 1970s and the Utopian Sexual Public Sphere." Framework: The Journal of Cinema and Media, vol. 47, no. 2, pp. 59-86, Fall 2006
UC users only

Grenier, Richard
" Movies: The 60's in Soft Focus." Commentary 69:3 (1980:Mar.) p.67
UC users only

Haines, Richard W.
"Cinema in the sixties." In: The moviegoing experience, 1968-2001 / by Richard W. Haines. Jefferson, N.C. : McFarland & Co., c2003.
Main (Gardner) Stacks PN1994 .H246 2003

Haines, Richard W.
"Distribution changes in the seventies, eighties, and nineties." In: The moviegoing experience, 1968-2001 / by Richard W. Haines. Jefferson, N.C. : McFarland & Co., c2003.
Main (Gardner) Stacks PN1994 .H246 2003

Harris, Mark
Pictures at a revolution : five movies and the birth of the new Hollywood / Mark Harris. New York : Penguin Press, 2008.
Moffitt PN1993.5.U6 H37 2008

Hasan, Zia C.
"The 1970s." In: The Columbia companion to American history on film : how the movies have portrayed the American past New York : Columbia University Press, c2003.
Full text available online [UCB users only]
Doe Reference PN1995.9.U64 C65 2003
Media Resources Center PN1995.9.U64 C65 2003
Moffitt PN1995.9.U64 C65 2003

Hillier, Jim.
The new Hollywood / Jim Hillier. New York : Continuum, c1992.
Main (Gardner) Stacks PN1995.9.P7 H52 1992

Hoberman, J.
The dream life : movies, media, and the mythology of the sixties / J. Hoberman. New York : New Press, 2003.
Main (Gardner) Stacks PN1993.5.U6 H56 2003

Hubert, Julie
"'Whatever Happened to Great Movie Music?' Cinéma vérité and Hollywood Film Music of the Early 1970s." American Music, vol. 21, no. 2, pp. 180-213, Summer 2003
UC users only

James, David E.
Allegories of cinema : American film in the sixties / David E. James. Princeton, N.J. : Princeton University Press, c1989.
Main (Gardner) Stacks PN1993.5.U6 J271 1989

Kaufman, Will.
"Film and Visual Culture." In: American culture in the 1970s / Will Kaufman. Edinburgh : Edinburgh University Press, c2009
Main (Gardner) Stacks E169.12 .K338 2009
Moffitt E169.12 .K338 2009

Keyser, Lester J.
Hollywood in the Seventies / Les Keyser San Diego, Calif. : A. S. Barnes ; London : Tantivy Press, c1981
Main (Gardner) Stacks PN1993.5.U6 .K45 1981
Pacific Film Archive PN1993.5.U6 K455 1981

King, Geoff
New Hollywood cinema : an introduction / Geoff King. New York : Columbia University Press, 2002.
Full text available online [UCB users only]
Main (Gardner) Stacks PN1993.5.U6 K47 2002

Krämer, Peter
The new Hollywood : from Bonnie and Clyde to Star Wars / Peter Krämer. London ; New York : Wallflower, 2005.
Main (Gardner) Stacks PN1993.5.U6 K73 2005

Krämer, Peter
"A Powerful Cinema-Going Force? Hollywood and Female Audiences since the 1960s." In: Identifying Hollywood's audiences : cultural identity and the movies / edited by Melvyn Stokes and Richard Maltby. London : British Film Institute, 1999.
Main (Gardner) Stacks PN1993.5.U65 I34 1999
Pacific Film Archives PN1993.5.U65 I34 1999

The last great American picture show: new Hollywood cinema in the 1970s
Edited by Thomas Elsaesser, Alexander Horwath, and Noel King. Amsterdam : Amsterdam University Press, 2004.
Full text available online [UCB users only]
Main (Gardner) Stacks PN1993.5.U65 L38 2004 AVAILABLE
Pacific Film Archive PN1993.5.U65 L37 2004
Contents: The impure cinema : new Hollywood 1967-1976 / Alexander Horwath -- "The last good time we ever had" : remembering the new Hollywood cinema / Noel King -- American auteur cinema : the last - or first - great picture show / Thomas Elsaesser -- The decade when movies mattered / David Thomson -- A walking contradiction (partly truth and partly fiction) / Alexander Horwath -- The exploitation generation, or how marginal movies came in from the cold / Maitland McDonagh -- New Hollywood and the sixties melting pot / Jonathan Rosenbaum -- Dinosaurs in the age of the cinemobile / Richard T. Jameson -- "The cylinders were whispering my name" : the films of Monte Hellman / Kent Jones -- Nashville contra Jaws, or "The imagination of disaster" revisited / J. Hoberman -- For Wanda / Bérénice Reynaud -- Everybody knows this is nowhere : the uneasy ride of Hollywood and rock / Howard Hampton -- Auteurism and war-teurism : Terrence Malick's war movie / Dana Polan -- The pathos of failure : American films in the 1970s : notes on the unmotivated hero / Thomas Elsaesser -- Trapped in the affection image : Hollywood's post-traumatic cycle (1970-1976) / Christian Keathley --Grim fascination : Fingers, James Toback and 1970s American cinema / Adrian Martin -- Allegories of post-Fordism in 1970s new Hollywood : countercultural combat films and conspiracy thrillers as genre recycling / Drehli Robnik.

Lev, Peter
American films of the 70s : conflicting visions / Peter Lev. Austin, TX : University of Texas Press, 2000.
Full text available online [UCB users only]
Main (Gardner) Stacks PN1993.5.U6 L44 2000
Moffitt PN1993.5.U6 L44 2000

Levy, Emanuel
Cinema of outsiders: the rise of American independent film / Emanuel Levy. New York : New York University Press, c1999.
Full-text available online [UCB users only]
Main (Gardner) Stacks PN1995.9.E96 L43
Pacific Film Archive PN1995.9.E96 L43 1999

Lewis, Jon
Hollywood v. hard core : how the struggle over censorship saved the modern film industry / Jon Lewis. New York : New York University, c2000.
Main (Gardner) Stacks PN1995.62 .L47 2000
Contents: How the blacklist saved Hollywood -- Collusion and conglomeration in the movie business -- What everyone should know about the motion picture code and ratings -- Hollywood v. soft-core : movie censorship, 1968-1973 -- Hollywood v. hard core -- Movies and the First Amendment -- A quick look at censorship in the new Hollywood.

Lewis, Jon
"The perfect money machine(s) : George Lucas, Steven Spielberg, and auteurism in the new Hollywood." In: Looking past the screen : case studies in American film history and method / edited by Jon Lewis and Eric Smoodin. Durham : Duke University Press, 2007.
Main (Gardner) Stacks PN1993.5.U6 L58 2007
Table of Contents

Lewis, Jon
Whom God wishes to destroy-- : Francis Coppola and the new Hollywood / Jon Lewis. Durham : Duke University Press, 1995.
Main (Gardner) Stacks PN1998.3.C69 L48 1995

Lipsitz, George
"Genre anxiety and racial representation in 1970s cinema." In: Refiguring American film genres : history and theory / Nick Browne, editor. Berkeley : University of California Press, c1998.
Main (Gardner) Stacks PN1993.5.U6 R443 1998
Contents: Reusable packaging: generic products and the recycling process / Rick Altman -- Melodrama revised / Linda Williams -- World War II and the Hollywood "war film" / Thomas Schatz -- Lounge time: postwar crises and the chronotype of film noir / Vivian Sobchak -- "Democracy and burnt cork": the end of blackface, the beginning of civil rights / Michael Rogin -- Genre anxiety and racial representation in 1970s cinema / George Lipsitz -- Monster roundup: reintegrating the horror genre / David J. Russell -- "God bless juries!" / Carol J. Clover -- The genre of nature: ceremonies of innocence / Leo Braudy.

Litwak, Mark.
Reel power : the struggle for influence and success in the new Hollywood / Mark Litwak. New York : Morrow, c1986.
Main (Gardner) Stacks PN1993.5.U6 L541 1986

Loss, Archie K.
Pop dreams : music, movies, and the media in the 1960s / Archie K. Loss. Fort Worth, TX : Harcourt Brace College Publishers, c1999..
Main (Gardner) Stacks P92.U5 L67 1999

Lovett, Christopher C.
"The 1960s." In: The Columbia companion to American history on film : how the movies have portrayed the American past New York : Columbia University Press, c2003.
Full text available online [UCB users only]
Doe Reference PN1995.9.U64 C65 2003
Media Resources Center PN1995.9.U64 C65 2003
Moffitt PN1995.9.U64 C65 2003

Luckett, Moya
"Performing Masculinities: Dandyism and Male Fashion in 1960s-70s British Cinema." In: Fashion cultures : theories, explorations, and analysis / edited by Stella Bruzzi and Pamela Church. London ; New York : Routledge, 2000.
Anthropology GT525 .F37 2000 AVAILABLE
Main (Gardner) Stacks GT525 .F37 2000

Madsen, Axel.
The new Hollywood; American movies in the '70s. New York, Crowell [1975]
Main (Gardner) Stacks PN1993.5.U65 M261 1975

Mellen, Joan.
"The Return of Women to Seventies Films." Quarterly Review of Film Studies, Fall1978, Vol. 3 Issue 4, p525-543, 19p
UC users only

Metcalf, Greg.
"Discounting the 60s: Hollywood Revisits the Counterculture." In: Beyond the stars: Vol. 5: Themes and ideologies in American popular film / edited by Paul Loukides and Linda K. Fuller. Bowling Green, Ohio : Bowling Green University Popular Press, c1990-
Main (Gardner) Stacks PN1995.9.C36 B49 1990
Location Moffitt PN1995.9.C36 B49 1990

Miller, Stephen Paul
The seventies now : culture as surveillance / Stephen Paul Miller. Durham [N.C.] : Duke University Press, 1999.
Main (Gardner) Stacks E855 .M56 1999
Pacific Film Archive E855 .M56 1999
Contents via Google books

Mills, Katie
The road story and the rebel : moving through film, fiction, and television / Katie Mills. Carbondale : Southern Illinois University Press, c2006.
Main (Gardner) Stacks PN1995.9.R63 M55 2006
Contents: Introduction: what automobility offers cultural studies -- Rewriting prohibitions with narratives of possibility -- Before the road genre: the beats and on the road -- TV gets hip on Route 66 -- Kesey's quixotic acid road film -- Road film rising: Hell's Angels, merry pranksters, and easy -- Riders -- Genre and gender in 1970s new Hollywood -- Back to the family, or, rewinding the postmodern road story -- Rebels with a cause: genre and identity politics -- First-person players: the digital, "transmedia" road story.

Mirisch, Walter.
I thought we were making movies, not history / Walter Mirisch. Madison, Wis. : University of Wisconsin Press, c2008.
Main (Gardner) Stacks PN1998.3.M568 A3 2008
Pacific Film Archive PN1998.3.M568 A3 2008
Contents: My family -- The University of Wisconsin -- Los Angeles and monogram -- Allied artists -- The 1950s -- The screen producers guild -- Back at allied artists -- Moulin Productions, Inc. -- William Wyler and Friendly persuasion and Billy Wilder and Love in the afternoon -- On our own -- Billy Wilder and Some like it hot -- John Ford and The horse soldiers -- John Sturges and The magnificent seven -- The 1960s -- West Side story -- One, two, three and other projects -- William Wyler, Elvis Presley, and John Sturges -- A big hit and a few misses -- Blake Edwards and The Pink Panther -- The academy of motion picture arts and sciences -- 633 squadron, a new corporate entity, and unrealized projects -- The start of Jinx and Cinerama -- Hawaii -- A new relationship with Norman Jewison -- In the heat of the night -- A western, a comedy, a drama, and a caper -- Personal matters -- familial and corporate -- Dark days for the film industry -- Billy Wilder and The private life of Sherlock Holmes and Avanti! -- Fiddler on the roof -- Goodbye to United artists -- Hello to universal -- The return of Peter Sellers -- The 1980s and 1990s.

Mordden, Ethan.
Medium cool : the movies of the 1960s New York : Knopf, 1990.
Main Stack PN1993.5.U6.M655 1990

Monaco, Paul
"Across the Great Divide: Young German Cinema in the 1970s." Mundus Artium: A Journal of International Literature and the Arts, vol. 11, no. 2, pp. 42-51, 1979

Monaco, Paul
The sixties : 1960-1969 / Paul Monaco. New York : Charles Scribner's Sons, c2001.
Main (Gardner) Stacks PN1993.5.U6 H55 1990 v.8
Media Resources Center PN1993.5.U6 H55 1990 v.8
Pacific Film Archive PN1993.5.U6 H6 vol.8 2003

Muir, John Kenneth
Horror films of the 1970s / John Kenneth Muir. Jefferson, N.C. : McFarland, c2002.
Main (Gardner) Stacks PN1995.9.H6 M85 2002

Mulvey, Laura.
"Looking at the Past from the Present: Rethinking Feminist Film Theory of the 1970s." Signs: Journal of Women in Culture & Society, Autumn2004, Vol. 30 Issue 1, p1286-1292, 7p
UC users only

Murphy, Bren Ortega; Harder, Jeffery Scott.
"1960s counterculture and the legacy of American myth: A study of three films." Canadian Review of American Studies, 1993, Vol. 23 Issue 2, p57, 22p
UC users only
Examines three films 'Alice's Restaurant,' 'Easy Rider,' and 'Zachariah,' as counterculture indictments that the United States of the 1960s had lost touch with its own promises. American myths of populism and the salvation of the road; Film as sites of mythic exploration.

Nystrom, Derek.
Hard hats, rednecks, and macho men : class in 1970s American cinema / Derek Nystrom. Oxford ; New York : Oxford University Press, 2009.
Main (Gardner) Stacks PN1995.9.L28 N97 2009
Contents: Introduction: Making class visible in film and cultural studies -- Class and the youth-cult cycle -- Deliverance, an allegory of the Sunbelt -- Keep on truckin' : the Southern cycle and the invention of the good ole boy -- Saturday night fever and the queering of the white working-class male body -- Extra masculinity : Looking for Mr. Goodbar and Cruising -- Conclusion: Working-class solidarity and its others -- Afterword: Hard hats revisited : the labor of 9/11.

Osgerby, Bill.
"Sleazy riders: exploitation, "otherness," and transgression in the 1960s biker movie." Journal of Popular Film and Television Fall 2003 v31 i3 p98(11)
UC users only

Palmer, William J.
The films of the seventies : a social history / by William J. Palmer. Metuchen, N.J. : Scarecrow Press, 1987.
Main (Gardner) Stacks PN1995.9.S6 P341 1987
Moffitt PN1995.9.S6 P34 1987 c.11
Contents via Google books

Pechter, William S.
" Observations: With-It Movies." Commentary 49:2 (1970:Feb.) p.77
UC users only

Petro, Patrice
"Film feminism and nostalgia for the seventies." In: Aftershocks of the new : feminism and film history / Patrice Petro. New Brunswick, N.J. : Rutgers University Press, c2002.
Main (Gardner) Stacks PN1995.9.W6 P485 2002

Quart, Leonard.
"The Sixties; The Seventies." In: American film and society since 1945 / Leonard Quart and Albert Auster. Westport, Conn. : Praeger, 2002.
Full text available online [UCB users only]
Main (Gardner) Stacks PN1995.9.S6 Q37 2002
Pacific Film Archive PN1995.9.S6 Q37 2002

Rabinowitz, Paula
"Medium Uncool: Women Shoot Back; Feminism, Film and 1968 - A Curious Documentary." Science & Society; Spring, 2001, Vol. 65 Issue 1, p 72-98, 27p
UC users only
"A microhistory of the interconnections-both literal, through personal relations, and theoretical-between radical feminism and avant-garde film culture views culture as a model for politics during the 1960s. In short, radical feminism owed much of its rhetoric and practice to avant-garde film. Beginning with the screenings of Schmeerguntz, feminists moved against female stereotypes with the Miss America action (to get media coverage), documented the history of women's struggle in Newsreel's The Woman's Film (to challenge the news media), and experimented with visions of femininity through personal films and happenings (to unravel domesticity-its bliss and horror). This parallels three 1960s film practices: New Hollywood, a commercial response to the end of the studios and the rise of television (filmmaking as industrial production); documentary, to track issues within New Left politics (filmmaking as collective activity); and the Underground, a celebration of the counter-culture (filmmaking as personal vision)." [EBSCO]

Rampell, Ed.
"The Whole World was Watching: Power to the People Pictures." In: Progressive Hollywood : a people's film history of the United States / by Ed Rampell. New York : Disinformation ; St. Paul, MN : Distributed in the USA and Canada by Consortium Book Sales and Distribution, c2005.
Main (Gardner) Stacks PN1995.9.P6 R34 2005
Moffitt PN1993.5.U65 R27 2005

Rich, B. Ruby
"Film in the Sixties (1991)." In: Chick flicks : theories and memories of the feminist film movement / B. Ruby Rich. Durham, N.C. : Duke University Press, 1998. p13-18
Graduate Services PN1995.9.W6 R47 1998 AVAILABLE LIB USE ONLY
Main (Gardner) Stacks PN1995.9.W6 R47 1998 DUE 03-11-10
Pacific Film Archive PN1995.9.W6 R485 1998

Roddick, Nick
"Night of the Hunters." Sight & Sound; Nov2007, Vol. 17 Issue 11, p14-14, 3/4p
UC users only
The author reflects on the idea of a "golden age" of American cinema. The author discusses American films of the 1970s, claiming that a number of great films came out of the decade because the film industry allowed directors more freedom to make different kinds of films. The author compares the 1970s films to modern films in terms of their energy and vision, and discusses the influence of economics on the industry.

Romao, Tico
"Guns and gas : investigating the 1970s car chase film." In: Action and adventure cinema / edited by Yvonne Tasker. London ; New York : Routledge, 2004.
Main (Gardner) Stacks PN1995.9.A3 A28 2004

Rubin, Martin.
"Make Love Make War: Cultural confusion and the biker film cycle." Film History, Autumn94, Vol. 6 Issue 3, p355-381, 27p
UC users only

Samocki, Jean-Marie
"Les années soixante-dix à contretemps." Trafic; Autumn2004, Issue 51, p5-16, 12p
The author presents the cinema of the 1970s, particularly American films. He focuses on the reasons why they are still popular in the 21st century as evidenced by the number of film festivals which have exhibited retrospectives of them. In addition more recent films have followed "classical" 70s styles and themes.

Saunders, Dave.
Direct cinema : observational documentary and the politics of the sixties / Dave Saunders. London ; New York : Wallflower Press, 2007.
Main (Gardner) Stacks PN1993.5.U6 S387 2007 DUE 04-20-10
Pacific Film Archive PN1995.9.D6 S28 2007

Schatz, Thomas
"The New Hollywood." In: Hollywood : critical concepts in media and cultural studies / edited by Thomas Schatz. London ; New York : Routledge, 2004.
Main (Gardner) Stacks PN1993.5.U6 H588 2004

"The 1970s." In: Contemporary American cinema / edited by Linda Ruth Williams and Michael Hammond. London ; Boston : Open University Press, c2006.
Full text available online (UCB users only)

The seventies : the age of glitter in popular culture
Edited by Shelton Waldrep. New York : Routledge, 2000.
Main (Gardner) Stacks E169.02 .S4535 2000
Contents via Google books

Shiel, Mark
"A Nostalgia for Modernity: New York, Los Angeles and American Cinema in the 1970s." In: Screening the city / edited by Mark Shiel and Tony Fitzmaurice. London ; New York : Verso, 2003.
Environmental Design PN1995.9.C513 S37 2003
Main (Gardner) Stacks PN1995.9.C513 S37 2003
Pacific Film Archive PN1995.9.C513 S37 2003

Shiel, Mark
"Why Call Them 'Cult Movies'? American Independent Filmmaking and the Counterculture in the 1960s." Scope: An Online Journal of Film Studies, pp. (no pagination), May 2003

Sitney, P. Adams.
"The Seventies." In: Visionary film : the American avant-garde, 1943-2000 / P. Adams Sitney. Oxford ; New York : Oxford University Press, 2002.
Graduate Services PN1995.9.E96 S53 2002
Main (Gardner) Stacks PN1995.9.E96 S53 2002
Pacific Film Archive PN1995.9.E96 S58 2002
Contents via Google books

"The 1960s." In: Contemporary American cinema / edited by Linda Ruth Williams and Michael Hammond. London ; Boston : Open University Press, c2006.
Full text available online (UCB users only)

Slocum, J. David
"The "film violence" trope : new Hollywood, "the sixties," and the politics of history." In: New Hollywood violence / edited by Steven Jay Schneider. Manchester ; New York : Manchester University Press ; New York : Distributed in the USA by Palgrave, 2004.
Main (Gardner) Stacks PN1995.9.V5 N49 2004

Suarez, Juan Antonio.
Bike Boys, Drag Queens & Superstars: Avant-garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema. Bloomington: Indiana University Press, c1996.
UCB Main PN1995.9.E96 S82 1996
UCB Moffitt PN1995.9.E96 S82 1996

Swinging single : representing sexuality in the 1960s
Hilary Radner and Moya Luckett, editors. Minneapolis : University of Minnesota Press, c1999.
Main (Gardner) Stacks HQ18.U5 S95 1999
Contents: Queering the girl / Hilary Radner -- Finding community in the early 1960s: underground cinema and sexual politics / Janet Staiger -- "You are an interesting man": gender, empire, and desire in David Lean's Lawrence of Arabia / Abdullah Habib AlMaaini -- Selling "atrocious sexual behavior": revising sexualities in the marketplace for adult film of the 1960s / Justin Wyatt -- A Yippie-Panther pipe dream: rethinking sex, race, and the sexual revolution / Leerom Medovoi -- Making the homophile manifest / Mark D. Jordan -- XXX: love and kisses from Charlie / Jeffrey Sconce -- Elizabeth Taylor: Hollywood's lost glamour girl / Susan McLeland -- Bringing Barbarella down to earth: the astronaut and feminine sexuality in the 1960s / Lisa Parks -- Sensuous women and single girls: reclaiming the female body in 1960s television / Moya Luckett -- The "coloscopic" film and the "beaver" film: scientific and pornographic scenes of female sexual responsiveness / Eithne Johnson -- Rusty ferns out: straightening hair, sexuality, and gender in Freckled and fourteen / Erica Rand.

Taylor, John Russell.
Cinema eye, cimena ear : some key film-makers of the sixties / John Russell Taylor. London : Methuen, 1964.
Main (Gardner) Stacks PN1998.A2 T38
Moffitt PN1998.A2 T38

Underground U.S.A. : filmmaking beyond the Hollywood canon
Edited by Xavier Mendik & Steven Jay Sc London ; New York : Wallflower Press, 2002.
Main (Gardner) Stacks PN1995.9.E96 U34 2002
Contents: Foreword: I.A.: I-won't-suck-the-mainstream-art / Lloyd Kaufman -- Introduction: Explorations underground: American film (ad)ventures beneath the Hollywood radar / Xavier Mendik & Steven Jay Schneider -- 'No worse than you were before': theory, economy and power in Abel Ferrara's 'The addition' / Joan Hawkins -- Radley Metzger's 'Elegant arousal': taste, aesthetic distinction and sexploitation / Elena Gorfinkel -- Curtis Harrington and the underground roots of the modern horror film / Stephen R. Bissette -- 'Special effects' in the cutting room / Tony Williams -- Real(ist) horror: from execution videos to snuff films / Joel Black -- Report on Bruce Coner's 'Report' / Martin F. Norden -- Voyeurism, sadism and transgression: screen notes and observations on Warhol's 'Blow job' and 'I, a man' / Jack Sargeant -- 'You bled my mother, you bled my father, but you won't bleed me': the underground trio of Melvin Van Peebles / Garrett Chaffin-Quiray -- Doris Wishman meets the avant-garde / Michael J. Bowen -- Full throttle on the highway to hell: mavericks, machismo and mayhem in the American biker movie / Bill Osgerby -- Ideal cinema of Harry Smith / Jonathan L. Crane -- What is the neo-underground and what isn't: a first consideration of Harmony Korine / Benjamin Halligan -- Underground America 1999 / Annalee Newitz -- Phantom menace: killer fans, consumer activism and digital filmmakers / Sara Gwenllian Jones -- Film co-ops: old soldiers from the sixties still standing in battle against Hollywood commercialism / Jack Stevenson -- 'Gouts of blood': the colourful underground universe of Herschell Gordon Lewis / Interview by Xavier Mendik -- Theory of xenomorphosis / Nick Zedd -- Visions of New York: films from the 1960s underground / David Schwartz -- Tasteless art: Waters, Kaufman and the pursuit of 'pure' gross-out / Xavier Mendik & Steven Jay Scheider.

von Dassanowsky, Robert.
"A Caper of One's Own: Fantasy Female Liberation in 1960s Crime Comedy Film." Journal of Popular Film & Television, Fall2007, Vol. 35 Issue 3, p117-118, 2p
UC users only

Walley, Jonathan
"The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film." October, vol. 103, pp. 15-30, Winter 2003
UC users only

Windows on the sixties : exploring key texts of media and culture
Edited by Anthony Aldgate, James London ; New York : I.B. Tauris, 2000.
Main (Gardner) Stacks P94.65.G7 W563 2000

Young, Cynthia Ann
"Shot in Watts : film and state violence in the 1970s." In: Soul power : culture, radicalism, and the making of a U.S. Third World left / Cynthia A. Young. Durham : Duke University Press, 2006.
Main (Gardner) Stacks E185.615 .Y58 2006
Table of contents

Foreign Cinema

Austin, Guy
"Vampirism, gender wars and the 'Final Girl': French fantasy film in the early Seventies." French Cultural Studies 1996; 7; 321
UC users only

Barber, Sian.
"Blue is the Pervading Shade': Re-examining British Film Censorship in the 1970s." Journal of British Cinema & Television, 2009, Vol. 6 Issue 3, p349-369, 21p
UC users only

Bassan, Raphaël; Courant, Gérard; Lebrat, Christian; Noguez, Dominique.
"French experimental cinema: the richness of the 1970s." Studies in French Cinema, 2004, Vol. 4 Issue 3, p165-174, 10
UC users only

Baschiera, Stefano; Chiara, Francesco Di.
"Once Upon a Time in Italy: Transnational Features of Genre Production 1960s-1970s." Film International, Dec2010, Vol. 8 Issue 6, p30-39, 10p, 12 Color Photographs, 2
UC users only

Bracke, Maud Anne.
"From Politics to Nostalgia: The Transformation of War Memories in France during the 1960s-1970s." European History Quarterly, 01/01/2011, Vol. 41 Issue 1, p5-24, 20p
UC users only

Brassart, Alain.
Les jeunes premiers dans le cinéma français des années soixante / Alain Brassart. Paris : Cerf ; Paris : Corlet, 2004.
Main (Gardner) Stacks PN1993.5.F7 B675 2004

Don't look now : British cinema in the 1970s
Edited by Paul Newland. Bristol, UK ; Chicago, USA : Intellect, 2010.
Main (Gardner) PN1993.5.G7 D66 2010

Dunlop, John B. D
"Russian nationalist themes in Soviet film of the 1970s." In: The Red screen : politics, society, art in Soviet cinema / edited by Anna Lawton. London ; New York : Routledge, 1992.
Main (Gardner) Stacks PN1993.5.R9 R4 1992

European 60s : Revolte, Phantasie & Utopie
Mit einem Essay von Jörg Becker ; gestaltet von Volker Berlin : Filmmuseum Berlin-Deutsche Kinemathek : Internationale Filmfestspiele Berlin ; München : Im Vertrieb der Edition Text + Kritik, 2002.
Main (Gardner) Stacks PN1993.5.E8 E954 2002

Faulkner, Sally
A cinema of contradiction : Spanish film in the 1960s / Sally Faulkner. Edinburgh : Edinburgh University, 2006.
Main (Gardner) Stacks PN1993.5.S7 F335 2006

Fu, Poshek
'The 1960s: Modernity, Youth Culture, and Hong Kong Cantonese Cinema." In: The cinema of Hong Kong : history, arts, identity / edited by Poshek Fu, David Desser. Cambridge, UK ; New York, NY : Cambridge University Press, 2000.
Main (Gardner) Stacks PN1993.5.H6 C56 2000 AVAILABLE
Pacific Film Archive PN1993.5.H6 H655 2000

The German experimental film of the seventies
Edited by Ulrich Gregor. Munich: Goethe-Institut, 1980.
Main (Gardner) Stacks PN1993.5.G3 G47 1980
Pacific Film Archive PN1993.5.G3 G4682 1980

Hake, Sabine.
"Art and exploitation: On the fascist imaginary in 1970s Italian cinema." Studies in European Cinema, 2010, Vol. 7 Issue 1, p11-19, 9p
UC users only

Hegarty, Kerry.
"Youth culture on film: an analysis of post-1968 Mexican cinema." Studies in Hispanic Cinemas, 2008, Vol. 4 Issue 3, p165-182, 18p
UC users only

Hourigan, Peter
"Slovak Cinema of the 1970s Revisited." Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema, vol. 47, pp. (no pagination), 2008

Larsson, Mariah.
"Practice Makes Perfect? The Production of the Swedish Sex Film in the 1970s." Film International, Dec2010, Vol. 8 Issue 6, p40-49, 10p
UC users only

Lee, Amy.
"Narratives as tools for interpretation: Hong Kong life through the lens of 1970s' cinema." Inter-Asia Cultural Studies, Sep2010, Vol. 11 Issue 3, p470-477, 8p

Macotela, Fernando
"Mexican Popular Cinema of the 1970s: How Popular Was It?" Studies in Latin American Popular Culture, vol. 1, pp. 27-34, 1982

Ming-Bao Yue.
"'There is no place like home': diasporic identifications and Taiwan cinema of the 1960s and 1970s." Postcolonial Studies, Jul2003, Vol. 6 Issue 2, p207, 15p
UC users only

Murphy, Robert
Sixties British cinema / Robert Murphy. London : BFI, 1992.
Main (Gardner) Stacks PN1993.5.G7 M873 1992

Nohchool Park.
"The new waves at the margin: an historical overview of South Korean cinema movements 1975-84." Journal of Japanese & Korean Cinema, 2009, Vol. 1 Issue 1, p45-63, 19p
UC users only

Shail, Robert.
Seventies British cinema / Robert Shail. Basingstoke : Palgrave Macmillan, 2008.
Main (Gardner) Stacks PN1993.5.G7 S49 2008
Contents: Take an easy ride: sexploitation in the 1970s / I. Q. Hunter -- The end of Hammer / Wheeler Winston Dixon -- The divergence and mutation of British horror cinema / Ian Conrich -- What a carry on! the decline and fall of a great British institution / Steve Gerrard -- When the chickens came home to roost: British thrillers of the 1970s / Ruth Barton -- From Amicus to Atlantis: the lost worlds of 1970s British cinema / James Chapman -- Glam, spam and Uncle Sam: funding diversity in 1970s British film production / Justin Smith -- "Now, what are we going to call you? sum!...scum! that's commercial! it's all they deserve!": Jubilee, pink and British film in the late 1970s / Claire Monk -- Nothing to do around here: British realist cinema in the 1970s / James Leggott -- Heritage crime: the case of Agatha Christie / Sarah Street -- Folksploitation: charting the horrors of the British folk music tradition in The Wicker Man / Paul Newland -- Under siege: the double rape of Straw Dogs / Sheldon Hall -- Don Boyd: the accidental producer / Dan North -- "More, much more...Roger Moore": a new bond for a new decade / Robert Shail -- The BFI and British Independent Cinema in the 1970s / Christopher Dupin.

Sklar, Robert.
"European films of the 1960s and 1970s." In: A world history of film / Robert Sklar. New York : Harry N. Abrams, 2002.
Main (Gardner) Stacks PN1993.5.A1 S555 2002

Sklar, Robert.
"When Looks Could Kill: American Cinema of the Sixties." Cineaste: America's Leading Magazine on the Art and Politics of the Cinema, vol. 16, no. 1-2, pp. 50-53, 1987

Smith, Alison
French cinema in the 1970s : the echoes of May / Alison Smith. Manchester ; New York : Manchester University Press : Distributed exclusively in the USA by Palgrave, 2005.
Main (Gardner) Stacks PN1993.5.F7 S65 2005

Smith, Alison
"The problems of immigration as shown in the French cinema of the 1970s." Modern & Contemporary France, Volume 3, Issue 1 1995 , pages 41 - 50
UC users only

Walker, Alexander.
Hollywood UK : the British film industry in the sixties / Alexander Walker. New York : Stein and Day, 1974.
Pacific Film Archive PN1993.5.G7 W2724 1974

Walker, Alexander
National heroes : British cinema in the seventies and eighties / Alexander Walker. London : Harrap, 1985.
Main (Gardner) Stacks PN1993.5.G7 W341 1985

Walker, J. A.
The once and future film : British cinema in the seventies and eighties / John Walker. London : Methuen, 1985.
Main (Gardner) Stacks PN1993.5.G7 W3 1985

Windhausen, Federico.
"Historiographic Returns: Reviewing British Avant-Garde Film of the 1970s." Grey Room, Winter2008, Issue 30, p114-128, 15p
UC users only

Yue, Ming-Bao
"'There Is No Place Like Home': Diasporic Identifications and Taiwan Cinema of the 1960s and 1970s." Postcolonial Studies, vol. 6, no. 2, pp. 207-221, July 2003
UC users only

Bibliographies on Notable 60s and 70s Films

US Films

Psycho (Dir. Alfred Hitchcock, 1960)

Spartacus (Dir. Stanley Kubrick, 1960)

Lolita (Dir. Stanley Kubrick, 1961)

The Manchurian Candidate (Dir. John Frankenheimer, 1962)

Ride the High Country (Sam Peckinpah, 1962)

The Birds (Dir. Alfred Hitchcock, 1963)

Dr. Strangelove (Dir. Stanley Kubrick, 1963)

Flaming Creatures (Dir. Jack Smith, 1963)

Cheyenne Autumn (Dir. John Ford, 1964)

Marnie (Dir. Alfred Hitchcock, 1964)

Scorpio Rising (Dir. Kenneth Anger, 1964)

Who's Afraid of Virginia Woolf (Dir. Mike Nichols, 1966)

Bonnie and Clyde (Dir. Arthur Penn, 1967)

Don't Look Back (Documentary) (Dir. D.A. Pennebaker, 1967)

The Graduate (Dir. Mike Nichols, 1967)

2001: A Space Odyssey (Dir. Stanley Kubrick, 1967)

Night of the Living Dead (Dir. George A. Romero, 1968)

Planet of the Apes (Franklin J. Schaffner, 1968)

Rosemary's Baby (Dir. Roman Polanski, 1968)

Easy Rider (Dir. Dennis Hopper, 1969)

M*A*S*H* (Dir. Robert Altman, 1969)

Midnight Cowboy (Dir. John Schlesinger, 1969)

The Wild Bunch (Dir. Sam Peckinpah, 1969)

The Boys in the Band (Dir. William Friedkin, 1970)

Little Big Man (Dir. Arthur Penn, 1970)

Zabriskie Point (Dir. Michelangelo Antonioni, 1970)

The French Connection (Dir. William Friedkin, 1971)

The Godfather (Dir. Francis Ford Coppola, 1972)

Klute (Dir. Alan J. Pakula, 1971)

McCabe & Mrs. Miller (Dir. Robert Altman, 1971)

Shaft (Dir. Gordon Parks, Jr., 1971)

Sweet Sweetback's Baad Asssss Song (Dir. Van Melvin Van Peebles, 1971)

The Exorcist (Dir. William Friedkin, 1973)

Mean Streets (Dir. Martin Scorsese, 1973)

Chinatown (Dir. Roman Polanski, 1974)

The Godfather II (Dir. Francis Ford Coppola, 1974)

The Conversation (Dir. Francis Ford Coppola, 1974)

The Texas Chainsaw Massacre (Dir. Tobe Hooper, 1974)

Jaws (Dir. Steven Spielberg, 1975)

Nashville (Dir. Robert Altman, 1975)

One Flew Over the Cuckoo's Nest (Dir. Milos Forman, 1975)

The Rocky Horror Picture Show (Dir. Jim Sharman, 1975)

Carrie (Dir. Brian De Palma, 1976)

Taxi Driver (Dir. Martin Scorsese, 1976)

Annie Hall (Dir. Woody Allen, 1977)

Close Encounters of the Third Kind (Dir. Steven Spielberg, 1977)

Star Wars (subsequently renamed Star Wars, Episode IV. Return of Hope) (Dir. George Lucas, 1977)

The Deer Hunter (Dir. Michael Cimino, 1978)

Halloween (Dir. John Carpenter, 1978)

Alien (Dir. Ridley Scott, 1979)

Apocalypse Now! (Dir. Francis Ford Coppola, 1979)

Foreign Films

Breathless (A Bout de souffle) (Dir. Jean-Luc Godard, 1960)

La Dolce Vita (Dir. Federico Fellini, 1960)

Jules and Jim (Dir. François Truffaut, 1961)

Last Year at Marienbad (Alain, Resnais, 1961)

The Exterminating Angel (El Angel exterminador) (Dir. Luis Buñuel, 1962)

Knife in the Water (Noz w wodzie) (Dir. Roman Polanski, 1962)

8 1/2 (Otto e mezzo) (Dir. Federico Fellini, 1963)

Tom Jones (Dir. Tony Richardson, 1963)

Band of Outsiders (Bande a part) (Dir. Jean-Luc Godard, 1964)

A Fistful of Dollars (Per un pugno di dollari)(Dir. Sergio Leone, 1964)

A Hard Day's Night (Dir. Richard Lester, 1964)

Red Desert (Il Deserto rosso) (Dir. Michelangelo Antonioni, 1964)

Alphaville (Dir. Jean-Luc Godard, 1965)

Juliet of the Spirits (Giulietta degli spiriti) (Dir. Federico Fellini, 1965)

Repulsion (Dir. Roman Polanski, 1965)

Blow-up (Dir. Michelangelo Antonioni, 1966)

Masculin Feminine (Dir. Jean-Luc Godard, 1966)

Persona (Dir. Ingmar Bergman, 1966)

Belle de Jour (Dir. Luis Buñuel, 1967)

Weekend (Dir. Jean-Luc Godard, 1967)

La Chinoise (Dir. Jean-Luc Godard, 1968)

Hour of the Wolf (Dir. Ingmar Bergman, 1968)

My Night at Maude's (Ma nuit chez Maud) (Dir. Eric Rohmer, 1969)

Satyricon (Dir. Federico Fellini, 1969)

The Conformist (Il Conformista) (Dir. Bernardo Bertolucci, 1970)

A Clockwork Orange (Dir. Stanley Kubrick, 1970)

Aguirre Wrath of God (Aguirre, der Zorn Gottes) (Dir. Werner Herzog, 1972)

Cries and Whispers (Viskningar och rop) (Dir. Ingmar Bergman, 1972)

The Discreet Charm of the Bourgeoisie, Le Charme discret de la bourgeoisie) (Dir. Luis Buñuel, 1972)

Frenzy (Dir. Alfred Hitchcock, 1972)

Roma (Dir. Federico Fellini, 1969)

Solaris (Solyaris) (Dir. Andrei Tarkovsky, 1972)

Day for Night (La Nuit americaine) (Dir. François Truffaut, 1973)

Last Tango in Paris (Ultimo tango a Parigi) Dir. Bernardo Bertolucci, 1973)

Amarcord (Dir. Federico Fellini, 1974)

Fox and His Friends (Faustrecht der Freiheit) (Dir. Rainer Werner Fassbinder, 1975)

The Passenger (Professione: reporter) (Dir. Michelangelo Antonioni, 1975)

Barry Lyndon (Dir. Stanley Kubrick, 1976)

In the Realm of the Senses (Ai no corrida Ai no corrida Ai no corrida Ai no corrida) (Dir. Nagisa Oshima, 1976)

Man of Marble (Czlowiek z marmuru) (Dir. Andrzej Wajda, 1976)

Autumn Sonata (Hostsonaten) (Dir. Ingmar Bergman, 1978)

Germany Pale Mother (Deutschland bleiche Mütter) (Dir. Helma Sanders-Brahms, 1979)

The Marriage of Maria Braun (Die Ehe der Maria Braun) (Dir. Rainer Werner Fassbinder, 1979)

The Tin Drum (Die Blechtrommel) (Dir. Volker Schlondorff, 1979)

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